Kadavar Announce Euro Tour & New Album Title For the Dead Travel Fast

Posted in Whathaveyou on June 12th, 2019 by JJ Koczan

kadavar

You know, if we’re being honest, I’d probably write this post on another day and be like, “Golly, I wonder what Kadavar‘s new record’ll sound like,” or some overly-wordy equivalent speculation thereof. Truth be told, I don’t care. Not that I’m not looking forward to it or I’m not curious, but after proving their songwriting mettle over four demonstrably different records without falling flat, I think they’ve at least earned the benefit of the doubt to that degree. Wherever they want to go in terms of their sound, I’m willing to trust they know what they’re doing. They might throw in something totally unexpected, they might not. Either way, don’t you just kind of think Kadavar know what they want to do in the studio by now? Hell, it’s even their own studio.

The record, which presumably will be out this Fall in time for their newly-announced European tour, is to be titled For the Dead Travel Fast, and it will see release through the band’s continued partnership with Nuclear Blast, recently reupped.

Details from the PR wire:

kadavar tour

KADAVAR Reveal New Album’s Title & Announce European Tour

Berlin, Germany-based rock overlords KADAVAR have announced the dates of the European tour in support of the band’s forthcoming album, For The Dead Travel Fast.

KADAVAR – FOR THE DEAD TRAVEL FAST EUROPEAN TOUR 2019
Special Guests: HÄLLAS & PABST
06.11. SE Copenhagen Pumpehuset
07.11. NO Oslo Bla
08.11. SE Göteborg Brewhouse
09.11. SE Stockholm Debaser
10.11. DE Hannover Capitol
12.11. FR Lyon Le CCO
13.11. FR Nantes Le Stéréolux
14.11. FR Paris L’Alhambra
15.11. FR Bordeaux BT 59
16.11. ES Madrid Mon
17.11. ES Barcelona Razzmatazz 2
19.11. FR Strasbourg La Laiterie
20.11. DE Wiesbaden Schlachthof
21.11. DE Nu?rnberg Hirsch
22.11. DE Mu?nchen Backstage Werk
23.11. AT Wien Arena
24.11. DE Dresden Beatpol
25.11. BE Brussels Orangiere at Botanique
27.11. DE Stuttgart LKA Longhorn
28.11. DE Köln Essigfabrik
29.11. DE Hamburg Große Freiheit
30.11. DE Berlin Columbiahalle

The band recently re-signed with their long-time label Nuclear Blast after a highly successful 7 year run encompassing three studio albums during which the trio has toured the globe relentlessly.

Commented singer and guitarist Lupus: “When we signed our first deal back in 2012, all of this was just a mere idea. Since then a lot has happened and after 3 records, 2 live albums and quite a few singles, we’re a very happy to continue working with Nuclear Blast.”

The band is currently working hard on the successor to 2017’s Rough Times at their own recording studio in Berlin Neukölln.

Added drummer Tiger: “We’re very creative at the moment, writing new songs on a daily basis. Wir very much loooking forward to completing the album soon. So it’s very nice that we have this new contract!”

KADAVAR’s latest album, Rough Times, was released in late 2017 to global critical acclaim, including live hits like “Die Baby Die,” “Tribulation Nation” and “Into The Wormhole”.

KADAVAR live:
27.06. I Segrate (MI)- Magnolia Stone
29.06. D Ferropolis – Full Force
02./03.08. D Beelen – Krach am Bach
08. – 10.08. D Haldern – Pop Festival
16.08. F St. Nolff – Motocultor Festival
17./18.08. USA Las Vegas, NV – Psycho Las Vegas

https://www.facebook.com/KadavarOfficial/
https://instagram.com/kadavargram/
https://www.facebook.com/nuclearblastusa
http://shop.nuclearblast.com/en/shop/index.html

Kadavar, “You Found the Best in Me” official video

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Friday Full-Length: Kadavar, Kadavar

Posted in Bootleg Theater on December 28th, 2018 by JJ Koczan

Kadavar, Kadavar

Not many albums are recognizable from even just their snare sound. And likewise, one doesn’t often hear panned drums all stuck over in one channel. But even when it was released, Kadavar‘s Kadavar seemed to be working on its own level.

