All Them Witches Announce Fall 2021 European Tour Dates

Posted in Whathaveyou on September 17th, 2020 by JJ Koczan

So that’s where we’re at. Tours announced more than a year in advance. Okay. I mean, you can’t hold that against  go site Eliminates Plagiarism For Your Essay. Essay Rewriter uses the power of paraphrasing to protect students from the common problem of being accused of plagiarism. All Them Witches, right? They just put out a record and they’re (normally) a pretty hard-touring band. They gotta announce something. And the early part of 2021 seems to be jam-packed with stuff that got canceled this year, so next Fall would seem to be a less crowded time. But seriously, fuck.

You know what the worst part of it is? Of course you do. It’s “Who the hell knows what things will look like in a year?” Will Americans be allowed in other countries? Will they be allowed to leave their own? Will tours even be happening in a way that’s fiscally sustainable? Can they? It’s so hard to guess at any of it at this point all you can really do is look at a list of tour dates, shrug, and say, “Gosh I hope so.” So yeah. Gosh, I hope so.

writing phd thesis word Sickle Cell Anemia Essay college essay prompt ideas homework help for water report All Them Witches‘ new record,  Literature reviews are such a pain in the butt at the Our Importance Of Early Childhood Education Essay also has an online chat where you can talk to our Nothing as the Ideal (review here), is out now on  Article Custom University Admission Essay Oxford gre essay erater essay on current corruption common app essay 250500 words men and women essay mba thesis proposal pdf New West. Stream it at the bottom of this post.

Here are the dates as put up by the band. One imagines some of the days between will be filled by fests yet TBA:

all them witches

JUST ANNOUNCED: 2021 EUROPEAN TOUR
tickets on sale Friday at 10AM CET

SEPTEMBER
27th UK – BRIGHTON, Chalk Venue Brighton
28th UK – NOTTINGHAM, The Bodega
29th UK – GLASGOW, Saint Luke’s & The Winged Ox
30th UK – LEEDS, Brudenell Social Club

OCTOBER
1st UK – LONDON, Electric Ballroom
2nd Netherlands – AMSTERDAM, Paradiso Amsterdam
3rd Belgium – ANTWERP, Trix
6th Spain – MADRID, COOL Conciertos
7th Spain – BARCELONA, Sala Razzmatazz 2
9th Switzerland – LANGENTHAL, OldCapitol
10th Italy – MILAN, Santeria Toscana 31
11th Switzerland – ZURICH, Mascotte Club Zürich
12th Germany – MUNICH, Backstage Werk
13th Czech – PRAGUE, MeetFactory
14th Poland – WARSAW, Progresja
15th Germany – BERLIN, Huxleys Neue Welt
17th Germany, COLOGNE, Die Kantine
19th Germany, HAMBURG, Uebel und Gefährlich
20th Denmark, COPENHAGEN, Pumpehuset
22nd Norway, OSLO, Vulkan Arena
24th Finland, HELSINKI, TAVASTIA-klubi

All Them Witches is:
Charles Michael Parks, Jr – bass, vocals
Ben McLeod – guitar, vocals
Robby Staebler – drums, vocals

http://allthemwitches.bandcamp.com/
http://www.facebook.com/allthemwitches
https://www.instagram.com/allthemwitchesband/
http://www.allthemwitches.org/
https://store.newwestrecords.com/

All Them Witches, Nothing as the Ideal (2020)

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Album Review: All Them Witches, Nothing as the Ideal

