New Geezer? Don’t mind if I do, and whilst engaging in the groove-rolling outer-thereness of Spiral Fires, maybe take a second as well to process just how far the Kingston, New York, three-piece have come since issuing their first album, Electrically Recorded Handmade Heavy Blues, in 2013. With guitarist/vocalist Pat Harrington as the sole remaining founder of the band, the trio have moved from a heavy blues style to an anything goes, slide-infused grit-psych jam band with one foot in traditional songwriting and the other dropped into a region of cosmic trippery that Spiral Fires brings to emphasis even more than 2017’s Psychoriffadelia (review here). Working with labels like STB, Ripple, and indeed Kozmik Artifactz — who’ll have the new EP out on vinyl following its Feb. 8 digital release — the band has grown into a stylistically amorphous, richly expressive outfit who are unpredictable and reliable in kind. The kind of quality you can rely on.

To wit, I knew I wanted to premiere “Spiral Fires Part 1” before I heard it, and after hearing it, knew I was right in getting on board for it. Spiral Fires continues to expand Geezer‘s reach in its two-part title-track and in “Darkworld” and “Charley Reefer,” showcasing a shift in dynamic with drummer Steve Markota in the lineup with Harrington — who also produced — and bassist Richie Touseull. I had been expecting the band to turn out a long-player in 2019, and they may yet, but whenever that inevitable “next album” shows up, these songs give a righteous glimpse of where Geezer are at nearly a decade after getting together and where they might be headed from here. Uncharted space brought to earth with anchored, locked-in groove. You probably could ask for more, but you’d be a jerk if you did.

You can hear “Spiral Fires Part 1” at the bottom of this post in a lyric video provided by the band. Release info for the EP follows here, courtesy of the PR wire:

GEEZER TO RELEASE NEW 4-SONG ‘SPIRAL FIRES’ EP ON FEBRUARY 8, 2019 – KOZMIK ARTIFACTZ TO RELEASE ACCOMPANYING VINYL FORMAT

After recruiting Steve Markota as Geezer’s new drummer in summer of 2017, the band knew it was now the peak time to refocus and start afresh. With gigs as their inspired motivation, over the following year or so the Kingston, New York heavy blues triad set about performing at multiple regional festivals in the U.S.. From the Doomed & Stoned Festival to the New England Stoner and Doom Festival, from The Maryland Doom Fest to the Descendants of Crom. Throw in a supporting slot for Acid King in Brooklyn and many other righteous shows, and a full year did bloom indeed.

All the while, a revitalized Geezer was writing and road-testing new songs. During that process, it became clear that one album was not enough to fully capture what was happening. An EP would be the foundation to set the stage for the upcoming full-length LP. Drawing inspiration from the vinyl version of the most recent Child EP, Geezer hooked up with Kozmik Artifactz to release their own EP in the same vein. Limited Edition, one color cover, black vinyl, no bells and whistles… just rock and roll.

The result is the mind-altering new EP, ‘Spiral Fires’. A three-song collection edifying the embodiment of Geezer’s quest for all things heavy, trippy, and groovy. Spiral Fires is the first passage in Geezer’s new journey.

Guitarist and vocalist Pat Harrington on the new EP:

“Hooking up with Steve changed the band. For the first time in a long while, we had the ability to really take our time and see where the music would take us. Changes were taking place, we were traveling to new musical landscapes. Along the way, a flash of light would appear over the horizon, these songs are those moments… lightning in a bottle.”

The EP was produced by Pat Harrington and recorded at Darkworld Studio in Kingston, NY, assisted by Engineers David Daw and Robert Kelly. Mixing was done by Matthew Cullen at The Cat Haus in Catskill, NY, with Mastering by Scott Craggs at Old Colony Mastering in Boston, MA. The Spiral Fires cover artwork is by Lee Fenyves, with design layout by Steve Markota.

Spiral Fires will be available on vinyl through Kozmik Artifactz in the very near future. Firstly, the band is releasing the EP for digital download and streaming through their Bandcamp page on February 8, 2019.

