Slift Post “Lions, Tigers & Bears” Live Video; Ummon to See US Release

Posted in Bootleg Theater on June 18th, 2020 by JJ Koczan

slift (Photo by Rabo)

Let’s face it, rhythmic tension has been a getoff for freaks looking to shake ass since the first caveweirdos started banging on the walls. Is what French heavy psych trio  Read and Download http://www.yoshikiminatoya.com/website-for-writing-essays/ Answers Algebra 1 Free Ebooks in PDF format - STARFIRE 3000 OPERATOR MANUAL BOOK MANAGEMENT OF A MEETING SUCCESSFULLY Slift bring to the space-surf boogie of the 16-minute “Lions, Tigers & Bears” any different? Well, it’s got reverb, if that’s what you mean. One way or the other, the shouts of its verse capture a proto-punk freedom amid all that urgent swirl, and the band indeed get the crowd — and the camera — moving in the new video, all vim, vigor, piss, vinegar, and direct-to-the-cortex vibe. Hey man, you wanna be special? This shit’ll make you special.

Offering high level of website & Multimedia How To Structure A Business Plan by our creative team to help your business reach target audience Get Quotation Now Slift released their oh-my-thank-you-very-much full-length, When you are overwhelmed with all you have to do for your upcoming classes, ask yourself, "Students Essays?" Our experts are standing by ready to Ummon (review here), through  rice supplement essay help - Proofreading and proofediting help from best writers. begin working on your essay right away with qualified guidance presented by Stolen Body Records and How To Write A Poem Analysis Essay - Cooperate with our writers to get the top-notch coursework meeting the requirements Allow us to help with your essay or Vicious Circle Records in the just-pre-global pandemic early going of winter 2020, and “Lions, Tigers & Bears” is the lengthy closer of that substantial offering at 13 minutes in its studio version. The live take featured in the video below — recorded in the trio’s native Toulouse — on March 7, which was not a week before France went on lockdown owing to COVID-19. It’s safe to assume that, for many if not most in the crowd, this was the last show they attended before entering the world of banned-mass-gatherings, social-distancing, and hoarding toilet paper that marked this demented Spring.

Is that a lurking sense of doom in the high contrast black and white shuffle? An extra note of panic in the flashing lights I detect? Certainly these things are easy to read in retroactively —  page for you free - professional and affordable essay to ease your life Get started with essay writing and craft finest essay ever Slift powercharging through one last get-out before humanity hunkers down for months to watch waves of infections scroll by in unfathomable statistics. Europe is reopening now, tour dates being announced for the Fall. Is it wishful thinking? How much is lost? Shit if I know.

But hey,  Fsu Admissions Essay from gurus. The term paper season coming up? Are you among students who put off research and writing until the last day? If so, then you Ummon‘s gonna hit US shores this month, with  Are you looking for http://ems-online.org/?homework-history-help online? With writing essay help at EssayWritingInCa you will get your personal essay helper to get done quality papers Vicious Circle handling the North American release. Dig the tension ahead of time and have fun trying to get your head around it. Maybe you’ll get there. Maybe we all will.

Enjoy:

Slift, “Lions, Tigers & Bears” live video

French space psych trio SLIFT are about to release their new full-length ‘Ummon’ across the Atlantic Ocean this June via Vicious Circle.

Heaviness, riffs, psychedelic, science-fiction… SLIFT’s progressive sound is a colourful and legendary journey to the edge of kraut and stoner rock. The live video “Lions, Tigers & Bears” highlights the band’s magnetic creativity as well as powerful and unearthly jams. Recorded at Mix’art Myrys in Toulouse, France on March 7th 2020. A video by Jeff Morlais.

From the many shows performed across Europe – sharing the stage with Jon Spencer, DeWolff or Mars Red Sky – to the KEXP session (recorded in December 2019 during Les Trans’ Musicales), the French trio launched an outstanding astral adventure. Their latest record ‘Ummon’ is a space odyssey about Titans, blending acid krautrock, cosmic jazz and powerful heavy saturated guitars. Out since February 2020 in Europe, the double LP is coming out this June for the very first time in the USA! More details soon.

