Shadow Witch Post New Single “Wolf Among the Sheep”; Under the Shadow of a Witch out Early 2020

Posted in Whathaveyou on September 27th, 2019 by JJ Koczan

shadow witch

Oh hey, what’s Shadow Witch up to? If that’s the question you’re asking, you probably already know the answer: “Something.” These cats are almost always up to something. They must be itching to get their new album, Under the Shadow of a Witch, released by now, as it was first announced late last year when they signed to Argonauta Records, it’s been given a still-kinda-nebulous “early 2020” due date, and they’re posting a song from it anyhow at least three months in advance of its actual arrival. Understandable. Nobody likes sitting on new material. And frankly, if I had a song sitting around that sounds as cool as “Wolf Among the Sheep” — as much classic metal as it is dark heavy rock — I’d probably want people to hear it too. And longer-term marketing concerns aside, the track is certainly welcome.

And okay, a word about the cover art for Under a Shadow of a Witch. “Nightmarish.” I guess that’s the one word. It’s not the kind of thing I’d want on a t-shirt, but they have a history of striking art one way or another, it’s bound to be noticed, and it’s oddly appropriate to the vibe of “Wolf Among the Sheep.” But yeah. Nightmarish. I have to think that’s what they were going for.

Here’s the announcement from the PR wire and the stream of the track:

shadow witch under the shadow of a witch

Kingston, New York, doom rock collective SHADOW WITCH premieres single of upcoming album!

Under The Shadow Of A Witch will haunt you in early 2020 on Argonauta Records!

Kingston, New York, dark ‘n doom heavy rockers Shadow Witch, have finally revealed the first details about their upcoming, third full length titled Under The Shadow Of A Witch! Set for a release in early 2020, today the music veterans collective has shared the album artwork, created by Shadow Witch’ voice and primary lyricist Earl Lundy, as well as a first single to the track Wolf Among The Sheep.

Says the band:”We’re very excited about this release, and the new partnership with Argonauta Records. The record takes SHADOW WITCH places we haven’t ventured before, both sonically and emotionally. There’s a lot of vulnerability in the lyrics and the vocal performance, and the band worked hard to match that. We’re very proud of the results. This first taste of the album, “WOLF AMONG THE SHEEP”, stands alone in that it’s the only song with possible political overtones. Production-wise though, it very much flows with the rest of the material. We’re really psyched for y’all to hear what we’ve been up to.”

Listen to the appetizer, Wolf Among The Sheep, that makes hunger for more!

SHADOW WITCH is:
Scott Wadowski – drums
David Pannullo – bass
Earl Lundy – voice / mellotron / loops
Jeremy Hall – guitars

www.facebook.com/shadowwitch.band
www.shadowwitch.bandcamp.com
www.argonautarecords.com

Shadow Witch, “Wolf Among the Sheep”

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Shadow Witch Post Stooges Cover “I Wanna Be Your Dog”

Posted in Whathaveyou on August 16th, 2019 by JJ Koczan

Of course there’s The Riff, but the real test of any cover of The Stooges‘ ‘I Wanna Be Your Dog’ that’s trying to be reasonably loyal to the original is the word ‘here.’ The cloying, seething, sex-starved desperation in Iggy Pop‘s vocal just on that one word was like a siren of hormonal charge going off 50 years ago that can still be heard echoing today. Much to the credit of Shadow Witch frontman Earl Walker Lundy, he nails the “here” and thus the song as a whole, capturing the spirit of the original while bringing it into the band’s own sonic context of dark heavy rock.

Released as a free download, the single is intended as a precursor to Shadow Witch‘s new LP, which is expected in November through Argonauta Records. Gotta keep that momentum up.

Lundy offered some comment on the selection via the PR wire:

shadow witch wanna be your dog

All set to go for the new album “Under the Shadow of the Witch” by U.S. Heavy Psych Doomers Shadow Witch, all details to be revealed in the next days!

