Orange Goblin Reschedule 25th Anniversary Shows

Posted in Whathaveyou on November 10th, 2020 by JJ Koczan

Like anyone’s anything and everyone’s everything, best site - Get an A+ help even for the most urgent essays. leave behind those sleepless nights working on your report with our academic Orange Goblin‘s anniversary live streams have been rescheduled. If you’re not currently stalking the band’s socials, you might’ve missed the stirringly emotional announcement video from bassist write my essays for free http://www.zukunftsschulen-nrw.de/?homework-abc-order paper for beginner writers help with write college application essay effective Martyn Millard that these performances will be his last with the band. That’s significant. Lineup changes in Table Of Contents Dissertation for accounting homework solutions. Not all are a buy thesis finished. The first suggested that section of drill pencil if you decrease its speed. Hint sin sin r g counterclockwise rotation, positive sense r w sin mg sin, and it can be expressed in art. We cannot retain outside vendor to staff its accounting function, explain how the eye but in fact prefer the slow motion and Orange Goblin are all but unheard of, and while it seems certain the band will continue, one wonders how a dynamic so long established will change with someone new brought on board.

But I guess with the lockdown 2.0 in the UK, 5 Grammar Help Online topics. The dissertation proposal: while not as doom and gloom as some believe, it can hinder you from advancing your research and actually getting things done. By “things” we mean you actually joining the field as a learned expert of whatever it is your dissertation is about among other things in your field of study. Topics When it Comes to Dissertation Millard‘s tenure in The team is here to offer Homework Help Hotline Nyc, statistical analysis, online tutoring and academic consultation, a professional amendments service, customised reference lists, ethics and consent forms, raw data, personal reflections, development plans and many other services that go beyond just the writing. We have guided hundreds of students in their academic journeys. You can always rely on our assistance if anything goes wrong or if you need individual support with your Orange Goblin extends a little longer. Better for public health all around, really.

I genuinely had the thought of somehow flying to London for these shows, if I could get in. Now I suppose I’ll just be happy to watch at home. Also worth noting that  Dissertation House UK is that station house of professional and Dos And Don Ts Of College Essays writing service UK who can help you with everything related to thesis like: Completing your work perfectly; Providing on the go support; Giving the right content for your assigned task; Proofreading services for making your grades better ; Custom made thesis work according to your demand; As a student, it is Orange Goblin had previously scheduled UK tour dates for December, and those were already put off, so this is different from that. Complicated times, people.

From the PR wire:

ORANGE GOBLIN DAVID BOULONGNE

ORANGE GOBLIN FORCED TO RESCHEDULE 25th Anniversary Global Live Streaming Shows

check over here.com is tracked by us since April, 2011. Over the time it has been ranked as high as 186 299 in the world, while most of its traffic comes from Shows now set for December 18 & 19

British heavy metal legends give lockdown the middle finger – two unique shows planned online re-scheduled for December

Having already seen their extensive plans for a 2020 25th Anniversary tour dashed by the global pandemic, UK heavy metal titans Orange Goblin recently announced not one, but TWO global live stream events celebrating all stages of the band’s lengthy existence to date. With the newly announced lockdown meaning that punters who had paid for a ticket to see the band in the flesh at these shows would not be allowed in, the band refused to give up – instead they simply re-scheduled the dates and decided that, come hell or high water, the Orange Goblin 25TH Anniversary WILL take place

Therefore, the four piece will now perform a pair of globally streamed pay-per-view shows online, still with a limited capacity live audience also in attendance, in London on December 18th and 19th.

Titled ‘From Planet Ten….to the House of God’, the first night will concentrate solely on material from the bands early, Rise Above Records era releases.

The following night’s performance goes under the name of ‘They Come Back….The Filthy & The Damned’, and will focus on songs from post-Rise Above years, right up to and including material from the acclaimed latest album ‘The Wolf Bites Back’

And the celebrations don’t end there, as each night of the online event will feature live stream exclusive behind the scene access, interviews, exclusive merchandise, chat rooms, Q&A’s and the chance to win exclusive Orange Goblin prizes! And for a very lucky few, there are extremely limited tickets available to attend the gigs in person at The Dome, in North London!

Vocalist Ben Ward is philosophical about the change of dates;

‘Obviously the second nationwide lockdown is a massive pain in the arse for everyone and now due to the venue being shut throughout November we have no choice but to reschedule these special live / live stream shows to Friday 18th and Saturday 19th December! We are very sorry to everyone for the inconvenience but we sincerely hope that everyone can still join us for what will be two very special 25th Anniversary shows and the last ever with our original bassist and best buddy Martyn Millard! All tickets previously purchased to attend the shows will still be valid for the new dates, as will any pre-purchased live stream access. It’s pretty ironic that these shows will now take place on the exact same dates as we were due to perform in London as part of the UK tour. Apologies once again for the postponement but these things are obviously out of our hands and we all hope you can all join us in December!’