Kozmik Artifactz Webstore: http://shop.bilocationrecords.com/
Geezer Bandcamp: https://geezertown.bandcamp.com/

Spiral Fires – Track List:
Spiral Fires Part 1
Spiral Fires Part 2
Darkworld
Charley Reefer

UPCOMING LIVE SHOWS:
Jan. 25 – Kingston, NY @ BSP Kingston (w/ Sun Voyager, Shadow Witch)
https://www.facebook.com/events/295547331302289/
Feb. 23 – Baltimore, MD @ Oliver Brewing (w/ Backwoods Payback, Cavern, Dana Ortt)
https://www.facebook.com/events/275935323074808/
Mar. 20 – New York, NY @ Arlene’s Grocery – ODE TO DOOM (w/Thunderbird Divine, Ancient Stone, +)
https://www.facebook.com/events/253278718707961/
Apr. 20 – Kingston, NY @ The Anchor (w/ River Cult, Eternal Black)
https://www.facebook.com/events/2329157044035387/

Geezer is:
Pat Harrington – Guitar, Vocals
Richie Touseull – Bass
Steve Markota – Drums

https://igg.me/at/xxo6XcM2mD4/x/16460786
https://www.facebook.com/geezerNY/
http://geezertown.bandcamp.com/
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz

Geezer, “Spiral Fires Part 1”

It will have been a couple months by the time Backwoods Payback hit the road again on their next DIY tour, this one headed west and south through a cut of the Midwest en route to SXSW in Austin, Texas, where they’ll play on March 14 before hitting Houston and leaving the Lone Star State behind with a couple more shows to wrap up. The Pennsylvania/Virginia (Pennsylginia?) three-piece will continue to support last year’s right-on-right-on Future Slum (review here), which put them ahead of the curve on any kind of grunge revival happening in the heavy underground while keeping to the punk root — and, clearly, work ethic — that’s been present in their sound all along.

To that end, don’t think the use of Raymond Pettibon art in their latest tour poster is a mistake or a coincidence, let alone the Black Flag-esque logo. They’re clearly aware of the kind of road-sloggery they’re doing, and while one doubts they’re eating dogfood — pretty sure convenience store burritos are cheaper anyway; plus they’re too friendly not to get fed — their commitment to “in the van” is admirable. Admirable enough you should get out and see them, anyhow. And maybe buy a t-shirt or an LP. You know, support and all that stuff that everyone hashtags nowadays.

Hashtag blessed, hashtag PR wire:

Backwoods Payback March Tour

Backwoods Payback
March 2019
SXSW TOUR

Heading back out and hitting the spots we have been missing.

Week never ends up right? Don’t let that dull your knife!

Backwoods Payback March 2019:
7- sprout music West Chester PA
8- now that’s class Cleveland OH
9- melody inn Indianapolis IN
10- livewire Chicago IL
11- the blue room Dubuque IA
12- bottleneck Lawrence KS
13- Witts end Dallas TX
14- spider house Austin TX
15- rudyards Houston TX
16- boom boom room Lafayette LA
17- growlers Memphis TN
18- highlands tap Louisville KY

Tour event page: https://www.facebook.com/events/386403138780580/

BACKWOODS PAYBACK:
Jessica Baker – Bass
Mike Cummings – Guitar/vocals
Erik Larson – Drums

https://www.facebook.com/backwoodspayback/
https://backwoodspayback.bandcamp.com/

Backwoods Payback, Future Slum (2018)

The appeal of Portland’s Troll was readily apparent from the self-titled debut (review here) that Shadow Kingdom picked up for release last year — their still-traditional-feeling doom resonates with emotion and melodies atop patient rhythms and a feel that’s no less modern than it is classic, at once of the post-Pallbearer and Windhand school of doom while holding to a march that seems to stem from earlier influences in the genre. Legend Master, which I guess will serve as their second album, though I could’ve sworn the self-titled was an EP. Either way, they’re streaming the first part of the two-chapter title-track, “Legend Master, Book I: Proverbs of Hell,” and the epic feel in the cut is worthy in every fashion of the punctuation its title carries.

You can hear that for yourself at the bottom of this post, and if I can go out on a limb, I’ll say it’s worth your time to do precisely that. Album preorders are up now through the label.

Dig:

Portland’s TROLL set release date for new SHADOW KINGDOM album, reveal first track

Shadow Kingdom Records sets April 12th as the international release date for the highly anticipated second album of Portland’s Troll, Legend Master, on CD, vinyl LP, and cassette tape formats.