To shorten the wait the band just releases today an exciting cover song of THE STOOGES classic “I Wanna Be Your Dog” you can listen to here: https://shadowwitch.bandcamp.com/track/i-wanna-be-your-dog

About this song, Earl Walker Lundy, the bands vocalist, says:

“It actually started as a joke ! I was in the middle of this really intense affair, and all the songs we were writing started to be about that, about that girl, that obsessive all-powerful romance. Our drummer thought it would be funny to play a cover that related to the situation. We all love The Stooges, so even though people might not think Stooges when they hear Shadow Witch, it really is an influence. Anyway, when we were recording the album we thought “hey, why not ?!? “ We’d been playing it, and it felt kind of ironic and a bitter-sweet reference to what the album is all about ~ love/obsession/addiction. Also we just want to tease y’all a little; not give away too much just yet.”

The album was recorded with 40 year industry veteran Paul Orofino, who has recorded everyone from “classic rock” stalwarts Mountain, Foghat, Golden Earring, and Blue Oyster Cult to the extremes of Immolation.

Earl says “We really wanted this record to be a big step up sonically from our last, and working with Paul was an incredible opportunity to make that happen. He’s truly a master of his craft, and brought ideas to the table that became integral to the production of the album. I think it’s our strongest work yet.”

www.facebook.com/shadowwitch.band
www.shadowwitch.bandcamp.com
www.argonautarecords.com

Shadow Witch, “I Wanna Be Your Dog”

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Geezer to Release Spiral Fires Vinyl April 26; CD out Now

Posted in Whathaveyou on April 9th, 2019 by JJ Koczan

geezer

Hey, you dig Geezer? Hell yeah, me too. Accordingly, it seemed like maybe you’d want to know that their new EP, Spiral Fires (review here), is up for preorder now through Kozmik Artifactz, and that if you’re the type like me who likes those little plastic compact discs in the handy-dandy digipak form, they’ve got those too and you don’t even have to wait until later in the month to get them. I know, right? Pretty badass, but that’s how Geezer do.

Speaking of, they’ve got two shows slated for later this month and both rule. On April 20, they’re doing the hometown-hero thing at The Anchor in Kingston, NY, in the company of River Cult and Eternal Black — nice one — and then a couple days later on April 23, they’re at the Vitus Bar with Ufomammut and Kings Destroy, rounding out an all-excellent three-band bill that’s like an unofficial Desertfest NYC pre-pre-party. Mark your calendar and mark it a win.

The PR wire has the info:

geezer spiral fires

NY’s GEEZER New ‘SPIRAL FIRES’ EP Now Available On CD; Vinyl Out April 26th – Pre-order via KOZMIK ARTIFACTZ!

After recruiting Steve Markota as Geezer’s new drummer in summer of 2017, the band knew it was now the peak time to refocus and start afresh. With gigs as the motivation, over the following year or so the Kingston, NY heavy blues triad set about performing in the U.S.. From Doomed & Stoned Festival to New England Stoner and Doom Festival, from The Maryland Doom Fest to the Descendants of Crom, then throw in a support slot for Acid King, many other righteous shows, and a full year did bloom indeed.

All the while, a revitalized Geezer was writing and road-testing new songs. It became clear that one album was not enough to fully capture what was happening. An EP would be the foundation to set the stage for an upcoming full-length. Drawing inspiration from the most recent Child EP vinyl release, Geezer hooked up with Kozmik Artifactz to release their own EP in the same vein. Limited Edition, one color cover, black vinyl, no bells or whistles… just rock and roll.

The result is the mind-altering new EP, ‘Spiral Fires’. A three-song collection edifying the embodiment of Geezer’s quest for all things heavy, trippy, and groovy. ‘Spiral Fires’ is the first passage in their new journey.

‘Spiral Fires’ – Track List:
01. Spiral Fires Part 1
02 Spiral Fires Part 2
03. Darkworld
04. Charley Reefer

‘Spiral Fires’ was produced by Pat Harrington. Recorded at Darkworld Studio in Kingston, NY, by Matthew Cullen and assistant engineers David Daw and Robert Kelly. Mixing was done by Matthew Cullen at The Cat Haus in Catskill, NY, with mastering by Scott Craggs at Old Colony Mastering in Boston, MA. The ‘Spiral Fires’ cover art is by Lee Fenyves, with design layout by Steve Markota.