Issued in 2012 by This Charming Man and Tee Pee Records, the seven-song/41-minute outing arrived at just the right moment to capture the attention of a new generation discovering heavy rock. The Berlin three-piece was comprised at the time of guitarist/vocalist Christoph “Lupus” Lindemann, drummer Christoph “Tiger” Bartelt and bassist Mammut — the latter was soon replaced by Simon “Dragon” Bouteloup — and they were by no means the first band to play ’70s loyalist retro rock. In 2012, the self-titled debut from Sweden’s Witchcraft was already eight years old, and even if that was the breakout moment for vintage-minded heavy, it was by no means the nexus of it. Even the first Graveyard album had come out half a decade earlier — on Transubstans and Tee Pee, mind you, so even the same label in the US. But with Kadavar, they were very much of that same generational switch happening in heavy rock’s audience. The mobilization of social media became a massive factor, and where plenty of bands had done their used-fashion shopping in time for their press shots, Kadavar looked like something out of a 1973 men’s magazine, and the drama of their poses, hair, beards and wardrobe became a crucial part of their aesthetic that the reshaping digital landscape only helped them foster.

It’s never just been about one thing with Kadavar. It’s never just been the look, and it’s never just been the songs, and it’s never just been the huge amount of touring they’ve done over the years. They’re a band with hustle. One recalls that when they played the Sardinian daydream-of-a-festival Duna Jam in 2012, they filmed a video for “All Our Thoughts” on their iPhones. That opening track, which is as much a signature and a herald of their sound as any band could ever hope for, as well as being better composed than most bands could hope for, was premiered here with a giveaway in 2012, and Kadavar was my pick for debut of the year a couple months later as well, but at the time it was impossible really to know the band that Kadavar would become, what their kadavar self titledsubsequent outings would produce and the work they would do to engage and build their audience, virtual and otherwise. Listening back to cuts like “Black Sun” and “Forgotten Past,” it was the incredible warmth of their tones, the on-beat nature of their boogie and the catchiness of their hooks that were speaking for themselves.

With centerpiece “Goddess of Dawn,” Kadavar nestled themselves into a proto-metallic echelon that was home to precious few bands, and as it was Bartelt doing the recording, mixing and mastering, the willfulness of their aesthetic was all the more prevalent. “Creature of the Dawn” still resonates with the insistent hook of its second half — perhaps unsurprisingly, the album as a whole is well suited to nostalgia even just six years later — and the theremin-inclusive “Purple Sage” (with Shazzula providing the eerie sci-fi sounds) was indicative in its multi-layered soloing of some of the more psychedelic aspects that would continue to be toyed with as Kadavar issued their follow-up as a 2012 split with France’s Aqua Nebula Oscillator, all the while maintaining the grounded structures that provided so much of the foundation of Kadavar itself. They would continue to save their departures for the ends of records afterward, and it has continued to suit them well.

But of course it has. Because Kadavar have always had a keen eye for how they’re perceived, and that has extended to all facets of their approach. There are those who view that cynically, like Kadavar are sitting around at a board meeting going over the quarter’s financials saying, “No good, time for another video,” or something like that, but while there’s no question they’ve had a strong sense of purpose since Kadavar was released, they’ve also had a growth in style and progression that’s led them to places the self-titled only hinted toward. Hearing “All Our Thoughts” and “Forgotten Past” and “Purple Sage” now, there’s so much naturalism at Kadavar‘s foundation that the album still holds I think among the decade’s best not just in its sound or performance, with its live feel, organic fuzz and groove and ultra-righteous bass tone, but in its very concept. Everything Kadavar does and has done has been on purpose. Even the accidents. Part of what made their first record such a standout was how sure they were of what they were doing at the time. There was no sense that they were getting their feet wet or feeling their way into their style. Listening to Kadavar‘s Kadavar was like unboxing some tech product with the battery already charged. All you had to do was take it out and put it on and you were set.

That’s still the case. Kadavar have gone on to become one of the most essential active European heavy bands, as their 2013 sophomore outing, 2013’s Abra Kadavar (review here), led to their signing to Nuclear Blast Records to wider distribution and a new level of reach in terms of touring. A pivotal moment followed in 2015’s Berlin (review here), their third album named for the city they call home, whereupon their sound took on a more modern, produced sheen that was a shift from the first two records. One would be naive to think that’s a coincidence of their signing to the new label, but they pulled off a difficult transition in sound thanks to the same undercurrent of songcraft that carried them through the debut and its follow-up. Touring all the while, they took on a moodier, more socially aware context with 2017’s Rough Times (review here), which was followed this year by the Live in Copenhagen companion LP. They’ve become an influence particularly in Europe, and as their craft has moved forward, they’ve never really lost the sense of structure that seemed so much to drive their beginnings. Kadavar knew it was playing to classics. I’m not sure it knew it would become one itself.

