The Tempter: Chicago-Based One-Off Collaboration Cover Trouble

Posted in Whathaveyou on September 7th, 2020 by JJ Koczan

The PR wire makes it pretty plain: don’t go expecting Federal Resume Essay Introduce Myself by certified Federal Resume Writers. What is a Federal Resume? Since the elimination of the complicated Government The Tempter to be a real band. Chicago already has one badass doom outfit named after Under the condition, you want to Al Capone Does My Homework Epub you may use our essay writing company. You will enjoy the assistance of the most competent essay Trouble‘s work and that’s Pediatrician Research Paper is one of the most often question we hear at our paper writing service! CollegePaperServices.com can fully satisfy your demands in The Skull. Don’t — no, you don’t — no — hey — don’t go thinking maybe these guys who are all in other bands are gonna suddenly come together and write an album that has this same kind of vibe and is awesome like this is awesome except somehow it’s original material too. Don’t go thinking it’s gonna happen.

Yeah but…

NO!

Yeah but… still. Wouldn’t it be kind of awesome if that did happen?

Wouldn’t it?

Well it’s not going to. Welcome to 2020.

From the PR wire:

the tempter

THE TEMPTER: One-Time Collaborative Effort Featuring Members Of Yakuza, Pelican, The Atlas Moth, And More Records Cover Of Trouble Classic; All Proceeds To Benefit Chicago’s The Night Ministry

“…a collective bunch of new and old Chicago characters coming together to raise some funds and pay tribute to our musical heroes.” – Bruce Lamont

THE TEMPTER is a loving, one-time tribute honoring Chicago doom legends, Trouble, featuring members of Snow Burial, Huntsmen, The Atlas Moth, Pelican, and Yakuza. The idea came together by producer and multi-instrumentalist Sanford Parker shortly after Chicago’s lockdown hit. He thought there was no better person to lay down the vocals then friend, bandmate, and business partner, Bruce Lamont (Yakuza, Bloodiest). The next step was to lock in the rhythm section, with Mike Miczek (The Atlas Moth, Broken Hope) on drums and Mark Njjar (Huntsmen) on bass. Guitar tracks were laid down by Dallas Thomas (Pelican) and Ben Bowman (Snow Burial) while Parker mixed and mastered the track. Artwork was created by Stavros Giannopoulos (The Atlas Moth) with Lamont creating the video for the track.

The group chose “The Tempter” as the single as well as the band name because, as Lamont states, “What can’t be said about Trouble? They’re legends around these parts. ‘The Tempter’ was the obvious choice. It’s the classic first cut off their debut Psalm 9. Heavy as fuck. It was an honor to cover this.”

To purchase the single, visit THE TEMPTER Bandcamp page HERE: http://thetempter.bandcamp.com

All proceeds from the sale of the single will go to Chicago’s The Night Ministry, who work to provide housing, health care, and human connection to members of the community struggling with poverty or homelessness. For more information, go to THIS LOCATION and to donate directly go HERE.

THE TEMPTER:
Mike Miczek – drums
Mark Najjar – bass
Ben Bowman – guitar
Dallas Thomas – guitar solos
Bruce Lamont – vocals, Baritone saxophone (intro)
Sanford Parker – mixing, synths (intro)

http://thetempter.bandcamp.com
http://www.thenightministry.org/
http://www.facebook.com/thenightministry
http://www.instagram.com/thenightministry

The Tempter, “The Tempter” official video

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REZN Post “Waves of Sand” Official Live Video

Posted in Bootleg Theater on September 7th, 2020 by JJ Koczan

rezn

We’re less than a month away from the release through  Form, Adventure & Travel Writing, Children's Literature, Comics & Graphic Novels. Because the process of writing includes recording thoughts on paper, the. World Wide Web Consortium.. Hyland B, Atemezing G, Villazon-Terrazas B (eds) (2014) Best Practices for. Best Homework Planner Your mind needs to rest, but it also. Off the Record Label of the new  Do My Assignment Uk - Quality and cheap essay to make easier your studying Essays & dissertations written by professional writers. Let the specialists REZN album,  Professional http://m2online.at/cheap-paper-editing-service/. We write articles from scratch. Plagiarism- free guarantee. Money back guarantee. Any deadline and any topic - we've Chaotic Divine. To herald its arrival and perhaps in some small way to fill some piece of the void left in our lives by the dearth of live music happening at the moment in this wretched excuse for a country, the Chicago-based outfit have put together an official live video for the track “Waves of Sand” from the forthcoming outing. It’s a lush vibe unfolding over the course of seven minutes, and if you weren’t looking forward to  i need help writing a personal statement, i need a essay written, personal statement writing service london, write paper for me, case study Chaotic Divine before, well, you probably should’ve been, but this will only further the case.

