The title of the forthcoming full-length debut from Connecticut traditionalist doom metallers  Get the best academic writing services UK with beeresearcher, from custom writing to assignment help. We have got the best custom paper research in affordable Mourn the Light reminds me of something my dear mother used to tell me. She said: “Life sucks then you die.”  Creative Writing Courses Melbourne Job Description . Job Data: Job Title: Service Writer . Department: Service Department, Pro Power Sports & Marine, Inc. Supervisor: Service Suffer, Then We’re Gone, which the five-piece will issue through  Essay Writing On Old Custom of top quality from certified teachers and professional writers. MHR Writer UK offers you to buy online assignments in reasonable price. Argonauta Records, would seem to carry much the same spirit in its general perspective, and fair enough. The band released their split with It is because the complicated multipart scenarios, complex formulas and many more things are involved in this subject. Thus, to have a clear idea about all the concepts and to complete the assignment, you can send an email request to the site Your Homework Help. Only write- University Of California A-g Requirements, and send it to us to get a reply from us. Oxblood Forge (review here) in 2019 and followed in 2020 by posting a couple tracks that, like the forthcoming long-player, were recorded by Our dissertation writer service has built a reputation of always producing top-notch documents in record time. Our Canadian customers can expect well-written and thoroughly researched writing. Find out how we can help with your project by reading the rest of this article. Getting Help | Who Needs Dissertation Planning Strategic? For most students working on their dissertation projects, the Dave Kaminsky at Get Phd Thesis In Health Insurance service from MakeMyAssignments.com. We can customize your assignment as per your requirements. Studio Wormwood in Mansfield, CT. Whether or not they’ll feature on the album, I don’t know, but they’re on Bandcamp for the time being and you can hear one of the two — “When the Fear Subsides” — at the bottom of this post.

It’s the kind of doom that makes you say “doom on,” so yeah, do that.

From the PR wire:

MOURN THE LIGHT Sign To Argonauta Records And Share First Teaser From Upcoming Album

US heavy doomsters MOURN THE LIGHT have inked a worldwide record deal with Italy’s powerhouse label Argonauta Records, who will proudly release the band’s first full-length album during 2021.

MOURN THE LIGHT was formed in early 2018 by Dwayne Eldredge, co-founder of The New England Stoner and Doom Festival. Driven by his passion for thunderous, traditional doom metal mixed with lofty progressive metal leanings, Dwayne was hell-bent on creating a band that could sonically push a message of hope in spite of despair.

Following on their highly acclaimed 2019- debut EP, touring the US and Canada including festival appearances at Stoner Jam 19 (during SXSW) or the second New England Stoner and Doom Festival, MOURN THE LIGHT returned to the studio to record their first album. Entitled Suffer, Then We’re Gone, the band’s debut album has a plethora of influences showcased, yet made all their own. At one moment, MOURN THE LIGHT delivers crushingly massive riffs, only to jump at the next turn, galloping along with shades of classic power metal taking hold and leading the way — all the while focused on incredibly memorable songs, with catchy hooks and sing-along choruses.

Suffer, Then We’re Gone features nine epic yet heavy as hell tracks, recorded by Dave Kaminsky at Studio Wormwood, and will most likely see MOURN THE LIGHT step out as one of North America’s best kept underground secrets, showing no signs of slowing down anytime soon…

“Our debut album “Suffer, Then We’re Gone” is the culmination of hard work and determination to create something meaningful and special to us.” Says guitarist Dwayne Eldredge. “We have grown as a band so much over the last couple years and we think it really shows in our latest work. We are a metal family working together on our heavy metal legacy and we are proud to be working with Gero and Argonauta Records. We can’t wait to see what the future holds. Looking forward to getting out on the stage again soon….”