Posted in Reviews on September 3rd, 2020 by JJ Koczan

All-Them-Witches-Nothing-as-the-Ideal

A band in a place. When the news came through in early March that Nashville’s  : If you need help writing a speech outline, order it on the website. The company is well known for providing http://www.hohentauern.at/?cover-letter-admission-universitys. All Them Witches — the three-piece of bassist/vocalist  transition words for research papers commercial law dissertation admission essay editing service scholarship college student homework helper Charles Michael Parks, Jr Sales CV example, IT sales CV example. Also retail, sales executive, field sales, IT CV, sales manager. Curriculum Vitae, http://www.timewinder.dk/?dissertation-en-droit-civil-exemple. ., guitarist  Get Essay Done offers affordable and top notch quality, just pay and ask us to Write Me an Essay or Term Paper And Research Paper and get well written college paper. Ben McLeod and drummer/tape-looper/graphic-artist  Julia Christianson College Essay On Immigration. You have a project that you want to bring to fruition. My goal is to help you achieve your goals in an Robby Staebler — were recording their sixth full-length at  Distractions Driving Essay - experience the merits of professional custom writing assistance available here Proposals, essays & academic papers of top quality. Abbey Road Studios in London, and further, that they were bringing producer  essay writing how i spent my summer vacation http://mairie.megeve.fr/business-plan-template-ppt/ Service essay about my school master paper project research thesis Mikey Allred along to helm the recording, it was enough to ignite the imagination as to what ghosts they might be able to conjure in that space. Without a doubt,  Anita Misra-Press- a medical writer with a background in oncology and drug discovery--offering go site to healthcare professionals. Nothing as the Ideal — the title-line appearing amid the chugging tension and restless-foot kickdrum of opener “Saturnine & Iron Jaw” — is the most nuanced recording  Book 3 of 4) Show on Sale + Show Filters 22 10 2013 Effective academic writing is accessible to readers holt writing persuasive essays middle school because All Them Witches have ever done.

In the intentionally-left-there slight crack of http://nanomat.uprrp.edu/tmp/cache/?best-editing-service - Aiming for the top 5%? Our Professional CV Writers can help you. Contact us and our expert Resume Writing Service now! Parks‘ voice past the midpoint of “The Children of Coyote Woman,” in the balance between torrential rhythmic intensity and ranging guitar on “Lights Out,” and in the quiet, subtle crackle of  Do you agree with No Help With Homeworks TrustScore? Voice your opinion today and hear what 1 customers have already said. | assignmentdoer.co.uk McLeod‘s standalone guitar in the two-minute instrumental “Everest,” which might in another context have been an interlude, but through whatever probably-legendary amplifier he’s playing through offers one of  Nothing as the Ideal‘s most gorgeous moments of tonality. Perhaps a curious highlight, but it tells a lot of the story of the band’s fourth LP under the banner of New West Records in that it captures a stirring performance in likewise stirring detail. It is high-fidelity, not in the same way as the lush-sounding Sleeping Through the War (review here) from 2017 that their fifth album, 2018’s ATW (review here), seemed to be reacting against, but in a way that is more about the band reaching into themselves as artists.

Staebler‘s experimental bent that’s now manifest as well in the side-project Uvways shows up in cuts like “41,” “Rats in Ruin” and in transitions between songs, taking the place that up to this point was filled by keys or other arrangement elements from a fourth member of the band, be it Allan Van Cleave or the shorter-tenured Jonathan Draper, who appeared on ATW only. McLeod‘s progressive, sometimes aggressive turns of guitar are writ large throughout in the full dynamic breadth of his work, from “Everest” to the lead wash and coming-apart-at-the-seams jam at the end of 9:50 side A closer “See You Next Fall” and the crunching fuzz reminiscent of 2013’s Lightning at the Door (review here) that shows up on second track “Enemy of My Enemy” and the later “41.”

He too has a side-project in the instrumental and more metal-leaning Woodsplitter. And Parks, who turns verses into poetry readings here more than ever, obscure in his images painting Romulus and Remus as good ol’ boys on “The Children of Coyote Woman,” seeming to critique touring life in “See You Next Fall,” leading an invocation of unplugged Nirvana in the early going of nine-minute finale “Rats in Ruin,” and layering his voice to make a single out of “Enemy of My Enemy” even as later he seems to refuse to be wholly caught int the shove of “Lights Out.” Anytime he wants to spend a year or two wandering in the woods and put out an experimentalist Americana/neo-folk record, one doubts he’d meet with argument.

all them witches at abbey road

Nothing as the Ideal draws together these different sides of these three players and builds itself as one entirely using elements of each persona. Allred has been a friend of the band of long-standing. He produced their 2015 New West label debut, Dying Surfer Meets His Maker (review here), mastered the 2019 single “1 x 1” (discussed here) — among other works — and his knowledge of the band’s workings is all the more essential throughout these tracks as they recorded as a three-piece for the first time. It is no shock that the latest All Them Witches album sounds different from the one before it. They all do. But while they approach it with characteristic swagger and have perhaps inadvertently deflected the narrative via their choice of locale in Abbey Road, there’s no question that the former foursome taking on the task of presenting themselves as a trio is a big change.