On April 26th, ‘Spiral Fires’ will be available on vinyl through Kozmik Artifactz, with pre-ordering available now. Both CD and digital is available on Bandcamp:

Kozmik Artifactz: http://shop.bilocationrecords.com/index.php?a=60546

Geezer on Bandcamp: https://geezertown.bandcamp.com/

GEEZER live:
04.20 The Anchor Kingston NY w/ River Cult & Eternal Black
04.23 Saint Vitus Bar Brooklyn NY w/ Ufomammut & Kings Destroy

GEEZER:
Pat Harrington – Guitar/Vocals
Richie Touseull – Bass
Steve Markota – Drums

https://www.instagram.com/geezertown/
https://www.facebook.com/geezerNY/
http://geezertown.bandcamp.com/
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz

Geezer, Spiral Fires EP (2019)

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Geezer, Spiral Fires EP: Light in Darkworld

Posted in Reviews on February 8th, 2019 by JJ Koczan

geezer spiral fires

If Geezer sound different on Spiral Fires, part of that is because they are. The Kingston, New York, trio have charted a marked progression over the last five-plus years, shifting from slide-guitar-prone heavy blues rock to a jammier take with a foundation in songcraft, unafraid to swagger into an ether of whiskey vapor and heavy enough to land on solid ground when they so choose. Guitarist/vocalist Pat Harrington is the last remaining original member of the band, and on Spiral Fires, he and bassist Richie Touseull — who joined in 2015 ahead of the release of their 2016 self-titled LP (review here) — welcome new drummer Steve Markota to the fold. It’s worth noting that despite the turnover in personnel, Geezer have been able to remain steadily prolific over their time, and the four-song/25-minute Spiral Fires EP follows 2017’s Psychoriffadelia (review here), which only furthered the momentum built by the self-titled after 2015’s Gage (review here), bolstered as well by the band’s participation in Ripple Music‘s The Second Coming of Heavy split series (review here), 2014’s Live! Full-Tilt Boogie tape (review here) and sundry odds and ends going back to their 2013 debut, Electrically Recorded Handmade Heavy Blues.

Along with tours in the US and Europe, the continued stylistic growth evident in Geezer‘s studio work has made them a stronger, more confident band, as well as furthered the chemistry between Harrington and Touseull, who interact fluidly on the included jams throughout Spiral Fires. It may well be they’re testing the waters with Markota in the group ahead of either shows or more writing — something’s always next — but if that’s the case, then simply put, the dynamic works. Spiral Fires is Geezer‘s most out-there release to-date, and though it’s relatively brief — Geezer have always enjoyed an EP-style release; Gage was an EP originally — it flows smoothly throughout “Spiral Fires Part 1,” “Spiral Fires Part 2,” “Darkworld” and “Charley Reefer.” The latter two, which will no doubt comprise side B of the forthcoming Kozmik Artifactz vinyl, both geared more toward hooks, and particularly the closer has a bounce that stands among Geezer‘s sonic signatures, Harrington‘s tone always molasses-thick, but able to move nonetheless. They’re not strangers to boogie, and if that’s what a given listener is looking for, that’s where they’ll find it.

But even that is cosmically directed, and it demonstrates how much Geezer‘s reach has grown that they’re able to conjure such a molten vibe even over what’s ostensibly intended as a one-off recording session. The two parts of “Spiral Fires” of course run one into the next, but that transition is marked by a turn from dense riffing and more forward verses from Harrington to a mellow breadth topped with guest vocals. From roll to spread. It’s important to note that “Spiral Fires Part 1” begins with a wave of synth, since that has a subtle effect on the listener’s expectation that would be different, say, if the guitar or drums had led off. They tease a spacey course there and then make their way in that direction over the course of the nodding opener, cutting short the central riff at the end but still maintaining a direct tie to “Spiral Fires Part 2,” with Markota‘s drums setting the bed for some effects interplay as the track gets going.