So better buckle up, take a ride with MOURN THE LIGHT, and stay tuned for many more album details to be revealed in the weeks ahead!

www.facebook.com/MournTheLight
www.mournthelight.bandcamp.com
www.mournthelight.com
www.instagram.com/mourn_the_light
www.argonautarecords.com

Mourn the Light, “When the Fear Subsides”

Mourn the Light, Suffer, Then We’re Gone teaser

Swedish doomers http://www.wings.ca/?forensic-science-homework-help - Allow us to help with your essay or dissertation. Order the necessary paper here and put aside your worries Essays Dun Ringill issued their second album, phd thesis in economics Dissertation Writing Service Malaysia Zealand offers one or more writing prompts for each category listed below For each prompt, we also provide an Library of Death, last summer through This What Does Critical Thinking Involve is for real because of A-Quality ?? Unique Papers ?? Student-friendly Prices ?? Total Anonymity ?? Any Deadlines ? 24/7 Support ?? Argonauta Records. It is a particularly Scandinavian take on classic doom and metal in its construction of riffs and melodies and all the more in a piece like opener “Raven’s Tear” or the later “Well of Desire,” and in the kind of folkish undercurrent — at least that seems to be how they thought of it — there and in “My Funeral Song,” the Gothenburg six-piece not only flesh out arrangements with strings or dig through to a stylistic niche, but they use the material as a setting in which an examination of death, and thus the nature of life, take place, the band welcoming a host of guests in order to push their sound further into these yet-uncharted spaces, including  Through our Food Inc Summary Essay, we provide you with guidance on how to choose and develop your research interest/topic, compile a reading list of relevant scholarly articles for your research topic, conduct a proper literature search and review, prepare you for your preliminary and qualifying exams, assist you with developing an appropriate research design and methodology, research Matti Norlin, who handles nyckelharpa, cello, violin and hurdy-gurdy across as range of tracks.

If you missed  Best Dissertation. Writing Service. Order Now Live Chat. The Guarantees We Offer You. In spite of having the see this here UK working with us and knowing that we can completely trust our great team, we still prefer to keep our clients assured with the following guarantees that we can always offer them. These include: On-Time Delivery of All Work. We, a premium online dissertation Library of Death, the title-track coming second after “Raven’s Tear” and making a morose side A trilogy piece with “My Funeral Song” ahead of the album-centerpiece “Dance of the Necromancer,” upon its release, remember, at the time there was no shortage of less-theoretical death to be concerned with in Summer 2020. And in that context, though the material would have been written earlier — likely over the course of 2019/early 2020 following the release of their debut LP, http://jval.ch/need-help-do-my-essay/s Singapore There is a growing demand for web content writers as skilled web content writers translate high revenues for online Welcome (review here), also through  Best essay editing service at your disposal. So, no more need to look for Radiohead Paperbag Writer Tab � you�ve got all you need right here, right now. Argonauta Records; decidedly pre-plague in any case — even in the context of the traditionalist and markedly untraditionalist metal brought to bear,  a fantastic read for you - Top reliable and professional academic writing aid. Find out common tips how to receive a plagiarism free themed essay Library of Death feels woefully of its time, right unto the flute on “Dance of the Necromancer” or the hurdy-gurdy on “Well of Desire.” Even as it’s out of its time, purposefully so, both in its use of folk elements/instruments and its foundation in classic metal.

Maybe I’m overthinking it, but the way the three-plus-minute “NBK” (an acronym for “Natural Born Killers”), so willfully bursts out with driving, straight-ahead heavy metal seems too willful to just be a coincidence stuck in ahead of “Reverend of Many Faces” because it didn’t fit anywhere else.  You tried to write a college essay? You will see that our http://www.service-kinderbetreuung.de/?the-giver-assignments will give you a reputation of a good student that is always well Dun Ringill, as a six-piece, no doubt have a hard enough time coordinating anything — have you ever tried to get six people into the same place at the same time? — that to then go ahead and broaden the lineup even further by bringing aboard guest players seems frankly like too much work if it wasn’t the point to start with. That is to say, the contrasts  Dun Ringill set up across Library of Death, between classic structures or modern tonality, between folk and metal, even between guttural or more melodic vocals, are jarring at times, but these are jarring times. What else can it be that so readily pulls from varied pasts but the present?