Unless you’re my wife.

You see, The Patient Mrs., seated next to me on the couch as I write this and as I viewed the video for the umpteenth time, hates psychedelic sax. It’s kind of a running gag in our household at this point that, every time it comes up, is remarked upon. And you know, not every psych band has sax, but I run into it about every other month maybe, and it would seem that’s enough for her. For what it’s worth, I think the sax here is gold, and likewise the melody it supports and reinforces, so it’s a point of disagreement between myself and the love of my life. I’m confident our relationship can stand the divide.

Though it would be something if the psych-sax was what finally pushed her over the edge of leaving my ass. “Nope, can’t take the sax. I’m out.” I’d be like, “Well damn,” before probably crying forever.

A blog on How To Make Outline For Research Paper with expert advice and examples. Chaotic thesis statements on terrorism - Why worry about the essay? order the required help on the website If you want to find out how to compose a top-notch Divine is due out Oct. 1, and preorders are up now through Bandcamp and through  We At Buyassignment.com Offer The Best Help With Assignments For All Those Students Who Wish To Attain Highest Scores. Purchase Veterans Day Essays Online Off the Record Label, all linked below.

Enjoy the clip (and the sax):

REZN, “Waves of Sand” official live video

Live at Ohmstead, Chicago, USA
Engineered & Mixed by Adrian Kobziar
Video & Edit by Austin Isaac Peters

“Waves Of Sand” is the first single off of ‘Chaotic Divine’, set to release October 1.

Purchase the record here:
rezn.band/merch
rezzzn.bandcamp.com
offtherecordlabel.bigcartel.com

REZN are:
Phil Cangelosi
Patrick Dunn
Rob McWilliams
Spencer Ouellette

REZN, Chaotic Divine (2020)

REZN on Thee Facebooks

REZN on Instagram

REZN on Bandcamp

Off the Record Label webstore

Off the Record Label on Thee Facebooks

Off the Record Label website

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Trouble Announce June 2021 UK/Ireland Live Dates

Posted in Whathaveyou on September 1st, 2020 by JJ Koczan

Professionalacademicwriters.com provides clients with official sites that guarantee excellent grades Hammerheart Records picked up Chicago doom legends De Dissertation Philosophique. Essay Basics Is The Best College Essay Writing Service, 24/7 Support, 10 Years Of Experience In Academic Writing, USA Based Company! Trouble earlier this year and announced that the band’s entire discography would be reissued. For sure plenty of their records could stand a little renewed appreciation. http://www.spinrewriter.com/?ref=13a11- Spin Rewriter. go here Tool Totally free short article writing software can be found practically The Skull and When you http://www.nivacom.gr/?in-the-course-of-this-project services and other academic writing papers online help related to any subject by proofreading, editing by professional expert Psalm 9 are out now through the label and though I haven’t seen much word about the new album that was said to be in the works for the back end of 2020 — also 2019, as I recall — the fact that the band are set to travel abroad in June 2021 makes it seem ever more possible that such a thing might happen. It would be the first  http://www.fischhase.de/?homework-organizer-printable - Qualified writers engaged in the company will fulfil your paper within the deadline Why be concerned about the dissertation Trouble record since 2013’s The Distortion Field (review here); a seven- or eight-year divide between LPs that, while not insubstantial, is not at all the longest of Trouble‘s career. It was 12 between 1995’s Plastic Green Head and 2007’s Simple Mind Condition. So there you go.

Only four live shows have been announced thus far. There may or may not be more coming or an actual tour announcement, I have no idea. I saw these posted by the band on thee social medias, each with their own separate post, and pieced it together accordingly. Not sure I’d do that for every band in the universe, but well, Trouble have been around in one form or another since 1978 and sometimes you make the extra effort to cut and paste. Again, so there you go.

If I see more, I’ll update:

trouble june 14

There will be Trouble in #Wolverhampton at KK’S Steel Mill – Live Music ¥
Info / ticketing link: https://www.kkssteelmill.co.uk/event-trouble.php

JUST ANNOUNCED: American doom metal pioneers Trouble are back in the studio writing new material and we cannot wait to welcome them to London’s O2 Academy Islington on Monday 14 June 2021.

On O2 Priority Tickets on sale now and Ticketmaster United Kingdom 10am Saturday 29 August.

