Shadow Witch Post “Disciples of the Crow” Video; Vinyl out Now

Posted in Bootleg Theater on June 21st, 2018 by JJ Koczan

shadow witch

Shadow Witch are one of those bands who are just about totally out there on their own wavelength, and as a result either get lumped into places they don’t belong — called metal, for example, which they’re not — or underrated entirely for the work they’re doing. Sure, metal is a part of what they do, but so is heavy rock, so is goth rock, so is doom, so is punk, grunge, and so on. The band’s second album, Disciples of the Crow (review here), was released at the end of last year by Salt of the Earth Records, and is available now on vinyl either directly through the band or via Kozmik Artifactz in Europe. The timing couldn’t be better, since the platter just so happens to coincide with a new video for the title-track and the band’s appearance this coming weekend at Maryland Doom Fest 2018. Amazing how these things work out sometimes.

And like much of the record that shares its name, “Disciples of the Crow” isn’t overblown tonally or in terms of aggression. It finds a place for itself in between varying stylistic elements, sharing aspects here and there with elements of the styles noted above, but creating one whole sound from them rather than simply jumping from one part to the next, one genre to the next. What that means when it comes to the album is a more cohesive listening experience, since the material ties together in terms of vibe and actual production alike, and keeps a steady foundation of songwriting beneath from the melodic opener “Love Could Be Like This” to the hook in the finale of “Dead Heroes.” As far as representing the record, the title-track does it well — duh — and showcases the aesthetic nuance at play in what Shadow Witch do as well as the lack of pretense with which they do it. For all their melding, Shadow Witch could still rightly be called straightforward.

They have more dates following Maryland Doom Fest, and you’ll find those, as well as the link to pick up Disciples of the Crow on LP, after the video below, all of which comes courtesy of the social medias.

Please enjoy:

Shadow Witch, “Disciples of the Crow” official video

Limited Edition 180gram Cloudy Orange Vinyl. Now available through Kozmik Artifactz in Europe, and stateside at the Shadow Witch bandcamp site: https://shadowwitch.bandcamp.com/album/disciples-of-the-crow

Shadow Witch live:
JUN 22 The Maryland Doom Fest 2018 Frederick MD
JUN 22 Bar XIII Wilmington DE w/ Beelzefuzz, Witch Hazel, Season of Mourning
JUN 24 Pourhouse of Norfolk • La Fin Du Monde Norfolk, VA w/ Doomstress, Witchkiss, VRSA, That Which Sleeps
JUL 7 The Anchor Kingston NY w/ Wasted Theory, Sun Voyager
AUG 3 The Anchor Kingston NY w/ Brimstone Coven, Cat Skulls
SEP 7 13th Floor Music Lounge Florence MA w/ Toke, Curse the Son, Geezer

SHADOW WITCH is
David Pannullo ~ bass
Doug “dougy beans” Thompson ~ drums
Earl Walker Lundy ~ vocals, mellotron, samples
Jeremy H. Hall ~ guitars

Shadow Witch on Thee Facebooks

Shadow Witch on Instagram

Shadow Witch on Bandcamp

Shadow Witch at Salt of the Earth Records

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Geezer Working on New Album; Announce Drummer Change

Posted in Whathaveyou on January 2nd, 2018 by JJ Koczan

One tries not to read omens at the start of a year, but doesn’t the prospect of a new Geezer record in 2018 sound pretty awesome? The New York-based heavy psych blues trio made it almost too easy to get greedy after issuing Psychoriffadelia (review here) last year on such a quick turnaround from their 2016 self-titled (review here), so how can I really be blamed if I take the word from guitarist/vocalist Pat Harrington below that new material is in the works as a sign that something new could be out before 2018 is done. He floats the second half of the year as a possibility. That’s good enough for me.

Whenever it arrives, the next Geezer will mark the debut of new drummer Steve Markota alongside Harrington and bassist Richie Touseull. Markota hit the road with the band last Fall and they’ve been putting new songs together since. Hopefully by the time they get around to playing Maryland Doom Fest in June — which I’m very much hoping to attend this year — they’ll have some stuff ready for the stage. Fingers crossed on that one. In the meantime, they’ve got an Obelisk-presented gig Jan. 10 at Saint Vitus Bar with Sun VoyagerThe Hazytones and Heavy Traffic. Damn that’s a good lineup.