They’re helped throughout by time they put in touring in such a configuration, as well as by Allred‘s work at the helm, and while Nothing as the Ideal takes the band to places they’ve never been in terms of aesthetic, it’s also more their own than they’ve ever been, transcending the heavy blues genre-forging of their earlier work while seeming still to draw from the abiding melancholy of Dying Surfer Meets His Maker and the organic weight of Lightning at the Door. This is coupled with the unmitigated, seemingly unceasing growth of ParksMcLeod and Staebler as creative individuals, and the coming together of the familiar with the new is perhaps as much a sonic signature as All Them Witches have, regardless of the lineup. From the ambient unfolding of “Saturnine & Iron Jaw” through the push and pull of “Enemy of My Enemy,” the resonance of “Everest,” the twists of “41” and the build of energy that seems to happen across that song and “Lights Out” leading to the quiet initial stretch of “Rats in Ruin” — which itself ends with a brief jam from the trio together that sounds like a coda for career to this point — Nothing as the Ideal wholly lives up to the standard its title sets.

It finds All Them Witches chasing not a preestablished idea of who they are or what their songwriting process is or should be, but their own creative impulses at the moment. They have excelled at this since 2012’s Our Mother Electricity (review here) served as their debut LP, and while their productivity in the years since is something in itself to be admired — six albums in eight years, along with EPs, live releases and countless digital one-offs, etc. — the expressionist aspects of their work, the continuing progression of their craft and the memorable impression their songs make all comes together on Nothing as the Ideal in what feels like an act of self-defiance as much as one of self-definition. As recognizable a band as they’ve become, one never knows what shape All Them Witches might take as they move forward. The fact that they’re still so rife with potential six albums into their career can only emphasize how special a band they truly are.

All Them Witches, Nothing as the Ideal (2020)

All Them Witches on Thee Facebooks

All Them Witches on Bandcamp

All Them Witches on Instagram

New West Records website

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Here’s the Bio I Wrote for All Them Witches’ Nothing as the Ideal

Posted in Features on August 20th, 2020 by JJ Koczan

Every now and again I get lucky and I do a bio like this, turn it in, and word comes back and it’s all, ‘hey that’s awesome all set on this end thanks here’s some cash.’ This was not one of those cases. I also wrote the bio for All Them Witches‘ 2018 album, ATW (review here), but still, this was a different story to tell and wanted to be told in a different way. The band had things they wanted to say. The label had things they felt needed to be said. And I had a few points as well to get across about Nothing as the Ideal, which is out Sept. 4 on New West Records, whether it was about their making an album as a three-piece for the first time, their ongoing progression, tape-loop experimentation, or the simple fact that they recorded at frickin’ Abbey Road. There’s usually a fair amount to talk about with these guys, but this time around it seems like even more so.

But we got there, which is what matters. In the end, I went through a couple of drafts, interviewed Robby Staebler and Ben McLeod both, then ended up completely scrapping what I had and starting over. That, of course, was the final version. It was my favorite too.

And here it is:

all them witches

All Them Witches – Nothing as the Ideal bio

From the brimming light of the lead guitar on opener “Saturnine & Iron Jaw” to the mellow grunge unfolding in the finale “Rats in Ruin,” Nothing as the Ideal is a signature All Them Witches release, which of course means it sounds like nothing they’ve ever done before.

The Nashville trio thrive on contrast. Now six records deep into a tenure that began in 2012, they are unremittingly forward-looking, and while signature elements can be found throughout Nothing as the Ideal – from guitarist Ben McLeod’s prog-tinged explorations to the slacker-soul vocals of bassist Charles Michael Parks, Jr., to the restless energy and rhythmic nuance in Robby Staebler’s drum patterns – it is also their most experimental work to-date.