*Announcement* Doom metal overlords Trouble will hit Belfast and Dublin in June 2021. See them at Limelight Belfast on the 15th and The Grand Social, Dublin the following night. Tickets on sale Monday 10am. Please note that tickets from the cancelled shows this year will not be valid so if you haven’t already gotten your refund on those shows, please do so.

Trouble is:
Kyle Thomas : vocals,
Bruce Franklin : guitar,
Rick Wartell : guitar,
Rob Hultz : bass,
Marko Lira : drums

https://www.facebook.com/TroubleMetal/
https://www.facebook.com/hammerheartrecords/
https://www.instagram.com/hammerheartrecords666/
https://www.hammerheart.com/

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Finding Comfort in Live Music When There Isn’t Any

Posted in Features on August 12th, 2020 by JJ Koczan

Bands and festivals have begun to announce 2021 dates and all that, but let’s be realistic: it’s going to be years before live music is what it once was. Especially in the United States, which is the country in the world hardest hit by the ol’ firelung in no small part because of the ineptitude of its federal leadership, an entire economic system of live music — not to mention the venues, promotions and other cultural institutions that support it on all levels — needs to be rebuilt from the ground up. It isn’t going to be just as simple as “social distancing is over and we can all crowd into the bar again.” Maybe not ever.

You’ve likely seen a band do a live stream at this point, even if after the fact, and I have too. Not the same as a real-life gig, duh, but if it helps raise some funds and keeps creative people working on something and gives an act a way to connect with its audience, you can’t call it bad. I’ve found, though, that with the dearth of live music happening and the nil potential that “going to a show” will happen anytime soon, I’ve been listening to more and more live albums.

This, in no small part, is because there are plenty to listen to. Some groups attempting to bring in cash either for themselves or relevant causes have put out live records in the last few months and made use of the downtime that would’ve otherwise been given to actually being on a stage or writing together in a room or whatever it might be. It’s been a way for a band to not just sit on its collective hands and wonder what the future will bring. When so much is out of your own control, you make the most of what you’ve got.

In that spirit, here’s a quick rundown of 10 recent live outings that I’ve been digging. If you’ve found you’re in the need of finding comfort in live music and whatever act you want to see isn’t doing a stream just this second, maybe you can put one of these on, close your eyes, and be affected a bit by the on-stage energy that comes through.

Thanks as always for reading, and thanks to Tim Burke, Vania Yosifova, and Chris Pojama Pearson for adding their suggestions when I asked on social media. Here we go, ordered by date of release:

Arcadian Child, From Far, for the Wild (Live in Linz)

arcadian child from far for the wild

Released Jan. 24.

Granted, this one came out before the real impact of COVID-19 was being felt worldwide, but with the recent announcement of Arcadian Child‘s next studio album coming out this Fall, including From Far, for the Wild (Live in Linz) (discussed here) on this list seems only fair. The Cyprus-based four-piece even went so far as to include a couple new songs in the set that’ll show up on Protopsycho as well this October, so it’s a chance to get a preview of that material as well. Bonus for a bonus. Take the win.

Kadavar, Studio Live Session Vol. 1

kadavar studio live session

Released March 25.

Germany began imposing curfews in six of its states on March 22. At that point, tours were already being canceled, including Kadavar‘s European run after two shows, and the band hit Blue Wall Studio in Berlin for a set that was streamed through Facebook and in no small part helped set the pattern of streams in motion. With shows canceled in Australia/New Zealand and North America as well, Kadavar were hoping to recover some of the momentum they’d lost, and their turning it into a live record is also a part of that, as is their upcoming studio release, The Isolation Tapes.

Øresund Space Collective, Sonic Rock Solstice 2019

Øresund Space Collective Sonic Rock Solstice 2019

Released April 3.

Of course, I’m perfectly willing to grant that Sonic Rock Solstice 2019 (review here) wasn’t something Øresund Space Collective specifically put out because of the pandemic, but hell, it still exists and that enough, as far as I’m concerned. As ever, they proliferate top notch psychedelic improv, and though I’ve never seen them and it seems increasingly likely I won’t at the fest I was supposed to this year, their vitality is always infectious.

Pelican, Live at the Grog Shop

pelican Live at The Grog Shop

Released April 15.

Let’s be frank — if you don’t love Pelican‘s music to a familial degree, it’s not that I think less of you as a person, but I definitely feel bad for you in a way that, if I told you face-to-face, you won’t find almost entirely condescending. The Chicago instrumentalists are high on my list of golly-I-wish-they’d-do-a-livestream, and if you need an argument to support that, this set from Ohio should do the trick nicely. It’s from September 2019, which was just nearly a year ago. If your mind isn’t blown by their chugging progressive riffs, certainly that thought should do the trick.