As always, I hope you enjoy.

It’s 5:24AM right now. Soon it’ll be 5:25. In about a minute or so. Ha.

Alarm went off at 3:30, as it will — I’ve been giving myself an extra half-hour and working during The Pecan’s morning nap — and he was up at 4AM. Hi from the Newark Airport flightpath. We’re in Jersey from now until about Jan. 20, and normally I’d have left his ass up there to fall back asleep on his own, but we have friends staying with us upstairs in the guest room across the hall. When it hit 15 minutes of yelling and it seemed like he wasn’t going to just lay back down and conk out, I went up there armed with fresh diaper and a bottle, changed him, fed him, and put him back down. He screamed bloody murder for about three minutes after I left the room, but has been out since, so even if he gets up at this point, I bought another hour. Again, I usually would leave him because I want him to learn and be used to settling himself down, but there are extenuating circumstances. “Additional factors,” as The Patient Mrs. and I like to say, usually about him.

Next week is New Year’s? That’s stupid. Whatever. Be safe. I’ll still be asleep by nine.

We did Xmas Eve at home and watched Die Hard, as we will, and then Xmas Proper in Connecticut with The Patient Mrs.’ family, then came down here the next day. I don’t even know what day that actually was. Wednesday, says the calendar. Fine. We got here and are mostly settled in at this point. I need Chemex filters something awful, but beyond that, it’s been good. Dinner with my family on the 26th, some hanging out with my oldest nephew, who does well with the baby, friends coming in yesterday. Good times. I like it here. I miss living in this area. So it goes.

With the New Year’s holiday on Tuesday, I’ll do the traditional thing of posting the results of the Year-End Poll. If you haven’t yet added your list of 20-or-however-many favorites of 2018, you should get on that.

What else? Merch still available at Dropout Merch. For now. I’m gonna nix some of those designs soon. I don’t want too much floating out there.

And while the next ‘The Obelisk Show’ on Gimme Radio was going to be Jan. 13, now it’ll be Jan 6. I got bumped up a week, which is nice. I still need to put together most of the playlist, but I know some of it will be highlights from the Quarterly Review, so there’s plenty to choose from there, as it was 100 records and all. Plus some other stuff I haven’t covered here yet.

Let’s do notes for next week. Haven’t done that in a while. Subject to change, blah blah, here goes:

Mon.: Arc of Ascent/Zone Six split review.
Tue.: Poll results.
Wed.: Begotten review; Medicina video.
Thu.: Volcano video premiere; maybe Thunderbird Divine review.
Fri.: Molior Superum track premiere.

Busy busy busy, as usual. That’s good though. The music industry slows down during this time, basically through the end of January, but I never seem to have any lack of stuff to cover, and I’m not really interested in slowing down, so fair enough.

Just about 6AM now. Definitely not regretting giving him that bottle. The Patient Mrs. came to bed around 1:30AM, which is insane as far as current best practices are concerned. I told her that when the baby got up at five I was going to bring him down and stick her with him. I haven’t decided if I actually will do that or not. Probably not. But he should be up soon and I need to get another post live before I grab him, so I’m gonna punch out.

I hope you have a great and safe weekend, and if you’re doing the New Year’s thing, I hope you’re indoors? I don’t know. I hope you drink because it’s fun and not because you feel like you need to. That’s what I hope.

Have fun, don’t get hurt, and thank you for reading. Forum, radio, merch.

The Obelisk Forum

The Obelisk Radio

The Obelisk shirts & hoodies

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Desertfest London 2019 First Announcement: Earthless, All Them Witches, Colour Haze, Kadavar, Witch, We Hunt Buffalo & DVNE Join Lineup

Posted in Whathaveyou on September 21st, 2018 by JJ Koczan

desertfest london 2019 banner

What’s more exciting than a killer first festival announcement? Not much. So many possibilities, and with its first lineup additions, Desertfest London 2019 throws the door wide open with some massive names. Earthless, All Them Witches, Colour Haze and Kadavar? Hell, I’d take any of them as a headliner, and you can pretty much throw Witch in there too. That’s five acts right out of the gate, any of whom could sell out a show on their own in London, plus the just-reviewed We Hunt Buffalo and Edinburgh’s DVNE, whom I had the pleasure of seeing at Psycho Las Vegas for their US live debut, rounding out an initial seven that’s absolutely massive.