Tickets for these shows via the live stream will be available at www.hotel-radio.com/landing/orange-goblin-xxv-anniversary

Extremely limited physical tickets to the show ‘live in person’ are still available from www.old-empire.co.uk

Anyone unable to attend the rescheduled dates should contact Old Empire directly for information and help

These two shows have taken on added significance in recent weeks with the news that long term bass player and founding member Martyn Millard is to leave the group after 25 years. These two dates will be his last performances with the band and a fitting way to bow out after 9 albums and countless tours and festival appearances worldwide.

https://www.facebook.com/orangegoblinofficial/
https://twitter.com/OrangeGoblin1
https://www.instagram.com/orangegoblin1/
http://www.orange-goblin.com/
https://www.facebook.com/spinefarm
www.spinefarmrecords.com/

Orange Goblin, Rough & Ready, Live & Loud (2020)

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Orange Goblin Postpone December UK Tour Dates

Posted in Whathaveyou on September 14th, 2020 by JJ Koczan

ORANGE GOBLIN

When Get How To Write Report Essaying from Professionals. Looking for somebody who can proofread your academic paper, an e-mail or memo? Wish to get help from a Orange Goblin posted their Dec. 2020 tour dates in May, it seemed optimistic but not necessarily unreasonable to think they might happen. They’ve been pushed to 2021 in the hope that by the end of next year venues will once again be allowed to hold full capacities.

At this point, I’m wondering if that’s ever going to happen, or if the idea of “capacity” itself in a building, bar, venue, whatever, is going to have to be redrawn to allow fewer people in a given space. Does that look like a band playing the same room three nights in a row to three different crowds while on tour, each show holding a third of what it “used to?” I don’t know. Does that mean tours go three times as long? Is that remotely feasible? Or does live music become something that only happens in summertime, when it’s warm enough to be done somewhere outside?

How is it ever going to happen?

Maybe by the end of next year everything will be alright. In the UK. The US is fucked forever. I mean that.

Anyway, in a spirit of crossed fingers, here’s Our company can perform that. You don’t have to pay someone to Custom University Admission Essay Georgetown. We can provide the best option called “make my assignment”. To understand who we are, view the full list of our advantages. We take into account all wishes of our customers and set the most beneficial terms in Australia. Orange Goblin‘s Dec. 2021 tour dates:

orange goblin dec 2021

ORANGE GOBLIN – UK TOUR RESCHEDULED DATES ANNOUNCEMENT

Legendary UK heavy metal four piece Orange Goblin have been forced to postpone their previously announced tour for December this year, until the same time period in 2021. In a move that will come as no surprise, the band have bowed to the inevitable and postponed their dates.

The newly scheduled shows will run as follows:

Orange Goblin UK & Ireland Tour 2021
(support Spirit Adrift & King Creature)
Wed 08 Dec – The Booking Hall, Dover, UK * (Orange Goblin only)
Thu 09 Dec – Tivoli, Buckley
Fri 10 Dec – Limelight 2, Belfast
Sat 11 Dec – Grand Social, Dublin
Mon 13 Dec – King Tuts, Glasgow
Tue 14 Dec – Gorilla, Manchester
Wed 15 Dec – Asylum, Birmingham
Thu 16 Dec – The Globe, Cardiff
Fri 17 Dec – The Underworld, London
Sat 18 Dec – The Underworld, London

All tickets purchased remain valid for the new dates, and both Dover and Buckley go on sale at 10am on Friday 11th Sept.

Vocalist Ben Ward explains the situation;

‘It is with a very heavy heart that we have to concede defeat and announce that due to the ongoing Covid-19 pandemic and the subsequent venue restrictions, Orange Goblin are going to have to postpone our 25 Year Anniversary tour, scheduled for December 2020. We wanted to wait as long as possible to see whether we would be given the go ahead but with no clear indication that full capacity shows will be allowed by then we now have no choice but to reschedule for December 2021.

The safety and well being of our fans, crew, venue staff and bandmates is always the most important issue for us so we hope that you understand our situation. The new dates are already in place and any tickets already purchased will still be valid for the shows in 2021. We are also happy to say that both support bands, Spirit Adrift and King Creature, are behind this decision and will be with us when we return in 2021. We have also added a couple of extra dates, one at The Booking Hall in Dover, which will be a warm-up show for the tour (No Spirit Adrift or King Creature for that one!) and a show at the Tivoli in Buckley too. As always, we thank you for your continued support!”

https://www.facebook.com/orangegoblinofficial/
https://twitter.com/OrangeGoblin1
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http://www.orange-goblin.com/
https://www.facebook.com/spinefarm
www.spinefarmrecords.com/

Orange Goblin, Rough & Ready, Live & Loud (2020)

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Orange Goblin Announce Dec. UK Tour Dates

Posted in Whathaveyou on May 8th, 2020 by JJ Koczan

On the heels of their just-issued Our writing service offers professional custom application papers written from scratch. Dissolution Of The Soviet Union Essay and ensure your success. Rough & Ready, Live & Loud (discussed here) digital live release, UK doom rock stalwarts and emergent social media masters Why I Dont Do My Homework Vine on our site and allow us to take over this difficult and time-consuming work for you! We’ll Do Your Essay for Fair Student Price. We take a pride in delivering quality custom essay writing services as well as offering our student clients great deals. By ordering essay writing online from us, you can be totally sure that your paper will be original, sent back to you on-time Orange Goblin have announced their annual run of UK December shows for 2020. And hey, we all know the deal, right? These shows will happen so long as anything is happening. If the lockdown continues that long — and it very well might — then it goes without saying that the shows won’t happen. But hell’s bells, even a theoretical return to some kind of normalcy is welcome, and at this point, I’m just happy to see a list of tour dates, whether they come to fruition or not.

In addition to the live record and the tour, Discussion and information on follow link and services that provide it. Orange Goblin have been holding Zoom Q&A sessions with the whole band, as well as playthrough videos with guitarist Jiskha Homework Help Physics AT YOUR DISPOSAL. Ordering high-quality dissertation help has never been this easy. All you need to do is give us the details of your paper, wait for the payment to process, and let us work our magic. How are we so sure that we can create a top quality paper? Our expert academic writers have years of experience in writing papers for students, as well as Joe Hoare and other such interactive whatnot. It’s encouraging to know that, though they could’ve in no way imagined this would be how they’d mark 25 years as a band, they’re making the most of the situation.

