Days of Rona: Nick DiSalvo of Elder

Posted in Features on March 30th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. — JJ Koczan

elder nick disalvo

Days of Rona: Nick DiSalvo of Elder (Germany)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

I don’t think a pandemic would ever come at a “convenient” time, but since we’re releasing a new album at the end of April and had tours lined up for the next half-year following that, it’s causing some problems. We’re rescheduling the concerts coming up soonest and taking the rest on a wait-and-see basis. Thankfully, that’s our biggest problem and everyone is healthy. Jack continues to work in a very public space, being an ‘essential worker’, but so far so good.

What are the quarantine/isolation rules where you are?

In Germany, currently we’re allowed to move freely but with a few restrictions. Groups of over two people aren’t allowed in public or private, nonessential businesses are closed and everyone is predictably advised to stay in unless absolutely necessary. In Massachusetts, I believe it’s similar.

How have you seen the virus affecting the community around you and in music?

There’s a general sense of unwellbeing in the city. Supermarkets are eerie, streets are mostly empty. Needless to say the clubs and bands here are facing the same crises as elsewhere, but there is at least funding being freed up for artists by the state. I’ve seen an uptick in kind messages and bits of support in the way of merch sales and downloads, which is heartening. People are helping out where they can – I mean, except for the super-rich and corporations, etc.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Well, we’re fine. Things like this put your problems into perspective, even as they are creating them. We might have to cancel tours and lose money/momentum as a band, but people are suffering and dying by the thousands and it will only get worse.

http://facebook.com/elderofficial
https://www.instagram.com/elderband/
http://armageddonshop.com
https://www.stickman-records.com/

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Elder Post Omens Cover Art; Preorders Available

Posted in Whathaveyou on February 24th, 2020 by JJ Koczan

Well, preorders are up for Elder‘s new album, Omens. I’m not going to tell you I’ve heard the record or anything, but I am going to tell you that it’s the most progressive thing they’ve ever done, and it sets in motion a new stage of the band’s ongoing evolution. They approach and execute it like the veterans they’ve become, and construct their songs with a masterful hand. I’m not telling you I’ve heard it, but I am telling you it’s probably going to be a consensus album of the year for 2020 when December comes.

Cover art has been unveiled today along with the title-track, which is representative of course of the album as a whole and a pretty damn fine way to spend the next 10 minutes of your life.

Dig in:

elder omens

Elder have set an April 24 release date for one of the year’s most eagerly-awaited rock releases… Their 5th full length album: “Omens”.

US preorder link: https://armageddonlabel.bigcartel.com/

EU preorder link: https://www.stickman-records.com/shop/elder-omens/

“To me, Omens is our most complete work to date: a set of songs that express the breadth of the band’s collective influences,” explains singer/guitar player Nick DiSalvo. “After recording The Gold & Silver Sessions EP, it felt like we fully scratched the itch to explore our minimalist side, taking a step back from the proggy song structures and heavy guitar work of our previous records and just letting the music drift along. When beginning to work on Omens, the goal was to integrate these two tendencies in the band – to make a modern day progressive rock record, but also to take time to jam and float when need be. Most importantly, I feel the spirit of adventure in our music is alive and well, and we missed no opportunity to bring in a whole new arsenal of sounds to the record.”

The five song, 54-minute album is a concept album that mimics the lifespan of a civilization, and also reads as a commentary on our own society hell-bent on profitability at the expense of our own lives and environment.

Omens was produced by Peter Deimel (Anna Calvi, The Kills, The Wedding Present) and recorded at Studio Black Box in Noyant-La-Gravoyêre, France. Deimel and DiSalvo mixed the collection.

Elder is Nick DiSalvo (guitar, vocals, keyboards), Jack Donvan (bass), Michael Risberg (guitars, keyboards) and Georg Edert (drums). The New Bedford, Mass. born band have released five full-length studio albums: Elder (2008), Dead Roots Stirring (2011), Lore (2015) and Reflections of a Floating World (2017).