Here’s what the band has to say:

geezer

We hooked up with local heavy hitting drummer and all around cool cat, Steve Markota (Grape and the Grain, Nightmares for a Week) a few months ago to do the Doomed & Stoned Festival and September’s Ode To Doom in NYC. The three of us gelled pretty quickly. Once our gigging commitments were over, we started jamming and eventually songs started to take shape. Currently, we have three songs that we are actively working on and it feels like we are just scratching the surface to what this lineup can do. The music is what I would call “bombastically heavy & groovy” and we are really taking our time to flush out arrangements, fine tune riffs, etc. The process is shaping up to be much like what we did with the self-titled album.

We are playing a bunch of US festivals next year (Maryland Doom Festival, Descendants of Crom, and other as-yet-to-be-announced festivals), so we want to have new material up and running in time for these gigs. I have no idea what shape any future releases will take, however, knowing us, I’ll guess we’ll have something out during the second half of 2018.

In the meantime, we are stoked to be jumping onto The Hazytones tour for a gig on January 10th with Sun Voyager and Heavy Traffic at St. Vitus Bar in Brooklyn, as well as playing the local CD release party for our brothers in Shadow Witch at The Anchor in Kingston on January 27th.

Geezer is:
Pat Harrington – Guitar, Vocals
Richie Touseull – Bass
Steve Markota – Drums

Live photo by Johnny Hubbard.

https://igg.me/at/xxo6XcM2mD4/x/16460786
https://www.facebook.com/geezerNY/
http://geezertown.bandcamp.com/

Geezer, Psychoriffadelia (2017)

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Review & Full Album Stream: Shadow Witch, Disciples of the Crow

Posted in audiObelisk, Reviews on December 5th, 2017 by JJ Koczan

Shadow Witch Disciples of the Crow

[Click play above to stream Shadow Witch’s Disciples of the Crow in its entirety. Album is out Dec. 15 on Salt of the Earth Records.]

Proffering eight tracks of ominous heavy blues, Shadow Witch sneak out their sophomore full-length, Disciples of the Crow, in some of the darkest hours of 2017, which seems somehow fitting considering the somewhat apocalyptic vibes on hand. Even a faster cut like the more classically metal “Stranger Skies” has a kind of Biblically-informed fire and brimstone despite its lyrical references to red dawns and yellow kings, and certainly the earlier pair of “Reap” and “Cruel” that follow opener “Love Could be Like This” have those elements at work as well as vocalist/mellotronist Earl Walker Lundy injects the material with a preacher’s soulfulness that becomes no less a defining factor than the multi-layer progressive shred guitarist Jeremy H. Hall brings to the second half of the aforementioned “Stranger Skies.”

Peppered with samples throughout — crows on the title-track (premiered here), a thunderstorm to open the six-and-a-half-minute “The Sea,” a spoken part and tolling bell later into “Cruel,” etc. — what might otherwise be a straightforward heavy rocker is given depth of character and atmosphere (samples are also provided by Lundy), but that foundation in dead-ahead structuring is very much present in the drumming of Doug Thompson and bass work of David Pannullo, who are charged as the rhythm section with keeping Disciples of the Crow moving at the clip it does. A decidedly smooth tonality from Pannullo and Hall, perhaps with the exception of the penultimate three-minute blaster “Beneath the Veil,” adds another level of intrigue overall, making the manageable 36 minutes of the record an all the more fascinating proposition worthy of repeat visits.

In the case of the latter — the fuzz — one might liken it on “Love Could be Like This” or even the stomping title-track to the round-edged warmth of Clutch‘s Elephant Riders, though it’s important to keep in mind in doing so that Shadow Witch‘s approach on the whole draws more from metallic traditionalism amid its heavy rocking pulse. Further, if one wanted to draw a line to the Maryland stalwarts, Clutch‘s “Impetus” might be just as appropriate for the immediacy of momentum with which “Love Could be Like This” begins via Thompson‘s drums. It’s also pivotal to remember that the vision cast throughout Disciples of the Crow brims with a willful, purposeful bleakness of mindset. Consider “Cruel,” with the vaguely of-our-times comment, “Your creature comfort/Honey that don’t mean a thing to me/And your social justice/Well the bell it tolls but freedom it don’t ring.”