geezer

Each side of Spiral Fires has a shorter song and a longer one, in that order, and “Spiral Fires Part 2” doesn’t quite hit the seven-minute mark as does “Charley Reefer” still to come, but it’s an open spirit just the same and while Touseull lays down a smooth bassline, Harrington winds lead guitar overtop where verses might otherwise be. They don’t feel missing, those verses, in no small part because Geezer are so assured in what they’re doing that they simply carry the listener along with them on this outward course. The vocals arrive after five and a half minutes into the total 6:57, so obviously not a focal point, but the quick appearance from Pam Grande (Grande) adds a psych-soul element that, if it’s a context Geezer want to continue to explore in their songwriting, well, that’d be just fine. Though it also begins with a quick splurge of effects, “Darkworld” is a marked shift in atmosphere, with the riff emerging from that initial wash and set to workmanlike punctuation by Markota‘s snare and the steady rumble of Touseull‘s low end. Its lyrics would seem to take on more of a straightforward social commentary position, and that’s fair enough for the more grounded path of the song as a whole.

“Open your eyes/Empty the cages/A new fire rages,” intones Harrington near the midpoint of the track, and the message of “Darkworld” is pretty clear without being overtly politicized or too much of the chaotic and polarized moment in which America is embroiled. All the while, the song moves forward efficiently as the only track under five minutes on Spiral Fires, the section where it might otherwise jam out — and indeed might live — instead keeping to a shorter repetitive course that devolves into swirl at the finish, letting “Charley Reefer” emerge from silence with a transitional keyboard line at the start soon joined by a guitar line reminiscent in its warmth of Colour Haze, and gradually easing its way into the verse riff. There’s some shuffle to “Charley Reefer,” as noted, and it shares a commonality of method with “Darkworld” in its verses and choruses, but at 7:38, it brings the two sides of Spiral Fires together and jams out from about minute-four onward, first building to a fervent wash and then drawing back to quiet and relatively minimal stretching.

All the pieces are still there — guitar, bass, drums, effects/synth — but the tension dissipates and Geezer draw down “Charley Reefer” with a live-feeling psychedelic devolution that ends cold sure enough but along the way serves as no less a reminder of the command the three-piece wield over their sound at this point. Even Markota in making his first appearance is able to bring a softer touch on drums to correspond with that finish, and it’s no less a satisfying moment than Geezer at their heaviest earlier in the track or back on side A for “Spiral Fires Part 1.” The question with an EP is always how indicative it might be of future output, and I don’t know to say for sure, but Spiral Fires fits in the line of their overarching development, and when it’s done, there’s little question left as to whether or not it’s the farthest outward they’ve yet pushed. As a fan of the band, I only want them to keep going.

Geezer, Spiral Fires (2019)

Geezer on Thee Facebooks

Geezer on Bandcamp

Kozmik Artifactz website

Kozmik Artifactz on Thee Facebooks

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Geezer Announce Spiral Fires EP out Feb. 8: Premiere “Spiral Fires Part 1”

Posted in audiObelisk, Whathaveyou on January 17th, 2019 by JJ Koczan

geezer

New Geezer? Don’t mind if I do, and whilst engaging in the groove-rolling outer-thereness of Spiral Fires, maybe take a second as well to process just how far the Kingston, New York, three-piece have come since issuing their first album, Electrically Recorded Handmade Heavy Blues, in 2013. With guitarist/vocalist Pat Harrington as the sole remaining founder of the band, the trio have moved from a heavy blues style to an anything goes, slide-infused grit-psych jam band with one foot in traditional songwriting and the other dropped into a region of cosmic trippery that Spiral Fires brings to emphasis even more than 2017’s Psychoriffadelia (review here). Working with labels like STB, Ripple, and indeed Kozmik Artifactz — who’ll have the new EP out on vinyl following its Feb. 8 digital release — the band has grown into a stylistically amorphous, richly expressive outfit who are unpredictable and reliable in kind. The kind of quality you can rely on.