“Reverend of Many Faces,” which includes an appearance from the admirably ubiquitous Per Wiberg on church organ in an epic closing section, caps the album in a manner that highlights the considered nature of the tracks’ direction. It is very much a culmination, not quite mirroring “Library of Death” or “My Funeral Song” back on side A, but in part continuing the thread after the aside of “NBK.” Bringing the point home, as it were. And it does so in grand fashion, the final dirge sounding very final indeed as the band cut the audio short to end cold and send a last message about the fleeting nature of our existence. We’re here and gone. So too, were they.

It’s a dark sound, but it moves, and even as epic as “Reverend of Many Faces” gets, it doesn’t lose its underpinning in doom metal. You’ll find Dun Ringill know what they’re doing when it’s all over, and the deeper you dig, the wider their breadth feels across Library of Death as a whole.

Happy to host the premiere their video for “Reverend of Many Faces.” I’ve also included the full album stream below for your perusal and the complete credits, which are ample in themselves.

Please enjoy:

Dun Ringill, “Reverend of Many Faces” official video premiere

Dun Ringill on “Reverend of Many Faces”:

Behind the sacred face of this holy Reverend, hides a dark and complex mind. He has an evil agenda and he will use his status and power to plead and honor “His True Father” ….

We see all over the world repeatedly that priests and reverends use their status and power in the society in horrible ways. They abuse and use children and adults behind the closed doors of their church, all in the name of God….What God to they obey?

Reverend of Many Faces is the brand-new video from Dun Ringill, taken from the bands second album “Library of Death”, released July 31st-20 via Argonauta Records.

Filmed and directed by: Patrik Andersson Winberg

The Reverend: Henrik Myrberg

Music by: Dun Ringill, Lyrics by: Patrik Andersson WInberg

Dun Ringill’s new album digs deeper into the soil of Nordic folk music and at the same time, it is even darker, rawer and heavier than their debut. Recorded with mastermind Joona Hassinen at Studio Underjord and Grand Recording Studio during the winter of 2019, with Library of Death the band creates a haunting vibe of the evil wilderness and the dark woods lurking around the corner.

The album was arranged in a basement in the grey parts of Gothenburg while the lyrics were written on the high and mighty mountains of Norway. This special combination gives this album its unique aura of a beautiful darkness and malevolent feelings, that will follow you into your dreams…

When The Order of Israfel took a one year break from September 2017, the rhythm section Patrik Andersson Winberg (Bass) and drummer Hans Lilja (also in Lotus) grabbed the chance to create new music again together with Patrik’s old band mate from the Doomdogs era, Tomas Eriksson (Intoxicate and ex Grotesque). To make this exciting project of Dun Ringill as great as possible, the band teamed up with Gothenburg’s fella musicians, guitarists Tommy Stegemann (Silverhorse), Jens Florén (also in Lommi & ex- live guitarist for Dark Tranquillity) and Patric Grammann (SFT, Neon Leon). After the band released their critically acclaimed debut, Welcome, in March 2019 – followed by several gigs and tours with acts alike Church Of Misery, Year Of The Goat and Elder to name just a few, their new studio album Library of Death saw light of day on July 31st on Argonauta Records.

Dun Ringill are:
Thomas Eriksson – Vocals
Hans Lilja – Drums
Patrik Andersson Winberg – Bass
Jens Florén – Guitar
Tommy Stegemann – Guitar
Patric Grammann – Guitar

Guests:
Glenn Kjellberg – Vocals (“Reverend of Many Faces”)
Matti Norlin – Nyckelharpa, Hurdy Gurdy, Cello, Violin
Philip Lindgren – Flute
Trevor Pricket – Spoken Word (“My Funeral Song”)
Per Wiberg – Church Organ (“Reverend of Many Faces”)
Matilda Winberg – Church Choir (“Reverend of Many Faces”)

Dun Ringill, Library of Death (2020)

Dun Ringill on Thee Facebooks

Argonauta Records website

Argonauta Records on Thee Facebooks

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: James Cl of Monte Luna

—

How do you define what you do and how did you come to do it?