The key part of the announcement below, though? It’s where it says “we’re aiming for our biggest bill to date.” Desertfest London has only grown huger each year, more forward-thinking and broader in its reach. The Desertscene crew have their work cut out for them in topping 2018, but if this is a taste of the scale to come, they might just get there.

From the PR wire:

desertfest london 2019 poster

DESERTFEST LONDON 2019

Friday, May 3, 2019 – Sunday, May 5, 2019

It begins! Desertfest is returning to Camden for our eighth edition over the Bank Holiday weekend of 3rd to 5th May, and as ever we’re bringing you the finest stoner, doom, sludge and psych bands from around the world. Over the next few months, we’ll be revealing our lineup of dozens of the heaviest bands around, so without further ado, here’s the first seven names for Desertfest 2019.

Over the last half-decade, Nashville’s All Them Witches have made themselves indispensable with a sound that has never stopped evolving, with their roots in heavy blues and psychedelia flourishing over time into an approach that is undeniably their own. The Tennessee four-piece arrive at Desertfest with a reputation that precedes them for jammy explorations and a kind of heavy that, while regularly imitated, has yet to be reproduced by anyone else.

Joining them on the bill are Kadavar, who make their long awaited Desertfest return with their fur-coated, barreling riot of a set at the Jazz Cafe in 2013 as fresh in our minds as ever. There are very few who perform the retro-rockin’, ’70s proto-metal revival with the power, prestige and passion of our favourite Berlin trio. The boogie train that is Kadavar won’t be making any emergency stops as it ploughs through Camden this May.

Vermont spell-casters Witch will be enrapturing Desertfest with their stoner rock incantations in 2019. Combining psychedelic rock, Sabbath-ian doom, and Black Flag sludge-punk, stoner aficionados who were around for the noughties boom will fondly remember Witch for releasing some of the hookiest albums of the decade. After a stint lurking in the shadows, Witch are hitting up Desertfest to make magic once again.

Even after seven mammoth editions of Desertfest, there are bands we’ve been chomping at the bit to get over to Camden to grace our stages; finally, we’ve grabbed us the hardest jamming band in the universe, Earthless, are touching down to shred our corner of London to the ground. The epitome of psyched-out Hendrixian-krautrock from day one, San Diego’s ultimate power trio will melt your entire body this May.

Colour Haze make their return to the Desertfest stage in 2019 after six long years. The German trio, in whose image modern heavy psychedelia is in large part cast, have affirmed their position as unflinching masters of the form in their absence, finding a new niche between heavy riffs and expansive arrangements. The Colour Haze that return to Desertfest are, somehow, even better than the one we saw in 2013.

Vancouver trio We Hunt Buffalo‘s brand of prog-minded fuzz rock has been stampeding out of amps and trampling audiences since 2010. Professing a love of all things stoner and psych and citing influences from all genres of rock, all underpinned with driving fuzz lines, We Hunt Buffalo will be just the ticket to a sore neck at Desertfest.

Last but not least in our first batch of bands are Edinburgh’s DVNE who play their own unique brand of night sky-gazing melodic sludge. Early-period Mastodon fans should take note, as the progressive changes and all-conquering vocals conjure up scenes of destruction, desolation and absolution in their epic soundscapes of post-metal ebb and flow.

So there you have it, our first seven bands. With dozens more names to come, including all three headliners, we’re aiming for our biggest bill to date. Weekend tickets are on sale now at the link below, so be sure to book your place at the heaviest lineup in town; Desertfest 2019!

http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://www.instagram.com/desertfest_london/
https://twitter.com/DesertFest

All Them Witches, ATW (2018)

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Kadavar Post “Into the Night” Live Video; European Tour with Monolord Next Month

Posted in Bootleg Theater on September 18th, 2018 by JJ Koczan

kadavar (Photo by Vollvincent)

Kadavar always seem to hit you on multiple levels, don’t they? It’s never just one thing. It’s an album, and a tour. It’s a video, and an entire series of them. It’s a split, and a tour. It’s a tour, and a tour. And so on. Next month, the Berlin three-piece head out with Monolord. Fine. Fair enough. Those’ll be killer shows for the Europeans lucky enough to catch them. Oh, and they’re also releasing a live record called Live in Copenhagen — you’ll never guess where it was recorded — both as a standalone LP and on CD as part of a tour edition of their fourth and latest album, Rough Times (review here). Oh, and they have a video from the live record for “Into the Night,” which originally appeared in all its protometallic righteousness on 2015’s Berlin (review here). Oh, and they’re doing a behind-the-scenes series of mini-documentaries about being in the band and touring all the time.