But contrast is the key: Tape loops coincide with unplugged minimalism. They recorded it in a strange place with a familiar producer. It’s their heaviest album marked by their broadest atmospheres, intimate and pummeling. It is unquestionably theirs even as it will no doubt engender ownership in anyone who hears it.

Nothing as the Ideal might forever be known as “the album All Them Witches made at Abbey Road.” Fair enough. You don’t record in a legendary studio surrounded by mics The Beatles used, sitting on the bench where John Lennon tracked the acoustic guitar for “A Day in the Life” without acknowledging that history. There’s no getting away from it.

Where Nothings as the Ideal triumphs, however, is in making that space and that history the band’s own. Working with Mikey Allred, who previously produced 2015’s New West label debut, Dying Surfer Meets His Maker, and has done other mixing and mastering along the way, All Them Witches not only did justice to the moment they were capturing – the sheer adventure of being there, doing that thing – but answered the call of their inspiration as they always do.

It wasn’t supposed to be that way. The idea was to take time, do it themselves. But after spending the early part of 2019 constructing a studio in a church outside Nashville where Staebler was living and writing, writing, writing, the band came up against the deadline of a 35-date European arena tour with Ghost and had the single “1×1” to show for it. They put that song out, did a video, and after the tour, redirected their purposes. With the momentum of playing every night behind them, Nothing as the Ideal at last began to take shape.

Abbey Road might not have been the plan, but with the harder deadline of recording dates locked in, All Them Witches were able to focus more clearly. It wasn’t about applying pressure, but about doing what best served the songs. With Allred as the trusted party at the helm, they succeeded in crafting a defining moment for who they are as a band, with each player’s personality coming together to create a fluidity that is unique unto them.

Whatever they’ve done in the past, whatever they’ll do next, Nothing as the Ideal epitomizes the literal and figurative journey All Them Witches have made, and it is to be treasured all the more for that.

All Them Witches, “Lights Out”

All Them Witches, “The Children of Coyote Woman” official video

All Them Witches, “Saturnine & Iron Jaw”

All Them Witches on Thee Facebooks

All Them Witches on Bandcamp

All Them Witches on Instagram

New West Records website

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All Them Witches Announce New Album Nothing as the Ideal out Sept. 4

Posted in Whathaveyou on June 5th, 2020 by JJ Koczan

all them witches at abbey road

All Them Witches will release their sixth long-player, Nothing as the Ideal, on Sept. 4 through New West Records. To go along with the album announcement, they’re streaming the opening song from the release, “Saturnine and Iron Jaw,” and you can find it below.

I recently had the pleasure of writing the bio for the album — still need to turn in the invoice, actually — and in talking to guitarist Ben McLeod and drummer Robby Staebler for that, it became even easier to get excited about the forthcoming collection. I’ll post that bio here at some point, and would do it now except I’m not sure if I have permission yet. So maybe later on. Still a while before September gets here anyhow.

Independent of each other, Staebler and McLeod both cited it as the work of which they’re most proud among their releases. Fair enough for any band with a new album, but the record is indeed progressive in ways they’ve never been before, their first recording as a trio allowing them to explore more direct, weighted tones, minimalist atmospheres and the use of ambient tape loops for an experimental feel throughout that ties seemingly disparate ideas together.

So, yeah, more to come. And of course I’d be remiss if I didn’t note they recorded Nothing as the Ideal at Abbey Road Studio in London. You might have heard of it, kind of a big deal. So there’s that too.

The announcement was basically the tracks and the song, and here it is:

All-Them-Witches-Nothing-as-the-Ideal

ALL THEM WITCHES – Nothing as the Ideal

We all need to stand together. Higher sense of perception. Nothing. That’s the ideal. Gentle hand of confusion. Lead me back to myself.

