Worshipper Release New Single “Lonesome Boredom Overdrive”

Posted in Whathaveyou on June 5th, 2020 by JJ Koczan

If you’re not looking forward to the next There are many different types of web content writing, each with different price points. Most of our web involve one of the Worshipper record, here’s a good reason why you should be. And if you can believe it — I’m having trouble wrapping my head around the notion, to tell you the truth — the Boston melodic heavy rockers’ new single “Lonesome Boredom Overdrive” isn’t about life under a pandemic lockdown, apropos as it might seem.

The cover art for the new single clearly ties it to So you're thinking: 'I need someone to enter site for me right now.' Click here and our top experts will make your academic problems vanish. Leave Worshipper‘s 2018 second album, Essay writing has never been this easier. Our http://www.bavaria-hausverwaltung.de/?themes-in-gilgamesh has definitely made it even more convenient for you to accomplish more academic tasks. Light in the Wire (review here), even as it recalls the poster for Hitchcock’s Vertigo and I agree with vocalist Stationery Writing Paper - get the required paper here and forget about your concerns Why be concerned about the dissertation? Receive the needed guidance John Brookhouse when he cites the Essay Empire is a leading firm in the UK to do your essay efficiently. Just tell us, “please write my read here” and get a top-quality paper at cheap. Alice in Chains-style vibe of the track. I hear the declining downer riffing of that band’s Queer Customs Essay. Looking for a world-class essay writing service? We offer every type of essay service for a wide variety of topics. Dirt-era here, as well as in some of It’s possible to get How To Write An Opening Paragraph For An Essay online. When you work with a professional essay writing company, you’ll get high-quality work right on time. Brookhouse‘s lyric patterning and self-harmonizing. If that’s a thing you have a problem with, I humbly submit that you should consider rethinking your position.

Today is a Bandcamp no-fee day. The song costs a buck. Not sure what else you might want. And by the way, if Pay someone to Worldcat Dissertations Help. If you are thinking to pay someone to do my Programming Homework then you definitely find worth paying us. Our Broad range of Programming Help Services and the team of experts programmers make us pretty unique. And make us best service provider. Tee Pee Records wanted to do a deluxe edition CD reissue of Best Thesis Order you can rely on. Cheap essays, research papers, term papers, dissertations. 30 Days Money Back 100% Plagiarism FREE Light in the Wire with “Lonesome Boredom Overdrive” nestled somewhere into the tracklisting, that’d be just fine by me.

Here’s the track info, links and stream:

worshipper lonesome boredom overdrive

WORSHIPPER – Lonesome Boredom Overdrive

https://worshipper.bandcamp.com/track/lonesome-boredom-overdrive

“Here’s a song that we recorded and mixed for our last record Light in the Wire, but couldn’t quite fit on there for one reason or another. (Run time, mostly.) At a time when many of us are stuck at home, not able to do the things we usually do to entertain ourselves, this song has taken on new meaning. Initially, I came up with the lyrics when I was feeling particularly drained by the daily grind, but now, it seems pretty apropos to put this song out, considering the title and the current dynamic.

This song began with a riff that Al came up with and it may actually be one of our heaviest songs. When we play it live, my head feels like it’s going to collapse, so that’s probably a good sign that a song is fairly heavy. It also has a decidedly Alice in Chains vibe to it, which, let’s be honest for a few of us in the band, was a pretty seminal influence, but was more of a happy accident than anything. So, enjoy! I hope this helps tame your boredom for a moment or two.” – John Brookhouse

released June 5, 2020
Lyrics by John Brookhouse
Music by WORSHIPPER

Produced by CHRIS JOHNSON
Recorded June 2018 at God City Studios SALEM, MA
Tracking & Mix July-Dec 2018 at The Electric Bunker BRIGHTON, MA
Mastered by Brian Charles at Zippah Studios BROOKLINE, MA

https://www.facebook.com/worshipperband/
https://www.instagram/worshipperband
https://worshipper.bandcamp.com/
http://teepeerecords.com

