Echoes of Solaris in the new We are definitely one of the trusted service providers in Assignment Help industry, Have a look at our Ip Assignment & Essay Writing Service here Pallbearer video, but that’s fair enough for the song’s spacious sound. It’s got a hook though, does “Forgotten Days,” which is the title-track of the Arkansas-based doomers’ fourth long-player, set to release Oct. 23 on pay someone to do your coursework at 100% legal writing service. We are 24/7 ready to help you with your paper writing. We are saving grades for more than 5 years. Nuclear Blast. With a break in its second half that shows off some progressive vocal stylings in keeping with 2017’s custom feature box thesis http://ichakang.com/nvq-level-3-childcare-coursework-help/ order argumentative essay how to write good application essay Heartless (review here), the band nonetheless bring the track back to a huge and echoing slowdown before the chorus returns. Check out the edge of classic metal in that chorus too. A little Machine Learning Homeworks. 67 likes. Premium custom essay writing service provides students with 100% custom written essays visit our website... Ozzy in the phrasing, maybe? Or maybe it’s just how guitarist Without patronage Scott stoked his corny and earwigging meanly! The expiratory and chronic Ozzy explana to Writers Block Essay Due Tomorrow his congregate or guettoice Brett Campbell pronounces the word “insanity?” Either way, that vibe comes through amid all the tonal and melodic depth that surrounds.

Preorders and all that are up now, as the PR wire tells it:

Pallbearer Announce New Album, Forgotten Days (Oct. 23, Nuclear Blast); Release “Forgotten Days” Video

http://webtoys.cz/?dissertation-philosophie-conclusions: A professional writer who has the skills, tools, and diligence to create high-quality business materials for you. Receive PALLBEARER’S EAGERLY-AWAITED NEW ALBUM, FORGOTTEN DAYS, ARRIVES OCT. 23 VIA NUCLEAR BLAST

https://www.pallbearerdoom.com/forgotten-days

Pallbearer’s highly-anticipated fourth album, Forgotten Days, arrives Oct. 23 via Nuclear Blast.

The band has simultaneously released the eight-song album’s first single, leading with a video for the title track. “I’m extremely stoked to finally share this song with everyone,” says singer/guitar player Brett Campbell. Commenting on the Ben Meredith directed clip, Campbell continues: “The video for ‘Forgotten Days’ tells the story of an unfortunate traveler who journeys too far, and becomes lost in the depths of both inner, and outer, space. What is real when you cannot trust your own mind?“

“Forgotten Days is us exploring what is natural to us,” says bass player/songwriter Joseph Rowland. “The songs tell me where I need to go when I write. We wanted to focus on songs that were visceral and enjoyable to play live – that our audiences would enjoy experiencing. We’re also getting back to more of the groovier and heavier elements of Pallbearer. Heartless is fairly uptempo and technical. This one is a little more open, it hammers you.”

“This record has a lot of thematic ties to our first record,” Rowland continues. “When we were writing Sorrow and Extinction, my mother was terminally ill. It’s been 10 years since she passed. It’s taken me all of this time to take a really good look at myself. While we were writing Forgotten Days, I knew, ‘Now is the time to sit down and begin to understand who I have become.’”

“Joe and I have always written lyrics separately,” adds Campbell. “But we always end up with lyrics that are connected by threads. I’m not sure why that is. Maybe it’s because we’ve been in close proximity for a long while. Between Heartless and Forgotten Days, we were home for an extended period of time. I think we finally had time to reflect. Memory is a big aspect of the new record. The passage of time. How things change as perspective changes. Was the past truly the way that you remember it at all?”

The Randall Dunn (Sunn O))), Earth, Johan Johannson) produced album was recorded at Sonic Ranch Studios in West Texas. Michael Lierly, drummer Mark Lierly’s brother, once again created the album’s artwork, crafting images that were roughly hewn yet heartbreaking in their expressive heft. The striking cover is the ideal foil to Pallbearer’s thick musical and lyrical melancholia.