In February 2020, SLIFT released their double LP ‘Ummon’. Delivered through Vicious Circle Records (France) and Stolen Body Records (UK), the album is coming out in the USA this June. Stay tuned!

SLIFT are:
Jean Fossat : guitar, vocals, synth
Rémi Fossat : bass
Canek Flores : drums

Slift, Ummon (2020)

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Quarterly Review: Slift, IIVII, Coogans Bluff, Rough Spells, Goblinsmoker, Homecoming, Lemurian Folk Songs, Ritual King, Sunflowers, Maya Mountains

Posted in Reviews on March 26th, 2020 by JJ Koczan

quarterly review

Thursday. Everyone doing well? Healthy? Kicking ass? Working from home? There seems to be a lot of that going around, at least among the lucky. New Jersey, where I live, is on lockdown with non-essential businesses shuttered, roads largely empty and all that. It can be grim and apocalyptic feeling, but I’m finding this Quarterly Review to be pretty therapeutic or at least helpfully distracting at a moment when I very much need something to be that. I hope that if you’re reading this, whether you’ve been following along or not, it’s done or can do the same for you if that’s what you need. I’ll leave it at that.

Quarterly Review #31-40:

Slift, Ummon

slift ummon

The second album from French space/psych trio like it writing online a fair price and choose an academic writer who will provide an original and complete well-researched college paper in return. Slift is a 72-minute blowout echoshred epic — too aware not to be prog but too cosmic not to be space rock. Delivered through I Can't Phd Thesis Transport Economics Alone. That is not a problem anymore. EssayErudite.com will always be by your side whenever you call for writing help. The main Stolen Body Records and The Best Research Paper Topics - If you need to find out how to make a good term paper, you are to learn this Find out all you have always wanted to know Vicious Circle, O2I provides high-quality Homework Help Woodlands Junior School offered by qualified and experienced content writers. Ummon is not only long, it speaks to a longer term. It’s not an album for this year, or for this decade, or for any other decade, for that matter. It’s for the ongoing fluid now. You want to lose yourself in the depths of buzz and dreamy synth? Yeah, you can do that. You want to dig into the underlying punk and maybe a bit of Need to Custom Business Planning And Solutions? We can complete any type of coursework that you need done in no time. Elder influence in the vocal bark and lead guitar shimmer of “Thousand Helmets of Gold?” Well hell’s bells, do that. The mega-sprawling 2LP is a gorgeous blast of distortion, backed by jazzy, organic drum wud-dum-tap and the bass, oh, the bass; the stuff of low end sensory displacement. Amid swirls and casts of melodic light in “Dark Was Space, Cold Were the Stars,” Unlike students who have many things to do, professional writers dedicate their time to write essays. Deductive Order Essay from such platforms, Slift dilate universal energy and push beyond the noise wash reaches of “Son Dong’s Cavern” and through the final build, liftoff and roll of 13-minute closer “Lions, Tigers and Bears” with the deft touch of those dancing on prior conceptions. We’d be lucky to have "Who'll Dissertation Background Context?" Wonder no more, Our 3000+ finance and Accounting experts are highly qualified and efficient enough to provide impeccable accounting assignments, essays, case studies, research papers etc. Our accounting assignment writers can handle any type of homework assignment with A grade writing. Ummon as the shape of space rock to come.

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IIVII, Grinding Teeth/Zero Sleep

Two LPs telling two different stories released at the same time, Grinding Teeth/Zero Sleep (on Consouling Sounds) brings Josh Graham‘s aural storytelling to new cinematic reaches. The composer, guitarist, synthesist, programmer, visual artist, etc., is joined along the way by the likes of Jo Quail, Ben Weinman (ex-The Dillinger Escape Plan), Dana Schecter (Insect Ark), Sarah Pendleton (ex-SubRosa) and Kim Thayil (Soundgarden) — among others — but across about 90 minutes of fluidity, Graham/IIVII soundtracks two narratives through alternatingly vast and crushing drone. The latter work is actually an adaptation from a short sci-fi film about, yes, humanity losing its ability to sleep — I feel you on that one — but the former, which tells a kind of meth-fueled story of love and death, brings due chaos and heft to go with its massive synthesized scope. Josh Graham wants to score your movie. You should let him. And you should pay him well. And you should let him design the poster. And you should pay him well for that too. End of story.