NEW ALBUM – NOTHING AS THE IDEAL??
OUT 9/4
PRE-ORDER NOW http://newwst.com/atwnatiFA
SONG PREMIERE

Tracklisting:
01. Saturnine & Iron Jaw
02. Enemy of My Enemy
03. Everest
04. See You Next Fall
05. The Children of Coyote Woman
06. 41
07. Lights Out
08. Rats in Ruin

Produced by ATW and Mikey Allred
Mixed / Mastered: Mikey Allred
Assistant Engineer: Neil Dawes

All Them Witches is:
Charles Michael Parks, Jr – bass, vocals
Ben McLeod – guitar, vocals
Robby Staebler – drums, vocals

http://allthemwitches.bandcamp.com/
http://www.facebook.com/allthemwitches
https://www.instagram.com/allthemwitchesband/
http://www.allthemwitches.org/
https://store.newwestrecords.com/

All Them Witches, “Saturnine & Iron Jaw”

All Them Witches, “1×1” official video

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All Them Witches Recording New LP This Week at Abbey Road Studios

Posted in Whathaveyou on March 2nd, 2020 by JJ Koczan

Uh, check out the rooftop har har? What do you even say when All Them Witches put out word that they and engineer Mikey Allred will spend the week making a new album at Abbey Road Studios in London? Way to use your recording budget wisely? When’s the release date?

All of that, I guess.

The pairing of place and producer is an interesting blend. Of course All Them Witches are veterans of the studio process at this point, but the thought of recording in such a hallowed space could be daunting, so the fact that they’re working with Mikey Allred, who has been a part of what they do for at least the last five years since helming their New West Records debut, Dying Surfer Meets His Maker (review here), as well as prior studio recordings, and even as guitarist Ben McLeod has emerged as a producer in his own right, has continued to work with the band up to mastering their latest offering, which was the 2019 single “1 x 1” (discussed here). As one also has to factor in that this will be their first time putting together an LP as a trio, they could hardly be in better hands in terms of someone who knows and is in touch with who they are as a band. It’s a veteran choice to bring their own dude. Kudos.

And hey, having recently posted some All Them Witches dates and speculated about soon-to-be-announced-secret-recording-plans, I’m gonna go ahead and give myself a pat on the back too.

Those dates — many of which are with Blackwater Holylight no less — follow their brief social media post here:

all them witches at abbey road

Pretty surreal day…We are recording our new album this week at Abbey Road Studios !! What a trip! Just us and our engineer [Mikey Allred] @darkartaudio. Let’s see what happens…

INFO/TICKETS: http://www.allthemwitches.org/tour

MAR 14 SAT Vive Latino Mexico, Mexico
FRI. APRIL 17 – BALTIMORE MD – Ottobar*
SAT. APRIL 18 – HAMDEN CT – Space Ballroom*
SUN. APRIL 19 – PROVIDENCE RI – THE MET*
TUE. APRIL 21 – PORTSMOUTH NH – 3S Artspace*
WED. APRIL 22 – NORTHAMPTON MA – Gateway City Arts*
THU. APRIL 23 – ASBURY PARK NJ – Asbury Lanes*
FRI. APRIL 24 – PITTSBURGH PA – Mr. Smalls Theatre*
SAT. APRIL 25 – ANN ARBOR MI – The Blind Pig A2*
SUN. APRIL 26 – CINCINNATI OH – The Woodward Theater*
TUE. APRIL 28 – COLUMBUS OH – Skully’s Music-Diner*
WED. APRIL 29 – LEXINGTON KY – The Burl*
FRI. MAY 1 – ATLANTA GA – Shaky Knees Music Festival*
JUL 22-26 WED FloydFest Floyd, VA
AUG 7 FRI Krach Am Bach Beelen, Germany
AUG 8 SAT Re-Generation Fest Leipzig, Germany
AUG 17 MON Mascotte Zurich, Switzerland
*w/ Blackwater Holylight

All Them Witches is:
Charles Michael Parks, Jr – bass, vocals
Ben McLeod – guitar, vocals
Robby Staebler – drums, vocals

http://allthemwitches.bandcamp.com/
http://www.facebook.com/allthemwitches
https://www.instagram.com/allthemwitchesband/
http://www.allthemwitches.org/

All Them Witches, “1×1” official video

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All Them Witches and Blackwater Holylight Touring this Spring

Posted in Whathaveyou on February 25th, 2020 by JJ Koczan

Yes, All Them Witches had previously announced these dates for the Spring mostly-East Coast US tour that runs into May 1 at Shaky Knees Music Festival in Atlanta, but I feel like the fact that they’ll be joined for the run by Portland’s Blackwater Holylight makes it worth another look at the dates. April 23 in NJ, you say? Well, I’ll have gotten back from Roadburn earlier that week, but if anything’s worth a trip to Asbury Park, it’s a show like this at The Lanes, with open bowling surrounding the bandstand on either side.