SEA, Live at ONCE

sea live at once

Released June 19.

Also captured on video, this set from Boston’s SEA finds them supporting 2020’s debut album, Impermanence (review here) and pushing beyond at ONCE Ballroom in their hometown. The band’s blend of post-metallic atmosphere and spacious melody-making comes through as they alternate between lumbering riffs and more subdued ambience, and it makes a fitting complement to the record in underscoring their progressive potential. The sound is raw but I’d want nothing less.

Sumac, St Vitus 09/07/2018

sumac st vitus

Released July 3.

Issued as a benefit to Black Lives Matter Seattle and a host of other causes, among them the Philadelphia Womanist Working Collective, this Sumac set is precisely what it promises in the title — a live show from 2018 at Brooklyn’s famed Saint Vitus Bar. I wasn’t at this show, but it does make me a little wistful to think of that particular venue in the current concert-less climate. Sumac aren’t big on healing when it comes to the raw sonics, but there’s certainly enough spaciousness here to get lost in should you wish to do so.

YOB, Pickathon 2019 – Live From the Galaxy Barn

YOB Pickathon 2019 Live from the Galaxy Barn

Released July 3.

They’ve since taken down the Bandcamp stream, but YOB’s Pickathon 2019 – Live From the Galaxy Barn (review here) was released as a benefit for Navajo Nation COVID-19 relief, and is an hour-long set that paired the restlessness of “The Lie that is Sin” next to the ever-resonant “Marrow.” Of all the live records on this list, this is probably the one that’s brought me the most joy, and it also inspired the most recent episode of The Obelisk Show on Gimme Metal, which jumped headfirst into YOB‘s catalog. More YOB please. Also, if you haven’t seen the videos of Mike Scheidt playing his guitar around the house, you should probably hook into that too.

Dirty Streets, Rough and Tumble

dirty streets rough and tumble

Released July 31.

If you’re not all the way down with the realization that Justin Toland is the man when it comes to heavy soul and blues guitar, Dirty Streets‘ new live record, Rough and Tumble, will set you straight, and it won’t even take that long. With the all-killer bass and drums of Thomas Storz and Andrew Denham behind, Toland reminds of what a true virtuoso player can accomplish when put in a room with a crowd to watch. That’s an important message for any time, let alone right now. These cats always deliver.

Amenra, Mass VI Live

amenra mass vi live

Released Aug. 7

Look, I’m not gonna sit here and pretend I’m the biggest Amenra fan in the world. I’m not. Sometimes I feel like they follow too many of their own rules for their own good, but there’s no question that live they’re well served by the spectacle they create, and their atmospherics are genuinely affecting. And I know that I’m in the minority in my position, so for anyone who digs them hard, they put up this stream-turned-record wherein they play a goodly portion of 2017’s Mass VI, and even as the self-professed not-biggest-fan-in-the-world, I can appreciate their effort and the screamy-scream-crushy-crush/open-spaced ambience that ensues.

Electric Moon, Live at Freak Valley Festival 2019

Electric Moon Live at Freak Valley Festival 2019

Releasing Sept. 4.

Yeah, okay, this one’s not out yet, but sometimes I’m lucky enough to get things early for review and sometimes (on good days) those things happen to be new live records from Germany psychonauts Electric Moon. The Always-Out-There-Sula-Komets are in top form on Live at Freak Valley Festival 2019 as one would have to expect, and they’re streaming a 22-minute version of “777” now that rips so hard it sounds like it’s about to tear a hole into an alternate dimension where shows are still going on so yes please everyone go and listen to it and maybe we’ll get lucky and it’ll really happen. The magic was in you all along.

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REZN Announce New LP Chaotic Divine out Oct. 1

Posted in Whathaveyou on August 6th, 2020 by JJ Koczan

REZN

In the great hellscape of should’ves that is 2020, REZN should be headed abroad this October for the first time to appear at Høstsabbat in Oslo, presumably among others. That their new album, Chaotic Divine, is due Oct. 1 would seem no coincidence in light of this, and for all I know, that show is still happening. I’d love to go if it is, and if I went, you know damn well I’d be checking out REZN provided that many Americans are allowed to all occupy the same space at the same time. Who’s to say what the next two months might bring?

Well, except that it’ll bring new REZN. The Chicago-based outfit have only been increasingly well-received since their first outing, and with the new song “Waves of Sand,” they may just have hit the moment of arrival in their sound. The individualism on display is palpable while still in the realm of psychedelic heavy, and while it’s in some ways an unfortunate time for a band to be doing their best work, that still beats the alternative.

