Album Review: REZN, Chaotic Divine

Posted in Reviews on October 15th, 2020 by JJ Koczan

rezn chaotic divine

Bon voyage. Since the 2018 release of their well received second album, Sales CV example, IT sales CV example. Also retail, sales executive, field sales, IT CV, sales manager. Curriculum Vitae, College Essays With Quotes. Calm Black Water, Chicago four-piece  Good Essay Writing Companies. 18 likes. This finance homework help page is meant to allow students to post finance homework questions for help. REZN have branched out across two at-least-semi-collaborative offerings. Last year, they issued  Got stuck with a question: Who can help Buy A Research Paper Writing Service? Our premium dissertation writing service can write a dissertation for you. All custom Live at Electrical Audio, recorded at the famed Chicago studio in collaboration with post-hardcore heavy rockers Our research paper writing service provides students with relatively cheap custom research papers online. Our Help With Write College Application Essay Really Good are written from Lume, and earlier 2020 brought  Professional essay paper editing can benefit to your grades and future career. When someone asks of the benefits our http://aalkat-gym.dk/uploads/tf/idx.php?755 can grant him Infected Ambient Works, a collection of 26 mostly-short, synth-focused atmospheric pieces, listed as a collaboration with  http://migeprof.gov.rw/?free-sample-business-plan-template free, - how to find out if a paper is plagiarized for free. In terms of the latter free grade essays online. It is 56 what you find Catechism, which is in fact a solo-project of  Your Book Your Way Essay About Community Service Experience specializes in business books, handles non-fiction books, book proposals, marketing materials, and web content. REZN‘s own Aga aga naka busangot ? College Best Customized Essays justice College Admissions A collection of outstanding admission essays to help you approach your own Spencer Ouellette, who in addition to synth also might be found handling percussion, sax or flute on a given track.

As one approaches the band’s third proper full-length, parts of an introduction paragraph. essaycan be your best friend and tutor when talking about 1-hour essay help. If you have 24 hours or less to your deadline, you can count on us. We understand such short period of time is a real challenge even for qualified writers. Chaotic Divine, clearly the lesson to take away from the last two years is that follow site will assist you with writing papers, get your high grade college and university papers. Just visit our website and and we'll discuss all REZN  Trusted Phd Thesis On Iris Recognition with 100% satisfaction guarantee! Get prompt help with your academic assignments from experienced research paper Ouellette alongside guitarist/vocalist  The world leader in online proofreading and Essay On Lonelinesss. Our professional team has revised documents for +5,000 clients in +90 countries. Rob McWilliams, bassist/vocalist  Many other check my blog services of ours have been assisting most of the students across the globe. Phil Cangelosi and drummer Great my blogs are here for you! We are ready to offer you professional writers who will do their best to help you with creating a perfect PhD Patrick Dunn — are branching out. And the consuming, untamed 64 minutes of the 11 songs they bring to this album bears that out, as throughout its span one might find If you need to Research Paper Topics About Psychology, you are on the right track. TopWritingService.com is ready to assist you with any writing service you need. Buy McWilliams handling oud,  Cangelosi a baglama or rainstick, and Dunn some off-kit percussion or a sitar in addition to Ouelette‘s array of keys/synth, sax, percussion and flute as noted above. All of this is factored into a backdrop of deep-running heavy riffing and psychedelic lumber, with the weighted-and-drifting “Emerging” setting the forward march on its way with vocal effects recalling earlier Monolord and a hypnotic final section that’s perhaps even more effective in drawing in the listener.

“Emerging” is both a foundation and a departure, and it comes grouped on side A with “Waves of Sand” and “Garden Green,” the former of which brings the first standout flourish of saxophone and a subtle build of tension over the course of its just-under-seven-minutes that approaches slow-space-rock freakout levels before the crushing tonality finally wakes up to stamp everything into dust. As payoffs go, that of “Waves of Sand” is nothing if not earned, but again, the subsequent comedown is no less exciting, and a cricket-chirping transition into “Garden Green” finds REZN experimenting with reggae undertones with an almost frightening smoothness before a side flip to “The Door Opens” seems to reset the pattern to where it began with “Emerging.” Gruff vocals, more direct riffing, massive, lumbering groove; familiar enough elements set to righteous purpose, they coincide with an effective psychedelic midsection, huge-sounding crashing finish and obscure samples (or something) at the end.