It’s been many, many years since the last time I was there, and but for the aforementioned travel plans, I actually think Hamden would have fewer people even on a Saturday, so a somewhat less anxious experience, but still, I’ll take it as it comes. We’ll see how dead on my feet I am when we get there, but you bet your ass it’s going on the calendar.

All Them Witches live dates follow. Note the beginning of an August European tour already starting to take shape. I assume there will be more to come there, and honestly, they’re kind of coming up on due for a new album too, so if that emerges around September, I wouldn’t be surprised, especially given their penchant for sometimes recording in secret.

Shows with the asterisk are with Blackwater Holylight:

all them witches blackwater holylight

ALL THEM WITCHES: APRIL=TOUR

INFO/TICKETS: http://www.allthemwitches.org/tour

MAR 14 SAT Vive Latino Mexico, Mexico
FRI. APRIL 17 – BALTIMORE MD – Ottobar*
SAT. APRIL 18 – HAMDEN CT – Space Ballroom*
SUN. APRIL 19 – PROVIDENCE RI – THE MET*
TUE. APRIL 21 – PORTSMOUTH NH – 3S Artspace*
WED. APRIL 22 – NORTHAMPTON MA – Gateway City Arts*
THU. APRIL 23 – ASBURY PARK NJ – Asbury Lanes*
FRI. APRIL 24 – PITTSBURGH PA – Mr. Smalls Theatre*
SAT. APRIL 25 – ANN ARBOR MI – The Blind Pig A2*
SUN. APRIL 26 – CINCINNATI OH – The Woodward Theater*
TUE. APRIL 28 – COLUMBUS OH – Skully’s Music-Diner*
WED. APRIL 29 – LEXINGTON KY – The Burl*
FRI. MAY 1 – ATLANTA GA – Shaky Knees Music Festival*
JUL 22-26 WED FloydFest Floyd, VA
AUG 7 FRI Krach Am Bach Beelen, Germany
AUG 8 SAT Re-Generation Fest Leipzig, Germany
AUG 17 MON Mascotte Zurich, Switzerland
*w/ Blackwater Holylight

All Them Witches is:
Charles Michael Parks, Jr – bass, vocals
Ben McLeod – guitar, vocals
Robby Staebler – drums, vocals

http://allthemwitches.bandcamp.com/
http://www.facebook.com/allthemwitches
https://www.instagram.com/allthemwitchesband/
http://www.allthemwitches.org/

https://www.facebook.com/blackwaterholylight/
instagram.com/blackwaterholylight
blackwaterholylight.bandcamp.com
ridingeasyrecs.com

All Them Witches, “1×1” official video

Blackwater Holylight, Veils of Winter (2019)

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All Them Witches Post “1×1” Video; Announce Spring US Tour

Posted in Bootleg Theater on November 25th, 2019 by JJ Koczan

all them witches 1x1

Brutal, harsh, and dark with manic flashes of color and the band themselves sped up and slowed down, thrashing about and tearing at themselves amid some sort or other form of depicted ritual in the woods, drummer Robby Staebler‘s video for All Them Witches‘ recently-unveiled single “1×1” (discussed here) does nothing if not capture the mood of the song. He, along with guitarist Ben McLeod and bassist/vocalist Charles Michael Parks, Jr., are currently on tour in Europe with Ghost and Tribulation, and they’ve newly announced a Spring run of mostly East Coast dates that will follow a festival stop in Mexico City this March. They’ve also got three hometown shows in Nashville to round out the year from Dec. 27-29. No substitute for staying busy.