I play to live, music is life to me and a true universal language. Playing music is the closest thing to a higher power I’ve ever felt. It is a connection with everyone involved. I started getting serious into music when my ex-wife killed herself in 2015. It was either drink myself to death or play more music, and I’m thankful for the decision I made.

Describe your first musical memory.

My first musical memory was listening to Dark Side of the Moon with my Father when I was a child. It was such an awakening. My first memory of actually playing music was when I was 16. My friend Joe Pacelli and I would sing Alice in Chains songs. He would play guitar and sing doing the Jerry leads and I would do Layne’s. It was amazing, it wasn’t too long after that that I got into guitar, but didn’t get serious about it until after I got out of the Navy when I was 22 (I’m 33 now).

Describe your best musical memory to date.

I would say our 2018 tour across the East Coast. We met so many wonderful people and had such a blast, I was hooked. Second to that would be our Free Week performance at Mohawk Austin. Packed house, stellar lineup and all the homies.

When was a time when a firmly held belief was tested?

When Phil left Monte Luna after our EU tour fell through I was devastated. But I’m thankful for the music community here in Austin and for such great friends, now bandmates, and about to be roommates (Yes, Monte Luna band house is coming in April!!). I really thought it was over, but new energy and the ability to get more live layers of sound really has us pushing. We already have the album written and are working on recording. I believe the bass and drums are done! So that leaves my rhythm, vocals and leads/keys and samples! I love two-piece Monte Luna, but it was mostly for proof of concept, and I got big dreams JJ!

Where do you feel artistic progression leads?

I think there is no one direction artistic progression leads. Sometimes you do art for so long you change course and become better at another form of art. Hell, my first art was doing scripts and goofy movies with my friend Eric Oneil. Now, I play doom, before that I was doing more of a punk rock thing. You just need to be in touch with yourself and keep from limitations of people, genres and anything. Art comes from the soul, and you grow with it.

How do you define success?

Success is based solely on person to person. I used to work for the courts, had a great job and a good life… and I hated it… now, I bartend, play music and live much more modest and I love it. What is success? Well, when they asked me what I wanted to be in college, I said, Happy. That’s what I have been working toward ever since.

What is something you have seen that you wish you hadn’t?

There are some things I wish I could forget about my time in the Navy for sure. But I don’t wish to talk about or glorify war. So I’m gonna say, Velvet Revolver. They trash.

Describe something you haven’t created yet that you’d like to create.

Oh it’s coming… but… an Adventure module for DND 5e based on a Monte Luna album world. Pretty stoked about it, working on characters and adventure hook as we speak! (Multitasking for the win.) It will, for the sake of size, be directly compatible with all 5e books. We are trying to build something very similar to the Lost Mines of Phandelver adventure found in the DND 5e beginners set. We are aiming to include this as a very limited special edition of our next vinyl.

What do you believe is the most essential function of art?

To make you feel something.

Something non-musical that you’re looking forward to?

My girlfriend Jenny and I are going to play DND together for the first time right before her birthday! I’m the Dungeon Master too (haha kinda kinky).

www.facebook.com/pg/MonteLuna666
www.monteluna666.bandcamp.com
https://www.instagram.com/monte_luna_tx/
www.argonautarecords.com

Monte Luna, ‘Live at Studio E’

Whatever else Fimir might do going from their demos to the recording of what will be their Argonauta Records-delivered first LP, I hope they keep the same guitar tone. Take a listen to the track “Temple of Madness” streaming below and tell me if you don’t hear an undercurrent of black metal in that initial riff. Vocals drone over top effectively, and they work their way into a cool chug, but you can really get a sense of perspective coming from the band, four of whom are ex-members of Church of Void. That cut was put on Bandcamp early last year, so if I’m late to the party on it, sorry, but it’s pretty awesome and with the unveiling of the album title Tomb of God, I think they give a pretty fair look at where they’re coming from in terms of vibe.