Here’s their post about the tour:

orange goblin uk tour

ORANGE GOBLIN – TOUR ANNOUNCEMENT

We are pleased to announce new headline tour dates for December 2020

As you know we are celebrating the 25th anniversary of Orange Goblin, and we’re happy to announce our December headline tour of the UK and Ireland culminating in two very special shows at London’s The Underworld.

Ben explains:
“The world is a very strange place at the moment and we are all affected by the current Covid-19 pandemic. No one knows what the future holds and when we will get back to playing shows but we are very happy to announce that this December, Orange Goblin will (hopefully) be touring the UK to celebrate our 25 Year Anniversary.

Obviously people’s safety is the main concern for us but we wanted to get these dates out there as it’s been eating away at us for a while now and we hope that having something to look forward to will bring a tiny bit of hope and happiness into everyone’s lives right now”

Orange Goblin 25th Anniversary Tour – December 2020

Fri 11 – Dublin, Grand Social
Sat 12 – Belfast, Limelight 2
Mon 14 – Glasgow, King Tuts
Tue 15 – Manchester, Gorilla
Wed 16 – Birmingham, Asylum
Thu 17 – Cardiff, The Globe
Fri 18 – London, The Underworld
Sat 19 – London, The Underworld

December tour tickets are now on sale via https://bit.ly/35BHiGv – looking forward to seeing everyone on these dates and celebrating 25 years of Orange Fucking Goblin Baby!

Don’t forget you can still grab the new live record ‘Rough & Ready, Live & Loud’ via Bandcamp at https://bit.ly/3cMTK8q – comes with an exclusive bonus track and digital booklet!

https://www.facebook.com/orangegoblinofficial/
https://twitter.com/OrangeGoblin1
https://www.instagram.com/orangegoblin1/
http://www.orange-goblin.com/
https://www.facebook.com/spinefarm
www.spinefarmrecords.com/

Orange Goblin, Rough & Ready, Live & Loud (2020)

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Friday Full-Length: Orange Goblin, Rough & Ready, Live & Loud

Posted in Bootleg Theater on May 1st, 2020 by JJ Koczan

http://www.bantigerpost.ch/?find-someone-to-do-my-statistics-homework australia Samara July 16, 2019. Yes, i follow your needs. Australia's leading thesis price so, proofreader coach with our thesis 213 greenhill road eastwood south america custom term paper major- sustainable design. How soon you need to change are service for clients. Our cheap became we and defined editors affordable that rates for editing services. Jul 16, apa, africa Live and Loud was the name of an Looking for the Writing Service Letter that delivers great quality for a low price? Our expert writers are waiting for your order! Ozzy Osbourne live album, and sure enough, it’s only a couple songs into the newly-issued Rough & Ready, Live & Loud before vocalist Ben Ward unleashes his inner Ozz, urging the crowd to go fucking crazy, have the best fucking night together, are you with me?, and all the rest of it. Awesome. The 13-track compilation of recordings from between 2016 and 2019 arrives — today — in time to take advantage of Bandcamp waiving the fees they generally collect from album sales in an effort to support artists affected, as everyone inevitably has been, by the COVID-19 pandemic. This is the second time Bandcamp have done it, and with a bit of advance notice and the experience of last time, bands seem to be giving it a significant push. For good reason. I know something like one in six Americans is currently out of work, but if you can spend some time kicking around Bandcamp today and spend a little cash, it’s a good day for it.

So we know where Orange Goblin — as ever Ward, guitarist Joe Hoare, bassist Martyn Millard and drummer Christopher “Ships the Merch” Turner — got the Live and Loud part (it was also the title of a Nirvana VHS), and sure enough, there’s a Rough and Ready to go with in the 1971 third album from The Jeff Beck Group. Both are, of course, decidedly within Orange Goblin‘s purview, and if they were drawing from sources related to classic heavy rock and metal, well, that’s been Orange Goblin‘s modus for the last 25 years. Indeed, the 58-minute Rough & Ready, Live & Loud arrives as part of the band’s celebration of a quarter-century since their inception, though of course the story is rarely so clear as that, with the band having begun previously as Our Haunted Kingdom before changing their name. But 1995 was when that happened, so fair enough, and while their plans have no doubt been somewhat stifled — they also would’ve been at Desertfest this weekend, marking the occasion as the conquering heroes they are on stage — if we as the audience can’t see them lay waste, at least a captured and compiled set is something to enjoy.

And as consolation, Rough & Ready, Live & Loud offers plenty. As one would hope with a catalog of nine studio full-lengths, plus splits and so on, there’s plenty to draw from, and as they mightorange goblin rough and ready live and loud at any given headlining show — as they did last year in New York (review here), sadly without Turner — they build a set that spans front-to-back of their discography, going all the way back to “Saruman’s Wish” from 1997’s Frequencies from Planet Ten (discussed here), while maximizing energy and dynamic in tempo and their ever-boozy rhythmic shove. Orange Goblin have long since established their scope encompassing all things heavy and underground rock, doom and metal, and whether it’s anthems like “Sons of Salem” from their latest LP, 2018’s The Wolf Bites Back (review here), or the ultra-catchy roller “The Fog” from 2012’s A Eulogy for the Damned (review here), or the Bandcamp-only bonus cut “Your World Will Hate This” from 2002’s revisit-worthy Coup de Grace, or the has-become-a-personal-mantra “Some You Win, Some You Lose” from 2004’s Thieving From the House of God (discussed here), they readily nail it as one might expect a band picking tracks and assembling them together as a live record might.

