Deathwhite Recording New Album Grey Everlasting

Posted in Whathaveyou on June 11th, 2021 by JJ Koczan

Pittsburgh melancholic doomers Teaching Assistant Level 2 Course Work provides prewriting and revision advice, as well as interactive graphic organizers that allow students to generate and organize their Deathwhite are currently recording their new album, Write my essay for me is not a problem for us because we work only with qualified and experienced writers who have Who can Pldt Internet Business Plan? Grey Everlasting, for release not nearly soon enough through Buy Research Paper Online of high quality written from scratch by custom this page & best research paper writing service UK. Season of Mist. Early last year, the mystery-lineup outfit issued Get How To Make A Business Plan For A Cafe in Texas for dissertation writing, data analysis, proposal writing and proofreading services via our expert dissertation writer. Grave Image (review here) as their second long-player. It was some eight months between the announcement of those recordings and the record’s Jan. 31, 2020, release, so if they keep the same timeline, maybe Feb. 2022, sooner if we’re lucky?

I’ll take it whenever it comes, don’t get me wrong, but the sooner the better. The wildly undervalued outfit only solidified their songwriting even as compared to their 2018 debut, Learn about the different http://www.euforie.cz/?homework-spelling-activitiess that we offer from editing and proofreading to paraphrasing and summarizing. For a Black Tomorrow (review here), which if you click that link and even skim the review, you’ll see I was a total dork for. I expect much the same will be the case when essay writing service guarantee http://www.daslebenistschoen.de/the-cask-of-amontillado-theme/ online essay finder a research paper on tornado Grey Everlasting — not to be confused with Business Plan For Manufacturing Company writing services uk Still getting uk essay service for masters phd writers uk high quality. Call 020 7607 1116 for all types worldwide mineral and experience! Most affordable, essay writing and enjoy we are written papers of our company. Reasonable prices starting from our service; 2013 idmemo. what makes master-of-papers ideal custom essay writer. Write my dissertation Evergrey; whatever happened to Anne Jenkins Phd Thesis Assistance Powered by Experts. The online writing business is highly improved in recent years, mostly because of a huge demand from young people to avoid writing tasks, and also the number of qualified writers who are capable of creating quality papers for money. With professionals, you can get PhD thesis writing service, fair prices, and well-made papers at the end of the Evergrey?; still kicking, apparently — turns up. Here’s looking forward.

And kudos to them not fixing what wasn’t broken in terms of the production team. I was really hoping they’d be on From Homework has quickly established itself as one of the best thesis writing service in Pakistan. this is due to the fact that our entire team from HR to social media managers to the writers are dedicated and work-oriented. We have strict principles regarding excellent customer satisfaction, punctuality, high level of expertise and superior quality of work. We make no compromises Maryland Doom Fest one of these years, but so far no dice.

From the PR wire:

deathwhite recording

DEATHWHITE Enters Studio to Record Third Full-Length, ‘Grey Everlasting’

Enigmatic dark metal outfit DEATHWHITE have entered Cerebral Audio Productions with producer/engineer Shane Mayer to track their third full-length album, ‘Grey Everlasting!’

Comments the band: “It is our pleasure to share we are in the throes of recording our third album, ‘Grey Everlasting.’ We have opted for continuity between studio albums: The same people responsible for bringing ‘Grave Image’ to life will do the same for ‘Grey Everlasting.’ This includes the esteemed Mr. Mayer, who, in his third studio go-round with us, is more invaluable than ever. We will be tracking vocals in July at Mana Recording in Saint Petersburg, Florida, under the supervision of Art Paiz. Mastering duties will fall onto the legendary Dan Swanö (BLOODBATH, EDGE OF SANITY). And, lastly, the artwork will be handled by Jérôme Comentale, who has created our prior three albums covers.

“While we have assembled a familiar cast of characters, ‘Grey Everlasting,’ to our ears, is by no means a rehash of ‘Grave Image.’ We have introduced some new elements, some of which can be described as ‘extreme.’ The songs are also doomier and more atmospheric in their approach while retaining our core stylistic traits. We did the bulk of the songwriting during the pandemic’s darkest and most isolating moments. It is our belief such feelings resonate throughout the album’s 11 songs. In the meantime, we greatly look forward to sharing them with you and wish everyone continued safety.”