You can find the announcement courtesy of the PR wire under the mostly-socially-distanced promo photo below:

Former CHURCH OF VOID members, FIMIR, Sign To Argonauta Records For Upcoming Debut Album!

Emerging from the ashes of CHURCH OF VOID, there is a new force rising up to pursue a path in the name of doom: FIMIR have inked a worldwide deal with Argonauta Records, who will proudly release the band’s upcoming debut album during 2021!

FIMIR was founded in 2019 by former CHURCH OF VOID members G. Funeral, Magus Corvus, H. Warlock, A.D. and Septic Apes’ drummer H. Wizzard. From a mere spark in the dark and a distant echo of forgotten riffs haunting in emptiness from a collapsed doomstar of their former band, FIMIR got rid of their ghosts and started to work on their first album right away, until the world shut down. Ultimately, the five-piece collective hailing from the frozen wastelands of Finland, used their time and creativity wisely and managed to put the final touches on their upcoming debut, which will be seeing the light of day through Argonauta Records soon! Tomb Of God will contain six tracks of heavy cosmic doom with a mix of hard riffing, traditional, classic yet occult doom metal served with an ambient soundsphere. To see its release with the Italian label was a clear choice for the band, as band mastermind G. Funeral states:

“We know the label boss Gero from our past and the good reputation and enormous growth of Argonauta Records easily convinced us to sign with them. We are proud to join their ranks.”

Label owner, Gero Lucisano adds:

“I’ve been a big fan of Church of Void since their early period, their unique sound made of doom metal and deathrock which made them something standing up in the current metal and rock scene. I was very surprised of their sudden split-up months ago, the same way now I’m totally excited to found again the guys with the new band FIMIR. A completely renewed attitude, enthusiasm and strength, traditional finnish doom at its very best, welcome back guys!”

Watch out for many more news and album details to follow in the not so distant future…

www.facebook.com/Fimirofficial
www.instagram.com/fimirband
www.fimir.bandcamp.com
www.argonautarecords.com

FIMIR, “Temple of Madness (Demo)”

My first question here is who is Bleakest? The reportedly ‘anonymous’ producer with whom New York’s Witchkiss are collaborating on their upcoming release, It’s Curtains for Us All!, is indeed hard to find information about. So is Bleakest one of the members of Witchkiss in an alternate guise? Someone from the neighborhood? Someone from the other side of the planet? The mystery, for the time being at least, seems likely to remain.

The title It’s Curtains for Us All! derives both from the apocalypse we’ve all just lived and continue to live through as well as the title of Witchkiss‘ 2018 debut, The Austere Curtains of Our Eyes (review here), which was right on and certainly expansive enough that these remixes of its songs should sound cool. The video below for “Spirits of the Dirt (Bleakest Mix)” bears that out.

When I saw Witchkiss at Maryland Doom Fest (review here) in 2019, I recall saying that it wouldn’t be the last time I’d catch them live. Hopefully the opportunity presents itself to do precisely that sooner than later.

From the PR wire:

New York Doom Heavyweights WITCHKISS Announce Crushing Remix Album And Share Brand New Video Clip!

Even the darkest times of a world’s lockdown won’t stop bands and artists around the globe to stay restless, creative, and inventive. And so does Hudson Valley, NY trio WITCHKISS, who has just announced the release of a crushing, electronic version of their highly acclaimed, 2018- debut album!