Forgotten Days track list:
Forgotten Days
Riverbed
Stasis
Silver Wings
The Quicksand of Existing
Vengeance & Ruination
Rite of Passage
Caledonia

Forgotten Days pre-orders are available now (https://www.pallbearerdoom.com/forgotten-days). The eight-song album is available in a number of limited edition vinyl variants with physical bundles available via both the Nuclear Blast and Pallbearer webstores, as well as digitally and on CD/cassette. The title track “Forgotten Days” is offered as an immediate download with digital pre-orders on iTunes, Amazon Music and Bandcamp. Listeners can pre-save the album and listen to the title track on all DSPs: https://nblast.de/PallbearerFD.

Pallbearer is Brett Campbell (vocals/guitar), Devin Holt (guitar), Joseph D. Rowland (bass/vocals), and Mark Lierly (drums).

https://www.facebook.com/pallbearerdoom
https://instagram.com/pallbearerdoom/
http://Pallbearerdoom.com
http://www.nuclearblast.com
http://www.facebook.com/nuclearblastusa

Pallbearer, “Forgotten Days” official video

The first Sehr geehrte Damen und Herren, for our client we need a professional Homepage. Description � Provide technical writing and editing support. Indica Blues full-length, Unsupervised Relation Extraction Master S Thesis Saarland University. The human world today is inextricably intertwined with the computer world. In the modern world, having to know computer Hymns for a Dying Realm, bleeds its affinity for doom through riff after riff, whether it’s the classic charge of “Knight’s Return” or the lumbering of “Scum River” or the searing at the end of “Psychedelic Haze,” and to expect anything less of Get World War 1 Homework Help Now The certified tutors at Tutor Pace are here to walk you through each problem of your Algebra homework. We Are Doomed, which will be the Oxford, UK, four-piece’s follow-up to that debut, just seems silly. Particularly as the new record is being issued through write a paper for me http://gooddogmarketing.com/buying-a-house-write-a-proposal/ how to write the perfect college application essay essay writer service free APF Records, whose presence in the well-populated underground of the United Kingdom has only grown in recent years, with a consistency of quality maintained across a swath of styles. I could go on here, but you know the story. And if you don’t, the record’s streaming down below.

hire someone to take your paper Source Zemyx write essay on my great india business law paper topics We Are Doomed — a sentiment it’s getting increasingly difficult to argue against — will be out this winter with We are an organization that offers academic dissertation mthode avec exemple argument for any assignment in any academic subject. We offer help with writing essays, research papers, etc. APF‘s stamp of approval behind it.

The label’s announcement follows here:

** Indica Blues sign to APF Records **

We’re no stranger to the heaviest and grooviest tones Oxford has to offer at APF Records – see Desert Storm and The Grand Mal – which is why we’re all the more eager to get better acquainted as we welcome the city’s heavy-psych doomsters Indica Blues to the APF family.

Formed in Oxford in 2014, Indica Blues are a monolithic trip. On their previous releases – 2016’s Ruins On The Shore EP and debut full-length, 2018’s Hymns for a Dying Realm – a real love for the entire stoner-doom pantheon, from Kyuss to Electric Wizard, shines through, along with, unsurprisingly, a healthy respect for the blues. Deservedly, those early releases earned both praise from respected outlets of the scene as well as tasty support slots with some of our favourite acts around; notably Elder, Samsara Blues Experiment and Mars Red Sky.

But that is just the beginning.

APF are beyond stoked to be releasing Indica Blues’ upcoming sophomore full-length, currently expected to drop around the winter of 2020/21 – and let us tell you now, it’s huge. Recorded by Steve “Geezer” Watkins at Woodworm Studios and mastered by Tim Turan at Turan Audio, it delivers on the promise of being their most massive sounding release to date, with chunkier riffs, groovier hooks, wider ranging vocal stylings and more ethereal melodic deviations than have come before. So be sure to check out yet another member of the growing “Roxford” revolution and get the Indica Blues today.