To wit, I knew I wanted to premiere “Spiral Fires Part 1” before I heard it, and after hearing it, knew I was right in getting on board for it. Spiral Fires continues to expand Geezer‘s reach in its two-part title-track and in “Darkworld” and “Charley Reefer,” showcasing a shift in dynamic with drummer Steve Markota in the lineup with Harrington — who also produced — and bassist Richie Touseull. I had been expecting the band to turn out a long-player in 2019, and they may yet, but whenever that inevitable “next album” shows up, these songs give a righteous glimpse of where Geezer are at nearly a decade after getting together and where they might be headed from here. Uncharted space brought to earth with anchored, locked-in groove. You probably could ask for more, but you’d be a jerk if you did.

You can hear “Spiral Fires Part 1” at the bottom of this post in a lyric video provided by the band. Release info for the EP follows here, courtesy of the PR wire:

geezer spiral fires

GEEZER TO RELEASE NEW 4-SONG ‘SPIRAL FIRES’ EP ON FEBRUARY 8, 2019 – KOZMIK ARTIFACTZ TO RELEASE ACCOMPANYING VINYL FORMAT

After recruiting Steve Markota as Geezer’s new drummer in summer of 2017, the band knew it was now the peak time to refocus and start afresh. With gigs as their inspired motivation, over the following year or so the Kingston, New York heavy blues triad set about performing at multiple regional festivals in the U.S.. From the Doomed & Stoned Festival to the New England Stoner and Doom Festival, from The Maryland Doom Fest to the Descendants of Crom. Throw in a supporting slot for Acid King in Brooklyn and many other righteous shows, and a full year did bloom indeed.

All the while, a revitalized Geezer was writing and road-testing new songs. During that process, it became clear that one album was not enough to fully capture what was happening. An EP would be the foundation to set the stage for the upcoming full-length LP. Drawing inspiration from the vinyl version of the most recent Child EP, Geezer hooked up with Kozmik Artifactz to release their own EP in the same vein. Limited Edition, one color cover, black vinyl, no bells and whistles… just rock and roll.

The result is the mind-altering new EP, ‘Spiral Fires’. A three-song collection edifying the embodiment of Geezer’s quest for all things heavy, trippy, and groovy. Spiral Fires is the first passage in Geezer’s new journey.

Guitarist and vocalist Pat Harrington on the new EP:

“Hooking up with Steve changed the band. For the first time in a long while, we had the ability to really take our time and see where the music would take us. Changes were taking place, we were traveling to new musical landscapes. Along the way, a flash of light would appear over the horizon, these songs are those moments… lightning in a bottle.”

The EP was produced by Pat Harrington and recorded at Darkworld Studio in Kingston, NY, assisted by Engineers David Daw and Robert Kelly. Mixing was done by Matthew Cullen at The Cat Haus in Catskill, NY, with Mastering by Scott Craggs at Old Colony Mastering in Boston, MA. The Spiral Fires cover artwork is by Lee Fenyves, with design layout by Steve Markota.

Spiral Fires will be available on vinyl through Kozmik Artifactz in the very near future. Firstly, the band is releasing the EP for digital download and streaming through their Bandcamp page on February 8, 2019.

Kozmik Artifactz Webstore: http://shop.bilocationrecords.com/
Geezer Bandcamp: https://geezertown.bandcamp.com/

Spiral Fires – Track List:
Spiral Fires Part 1
Spiral Fires Part 2
Darkworld
Charley Reefer

UPCOMING LIVE SHOWS:
Jan. 25 – Kingston, NY @ BSP Kingston (w/ Sun Voyager, Shadow Witch)
https://www.facebook.com/events/295547331302289/
Feb. 23 – Baltimore, MD @ Oliver Brewing (w/ Backwoods Payback, Cavern, Dana Ortt)
https://www.facebook.com/events/275935323074808/
Mar. 20 – New York, NY @ Arlene’s Grocery – ODE TO DOOM (w/Thunderbird Divine, Ancient Stone, +)
https://www.facebook.com/events/253278718707961/
Apr. 20 – Kingston, NY @ The Anchor (w/ River Cult, Eternal Black)
https://www.facebook.com/events/2329157044035387/

Geezer is:
Pat Harrington – Guitar, Vocals
Richie Touseull – Bass
Steve Markota – Drums

https://igg.me/at/xxo6XcM2mD4/x/16460786
https://www.facebook.com/geezerNY/
http://geezertown.bandcamp.com/
http://kozmik-artifactz.com/
https://www.facebook.com/kozmikartifactz