You know, I bet they have new songs in the works too.

If you’re wondering how Kadavar got to be Kadavar, yeah, righteous songwriting helps. The ’70s retroist vibe of their first two records helped. Well-brushed beards help. But there are plenty of bands out there who do that stuff. Kadavar got to be Kadavar by working their ass off. It’s been six years since their 2012 self-titled debut (discussed here), five since their 2013 breakout, Abra Kadavar (review here), and guitarist/vocalist Christoph “Lupus” Lindemann, drummer Christoph “Tiger” Bartelt and bassist Simon “Dragon” Bouteloup have barely stopped to catch their breath. You need amphetamines just to keep up with Kadavar, let alone be in the band.

Look, the point is that even in this often abstract, often horrifying digital post-future it’s not just about social media presence or keeping up momentum on Instagram posts. That’s part of it, make no mistake, but if you’re not actually out there doing something worth plugging for all to see in their feeds on their phones, you might as well be punching yourself in the face. It all feeds into the same cause, and if four records deep into their career you might dare doubt Kadavar‘s belief in their cause, just glance at the fucking string of tour dates they’re about to do. I don’t care how big your bus is, you’re still sleeping on a cot and doing stretches of six shows in a row in five different countries. Kadavar get a lot of credit for putting out good records– and well earned — but they get less credit for how much they back those good records with time on the road and a multifaceted, multi-tiered, multimedia approach to audience engagement, and to me that seems no less passionate than the material they craft itself.

Tour dates below courtesy of the PR wire. Enjoy the video:

Kadavar, “Into the Night (Live)” official video

Berlin-based rock overlords KADAVAR have announced to release a brand new live album called Live in Copenhagen, featuring their infamous show at Pumpehuset in Denmark’s capitol in November 2017 during the band’s tour in support of the most recent album, Rough Times.

Today the band releases the music video for the live cut of ‘Into The Night” from the aforementioned live album.

The album will be available as a tour edition packaged with said studio album (CD only) and also be made available separately on vinyl (see formats below). It’s scheduled to drop on October 12, 2018 via Nuclear Blast.

Pre-order your copy here: http://www.nuclearblast.com/kadavar-roughtimeste

Make sure to catch the band on tour:
KADAVAR + MONOLORD
25.10. D Dresden – Beatpol
26.10. D Magdeburg – Factory
27.10. D Berlin – Festsaal Kreuzberg
28.10. D Rostock – Peter-Weiss-Haus
30.10. DK Aarhus – Atlas
31.10. S Malmö – KB
01.11. N Oslo – John Dee
02.11. S Gothenburg – Sticky Fingers
03.11. D Weissenhäuser Strand / Ostsee – Metal Hammer Paradise *SOLD OUT*
04.11. NL Den Haag – Paard van Troje
06.11. F Angers – Le Chabada
07.11. F Toulouse – Le Metronum
08.11. E Bilbao – Santana 27
09.11. E Murcia – Garaje Beat Club
10.11. E Málaga – Sala Paris 15
11.11. E Sevilla – Sala Custom
14.11. F Six-Fours-les-Plages – Espace Malraux
15.11. CH Lausanne – Le Romandie
16.11. CH Zurich – Mascotte
17.11. NL Eindhoven – Helldorado
18.11. NL Groningen – Vera
20.11. D Bielefeld – Forum
21.11. B Kortrijk – De Kreun
22.11. D Karlsruhe – Substage
23.11. D Leipzig – Conne Island
24.11. D Schweinfurt – Stattbahnhof
25.11. D Neukirchen – Sägewerk
27.11. D Cham – L.A.
28.11. D Munich – Backstage
29.11. D Bochum – Zeche
30.11. D Saarbrücken – Garage
01.12. D Freiburg – Jazzhaus
06.12. D Frankfurt – Batschkapp*
*KADAVAR only