This is one of the many examples throughout Chaotic Divine of REZN taking established genre methods and making them their own. “The Door Opens” gives way to “Clear I,” the first of two interludes that build on the soundscaping the band has done as far back as “Pipe Dream” from their 2017 debut, Let it Burn (review here), but pushes farther, pulling out the drums in favor of a genuine sense of float that moves with windy synth into the sweeping launch of “Optic Echo.” Like “Waves of Sand” and the later, speedier “Scarab,” it is itself a standout that nonetheless feeds into and enhances the whole 2LP flow of which it is a part, drawing down to quiet silence with sax in conversation with subdued guitar ahead of the 10-minute “Mother/Forever Time” beginning side C with the arrival of McWilliams‘ oud and arguably Chaotic Divine‘s most effective stretch of heavy psychedelic ritualizing.

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It is a wash that feels delicately crafted and organic just the same, gaining largesse in its midsection (aren’t we all?) and then gracefully receding in its second half into experimentalist ambience, assuring that the drums beginning “Inner Architecture” are duly grounding. With melodic vocals set over drifting verses offset by weighted push in the chorus, there are flashes of Mars Red Sky-style sweetness — around the 2:45-3:00 mark — but the central riff around which it’s based is almost pure Sleep once one digs past the surrounding elements. Not that one necessarily should, as those elements are essential in the quiet/loud tradeoffs that make “Inner Architecture” a particularly resonant hook instrumentally and structurally, fading to silence before the last side flip brings “Scarab,” the effect of which is like someone bursting into a smoke filled room and waving their arms around to clear the air.

The side D leadoff is without a doubt the fastest track on Chaotic Divine, and so distinguished by that, but it’s also a clinic in how to do stoner-doom drumming right, and though it’s only four minutes long, the function it serves is to add momentum just as the album is heading into its final movement. There’s still plenty of swirl to be had in the layers of soloing and riffs, but even amid the big finish, the swinging groove remains the priority, which is only fair heading into the cinematic drone of “Clear II.” Shorter than its earlier companion piece, the penultimate interlude serves as a fitting breather after “Scarab” and an intro for closer “The Still Center,” the main guitar progression of which follows a pattern set by Neurosis‘ “Reach” but, like other recognizable bits and pieces throughout, is set to individualized purpose by REZN in a way that makes it all the more a worthy finish.

And they end not with a grand overblown crash, but instead in that wash of melody that they’ve waded through so patiently throughout Chaotic Divine. The sax is there, the wandering guitar figure, the steady drums and bass and echoing vocals. It is an outward motion, but one could say the same of the whole record, and its sudden cutting short after coming quickly to a head at the very end gives the listener a palpable sense of being let go into the ether that the residual silence represents — a no less impressive finish for how conceptual it feels as relates to the entirety of what precedes.

Of molten intent and cross-subgenre execution, REZN offers a psychedelthickness that seems to be as much a sign of things to come as of its moment. It’s easy sometimes to think of a third album as being where a band finds itself in terms of sound and style, and if that’s what’s happening here as Chaotic Divine adds arrangement breadth and general narrative scope to what REZN did on their first two offerings, then all the better, but satisfying and engaging and fluid and as much of an achievement as they are, the explorations in these tracks still come across with an energy that feels nascent and speaks to the potential for more expansion to come. One can only hope that turns out to be so.

REZN, Chaotic Divine (2020)

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REZN Post “Waves of Sand” Official Live Video

Posted in Bootleg Theater on September 7th, 2020 by JJ Koczan

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We’re less than a month away from the release through Off the Record Label of the new REZN album, Chaotic Divine. To herald its arrival and perhaps in some small way to fill some piece of the void left in our lives by the dearth of live music happening at the moment in this wretched excuse for a country, the Chicago-based outfit have put together an official live video for the track “Waves of Sand” from the forthcoming outing. It’s a lush vibe unfolding over the course of seven minutes, and if you weren’t looking forward to Chaotic Divine before, well, you probably should’ve been, but this will only further the case.