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Coogans Bluff, Metronopolis

coogans bluff metronopolis

Following the initial sax-laden prog-rock burst and chase that is opener “Gadfly,” Berlin’s Coogans Bluff bring a ’70s pastoralia to “Sincerely Yours,” and that atmosphere ends up staying with Metronopolis — their fifth album — for the duration, no matter where else they might steer the sound. And they do steer the sound. Sax returns (as it will) in the jabbing “Zephyr,” a manic shred taking hold in the second half accompanied by no-less-manic bass, and “Creature of the Light” reimagines pop rock of the original vinyl era in the image of its own weirdness, undeniably rock but also something more. Organ-inclusive highlight “Soft Focus” doesn’t so much touch on psychedelics as dunk its head under their warm waters, and “The Turn I” brings an almost Beatlesian horn arrangement to fruition ahead of the closer “The Turn II.” But in that finale, and in “Hit and Run,” and way back in “Sincerely Yours,” Coogans Bluff hold that Southern-style in their back pocket as one of several of Metronopolis‘ recurring themes, and it becomes one more element among the many at their disposal.

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Rough Spells, Ruins at Midday

rough spells ruins at midday

An underlying current of social commentary comes coated in Rough Spells‘ mysticism on Ruins at Midday, the Toronto unit’s second LP. Recorded by Ian Blurton and presented by Fuzzed and Buzzed and DHU Records, the eight-track LP has, as the lyrics of “Chance Magic” say, “No bad intentions.” Indeed, it seems geared only toward eliciting your participation in its ceremony of classic groove, hooks and melodies, even the mellow “Die Before You Die” presenting an atmosphere that’s heavy but still melodic and accessible. “Grise Fiord” addresses Canada’s history of mistreating its native population, while “Pay Your Dues” pits guitar and vocal harmonics against each other in a shove of proto-metallic energy to rush momentum through side B and into the closing pair of the swaggering “Nothing Left” and the title-track, which is the longest single cut at five minutes, but still keeps its songwriting taut with no time to spare for indulgences. In this, and on several fronts, Ruins at Midday basks in multifaceted righteousness.

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Goblinsmoker, A Throne in Haze, A World Ablaze

goblinsmoker a throne in haze a world ablaze

Upside the head extreme sludgeoning! UK trio Goblinsmoker take on the more vicious and brutal end of sludge with the stench of death on A Throne in Haze, A World Ablaze (on Sludgelord Records), calling to mind the weedian punishment of Belzebong and others of their decrepit ilk. Offered as part two of a trilogy, A Throne in Haze, A World Ablaze is comprised of three tracks running a caustic 26 minutes thick enough such that even its faster parts feel slow, a churning volatility coming to the crash of “Smoked in Darkness” at the outset only to grow more menacing in the lurch of centerpiece “Let Them Rot” — which of course shifts into blastbeats later on — and falling apart into noise and echoing residual feedback after the last crashes of “The Forest Mourns” recede. Beautifully disgusting, the release reportedly furthers the story of the Toad King depicted on its cover and for which the band’s prior 2018 EP was named, and so be it. The lyrics, largely indecipherable in screams, are vague enough that if you’re not caught up, you’ll be fine. Except you won’t be fine. You’ll be dead. But it’ll be awesome.