shadow witch

This examination of privilege, kind of a chorus led into by the first verse, comes with a grim sonic turn, and while one wonders at the perspective overall with which Shadow Witch are approaching the ever-shifting, ever-manic, ever-tragic modernity in which we somehow continuously spiral, the blue-collar perspective is as clear as the adoption of bluesman’s language to present it. This is more of a theme earlier on, though even “Beneath the Veil” drips back to reference the yellow king in the lyrics again, and Disciples of the Crow sets up a nearly bipolar personality for itself with the title-track rounding out side A and “Stranger Skies” beginning a more careening side B with shades of Iron Maiden in its gallop. The flaw in that argument is not accounting for the acoustic aspects of “The Sea” or melody-fueled angular chug of closer “Dead Heroes,” but when one considers Leviathan-era Mastodon for the former or perhaps even late-’90s Tool for the rhythmic chop of the latter — at least before it straightens itself out in the hook — it’s not too much of a stretch to think of them as a more metal manifestation either than some of the earlier pieces.

Wherever Shadow Witch are coming from on a given track or in a given verse — and yes, one is reminded of Soundgarden‘s “Rusty Cage” as Lundy intones “I’m gonna break…” twice near the end of “Dead Heroes”; hard to imagine that’s not on purpose given the song’s title — the cauldron brew they concoct from that complex recipe is very much their own. Their 2016 debut, Sun Killer (discussed here), worked with a similar potency, but Disciples of the Crow is more memorable in its progression and comes across as more efficient in how it’s been crafted. While of course there are tempo shifts, most notably between the pair of the patient “The Sea” and the ensuing thrust of “Beneath the Veil” — the longest cut running headfirst into the shortest — the work Shadow Witch are doing here never feels like it’s in more of a rush than it should be, and for that, there isn’t a single track among its eight that doesn’t end up with some standout aspect emerging, particularly after a couple times through.

United by the foreboding ambience, the quality of the riffs and by Lundy‘s accomplished melodicism as a singer able to hone a dramatic feel without ever leaving behind the idea of serving the material itself rather than the other way around, Disciples of the Crow sets its own terms for its brand of accessibility, and while Shadow Witch are without a doubt speaking to the converted, the nuanced voice in which they do so leads one to think the converted will find the message well worth receiving. As well, for the fluidity of the front-to-back listen despite the turns between the first four songs and the second, in addition to the shifts nestled into side B between “Stranger Skies” and “The Sea,” “Beneath the Veil” and “Dead Heroes” — the last one feeling almost like a bonus track by the time it’s done — Disciples of the Crow is a considerable achievement for Shadow Witch and a firm declaration of who they are aesthetically and their potential to continue to develop along these lines. A moment of arrival? Maybe, but there’s enough drive at root in their sound to make me think they won’t be staying still all that long.

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Shadow Witch Confirm Dec. 15 Release for Disciples of the Crow; Preorders Available Now

Posted in Whathaveyou on November 29th, 2017 by JJ Koczan

shadow witch

As first announced here back in September, New York dark heavy rockers Shadow Witch will release their second full-length, Disciples of the Crow, via Salt of the Earth Records. The label has made preorders available for the record, which will see its official issue on Dec. 15, and a new trailer has been posted to mark the occasion, as well as the final album art, tracklisting, and other background details. Consider this a heads up, as I’ll be streaming the album in its entirety with a review next week — currently booked for next Tuesday, according to the notes — so while there’s a lot here, there’s much more to come as well.

Dig it:

Shadow Witch Disciples of the Crow

SHADOW WITCH Announce ‘DISCIPLES OF THE CROW’ Album (out 12/15) via Salt Of The Earth Records

Kingston, New York’s Shadow Witch confirms the flight dates for their upcoming album, ‘Disciples Of The Crow’. The band’s second full-length is set for official release through Salt Of The Earth Records on December 15th, with pre-order available as of November 27th.

In 2015, a crew of veteran musicians in Kingston, New York shared a passion to create powerfully original music. Shadow Witch drew musical influences from various directions, but their goals were simple – harness decades of experience into a cohesive, monstrous sound. Considering members of Shadow Witch are known from previous bands such as Murphy’s Law, Hellride 102, Blue Coyote, Voodelic, Cold War Survivor, and The Blind Ambassadors, the velocity by which those goals were met is no surprise.

In August 2016, Shadow Witch released their first full-length album ‘Sun Killer’, to excellent reviews from the international heavy music community. The album is a diverse assemblage of songs pulling in doom, thrash, psychedelic and stoner metal, and they back it up with intense, explosive live shows to annihilate any listener hesitation.