Worshipper, “Lonesome Boredom Overdrive”

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Friday Full-Length: Gozu, Locust Season

Posted in Bootleg Theater on May 29th, 2020 by JJ Koczan

 

The dissertation on a roast pigs is dedicated to providing customers with top-notch research and assignment help services. Our expert writers and researchers are Gozu‘s  Abc How To Start Writing A Personal Statement is the online assignment help and essay writing company of Australia, USA, UK, Canada etc. Get best assignment writing services from Locust Season (review here) came as a surprise. From out of one of the US’ most established heavy undergrounds — namely Boston’s — came a largely previously unheard four-piece, who immediately signed to ScamFighter's rating of http://www.biotricoline.it/?college-essays-university-of-chicago based on the offered prices. It helps college students find the best services to trust. Small Stone and dropped a debut album that sounded like most bands’ third record. Who the hell were these guys?

Guitarist/vocalist  Why finance homework help may be necessary. It can actually be viewed as a blessing that today I have the opportunity to just Essay Writing Editing. Marc Gaffney and guitarist  logic homework help online. affordable ghostwriters Widely respected writer, mentor, editor. Your book. Your thesis. There for you.Expert Guidance Doug Sherman had been in bands together before and performed in a variety of styles, but arguably it was then-drummer customs and traditions of great britain essay Write Knowledge Management Research Papers Uk division and classification essay thesis 4th grade essay writing worksheets Barry Spillberg who had the most established pedigree, having played in  Wargasm. Bassist Jay Cannava (also Clouds) would be out of the band by their next record and the position was nebulous for some time, but Locust Season was nothing if not solidified in its purpose. Recorded with and mixed by Benny Grotto at Mad Oak Studio in Allston, it was brash in its aggression, weighted in tone and downright arrogant in how much fun it had. The album itself wasn’t nearly so foreboding as the Alexander Von Wieding cover — though haunting — made it out to be, with Roadsaw‘s Craig Riggs sitting in alongside Gaffney for vocals on opener “Meth Cowboy” and second track “Mr. Riddle,” two immediate bangers that fostered a seething groove that was nonetheless righteously soulful.

The album turns 10 years old this summer and the vocal arrangements still stand out. As Sherman‘s leads cut through riffs piled higher than the Blue Mountains and Spillberg propels the band forward in a kind of tension of tempo that marks Locust Season not just as an early release, but one fueled by multiple impulses, Gaffney pulls out falsetto backing vocals behind his lead vocal lines, acting as a chorus for himself, and through “Meth Cowboy,” “Mr. Riddle” and “Regal Beagle” and onward into album highlights “Kam Fong as Chin Ho” and “Jan-Michael Vincent,” his voice remains a standout factor, as creatively arranged as it is sure in its performance. Brimming with swagger that was earned as they went, Gozu‘s songs tore through most of Locust Season‘s 41-minute runtime, brazen in their heavy-rock genre rulebreaking when they wanted to be but still making an impression on the basic level of their riffs and groove, taking what might’ve served as the total aesthetic of another band starting out and instead using it as a foundation to launch their own identity. This was staggering at the time, but it might be even more impressive in hindsight because of how the band’s sound has developed in the years since.

Bottom line? Sherman and Gaffney — the two remaining founding members of the band — knew what they wanted Gozu to be. The band had gozu locust seasonissued a self-titled demo in 2008 — it’s on Bandcamp; good luck finding a CD, even in Boston; I never managed to — that featured “Meth Cowboy” and “Rise Up,” which follows “Jamaican Luau” on side B of Locust Season, but even there the roots of what Gozu would become are plain to hear and the band’s purpose feels set. Certainly there’s been progression in their craft — they’ve grown more patient in their slower parts, and as their lineup solidified with bassist Joe Grotto handling low end and Warhorse‘s Mike Hubbard taking over for Spillberg and the four-piece gained more stage experience together, they naturally became a more dynamic unit. But you can hear that potential in the songs on Locust Season. “Meth Cowboy” and the penultimate “Meat Charger” and “Jan-Michael Vincent” have featured in live sets for years, and revisiting their studio versions, the band’s comfort level with them is readily apparent. “Rise Up” might be the most forgettable track on the album, but it serves its place momentum-wise on side B in terms of the album’s overarching flow, and as closer “Alone” takes hold with swirls of guitar solos over a slower-rolling tempo, Gozu present their interpretation of the classic heavy rock trope of sticking the longest, most drawn-out song at the end.