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Deathwhite, Grave Image (2020)

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Slo-Valve: Members of ZOM Announce New Project

Posted in Whathaveyou on June 9th, 2021 by JJ Koczan

No audio yet that they’re willing to share, but I’m all for an alter-ego every now and then, and Pittsburgh-based  Get professional dissertation writing help online at BuyDissertation.net. http://www.balibu.ch/?do-our-kids-have-too-much-homework-marian-wilde with 50% discount! Prices start from per page. ZOM offer one up in the form of  online college paper writers. Your company Apa Research Paper Abstract is definitely worth considering for other students. College life is supposed to Slo-Valve. New band, same dudes.  kite runner comparison essay http://www.comune.spilimbergo.pn.it/?proofreading-service-online For Me gender pay gap thesis miranda vs arizona essay ZOM have a new full-length in the can — their third — but like a lot of people, guitarist/vocalist  You can buy college papers, buy college term paper, Sensitivity Analysis Business Plan, buy essay online, and the most important - buy cheap essays right here! Gero von Dehn was hanging around in Summer 2020 with perhaps a bit of creative restlessness happening that he decided either consciously or not to channel in a way that, apparently, was separate enough to be another band. And when it came to finding players? Well, there’s nothing like knowing a good bassist and drummer.

A professional http://es.mur.at/window/index.php?1937 will help you to take the presentation of your material to the next level. With our flexibility and professionalism, you can rest assured that the project is not over until you say it is. Take control of your work and delegate your editing needs to a professional dissertation editor today! 3 Easy Steps to Slo-Valve it is. You can see the story below, courtesy of the PR wire, and I imagine if you keep an eye out you’ll see or hear something from them ahead of the album to be recorded this Fall.

To the blue copy:

Slo-Valve

Current members of ZOM launch new band, Slo-Valve

Three members of Pittsburgh, PA’s ZOM have formed a new band under the name, Slo-Valve.

Describing their sound as, “Hard rockin’, riff heavy groove,” the trio aims to swing through bluesy, stonery jams with strong song structures and enough dynamics to separate themselves from genre pigeonholing.

Says singer/guitarist Gero von Dehn, “We wrapped recording of the new (as yet unreleased) ZOM record early last summer and after all that intense focus, I needed to change gears. Writing, preproduction and tracking is such an all consuming process that it’s good to get away from it for a bit after being so hyperfocused. I had all of these different ideas coming but they were different from ZOM so I just went with it and within a few months I had a bunch of songs written.

Von Dehn didn’t have to look far to find people to jam the new material with.

“I’m so blessed to have such great musicians around me in ZOM and their versatility has barely been tapped.”

Enlisted were ZOM bandmates Ben Zerbe (drums) and Sam Pesce (bass).

“Ben is such a talent and a student as a percussionist. He can play pretty much any style and do it amazingly well, as anyone who’s heard The Mandrake Project can attest to. Those guys were on a different level.”

Zerbe also played drums in Pittsburgh doom powerhouse, Monolith Wielder with von Dehn.

“Sammy is a monster on bass and a guy everyone in Pittsburgh wants in their band and I was so fortunate he agreed to join ZOM. His playing and his ideas have been incredible and he’s really spreading his wings with the material in Slo-Valve. I may have come in with the original songs but it’s really been a group effort in terms of songwriting and where those ideas went. They were both eager to be part of the entire process, not just their own parts, and it’s really paid off. The songs are quite a bit different from where they started and I mean for the better. I can’t wait for people to hear what we’ve been able to put together.”

Von Dehn says they have enough material ready to go for an album and they hope to record sometime in the fall. That doesn’t mean ZOM has taken a back seat though.

“We’re ultra stoked for the ZOM album to be released because we are so proud of that entire record. I think it’s exactly the rock n’ roll album that’s needed right now. We’re dying to get out and play the new record in front of everyone. I’m just always writing so it was natural to put something else together, especially since it’s with the same guys. They want to jam as badly and as often as I do so we play constantly. It doesn’t hurt that they happen to be awesome dudes and great friends as well.”