While member resumes may have eased their footing inside the door of many venues, their future is unquestionably solid. Shadow Witch begins a new chapter in their music history with the official release of ‘Disciples Of The Crow’ on December 15, 2017, via Salt Of The Earth Records.

Shadow Witch returns with an amazing new release filled with mood, atmosphere, and killer riffs and vocals. Eight songs are all that’s needed to raise you above the light, surround you in darkness, and bind your ears, hearts, and mind as one.
Shadow Witch is coming for you.

Disciples Of The Crow – Track List:
1. Love Could Be Like This
2. Reap
3. Cruel
4. Disciples Of The Crow
5. Stranger Skies
6. The Sea
7. Beneath The Veil
8. Dead Heroes
All songs on ‘Disciples Of The Crow’ were written and performed by Shadow Witch. The album was recorded between May and August 2017, by Earl Walker Lundy at Temple Of The Downward Witness, with mixing and mastering by Paul Orofino at Millbrook Sound Studio. Additional performance on ‘The Sea’ with Nicholas Thompson (tympani) and Nick Glosque (operatic voicing).

Cover illustration by Earl Walker Lundy (after Frank Frazetta), Shadow Witch logo by David Paul Seymour, layout and graphics by Bill Kole, band photography by Kristin Troost Hall. ‘Disciples Of The Crow’ was inspired by the writings of Robert W. Chambers, H.P. Lovecraft, and Stephen King.

SHADOW WITCH is:
David Pannullo (bass)
Doug “Beans” Thompson (drums)
Earl Walker Lundy (vocals, mellotron, samples)
Jeremy H. Hall (guitars)

https://www.facebook.com/shadowwitch.band/
https://shadowwitch.bandcamp.com/
https://www.facebook.com/SaltOfTheEarthRec/
www.saltoftheearthrecords.com

Shadow Witch, Disciples of the Crow album trailer

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Shadow Witch Sign to Salt of the Earth; Premiere “Disciples of the Crow”

Posted in audiObelisk, Whathaveyou on September 11th, 2017 by JJ Koczan

Somewhere between a darkened desert and harder rock grit, one finds Shadow Witch and the title-track of their upcoming sophomore full-length, Disciples of the Crow. It’s been a minute since the album was first discussed this past Spring as the follow-up to their 2016 debut, Sun Killer, and now it’s been revealed that the New York-native four-piece have signed to Salt of the Earth Records for the release, after issuing the first record through NoSlip and Snake Charmer Coalition both.

That puts them as labelmates for the likes of Earthride, Cortez, Scissorfight and a slew of others, which is sound company to keep for Shadow Witch on the emergent imprint. I haven’t heard the full record yet — presumably it’s done since it’s expected before the end of the year — but in its stomp and deep-toned fuzz and the smooth delivery of Earl Walker Lundy‘s vocals, “Disciples of the Crow” bodes well for things to come. You can listen to the premiere of the track at the bottom of this post.

Shadow Witch play Ode to Doom at Arlene’s Grocery on Sept. 23 with GeezerBook of Wyrms and Heavy Traffic. The show is presented by Freebird Productions in conjunction with The Obelisk.

Dig:

shadow witch

SALT OF THE EARTH Signs Shadow Witch; ‘Disciples of the Crow’ out Soon!

SALT OF THE EARTH RECORDS proudly announces the signing of Kingston, New York, dark heavy rockers Shadow Witch for their forthcoming second album, Disciples of the Crow. They join Earthride, Scissorfight, Buzzard Canyon, Cortez and others on a stacked and ever-growing Salt of the Earth roster.

Shadow Witch garnered critical acclaim for their 2016 debut long-player ‘Sun Killer,’ which brought together weighted rocker tones and an oldschool metallic sensibility that distinguished Shadow Witch from the hordes of riff-slingers. ‘Disciples of the Crow’ is the follow-up out soon through Salt of the Earth and once again finds the four-piece crafting a dark, soulful, and doomy stoner metal album experience –- exotic and refined like the edge of an assassin’s blade, and no less lethal.