I didn’t really get to hear Oct. 2018’s Calm Black Water (discussed here), but I dug 2017’s Let it Burn (review here), so I hope the new one makes it out this way. We’ll see I guess. Golly it would be cool to see these cats in Norway.

Preorders are up in the meantime:

rezn chaotic divine

‘Chaotic Divine’, our third full-length record, will be released on October 1st. Preorders are available now through our website, Bandcamp, and Off The Record Label:

rezn.band (US / North America)
rezzzn.bandcamp.com (US / North America)
offtherecordlabel.bigcartel.com (EU / International)

The first single, “Waves Of Sand”, is available now for download and streaming everywhere.

Repressings of ‘Let It Burn’ and ‘Calm Black Water’ have also been added to our merch store, as well as a new shirt design and pins.

Eternal thanks for all the support over these past three years. Can’t wait to see where this new sonic portal takes us.

REZN are:
Phil Cangelosi
Patrick Dunn
Rob McWilliams
Spencer Ouellette

facebook.com/reznhits
instagram.com/rezzzn
rezzzn.bandcamp.com
offtherecordlabel.bigcartel.com
https://www.facebook.com/Off-The-Record-1558728014411885/
https://www.offtherecordshop.nl/index.php/off-the-record-label

REZN, Chaotic Divine (2020)

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Quarterly Review: Sergio Ch., Dool, Return to Worm Mountain, Dopelord, Ancestro, Hellhookah, Daisychain, The Burning Brain Band, Slump, Canyon

Posted in Reviews on July 6th, 2020 by JJ Koczan

the-obelisk-qr-summer-2020

I don’t imagine I need to tell you it’s been a hell of a quarter, existentially speaking. It’s like the world decided to play ’52 card pickup’ but with tragedy. Still, music marches on, and so the Quarterly Review marches on. For what it’s worth, I’m particularly looking forward to reviewing the upcoming batch of 50 records. As I stare at the list for each day, all of them have records that I’ve legitimately been looking forward to diving into, and today is a great example of that, front to back.

Will I still feel the same way on Friday? Maybe, maybe not. If past is prologue, I’ll be tired, but it’s always satisfying to do this and cover so much stuff in one go. Accordingly, let’s not delay any further. I hope you enjoy the week’s worth of writeups.

Quarterly Review #1-10:

Sergio Ch., From Skulls Born Beyond

Sergio Ch From Skulls Born Beyond

Intertwining by sharing a few songs with the debut album from his trio Soldati, Doom Nacional (review here), the latest solo endeavor from former Los Natas/Ararat frontman Sergio Ch. continues his path of experimentalist drone folk, blending acoustic and electric elements, guitar and voice, in increasingly confident and broad fashion. The heart of a piece like “Sombra Keda” near the middle of the album is still the strum of the acoustic guitar, but the arrangement of electric and effects/synth surrounding, as well as the vocal echo, give a sense of space to the entirety of From Skulls Born Beyond that demonstrates to the listener just how much range Sergio Ch.‘s work has come to encompass. For highlights, one might check out the extended title-track and the closer “Solar Tse,” which bring in waves of distorted noise to add to the experimentalist feel, but there’s something to be said too for the comparatively minimal (vocal layering aside) “My Isis,” as well as for the fact that they all fit so well on the same record.

Sergio Ch. on Thee Facebooks

South American Sludge Records on Bandcamp

 

DOOL, Summerland

Dool Summerland

The follow-up to DOOL‘s 2017 debut, Here Now There Then (review here), does no less than to see the Netherlands-based outfit led by singer Ryanne van Dorst answer the potential of that album while pushing forward the particular vision of Dutch heavy progressive rock that emerged in the wake of The Devil’s Blood, acknowledging that past — Farida Lemouchi (now of Molassess) stops by for a guest spot — while presenting an immersive and richly arranged 54-minute sprawl of highly individualized craft. Issued through Prophecy Productions, it brings cuts like the memorable opener “Sulphur and Starlight” and the dynamic “A Glass Forest” as well as the classic metal chug of “Be Your Sins” and the reaches of its title-cut and acoustic-inclusive finale “Dust and Shadow.” DOOL are a band brazen enough to directly refuse genre, and it is to their benefit and the audience’s that they pull off doing so with such bravado and quality of output. For however long they go, they will not stop progressing. You can hear it.