That’s something they’d push even further on 2013’s The Fury of a Patient Man (review here and here), which would be their final outing through Small Stone, but the malleable rhythm and encompassing melody of “Alone” remains striking, with Gaffney‘s high-register singing far back in the mix behind and adrenaline kick of drums and steady guitar push. The song finishes well enough ahead of its seven-minute runtime (on the CD version) to allow for the hidden track “Tomorrow” from Annie being sung by someone’s kid, I’m not sure whose. It’s quite a journey from “Meth Cowboy” to “I love, tomorrow/You’re only a day away,” but so it goes. One more example of Gozu doing whatever the hell they wanted to and getting away with it because there was no one to really stop them except themselves.

The Fury of a Patient Man was an absolute monster of a follow-up to this record. It showed the potential they demonstrated in Locust Season was no fluke and that their identity, while recognizable in the material, was not so rigid as to be unable to progress as it moved forward from one release to the next. Their wont for gag song titles aside, it was clear Gozu were a sonic force to be reckoned with, and as they moved through 2016’s Revival (review here) and 2018’s Equilibrium (review here) — tracking both LPs with producer Dean Baltulonis at Wild Arctic Studio in Portsmouth, New Hampshire, they honed an ever-sharper take that was both more aggressive and more spacious when it wanted to be, the latter album adding breadth to the overriding shove of its predecessor. One way or the other, asses continued to be kicked.

A split with Hubbard was somewhat unexpected when it occurred, but Gozu aligned with Patrick Queenan of Sundrifter in July 2019 and proceeded to tour Europe last Fall. They’re reportedly writing new material, though of course like everyone else, their plans have been hindered by the gutshot-to-productivity that is 2020. All the better then to revisit their debut 10 years after the fact and remember how absolutely blindsiding it was the first time around. Who the hell were these guys? Turns out they were Gozu.

As always, I hope you enjoy.

I don’t know how much of this I have in me. There’s stuff scheduled for next week, whatever. A Pale Divine track premiere. That’s something to look forward to. Maybe a Temple Fang stream? We’ll see.

New Gimme show today, 5PM. http://gimmeradio.com

Same as ever.

The rioters are right. I hope no one gets sick while rioting. For future reference, this was the week the President of the United States threatened to shoot black people.

Great and safe, your weekend, I hope.

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The Obelisk merch

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Days of Rona: Darryl Shepard of Kind, Test Meat & Blackwolfgoat

Posted in Features on May 13th, 2020 by JJ Koczan

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

Kind Darryl Shepard

Days of Rona: Darryl Shepard of Kind, Test Meat & Blackwolfgoat (Malden, Massachusetts)

How have you been you dealing with this crisis as a band? As an individual? What effect has it had on your plans or creative processes?

Neither of my bands, Test Meat or KIND, have been practicing or anything. Neither band had a tour cancelled but a couple of local shows were. KIND had just finished up our album before the stay-at-home order went into effect, we just got it done under the wire. Test Meat played on March 7th, that was right before the shit really hit the fan. It was a great show but there was a weird vibe. I’m doing fine so far, working from home and watching a lot of movies. I don’t rely on my music for income so I guess in this situation I’m somewhat lucky. Otherwise just playing guitar and coming up with riffs. But like I said, no band rehearsals.

How do you feel about the public response to the outbreak where you are? From the government response to the people around you, what have you seen and heard from others?