1. Omens
2. In Procession
3. Halcyon
4. Embers
5. One Light Retreating

Elder US 2020 Tour:
May 6 Brooklyn, NY Elsewhere
May 7 Philadelphia, PA Underground Arts
May 8 Richmond, VA Richmond Music Hall
May 9 Asheville, NC Mothlight
May 10 Atlanta, GA The Earl
May 12 Lexington, KY Cosmic Charlies
May 13 Nashville, TN Mercy Lounge
May 14 New Orleans, LA One Eyed Jacks
May 15 Houston, TX Secret Group
May 16 Austin, TX Barracuda
May 17 Dallas, TX Blue Light
May 19 Albuquerque, NM Sister Bar
May 20 Denver, CO Hi Dive
May 22 St. Paul, MN Turf Club
May 23 Chicago, IL Reggie’s
May 24 Cleveland, OH Grog Shop
May 26 Detroit, MI Sanctuary
May 27 Toronto, ON Lee’s Palace
May 28 Montreal, QC Café Campus
May 29 Boston, MA ONCE Ballroom

Tickets are on-sale now. Bask opens on all dates.

http://facebook.com/elderofficial
https://www.instagram.com/elderband/
http://armageddonshop.com
https://www.stickman-records.com/

Elder, “Omens”

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Elder to Release Omens April 24; Tour Dates Announced

Posted in Whathaveyou on January 31st, 2020 by JJ Koczan

elder

Do I even really need to chime in here and say that Elder‘s new album, Omens, probably ranks as the most anticipated release of 2020? I mean, it was before they started recording, simply on the premise that they were working on new material. There’s no audio from it yet, so, you know, take it easy, but presumably they’ll get there. April 24 is the release date and it looks like it’ll once again be out through Armageddon Shop in the US and Stickman Records in Europe, which is how they’ve been rolling for half a decade now since putting out 2015’s Lore (review here) which if you missed it was this site’s pick for album of the decade just ended.

Omens will be the follow-up to the Massachusetts/Germany-based four-piece’s 2017 outing, Reflections of a Floating World (review here), which continued the progressive explorations of its predecessor while exploring a new range of instrumental dynamics. As to what the five tracks of Omens might foretell, we’ll have to wait to find out. The good news is there are now also tour dates to look forward to. With Bask, no less. No doubt the first of many tours to come.

This is a big deal.

From the PR wire:

elder tour

ELDER RELEASE OMENS ON APRIL 24 VIA ARMAGEDDON SHOP

A NORTH AMERICAN SPRING TOUR HAS ALSO BEEN ANNOUNCED

Elder have set an April 24 release date for one of the year’s most eagerly-awaited rock releases: Omens (Armageddon Shop).

In the last dozen years, Elder has stepped out of the shadows of their peers in the heavy rock underground to emerge a unique voice, delivering album after album of almost unparalleled consistency and creativity. Omens, the band’s fifth full-length record, is the newest pillar in the construction of their own musical universe. Across five songs and 54 minutes, Elder further embrace experimentation in their brand of progressive psychedelic rock in which atmosphere, melody and structure are created and transformed again and again.

“To me, Omens is our most complete work to date: a set of songs that express the breadth of the band’s collective influences,” explains singer/guitar player Nick DiSalvo. “After recording The Gold & Silver Sessions EP, it felt like we fully scratched the itch to explore our minimalist side, taking a step back from the proggy song structures and heavy guitar work of our previous records and just letting the music drift along. When beginning to work on Omens, the goal was to integrate these two tendencies in the band – to make a modern day progressive rock record, but also to take time to jam and float when need be. Most importantly, I feel the spirit of adventure in our music is alive and well, and we missed no opportunity to bring in a whole new arsenal of sounds to the record.”

The five song, 54-minute album is a concept album that mimics the lifespan of a civilization, and also reads as a commentary on our own society hell-bent on profitability at the expense of our own lives and environment. Omens was produced by Peter Deimel (Anna Calvi, The Kills, The Wedding Present) and recorded at Studio Black Box in Noyant-La-Gravoyêre, France. Deimel and DiSalvo mixed the collection.