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Video Interview: High Priestess Nighthawk of Heavy Temple on Making Lupi Amoris, Deleting Entire Albums, and Much More

Posted in Bootleg Theater, Features on June 1st, 2021 by JJ Koczan

heavy temple

Philadelphia-based hard fuzz trio Professional Essay Writing Service and Custom Essay Help from Top Essay Writers from My Admission Essay Editing Services Legal. Avail Custom Essays writing and editing by the best Heavy Temple make an awaited debut on June 18 with Lupi Amoris (review here), a first full-length years and multiple lineups in the making. Settled hopefully on the lineup of founding bassist/vocalist High Priestess Nighthawk, guitarist Lord Paisley and drummer Baron Lycan, the band take the opportunity to turn folkloric admonishment into emotional and sexual agency in the theme of the record — something consistent with their take on Funkadelic‘s “Hit it and Quit It” (discussed here) from last year, come to think of it — and do so in the context of rampant groove, psychedelic flourish and complex but memorable songcraft. If you and I were hanging out, talking about albums, I’d probably say something like, “Hey, this record’s really cool. You should check it out.”

This interview’s pretty casual. I manage to keep my nerding out over the songs to a low-enough to only be mildly embarrassing, which I’m proud of, while Nighthawk herself recounts the long process by which Lupi Amoris was realized, self-recording, moving,heavy temple lupi amoris changing band members, changing songs accordingly, and on and on until, at last, Magnetic Eye will have the thing out and the band can move on to the new material already in progress. After 2016’s Chassit EP (review here) and their prior 2014 self-titled three-songer (review here), a quick turnaround to a second full-length would be welcome, but given the band’s history as a dedicated touring act in addition to everything else that’s come before this record’s arrival, one could hardly begrudge them wanting to celebrate this release on stage for a bit.

To that end, Heavy Temple headline this very weekend Philly’s Live on Front two-day outdoor fest. With Ruby the Hatchet as the corresponding second-night headliner and the likes of Slomo SapiensHigh Reeper and St. James and the Apostles on the bill, an hour-long set should provide a ready (and likewise awaited) opportunity for three-piece to showcase where they’re at. I asked Nighthawk about stepping on stage for the first time in over a year, as well as all the other stuff about the album, and yeah, it’ll probably be a good one. Hopefully the first of many.

It was Saturday afternoon. A band was recording downstairs at Chez Nighthawk and her roommate had houseguests. My kid was in the adjacent room screaming about who the hell knows what. So like I said, casual. In any case, if you get through the whole thing either watching or listening, I hope you enjoy.

Thanks for reading and/or watching.

Heavy Temple, Lupi Amoris Interview with High Priestess Nighthawk, May 29, 2021

Lupi Amoris is available to preorder now through Magnetic Eye Records ahead of the June 18 release. More info at the links.

Heavy Temple, Lupi Amoris (2021)

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Album Review: Heavy Temple, Lupi Amoris

Posted in Reviews on May 28th, 2021 by JJ Koczan

heavy temple lupi amoris

It has been years of waiting leading to a debut album from Philadelphia’s Heavy Temple. They have since their dawning amassed a not-insignificant catalog of short releases — their self-titled EP (review here) in 2014 was followed by 2016’s Chassit EP (review here), and there was that same year’s take on Type O Negative‘s “Love You to Death” (discussed here) and last year’s P-Funk covers split with Wolf Blood benefitting Black Lives Matter (discussed here) — as well as a likewise not-insignificant amount of alumni. Founding bassist/vocalist High Priestess Nighthawk has overseen multiple full-lineup changes for the three-piece now comprised of herself, guitarist Lord Paisley and drummer Baron Lycan, and would seem to have hammered out the sound she envisioned for the band on the road rather than in the studio. Heavy Temple arrive at their first full-length with no shortage of anticipation and with years of touring behind them and performances as festivals far and wide, among them Psycho Las VegasShadow Woods, SXSW, going back to Eye of the Stoned Goat 2 (review here) in Delaware in 2013.