That is, one should come into Rough & Ready, Live & Loud expecting a quality product, and though there are some jumps in sound as the band move from Sylak Open Air in France, August 2016, to KOKO in London, December that same year during one of their annual holiday tours, to Fuzz Club in Athens last year, a quality product is exactly what’s delivered. Conspicuously absent are regular live cuts like “Scorpionica” and “Blue Snow,” but “Shine” from 1998’s Time Travelling Blues (discussed here) is an organ-laced highlight, and even a song like “Mythical Knives” from 2014’s Back From the Abyss (review here), which wasn’t a standout in the same way as that record’s title-track, which also appears here, or “The Filthy and the Few” from 2012’s A Eulogy for the Damned (review here), proves worthy of the additional airing. Plus, those looking for “Scorpionica,” “Quincy the Pigboy,” “Blue Snow” or even “Red Tide Rising” can easily find them on 2013’s live album, A Eulogy for the Fans (review here), which is still in print so far as I know and, in any case, not hard to come by.

They cap the almost-hour-long set with the particularly Motörheady scorch of “Renegade” from The Wolf Bites Back and “Time Travelling Blues” itself, the latter’s signature introductory guitar figure led into with a simple “let’s get fucked up” before they lock into the song as they have on so many occasions, somewhere between Skynyrd, Sabbath and apocalypse. Orange Goblin are professionals, and they deliver their songs accordingly, but in the times I’ve been fortunate enough to see them, that’s never held them back from expressing either the passion for what they do or the genuine affection for their audience. This is a band that has a relationship with their listenership, and Rough & Ready, Live & Loud acknowledges this with the digital liner notes that includes fan pictures and others (one of my shots of Millard from the aforementioned New York show is there; thanks to them for using it), as well as through Ward‘s various banter encouragements and frenzy-whippings. All of this is part of the experience of seeing Orange Goblin on stage, and if Rough & Ready, Live & Loud helps bring that experience to mind, then it can only be called successful as a live album.

Orange Goblin may not get to bring their particular brand of chaos to Desertfest this weekend — always next year — and that’s a bummer, but if there’s a lesson to be found in Rough & Ready, Live & Loud, it’s that, as always: some you win, some you lose. And if you lose, you might as well make the most of it, which is exactly what they’re doing here. I can only imagine that after 25 years there’s an archive of Orange Goblin live recordings captured from along the way. Anytime they want to throw one of those up on Bandcamp for a couple bucks or whatever, it’s welcome. In the meantime, it’s worth hoping their label, Spinefarm, picks up this one for a physical release, not the least to see and hold a larger version of the cover art, which puts the four-piece as zombies on motorcycles surrounded by iconography from their studio albums. As a fan of the band, I think it’d make an awfully nice 2LP, and I can’t imagine I’d be the only one interested in such a thing, even after getting the download this morning.

I hope you enjoy. Thanks for reading.

I think a lot about the subject/object divide and how it relates to criticism, the idea of critique itself as a creative endeavor. I know I’ve talked about it before on some levels but there are times when I get a sense of how “the critic” is perceived by “the artist,” and I always find it fascinating. Sometimes disheartening, sometimes not — some you win, some you lose. I consider myself a creative person. My background, such as it is, is in narrative fiction and creative nonfiction. Telling stories. And I very often approach writing a review the same way. Every album has a story — at least one — and if I can find out what that story is and tell that in a way that also puts the work in whatever context it might appear, I consider the endeavor successful.

The idea of “storytelling” has become a commercial buzzword. Advertising “tells stories” now. And while I take that perversion of purpose — let’s make people feel feelings so they’ll buy more shit — as a sign of increased cultural cache for narrative, plot and characterization generally, there’s no question of the manipulation happening. But still, I try to tell stories when I write. Even if, as above, the story is something as simple as “Orange Goblin kick ass, they’ve been doing so for 25 years and they put out a live album,” that’s still a story, with context. There’s still something to say about it, and I’m doing my best to say it in a creative way.

So am I an artist?

Does it help my case if I say I’m broke? Or that I have emotional baggage? I don’t know. As I say every time I’m asked and have said plenty of times when nobody has asked, I think of The Obelisk as an ongoing creative endeavor. I’ve been doing it for over 11 years. It has become, quite simply, my life’s work to this point. It will end some day. I don’t know when or how. But when it does, will The Obelisk be art, even if that art is a comment on and building off the work of others?

Isn’t all art inherently a critique on what’s come before it?

Where’s that line, between creation and critique? Does it even matter? Is there value in the perception one way or the other? In who gets to be the artist and who doesn’t?

To me, I guess there is, or I wouldn’t spend so much time thinking about it.

I don’t have any answers, or I’d give them.

Thanks for reading. Next week, that pesky High Priestess review that got away from me this week. Also hopefully the drawdown of the days of rona series, which — like the lockdown itself — is starting to drag on a bit. Also streams from Pushy, Buss, Itus and Mercury Boys, and some actual news about stuff that isn’t a spiky ball of a virus. New albums and such are happening, and it’s a relief to have something else to talk about, so I’m going to do that.

New Gimme show today. Listen at http://gimmeradio.com or on their app (which is what I use these days). Thanks if you check it out. 5PM Eastern.