Elder tour dates:
May 6 Brooklyn, NY Elsewhere
May 7 Philadelphia, PA Underground Arts
May 8 Richmond, VA Richmond Music Hall
May 9 Asheville, NC Mothlight
May 10 Atlanta, GA The Earl
May 12 Lexington, KY Cosmic Charlies
May 13 Nashville, TN Mercy Lounge
May 14 New Orleans, LA One Eyed Jacks
May 15 Houston, TX Secret Group
May 16 Austin, TX Barracuda
May 17 Dallas, TX Blue Light
May 19 Albuquerque, NM Sister Bar
May 20 Denver, CO Hi Dive
May 22 St. Paul, MN Turf Club
May 23 Chicago, IL Reggie’s
May 24 Cleveland, OH Grog Shop
May 26 Detroit, MI Sanctuary
May 27 Toronto, ON Lee’s Palace
May 28 Montreal, QC Café Campus
May 29 Boston, MA ONCE Ballroom

Tickets are on-sale now. Bask opens on all dates.

Elder is Nick DiSalvo (guitar, vocals, keyboards), Jack Donovan (bass), Michael Risberg (guitars, keyboards) and Georg Edert (drums).

http://facebook.com/elderofficial
https://www.instagram.com/elderband/
http://armageddonshop.com
https://www.stickman-records.com/

Elder, Reflections of a Floating World (2017)

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Album of the Decade: Elder, Lore

Posted in Features on December 27th, 2019 by JJ Koczan

elder-lore

[NOTE: This is not the results of the best of the 2010s poll, which is ongoing. Please add your choice/choices there if you haven’t, and thanks.]

This has been an incredibly difficult choice. It’s something I started really thinking about in the middle of last year, and even this morning I was back and forth on what my final pick would be. You know what sealed the deal for Elder‘s Lore (review here) as album of the decade?

I put it on.

And it wasn’t two minutes into the sweeping 10-minute opener “Compendium” before the deal was sealed. The then-Massachusetts-based then-trio (hey, things change) of guitarist/vocalist Nick DiSalvo, bassist Jack Donovan and drummer Matt Couto — the latter of whom recently parted ways with the band — issued Lore in 2015, and it was album of the year at the time as well. I recall agonizing over that choice as well, but in the end, my reasoning is much the same now as it was then, in that I genuinely don’t think there is another full-length record released between 2010 and 2019 that works at the level of craft Elder do on Lore while at the same time being so purely forward thinking.

Lore‘s release through Armageddon Shop and Stickman Records followed 2011’s Dead Roots Stirring (review here) on MeteorCity and felt long in the making, but the jump in sound was even further. To compare the approach of the two records, some of the differences are superficial. Elder‘s penchant since their 2008 self-titled debut (discussed here) has always been for composing songs by marrying parts together and creating a flow based more on movements than traditionalist verses and chorus. I admit there are times when I personally find this hilariously maddening, but their work still finds ways to stand pieces out and make them memorable. It was true on Dead Roots Stirring and Lore alike, but the presentation and the mission were fundamentally different between the two.

It’s a question of clarity. Where Dead Roots Stirring was (and is, if you’re listening in the present tense) more rooted in heavy rock distortion and production, the Justin Pizzoferrato-recorded Lore certainly had those elements at play — the post-guitar-as-mellotron-orchestra sweep apex of the 15-minute centerpiece title-track being a riffy example, as well as the swinging rush earlier in “Compendium,” the finish in “Spirit at Aphelion,” etc. — but the album is much more defined by DiSalvo‘s shimmering guitar and its progressive edge. It is a clean sound. And what’s more, four years since Lore came out and listening to it, my head is still spinning. I mean it. You would have to sit with a flowchart for each track and measure out where one part ends and the next starts. And when you’re done doing that, once you have all the crescendos and twists and winding progressions measured and calculated and so on plotted, you’ll still only have one piece of Lore‘s puzzle configured, because in addition to its blindsiding, careening movements, there’s the melody.

elder (Photo by Ryan Boyd)

With the prescient experimental play at the start of “Deadweight” and even in the cascade wash that emerges in that track’s second half — a glorious noise bath that leads to a galloping end that at the time seemed outshined by the title-track before it and now stands as all the more testament to Lore‘s enduring quality — or in the lead and languid verse atop the rolling beginning of second cut “Legend,” Elder unfolded a new level of accomplishment in melodic reach instrumentally and vocally. With Donovan and Couto in rhythmic lockstep as the sure foundation of DiSalvo‘s tonal breadth, the three-piece used traditional power trio dynamics to pull tradition apart at the seams. And for an album that’s an hour long and begins at such an immediate rush with the opening guitar figure of “Compendium” daring the listener to keep pace, it still remains eminently listenable and enjoyable because of the work the melody does in carrying across all its many changes. Along with Couto‘s essential swing, it’s the melody most responsible for tying Lore together and uniting its five component tracks as a single work.