Frontman Earl Walker Lundy’s powerful voice is classic and haunting, bringing to mind the traditions of heavy metal’s best frontmen with soul and emotion. The musical influences displayed by Earl (vocals, mellotron and loops), Jeremy Hall (guitar), David Pannullo (bass, vocals) and Doug Beans (drums) are wide-ranging through blues, ’70s proto-metal, heavy psychedelic and classic rock, NWOBHM, goth, desert rock and beyond, resulting in a diverse scope and sound, that only becomes more their own in this new material. Heaviness, riffs, vibe and hooks for days, there’s so much to dig.

To herald the album’s impending arrival, Shadow Witch today premiere the title-track “Disciples of the Crow” as the first single. Listen to it now for an initial glimpse into this arc-defining release from a group about to turn even more grooving heads in their direction.

Shadow Witch live:
09.23 Ode to Doom, Arlene’s Grocery, Manhattan, NY w/ Geezer, Heavy Traffic & Book of Wyrms

Shadow Witch:
Earl Lundy: Lead Vocals, Mellotron, Loops
Doug Beans: Drums
Jeremy Hall: Guitars
David Pannullo: Bass, vocals

https://www.facebook.com/shadowwitch.band/
https://shadowwitch.bandcamp.com/
https://www.facebook.com/SaltOfTheEarthRec/
www.saltoftheearthrecords.com

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Review & Full Album Stream: Geezer, Psychoriffadelia

Posted in audiObelisk, Reviews on May 16th, 2017 by JJ Koczan

geezer psychoriffadelia

[Click play above to stream Geezer’s Psychoriffadelia in its entirety. It’s out June 9 via Kozmik Artifactz and STB Records.]

There are multiple angles of approach one might take when it comes to Geezer‘s fourth long-player, Psychoriffadelia. Like the title itself, the tracks are a mash of the different ideas the New York-based band have been advancing since their beginnings, working in a scope of heavy psychedelic jamming, classic heavy rock, heavy blues and often more than a touch of stoner sleaze. No, it’s not a coincidence that I used the word “heavy” three separate times in that last sentence. That’s been a running theme for Geezer‘s work all along, from their 2013 debut, Electrically Recorded Handmade Heavy Blues through the EP-turned-full-length Gage (review here) and most realized on last year’s self-titled third outing (review here), and Psychoriffadelia finds them more than happy to pick up the thread and run with it for the course of its five tracks and 39 minutes, delivered through Kozmik Artifactz in Europe and STB Records in North America.

One finds, however, that the most defining aspect of Psychoriffadelia might just be transience. There is evidence of growth even from where the self-titled had them to be heard in the overall balance between jammy flow and songcraft — Geezer have taken the lessons of Texas’ Wo Fat (who in 2009 put out an album called Psychedelonaut and might be this generation’s masters of the form in the US) and incorporated them into their Northeastern grit — and their sound is ever more identifiable as their own with guitarist/vocalist Pat Harrington coming across as more comfortable in tackling vocal melodies on a cut like “Red Hook,” but with the bulk of the material recorded live in the studio — Redbird Studio in NYC — in a single day, the natural vibe that persists as a result, and the inextricable link between Psychoriffadelia‘s release and Geezer‘s first-ever European tour, set for this summer, it’s a fleeting sensibility that most emerges from this material. The fruit of a moment that, no matter what Geezer do from this point on in their tenure, won’t come again.

Add to that the lineup factor. Harrington and bassist Richie Touseull work here with Charles Ruggiero, who steps in to take the place of founding drummer Chris TurcoRuggiero is an ex-bandmate of Harrington‘s in woefully-monikered hard rockers Slunt, so it’s no surprise to find there’s chemistry there based on their past experience playing together, but though he’ll play on the tour as well, Ruggiero is still officially filling in for Turco. So even in their makeup in terms of who’s playing, Geezer seem to be captured here in a state of flux. All the better to get that cover of Nazareth‘s “Hair of the Dog” to tape while the getting’s good. That cowbell-infused, attitude-laden classic serves as Geezer‘s launch for Psychoriffadelia, and Harrington‘s gravely voice does well in taking on its mega-hook, “Now you’re messing with the son of a bitch,” delivering the line with a swagger that goes on to inform the rest of side A in “Stressknots” and the 10-minute “Psychoriffadelia” itself. The former is a chugging enterprise of marked heft and fuzz but a creeping melodic verse, building in energy as it shifts toward its chorus, Geezer working effectively in their more straightforward songcraft modus on what’s the shortest inclusion here, original or otherwise, at 4:40.