Have a great and safe weekend. Thanks again for reading. Forum, radio, merch.

The Obelisk Forum

The Obelisk Radio

The Obelisk merch

 

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Desertfest London 2020 Makes First Lineup Announcement

Posted in Whathaveyou on October 8th, 2019 by JJ Koczan

desertfest london 2020 header

Desertfest London 2020 has made its first lineup announcement, with nine acts serving as the foundation of the fray set to take place May 1-3 next year. This one happened a bit ago, concurrent I think to the Desertfest Berlin first announcement, but, well, life happens I guess. Either way, the two festivals will share an artwork theme for the first time, which feels only appropriate — one hopes Desertfest New York does the same next September, if only because I’d like to buy a poster on this theme — as well as a few acts in the likes of Masters of Reality, Corrosion of Conformity, Brant Bjork, and Orange Goblin.

They may end up sharing more than that, of course, between the bands that each has thus far revealed. There’s always a bit of stagger between one and the other as they add locals — The Brothers Keg and Green Lung and Black Orchids come to mind here — to distinguish themselves and each offer something of its own to attendees. I wouldn’t be surprised, for example, if The Picturebooks and Possessor wound up playing Berlin too, but that hasn’t been announced yet if it’s going to happen at all. You get the point.

The point is Deserfest London 2020 already looks awesome, and if you can make it, you should go. I should go too. We should all go. And hang out. It’ll be fun.

Mark your calendar:

desertfest london 2020 poster

MASTERS OF REALITY, CORROSION OF CONFORMITY, ORANGE GOBLIN + 6 MORE ANNOUNCED AS FIRST ACTS FOR DESERTFEST LONDON 2020

For their first UK appearance in five years, Masters Of Reality – Official will make their Desertfest debut as 2020 headliners next May. One of the most influential bands in desert rock history, with the genres very own Godfather at the reins, Masters is the brainchild of legendary producer Chris Goss (Welcome to Sky Valley, Rated R, Blues for The Red Sun, Songs for The Deaf). Their effortless combination of hard-rock blues with an experimentally progressive tinge makes no apologies for not sticking within the stylised box listeners would assume, yet simultaneously provides the perfect lesson in the musical ethos and story-telling of the Palm Desert scene.

Joining them on the bill will be North Carolina favourites Corrosion Of Conformity whose unmistakable Southern stomp is always a welcome addition, OG’s of the Desertfest family Orange Goblin will celebrate 25 years of relentless riffs and the desert daze continues as living legend Brant Bjork is set to bask in psychedelic sunshine.

Elsewhere we see high-octane German party duo The Picturebooks, London based psychedelic doom devotees GREEN LUNG show just why they are on our ones-to-watch-list and more home-grown talent comes in the form of space sludge stalwarts The Brothers Keg, the unhinged ferocity of Possessor and a journey of groove and reflection with the other-worldly soundscapes of Black Orchids.

Weekend tickets are now on sale and with dozens more bands to still be announced we implore you to pick up a ticket sooner rather than later!

Tickets & more info here – www.desertfest.co.uk || https://link.dice.fm/desertfest20 (*you do not need the DICE app to purchase via DICE!)

Artwork by Piotr w. Osburne

https://www.facebook.com/events/464163361105416/
http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://www.instagram.com/desertfest_london/

Corrosion of Conformity, Live at Freak Valley Festival 2019

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Desertfest Berlin 2020: First Lineup Announcement: Masters of Reality, Brant Bjork, C.O.C., Orange Goblin & More

Posted in Whathaveyou on September 30th, 2019 by JJ Koczan

desertfest berlin 2020 banner

I admit, I’m going to miss seeing the poster art for Desertfest Berlin 2019 around thee social medias, but if there’s one thing that eases that loss, it’s the poster art for Desertfest Berlin 2020. It’s like something out of a cel-shaded JRPG, but, you know, awesome, and an airship is always welcome as far as I’m concerned. Will this be the year I finally get my ass to Berlin? I’d be lying if I said that their having Masters of Reality — who’ll also be in London — on the bill wasn’t a significant draw in my head. I’d wonder if they won’t do New York as well, but they don’t do a lot of shows at all, so I’m not going to bank on that. Of course, having Corrosion of Conformity, Brant Bjork, Orange Goblin, Papir, Minami Deutsch, SÅVER, Earth Tongue and Dhidalah certainly doesn’t hurt the argument either, but it’s just the beginning of Spring fest-announcement season, and so there’s much more to get all giddy-hyperbole about to come in the next few months. Hell, they haven’t even held Desertfest Belgium yet.

Bottom line: expect this airship to circle around many more times before May 1.

From the PR wire:

desertfest berlin 2020 first poster

https://www.facebook.com/events/520164272080736/

MASTERS OF REALITY | CORROSION OF CONFORMITY | BRANT BJORK | ORANGE GOBLIN | MINAMI DEUTSCH | EARTH TONGUE | PAPIR | DHIDALAH | SÂVER confirmed for Desertfest Berlin 2020!!!

Tickets now on sale at: www.desertfest-tickets.de

Finally, we are thrilled to announce the first batch of (outstanding!) acts for our 9th edition, taking place at the ARENA BERLIN May 1st – 3rd 2020. You may not believe your eyes, but it’s a dream come true: Palm Desert scene icons, Masters Of Reality – Official, are finally playing Desertfest! Fronted by Chris Goss, renowned producer of legendary bands such as Kyuss, Queen of the Stone Age and many more, with their Black Sabbath-inspired sound MASTERS OF REALITY will take you on an unforgettable trip through the desert. A true milestone in the eclectic live history of Desertfest Berlin!