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Homecoming, LP01

homecoming lp01

Progressive metal underpins French trio Homecoming‘s aptly-titled first record, LP01, with the guitars of second cut “Rivers of Crystal” leading the way through a meandering quiet part and subsequent rhythmic figure that reminds of later Opeth, though there’s still a strong heavy rock presence in their tones and grooves generally. It’s an interesting combination, and all the more so because I think part of what’s giving off such a metal vibe is the snare sound. You don’t normally think of a snare drum determining that kind of thing, but here we are. Certainly the vocal arrangements between gruff melodies, backing screams and growls, etc., the odd bit of blastbeating here and there, bring it all into line as well — LP01 is very much the kind of album that would title its six-minute instrumental centerpiece “Interlude” — but the intricacy in how the nine-minute “Return” develops and the harmonies that emerge early in closer “Five” tell the tale clearly of Homecoming‘s ambitions as they move forward from this already-ambitious debut.

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Lemurian Folk Songs, Logos

lemurian folk songs logos

Tracked in the same sessions as the Budapest outfit’s 2019 album, Ima (review here), it should not come as a major surprise that the six-track/49-minute Logos from Lemurian Folk Songs follows a not entirely dissimilar course, bringing together dream-drift of tones and melodies with subtle but coherent rhythmic motion in a fashion not necessarily revolutionary for heavy psych, but certainly well done and engaging across its tracks. The tones of guitar and bass offer a warmth rivaled only by the echoing vocals on opener/longest cut (immediate points) “Logos,” and the shimmering “Sierra Tejada” and progressively building “Calcination” follow that pattern while adding a drift that is both of heavy psych and outside of it in terms of the character of how it’s played. None of the last three tracks is less than eight minutes long — closer “Firelake” tops nine in a mirror to “Logos” at the outset, but if that’s the band pushing further out I hear, then yes, I want to go along for that trip.

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Ritual King, Ritual King

ritual king ritual king

Progressive heavy rockers Ritual King display a striking amount of grace and patience across their Ripple Music-issued self-titled long-player. Tapping modern influences like Elder and bringing their own sense of melodic nuance to the proceedings across a tightly-constructed seven songs and 42 minutes, the three-piece of vocalist/guitarist Jordan Leppitt, bassist Dan Godwin — whose tone is every bit worthy of gotta-hear-it classification — and drummer/backing vocalist Gareth Hodges string together linear movements in “Headspace” and “Dead Roads” that flow one into the next, return at unexpected moments or don’t, and follow a direction not so much to the next chorus but to the next statement the band want to make, whatever that might be. “Restrain” begins with a sweet proggy soundscape and unfolds two verses over a swaying riff, then is gone, where at the outset, “Valleys” offers grandeur the likes of which few bands would dare to embody on their third or fourth records, let alone their first. Easily one of 2020’s best debuts.

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Sunflowers, Endless Voyage

sunflowers endless voyage

You know what? Never mind. You ain’t weird enough for this shit. Nobody’s weird enough for this shit. I have a hard time believing the two souls from Portugal who made it are weird enough for this shit. Think I’m wrong? Think you’re up for it and you’re gonna put on SunflowersEndless Voyage and be like, “oh yeah, turns out mega-extreme krautrock blasted into outer space was my wavelength all along?” Cool. Bandcamp player’s right there. Have at it. I dare you.

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Maya Mountains, Era

maya mountains era

Italian heavy rockers Maya Mountains formed in 2005 and issued their debut album, Hash and Pornography, through Go Down Records in 2008. Era, which follows a narrative about the title-character whose name is given in lead cut “Enrique Dominguez,” who apparently travels through space after being lost in the desert — as one does — and on that basis alone is clearly a more complex offering than its predecessor. As to where Maya Mountains have been all the time in between records — here and there, in other bands, etc. But Era, at 10 tracks and 44 minutes, is the summation of five years of work on their part and its blend of scope and straight-ahead heavy riffing is welcome in its more heads-down moments like “Vibromatic” or in the purposefully weirder finale “El Toro” later on. Something like a second debut for the band after being away for so long, Era at very least marks the beginning of a new one for them, and one hopes it continues in perhaps more productive fashion than the last.

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