An open, bluesy bridge just past the three-minute mark leads back to the charge of the hook and they finish with a section of crackling noise and sparse guitar ambience, leading into the start of the title-track, which buzzes to life over the course of its first 30 seconds before a subdued guitar establishes the defining line for the jam that unfolds. It is especially telling that “Psychoriffadelia” is instrumental in its entirety, as it sends a clear signal of the shift in approach that it marks moving into the rest of the album that bears its name, which, though built to be split over two sides, nonetheless has a linear flow from the title-track into “Red Hook” and 13-minute closer “Dirty Penny.” Transitions are smooth throughout, but the manner in which the cuts in Psychoriffadelia‘s back half feed off each other and the more languid vibe feels like a definite departure from the more raucous “Hair of the Dog” and “Stressknots” — though the finale certainly makes an impression with its hook and strikes a balance between the “psycho,” the “riffa” and the “delia” — and it’s the title-track that serves as the beginning point of that.

geezer photo jj koczan

Even in this linearity, one finds that theme of transience playing out. The turn from “Psychoriffadelia” to the six-minute “Red Hook” is accomplished with a seeming nod to Monster Magnet-style fluidity, and though moodier in its affect, the latter cut is unquestionably the highlight of the album. It’s the most patient and psychedelic unfurling Geezer have executed to-date, and while in the past, a serene beginning like that of “Red Hook” might’ve led to a burst-out of bluesy, boozy heavy riffing — nothing wrong with that — this time, Harrington, Touseull and Ruggiero keep the vibe quiet, thoughtful and emotionally resonant in its melody, adding a new level of depth to their approach not found on the self-titled or any of their releases preceding. In the quick turnaround from their last offering, “Red Hook” is the clearest example on Psychoriffadelia of Geezer‘s continued creative growth. It’s not the only one, but it’s the clearest, and particularly after the immersion of the centerpiece title-track, its arrival feels like it’s being given a distinguished position in the course of the album. That is to say, they know it’s something special, which it is.

After its watery psych strum enters its long fadeout, the low hum that starts “Dirty Penny” takes hold and Harrington‘s voice echoes out the line, “Your pretty face is going to hell,” from deep in the mix, foreshadowing the standout line of the chorus that will serve as Geezer‘s final hook for Psychoriffadelia. Though more grounded than “Red Hook” and more structured feeling than the title-track, “Dirty Penny” still carries a drowsy spirit in its early going, picking up after the three-minute mark with more of a push en route to a quick guitar solo and final runthrough of the sleazy chorus — I’m sure there’s a story to it, but yeah: sleaze — and another, more extended and multi-layered stretch of impressive fretwork that serves as the beginning point for the jam that will consume the rest of the track, beginning in earnest at around six minutes in and expanding outward from there. Funky at the eight-minute mark, explosive by 9:30 and drifting into its compressed slide-and-strum just after 11 minutes in, the ending of “Dirty Penny” feels somewhat pieced together, but that’s also the point, and in that, it reinforces the stylistic patchwork that makes up the record’s title and overarching execution alike.

Geezer have always had an element of self-awareness to their approach, so that they would on Psychoriffadelia as well is nothing new, but what’s important to take from the release is that it shows even in a hurried mindset — putting this version of the band and these freshly-composed songs to tape before the opportunity passed — the band are able to conjure a sense of sonic progression. That’s pivotal, of course, but for most listeners it will be secondary to the quality of the material itself (and probably rightly so), but fortunately for the trio and their audience alike, that also holds up here. Psychoriffadelia finds Geezer mature in their style and firm in the knowledge of who they are and what they want to be as a group, building gracefully on their past aesthetic accomplishments while maintaining the roll, nod, blues and edge that has served them so well thus far. With the palpable development they’ve undertaken and the results that has yielded, Geezer have never sounded so ready for export.

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Geezer to Release Psychoriffadelia June 9; European Tour Dates Announced

Posted in Whathaveyou on April 27th, 2017 by JJ Koczan

geezer

Hey, if you’re gonna go, make an occasion of it. We’ve known for some time that New York heavy psych blues rockers Geezer were headed to Europe in 2017. They were announced in December for the lineup of Freak Valley 2017, and just a couple days after that, confirmed the appearance would coincide with a first tour on European shores.

So what’s new? What’s new is the fact that Geezer will go not only supporting their righteous 2016 self-titled full-length (review here), but a new, fourth LP as well — dubbed Psychoriffadelia and due out June 9 through Kozmik Artifactz in Europe and STB Records in the US with preorders set to start as soon as this post is live. So… now.

