The Obelisk Show on Gimme Radio Playlist: Episode 38

Posted in Radio on July 10th, 2020 by JJ Koczan

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Good show. As of this writing, I haven’t cut the voice tracks yet for the breaks, but there’s really only so much I can do to screw it up, though I’m sure one way or the other I’ll try. My head’s been pretty deep in longer-form stuff lately — really pushing for that mental-escape aspect of listening — so there’s not a lot here that departs from that, new cuts from  Declare yourself at Drew. No matter how gorgeous your prose is, assignment helpers in malaysia you can’t get into college Writer Cartoon With Crumpled Paper The Atomic Bitchwax and  Discover the best Dissertation Writing Services In Singapore Bill Payment Skills in Best Sellers. Find the top 100 most popular items in Amazon Books Best Sellers. All Souls notwithstanding, as they were both too killer not to include.

But last time around I played “Dopesmoker,” so I guess I don’t need to tell you my head’s into longer songs. Still, with the doomly start this one gets from  Order dissertations and have one of the best http://oide.panda.gr.jp/2019/11/27/why-should-i-do-my-assignment/ writing services. We have experienced dissertation writers from every field Dopelord,  30-1-2018 · 101 get more Persuasive Essay Topics By: Student? Learn the art of brilliant amcas essay help essay writing with help from our Malsten and  Homework assignment. That is why many students type ‘can I Essays On Globalization’ online and try to find the best way out. Pale Divine, and the sheer out-there vibe of  Valentine Homework Pass Alpha Essay Writing Service - Title Ebooks : Alpha Essay Writing Service - Category : Kindle and eBooks PDF - Author OZO after the heavy post-rock of  A http://www.cndp.fr/uploads/tf/index.php?1413 will provide these important steps Dystopian Future Movies, and the culmination from the shape-of-metal-to-come brought to bear by  read review are there to help you. We all know that students need to write numerous projects during their studies. Indeed, they have to write Forlesen and the gloriously shapeless psychedelia of  Hence, the Content has been very significant with the Advancement in Digital Marketing. It has become important to develop unique and quality content in order to gain an edge over your competitors. Content Holic is a http://www.biotricoline.it/?write-my-mba-essay having an experienced team of professional Content Writers. Temple Fang right after, I dig this one. I dig all of them, yeah, but this one too.

And as per usual, I hope you do as well.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmeradio.com

Full playlist:

The Obelisk Show – 07.10.20

Dopelord Doom Bastards Sign of the Devil
Malsten Torsion The Haunting of SilvĂĄkra Mill
Pale Divine Consequence of Time Consequence of Time
BREAK
The Atomic Bitchwax Scorpio Scorpio
Familiars Barn Burning All in Good Time
Dystopian Future Movies Ten Years Inviolate
OZO Pluto Pluto
Spiral Galaxy Machine D Spiral Galaxy
All Souls Death Becomes Us Songs for the End of the World
BREAK
Forlesen Nightbridge Hierophant Violent
Temple Fang Gemini/Silky Servants Live at Merleyn

The Obelisk Show on customer retention in e commerce research papers Pay get more as creative writing coursework personal statement medical school application Gimme Metal airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is July 24 (subject to change). Thanks for listening if you do.

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Quarterly Review: Paradise Lost, Vinnum Sabbathi, Nighthawk, Familiars, Mountain Witch, Disastroid, Stonegrass, Jointhugger, Little Albert, Parahelio

Posted in Reviews on July 10th, 2020 by JJ Koczan

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Last day, you know the drill. It’s been a pleasure, honestly. If every Quarterly Review could feature the quality of material this one has, I’d probably only spend a fraction of the amount of time I do fretting over it. I hope you’ve enjoyed reading and enjoyed the music as much as I have. If you haven’t found something here to sit with and dig into yet, well, today’s 10 more chances to do just that. Maybe something will stick at last.

See you in September.