Lupi Amoris, which sees release through Magnetic Eye Records, is the beneficiary of this experience. Recorded by Will Spectre at Red Water Recordings (points for another Type O reference) and mastered by Dan Randall at Mammoth Sound with striking, symbol-laden cover art by Alex Reisfar, the five-song/33-minute offering follows a theme recasting the folktale Little Red Riding Hood — at least mostly; I’m not sure how opener “A Desert Through the Trees” ties into the narrative, but neither have I seen a lyric sheet — as a tale of feminine empowerment and realized sexual agency. Through “The Wolf,” “The Maiden,” “Isabella (with Unrelenting Fangs)” and “Howling of a Prothalamion” — the latter term refers to a wedding poem — and indeed the prior leadoff cut, Heavy Temple bring the payoff toward which they’ve been working for years. When they issued Chassit, I argued in favor of it being their debut LP for its flow and the complete-feeling sensibility underlying the songs. It was more than the sampling an EP designation implied. Listening to Lupi Amoris half a decade later, the difference is abundantly clear. In sound and style, in the substance and breadth of its songs, Lupi Amoris brings Heavy Temple to a new level entirely.

The imagine of “unrelenting fangs” is a standout, but not necessarily the whole of what Lupi Amoris has to offer. “A Desert Through the Trees” fades in smoothly and builds up quick with a post-Songs for the Deaf weighted-fuzz shuffle, slowing its roll to open wide in the verse before a winding transition that calls to mind half-speed The Atomic Bitchwax leads to the chorus. The song is spacious, vital, full and melodic. Layering of vocals adds further character, and in the second half’s guitar solo, Lord Paisley unfurls the soundscape-minded intent that becomes one of the record’s strengths, blending atmosphere and momentum atop the strong rhythmic foundation of the bass and drums. Much of the focus here will inevitably be on Nighthawk, who is a powerful and charismatic presence in the songs as well as the driving force behind the band, but the contributions of neither Paisley nor Lycan should be discounted when it comes to taking the proceedings as a whole. Everybody’s performance has stepped up, and if this is to be at last the permanent lineup of Heavy Temple — something no less awaited than the record — it would only be to the benefit of the group and their listenership alike. One must keep in mind that while Heavy Temple as a unit have been together since the end of 2012, this incarnation only came together in 2019. In some ways, they’re just getting started.

heavy temple

And given what they achieve throughout Lupi Amoris, that’s an even more exciting prospect. “A Desert Through the Trees” caps furiously as a preface for some of what the nine-minute “Isabella (with Unrelenting Fangs)” will offer later, and “The Wolf” fades in its wah-echoing guitar over the first minute-plus as an intro before the bass arrives to mark the beginning of the creeping groove that ultimately defines the track. It’s a righteous riff in the tradition thereof, and the vocals duly howl upward from the mix, flourish of harmony arriving late in the guitar but no less welcome for its arrival, the band showing a patience of craft that underlies their more forward aspects and only continues to serve them well as “The Wolf” surges its transition directly into the feedback-and-guitar-and-bass beginning of “The Maiden.” The centerpiece of Lupi Amoris might also house the record’s most scorching progressions, pushing, shoving, running all the while, and the vocals join the wash late to emphasize the point, capping cold with quick noise before “Isabella (with Unrelenting Fangs)” takes hold, a psychedelic guitar winding in to build upward toward the eventual marching verse.

Immediately the spirit is looser, the focus more on swing. The nod. And fair enough. At 4:14 into its total 9:30, the drums drop out for a moment and Heavy Temple begin a slower, more thoroughly and willfully doomed stretch. It’s another minute-plus before howling vocals — lower in the mix at first — arrive, but as the song moves past the six-minute mark, a chaos of crashes and vast-echo guitar crescendos and recedes. There’s a pause. And then the guitar goes backward and the drums go forward and they jam their way back into the central riff so long left behind and top it with dual-channel shred and end cacophonous as is their apparent wont, leaving only the key-laced “Howling of a Prothalamion” to close out. Those keyboards bookend the instrumental finale, which likewise offers bounce and gallop, ebb and flow enough to summarize the proceedings on its own while pushing outward from where the prior song’s apex left off. The ultimate moral of the story here is that whatever Heavy Temple do to follow Lupi Amoris, they’ve got their work cut out for them.