As the only song under 10 minutes long (it’s 9:28), “Deadweight” allows itself the indulgence of a little classic heavy rock soloing, but even in that, it takes its own approach. Consider the penultimate cut at four minutes in. DiSalvo, shredding. Donovan is holding down the central groove with Couto punctuating righteously. Then, at 4:14, they pivot, and it’s so quick and so sharply executed that you don’t even realize what you’re in is a transitional part and that 20 seconds later, they’re going to be off on the “next riff” along the song’s building course. Lore is rife with these moments, which are the kind of thing that, if they were on someone else’s record once, they’d make the whole album better. With Elder, they’re just another part on the way to the next part. It continues to be an astonishing work.

Of course, Lore closes with the 10:32 “Spirit at Aphelion,” and though one hardly thinks of any part of the 2LP as being understated — it is not without its indulgent stretches — the ending fadeout seems to ride the tension of its final riff in such a way as to hint at more to come. One almost expects the song, which is a victory lap in summarizing what precedes and certainly plenty dynamic in its stretch prior, to fade back in for another round, even after it’s over. But the end is, in fact, the end, and it would be just two years before Elder turned around and offered Reflections of a Floating World (review here) as the inevitable follow-up and next forward step in their ongoing progression. By then, the impact of Lore was already being felt in the work of other bands, and the ensuing two years, as well as the reception to the fourth long-player and their concurrent touring, have only seen Elder‘s influence spread further.

I could have made any number of choices here. But in looking back over the last decade, no single release seemed to encapsulate a vision of what heavy rock and roll could be in the way Lore did, and no single band have manifest their vision in way Elder have. It is an epicenter from which they and heavy rock as a whole will continue to grow.

Honorable Mention

Like I just said, I could’ve made any number of choices here. When I went to bed last night, it was planning to write about Om, so there you go. We’ll do the poll results early in January, but here are a few more of my own picks for album of the decade contention:

  • OmAdvaitic Songs
  • YOBClearing the Path to Ascend
  • Uncle Acid and the DeadbeatsBlood Lust
  • ClutchEarth Rocker
  • GraveyardHisingen Blues
  • High on FireSnakes for the Divine
  • All Them WitchesLightning at the Door

I’ll leave it there so as not to spoil anything for the poll to come, but yeah, there are plenty of noteworthy contenders. If you have one or 50 you’d like to add, please feel free to leave a comment here, or, of course, hit up the decade-end poll and drop a list there. Either way, your thoughts and consideration are always appreciated.

And thanks for reading.

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Elder Announce New Drummer & New Album Recording

Posted in Whathaveyou on December 2nd, 2019 by JJ Koczan

Progressive heavy rock forerunners Elder will enter the studio this week to begin recording their fifth full-length and first with their new drummer, Georg Edert, who steps into the role formerly occupied by founding member Matt Couto. Though Elder in recent years added Mike Risberg on guitar and keys and have worked with a select few other players here and there, this is to my knowledge the first major lineup change since the initial trio of guitarist/vocalist Nick DiSalvo, bassist Jack Donovan and Couto was established in 2006.

The potential here for a shift in the band’s dynamic, therefore, is significant, but Elder have never been ones to shy away from change, and if the showings I’ve seen thus far for 2017’s Reflections of a Floating World (review here), 2015’s Lore (review here) and 2011’s Dead Roots Stirring (review here) in the Top 20 of the 2010s end-of-decade poll are anything to go by, their listenership is more than willing to go along with them wherever their path might lead. I would’ve been interested to hear where their next album went anyhow after Reflections — I was expecting some shift of approach  — but with Edert aboard, the intrigue level is that much higher.

On a side note for Elder fans, Stickman Records is giving away test pressings to those who donate to charities this season. Details are here.

Behold 2020’s most anticipated album:

elder

Elder changes lineup and heads to studio in December

It’s been a busy few weeks for Elder, who recently announced a lineup change as well as plans to begin work on their new record, as of yet untitled. With the departure of drummer and founding member Matthew Couto, the band is charting new waters in their 12 year spell of continuity, but has found a replacement in Georg Edert (who now also drums for the Elder side project Gold and Silver).