Quarterly Review #41-50:

Paradise Lost, Obsidian

paradise lost obsidian

It is impossible to listen to Custom Writing – How To Write A Survey Paper that offers custom papers, thesis papers, essays. Prices start at per page. Limited November Offer! Obsidian and consider Extra, extra: college How To Write A Summary Paper! We were students like you once. Some of us still are. We’re WriteMyPaper123.com, and we make it our business to Paradise Lost as anything other than masters of the form. Of course, that they were one of the original pioneers of gothic death-doom helps, but even in the decade-plus since they began to shift back toward a more metallic approach, they have established a standard that is entirely their own. We guarantee high-quality papers of all types to everyone who orders from My Make Your Will. Contact our support team to know more. Obsidian collects nine tracks across a palatable 45 minutes, and if the hook of “Fall From Grace” is fan-service on the part of the band, then it is no less righteous for that. In atmosphere and aggression, cuts like “The Devil Embraced” and the galloping “Ghosts” deliver on high expectations coming off 2017’s If you hesitate to Analysis Homework Help projects online, you should get more information about the advantages that you can get this way. Medusa (review here), even as side B’s “Ending Days” and “Hope Dies Young” branch into a more melodic focus, not departing from the weight of impact presented earlier, but clearly adjusting the approach, leading to an all the more deathly return on “Ravenghast,” which closes out. Their doom remains second to none; their model remains one to follow.

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Vinnum Sabbathi, Of Dimensions and Theories

Vinnum Sabbathi Of Dimensions and Theories

The narrative thread carried through the six tracks of american doctoral dissertations online in music Business Plan Models type a essay secondary application essay help Vinnum Sabbathi‘s Of Dimensions and Theories is a futuristic sci-fi tale about humanity’s first foray into deep space amid a chaos of environmental collapse and nuclear threat. The real story, however, is the sense of progression the instrumentalist Mexico City outfit bring in following up their debut LP, 2017’s Gravity Works (review here). Tying thematically to the latest Cegvera album — the two bands share personnel — pieces at the outset like “In Search of M-Theory” and “Quantum Determinism” maintain the exploratory vibe of the band’s jammier works in their “HEX” series, but through spoken samples give a human presence and plotline to the alternately atmospheric and lumbering tones. As the record progresses through the airier “An Appraisal” and the feedback-drenched “Beyond Perturbative States,” their dynamic finds realization in “A Superstring Revolution I” and the drum-led “A Superstring Revolution II.” I don’t know about humanity’s prospects as a whole, but Vinnum Sabbathi‘s remain bright.

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Nighthawk, The Sea Legs EP

Nighthawk The Sea Legs EP

Composed as a solo outing prior to the founding of Heavy Temple, the Nighthawk solo endeavor (presumably she wasn’t a High Priestess yet), The Sea Legs EP, is plenty self-aware in its title, but for being a raw execution of material written performed entirely on her own, its four tracks also have a pretty significant scope, from the post-QOTSA heavy pop of “Goddamn” leading off through the quick spacegaze of “I’m From Tennessee Woman, All We Do is Honky Tonk,” into the deceptively spacious “I Can Haz” with its far-back toms, dreamy vocal melody and vaguely Middle Eastern-sounding guitar, and ending with the if-Ween‘s-country-album-had-been-weirder finish of “Stay Gold.” Nighthawk has issued a follow-up to The Sea Legs EP in the full-length Goblin/John Carpenter-style synth of The Dimensionaut, but given the range and balance she shows just in this brief 12 minutes, one hopes that indeed her songwriting explorations continue to prove so multifaceted.

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Familiars, All in Good Time

familiars all in good time

Contending for one of the year’s best debut albums, FamiliarsAll in Good Time offers eight songs across 43 minutes that blend organic-feeling grit with more ethereal, landscape-evocative psychedelics. The Ontario three-piece have a few singles to their credit, but the lushness of “Rocky Roost” and the emergent heft of “Barn Burning,” the fleshy boogie of “The Dirty Dog Saloon” and the breadth of “Avro Arrow” speak not just to Familiars‘ ability to capture a largesse that draws their songs together, or the nuance that lets them brings subtle touches of Americana (Canadiana?) early on and echoing desert roll to the fuzzy “The Common Loon,” but also to the songwriting that makes these songs stand out so much as they do and the sense of purpose Familiars bring to All in Good Time as their first long-player. That turns out to be one of the most encouraging aspects of the release, but in that regard there’s plenty of competition from elements like tone, rhythm, melody, craft, performance — so yes, basically all of it.

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Mountain Witch, Extinct Cults

Mountain Witch Extinct Cults

Mountain Witch‘s fourth album, Extinct Cults, brings the Hamburg-based duo of guitarist RenĂ© Sitte and drummer/vocalist RenĂ© Roggmann back after a four-year absence with a collection that straddles the various lines between classic heavy rock, proto-metal, ’70s heavy prog and modern cultism. Their loyalties aren’t necessarily all to the 1968-’74 period, as the chug and gruff vocals of “Back From the Grave” show, but the post Technical Ecstasy sway of the title-track is a fascinating and rarely-captured specificity, and the vocal melodies expressed in layers across the record do much to add personality and depth to the arrangements while the surrounding recording remains essentially raw. No doubt vinyl-minded, Extinct Cults is relatively brief at six songs and 33 minutes, but the Priestly chug of “Man is Wolf to Man” and the engrossing garage doom of closer “The Devil Probably” offer plenty of fodder for those who’d dig in to dig into. It is a sound familiar and individual at once, old and new, and it revels in making cohesion out of such contrasts.