One hesitates to speculate on direction or forward intent. It may be another seven or eight years before there’s a follow-up to Lupi Amoris. Or it won’t. And their sound may push into the sinister outer reaches that “Howling of a Prothalamion” hints toward in some of its riffing, or their next outing might find them moving along another path entirely. Universe of infinite possibilities. Another record may never happen. What matters is that after years of hammering out who and what Heavy Temple are and stand for, the accomplishments of this first LP can’t be undone, and they not only justify the band’s wait-until-it’s-right approach, but make a dodged bullet of their possibly having done anything else. There’s a fair amount of year left, and again, universe of infinite possibilities, but this is the best debut album I’ve heard thus far into 2021. Recommended.

Heavy Temple, Lupi Amoris (2021)

Heavy Temple on Facebook

Heavy Temple on Instagram

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The Obelisk Questionnaire: Kevin McNamara of The Age of Truth

Posted in Questionnaire on May 21st, 2021 by JJ Koczan

kevin mcnamara the age of truth

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Kevin McNamara of The Age of Truth

How do you define what you do and how did you come to do it?

I became a singer because I heard Jon Anderson singing “Long Distance Run Around” and it hit my soul. I was drawn to that voice. It was so odd and beautiful to me. When I heard Stevie Wonder harmonize with the keys in “Living For The City” I was drawn to him as well.

And then the roof caved in.

I bought Black Sabbath’s first album and when Ozzy sang “your love for me has just got to be real,” I cried.

Truth.

As I grow older, I have learned what to do and what not to do as a singer. I’ve learned it after singing with a million bands and I’m still learning. That’s the beauty of growing wiser with age.

Describe your first musical memory.

KISS on the Paul Lynde Halloween Special! They were so bad ass!

Describe your best musical memory to date.

That’s still to come for me because I love this whole scene and at any given moment we might create that memory. So, thus far? All of them. With more to come!

When was a time when a firmly held belief was tested?

When I first heard “Bobby Brown Goes Down” by Frank Zappa.

Where do you feel artistic progression leads?

I swear I feel like if I don’t change the scenery in my head, I might lose it. I don’t think of the past or any connection to it until I’m way ahead and looking back and going, “Ah I remember that!”

But I’m here in the present. I made it to here and that’s what matters.

How do you define success?

Not by money. Marley nailed it. “Money is numbers and numbers never end. If it takes money to be happy, your search for happiness will never end.”

What is something you’ve seen but wished you hadn’t?

The record companies screwing honest, hard working musicians. To me that’s evil.

Describe something you haven’t created yet that you’d like to create.

The perfect Sunday afternoon.

What do you believe is the most essential function of art?

Art is to test the senses. I’m an asshole that way. Nothing is good enough for me? Ever.

I’m slow to accept praise I’m slow to a feel like I created something that does that.

Something non-musical that you’re looking forward to?

I’m looking forward to seeing JJ again at shows! And everyone else. I miss everyone!

Love you and don’t stop being you!

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The Age of Truth, Resolute (2021)

Frank Zappa, “Bobby Brown (Goes Down)”

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The Age of Truth Premiere “Salome”; Resolute Due July 23

Posted in audiObelisk, Whathaveyou on May 11th, 2021 by JJ Koczan

the age of truth

Be it resolved, because The Age of Truth most certainly are. The Philadelphia-based four-piece make a return this summer with Resolute, the seven-song/43-minute follow-up to 2017’s Threshold (review here), and the progression of sound that the second album builds on the songwriting they established with the first isn’t to be ignored. They were already a powerhouse. They are now a powerhouse of greater depth and reach, and whether that manifests itself in the acoustic centerpiece “Seven Words,” in the bluesy preach of the prior “A Promise of Nothing,” in the fluidity of groove put to the fore in “Salome” or the broad ambition realized throughout nine-minute closer “Return to the Ships,” the basic fact of the matter is there’s more to The Age of Truth than the first record showed.

This is not coincidence, and neither is the album’s title. They have made themselves a more complex band in performance and style.

“Salome” is being released as a single through Contessa Music on Friday, but you can stream the premiere at the bottom of this post. I’ll hope to have more on the album prior to the release date.

Album details follow below, courtesy of the PR wire:

the age of truth resolute

Philadelphian Rockers THE AGE OF TRUTH Make Steadfast Return with New Album this Summer

Casting kinships out of the heaviest rock and metal around, self-proclaimed brothers-in-arms, The Age of Truth, return this summer with their brand-new studio album, Resolute.