Geezer, “Spiral Fires Part 1”

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Shadow Witch Sign to Argonauta; Under the Shadow of a Witch Due in 2019

Posted in Whathaveyou on December 14th, 2018 by JJ Koczan

It has not been all that long since Shadow Witch put out word their drummer search had ended with the acquisition of Connecticut-based Scott Wadowski. Actually, it was about a week and a half ago. In the time since, the Kingston, New York, dark heavy rockers have made public their alliance with Argonauta Records for the release of their next album, the more-than-self-titled Under the Shadow of a Witch, which will be issued next year. There hasn’t been a release date set that I’ve seen, but the band already has slots booked at Maryland Doom Fest, New England Stoner and Doom Fest and SX Stoner Jam at SXSW. On their own, that’d probably be enough to call it a good year, but no doubt there’s more to come as well.

Looking forward to the brew Shadow Witch cook up for their next record, and to seeing them again, first in Connecticut, then hopefully in Maryland as well if they’ll have me. They were awesome at MDDF this year.

From the PR wire:

shadow witch

SHADOW WITCH SIGNS WITH ARGONAUTA RECORDS!

New album coming in 2019!

In 2015, a crew of veteran musicians in Kingston, New York started to share the passion to create powerfully original music. SHADOW WITCH drew their musical influences from various directions, but their goals were simple: harness decades of experience into a cohesive, monstrous sound. While the velocity by which those goals were met is no surprise, the band has now signed a worldwide deal with Italy’s powerhouse label ARGONAUTA RECORDS!

“We are incredibly excited about the next album, and feel that the move to Argonauta Records is the great step forward SHADOW WITCH have been waiting for“, comments vocalist Earl Walker Lundy on the signing. “The music for our upcoming album UNDER THE SHADOW OF A WITCH pushes the band in new directions, that folks may be surprised by. It’s our bluesiest so far, and it’s also a deeply personal album for me. We’re proud of what we’ve written, and honored to be sharing it with the world through Gero and the Argonauta family!”

In August 2016, SHADOW WITCH released their first full-length album ‘Sun Killer’, to excellent reviews from the international heavy music community. The album is a diverse assemblage of songs pulling in doom, thrash, psychedelic and stoner metal, and they back it up with intense, explosive live shows to annihilate any listener hesitation.

While member resumes may have eased their footing inside the door of many venues, their future is unquestionably solid. SHADOW WITCH began a new chapter in their music history with the official release of their second full-length album ‘Disciples Of The Crow’ in December 2017.

Followed by the recent signing with Argonauta Records, SHADOW WITCH will make their return with an amazing new release filled with the band’s special mood, atmosphere, killer riffs and vocals. The songs are all that’s needed to raise you above the light, surround you in darkness, and bind your ears, hearts and mind as one. SHADOW WITCH will be coming for you in 2019, so stay tuned for more album news and first tunes to be unveiled soon!

SHADOW WITCH is:
Scott Wadowski – drums
David Pannullo – bass
Earl Lundy – voice / mellotron / loops
Jeremy Hall – guitars

LIVE:
3/14 2019 (US) SX Stoner Jam 2019 / Spiderhouse, Austin, TX
5/3-5 2019 (US) – New England Stoner And Doom Fest 2 / Altone’s Music Hall, Jewett City, CT
6/20-23 2019 (US) – Maryland Doom Fest 2019 / Cafe 611, Frederick, MD
with many more dates to follow soon!

www.facebook.com/shadowwitch.band
www.shadowwitch.bandcamp.com
www.argonautarecords.com

Shadow Witch, Disciples of the Crow (2017)

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Shadow Witch Welcome New Drummer Scott Wadowski