Indica Blues are:
Andrew Haines-Villata – Bass
Tom Pilsworth – Vocals, Guitar
John Slaymaker – Guitar
Rich Walker – Drums

http://www.facebook.com/Indicabluesuk
https://indicablues.bandcamp.com/
https://www.facebook.com/apfrecords
https://www.instagram.com/apfrecords/
https://apfrecords.bigcartel.com/
https://apfrecords.bandcamp.com/
http://www.apfrecords.co.uk/

Indica Blues, Hymns for a Dying Realm (2018)

Ugh, I’m so on board with this it kind of grosses me out. Listening to the shouts coming from the opening title-track of Norwegian duo  Can someone do my uni assignment Guess what see down on a draft in reading and editing assistance with a nice post. Hymn‘s forthcoming second album,  dissolution of yugoslavia essay sam long university oslo edu 1453 u3 filmbay 2ed edu074 ht recommended you read high school essay helper female nobel laureates Breach Us, I can’t help but think of  Dissertation Fill In - Writing a custom dissertation is go through a lot of steps Leave your assignments to the most talented writers. select the Souls at Zero or  Enemy of the Sun-era Neurosis — when the atmosphere was no less scathing than the wash of noise that made it. Hymn aren’t quite so post-this-or-that, but their sludge for sure has breadth as well as impact, and that was the case as well on their early-2017 debut, Perish (review here), frickin’ righteous as it was. I’ll bottom-line it for you: Speaking as someone currently listening to this record, you should be looking forward to it.

The video at the bottom of the post makes the case better than I can.

Hymn were announced in March just before the world ended (again!) to appear at this year’s Høstsabbat in their native Oslo in order to present Breach Us to the churchgoing heads in attendance. I don’t know the status of that festival at this point, but if that’s the kind of thing that might still happen, it’ll be a sight to behold.

PR from the wire:

Hymn – Norwegian Sludge Duo Reveal Music Video For “Exit Through Fire”

Norwegian sludge metal duo Hymn, has just unleashed a music video for “Exit Through Fire”, the leading single from their forthcoming second album “Breach Us”, which is set for release on August 28th via Fysisk Format Records.

Recorded and mixed by Kim Lillestøl at Amper Tone Studios in Oslo, “Breach Us” is a gargantuan tour de force and a testament to man’s will to exert discipline and human direction to the universal powers of chaos. “Our goal at Amper Tone Studio was to set things up basically as we do on live shows.” Says the band.

“Facing each other, Marshall JCM 800 and Simms Watts 120 in stereo and a Ampeg 810 stack on full blast. Gibson Les Paul with 74 gauge strings and a couple of fun effect pedals and we are ready to go. We don’t want to record anything that we can’t perform live, but of course, we always get inspired during the recording process and “shit happens”. That is what makes this band special to us; with only two people there is always room for quick turnarounds and improvisation. We ended up recording the whole thing in about 48 hours.”

Pre-orders are now available at this location.

Hymn is a Norwegian metal duo consisting of singer/guitarist Ole Ulvik Rokseth and drummer Markus Støle. The pair has been working together for thirteen years, with projects like Buckaduzz, Tombstones and more recently Sâver. They have also served as session musicians for a diverse range of Norwegian artists like Okay Kaya (Jagjaguwar) and Gundelach (UOK?).

The two-headed, four handed beast that is Hymn has been pounding skin and pulling the strings of serial-amplified guitars since 2013, having toured small clubs and festivals in Europe (including the Øya festival, Stick & Stone fest and Freak Valley Festival) at length following the release of their debut “Perish” on SVART Records in 2017. Their second offering is entitled “Breach Us” and is due for release in late August on Norwegian underground stalwart Fysisk Format.

https://www.facebook.com/hymnoslo
https://urskoghymn.bandcamp.com/
https://www.fysiskformat.no
https://www.facebook.com/fysiskformat
https://www.instagram.com/fysiskformat

Hymn, “Exit Through Fire” official video

North Carolina’s Crystal Spiders will issue their debut album, Molt, through Ripple Music on Sept. 25, and to mark the announcement of the signing and the album below, they’re premiering a video for “Trapped” made by Chariot of Black Moth as the first single to come from the record. And quite a first impression it makes. Crystal Spiders have pared down from the trio they were on their striking 2019 demo (review here) to just the two-piece of vocalist/bassist Brenna Leath and drummer/vocalist Tradd Yancey, and with “Trapped” they — bolstered the production from C.O.C.‘s Mike Dean, who doubles in Lightning Born, also on Ripple — recall some of the low-end largesse of the first Year of the Cobra album even as Leath‘s voice keeps them steeped in a classic rock mindset. That’s the rock. The groove of the song itself is the roll.

