Days of Rona: Johannes from Mindcrawler

Posted in Features on May 28th, 2020 by JJ Koczan

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

MINDCRAWLER JOHANNES

Days of Rona: Johannes from Mindcrawler (Munich, Germany)

It can take over 1,000 hours to write the most complex theses. If you're tired of looking at a blank Word document, contact or http://www.madelux.fr/?writing-policy-papers services. How are you dealing with this crisis as a band?

On a personal level, none of us has been hit particularly hard by the crisis, aside from having to stay at home for several weeks now. We are fortunate enough that all of us have jobs or studies that can be done from home. So in all, and aside from growing boredom and cabin fever, the impact has been pretty mild on that front.

However, as a band, we weren’t able to get together and play for weeks either, which is a huge bummer. Mainly because we have a ton of new material we were planning to turn into songs, in preparation of future releases and gigs. So this came to a screeching halt for now. On the flipside though, each of us has been creative from home. Writing more material, playing around with new stuff, e.g. synthie sounds and some visual shenanigans. So I guess, in the long run, we are all set.

At the moment, we are hoping that the crisis will fade away quickly. We have some significant gigs lined up for the fall and it would be a shame if those would fall through.

Work with ACW's developmental and comprehensive write my paper for me in 3 hourss to ensure that your academic writing is successful! What are the quarantine/isolation rules where you are?

Corona restrictions in Munich (as in the whole of Bavaria) have been pretty harsh in the beginning. Practically nobody was allowed to even leave the house aside from some reduced sporting activities and the like. These have been enforced pretty consistently, too. So there has been a good month or so of strictly having to stay at home. However, this has been relaxed to some extent by now. For instance, we are now allowed to meet with “one person from another household”, which is nice (but does not help much in terms of playing together as a band).

http://bmatovu.com/help-with-life-science-homework - Quality and cheap essay to make easier your life forget about your fears, place your assignment here and get your What do you think of how the music community specifically has responded? How do you feel during this time? Are you inspired? Discouraged? Bored? Any and all of it?

I think the music community has responded in a good way, at least in Munich. There has been plans to stream concerts without audiences, and there is some solidarity stuff going on. We feel sorry for all the hardworking, beautiful people who, in normal times, organize all the concerts and other creative offerings. They are really hit hard by this crisis, and I feel that, on top of that, they are largely left alone by the government. Honestly, I’m not sure I would be able to handle the uncertainty they are facing right now. In addition, we are not sure how the ripple effects of that will affect smaller or “semi-professional” musicians and their ability to play in the long run.

As mentioned before, for Mindcrawler, our creative process moved from a collective effort as a band to more individual efforts at home. Still, I would say we are rather inspired as a whole. I guess the good side of being stuck at home is that you pick up the guitar more often, or engage in stuff you were kinda putting off for some time (like synthies or visuals).

Need to custom homeworks denver? Easypeasyessays is 100% trustful research paper writing service and offers original work,always deliver on time for best price! What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

First and foremost: Stay safe, practice social distancing, wear your face masks! The more responsibly we as a community act now, the faster this shitty situation will be over.

Aside from this, we miss being on stage, and engaging with all those wonderful people in the stoner/doom scene in general. We are lucky enough that the reactions to our first release Lost Orbiter have been very kind, so we are eager to give some of the kindness back to all of you. In a first step, we are very happy that we signed a record deal with Sound Effect Records, so people will see the album released on vinyl fairly soon.

In addition, we are very eager to get back together as band and write new songs, and more importantly, to go out and play them!

http://www.facebook.com/Mindcrawler/
https://www.instagram.com/mindcrawler.band/
https://mindcrawler.bandcamp.com/
http://www.motljud.com/
https://www.soundeffect-records.gr/

Tags: , , , ,

Quarterly Review: Ocean Chief, Barnabus, Helen Money, Elder Druid, Mindcrawler, Temple of Void, Lunar Swamp, Huge Molasses Tank Explodes, Emile, Saturno Grooves

Posted in Reviews on March 27th, 2020 by JJ Koczan

quarterly review

I’m not saying I backloaded the Quarterly Review or anything — because I didn’t — but maybe subconsciously I wanted to throw in a few releases here I had a pretty good idea I was gonna dig beforehand. Pretty much all of them, as it turned out. Not a thing I regret happening, though, again, neither was it something I did purposefully. Anyone see A Serious Man? In this instance, I’m happy to “accept the mystery” and move on.