The loneliness, intensity and seething feeling of “1×1” is writ large throughout the song, and I don’t feel particularly compelled to wax poetic about it, but I’ll say it’s the outright heaviest thing I’ve heard from All Them Witches since they signed to New West Records in 2015 ahead of releasing that Fall’s Dying Surfer Meets His Maker (review here), 2017’s Sleeping Through the War (review here) and 2018’s ATW (review here), but neither are they attempting to recapture the vibe of 2013’s Lightning at the Door (review here), instead incorporating the lessons they’ve learned since about crafting an atmosphere and blending that with a hard-hitting riff and amorphous melody and shouts of “I can’t wait to be defeated!” and “I can’t wait to throw this all away!” amid other proclamations. It is brutal.

And though the lyrics are easily read as a statement on touring life, or the band itself, the one constant with All Them Witches has always been change, and I’d no more expect what they do next to sound like “1×1” than I expected “1×1” to sound like it does coming off ATW. Their recorded material has always been about capturing a moment in time. So here’s one.

Enjoy:

All Them Witches, “1×1” official video

The video for our single, 1X1 premiered. It stars Emmy-award winning actress, Drea de Matteo, and was directed by our drummer, Robby Staebler.

We’ve added new Spring tour dates including two festivals: Vive Latino (Mexico City, MX) and Shaky Knees (Atlanta, GA).

Full list of dates below.

Single available now: https://geni.us/ATW1X1?track=yt

ON TOUR with Ghost and Tribulation
NOV 25 – Black Box Pangea – Kobenhavn, Denmark
NOV 28 – Hartwall Arena – Helsinki, Finland
NOV 30 – Spodek – Katowice, Poland
DEC 1 – Universum – Prague, Czech Republic
DEC 3 – BSA – Budapest, Hungary
DEC 4 – Mo?vara – Zagreb, Croatia
DEC 5 – Palabam – Mantova, Italy
DEC 6 – Halle 622 – Zürich, Switzerland
DEC 8 – Palau Sant Jordi – Barcelona, Spain
DEC 10 – Altice Arena – Lisboa, Portugal
DEC 11 – WiZink Center – Madrid, Spain
DEC 13 – Zenith Of Strasbourg – Strasbourg, France
DEC 14 – Stattbahnhof – Schweinfurt, Germany
DEC 15 – Zenith – München, Germany
DEC 17 – Rockhal – Esch Sur Alzette, Luxembourg
DEC 18 – Zenith Nantes Metropole – Saint-herblain, France
DEC 19 – Zénith de Toulouse – Toulouse, France
DEC 27 – Exit/In – Nashville, TN
DEC 28 – Exit/In – Nashville, TN
DEC 29 – Exit/In – Nashville, TN

SPRING 2020 DATES
MARCH 14 – Vive Latino – Mexico City, MX
MARCH 15 – Vive Latino – Mexico City, MX
APRIL 17 – Ottobar – Baltimore, MD
APRIL 18 – Space Ballroom – Hamden, CT
APRIL 19 – The Met – Pawtucket, RI
APRIL 21 – 3S Artspace – Portsmouth, NH
APRIL 22 – Gateway City Arts – Holyoke, MA
APRIL 23 – Asbury Lanes – Asbury Park, NJ
APRIL 24 – Mr. Smalls Theatre – Pittsburgh, PA
APRIL 25 – Blind Pig – Ann Arbor, MI
APRIL 26 – Woodward Theatre – Cincinnati, OH
APRIL 28 – Skully’s – Columbus, OH
APRIL 29 – The Burl – Lexington, KY
MAY 1 – Shaky Knees Music Festival – Atlanta, GA
MAY 2 – Shaky Knees Music Festival – Atlanta, GA
MAY 3 – Shaky Knees Music Festival – Atlanta, GA

All Them Witches is:
Charles Michael Parks, Jr – bass, vocals
Ben McLeod – guitar, vocals
Robby Staebler – drums, vocals

All Them Witches on Thee Facebooks

All Them Witches on Bandcamp

All Them Witches on Instagram

New West Records website

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All Them Witches Post New Single “1×1”; European Tour Starts Nov. 16

Posted in Whathaveyou on November 1st, 2019 by JJ Koczan

Well, hello there, new All Them Witches single. Wasn’t really expecting you until I guess two days ago when I stumbled on the social medias notification of your impending arrival. The Nashville three-piece are headed to Europe in a couple weeks to tour alongside Ghost and Tribulation, in what would seem to be a pretty big deal for all involved parties. It’s All Them Witches‘ second Euro run of the year, and unless I’m mistaken they were there for festivals and then some too — yup, they did Hellfest — so it’s not uncovered ground even if these are inevitably bigger venues and different circumstances. People like that Ghost band. They’re, like, a thing that people like.