Comprised of five tracks that run a 39-minute gamut from the scummer boogie bliss of Nazareth‘s “Hair of the Dog” — “Now you’re messin’ with a son of a bitch,” and all — to the vulnerable blues of “Red Hook,” the sleaze of “Dirty Penny” and the megajams that ensue there and in the 10-minute title-track, Psychoriffadelia is the result of Geezer firing at max volume on all cylinders, expanding on the self-titled while reinforcing that album’s accomplishments with a brazen next step forward. Don’t be fooled by the quick turnaround — there’s growth here. Not that I’ve heard it yet or anything. Ahem.

Psychoriffadelia also finds Geezer working as the three-piece of founding guitarist/vocalist Pat Harrington, bassist Richie Touseull and drummer Charles Ruggiero, the latter a former bandmate of Harrington‘s in hard rockers Slunt and stepping in for Chris Turco, who handled drums on the last album as well as the 2014 LP, Gage (review here), and their 2013 debut, Electrically Recorded Handmade Heavy Blues. Ruggiero will take part in the European tour as well, which is booked through Total Volume Agency and Snuff Lane in the UK, and the band have set up a crowdfunding campaign to help with the inevitable expenses of making the trip. Rewards include an exclusive die-hard edition of the LP.

Info on that, the release announcement for Psychoriffadelia, and of course the tour dates all follow here, courtesy of the band:

geezer psychoriffadelia

GEEZER – Psychoriffadelia

The power of the riff. The allure of the psychedelic. The intensity of the electricity. These are the things that bring us together, these are the things that create Psychoriffadelia.

Recorded mostly live at Redbird Studio on 9/10/16 in New York City, the songs of Psychoriffadelia came together over the course of that summer. It had been months since we turned in the masters for our self titled album, yet still a few months until the album was released. We had been playing shows with Charles Ruggiero on drums while Chris Turco was on a work related hiatus. During that time, riffs arose, jams happened and songs were created. We wanted to capture that moment, no matter how fleeting.

We are proud to announce that Psychoriffadelia will be released on vinyl and CD through Kozmik Artifactz Records on June 9th! For those of you in the US, STB Records will have vinyl for sale through their webstore as well. Digital versions of the album will be available through the band’s Bandcamp page.

Here are the vinyl specs:
Release date: June 9, 2017
Pre-Order: April 27, 2017
180g high quality vinyl with gatefold
100x black
200x yellow
200x red/black marbled

Geezer, Psychoriffadelia tracklisting:
1. Hair of the Dog (4:48)
2. Stressknots (4:40)
3. Psychoriffadelia (10:16)
4. Red Hook (6:02)
5. Dirty Penny (13:23)

Artwork and Design by Kim Zangrando

A special “Die Hard Edition” of the album will be released through Geezer’s European Tour crowd funding campaign. This will include a screen printed jacket with alternate artwork, multi-colored vinyl and more! (see below for more info)

Live Album Official Release

In addition, Geezer’s live album, A Flagrant Disregard For Happiness is being released on June 9th, also through STB Records and Kozmik Artifactz Records. Originally released as an add on to the Die Hard version of the self-titled album, it is now being released on it’s own on beautiful 180g gold vinyl, limited to 150 units total!

The album contains one 30 minute instrumental (mostly improvised) track, A Flagrant Disregard For Happiness, which was performed at BSP in Kingston NY on April 1, 2016 as part of the ongoing Hudson Valley Psych Fest Series.

A video of this performance can be seen here: https://www.youtube.com/watch?v=cSs0deYCU98

European Tour

To celebrate the release of Psychoriffadelia, Geezer is going to Europe! With the help of Total Volume Booking, Geezer will be doing a 3 week tour that includes our first appearance at Freak Valley Festival! Some dates are still being confirmed but here is the latest:

geezer tour poster.13 June Paris, France / Le Gibus Live
15 June Mannheim, Germany / KURZBAR
16 June Netphen, Germany / FREAK VALLEY FESTIVAL
17 June Lille, France / Le Biplan
18 June Brussels, Belgium / Centre Culturel Garcia Lorca
19 June Ghent, Belgium / Kinky Star
20 June Strasbourg, France / Elastic Bar
21 June Lyon, France / La fête de la musique – Bar des Capucins
22 June Olten, Switzerland / Coq D’Or
23 June Clermont Ferrand, France / Raymond Bar
24 June Montaigu, France / Le Zinor
27 June Exeter, UK / Phoenix
28 June London, UK / The Dev
29 June Coventry, UK / The Arches
30 June Bristol, UK / The Old England
1 July TBC – UK