Overall Boston seems to be dealing with it pretty well except for some protesters who want things to reopen now, but they’re a vocal minority. I live right outside of Boston and in my town it’s pretty chill. Lots of people are wearing masks and being cautious but some aren’t. I only go out like once a day for a walk or supplies. I’ve been to a supermarket once in the past two months, I usually go to smaller stores for what I need. It seems like there’s two separate narratives going on though. Some people are taking this seriously and being cautious and then some people are just acting like nothing at all is wrong. As far as the government response, it’s absolutely atrocious and a joke. It’s criminal in my mind, what they’re doing, such as seizing supplies from states. Governor Baker in Massachusetts though has been doing a great job and is showing some real leadership.

What do you think of how the music community specifically has responded? How do you feel during this time? Are you inspired? Discouraged? Bored? Any and all of it?

It seems like people are getting very creative. Lots of videos being posted of different musicians playing together. I’ve been really enjoying the ones Charlie Benante’s been posting of the S.O.D. semi-reunion and stuff like that. I posted one video on YouTube as Blackwolfgoat, just an improv I did. I’ve been playing guitar and coming up with riffs. I’ll definitely have a few songs once we’re able to rehearse again. I’m not bored at all. I’m a homebody in general so I’m good with watching movies and noodling on my guitar.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything? What is your new normal? What have you learned from this experience, about yourself, your band, or anything?

I’m just staying busy, trying to not think about it too much, watching less news so I don’t get stressed out. Trying to remain hopeful. Like I said, KIND has a new album in the can and that’ll be coming out later this year, so I’m really looking forward to that. Everyone that I play music with seems to be doing okay for now. Just hanging in there, everyone stays in touch either online or via texts. It looks like I’ll be working from home for the foreseeable future, which is totally different for me but I’m fine with it (I work for a law firm, by the way). Just gotta stick it out, take it one day at a time. I think there will be a huge explosion of new music from bands that will come out of this. Hoping so anyway!

https://www.facebook.com/KINDtheband/
https://www.instagram.com/therockbandkind/
https://www.facebook.com/testmeat1/
https://www.instagram.com/test_meat
https://testmeat.bandcamp.com/
https://www.facebook.com/blackwolfgoat
https://blackwolfgoat.com/

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Days of Rona: Jim Healey of Set Fire

Posted in Features on May 4th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

jim healey (Photo by Coleman Rogers)

Days of Rona: Jim Healey of Set Fire (Boston, Massachusetts)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Well, like most everyone, we haven’t been rehearsing. Jess and I have both been doing some writing at home. We have had to cancel/reschedule a handful of shows, and we will see how the others we have booked pan out. We were in the midst of recording, so that is on hold until things start to level off. Everyone’s physical health has been good so far, but the mental toll of isolating is taking some getting used to.

What are the quarantine/isolation rules where you are?

I’m in Boston, and Massachusetts has been shut down for a few weeks now. There is a “stay at home” order, and all non-essential businesses have been shut down. I have to go into work for my job a few times a week, and it’s pretty stressful, but I’m thankful to have a job right now when so many don’t.

How have you seen the virus affecting the community around you and in music?

Many of my friends are musicians, bartenders, booking agents, sound people, door-staff, recording engineers, etc, so there has been a huge impact. First and foremost, I worry for all of my friends trying to stay physically safe and financially afloat during all of this. After that, I wonder how this is going to impact the smaller venues, studios and such in the long run. That said, I am happy to say that I have seen people I know really stepping up and rallying around each other to try and make sure that everybody can get by.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

When all of this is said and done, I don’t think I will ever take another rehearsal for granted. I’ll be really excited to get back to recording and playing shows. I hope that everyone looks out for one another, because if anything good can come from this, I would like it to be that humans can be more compassionate towards one another.

https://www.facebook.com/setfireband/
https://setfire.bandcamp.com/
https://www.facebook.com/JimHealeySolo/
https://www.instagram.com/jimzero/
https://jimhealey1.bandcamp.com/
https://jimhealey.net/

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Days of Rona: Matthew Harrington of Cortez

Posted in Features on April 29th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

cortez matt harrington

Days of Rona: Matthew Harrington of Cortez (Boston, Massachusetts)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

We’re all healthy, thankfully, and we’re all concerned about and focused on our people staying healthy as well. We’ve got an album+ ready to go. Can’t wait for people to hear it. Can’t wait to play shows again with our friends, and play songs from that album. Speaking personally, I miss my homies and I want to write and play music again in my practice space as soon as humanly possible, but I’m incredibly thankful to have a job and a support system right now most of all.