Before we dive into the last day, of course I want to say thank you for reading if you have been. If you’ve followed along all week or this is the only post you’ve seen or you’re just here because I tagged your band in the post on Thee Facebooks, whatever it is, it is appreciated. Thank you. Especially given the global pandemic, your time and attention is highly valued.

Quarterly Review #41-50:

Ocean Chief, Den Tredje Dagen

ocean chief den tredje dagen

The first check here in Malaysia One of the most intimidating things a student will encounter while in college is having to write a thesis. When you have to Ocean Chief record in six years is nothing if not weighted enough to make up for anything like lost time. Also the long-running Swedish outfit’s debut on Our Skateboarding Term Paper enhance our client's probability of winning through development of compliant, convincing and compelling proposals. Argonauta Records, Outsource page to Outsource2india and get quick, reliable, and cost-effective Dissertation Transcription Services in India. Den Tredje Dagen on CD/DL runs five songs and 59 minutes, and though it’s not without a sense of melody either instrumentally or vocally — certainly its guitars have plenty enough to evoke a sense of mournfulness at least — its primary impact still stems from the sheer heft of its tonality, and its tracks are of the sort that a given reviewer might be tempted to call “slabs.” They land accordingly, the longest of them positioned as the centerpiece “Dömd” seething with slower- We are an in-house http://www.uk-officesupplies.com/master-thesis-power/ catering to businesses and agencies of all sizes. Our expert copywriters will create stunning, fully optimized Celtic Frost anxiety and the utter nastiness of its intent spread across 15-plus minutes of let-me-just-go-ahead-and-crush-that-for-you where “that” is everything and “no” isn’t taken for an answer. There’s respite in closer “Den Sista Resan” and the CD-bonus “Dimension 5,” but even these maintain an atmospheric severity consistent with what precedes them. One way or another, it is all fucking destroyed.

Ocean Chief on Thee Facebooks

Argonauta Records store

 

Barnabus, Beginning to Unwind

barnabus beginning to unwind

Come ye historians and classic heavy rockers. Come, reap what Where can i find more info. Trusted research paper writing service with 100% satisfaction guarantee! We write custom term papers from scratch. Rise Above Relics has sown. Though it’s hard sometimes not to think of the college essay depression http://www.nuotohydros.net/how-to-write-an-outline-for-a-literature-review/ steps of research paper writing mit application essay help Rise Above Records imprint as label-honcho Want to Buy an Essay Online, Visit Website, from a Reputable Writing Company But Don't Want to End Up. Our firm is giving professional help in Lee Dorrian (ex- It is at Buyassignment.com that your answer for I Dissertation Organizational Leadership for me, always gets answered wih 100% satisfaction! Cathedral, current see this that guarantees an excellent academic grade. The best essay writing service is here to help! With the Dead) picking out highlights from his own record collection — which is the stuff of legend — neither is that in any way a problem. : If you need help writing a speech outline, order it on the website. The company is well known for providing How To Write Bibliography For A Projects. Barnabus, who hailed and apparently on occasion still hail from the West Midlands in the UK, issued the http://www.queen-jungle.com/entrepreneur-business-plan-pro/ - Best Homework Writing Service - Get Help With Non-Plagiarized Paper Assignments Plagiarism Free Secure Student Writing Website - Get Help Beginning to Unwind in 1972 as part of an original run that ended the next year. So it goes. Past its 10-minute jammy opener/longest track (immediate points) “America,” the new issue of Beginning to Unwind includes the LP, demos, live tracks, and no doubt assorted other odds and ends as well from Barnabus‘ brief time together. Songs like “The War Drags On” and “Resolute” are the stuff of ’70s-riff daydreams, while “Don’t Cry for Me My Lady” digs into proto-prog without losing its psych-folk inflection. I’m told the CD comes with a 44-page booklet, which only furthers the true archival standard of the release.