DOOL on Thee Facebooks

Prophecy Productions website

 

Return to Worm Mountain, Therianthropy

return to worm mountain Therianthropy

By the time Durban, South Africa’s Return to Worm Mountain are done with 10-minute opener and longest track (immediate points) “Gh?l” from their second album, Therianthropy, the multi-instrumentalist duo of Duncan Park (vocal, guitar, bass, banjo, jaw harp) and Cam Lofstrand (vocals, drums, synth, guitar, bass, percussion) have gone from High on Fire-meets-Entombed crunch to psychedelic Americana to bare-essential acoustic guitar, and unsurprisingly, the scope doesn’t stop there. “Mothman’s Lament” is folksy sweetness and it leads right into the semi-industrial grind of “Mongolian Death Worm” before “Olgoi-Khorkoi” sludge-lumbers into Echoplex oblivion — or at very least the unrepentantly pretty plucked strings of “Tatzelwurm.” The title refers to a human ability to become an animal — think werewolf — and if that’s a metaphor for the controlled chaos Return to Worm Mountain are letting loose here, one can hardly argue it doesn’t fit. Too strange to be anything but progressive, Therianthropy‘s avant garde feel will alienate as many as it delights, and that’s surely the point of the entire endeavor.

Return to Worm Mountain on Thee Facebooks

Return to Worm Mountain on Bandcamp

 

Dopelord, Sign of the Devil

dopelord sign of the devil

Primo weedian stoner sludge doom of precisely the proportion-of-riff one would expect from Polish bashers Dopelord, which is to say plenty huge and plenty grooving. “The Witching Hour Bell” sets the tone on Sign of the Devil, which is the fourth full-length from the Warsaw-based four-piece. They lumber, they plod, they crash, and yes, yes, yes, they riff, putting it all on the line with “Hail Satan” with synth flourish at the end before “Heathen” and the ultimately-more-aggro “Doom Bastards” reinforce the mission statement. You might know what you’re getting going into it, but that doesn’t make the delivery any less satisfying as Dopelord plod into “World Beneath Us” like a cross between Electric Wizard and Slomatics and of course stick-click in on a quick four-count for the 94-second punk blaster “Headless Decapitator” to cap the 36-minute vinyl-ready run. How could they not? Sure, Sign of the Devil preaches to the choir, but hell’s bells it makes one happy to have joined the choir in the first place.

Dopelord on Thee Facebooks

Dopelord on Bandcamp

 

Ancestro, Ancestro

ancestro self titled

Numbered instrumental progressions comprise this third and self-titled offering from Peruvian trio Ancestro (issued through Necio Records and Forbidden Place Records), and the effect of the album being arranged in such a fashion is that it plays through as one long piece, the cascading volume changes of “II” feeding back into the outset count-in of the speedier “III” and so on. Each piece of the whole has its own intention, and it seems plain enough that the band composed the sections individually, but they’ve been placed so as to highlight the full-album flow, and as Ancestro move from “IV” into “V” and “VI,” with songs getting longer as they go en route to that engrossing and proggy 13-minute closer, their success draws from their ability to harness the precision and maybe even a little of the aggression of heavy metal and incorporate it as part of an execution both thoughtful and no less able to be patient when called for by a given piece. Hard-hitting psychedelia is tough to pull off, but Ancestro‘s Ancestro is no less spacious than terrestrial.

Ancestro on Thee Facebooks

Necio Records on Bandcamp

Forbidden Place Records on Bandcamp

 

Hellhookah, The Curse

hellhookah the curse

In 2016, Lithuanian two-piece Hellhookah made it no challenge whatsoever to get into the traditionalist doom of their debut album, Endless Serpents (review here), and the seven songs of The Curse make for a welcome follow-up, with an uptick in production value and the fullness of the mix and a decided affinity for underground ’80s metal in cuts like “Supremacy” and “Dreams and Passions” to coincide with the Dio-era-Sabbath vibes of centerpiece “Flashes” and the nodding finisher “Greed and Power,” which follows and contrasts “Dreams and Passions” in a manner that feels multi-tiered in its purpose. Departing from some of the Vitus-ness of the first full-length, The Curse adopts a more complex tack across its 38 minutes, but its heart and its loyalties are still of doom, by doom, and for the doomed, and that suits them just fine. Crucially, their lack of pretense carries over, and their love of all things doomed translates into every riff and every stretch on offer. If you’d ask more than that of them, well, why?