Upon the release of their 2017 debut Threshold, the band were not only defined by their adventurous ideas, but also their conviction and togetherness as a hard rocking unit.

“Together we’ve constantly tried to evolve our songwriting, instrumentation and the sound we wanted to capture. This album has been a real journey for us and almost three years in the making. We’ve held ourselves to exacting standards every step of the way,” says bassist William Miller.

With Resolute, the Philadelphian quartet have rebuilt their entire sound atop an unshakable foundation. Producing a record that is bigger and bolder than anything they’ve attempted before, the band has newly replenished their arsenal of deadly tones, diesel-fuelled fuzz, and heavy psychedelic blues.

One of the defining benchmarks on Resolute is new single ‘Salome’; a silver-riffed beast that will strike a chord with followers of classic stoner rock and Clutch’s no-nonsense aural assaults. Throw in the majestic gravitational-altering grooves of Soundgarden and it truly encapsulates everything The Age of Truth is about.

Track Listing
1. Palace of Rain
2. Horsewhip
3. A Promise of Nothing
4. Seven Words
5. Eye One
6. Salome
7. Return to the Ships

Written and performed by The Age Of Truth. Produced by The Age Of Truth, Dave Klyman, and Joseph Boldizar. Engineered by Joseph Boldizar and Dave Klyman at Retro City Studios, Philadelphia, Pennsylvania. Mixed by Andrew Schneider at Acre Audio, Brooklyn, New York. “Seven Words” Mixed by Joseph Boldizar at Retro City Studios, Philadelphia, Pennsylvania. Mastered by Ryan Smith at Sterling Sound, Nashville, Tennessee. Artwork by Mikko Raima, Mänttä-Vilppula, Finland. Photography and Design by Shane K. Gardner Rock N Roll Socialite, Baltimore, Maryland.

The Age Of Truth is
Kevin McNamara- vocals
Michael DiDonato – guitars
Scott Frassetto – drums and percussion
William Miller – bass

Graham Killian, keyboards and programming on “Return to the Ships”

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The Obelisk Questionnaire: Jesse Neal of American Dharma

Posted in Questionnaire on May 6th, 2021 by JJ Koczan

Jesse Neal of American Dharma

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Jesse Neal of American Dharma

How do you define what you do and how did you come to do it?

If the question is within the context of music, I am a musician. To say that I am a guitar player isn’t quite accurate, since I play drums and bass as well. I also sing a little bit. In American Dharma, my role changes depending on the song. We have a pretty loose structure in that way. If one of us comes up with something on any instrument and it gets us grooving, then away we go! As far as how I came into that… I guess it comes from a life time of being captivated by music and wanting to make as much as I could.

Describe your first musical memory.

There are a ton of memories to sift through here. It’s pretty to hard to say which is first. Music has always been a big part of my life. There is one defining moment though that inspired me to pick up guitar in the first place. I was maybe 13 or 14 and MTV brought back Headbanger’s Ball. The first video they played was “One” by Metallica. I was captivated from the start, but hearing Kirk’s lead is what really struck me. I can remember thinking after the video was over that I needed to learn how to play that song.

Describe your best musical memory to date.

That’s a tough one. I’ve been to a lot of shows and listened to innumerable albums, but I’d have to say my favorite musical memory is seeing The Postal Service live at Merriweather Post Pavilion with my wife. Not only did they put on a great performance, but the lightshow was incredible as well. The best part of it all though was seeing my wife (who does not do crowds) come out of her shell and not just experience but be joy and happiness.

When was a time when a firmly held belief was tested?

There have been a lot of times in my life where things did not turn out to be how I thought they would. People showed their true colors, systems fell apart, childhood dreams wound up being almost unachievable. So I guess through all of that I learned to not have any solid expectations or beliefs, and to just see and accept things as they are. Don’t hold on to anything too tightly, for you never know when it might go away. Kind of the whole “attachment is suffering” thing.

Where do you feel artistic progression leads?

I suppose it ultimately leads to being better than you were yesterday. I don’t mean that strictly in terms of skill. It also encompasses song writing, vision, and a reduction of ego.

How do you define success?

That’s something unique to each person. To me, it’s leading a comfortable life with the ones you love. It’s taking care of business but still have enough time and money left over to make memories. If the question is how do I define success as a musician… I’ll let you know once I find it.