Barnabus on Thee Facebooks

Rise Above Relics store

 

Helen Money, Atomic

helen money atomic

To those for whom Helen Money is a familiar entity, the arrival of a new full-length release will no doubt only be greeted with joy. The ongoing project of experimental cellist Alison Chesley, though the work itself — issued through Thrill Jockey as a welcome follow-up to 2016’s Become Zero (review here) — is hardly joyful. Coping with the universality of grief and notions of grieving-together with family, Chesley brings forth minimalism and electronics-inclusive stylstic reach in kind across the pulsating “Nemesis,” the periodic distortion of her core instrument jarring when it hits. She takes on a harp for “Coppe” and the effect is cinematic in a way that seems to find answer on the later “One Year One Ring,” after which follows the has-drums “Marrow,” but wherever Chesley goes on Atomic‘s 47 minutes, the overlay of mourning is never far off.

Helen Money on Thee Facebooks

Thrill Jockey Records store

 

Elder Druid, Golgotha

elder druid golgotha

Belfast dual-guitar sludge five-piece Elder Druid return with seven tracks/39 minutes of ready punishment on their second album, Golgotha, answering the anger of 2017’s Carmina Satanae with densely-packed tones and grooves topped with near-universal harsh vocals (closer “Archmage” is the exception). What they’re playing doesn’t require an overdose of invention, with their focus is so much on hammering their riffs home, and certainly the interwoven leads of the title-track present some vision of intricacy for those who might demand it while also being punched in the face, and the transitional “Sentinel,” which follows,” brings some more doomly vibes ahead of “Vincere Vel Mori,” which revives the nod, “Dreadnought” has keys as well as a drum solo, and the penultimate “Paegan Dawn of Anubis” brings in an arrangement of backing vocals, so neither are they void of variety. At the feedback-soaked end of “Archmage,” Golgotha comes across genuine in its aggression and more sure of their approach than they were even just a couple years ago.

Elder Druid on Thee Facebooks

Elder Druid on Bandcamp

 

Mindcrawler, Lost Orbiter

mindcrawler lost orbiter

I know the whole world seems like it’s in chaos right now — mostly because it is — but go ahead and quote me on this: a band does not come along in 2020 and put out a record like Lost Orbiter and not get picked up by some label if they choose to be. Among 2020’s most promising debuts, it is progressive without pretense, tonally rich and melodically engaging, marked out by a poise of songcraft that speaks to forward potential whether it’s in the coursing leads of “Drake’s Equation” or the final slowdown/speedup of “Trappist-1” that smoothly shifts into the sample at the start of closer “Dead Space.” Mindcrawler‘s first album — self-recorded, no less — is modern cosmic-heavy brought to bear in a way that strikes such a balance between the grounded and the psychedelic that it should not be ignored, even in the massively crowded international underground from which they’re emerging. And the key point there is they are emerging, and that as thoughtfully composed as the six tracks/29 minutes of Lost Orbiter are, they only represent the beginning stages of what Mindcrawler might accomplish. If there is justice left, someone will release it on vinyl.

Mindcrawler on Thee Facebook

Mindcrawler on Bandcamp

 

Temple of Void, The World That Was

Temple of Void The World that Was

Michigan doom-death five-piece Temple of Void have pushed steadily toward the latter end of that equation over their now-three full-lengths, and though The World That Was (their second offering through Shadow Kingdom) is still prone to its slower tempos and is includes the classical-guitar interlude “A Single Obulus,” that stands right before “Leave the Light Behind,” which is most certainly death metal. Not arguing with it, as to do so would surely only invite punishment. The extremity only adds to the character of Temple of Void‘s work overall, and as “Casket of Shame” seems to be at war with itself, so too is it seemingly at war with whatever manner of flesh its working so diligently to separate from the bone. Across a still-brief 37 minutes, The World That Was — which caps with its most-excellently-decayed nine-minute title-track — harnesses and realizes this grim vision, and Temple of Void declare in no uncertain terms that no matter how they might choose to tip the scale on the balance of their sound, they are its master.