Hailing from Portland, Oregon, Troll released their first demo in 2015. Not long after came Troll, their debut album, which was originally self-released on cassette tape. Its original edition sold out quickly, and soon came to the attention of Shadow Kingdom. Duly impressed, the label simply had to release Troll’s album on wider-available physical formats and get the band the attention they so truly deserve.

And indeed did Troll get that attention with its Shadow Kingdom re-release in early 2018: Troll’s swampy, primordial doom ooze was critically acclaimed far and wide, with many salaciously awaiting the band’s next move. And now, that next move has arrived, and it’s more molten and momentous: the ominously titled Legend Master, Troll’s first brand-new material since 2016.

The title Legend Master is a telling one: here, Troll dial back the swampier excesses of their more stoner-indebted work and aim for a more regal, prog-inclined style of doom. And yet, even with such a significant shift, the band’s powers are truly hitting a fever pitch here, seemingly able to weave a majestic-yet-mournful tale at every turn. And there are five “turns” here, each of Legend Master’s five tracks an expansive epic in their own right. With two songs clocking in at eight minutes and the other three topping 10 minutes, Troll render the album a world unto itself; riffs lumber and crunch and then fold and wander, creating atmosphere and tension alike, as enigmatic vocalist Rainbo really reaches into his soul to deliver a goosebump-inducing performance like no other. After 52 minutes, you’ll feel like you’ve gone on a journey of a lifetime, yet will be pressing “play” again immediately after: Troll have truly become that engaging.

Shadow Kingdom is so confident in Troll’s Legend Master, it promises the album’s like sipping a fine wine – subtly intoxicating, savory to the palate, ever mysterious to the very end. Adorned with a classy cover and spellbinding layout, Legend Master will surely put Troll in the league of such luminaries as Pallbearer, Warning (UK), Solstice (UK), and the Lord Weird Slough Feg. Begin the journey to the Legend Master NOW!

Start the journey with the new track “Legend Master, Book I: Proverbs of Hell” HERE at Shadow Kingdom’s Bandcamp, where the album can be preordered. Cover and tracklisting are as follows:

Tracklisting for Troll (Portland)’s Legend Master
1. The Flight of the Dragonship
2. Legend Master, Book I: Proverbs of Hell
3. Legend Master, Book II: Three Evil Words
4. The Door
5. Building My Temple

www.facebook.com/trollPDX
https://trollpdx.bandcamp.com/
www.shadowkingdomrecords.com
www.facebook.com/shadowkingdomrecords

Troll, “Legend Master, Book I: Proverbs of Hell”

Argonauta Records‘ apparently ongoing expansion continues with the pickup of Verona-based rockers Megatherium. The four-piece issued their debut album, Superbeast, in 2016 and a corresponding live outing last year, and later in 2019, they’ll issue their second long-player with Argonauta‘s increasingly ubiquitous stamp on it. They embarked on a week of touring this past Fall and will likely have more to follow in that regard as the new album arrives, but they’re right in the process of finishing the album up, so there isn’t a set release date as yet. It’s January. There’s plenty of time to get it out before the end of the year.

Accordingly, I’ll just leave it at “more to come” and turn the proceedings over to the PR wire, which brought the signing announcement thusly:

MEGATHERIUM SIGN TO ARGONAUTA RECORDS!

New album coming in 2019!

A dark blend of the sludge and doom, crammed full of powerful yet clean vocals, scorching low-tuned guitar riffs, bone crushing bass and grooves: Becoming a witness of the MEGATHERIUM sound, feels like running over a huge wall of heavy distorted tunes that hit you like a sledgehammer, pulverising all of your senses. The four-piece doom and stoner metal band, formed in 2011 and hailing from Verona, Italy, has now signed a worldwide deal with ever-growing label ARGONAUTA RECORDS!

Following the band’s critically acclaimed Superbeast album (2016), MEGATHERIUM are currently putting together the final touches to record their sophomore release, which will see the light of day in 2019 with Argonauta Records. “Most of the bands we listen to daily belong to Argonauta’s family: we’re thrilled to be part of the most kick-ass label out there.“ the band comments. “We’re starting the recording session in a few weeks from now, stay tuned for many more news coming soon!”