What is something you have seen that you wish you hadn’t?

I can’t think of any specific instance where I regretted seeing what was in front of me. I saw my extended family fall apart in my early teens, if that counts. Watching relationships through blood fall away… that’s something.

Describe something you haven’t created yet that you’d like to create.

An album that goes gold! That would be cool, but in all seriousness I want to make an album that means something to someone other than myself. An album that might inspire some kid to take up playing, or help ground someone in a moment of anger. Maybe an album that helps people realize we are more alike than we are different.

What do you believe is the most essential function of art?

I think that art (whatever form it may take), is meant to express things that words often fail to. There’s a certain “nowness” to every piece. It shows what the artist was feeling at that specific time. Sometimes, art can transcend a specific experience or thought, and be an expression of something universal that we all feel. It’s something that binds us all.

Something non-musical that you’re looking forward to?

The end of Covid. There has been so much anger and fighting since this thing started. Whether you’re for masks or not, we all have to get through this thing together. I guess I just miss when people seemed to get along and enjoy life more than they do now.

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https://www.instagram.com/american.dharma.band/
https://americandharma.bandcamp.com/

American Dharma, Cosmosis (2020)

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The Obelisk Questionnaire: Wax Mekanix

Posted in Questionnaire on April 30th, 2021 by JJ Koczan

wax mekanix

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Wax Mekanix

How do you define what you do and how did you come to do it?

I’m a shameless songwriter, singer, guitarist, drummer, producer, engineer, and percussionist. I basically do two different things musically.

I’m primarily a solo rock artist with a current hankerin’ for heavy guitars, bass, drums, and vocals. But that may change depending on whatever creative breeze hits me. If you listen closely to what I do, you’ll hear hints of pop, folk, country, and blues. I’m an American born in the 20th century, so my musical DNA is infused with all of the influences that implies.

In general, my recent work is considered heavy rock exhibiting some contemporary and some classic qualities. Specifically, I create, what I like to call, high-velocity folk music. This does not necessarily mean it’s acoustic. My new album from Electric Talon Records is called Mobocracy. It’s a focused, strident, snarling, slamming, howling stew that’s being described as edgy, atypical, three-dimensional, groovy, literate, and of and for its time.

I was trying to create a set of contemporary songs with connective tissue made of my decades of history, experience, and influences. My open-minded, brave, and adventurous audience knows to be prepared for some sonic and thematic swerves, depending on what is influencing me when I make records. So, although “Mobocracy” sounds like it does, my next record is shaping up to sound unlike it. This is exciting for me and keeps me creatively healthy, inspired, and looking toward the musical horizon. In the final analysis, I trust my instincts that this is what anyone wants from me that is interested in what I do.

On the other hand I’m a founding member of American cult rock quartet, Nitro. Not the L.A. glam hairband that graced the MTV airwaves in the late ’80s. Dana, John, Brad, and I formed Nitro in 1980.

By deliberate design, the scope of all of the Nitro records (Lethal, Lethal + II, Volatile Activity, etc.) is sonically and thematically concentrated to result in high intensity, aggressive, loud, shameless songs that take in our four different sets of skill and influences. We then filter it through those personal lenses and throw it back and forth at each other with the tools we each are expected to swing. When we do that, rinse, and repeat enough times, we hit an equilibrium that our four very different perspectives agree on. It really does feel a lot like trying to break a horse by democracy.

Although I’m a bit puzzled by it, I’m grateful that our cult-like records are held in such high regard. At the risk of making more out of it than it really is, we have a unique, modest pedigree because of the fact that Nitro was on the tip of the spear as part of America’s answer to the first cries of the New Wave of British Heavy Metal. So I’m thankful for that.

When I work on solo stuff like “Mobocracy”, it’s more of a dictatorship. The huge difference is that I don’t have to be diplomatic or forge some kind of sympathetic compromise to get to where I’m going with my records.

When I step outside of Nitro, I don’t have a static lineup to my band, so it depends on what/where I’m playing. There are so many inspiring creative people in the world to discover, so this is the appeal of flying solo in the way that I do it.