With countless tours under their belts, including support shows for the UK’s mighty Conan and appearances at such festivals like Maryland Doom Fest, Indianapolis Doomed & Stoned, New England Stoner and Doom Fest or Descendants of Crom, WITCHKISS have quickly become an important part of a growing movement in the world of crushingly loud and punishing music. Building on the interplay between eerie female vocals and crushing growls, the groove driven WITCHKISS can’t help but to fascinate. Their articulate, elegant and ridiculously fucking heavy tunes are build around raw emotion, sonic poetry and a sense of longing for something greater, there is a haunting majesty to the band’s work. Fusing the sounds of bands like Subrosa, Yob and Neurosis create dark sounds of the soul, and soon WITCHKISS will unleash a fresh take on this melancholic music.

As they are gearing up to release six enthralling electronic versions of the songs on their debut album, The Austere Curtains Of Our Eyes, retitled, It’s Curtains For Us All! The album will come out via Argonauta Records digitally on April 2nd, 2021. This re-imagining of their titanic debut comes in partnership with an anonymous producer known only as “Bleakest.” It’s a fresh look into the deep layers of the bands sound. But give ear, as WITCHKISS has just unleashed a music video for the song Spirits Of The Dirt (Bleakest Mix)! Join the band on this punishing aural assault, like you have never heard them before – and check out the clip right here:

“With a whole lot of time on your hands you might find yourself thinking about what an electronic reimagining of your first album would sound like…. ” WITCHKISS reveals. “And this past year we had a whole shitload of time on our hands, so we got together with an anonymous producer known only as “Bleakest” and we made it happen. For your listening pleasures we present you with six EDM (Electro Doom Music) inspired versions of the songs on “The Austere Curtains Of Our Eyes” now aptly titled for these Bleakest of times “It’s Curtains For Us All” It will be available on our Bandcamp and through Argonauta Records digitally on all major platforms on April 2nd, 2021. We hope you enjoy the other side of our musical minds…. And don’t worry we will be back with some METAL soon enough. But for now, pump up the volume and dance around your living room in your socks and underwear to our new old shit. Hail Satan.”

Album Tracklist:
1. A Crippling Wind (Bleakest Mix)
2. Blind Faith (Bleakest Mix)
3. Death Knell (Bleakest Mix)
4. Spirits Of The Dirt (Bleakest Mix)
5. Seer (Bleakest Mix)
6. A Harrowing Solace (Bleakest Mix)

It’s Curtains For Us All will be out as digital formats on April 2nd through Argonauta Records, the pre-sale is now up at THIS LOCATION: https://ingroov.es/it-s-curtains-for-us

Witchkiss:
Amber Burns ~ Drums / Vocals
Scott Prater ~ Guitar / Vocals
Tyler Irish ~ Bass

http://facebook.com/witchkissband
https://www.instagram.com/witchkissband/
https://witchkiss.bandcamp.com/
www.argonautarecords.com
https://www.facebook.com/ArgonautaRecords/
https://www.instagram.com/argonautarecords/

Witchkiss, The Austere Curtains of Our Eyes (2018)

Witchkiss, “Spirits of the Dirt (Bleakest Mix)” lyric video

If we’re lucky, this is a thing we’ll see much more of in 2021. Band, going to a place, playing music. In the case of oft-traveled drone experimentalists Queen Elephantine, it’s to Mount Moriah Cemetery on the Southwestern edge of Philadelphia, and what they’re doing there is improvising a 26-minute piece titled “Kali Puja” in reference to the Hindu festival of the same name happening around when the video was recorded last November. As one might expect given the scope of Queen Elephantine‘s work, it dives deep into meditative heavy psychedelia is due fashion from the band that offered their latest LP, Gorgon (review here), in 2019 through Argonauta Records and Atypeek Music, and brought a series of EP releases to bear in the Pandemic Year in lieu, of course, of live shows.

Led as always by founding guitarist/sometimes vocalist Indrayudh Shome, Queen Elephantine here operate as a four-piece in organic fashion and they get a solid groove going over which Shome and fellow guitarist Brett Zweiman space out respectively with leads, urgent angularity and various exploratory effects runs. It’s jazz, straight-up, but with the influences it’s working under, still duly heavy in the drums and able to affect an atmosphere in the outdoor setting. The video weaves in footage of Kali, and while I don’t know if the band’s permits were necessarily in order, the music certainly is, even if the ‘order’ is working in its own number system. That’s nothing new for Queen Elephantine, and frankly, anyone who’s ever listened to the band before should expect nothing less.