MEGATHERIUM offer a wide open arena full of riffage and rhythm, vocals that stand out with a mix of sludge roar and clean, melodic stoner wail, supported by a clever use of keyboards. Light effects, smoke and samples transform a MEGATHERIUM live show into a unique and mesmerizing experience of all that is heavy, flowing from beginning to end with no pauses at all. After the band shared the stages with bands alike Ufomammut or Deadsmoke, to name just a few, 2019 will see MEGATHERIUM to unleash their brand new album on Argonauta Records.

www.facebook.com/MegatheriumStonerDoom
www.megatheriumstonerdoom.bandcamp.com
www.argonautarecords.com
www.facebook.com/ArgonautaRecords

Megatherium, “Fly High” official video

The self-titled debut from Melbourne, Australia’s The Black Heart Death Cult was originally slated for release sometime around the middle of last year, and it may indeed have seen a digital issue around that time. Or, you know, any other time between 1966 and now. Or, you know, at least one or the other. It’s spaced out, I guess is the point. I don’t know if the band self-released it first or not, but Oak Island Records has it out on Friday on vinyl, and there’s little question in listening to it that that’s what the band has intended all along. If it was streaming, it’s since been taken down, but it’ll be worth your time to search out either physically or in the digital ether when it comes to it. Which, again, it will on Friday. Or it did in 1996. Screw it, time is a meaningless construct anyway. Fuzz on.

Release details from the PR wire:

The Black Heart Death Cult release mesmerising debut 18th January on Oak Island Records

Melbourne psychedelic drone rock sextet “The Black Heart Death Cult” are super fuzzed about releasing their self-titled debut LP on German psych label Oak Island Records. It has been a labour of love, recorded over a sprawling 2 years with production from Ricky Maymi of The Brian Jonestown Massacre.

Welcome to the sonic bazaar! “The Black Heart Death Cult” debut LP is a beautifully constructed piece of gloomy verb-soaked psych rock that shifts seamlessly between tracks & styles and a real 60’s sensibility of melody underpins it all to reveal some deft song writing, skillful musicianship & quality production. Droney psych mantras, sonic opiates & space-glazed kaleido fuzz jams for the all too new dark age. Generous application of the volume dial is recommended.

The album is a brooding, gloomy beast that never sits still as it trips effortlessly from the one chord sitar-sling of “Setting Sun” to flute filled space rock of “She’s a Believer” then the wall-of-verb gloomgaze of “Black Rainbow” to the psy-folk interlude of “The Magic Lamp” before bringing the jams with “Aloha from Hell” & that’s just the A side.

The B side is heavier & jammier with the spaced out instrumental “Rainbow Machine”, speaker smashing bass fuzzed “Davidian Dream Beam”, the fantastical flute-filled “Seven Gods” before completely exploding into deep space with the closer “We Love You”.

The Black Heart Death Cult hope you enjoy the ride!

The Black Heart Death Cult will be released on limited edition heavyweight vinyl on the 18th January on Oak Island Records. Limted to 300 copies total pressing: 200 on clear vinyl and a special Kozmik Mailorder edition in 100 transparent green!

Available as Limited Edition Vinyl

Release Date: 18th January 2019

VINYL FACTZ
– Plated & pressed on high
performance vinyl at
Pallas/Germany
– limited & coloured vinyl
– 300gsm gatefold cover
– special vinyl mastering

TRACKS
1. Setting Sun
2. She’s a Believer
3. Black Rainbow
4. Seven Gods
5. Rainbow Machine
6. The Magic Lamp
7. Davidian Dream Beam
8. Aloha from Hell
9. We Love You

The Black Heart Death Cult are:
Sasha L Smith – Guitar & Vocals
Bill Patching – Guitar
Andrew Nunns – Drums
Deon Slavieros – Bass
Gab Potochnik – Keys

https://www.facebook.com/theblackheartdeathcult/
https://theblackheartdeathcult.bandcamp.com/
https://www.facebook.com/oakislandrecords/
http://shop.bilocationrecords.com/index.php?k=1072&lang=eng

The Black Heart Death Cult, Black Rainbow EP (2017)

Dylan Carlson‘s Fall 2018 European tour hit the skids when the Earth guitarist landed in a Berlin hospital for an infected gallstone as as result of ongoing liver issues. That run got canceled as a result — and fairly enough so — but Carlson will be back at it in the UK and Europe in March and April. This is happening while word is beginning to kick around as well of a new Earth album in the works, which is only to the general betterment of humans as a species and well enough due. More on that as I hear it — also, I hope I get to hear it — but you’ll find Carlson‘s redux tour below, and of course one wishes him nothing but the best health-wise so he can get out there and drone as much as possible in any incarnation he wants.