Fair enough. As it happens, All Them Witches, as a band and in my experience of them as people, are a thing I like, so the new single “1×1” is among the most welcome news I’ve had in a while. The track would seem to take a somewhat grim lyrical view — if one imagines the lyrics to be about the touring experience also covered on their most recent album, 2018’s ATW (review here), it’s something of a surprise they’re hitting the road at all; hopefully that’s not the case — but one way or the other, it’s the heaviest tone I’ve heard from the band in at least the last half-decade, and bassist Charles Michael Parks, Jr. continues to grow ever more commanding as a singer. He shines here in subtle layers of harmonized vocal flourish — note that Parks, guitarist Ben McLeod and drummer/cover artist Robby Staebler are all credited with vocals — that, to All Them Witches fans, should be nothing less than a joy to behold, whatever the lyrical subject matter accompanying. In company with McLeod‘s all-in prog guitar solo, short but effective, and Staebler‘s recognizably fluid roll, they are an ever-changing, ever-growing unit who nonetheless remain uniquely their own.

If you’re still reading this and haven’t torn yourself from the verbiage to click play, hey, thanks. Otherwise, five of the best minutes of your day await you at the bottom of this post, and you might want to grab a download while you can, because All Them Witches have a habit of putting these things out on Bandcamp and then removing them and never talking about them again. Like a secret. Shhh.

Recording info and tour dates and such:

all them witches 1x1

1X1 by All Them Witches

Produced by All Them Witches Koo Koo

Recorded by Ben McLeod at The Church, Woodbury, TN
Assistant Engineering by Elad Shappiro
Mixed by Ben McLeod

Mastered by Mikey Allred at Dark Art Audio in Nashville, TN

All Them Witches w/ Ghost & Tribulation:
Sat 16 November – Nottingham (UK) – Motorpoint Arena
Sun 17 November – Cardiff (UK) – Motorpoint Arena
Mon 18 November – Glasgow (UK) – SSE Hydro
Wed 20 November – Dublin (Ireland) – 3Arena
Fri 22 November – London (UK) – Wembley SSE Arena
Sat 23 November – Leeds (UK) – Arena
Sat 30 November – Katowice (Poland) – Spodek
Sun 01 December – Prague (Czech Republic) – Universum
Tue 03 December – Budapest (Hungary) – BSA
Thu 05 December – Mantova (Italy) – PalaBam
Fri 06 December – Zurich (Switzerland) – Halle 622
Sun 08 December – Barcelona (Spain) – St. Jordi
Tue 10 December – Lisbon (Portugal) – Sala Tejo
Wed 11 December – Madrid (Spain) – Vistalegre
Fri 13 December – Strasbourg (France) – Zenith
Tue 17 December – Luxembourg (Luxembourg) – Rockhal
Wed 18 December – Nantes (France) – Zenith
Thu 19 December – Toulouse (France) – Zenith

Tickets for our 3 NIGHT STAND in Nashville at EXIT/IN are ON SALE NOW!

Dec 27 – https://bit.ly/2To3Qo6
Dec 28 – https://bit.ly/2YSu07z
Dec 29 – https://bit.ly/2YxYjRw

All Them Witches is:
Charles Michael Parks, Jr – bass, vocals
Ben McLeod – guitar, vocals
Robby Staebler – drums, vocals

http://allthemwitches.bandcamp.com/
http://www.facebook.com/allthemwitches
https://www.instagram.com/allthemwitchesband/
http://www.allthemwitches.org/

All Them Witches, “1×1”

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