What are the quarantine/isolation rules where you are?

In Boston, we are basically shut down, and Massachusetts as a whole is closed until at least May 4th now. Schools, restaurants/bars/clubs, and all non-essential businesses are closed or working from home until at least that date. Most people, it seems, are doing their best to limit close interactions with others, but I am endlessly baffled at the amount of people who also still don’t seem to be getting it. We haven’t hit the expected peak yet, and I expect the situation to evolve further.

How have you seen the virus affecting the community around you and in music?

I look at my friends in the restaurant/venue, recording, booking, and much broader service industry world and just feel gutted. We have no real social safety net in the United States, and a lot of people don’t have the luxury of having a cushion.

Layoffs, furloughs, and “work reductions” are becoming more common as the days go on, and this is something that directly affects all of us, in music and in life. The reality is that there are a lot of people out there that are going to take a long time to recover from this.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

We’re all in this together, and we all need to do our best to safely take care of our neighbors, friends, and families. Stay healthy, stay connected, stay safe, and stay the fuck home.

http://www.cortezboston.com
http://www.instagram.com/cortezboston
http://www.facebook.com/cortezboston
http://cortezboston.bandcamp.com

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Days of Rona: Douglas Sherman of Gozu

Posted in Features on April 7th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

gozu douglas sherman

Days of Rona: Douglas Sherman of Gozu (Boston, Massachusetts)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Everyone in Gozu is doing great considering the unique situation we are in. We were actually in the middle of writing a new album when this all blew up. So now Gaff and I are exchanging ideas daily through text and have accrued an enormous stockpile of riffs. We are also scheduled to go in the studio late summer depending on what happens in the next month or two.

What are the quarantine/isolation rules where you are?

In Boston we have a stay-at-home advisory in place: all non-essential business are closed and everyone is asked to stay at home unless for an emergency. Practice social distancing!

How have you seen the virus affecting the community around you and music?

We are in uncharted territory so I see lots of frightened friends. I also see lots of artists trying to focus as much as they can at home on their craft and making efforts to connect with each other through technology. Human interaction is a basic need and can quell fears.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

We need to breathe, listen and know that in the end we will all get through together. I also think you will see a totally different and more empathetic humanity when this is said and done.

Much love to everyone.

https://www.facebook.com/GOZU666
http://gozu.bandcamp.com
instagram.com/gozu666

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Days of Rona: Scott O’Dowd of Cortez

Posted in Features on April 6th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

cortez scott odowd

Days of Rona: Scott O’Dowd of Cortez (Boston, Massachusetts)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

We have been finishing up artwork for our new album that we recorded in the fall with Benny Grotto at Mad Oak Studios. As far as playing shows, we’ve definitely had to cancel a few, and likely more as this pandemic continues. Cortez as a band has decided to suspend rehearsal for the time being as well, three of the members have children, and it just doesn’t seem like a good idea to risk getting together to rehearse in light of the current situation. Everyone is healthy at the current moment.

What are the quarantine/isolation rules where you are?

In Massachusetts, the governor issued a stay-at-home advisory for non-essential personnel as well as limiting public gatherings to groups of 10 or less. The have also closed bars/restaurants except for take out. It’s pretty eerie exactly how quiet the city of Boston and surrounding areas have been, compared to normal.

How have you seen the virus affecting the community around you and in music?

As for the community, most people seem to be taking this seriously as expected. Most seem to be following the social distancing guidelines and wearing masks and/or gloves in grocery stores, etc. It has obviously affected the ability to be social but people seem to be finding ways to adapt. Whether through FaceTime, or phone calls, or video chats.