Temple of Void on Thee Facebooks

Shadow Kingdom Records store

 

Lunar Swamp, Shamanic Owl

Lunar Swamp Shamanic Owl

Lunar Swamp have spawned as a blusier-directed offshoot of Italian doomers Bretus of which vocalist Mark Wolf, guitarist/bassist Machen and drummer S.M. Ghoul are members, and sure enough, their debut single “Shamanic Owl,” fosters this approach. As the band aren’t strangers to each other, it isn’t such a surprise that they’d be able to decide on a sound and make it happen their first time out but the seven-minute roller — also the leadoff their first EP, UnderMudBlues, which is due on CD in June — also finds time to work in a nod to the central riff of Sleep‘s “Dragonaut” along with its pointed worship of Black Sabbath, so neither do they seems strictly adherent to a blues foundation, despite the slide guitar that works its way in at the finish. How the rest of the EP might play out need not be a mystery — it’s out digitally now — but as far as an introduction goes, “Shamanic Owl” will find welcome among those seeking comfort in the genre-familiar.

Lunar Swamp on Thee Facebooks

Lunar Swamp on Bandcamp

 

Huge Molasses Tank Explodes, II

Huge Molasses Tank Explodes II

The nine-track/42-minute second LP, II, from Milano post-this-or-that five-piece Huge Molasses Tank Explodes certainly finds the band earning bonus points based on their moniker alone, but more than that, it is a work of reach and intricacy alike, finding the moment where New Wave emerged from out of krautrock’s fascination with synthesizer music and bring to that a psychedelic shimmer that is too vintage-feeling to be anything other than modern. It is laid back enough in its overarching affect that “The Run” feels dreamy, most especially in its guitar lines, but never is it entirely at rest, and both the centerpiece “No One” and the later “So Much to Lose” help continue the momentum that “The Run” manages so fluidly to build in a manner one might liken to space rock were the implication of strict adherence to stylistic guidelines so implicit in that categorization. They present this nuance with a natural-seeming sense of craft and in “High or Low,” a fuzzy tone that feels like only a welcome windfall. Those who can get their head around it should seek to do so, and kudos to Huge Molasses Tank Explodes for being more than just a clever name.

Huge Molasses Tank Explodes on Thee Facebooks

Retro Vox Records on Bandcamp

 

Emile, The Black Spider/Det Kollektive Selvmord

Emile The Black Spider Det Kollektive Selvmord

Set to release through Heavy Psych Sounds on the same day as the new album from his main outfit The Sonic Dawn, The Black Spider/Det Kollective Selvmord is the debut solo album from Copenhagen-based singer-songwriter and guitarist Emile Bureau, who has adopted his first name as his moniker of choice. Fair enough for the naturalism and intended intimacy of the 11-track/39-minute outing, which indeed splits itself between portions in English and in Danish, sounding likewise able to bring together sweet melodies in both. Edges of distortion in “Bundlos” and some percussion in the second half’s title-track give a semblance of arrangement to the LP, but at the core is Emile himself, his vocals and guitar, and that’s clearly the purpose behind it. Where The Sonic Dawn often boast a celebratory feel, The Black Spider/Det Kollective Selvmord is almost entirely subdued, and its expressive sensibility comes through regardless of language.

Emile on Thee Facebooks

Heavy Psych Sounds store

 

Saturno Grooves, Cosmic Echoes

saturno grooves cosmic echoes

Sonic restlessness! “Fire Dome” begins with a riffy rush, “Forever Zero” vibes out on low end and classic swing, the title-track feels like an Endless Boogie jam got lost in the solar system, “Celestial Tunnel” is all-thrust until it isn’t at all, “Blind Faith” is an acoustic interlude, and “Dark Matter” is a punk song. Because god damn, of course it is. It is little short of a miracle Saturno Grooves make their second album, Cosmic Echoes as remarkably cohesive as it is, yet through it all they hold fast to class and purpose alike, and from its spacious outset to its bursting finish, there isn’t a minute of Cosmic Echoes that feels like happenstance, even though they’re obviously following one impulse after the next in terms of style. Heavy (mostly) instrumentalism that works actively not to be contained. Out among the echoes, Saturno Grooves might just be finding their own wavelength.

Saturno Groove on Thee Facebooks

LSDR Records store

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

The Obelisk Show on Gimme Radio Playlist: Episode 30

Posted in Radio on March 20th, 2020 by JJ Koczan

the obelisk show banner

There’s some stuff here that was recently premiered — Moura, King Buffalo, the Thunderbird Divine track that went up today — but I’m also bringing in a few things from the Quarterly Review that I’ve got slated for next week. That’s stuff I haven’t had the chance to write about yet like Mindcrawler and Lemurian Folk Songs, Ritual King and Dystopian Future Movies. I know I’m biased here and I always say this — if you dig back through the old podcasts, I used to say it about those too, but I think it’s a pretty good show.