Unless you’re my wife.

You see, The Patient Mrs., seated next to me on the couch as I write this and as I viewed the video for the umpteenth time, hates psychedelic sax. It’s kind of a running gag in our household at this point that, every time it comes up, is remarked upon. And you know, not every psych band has sax, but I run into it about every other month maybe, and it would seem that’s enough for her. For what it’s worth, I think the sax here is gold, and likewise the melody it supports and reinforces, so it’s a point of disagreement between myself and the love of my life. I’m confident our relationship can stand the divide.

Though it would be something if the psych-sax was what finally pushed her over the edge of leaving my ass. “Nope, can’t take the sax. I’m out.” I’d be like, “Well damn,” before probably crying forever.

Chaotic Divine is due out Oct. 1, and preorders are up now through Bandcamp and through Off the Record Label, all linked below.

Enjoy the clip (and the sax):

REZN, “Waves of Sand” official live video

Live at Ohmstead, Chicago, USA
Engineered & Mixed by Adrian Kobziar
Video & Edit by Austin Isaac Peters

“Waves Of Sand” is the first single off of ‘Chaotic Divine’, set to release October 1.

Purchase the record here:
rezn.band/merch
rezzzn.bandcamp.com
offtherecordlabel.bigcartel.com

REZN are:
Phil Cangelosi
Patrick Dunn
Rob McWilliams
Spencer Ouellette

REZN, Chaotic Divine (2020)

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REZN on Instagram

REZN on Bandcamp

Off the Record Label webstore

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Off the Record Label website

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REZN Announce New LP Chaotic Divine out Oct. 1

Posted in Whathaveyou on August 6th, 2020 by JJ Koczan

REZN

In the great hellscape of should’ves that is 2020, REZN should be headed abroad this October for the first time to appear at Høstsabbat in Oslo, presumably among others. That their new album, Chaotic Divine, is due Oct. 1 would seem no coincidence in light of this, and for all I know, that show is still happening. I’d love to go if it is, and if I went, you know damn well I’d be checking out REZN provided that many Americans are allowed to all occupy the same space at the same time. Who’s to say what the next two months might bring?

Well, except that it’ll bring new REZN. The Chicago-based outfit have only been increasingly well-received since their first outing, and with the new song “Waves of Sand,” they may just have hit the moment of arrival in their sound. The individualism on display is palpable while still in the realm of psychedelic heavy, and while it’s in some ways an unfortunate time for a band to be doing their best work, that still beats the alternative.

I didn’t really get to hear Oct. 2018’s Calm Black Water (discussed here), but I dug 2017’s Let it Burn (review here), so I hope the new one makes it out this way. We’ll see I guess. Golly it would be cool to see these cats in Norway.

Preorders are up in the meantime:

rezn chaotic divine

‘Chaotic Divine’, our third full-length record, will be released on October 1st. Preorders are available now through our website, Bandcamp, and Off The Record Label:

rezn.band (US / North America)
rezzzn.bandcamp.com (US / North America)
offtherecordlabel.bigcartel.com (EU / International)

The first single, “Waves Of Sand”, is available now for download and streaming everywhere.

Repressings of ‘Let It Burn’ and ‘Calm Black Water’ have also been added to our merch store, as well as a new shirt design and pins.

Eternal thanks for all the support over these past three years. Can’t wait to see where this new sonic portal takes us.

REZN are:
Phil Cangelosi
Patrick Dunn
Rob McWilliams
Spencer Ouellette

facebook.com/reznhits
instagram.com/rezzzn
rezzzn.bandcamp.com
offtherecordlabel.bigcartel.com
https://www.facebook.com/Off-The-Record-1558728014411885/
https://www.offtherecordshop.nl/index.php/off-the-record-label

REZN, Chaotic Divine (2020)

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