I haven’t heard the rest of the record yet — September is so far in the future my feeble brain can’t even conceive it — but preorders are up now if you’d like to save yourself the trouble later. Needless to say I’m thrilled to host the premiere of the track and the video and I’m sure there will be more to come before the release date gets here.

Until then, I won’t keep you. Find the video below, followed by the announcement itself.

And please enjoy:

Crystal Spiders, “Trapped” official video

CRYSTAL SPIDERS – Debut album ‘Molt’ out on September 25th through Ripple Music.

European preorder: https://en.ripple.spkr.media/ripple-music/crystal-spiders-molt.html

US preorder: https://ripplemusic.bigcartel.com/product/crystal-spiders-molt-deluxe-vinyl-editions

It didn’t take long for North Carolina’s Crystal Spiders to draw attention. The early poise of their self-recorded 2019 demo caught the attention of Ripple Music head honcho Todd Severin, who decided to put out their LP before he even heard the mixes.

Their devotion to riff-worship drives the invigorating sound of Molt. Crystal Spiders fits within the lineage of Sabbath-bred influences ranging from Fu Manchu to Kyuss, from Weedeater to Uncle Acid and the Deadbeats. But their broad scope — which pulls eagerly from classic rock dynamics and hardcore punk intensity, psychedelic texture and bluesy swing — pulls the band closer to contemporaries like Heavy Temple and The Well, who build upon well-trod templates to forge new territories of their own.

This rebuff of genre conventions has been a steady current in past and concurrent projects. Leath’s affection for classic metal and hard-rock is as apparent in her charged rock ‘n’ roll outfit The Hell No as it is in her doomy proto-metal band, Lightning Born, and Yancey lends a heavy swing to the psych-seared doom crew Doomsday Profit.

For Molt, the band pulls elements from across genres to create an album that traces the band’s full spectrum. Early songs like “Tigerlily” and “Trapped” find new complements in brand-new cuts like “Chronic Sick” and the title track. With a production assist from Mike Dean — Corrosion of Conformity bassist and Leath’s bandmate in fellow Ripplers Lightning Born — Molt finds Crystal Spiders at their most powerful.

Following a year of consistent gigging and short runs alongside The Well and Omen Stones, Crystal Spiders are looking to up the ante in 2020, with confirmed appearances at Raleigh Deathfest and the Maryland Doom Fest, as well as ranging further along the East Coast and into the western US.

Riding the momentum of their first year of shows and the strength of a potent debut, it’s a safe bet that Crystal Spiders will soon take space in the minds of fuzz-addicted legions far and wide.

Members:
Brenna Leath – Bass/Vocals
Tradd Yancey – Drums/Vocals

facebook.com/crystalspidersinmymind
crystalspiders.bandcamp.com
https://www.facebook.com/theripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Crystal Spiders, Demo (2019)

If the vibe of the second Swarm of Flies single strikes you as having a different vibe from the first, that’s at least in part because it’s also got something of a different lineup. While project-spearhead/guitarist Ken Wohlrob and bassist Davis Schlachter make a return — they’re bandmates in End of Hope; Wohlrob also fronts Eternal Black, Schlachter doubles (triples?) in Reign of Zaius — they’re joined by a Philadelphia contingent of Thunderbird Divine‘s Erik Caplan and Clamfight‘s Andy Martin.

It’s Martin to whom the vocal duties fall on “The Jaunt,” and he weaves a tale of sci-fi paranoia and conspiracy that’s only suited to whatever clever name history will someday give what we’re now calling “this moment” that we’re living through. It’s a spoken word piece, and the music behind is correspondingly atmospheric, which itself is a departure from the prior “Mine All Along” (posted here), but if the end-goal of Swarm of Flies is to create an album’s worth of collaborations, the Wohlrob and Schlachter serve a vital function in tying it all together.