Posted in Whathaveyou on December 3rd, 2018 by JJ Koczan

Hey, I like trivia as much as the next guy — assuming, that is, that the next guy isn’t really all that into trivia either — so here’s one for you. Shadow Witch‘s new drummer, Scott Wadowski, is listed below as having a 25-year history of recording and playing out. Cool. But enigmatic as they reliably are, Shadow Witch doesn’t go on to say what bands Wadowski‘s actually been in. Well, some cursory interwebular research produced the name Rumblehead as being a Connecticut-based act in the mid-’90s in which Wadowski was involved. I immediately of course looked for music but found none — that’s not to say it’s not out there somewhere, just that I didn’t find it — but I did stumble on an article from the Metro section of the New York Times from 1994 that talks about the band rehearsing in a self-storage facility. It’s got quotes from a bandmate of Wadowski‘s as well as Thurston Moore and Ian MacKaye. Check it out here.

Apropos of anything? Surely not, but Shadow Witch are nothing if not eclectic, and I know that if my band got a mention in the Times 24 years ago, I’d still have the article framed on a wall, so hey. I’ve heard, and had, way lamer claims to fame. Wadowski and his new cohorts in Shadow Witch will record a new album in 2019 to follow-up 2017’s Disciples of the Crow (review here). More on that, but probably not more trivia, as we get there.

The band’s announcement is short and sweet:

shadow witch

Scott Wadowski, a Central CT based power playing drummer, with over 25 years experience performing and recording in studio, playing in a wide range of styles including hard rock, metal, symphonic and progressive, and thrash.

Scott , known lovingly as Wad, is a Leo who likes long barefoot walks on beach…;)

SHADOW WITCH is:
David Pannullo (bass)
Scott Wadowski (drums)
Earl Walker Lundy (vocals, mellotron, samples)
Jeremy H. Hall (guitars)

https://www.facebook.com/shadowwitch.band/
https://shadowwitch.bandcamp.com/
https://www.facebook.com/SaltOfTheEarthRec/
www.saltoftheearthrecords.com

Shadow Witch, Disciples of the Crow (2017)

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Shadow Witch Seeking Drummer; New Album to be Recorded

Posted in Whathaveyou on September 14th, 2018 by JJ Koczan

Kind of an odd situation for Shadow Witch, but Shadow Witch are kind of an odd band, and that’s part of their appeal. The Kingston, New York, four-piece are getting ready to record the follow-up to their sophomore full-length, Disciples of the Crow (review here). They’ve given the new album the title Under the Shadow of a Witch, and they’ll record with drummer Doug “Beans” Thompson, but then after that, Thompson‘s leaving the band and they’re looking to bring someone else in.

So what Shadow Witch need is a drummer not to play on the album, but to pick up with live shows thereafter and, presumably, record with them next time around. If you’re a drummer, that gives you the chance to get to know the other guys in the band before rather than stepping into a situation where they have a bunch of completed songs and you have to catch up to them. It’ll require learning the material, but it would anyway. Like a lot of what Shadow Witch does, it makes a weird kind of sense.

Replacing Thompson in the lineup won’t be easy, but as fascinating a band as Shadow Witch are, especially live, I have no doubt they’d be able to find someone.

Here’s their announcement:

shadow witch

New York’s SHADOW WITCH are sadly on a search for a new drummer. Doug “BEANS” Thompson (MURPHY’S LAW, BROOKLYN) with whom the band recorded and toured their second release DISCIPLES OF THE CROW, is having to leave the band for personal/family reasons.

The band is currently working on their next release “UNDER THE SHADOW OF A WITCH,” an album singer/lyricist Earl Walker Lundy says was written during an intense and torrid affair.

“All the songs are thematically tied to love as witchcraft, with obsession, addiction and loss as the outcome. We’re recording the album with Doug, but are in need of a replacement of his caliber to follow up with touring, and to move forward with the band. It’s an enormous challenge.”

SHADOW WITCH is:
David Pannullo (bass)
Doug “Beans” Thompson (drums)
Earl Walker Lundy (vocals, mellotron, samples)
Jeremy H. Hall (guitars)

https://www.facebook.com/shadowwitch.band/
https://shadowwitch.bandcamp.com/
https://www.facebook.com/SaltOfTheEarthRec/
www.saltoftheearthrecords.com

Shadow Witch, Disciples of the Crow (2017)

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