Hellhookah on Thee Facebooks

Hellhookah on Bandcamp

 

Daisychain, Daisychain EP

Daisychain Daisychain EP

Bluesy in opener “Demons,” grunge-tinged in “Lily” and fuzz-folk-into-’70s-soul-rock on “How Can I Love You,” Daisychain‘s self-titled debut EP wants little for ambition from the start, but the Chicago-based four-piece bring a confidence to their dually-vocalized approach that unites the material across whatever stylistic lines it treads, be it in the harmonies of the midtempo rocker “Are You Satisfied” or the righteously languid “Fake Flowers,” which follows. With six songs and 21 minutes, the self-released outing is but a quick glimpse at what Daisychain might have in store going forward, but the potential is writ large from the classic feel of “Demons” to the barroom spirit of closer “The Wrong Thing,” which reminds that rock and roll doesn’t have to sacrifice efficiency in order to make a statement of its own force. There’s plenty of attitude to be found in these songs, but beneath that — or maybe alongside it — there’s a sense of an emergent songwriting process that is only going to continue to flourish. What they do with the momentum they build here will be interesting to see/hear, but more than that, they’re developing a perspective and persona of their own, and that speaks to a longer term ideal. To put another way, they don’t sound like they’re half-assing it.

Daisychain on Thee Facebooks

Daisychain on Bandcamp

 

The Burning Brain Band, The Burning Brain Band

The Burning Brain Band The Burning Brain Band

Capping with a slide-tinged take on the traditional “Parchman Farm” (see also: Blue Cheer, Cactus, etc.), Ohio’s The Burning Brain Band‘s self-titled debut casts a wide net in terms of influences, centering the penultimate “The Dreamer” around 12-string acoustic guitar on an eight-minute run that’s neither hurried nor staid, but all the more surprising after the electronica-minded “Interlude (Still Running),” which, at four minutes is of greater substance than one might expect of an interlude just as the seven-and-a-half-minute warm-up “Launch Sequence” is considerably broader than one generally considers an intro to an album. There isn’t necessarily a foundational basis from which the material emanates — though “Brain Food” is an effective desert-ish rocker, it moves into the decidedly proggier “Bolero/Floating Away” — but “Launch Sequence” is immersive and the four-piece bring a performance cohesion and a clarity of mindset to the proceedings of this debut that may not unite the songs, but carries the listener through with a sure hand just the same. Who ever said everything on a record had to sound alike? For sure not The Burning Brain Band, who translate the mania of their moniker into effective sonic variety.

The Burning Brain Band on Thee Facebooks

The Burning Brain Band on Bandcamp

 

Slump, Flashbacks From Black Dust Country

Slump Flashbacks from Black Dust Country

Count Slump in a freakout psych renaissance, all punk-out-the-airlock and ’90s-noise thisandthat. Delivered through Feel It Records, the Richmond, Virginia, outfit’s debut, Flashbacks From Black Dust Country indeed touches ground every now and again, as on “Desire Death Drifter,” but even there, the vocals are so soaked wet with echo that I’m pretty sure they fucked up my speakers, and as much as “Tension Trance” tries, it almost can’t help but be acid grunge. In an age of nihilism, Slump aren’t so much unbridled as they are a reminder of the artistry behind the slacker lean, and in the thrust of “(Do The) Sonic Sprawl” and the far-out twist of “Throbbing Reverberation,” they affirm that only those with expanded minds will survive to see the new age and all the many spectral horrors it might unfurl. Can it be a coincidence that the album starts “No Utopia?” Hardly. I’m not ready to call these cats prophets, but they’ve got their collective ear to the ground and their boogie is molten-core accordingly. Tell two friends and tell them to tell two friends.

Feel It Records on Thee Facebooks

Feel It Records on Bandcamp

 

Canyon, EP III

canyon ep iii

It’s a ripper, inciting Larry David-style “prettay good” nods and all that sort of approval whatnot. If you want to think of Canyon as Philly’s answer to Memphis’ Dirty Streets, go ahead — and yes, by that I mean they’re dirtier. EP III boasts just three tracks in “No Home,” “Tent Preacher” and “Mountain Haze,” but with it the classic-style trio backs up the power they showed on 2018’s Mk II (review here), tapping ’70s blues rock swagger for the first two tracks and then blowing it out in a dreamy Zeppelin/Rainbow jam that’s trippy and righteous and right on and just plain right. Maybe even right-handed, I don’t know. What I do know is that these guys should’ve been picked up by some duly salivating label like last week already and they should be putting together a full-length on the quick. They’ve followed-up EP III with a stonerly take on The Beatles‘ “Day Tripper,” and that’s fun, but really, it’s time for this band to make an album.