Having reestablished the band’s lineup, they will enter the studio next week to begin work on their fifth full-length album! From the band:

“Georg is a friend of ours from years back – met while playing on tour in Europe – and in the past year he’s been playing together with Nick and Mike to revive their old project Gold & Silver (also planning more music next year!). His drumming approach is informed by a host of styles new to the band, providing fresh and exciting impulses into our creative process while finishing work on album 5. We look forward to introducing our listeners to the new lineup at our shows in 2020!

“On that note, we are happy to announce that we will be headed off to the studio next week to begin recording said album 5. Without revealing too much, it’s easily the most ambitious musical journey we’ve ever conceived, and the writing process has been long, tedious, and ultimately rewarding. The cycle begins anew! – and we’re ready to get cracking on the recording sessions.”

Oh, and the band has been announced for Hellfest 2020 as well, with more festival announcements sure to follow.

Elder is:
Nicholas DiSalvo: guitar/vocals
Jack Donovan: bass
Mike Risberg: keys/guitar
Georg Edert: drums

http://facebook.com/elderofficial
https://www.instagram.com/elderband/
http://stickman-records.com
http://armageddonshop.com

Elder, Reflections of a Floating World (2017)

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Motorpsycho Recording New Album — Duh

Posted in Whathaveyou on September 2nd, 2019 by JJ Koczan

Were there a brain in my silly old head, I’d just always keep a draft of a post in the back end of this site ready to go with the headline above. Well, there isn’t one, but Motorpsycho are indeed in the studio right now making the follow-up to earlier 2019’s The Crucible (review here), which was rife with all kinds of proggy righteousness, and though there’s just about nothing else to go on except that it’s happening, that’s really enough as far as I’m concerned. At least for the moment. What’s it going to sound like? Well, my big guess is it’s going to sound like Motorpsycho, which pretty much means it could sound like anything and still be awesome. Over the last however many years and however many albums, haven’t this band earned the benefit of the doubt?

I’m curious about how come they’re recording in France instead of their native Norway, but hell, when you make as many records as Motorpsycho do, it’s only fair to change it up every now and again:

motorpsycho

Motorpsycho in studio recording new material

Motorpsycho has officially arrived in France, where they will be recording new material. Okay, so a photo of the band in snowy northern Norway doesn’t exactly do justice to France in summertime, but for the moment we’ve got nothing more detailed to report. Stay tuned for details to follow in the coming months!

Limited copies of Motorpsycho’s spring tour 10″ box in store

We are selling the last remaining copies of this box from Motorpsycho’s last tour, and it’s chock full of all sorts of goodies. Made in collaboration with the Trondheim-based magazine Nye Oppstøt, this version version comes with a 10″ (black vinyl) containing two improvised songs, a 120+ page English edition of the magazine and a fold-out poster.

We only received 24 of these and they will go quick, so act fast if you want one! We are only announcing this small amount in this newsletter, so the first 24 people to read this and order one will get lucky!

Motorpsycho is: Bent Sæther, Hans Magnus “Snah” Ryan, Tomas Järmyr.

https://www.facebook.com/motorpsycho.official/
https://twitter.com/motorpsychoband
http://motorpsycho.no/
https://www.facebook.com/Stickman-Records-1522369868033940/
https://www.instagram.com/stickmanrecords/
https://www.stickman-records.com/

Motorpsycho, The Crucible (2019)

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King Buffalo Announce Final 2019 Tour Dates; European Vinyl Pressings Available

Posted in Whathaveyou on August 21st, 2019 by JJ Koczan

king buffalo (Photo by Mike Turzanski)

Actually, by now, the vinyl’s probably gone. So it goes.

If you want to make your day better, go ahead and watch the stream of King Buffalo playing Freak Valley Festival in Germany back in June. The video is below, as recorded by Rockpalast, and it’s heartwarming on any number of levels as a fan of the band. I remain enamored of 2018’s Longing to Be the Mountain (review here), and to see them nailing that material on such a stage in front of such a crowd is like an unexpected birthday card.

These are their last shows of 2019, which makes me think it won’t be long until they announce their first shows of 2020. But where? And when? And… when… again? I don’t know. Whatever. Just go watch that video. Then listen to the record. Then buy a tshirt or something. These guys have earned it.