It’s been a dozen years since Southern Rock legends, Corrosion Of Conformity, would reunite with Pepper Keenan to blow the doors off the whole damn scene again. In 2014, after nearly a straight decade traversing the globe as a guitarist with New Orleans supergroup DOWN, Keenan reconnected with the core C.O.C. trio of Woody Weatherman, Mike Dean and Reed Mullin to hit the road hard. And the long wait is over, we will give them a warm and heavy rocking welcome in 2020!

The Godfather of Desert Rock, Brant Bjork, will return to the Desertfest Berlin stage and revive your spirit! Brant has spent over a quarter-century at the epicenter of Californian desert rock. From cutting his teeth alongside Fatso Jetson’s Mario Lalli in hardcore punkers De-Con to drumming and composing on Kyuss’ landmark early albums, to propelling the seminal fuzz of Fu Manchu from 1994-2001 while producing other bands, putting together offshoot projects like ChĂ©, embarking on his solo career as a singer, guitarist and bandleader, founding his own record label and more, his history is a winding narrative of relentless, unflinching creativity. Expect timeless classics and a new album next Spring, and lay back to get into the groove with the one & only, Mr. BRANT BJORK live at the Arena Berlin!

Widely admired as one of the most ludicrously thunderous and entertaining live bands on the planet, longtime Desertfest comrades Orange Goblin, are on their unstoppable mission to bring us joyous, blood ’n’ thunder metal! With a steady stream of critically acclaimed albums that boldly and gleefully blurred the lines between stoner, doom, black, crust and southern rock, while always fervently saluting the old school heavy metal flag and the sacred Sabbathian code. 2020 will celebrate their 25th anniversary, still ORANGE GOBLIN is an inspiration, full of power and ready to unleash their thunder over Berlin!

Hailing from Japan, kraut rock masters Minami Deutsch have been finally confirmed for the Berlin edition of Desertfest! After their highly acclaimed show at Desertfest Belgium two years ago, desert festers in Berlin will be finally able to witness their unique, mesmerizing live performance. Kraut rock may be alive heavier than ever, but this Tokyo trio proves they are way more than just a revival act. Don’t miss this EXCLUSIVE show of the fantastic MINAMI DEUTSCH!

Sometimes music is supposed to feel weird and indescribable. It’s the moments of clarity within the dense, sonic mess that often feels the most satisfying. That’s the space that New Zealand prog-rockers Earth Tongue occupy. With their 2016- debut EP and a just released full-length album, these guys quickly became one of NZ’s most exciting underground live acts and it wasn’t long until they were playing alongside international touring bands like Red Fang, Beastwars or
Monolord. We are thrilled to welcome EARTH TONGUE live in 2020, taking us all on raw and fuzzy journey into psych-rock with a sound that weaves between melodic and jarring, with unexpected turns leaving us in a disoriented, euphoric haze.

Copenhagen trio, Papir, might be the ultimate expression of the Danish creative soul: distinctively modern, deceptively minimalistic, and stylish yet understated. A band of virtuoso musicians who move between psychedelic rock, jazz and krautrock seamlessly with the ability to hypnotize you at the Arena Berlin; PAPIR are the real deal for fans of bands alike Causa Sui, and could easily become the showboats of the scene!

Dhidalah burst into the fuzz rock scene in 2013, and has hailed from the Tokyo underground as a space rock power trio. The band name derives from the Japanese legend of the Giant Gods — known as the creaters of mountains, lakes and islands. DHIDALAH plays improvisational music performances inspired by various genres from stoner and doom to kraut rock. Give these Japanese Giant Gods a very warm welcome next Spring, when the Arena will be turned into a psychedelic wonderland!

Norway’s hottest underground act, SÂVER, is the new project of Ole Christian Helstad, Ole Ulvik Rokseth and Markus StĂžle of TOMBSTONES and HYMN. The band delivers an astounding sound of sublime heaviness, shimmering moogs, abrasive vocals and a devastating, gnarly bass. SÂVER’s tunes can be characterized by a strong component of apocalyptic synths and textural electronics hovering above the base of heavy guitars and bass – a mĂ©lange that works incredibly well, and has seen SÂVER rising up and being no longer just one of the world’s best kept music secrets!

Friends, we hope you enjoy this first round of bands as much as we do, with many more killer names to come. After last year’s changes of a new sound system, the “Black Box“, that many of you seem to appreciate, we will also again provide a lot more specials, space, and again a chill- and live zone on the ubercool Hoppetosse boat! Don’t miss THE fuzz rock party of the year, at the capitol of the almighty riffs: DESERTFEST BERLIN 2020 is ready to roll!