Indiegogo Crowdfunding Campaign
As mentioned above, Geezer will be doing a crowdfunding campaign through Indiegogo to help offset some of the expenses of the trip. Exclusive perks will include a “Die Hard” Edition of Psychoriffadelia. This edition will include a screen printed jacket with alternate artwork and multi-colored vinyl. Other perks include tour posters and shirts designed by Jo Riou, CD and digital versions of the new album, never before available embroidered patches and other exclusive perks. The campaign is already up and will run until Friday, May 26th.

We need your help to make this tour a reality. Any and all contributions are greatly appreciated!

Contribute to the Indiegogo campaign here: https://igg.me/at/xxo6XcM2mD4/x/16460786

Geezer is:
Pat Harrington – Guitar, Vocals
Richie Touseull – Bass
Charles Ruggiero – Drums

https://igg.me/at/xxo6XcM2mD4/x/16460786
https://www.facebook.com/geezerNY/
http://geezertown.bandcamp.com/
https://www.facebook.com/totalvolumebackline/
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz/
https://twitter.com/kozmikartifactz
https://stbrecords.bandcamp.com/
http://www.facebook.com/pages/STB-Records/471228012921184
http://www.stbrecords.bigcartel.com/

Geezer, Geezer (2016)

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Shadow Witch Post “Blitzkrieg” Video; New Album Artwork Revealed

Posted in Bootleg Theater on March 8th, 2017 by JJ Koczan

shadow-witch-Photo-by-Kristin-Troost-Hall

Riding out a winding groove somewhere between classic metal and speedy heavy rock, New York’s Shadow Witch have a new video taken from their 2016 debut album, Sun Killer. The record, issued through NoSlip Records and the now-defunct Snake Charmer Coalition, was a stomper, and “Blitzkrieg” — the video for which yes, features a bunch of footage of bombs exploding in black and white, presumably from World War II — follows suit. Only question is the timing. Not that one might begrudge Shadow Witch posting a clip whenever, but at the same time, they’ve also newly unveiled the David Paul Seymour cover art for their next outing, to be titled Disciples of the Crow. It looks like this:

shadow-witch-disciples-of-the-crow

The vibe I get from perusing their social media is Shadow Witch still have to put their new songs to tape — last update I saw from them was they were rehearsing and demoing, which would indicate not being as far in the process as, say, recording, mixing or mastering — so it may be a while before Disciples of the Crow makes its way to public ears, but I guess it’s good to see that even as they wind down one album they’ve already got their feet dug into the next one. Maybe “Blitzkrieg” is their way of saying farewell to Sun Killer, or maybe someone just got bored and had editing software sitting around. I won’t pretend to know.

Whatever the case, neither will I complain at the refresher on what Shadow Witch were getting up to with the record. Presumably Disciples of the Crow will be out before the end of 2017 — a Fall release doesn’t seem unreasonable if they hit the studio sometime before May; otherwise it might be next year — but when and if I hear more, I’ll let you know. In the meantime, the four-piece have been playing locally, and they’ll be in their native Kingston, NY, on March 31 with It’s Not Night: It’s SpaceEcstatic Vision and Shitkill. More info on that follows the video, which you’ll see below.

Please enjoy:

Shadow Witch, “Blitzkrieg” official video

Video for Shadow Witch’s song “Blitzkrieg” from the album Sun Killer (Snake Charmer Coalition, 2016). Download the album at: http://shadowwitch.bandcamp.com.

Busy rehearsing and demoing new material for our upcoming album. Looking forward to playing 3/31 at The Anchor with Ecstatic Vision, INN:IS and Shitkill!

SHADOW WITCH “Sun Killer” is now Available @ www.SaltOfTheEarthRecords.com

Shadow Witch:
Earl Lundy: Lead Vocals, Mellotron, Loops
Anton Van Kleek: drums
Jeremy Hall: Guitars
David Pannullo: Bass, vocals

Shadow Witch on Thee Facebooks

Shadow Witch on Bandcamp

Shadow Witch at Snake Charmer Coalition

Shadow Witch at Salt of the Earth Records

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