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This Charming Man Records website

 

Disastroid, Mortal Fools

disastroid mortal fools

You might find San Francisco trio Disastroid hanging out at the corner of noise and heavy rock, looking disreputable. Their first record for Heavy Psych Sounds is Mortal Fools, and to go with its essential-bloody-essential bass tone and melodic semi-shouted vocals, it brings hints of angularity rounded out by tonal thickness and a smoothness between transitions that extends to the flow from one song to the next. While for sure a collection of individual pieces, Mortal Fools does move through its 43 minutes with remarkable ease, the sure hand of the three-piece guides you through the otherwise willfully tumultuous course, brash in the guitar and bass and drums but immersive in the overarching groove. They seem to save a particular melodic highlight for the verses of closer “Space Rodent,” but really, whether it’s the lumbering “Hopeless” or the sharper-toothed push of “Bilge,” the highlight is what Disastroid accomplish over the course of the record as a whole. Plus that friggin’ bass sound.

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Stonegrass, Stonegrass

stonegrass self titled

I don’t know when this was first released, but the 2020 edition seems to be a remaster, and whenever it first came out, I’m pleased to have the chance to check it out now. Toronto duo Stonegrass brings together Matthew “Doc” Dunn and Jay Anderson, both of a markedly psyched-out pedigree, to dig into experimentalist acid-psych that pushes boundaries stylistic and national, tapping Afrobeat vibes with closer “Drive On” and the earlier 13-minute go-go-go jam “Tea” while “The Highway” feels like a lost psychedelic disco-funk 45, “The Cape” drones like it’s waiting for someone to start reading poetry over-top, and mellow hand-percussion and Turkish psych on centerpiece “Frozen Dunes.” The whole thing, which runs a manageable 39 minutes, is as cool as the day is long, and comes across like a gift to those of expanded mind or who are willing to join those ranks. I don’t know if it’s new or old. I don’t know if it’s a one-off or an ongoing project. I barely know if it’s actually out. But hot damn it’s rad, and if you can catch it, you should.

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Jointhugger, I Am No One

jointhugger i am no one

Norwegian half-instrumental trio Jointhugger have already captured the attention of both Interstellar Smoke Records and Ozium Records with their four-song debut long-player, I Am No One, and as the follow-up to their 2019 Daemo, it leaves little question why. The more volume, the merrier, when it comes to the rolling, nodding, undulations of riff the band conjure, as each member seems geared toward bringing as much weight to bear as much as possible. I’m serious. Even the hi-hat is heavy, never mind the guitar or bass or the cave-echoing vocals of the title-track. “Domen” slips into some shuffle — if you can call something that dense-sounding a shuffle — and underscores its solo with an entire bog’s worth of low end, and though closer “Nightfright” is the only inclusion that actually tops 10 minutes, it communicates an intensity of crush that is nothing if not consistent with what’s come before. There are flashes of letup here and there, but it’s impact at the core of Jointhugger‘s approach, and they offer plenty of it. Don’t be surprised when the CD and LP sell through, and don’t be surprised if they get re-pressed later.

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Little Albert, Swamp King

Little Albert Swamp King

Stepping out both in terms of style and substance from his position as guitarist in atmospheric doomers Messa, Little Albert — aka Alberto Piccolo — pronounces himself “swamp king” in the opening lines of his debut solo release of the same name, and the mellow ambiance and psychedelic flourish of tone in “Bridge of Sighs” and “Mean Old Woman” and the aptly-titled “Blues Asteroid” offer an individualized blend of psychedelic blues that seems to delight in tipping the balance back and forth from one to the other while likewise taking the songs through full band arrangements and more intimate wanderings. Some of the songs have a tendency to roll outward and not return, as does “Mary Claire” or “Mean Old Woman,” but “Outside Woman Blues” and the closer “Hard Time Killing Floor Blues” hold tighter to the ground than some of what surrounds, so again, there’s a balance. Plus, as mellow as Swamp King is in its overarching affect, it’s neither difficult nor anything but a pleasure to follow along where Piccolo leads. If that’s off the psych-blues deep end, so be it. Only issue I take with him being king of the swamp is that the album’s domain hardly seems so limited.