Dates:

king buffalo dates

KING BUFFALO – LAST TOUR DATES OF 2019 // EURO VINYL PRESSINGS!

We’ve announced our remaining 2019 Tour Dates.

THESE WILL BE OUR LAST SHOWS OF 2019, SO DON’T MISS THEM!

9/25 Detroit, MI @ PJ’s Lager House
9/26 Grand Rapids, MI @ The Mint
9/27 Chicago, IL @ Empty Bottle
9/28 Cleveland, OH @ Ingenuity Festival – JUST ANNOUNCED!
11/8 Columbus, OH @ Ace of Cups
11/9 Indianapolis, IN @ Black Circle
11/12 Nashville, TN @ High Watt
11/14 Dallas, TX @ Three Links
11/15 Austin, TX @ Hotel Vegas
11/16 Houston, TX @ White Oak Upstairs
11/19 Atlanta, GA @ The Earl
11/20 Carrboro, NC @ Cat’s Cradle
11/21 Washington, DC @ DC9
11/23 Rochester, NY @ Bug Jar
11/27 Buffalo, NY @ Mohawk Place – JUST ANNOUNCED!

BUY TICKETS HERE

EUROPEAN VINYL

LTBTM Euro Edition – The European Version of LTBTM from Stickman Records, normally a European exclusive. We brought back a limited number from our European 2019 Tour. This Edition includes a 180 gram Silver Vinyl! Only 8 copies remain.

Orion Euro Edition – The European Version of Orion from Stickman Records, normally a European exclusive. This Edition includes a 180 gram Orange Transparent Vinyl and comes with a CD! Only 7 copies remain.

Repeater Euro Edition – The European Version of Repeater from Stickman Records, normally a European exclusive. This Edition includes a Beer Yellow Transparent Vinyl with Black silkscreen! Only 12 copies remain.

Lineup:
Sean McVay – vocals, guitar, synth
Dan Reynolds – bass, synth
Scott Donaldson – drums

kingbuffalo.com
facebook.com/kingbuffaloband
instagram.com/kingbuffaloband
kingbuffalo.bandcamp.com

King Buffalo, Live at Freak Valley Festival 2019

King Buffalo, Longing to be the Mountain (2018)

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Grotto Sign to Stickman Records; New Album Finished

Posted in Whathaveyou on July 4th, 2019 by JJ Koczan

According to Grotto‘s Thee Facebooks page, the new album that Stickman Records hints toward in its announcement of having signed the band is done and awaiting release. They said, “We are happy to let you guys know we have a full LP finished and waiting to be released! More info/dates soon…” Well, that’s neat. And if you’re going to put an album out, putting it out on Stickman is all the better.

Particularly for a band like Grotto, whose sound fits easily as labelmate/kin to the likes of Weedpecker and latter-day Elder for its heavy and progressive style and attention to melody. There isn’t a release date for their new album yet, or I’d probably have led with that, but Grotto‘s second full-length, Circle of Magi, was issued in late 2017 and is comprised of three 11-minute-long tracks, so there’s certainly plenty to dive into until the new one shows up. If you haven’t heard that, it charts a winding course into and out of psychedelic territory but is marked by the smoothness of its shifts between nodding groove and more atmospheric meanderings. Each song has a spacious feel that lets the listener live in it for a while before passing the baton to the next part or the next piece. It’s enough to pique my interest about their new one, easy.

Stream it at the bottom of this post. Here’s word of the signing from Stickman:

grotto

Stickman Records new signing: Grotto

We are pleased to announce our latest signing: GROTTO!

This young Belgian three-piece instrumental band has been on our radar for a while now, having two killer albums already under their belt. Their mix of psychedelic rock, stoner riffs and a great sense for melody alongside progressive song structures makes them a natural fit in our roster and we’re happy to welcome them to the fold.

We’ll be revealing some details about their new album soon, so stay tuned!

Grotto is:
Marvin Dinneweth – Guitar
Jeroen Moerman – Bass
Arno Tucker Cottyn – Drums

https://www.facebook.com/GrottoRiffs
https://grottoriffs.bandcamp.com/
https://www.stickman-records.com/
https://www.facebook.com/Stickman-Records-1522369868033940

Grotto, Circle of Magi (2017)

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