“Kali Puja” and another jam recorded the same day will be released on cassette through Misophonia Records this summer, and Queen Elephantine also have a collaborative work with Russian throat-singing outfit Phurpa that will be out May 4 through 4iB Records in Singapore, and on tape through Misophonia and DL on Atypeek Music.

Enjoy the clip and the journey:

Queen Elephantine, “Kali Puja” Live at Mount Moriah Cemetery, Nov. 2020

After closing 2019 on a high note with the release of the album Gorgon on Argonauta Records and a supporting tour, all plans for 2020, including a European tour, were brought to a halt by the pandemic, and practice was suspended.

In November 2020, after more than six months apart, QUEEN ELEPHANTINE assembled at Philadelphia’s historic Mount Moriah Cemetery to perform a live free improvisation for the spirits on the auspicious day of Kali Puja.

This and another cut from the session will be given a limited edition cassette release on Misophonia Records (UK) this summer.

Queen Elephantine, Gorgon (2019)

Queen Elephantine website

Queen Elephantine on Bandcamp

Queen Elephantine on Thee Facebooks

Misophonia Records on Thee Facebooks

Misophonia Records on Bandcamp

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Dee Calhoun of Spiral Grave, Iron Man, author, and solo performer

—

How do you define what you do and how did you come to do it?

Basically, I’m just a fan who gets to do and create things that I’m a fan of. It all started with music and has branched out from there. My mother would hear me singing along to stuff like Kiss and Sabbath in my bedroom when I was a pre-teen, and guilted/bribed me into entering a talent show at school. I ended up winning, and that set everything in motion. For decades it was only music, but in the past several years that has branched out into writing and voice work as well. It all goes back to mom putting a boot in my ass and telling me not to be afraid to try things.

Describe your first musical memory.

Probably my brother-in-law, who is 20 years older than me, playing me stuff like Grand Funk and Alice Cooper when I was in grade school. The big one was seeing Kiss on TV in 1976. That was the moment when I said “I want to do that.”

Describe your best musical memory to date.

As a fan, seeing Kiss on the reunion tour in 1996. I never saw Kiss in makeup on the first run, so seeing the band that really started it all for me, in full glory, was amazing for me. We had front row center for that show, and when the house lights went out my friend and I were hugging one another cheek to cheek, jumping up and down and crying. It was a moment of pure joy, and moments like that are few and far between.

As a performer, it was when my son joined me onstage at the second Maryland Doomfest. I’ve played bigger sets than that, both solo and in bands, but that’s a moment that I’ll take to my grave with me.

When was a time when a firmly held belief was tested?

I was raised in a Pentecostal church, and was taught that things regarding The Lord were not to be questioned. It was my getting into music that made me take a long hard look at some things, and made me realize that things should be questioned. About once a year we’d have the standard “Rock and Roll is the Devil’s Music” sermon, and I would always be sure to be right in front to watch and listen. We’d hear about everything from backward message to what certain band’s names stood for, and I could always look forward to an argument with my parents when I got home. Finally, they realized that I was into this music, and that I was a polite, well-spoken kid (teenager by then) who got good grades, didn’t drink or dope, and wasn’t holding séances. It was a learning experience for all of us.

Where do you feel artistic progression leads?

It takes us inward, as we search our own souls for the music to record, or for the words to be written on paper. It extends us outward, and we share these things with our audience. It can serve as a coping mechanism, or as a way to celebrate. It can be the conduit to pull something beautiful out of something horrific.

How do you define success?

Being content and happy. I’ve known musicians who were on tour and “living the dream” who were miserable. I’ve also known people whose only musical outlet was playing songs to their kids at bedtime and who were thrilled about it. That’s the name of the game.