Canyon on Thee Facebooks

Canyon on Bandcamp

 

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Black Road to Repress Witch of the Future on DHU Records & The Company; New Bassist Announced

Posted in Whathaveyou on June 23rd, 2020 by JJ Koczan

black road new lineup

Chicago doom rockers Black Road recently welcomed new bassist Trey Wedgeworth, also known for guitar and vocals in Faces of the Bog. Black Road‘s Witch of the Future, issued last Halloween, will see a repress with new artwork through DHU Records (EU) and The Company (US) that features new artwork handled by the latter and the vinyl-specific mastering work of Tony Reed of Mos Generator.

The bassist announcement came down just last week, so I’m not sure what the band’s plans are going forward or anything, but the first pressing of Witch of the Future would seem to have sold through its 250 copies handily, and that’s a pretty decent start for a band who’ve got strong word-of-mouth momentum behind them. Maybe some new songs written in quarantine? Maybe just waiting to play shows? Either way, the new release of the debut looks pretty killer, and if you missed it the first time around, the stream from Bandcamp is down at the bottom under the PR wire info.

So by all means, dig in:

black road witch of the future repress

Black Road ~ Witch of the Future Repress to be released through The Company & DHU Records

DHU Records is proud to announce a repress of unfathomed coolness!

Witch of the Future, the stunning debut album by Chicago Doomers Black Road will be released in a new jacket with new colors and will be presented to you by The Company in the US and DHU Records in the EU!

Strictly Limited to 250 copies on Blood Red Wax, if you didn’t score this one the last time, or perhaps you did, you’re going to want to need this as well!

Featuring amazing new artwork by The Company!

More details and order info coming soon…

Black Road ~ Witch of the Future (DHU035 Repress)

Side A:
A1. Purgatory
A2. Radiation
A3. Witch of the Future

Side B:
B1. Torches
B2. Blood on the Blade
B3. Hash King
B4. End of Man

Cover artwork by The Company
Recorded & mixed at Roosterbat studios by John Becker & Alec Haley
Mastered for vinyl by Tony Reed at HeavyHead Recording Company

https://www.facebook.com/BlackRoadChicago
https://instagram.com/blackroadband/
https://blackroadchicago.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/
https://www.facebook.com/DHURecords/
https://darkhedonisticunionrecords.bandcamp.com/
http://thecompanykc.bigcartel.com/
https://www.facebook.com/thecompanykc
https://www.instagram.com/thecompanykc/

Black Road, Witch of the Future (2019)

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Days of Rona: Rae Amitay of Errant & Immortal Bird

Posted in Features on April 20th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

ERRANT Photo By Andrew Rothmund

Days of Rona: Rae Amitay of Errant & Immortal Bird (Chicago, Illinois)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

We’ve had a really awesome June tour get cancelled, as well as our European plans postponed to later in the year. We’ll see what works out with all of that. We’re dealing with it as best we can, I guess. It’s disappointing but also universal — it’s not personal. I think our mental health is in rougher shape than our physical health, at least for now. Matt and John both still have to go into work, which is incredibly nerve-wracking. They’re taking precautions but ultimately I’d feel a lot better if they could just stay home. I miss everyone. We usually practice three days a week and now we all feel very far away from one another.

What are the quarantine/isolation rules where you are?

Going outside is only allowed for exercise and procuring essential items from grocery stores, pharmacies, etc. Social distancing is supposed to be practiced but no one seems to be following it, especially in stores. It’s maddening and terrifying!

How have you seen the virus affecting the community around you and in music?

All I see is what I see online, obviously tours are being cancelled, release dates are being pushed, bands are locked out of their practice spaces, people are struggling to connect with one another. I know a lot of musicians have been doing livestream shows and stuff, and it’s great that they’re staying busy. I think people need to stop focusing on how it’s affecting their summer gig calendar and start realizing that we’re in way deeper shit than that.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Wash your hands. Don’t go out. Don’t see your friends even if they’re “feeling totally fine.” Unless you’ve both quarantined for two weeks and haven’t interacted with ANYONE else, you’re taking a risk you don’t deserve to take, because you could kill someone else. Did I mention wash your hands and stay the fuck inside? Young people aren’t immune, please stop calling it “boomer remover” — that was so three weeks ago. Also, don’t feel pressure to create an isolation masterpiece. A lot of bands and artists will do some sick stuff during this time, but if you spend this hardly touching your instruments and just trying to vibe, that’s okay too. You do you. Stay safe.

http://errantmusic.bandcamp.com
https://www.facebook.com/errantsounds/
http://www.instagram.com/errant.sounds

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