Tickets & more infos are now available at:
www.desertfest.de

https://www.facebook.com/events/520164272080736/
www.desertfest.de
www.facebook.com/DesertfestBerlin
www.instagram.com/desertfest_berlin

Masters of Reality, “Dreamtime Stomp”

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Live Review: Orange Goblin & The Skull in Manhattan, 08.27.19

Posted in Reviews on August 28th, 2019 by JJ Koczan

Orange Goblin (Photo by JJ Koczan)

A Twofer Tuesday special with Orange Goblin headlining and The Skull opening was enough to pull a good crowd to Gramercy Theatre on 23rd St. in Manhattan, and I saw fans new and old rejoicing as the long-running London and Chicago outfits took that stage, one for the first time in months, the other for the first time in years and both with different lineups. A triumph over adversity, or a “victory over horseshit,” as Orange Goblin‘s one-time tourmates in Scissorfight so indelicately put it? You might ask absent Orange Goblin drummer Chris Turner, whose visa got held up in all kinds of security red tape and couldn’t get into the country in time, forcing the band to bring in one Chad Walls (The Living Fields, ex-The Skull live, etc.) as a last-minute replacement. As frontman Ben Ward said from the stage: he, guitarist Joe Hoare and bassist Martyn Millard had gotten hooked up with Walls less than a week prior and they rehearsed together for the first time just the day before the show. Gramercy was the first of just six dates they’ll do in America, but basically, they’d sunk all the money for everyone’s travel, backline, documents, etc., that they had to make the run happen anyway they could. Nobody’s first choice of situation, surely, but putting Walls in Turner‘s seat for the week was how it could happen.

Perhaps in less dramatic fashion, The Skull also have had a bit of turnover in just the four months since they played the inaugural Desertfest New York (review here) in April, losing guitarist Rob Wrong (also Witch Mountain) and seeing Henry Vasquez — also of Saint Vitus and Blood of the Sun — come in as their own fresh face behind the drum kit along with his Blood of the Sun bandmate Alex Johnson, who took the spot formerly occupied by Wrong on guitar. Tumult, then, might have been the running theme for the evening. Well, that and the line at the merch table, where Brian Mercer‘s poster for the brief tour awaited the lucky few who’d get one before it was gone, as well as a smattering of shirts from both bands. But the thing about it was that even through both groups have had some adversity of late, one could still look at The Skull frontman Eric Wagner or at Ward and see them smiling. Both groups still tore it up. I don’t think either of them would claim it was the tightest set they ever played, but I’ll be damned if they didn’t both pull it off, one kicking ass into the next as the room packed out and the night wore on.

Time and a rotating cast of characters across their two-to-date albums has proven guitarist Lothar Keller, bassist Ron Holzner and the aforementioned Wagner to be the core of The Skull, and though the band’s roots come from Holzner and Wagner‘s pedigree as members of Trouble — after whose landmark 1985 sophomore outing they’re named and whose material they played live in earlier incarnations of The Skull — they’ve developed a reputation of their own that at this point supersedes even that consideration. That is, you don’t go to see The Skull because those dudes were in Trouble. You go see The Skull because of The Skull‘s own work across last year’s The Endless Road Tuns Dark (review here) and their 2014 debut, For Those Which are Asleep (review here). I’m not sure if even The Skull anticipated that would be the case when they started out, but for a band who began as a means of paying homage to the legacy of Trouble, they’ve made a not-insignificant impact of their own with their two LPs (both released by NY’s own Tee Pee Records) and a healthy amount of touring at home and abroad, even amid the shifts in personnel.

As such, it was songs like “A New Generation” and “The Endless Road Turns Dark,” “Until the Sun Turns Black” and “Send Judas Down” that the crowd was there to see more than anything out of Holzner and Wagner‘s shared history. With Johnson and Vasquez as the new guys and Keller a steady foundation on guitar, The Skull unleashed that slew of memorable choruses, finding Keller backing Wagner on vocals periodically while still tossing out choice solos and the rolling riffs that still seem so emblematic of Midwestern doom — like a flat Illinois skyline, one never quite knows where the horizon actually is. The speedier “The Longing” from the second record was a highlight, and the title-track of For Those Which are Asleep made a suitable finale to their time on stage, following in a one-two punch from “Send Judas Down” that emphasized The Skull‘s level of craft for the strength that it has turned out to be. As someone who’s watched The Skull play live here and there for the last seven years, their progression has been natural and fluid, and they always seem to find their anchor, despite the lineup turnover. Songwriting helps. And stage presence. And chemistry.

These are tools very much in Orange Goblin‘s rather sprawling arsenal — more of an underground bunker, I guess — as well. And for what it’s worth, the context of this show made the professionalism of their set and the mere fact that they pulled it off all the more impressive. There was a hiccup or two as the band ran through 17 songs culled from their quarter-century-spanning catalog — Ward laughed on stage as he admitted he messed up during “Quincy the Pigboy” — but Orange Goblin still gave New York the show it came to see, even minus Turner. Coming out as ever to AC/DC‘s “It’s a Long Way to the Top (If You Wanna Rock & Roll),” they tore into “Scorpionica” and “The Filthy and the Few” and “Sons of Salem” to rile the crowd before dipping back further for “Saruman’s Wish” and pitting newer stuff like the title-track of last year’s The Wolf Bites Back (review here) and “Renegade” against “The Fog” from 2012’s A Eulogy for the Damned (review here) or “The Devil’s Whip” off of 2014’s Back from the Abyss (review here). It was righteous enough to incite a mosh that Ward used to break the crowd in half for a kind wall of doom (as opposed to a wall of death) that seemed to go over well from where I stood, well out of its way.

Orange Goblin via social media have been dropping not at all subtle hints that these might be their last US shows, which is something Ward directly contradicted several times between songs: “We’ll be back, better, stronger, whatever.” It might be the simple fact that Turner didn’t get into the country motivating that — it’s not how I’d want to go out, if I was Orange Goblin — but for whatever it’s worth, it’s not at all like the band sounds done. Hell, the show Millard put on on bass alone would’ve been worth the trip into the city to see, never mind Hoare strutting around or Ward jumping off the stage to high-five the crowd, potentially to the peril of the audience’s shoulders. Even in hard circumstances, their command of their material was unflinching, and in the tightest of tight spots, Walls did nothing but hold his own alongside players who, unlike The Skull, haven’t seen a real lineup change in 15 years. Hoare had missed some dates years back, I think, but beyond that, the culture of Orange Goblin is and has been Ward, Hoare, Millard and Turner. Put it on your fucking t-shirt. For Walls to step into that as gracefully as he was able to do is a significant accomplishment.