You can hear Conquistador at the bottom of this post. Dates follow from the PR wire:

DYLAN CARLSON ANNOUNCES RESCHEDULED UK/EU LIVE DATES IN SUPPORT OF HIS RECENT SOLO ALBUM, CONQUISTADOR (OUT NOW ON SARGENT HOUSE)

Legendary Earth guitarist Dylan Carlson announces rescheduled live dates in March and April this year, in support of his first proper full-length, Conquistador (which came out last year via Sargent House). Full listings below and tickets available at this link: sargenthouse.com/dylan-carlson. A new Earth studio album is also expected before summer this year via Sargent House, more details in due course.

DYLAN CARLSON LIVE DATES:
MAR 21 Newcastle, UK @ The Cluny
MAR 22 Bristol, UK @ Rough Trade
MAR 23 Manchester, UK @ Soup Kitchen
MAR 24 Birmingham, UK @ The Flapper
MAR 26 London, UK @ St John of Bethnal Green
MAR 27 Brussels, BE @ Botanique
MAR 28 Lille, FR @ La Malterie
MAR 29 Duisburg, DE @ Explorado Museum
MAR 30 Berlin, DE @ Cassiopeia
MAR 31 Prague, CZ @ Futurum
APR 01 Vienna, AT @ Grillx
APR 03 Munich, DE @ Feierwerk
APR 04 Lausanne, CH @ Le Bourg
APR 05 Zurich, CH @ Bogen F
APR 06 Paris, FR @ Sonic Protest Festival

https://twitter.com/drcarlsonalbion
https://facebook.com/drcarlsonalbion
https://instagram.com/drcarlsonalbion
https://drcarlson.bandcamp.com
https://thronesanddominions.com/dylan-carlson
http://smarturl.it/DCarlsonStore

Dylan Carlson, Conquistador (2018)

Nobody here loses. Two bands and a label team up, everybody gets circa-100 copies to sell, and everyone helps each other promote it. What Brume, Witch Ripper and DHU Records have going with the Split MMXIX is basically the idea behind doing a split in the first place. Two bands are showcased with the promotional help from an imprint and everybody gets to put out something new. The fact that Seattle four-piece Witch Ripper take up their whole side with their “1985” opus is a bonus, as is Brume‘s side B take on “In the Pines,” the Huddie “Lead Belly” Ledbetter track known to an entire generation as “Where Did You Sleep Last Night” as covered by Nirvana once upon a time on MTV Unplugged. Hard to argue with the pick, frankly.

The release is out March 15 and the preorders start Jan. 25. I wouldn’t be surprised if the pressing sold out on preorders alone, but whether or not the thing actually makes it to its release date, everyone still wins.

From the PR wire:

Brume/Witch Ripper Split MMXIX (DHU023) Pre order + release date

San Francisco’s Doom Trio Brume have teamed up with Seattle’s Stoner Metal misfits Witch Ripper to bring you a split of unforgiving heaviness to ring in the New Year of Heavy MMXIX

Witch Ripper open the gates on Side A with a mind melting 13+ min track called “1985”. A track that was recorded during their magnificent debut “Homestead” recording session released last year, so you know you will be swept up once again in their punishing assault!

On Side B Brume grace us with a song recorded between the debut “Donkey” and follow up full length “Rooster”, a relentless 8+min Doom anthem called “Man-made” which starts as slow as you know them to be, then bursts into a mid paced groove that will have you banging your head uncontrollably before sending you out into oblivion as they quiet down before the last storm. And, to top it off, Brume does a cover of the classic Leadbelly song “In the Pines” or “Where Did You Sleep Last Night” (also covered by Nirvana and Mark Lanegan respectively) in their own traditional Doomed way, so get ready!