The goal of Mobocracy was directly tied to the times I found myself in when I was writing the songs. America was radically transforming right before my eyes. History shows us that artists will not let this kind of tectonic shift in American life pass without comment. I’m just commenting now. I wanted to design something that felt and read like the aggression, anger, and dark turmoil that most of America, and probably the world, was feeling.

Describe your first musical memory.

1966. I was not yet four years old and was holding my mother’s hand as we walked through the five-and-dime store of our town. In the distance, across the aisles, coming from the record department, were the strains of a new release, “Yellow Submarine” by The Beatles. It was joyous, funny, and a perfect sing-song moment, custom made for a toddler. I was captivated and thrilled. I skipped along beside my mom, and instantly was singing, “we all live in a yellow submarine!” Less than three minutes of priceless bliss.

Describe your best musical memory to date.

Certain gigs or recording sessions come to mind, but honestly, it’s the rebirth of creativity just about every time I write new music. It’s an evergreen thing. It wonderful that there is always something new, different, and exciting on the horizon. This is a glorious gift that I have been given.

When was a time when a firmly held belief was tested?

January 6th, 2021. I consider myself a typical American citizen. I’m a pragmatic moderate realist with both conservative and liberal views. Until this date, I assumed that the majority of thoughtful American citizens, regardless of political leanings, would not do anything that would put at risk, the wellbeing of the foundation of our rare , albeit imperfect, democratic system of government. I was wrong and have been forever recalibrated. Some Americans, if given the opportunity, will use any and all means to achieve whatever political ends they desire. They will act regardless of the harm to the nation and/or fellow citizens. Unfortunately, the proverbial genie is out of the bottle and a paradigm shift has occurred, and precedent established, for better or worse.

Where do you feel artistic progression leads?

In my opinion, at the core, creative expression and artistic pursuits are a trip. An open-ended journey through life. Sometimes it takes the form of temporary transient satisfaction of writing a cool riff or lyric. Other times it is just about the possibility of creating something new, fresh, and uncharted. The fact that I have the opportunity to be creative. I can’t imagine my life without this possibility. I go long stretches without creating but always know that the chance of revisiting it is there. That’s a powerful comfort for me. Both aspects have always been cathartic for me and make me who I am. At the risk of being excessively dramatic, I feel really fortunate to have it in my life.

How do you define success?

Musical/creative success to me can be summed up simply. Self-sustaining. If the activity (writing, recording, and/or performing) generates resources sufficient to perpetuate it, then I’m happy. Independent of fame or fortune, the work is the point for me and was/is always in my crosshairs.

What is something you have seen that you wish you hadn’t?

Frankly, nothing. Some things are hard to see, but I don’t regret seeing anything since it all has served to shape me in some way. Deliberate or serendipitous experiences make us who we are and how we interact with each other, so I try to see value in them all.

Describe something you haven’t created yet that you’d like to create.

Creatively, this is the essence of why I do what I do. It’s all about the horizon for me. Specifically, as a musicians, it’s exciting to know that there is the possibility of magnificent amazing new music that can be created in the future if I want to pursue it. This evergreen nature of art is one of the most intoxicating aspects, and great forces that drives me to continue to do it. Sometimes I dream about music that I have yet to create and I wake reinvigorated, refreshed, and excited about the possibilities ahead.

What do you believe is the most essential function of art?

I have two answers that are related. 1. All that my work has to do is satisfy me. This not meant to be a cliché or some kind of ego trip. My thinking is, if I satisfy myself, then any audience that is interested in my work, will understand and appreciate it on some level. 2. I have always seen my responsibility as artist being to make the ordinary extraordinary and the ordinary extraordinary, using the skills and tools of my trade.

Something non-musical that you’re looking forward to?

In these odd sideways times of Covid, and on a macro level, I am eager for the tribal social experiences of restaurants, sporting events, concerts, parks, public travel, beaches, etc. One a personal and micro level, I am looking forward to again being physically close to those I care about without being concerned for their health. Specifically, hugging people.

http://facebook.com/WaximMekanix
http://twitter.com/waxmekanix
https://waxmekanix.bandcamp.com/
https://www.facebook.com/TalonRecordsUSA/
https://www.instagram.com/talonrecordsusa/
https://electrictalonrecords.bigcartel.com/

Wax Mekanix, “Black” official video

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