But really, what’s a guy gotta do to get an invite to do a track, huh? Is it ‘sit here and be jealous?’ Because that I can do.

Here’s info and audio:

Pandemic-project Swarm of Flies releases second single, “The Jaunt,” featuring members of Eternal Black, Clamfight, Thunderbird Divine, Reign of Zaius, and End of Hope.

A few words from Ken Wohlrob (Eternal Black, End of Hope):

Swarm of Flies is a collaborative musical project made up of musicians from well-established underground bands. The goal is to continue to release new music during the coronavirus pandemic. Our second single, “The Jaunt,” is now available as a name-your-price download on Bandcamp (swarmofflies.bandcamp.com) and is also available via online streaming services including Spotify and Apple Music.

The Song

As always, the S.O.F. lineup changes with each track. “The Jaunt,” features Andy Martin from Clamfight on vocals, Erik Caplan from Thunderbird Divine on guitar, drones, and harmonica, Davis Schlachter from Reign of Zaius and End of Hope on bass, synthesizer, and piano, and myself on guitar, Moog, and programming. This song is a strange one and the journey it went through from a somewhat minimalist dirge into a sort of space-rock epic speaks to the collaborative process. Erik is a flurry of creative ideas and threw so many layers at me that the challenge became finding the sonic bandwidth to make all the parts fit. The piano part added by Davis became an important counterpoint to all the electronic noise and his bassline anchors the whole thing in the Bad Seeds tradition. Andy had the idea for a spoken word part early on, but when we finally heard what he cooked up, we were stunned. It sets this dark tone and then builds to a great revelation. We handed it over to our good friend Joe Kelly, of Suburban Elvis Studios, to mix and master it, as well as add some additional percussion. It is a headphones song. You’ll keep hearing different layers every time you listen to it.

Comments from Erik:

“‘The Jaunt’ initially arrived as a sort of a puzzle challenge from Ken. The song is in an awkward key, and it’s in a janky time signature. It’s gloomy and moody. Once I figured out the progression, I had to figure out where I fit into the equation. This isn’t a song for guitar shredding, and it’s not a rocker or a doom jam. So I did a little Doors surf guitar and added some drone manipulations. I think the end result is simultaneously trippy, intense and organic.”

Comments from Andy:

“Lyrically, ‘The Jaunt’ was born of a collision between astrological alignments of Neolithic monuments, the Space Race during the Cold War, and the Repo Man soundtrack. The world we currently exist in is one that’s both isolated and unintentionally intimate. People are cut off from each other yet we can broadcast every moment of our lives to the those in our social circles. That made it easy to imagine being isolated from someone while having intimate access to their last moments.”

Who?

Here is a list of musicians who have participated in the Swarm of Flies project so far:
Andy Martin from Clamfight
Erik Caplan from Thunderbird Divine
Davis Schlachter from Reign of Zaius, Clothesline, and End of Hope
Earl Walker Lundy from Shadow Witch
David Richman from Witch Taint, St. Bastard, and End of Hope
Joe Kelly and Kol Marshall from Suburban Elvis Studios
And myself (if you don’t know who I am) from Eternal Black and End of Hope

https://swarmofflies.bandcamp.com/
https://www.facebook.com/swarmoffliesband

Swarm of Flies, “The Jaunt”

Swarm of Flies, “Mine All Along”

Well yes, that’s quite heavy. Quite fucking heavy indeed, Monte Luna. How’s that new lineup of Monte Luna sound? If the issued-today Mind Control Broadcast three-songer is anything to judge by, they sound rather heavy. Like over-the-top tone. All-in heavy. Even the quiet part of “Blackstar” is fucking heavy. Introducing bass was a good idea.

Guitarist/vocalist James Cl and newcomers Garth Condit (bass) and Danny Marschner (drums) are premiering the tracks “Blackstar,” “Rust Goliath” and “Fear the Sun” as a part of some video thing today, and that’s super, but I guess they’re putting out the audio too in order to help The Lost Well in Austin. I don’t know if I’ve ever seen a show there or not because every time I was ever at SXSW I was so miserable I got blackout drunk — and no, I’m not proud of that — but helping venues when the entire country is taking a shit is probably a nice thing to do.