Presented here is the cover artwork, done by the incredible photographer Katrin Albert

Brume/Witch Ripper Split MMXIX

Side Witch Ripper
A1. 1985

Side Brume
B1. Man-made
B2. In the Pines

Pre orders go live Friday January 25th at 7PM CET

Official release date March 15th

The Brume/Witch Ripper Split will be released on 3 different limited edition color vinyl options

DHU Exclusive: Limited to 90 copies
Witch Ripper Edition: Limited to 100 copies
Brume Edition: Limited to 100 copies

Brume
Susie: Vocals/Bass
Jamie: Guitar/Vocals
Jordan: Drums

Witch Ripper
Curtis Parker: Vocals/Guitar
Joe Eck: Drums
Brian Kim: Bass
Coltan Anderson: Guitar

https://www.brumeband.com/
https://brumesf.bandcamp.com/
https://www.facebook.com/brumeband/
http://brume.bigcartel.com/

https://witchripper.bandcamp.com/
https://www.facebook.com/Witchripper/
https://www.instagram.com/witch_ripper/

https://www.facebook.com/DHURecords/
https://www.instagram.com/dhu_records/
https://twitter.com/dhu_records
https://darkhedonisticunionrecords.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/

Brume, Rooster (2017)

Witch Ripper, Homestead (2018)

I feel like the conjoined logos of the tour poster tell a lot of the story here. Tons and Deadsmoke might be considered outliers of the packed Heavy Psych Sounds label roster, but they definitely have some commonality between them. Namely, they crush. Deadsmoke might be the nastiest band on the imprint, and Tons aren’t far behind in that regard, so yeah, pairing them up for a tour makes sense in that they’ll be able to share gear if they want and just absolutely break everything that belongs to everybody that way. Both bands will feature at all three nights of the road-show Heavy Psych Sounds fest in the UK, Belgium and the Netherlands alongside Black Rainbows and others, and they’ll stomp their way as well through their native Italy, Germany, Switzerland and Austria.

Looks like a heavy time. Details from the PR wire:

DEADSMOKE AND TONS TEAM UP FOR EUROPEAN TOUR THIS MARCH!

Down-tuned monolithic guitar riffs scraping the soil down to the core of the earth; slow, hypnotic and dissonant cadences recall the eternal need for isolation and the atavistic fear of nothingness. Your soul will be burned, and smoke is what remains after a memorable show on this exciting tour: HEAVY PSYCH SOUNDS RECORDS & BOOKING is proud to get heavy weights DEADSMOKE on the road this March! Kicking off on March 20th in Italy with dates in Switzerland, Germany, Austria and the Netherlands, the Italian power Doom and Sludge foursome has teamed up with no one less than label mates, Turin-based Doom masters TONS.

„Tons and Deadsmoke can’t wait to hit the road again, this time together as a monolithic combo touring the most noisy smoky buried venues of Europe and taking their deafening spaghetti Doom to the big audience. A blaspheme haze of corrosion is flowing up north, spreading curses, illness and tons of smoke.“ the bands are excited to hit the road together soon.

The atmosphere around both groups is not only so devilish, mesmerizing and noisey, but will take the entire crowd on a ride through the heaviest soundwalls in psychedelic doom landscapes. Make sure to catch this heavy touring package live at the following dates this March:

22.02.19 UK London | HEAVY PSYCH SOUNDS FEST **
23.02.19 BE Brussel | HEAVY PSYCH SOUNDS FEST **
24.02.19 NL Deventer | HEAVY PSYCH SOUNDS FEST **
20.03.19 IT Bologna | Freakout Club **
21.03.19 IT Torino | Blah Blah **
22.03.19 CH Kreuzlingen | Horst Klub
23.03.19 DE Mannheim | 7er Club
24.03.19 NL Utrecht | Db’s
26.03.19 DE Berlin | Toast Hawaii
27.03.19 DE Leipzig | Zoro
28.03.19 DE Dresden | Chemiefabrik
29.03.19 AT Salzburg | Rockhouse
30.03.19 CH Basel | Hirscheneck
** Deadsmoke only

Tickets are now on sale at your local ticket dealer and at the following locations:
www.heavypsychsounds.com
www.poisonforsouls.com

www.facebook.com/deadsmokedoom
www.facebook.com/TONSBAND
https://www.facebook.com/HEAVYPSYCHSOUNDS
http://www.heavypsychsounds.com
https://heavypsychsoundsrecords.bandcamp.com

Tons, Filthy Flowers of Doom (2018)

Deadsmoke, Mountain Legacy (2017)