It was a little weird cutting voice tracks for it yesterday though, I’ll say that. Yeah, it’s awesome new music and that’s always great to be excited about, but it feels a little lightweight to be stoked on cool songs when there’s a pandemic on and obviously bigger issues at play. The way I look at it is music is ultimately that escape that people need and if I can maybe give someone something they haven’t heard before and might dig, then I guess that’s not nothing. It ain’t driving a truck for Meals on Wheels when it comes to lending a hand — I should be doing that shit, as should we all, all the time — but it’s what I’ve got, anyhow.

Thanks for listening if you do, and if you see this and don’t listen, then thanks just for reading.

The Obelisk Show airs 5PM Eastern today at http://gimmeradio.com

Full playlist:

The Obelisk Show – 03.20.20

Moura Ronda das Mafarricas Moura*
Dozer Rising Call it Conspiracy (2020 Reissue)*
Lord Fowl Fire Discipline Glorious Babylon*
Ritual King Dead Roads Ritual King*
BREAK
Thunderbird Divine The Hand of Man The Hand of Man*
Mindcrawler Dead Space Lost Orbiter*
Elder Omens Omens*
Arbouretum Let it All In Let it All In*
BREAK
Dystopian Future Movies Countenance Inviolate*
Lord Buffalo Raziel Tohu Wa Bohu*
Lemurian Folk Songs Logos Logos*
Sorcia Stars Collide Sorcia*
BREAK
King Buffalo Red Star Pt. 1 & 2 Dead Star EP*

The Obelisk Show on Gimme Radio airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is April 3 (subject to change). Thanks for listening if you do.

Gimme Radio website

The Obelisk on Thee Facebooks

Tags: , , , , , , , , , , , , , ,

Keep it Low 2020 Adds Samsara Blues Experiment, Yawning Man, Last Rizla, Chang & Mindcrawler

Posted in Whathaveyou on February 20th, 2020 by JJ Koczan

keep it low 2020 banner

Calling it right now: there’s gonna be a new Samsara Blues Experiment album out by the time they get to Munich for the 2020 edition of Keep it Low Festival. Do I know that? Hell no. Not at all. I have no such knowledge, and even if I did — mind you I don’t, at all, really; that’s not me being coy, I actually don’t fucking know — but they’re not a band who just get out and do fests on a whim. Now, I don’t necessarily know if they’ll be on tour for four weeks and hit all the Euro fests happening at that time, whereas I wouldn’t be surprised at all to see Yawning Man pop up on other lineups in addition to this one — I wouldn’t be surprised if they had a new record out too, while I’m thinking about it — but it was late-2018 when they said they were getting to work on a follow-up to 2017’s One with the Universe (review here), so it doesn’t at all seem unreasonable to think that record will come to fruition by this Fall.

I don’t know that. But I’m calling it now. If it doesn’t happen, I probably won’t remind you that I said it would. Ha.

Greece’s Last Rizla and Germany’s Chang and Mindcrawler have also signed on to play, and you’ll find the full announcement from the fest below. You’ll note there’s no mention of a new Samsara Blues Experiment album. Nothing: that’s exactly what they would say if it was going to happen.

From thee social medias:

Keepers,

We know that October is quite far away, but we just can’t help it! It’s our pleasure to welcome 5 more killer acts to Keep It Low Festival 2020!

Samsara Blues Experiment (GER)
Yawning Man (US)
Last Rizla (GRE)
Chang (GER)
Mindcrawler (GER)

We hope you like this announcement as much as we do!

2-day tickets are selling fast and there aren’t many left, so don’t sleep on that and get yours here:

Tickets available here:

https://www.sol-tickets.com/produkte/51-tickets-keep-it-low-festival-2020-feierwerk-area-muenchen-am-09-10-2020

https://woolheads.com/product/keep-it-low-festivalticket-weekend-2020

https://www.eventim.de/artist/keep-it-low-festival/

https://www.facebook.com/events/975025036197960/
https://www.facebook.com/keepitlowfestival/
https://www.keepitlow.de/
https://www.soundofliberation.com/

Samsara Blues Experiment, One with the Universe (2017)

Tags: , , , , , , , , ,