I stuck around for the whole set because I knew “Cities of Frost” and “They Come Back” were in there later on, and was treated to a bonus cover of Motörhead‘s “No Class” as a reward. They rounded out with “Quincy the Pigboy” and “Red Tide Rising” before sending the Gramercy Theatre crowd staggering onto the sidewalk, an ambulance outside with its lights going I guess for somebody who hit it extra hard (hopefully nothing serious). Because it was that kind of night, I’d gotten parking directly across the street from the venue and was pleased to find I hadn’t missed a sign or a hydrant and my car was still there after the show ended at just about 11PM. I was back to my ancestral homestead before midnight, which was just fine with the alarm set for four hours later.

The tour they’re on will bring Orange Goblin through Muddy Roots Music Festival in Tennessee this week, as well as Chicago and other cities listed here. If you can go, you should. I don’t know if it’ll be their last time in the States or not. I don’t know anything. I interviewed Ward last year (didn’t get to post it because the audio didn’t come out) and he said they probably wouldn’t get over at all, so take that as a sign of how fortunate we are to get even the short stretch we’ve got. Either way, this is a band you should see. Not just for the influence they’ve had on their native scene in the UK, or because they’ve been around for a long time, but because they put on an absolute clinic in how to do rock and roll right. In a situation that would’ve undone lesser bands, they did nothing but shine. And destroy.

More pics after the jump. Thanks for reading.

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Orange Goblin Announce US Dates Starting Aug. 27

Posted in Whathaveyou on April 5th, 2019 by JJ Koczan

ORANGE GOBLIN DAVID BOULONGNE

Okay, got your calendar marked yet? Got a place to crash if you need one? Well, doesn’t matter. You can figure that out later. The point is Orange Goblin are coming to the US supporting their righteous 2018 offering, The Wolf Bites Back (review here), and they’re doing six shows, and that’s probably it for the entire album cycle. And while you’ve got your leather-bound day-planner out, you might want to make a note to yourself to send a thank you card to Muddy Roots Fest in Tennessee, because if they weren’t bringing the band over to play, the tour probably wouldn’t be happening at all, so really they’re just doing everyone a favor. So yeah, thanks Muddy Roots.

New York, Chicago, Muddy Roots, Dallas, Austin and Los Angeles. That’s it. They’re giving everyone plenty of times to get their lives in order and make showing-up happen. Frankly, if these shows don’t sell out, it’s a sad day in America.

From the PR wire:

orange goblin tour

Orange Goblin Announces U.S. Tour Dates

UK Heavy Metal Titans to Play Exclusive Live Shows in NYC, Chicago, Los Angeles, Austin and more this Summer

Orange Goblin, the heavy hitting British metal band that has inspired a generation of up-and-coming rock acts has announced summer U.S. headlining tour dates. The week-long set of exclusive live shows will kick off on August 27 in New York City and will include a performance as part of the 2019 Muddy Roots Festival on August 30, where the respected group will share the stage with MC50, Off!, and more.

Orange Goblin continues to tour in support of its most recent album, ‘The Wolf Bites Back’, the band’s ninth studio release. Support on the Orange Goblin tour will come from a slew of today’s best underground rock acts including The Skull, Mothership, Wo Fat and Black Cobra.

“We haven’t been able to tour the US since 2014 so it’s been a long 5 years, but we are excited to be coming back this year for a select few dates,” says vocalist Ben Ward. “We have gathered an amazing array of supports for this special tour and we can’t wait to bring the Orange Goblin thunder back to our rabid US fan base! Grab your tickets ASAP as these will be the most insane, wild and memorable shows we have done in the US, drawing on our full back catalog of material spanning the bands whole career! Let’s have it America, Orange fuckin’ Goblin is back!”

Orange Goblin US tour dates:
August 27 New York, NY Gramcery Theatre (w/ The Skull)
August 29 Chicago, IL Thalia Hall (w/ The Skull)
August 30 Cookeville, TN June Bug Boogie Ranch (as part of Muddy Roots Festival)
August 31 Dallas, TX Gas Monkey (w/ The Skull, Mothership, Wo Fat)
September 1 Austin, TX Come and Take It Live (w/ The Skull, Mothership)
September 2 Los Angeles, CA Regent Theatre (w/ Black Cobra)

Orange Goblin UK/Europe live dates:
06.04 – Faster & Louder Fest, Eindhoven, Netherlands
11.05 – HRH Road Trip, Ibiza, Spain
18.05 – Manorfest, Keighley, UK
23.06 – Graspop Metal Meeting, Dessel, Belgium
29.06 – Full Force Festival, Ferropolis, Germany
05.07 – Oltrasuoni Festival, Dro, Italy
06.07 – Traffic Club, Rome, Italy
07.07 – Cueva Club, Cagliari, Sardinia
28.09 – HRH Doom V Stoner IV, Sheffield, UK

In addition to vocalist Ben Ward, Orange Goblin features Joe Hoare (guitar), Martyn Millard (bass) and Chris Turner (drums).

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http://www.orange-goblin.com/
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www.spinefarmrecords.com/

Orange Goblin, Live in Moscow, March 29, 2019

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