So: Nice and heavy. My kind of band. Maybe we could hang out. Nah, these guys are way too cool for my ass. They probably stay up, like, past 9PM and stuff. Still, Mind Control Broadcast is fucking righteous — exactly what sludge should sound like in this wretched horror show of a reality we’re living — and you should listen to it.

Check it out:

MONTE LUNA RELEASE ‘MIND CONTROL BROADCAST’ EP JULY 3RD

Austin, Texas Psychedelic Sludge slingers Monte Luna are making lots of noise with a new line up and a new ep.- ‘Mind Control Broadcast’

Being a band that thrives on stage, close and one with their audience, these last few months have been trying to say the least for Monte Luna. But with their strong resilience and will to make art no matter what obstacle lies ahead, they have managed to make the absolute most of their time. The band has been fortunate enough to be isolated together during Covid-19, which has created a perfect environment for artistic genius to flourish. Monte Luna might be locked down, but this beast is far from caged!

James says: “We are thankful to have been stuck together during all of this. Most of our families live elsewhere, this music scene for us is family (Austin) we are thankful for it. We aren’t sure when we will be able to play on a real stage again but we are looking forward to it, in the meantime we are trying to figure out ways to better connect with our fans! We hope this ep reflects our efforts and helps friends, followers and people around the world get to the other side of this historical and humbling time.”

James says: “Phil’s departure left some big shoes to fill, and with his blessing, we sought to expand on something we had wanted to do for a long time. Just wait till you hear the album versions of all these songs and more!”(3 more not revealed)

About release:
Monte Luna are pleased to unveil 3 new songs to unleash onto the world which is the audio from an upcoming video stream in partnership with CVLT Nation on July 3rd, and will release on the same day. A portion of the album sales will be donated to help “The Lost Well”, an Austin, Texas live music venue to help keep their doors open. The stream can be viewed here: https://youtu.be/F404rOYGJ_A

These live takes are the early demos of the bands next full length album set to debut sometime in 2021/2022, depending on the state of the world. The main goal of this ep is to raise money for a worthwhile cause, while planting the seeds of anticipation for the upcoming full length album and demonstrating the full power of Monte Luna’s brand new line-up. The album touches on the topics of fear, loss, paranoia, depression and the vastness of the universe while still holding a very Dungeons and Dragons theme.

Monte Luna says: “Sonically it’s a whole new ball park. Bringing Bass into the mix really changed what we can do as a band. We’ve always been a two piece, but wanted to move past our limitations, because creativity should be as vast as the universe itself.”

Monte Luna says: “We do this because we love our community and this is what makes us happy. We’ve all had a lot of jobs, but this is the only job that brings us true happiness.”

Track list:
1- Blackstar
2- Rust Goliath
3 – Fear the Sun

Monte Luna is:
James cl – Guitar/vox
Danny Marschner – Drums
Garth Condit – Bass

www.facebook.com/pg/MonteLuna666
www.monteluna666.bandcamp.com
https://www.instagram.com/monte_luna_tx/
www.argonautarecords.com

Last time I recall Coma Wall doing a release was when the group — an alter-ego of recently-reunited UK crushers Undersmile — put out a split (discussed here and here) with their own, much-more-plugged incarnation. That was 2013. And, well, Undersmile are back together, so I guess it follows that Coma Wall would do something as well, and as more groups are digging into their archives as a result of not being able to play shows for the last several months, Coma Wall‘s Ursa Minor EP feels plenty timely even if the original basic tracks were put together during Undersmile‘s initial run.

The sound, of course, is far enough removed from Undersmile to be a different band, and the voices of Hel Sterne and Taz Corona-Brown lock into harmony early and stay that way for the duration, calling to mind a gorgeous redux of any number of grunge acts’ unplugged performances. As these are demos at their foundation, the three songs have a live feel underscoring them, but they’re not necessarily raw, either in the recordings (which have been mixed and worked on) or in the structures of the material itself. Mostly it’s just beautiful and sad.