Kadavar, Live Quickies Episode 1

Kadavar, Live Quickies Episode 2

Kadavar on Thee Facebooks

Kadavar on Twitter

Kadavar on Instagram

Nuclear Blast on Thee Facebooks

Nuclear Blast webstore

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Kristonfest 2019 Tickets on Sale; Kadavar, Church of the Cosmic Skull, Arabrot and Turbowolf to Play

Posted in The Obelisk Presents, Whathaveyou on August 31st, 2018 by JJ Koczan

Looks like good times ahead. I’ve been asked if I’d like to be a media sponsor for Kristonfest 2019 and my answer was pretty much, “duh yes.” I framed it nicer than that, but that was the gist of it. The festival will be held in Madrid on May 10 (a pre-show) and May 11 (the fest proper) and so far four bands have been announced: KadavarArabrotTurbowolf and Church of the Cosmic Skull, giving an immediate sense of variety in underground heavy from the ultra-harmonies of the latter UK outfit to the mega-hooks of the former to Arabrot‘s noise assault and Turbowolf‘s classic-styled hard rock. Much to dig for just being four acts so far, but I have it on good authority more killer stuff is to be announced, so keep an eye out.

The info below was run through a major internet company’s translation matrix, so keep that in mind as you peruse, but I think the point gets across. Tickets are on sale now:

kristonfest 2019 poster

Kristonfest 2019

FRIDAY, MAY 10 | WARM UP PARTY KRISTONFEST 2019
SALA CARACOL (MADRID)

SATURDAY MAY 11 | KRISTONFEST 2019
SALA LA RIVIERA (MADRID)

For this 2019, the main novelty is that the next edition will be composed of 2 days: A first day framed in a Warm Up Party or party presentation in the Caracol Room and a second day in the usual La Riviera, both in Madrid.

Having said that, the eighth edition of the Kristonfest will be held on May 10 and 11, 2019 and as the first round of confirmations we are proud to present the KADAVAR Germans, who in a short time have become the spearhead of a new generation of artists who have revived and refreshed the most classic sounds of legends like Black Sabbath or Pentagram, adding rhythms more typical of psychedelia or stoner-rock.

Another great confirmation is the TURBOWOLF, English quartet that burst with great force with the edition of its first disc in 2011 and that dragged a debt after having recorded 3 discs and still not to come to Madrid to present it. The wait has been long but we are sure it will be worth it!

In similar circumstances we find CHURCH OF THE COSMIC SKULL, a kind of hippie commune formed by 7 musicians reminiscent of the Electric Light Orchestra, Deep Purple or Fleetwood Mac and that in the European scene is one of the sensations of the moment, Mission fulfilled! It will be the first time they have performed in Spain and we are sure that their show will be one of the highlights of Kristonfest 2019.

To close this first round of confirmations, we are especially excited to announce ARABROT, one of the successful bands of the past Roadburn and that will delight us with their vision of the darker side of rock, evoking the icy landscapes of their native Norway and reminding us of brushstrokes of artists that we admire a lot like Wovenhand, Neurosis or Melvins to name a few.

TICKETS ALREADY ON SALE: WWW.KRISTONFEST.COM

https://www.facebook.com/events/391742591310823/
http://www.kristonfest.com
https://www.facebook.com/kristonfest
https://twitter.com/Kristonfest
https://www.instagram.com/kristonfest

Church of the Cosmic Skull, “Evil in Your Eye” official video

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Kadavar Set Oct. 12 Release for Live in Copenhagen; “You Found the Best in Me” Video Posted; Touring with Monolord

Posted in Whathaveyou on August 23rd, 2018 by JJ Koczan

kadavar

One assumes that the photo above of Berlin heavy rock magnates Kadavar was taken at this year’s Duna Jam. In the social medias post, they thank Sardinia, so yeah. The band’s new video below for “You Found the Best in Me” from last year’s Rough Times LP (review here) was filmed in the same location, what with the gorgeous beach and idyllic slow motion and whatnot. I don’t think that’s an effect, by the way. I think time actually slows down at Duna Jam. Just try to watch that video and tell me it doesn’t look like fucking magic there.

More to the point, Kadavar have a new live record that’s going to be released in vinyl Oct. 12 and on CD as a bonus with a tour edition of Rough Times. Fair enough, what with the massive run the three-piece are doing with Sweden’s Monolord between October and December. Kadavar and Monolord on tour together. What a god damn show that would be.