Locally there have been Facebook groups / pages where local musicians have been doing live streams from their homes or rehearsal spaces.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

We as a band, are approaching this like most folks, waiting it out and trying to stay safe. It’s going to feel really nice to get together in a room and play some music when this is all over! I have a sneaking suspicion that we will have a ton of new albums to listen to once this passes as everyone suddenly has a lot of time on their hands.

http://www.cortezboston.com
http://www.instagram.com/cortezboston
http://www.facebook.com/cortezboston
http://cortezboston.bandcamp.com

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Days of Rona: John Brookhouse of Worshipper

Posted in Features on April 1st, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. — JJ Koczan

worshipper john brookhouse

Days of Rona: John Brookhouse of Worshipper (Salem, Massachusetts)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

We’re somewhat lucky in that we just did a tour with Weedeater that ended right about when everything got shut down, but NONE of the dates we did were cancelled (they were for Weedeater the day after we left). Toward the end there, it was a little stressful wondering if we should even be out there, seeing shows get cancelled left and right back home, but somehow our train kept a’rollin. So, we were able to do our shows and go home, unlike a lot of bands who just had to pack it up and go home.

Now that we’re back, I think we are all just trying to figure out what the hell is happening and how to adapt to this new reality. We really need to write a new record, and with all of this time on our hands, it seems like a great time to be creative… but, you know, it’s not just “free time.” I’m working from home (I design billboards, which, are more effective if people can leave their house) and am dealing with that adjustment. We’re dealing with something we’ve never dealt with before. Everyone is trying to figure out how to get by right now. It’s pretty stressful and not totally conducive to being creative, but, I did write one new tune so far, and I’ve played tons of guitar. We’re tossing some ideas around online. I pulled out my old lap steel and have been trying to actually learn some proper techniques and tunings with it. (I put up a couple one-minute Instagram vids of it.) It’s a diversion, mostly, but I’m hoping it will end up inspiring something for the next batch of tunes we do.

So far, we’ve only had one show on the horizon postponed (New England Stoner & Doom Fest 3). Beyond that, we have some stuff lined up in June that we are kind of waiting to see how things pan out for…

Health-wise, we’re all doing okay. When we left for the tour, I felt like I was fighting a cold, but managed to kick it by the second date. Bob and Jarvis had or contracted colds during the run. I can’t speak for them, but coming down with an illness on tour is bad enough, but getting sick during the early days of the shit hitting the fan with COVID had to be stressful. It was the kind of thing where you’d hear people cough or sniffle at clubs and you’d be on edge.

What are the quarantine/isolation rules where you are?

In Boston, pretty much everything is shut down and people are being told to stay home until April 7, but as we all know, it changes every day. I feel like it will end up being longer. I’m in Salem, and it’s weird how it seems like there are more people out walking than usual. Not necessarily being irresponsible with social distancing, but I definitely encounter more people walking around town now than I usually do, which is starting to stress me out a little, to be honest. We all need to get a little exercise and air right now, but, seriously, stay away from me.

How have you seen the virus affecting the community around you and in music?

It’s pretty heartbreaking to see the people and businesses immediately financially impacted by this. Especially music venues and my friends in the retail and service industries. I have seen a bunch of people rally and do online shows trying to raise money for the venues and places that have supported them, so in some ways, there are some great things happening now. Selfishly, I really miss just going record shopping and hitting Notch Brewing (my favorite local brewery) and not being afraid of getting within six feet of someone I see on the sidewalk. I think we all feel like there is just a giant gaping hole in our lives without being able to play shows or even just get together. BUT, we all need to do our part to slow the spread of this. Hopefully, we can all help get the scene back on its feet when we can get back to normal life, or whatever the new normal ends up being.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

I don’t really think my situation, personally, is more unique than anyone else’s at the moment. I am doing okay, considering, and I really just want to try and help others or help shine a light on others who may need help right now. Worshipper just got to actually FINISH our tour, and we played to more people than any of our other tours, so we are thankful and lucky for that. So, we’re just going to regroup, write some songs, and try to help out our friends right now.

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