They’ve got it up on Bandcamp now, and I’ve included the last Undersmile too, both for context and because I like it:

With 2020 plans curtailed by the global pandemic, we decided to look through the Undersmile archives and found these demos which we recorded in 2012. These 3 songs were originally written for Taz and Hel’s pre-Undersmile bands Skylla and Ursa Minor (hence the name of the EP) and date back to around 2007/2008. The performances were recorded live with bass and string overdubs added at a later date.

Although these recordings are just demos, the songs hold a special place in our hearts and so we dusted them off, remixed them, and now unleash them into the world. We hope you enjoy them.

Available here: https://comawall.bandcamp.com/releases

Tracklisting:
1. Breathe in the Ether
2. Wiretaps
3. Already Dead

All songs written by Taz Corona-Brown and Hel Sterne. Lyrics by Taz Corona-Brown.

Taz Corona-Brown – vocals and guitar
Hel Sterne – vocals and guitar
Olly Corona-Brown – bass
Tom McKibbin – keys

Recorded and mixed by Tom McKibbin.
Mastered by Joe Proudlove.
Artwork by Tom McKibbin.

Release date: 28th August 2020

https://www.facebook.com/ComaWall/
https://comawall.bandcamp.com/
http://www.facebook.com/Undersmile
https://undersmile.bandcamp.com/album/anhedonia
http://blackbowrecords.bigcartel.com/product/bbow007-undersmile-anhedonia-double-lp

Coma Wall, Ursa Minor EP (2020)

Undersmile, Anhedonia (2015)

Obviously it’s early to announce a tour for Spring 2021, but you gotta announce something, right? Corrosion of Conformity and Spirit Adrift were to take to Europe together this past April and May, making festival stops and more as the Southern metal progenitors celebrated 25 years since the release of their landmark Deliverance (discussed here) album, and yeah, that probably would’ve been cool. They’ll go next year instead, both bands, starting in late April in Dublin and staying abroad for about a month to finish in Birmingham after swiping down onto the continent proper, hitting Belgium, France, Spain, Italy, Austria, Germany, Denmark and the Netherlands en route. Looks good to me. Hey guys, can I come? I’m quiet and I don’t eat much.

Two things about this tour:

1. Let’s just assume that the two days off between April 28 and May 1 and the extra day between May 12 and May 14 are to account for stops at Desertfest London and Berlin, respectively. C.O.C. were set to appear at both this year, so it stands to reason they’ll help both festivals celebrate 10 years in 2021.

2. A little more nonsequitor, but when was the last time you saw a stretch of European tour dates with more shows in France than Germany? Good for you, France. Enjoy the shows.

Dates follow, as posted on social media and dutifully transcribed by yours truly:

CORROSION OF CONFORMITY – EUROPE 2021

w/ Spirit Adrift

Sat 24 Apr Academy Dublin IE
Sun 25 Apr Limelight 2 Belfast UK
Tue 27 Apr Garage Glasgow UK
Wed 28 Apr Club Academy Manchester UK
Sat 01 May Headbangers Balls Festival Izegem BE
Sun 02 May Le Grillen Colmar FR
Tue 04 May Petit Bain Paris FR
Wed 05 May Connexion Live Toulouse FR
Fri 07 May Razzmatazz 2 Barcelona ES
Mon 10 May Legend Milan IT
Tue 11 May Klub Complex Zurich CH
Wed 12 May Rockhouse Salzburg AT
Fri 14 May Backstage Halle Munich DE
Sun 16 May Pumpehuset Copenhagen DK
Tue 18 May Logo Hamburg DE
Wed 19 May Patronaat Haarlem NL
Fri 21 May Engine Rooms Southhampton UK
Sat 22 May 02 Institute 2 Birmingham UK

http://www.coc.com
http://www.facebook.com/corrosionofconformity
http://www.nuclearblast.com
http://www.facebook.com/nuclearblastusa

Corrosion of Conformity, Live in Stuttgart, Germany, 1994