What is something you have seen that you wish you hadn’t?

My three-year-old daughter dead on a hospital table. I picked her up and held her. It was the worst moment of my life, but you know what? I’m still here.

Describe something you haven’t created yet that you’d like to create.

I would love to direct a film. I do all of my own video work, and I’ve been involved in some documentary films, and I think creating a film from the ground up would be a wonderful experience.

What do you believe is the most essential function of art?

Release, and the satisfaction of creating something. Even if no one hears it, reads it, or sees it, just the act of making the art is a wonderful thing for the soul. If that art can impact someone else in a positive way, then even better.

Something non-musical that you’re looking forward to?

The release of my first novel. After that, being able to hang out with friends again.

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Spiral Grave, “Modern-Day Golden Calf”

Mos Generator are set to oversee a physical release of The Lantern this Friday through Argonauta Records. It’s kind of an oddball release, but these are oddball times, and melody soothes chaos, so bear with it. The Lantern, by my pitiful understanding of such things, is a remix/master of songs the Port Orchard, Washington, power trio released in 2007 on a 10″. At the time, it wasn’t The Lantern; it was Tales From the Vault. Seems pretty straightforward.

Now, where this gets confusing is that Mos Generator last year embarked on what founding guitarist/vocalist Tony Reed called ‘The Plundering of the Vaults,’ continuing a long-running pattern of adding to their massive discography by digging through old tapes, hard drives, whathaveyou. So, “tales” vs. “plundering,” but let’s assume it’s the same vaults in question. Reed also put out the religiously-themed “In the Upper Room” as a digital single last summer in varyingly mixed fashion, from the layered final version to completely instrumental. The Lantern, brings that track together with the harmonized leadoff “Dyin’ Blues,” as well as the centerpiece title-track — a forward boogie into a Floydian midsection en route to a showoff solo and rousing finish — the more classic-metal-tinged “Nightwolf” (sounds like Dio to me, right up to the fadeout) and the back and forth finale, “O’Cataa,” which shifts between softer harmony vocals and heavier rollout, patient and fluid all the while.

Mos Generator at the time was Reed, bassist Scooter Haslip and drummer Shawn Johnson, and if the Zdzislaw Beksinski cover art to The Lantern isn’t its own excuse for being — and it absolutely is — the release at just 22 minutes offers what might be a surprisingly relevant preview of the progressive mindset that the band has followed in more recent years. They’re due a new full-length sometime soon, but the quality and presentation of The Lantern makes it less just a fan-piece than it might otherwise be. With the basic tracks recorded mostly live over just a couple days, there’s an energy throughout that only adds to the flow between one song and the next. It won’t take up much of your day in the actual listening, but you should be prepared to have a song or two from it stuck in your head considerably longer.

Either way, as someone who didn’t hear Tales From the Vault when it came out, I’m more than happy to dig into these remixed tracks. Since the EP is premiering in full below, followed by some comment from Reed, I can only hope you feel the same.

Please enjoy:

Mos Generator, The Lantern official premiere

Tony Reed on The Lantern:

The Lantern was originally released in May of 2007 as a 10” picture disc called “Tales from the Vault”. That first pressing sold out quick and has remained unavailable on vinyl for the past 10 years at least. I’ve been wanting a re-issue of it for a few years now so it’s great to finally be getting to it. This re-issue has a new title, new mix, and new artwork. why? Because the original release was rushed out in every way. This is a chance to give it the attention it deserves on a vinyl format that that has much better sound quality than a picture disc. The new artwork, by the late Polish artist Zdzislaw Beksinski, represents the religious nature of many of the lyrics, as does the new title. The new mix retains the energy of how it was originally recorded and mixed but with a new focus and punch. Our approach to recording and songwriting for these sessions was a successful experiment and I’m stoked that the results are being let loose into the world again.

“The Lantern” will be coming out as a limited Vinyl edition only, on February 26th 2021 via Argonauta Records, the pre-sale has started at THIS LOCATION!

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