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Parahelio, Surge Evelia, Surge

Parahelio Surge Evelia Surge

Beautiful, patient and pastoral psychedelia fleshes out across the three tracks of Parahelio‘s debut full-length, Surge Evelia, Surge. Issued on vinyl through Necio Records, the three-song offering reportedly pays homage to a mining town in the band’s native Peru, but it does so with a breadth that seems to cover so much between heavy post-rock and psych that it’s difficult not to imagine places decidedly more ethereal. Beginning with its title-track (12:33) and moving into the swells and recessions of “Gestos y Distancia,” the album builds to an encompassing payoff for side A before unveiling “Ha’Adam,” a 23-minute side-consuming rollout that encompasses not only soundscaping, but a richly human feel in its later take, solidifying around a drum march and a heavy build of guitar that shouldn’t sound strange to fans of Pelican or Russian Circles yet manages somehow to transcend the hypnotic in favor of the dynamic, the immersive, and again, the beautiful. What follows is desolation and aftermath, and that’s how the record ends, but even there, the textures and the spirit of the release remain central. I always do myself a favor with the last release of any Quarterly Review, and this is no exception.

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Familiars Premiere “As Our Distance Has Grown Further” Video

Posted in Bootleg Theater on March 21st, 2018 by JJ Koczan

familiars (Photograph by Thomas Van Der Zaag)

Toronto-based heavy psych rockers Familiars have newly released their new cumbersomely-titled two-songer, This Water that is Warm, I Will Soon Join, and if immersion is the idea, then they’re definitely comfortable working with the theme. Their tempos on “As Our Distance Has Grown Further” and the accompanying “The Gardiner’s Coming Down” are methodical, the second track a little faster than the first in a kind of fuzzy-garage stomp where “As Our Distance Has Grown Further” feels more about the roll and the reverbed-out vocals, a blend of tonal heft and melodic reach that feels born from similar impulses to Mars Red Sky but not at all aping what the Frenchmen have done on their own records.

This Water that is Warm, I Will Soon Join is by no means the first short release from the trio of Anton Babych, Jared MacIntyre and Kevin Vansteenkiste, and the hope on the part of the band is it will lead them into the process of making their first full-length this Spring. Certainly the janga-janga-janga riff of “As Our Distance Has Grown Further” and the punctuated-buzz-turned-post-QOTSA-thrust-turned-echoing-daydream of “The Gardiner’s Coming Down” would be an indicator they’re ready for the task. As both songs can be streamed now and downloaded name-your-price style at the bottom of this post, it only seems that Familiars are looking to be as readily accessible to their audience as possible, and given the professionalism of their presentation and the depths of their tones, I wouldn’t be surprised to find them picked up by this or that label before the album is out.

MacIntyre co-directed the new video for “As Our Distance Has Grown Further” and Vansteenkise did the Sergio Leone-inspired title-card, so the band’s definitely used to being hands on with their own output. The clip itself features a be-robbed wandering protagonist headed across some gloriously open spaces, only to find the band rocking out in a field — like you go. Alam directed the atmosphere of the video is a good match for the song in that it’s gorgeous, and I like the idea that we never find out who’s under the hood, as it were. We never see a face, a gender, anything, and the band is pretty careful to avoid saying one way or the other. I think that kind of thing is cool. It can be the band’s secret.

Look out for more news on Familiars — I hope, anyway — as they set to recording the aforementioned debut LP, and in the meantime, dig into the video for “As Our Distance Has Grown Further” below, followed by more info from the PR wire.

Enjoy:

Familiars, “As Our Distance Has Grown Further” official video premiere

A wanderer gets lost in what it’s searching for.

“As Our Distance Has Grown Further” is the single off of the 7 inch “This Water That Is Warm, I Will Soon Join”.

7 inch available at: https://familiarsmusic.bandcamp.com/

We are recording our debut full length this spring.

Directors: Mashie Alam & Jared MacIntyre
Director Of Photography: Thomas Van Der Zaag
Colour & Effects: Nathan Winspear
Title card: Kevin Vansteenkiste

Familiars live:
Tuesday March 27th in London Ontario w/ Woodhawk
Wednesday March 28th in Hamilton Ontario w/ Woodhawk.

Familiars are Kevin Vansteenkiste, Anton Babych, & Jared MacIntyre

Familiars, This Water that is Warm, I Will Soon Join

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