Anyhoozle, video’s at the bottom of this post if, like me, you care to daydream of literal foreign shores. Info on the live album and tour dates are in blue as well, as hoisted from the PR wire:

kadavar live in copenhagen

Kadavar Announce Live in Copenhagen Live Album

Release “You Found The Best In Me” Music Video

Berlin-based rock overlords KADAVAR have announced to release a brand new live album called Live in Copenhagen, featuring their infamous show at Pumpehuset in Denmark’s capitol in November 2017 during the band’s tour in support of the most recent album, Rough Times.

The album will be available as a tour edition packaged with said studio album (CD only) and also be made available separately on vinyl (see formats below). It’s scheduled to drop on October 12, 2018 via Nuclear Blast.

Pre-order your copy here: http://www.nuclearblast.com/kadavar-roughtimeste

Furthermore the band has released the official video for the song “You Found The Best In Me” from Rough Times.

Tracklistings:
Rough Times tour edition bonus CD
1. Skeleton Blues
2. Doomsday Machine
3. Pale Blue Eyes
4. Into The Wormhole
5. The Old Man
6. Die Baby Die
7. Black Sun
8. Living In Your Head
9. Into The Night
10. Forgotten Past
11. Tibulation Nation
12. Purple Sage

Live in Copenhagen Vinyl
1. Skeleton Blues
2. Doomsday Machine
3. Pale Blue Eyes
4. Into The Wormhole
5. The Old Man
6. Die Baby Die
7. Black Sun
8. Living In Your Head
9. Into The Night
10. Forgotten Past
11. Tibulation Nation
12. Purple Sage
13. All Our Thoughts
14. Come Back Life

Make sure to catch the band on tour:
SUMMER FESTIVALS
24.08. D Wörrstadt – Neuborn Open Air

KADAVAR + MONOLORD
25.10. D Dresden – Beatpol
26.10. D Magdeburg – Factory
27.10. D Berlin – Festsaal Kreuzberg
28.10. D Rostock – Peter-Weiss-Haus
30.10. DK Aarhus – Atlas
31.10. S Malmö – KB
01.11. N Oslo – John Dee
02.11. S Gothenburg – Sticky Fingers
03.11. D Weissenhäuser Strand / Ostsee – Metal Hammer Paradise *SOLD OUT*
04.11. NL Den Haag – Paard van Troje
06.11. F Angers – Le Chabada
07.11. F Toulouse – Le Metronum
08.11. E Bilbao – Santana 27
09.11. E Murcia – Garaje Beat Club
10.11. E Málaga – Sala Paris 15
11.11. E Sevilla – Sala Custom
14.11. F Six-Fours-les-Plages – Espace Malraux
15.11. CH Lausanne – Le Romandie
16.11. CH Zurich – Mascotte
17.11. NL Eindhoven – Helldorado
18.11. NL Groningen – Vera
20.11. D Bielefeld – Forum
21.11. B Kortrijk – De Kreun
22.11. D Karlsruhe – Substage
23.11. D Leipzig – Conne Island
24.11. D Schweinfurt – Stattbahnhof
25.11. D Neukirchen – Sägewerk
27.11. D Cham – L.A.
28.11. D Munich – Backstage
29.11. D Bochum – Zeche
30.11. D Saarbrücken – Garage
01.12. D Freiburg – Jazzhaus
06.12. D Frankfurt – Batschkapp*
*KADAVAR only

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Kadavar, “You Found the Best in Me” official video

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Up in Smoke 2018: Kadavar, Elder, Whores., Villagers of Ionnina City and Six Months of Sun Added

Posted in Whathaveyou on July 10th, 2018 by JJ Koczan

up in smoke 2018 banner

As noted yesterday, John Garcia has postponed his Fall tour of Europe, and that included a stop at Up in Smoke 2018. No doubt Mr. Garcia is a significant presence as a part of an lineup in which he features, and accordingly, Up in Smoke has gone ahead and added five bands in the wake of his cancellation, including Berlin three-piece Kadavar, who will take over his headlining spot. Needless to say, you could do much worse, and with Elder, Whores., Villagers of Ionnina City and Six Months of Sun also joining the lineup, there will definitely be plenty to see in Garcia‘s absence. Plus, there’s always Keep it Low 2019 to think about. Well, not “always,” but at least for the next year or so. Ha.

The following confirmations came down the PR wire:

up in smoke 2018 kadavar

UP IN SMOKE 2018 – KADAVAR & 4 MORE BANDS CONFIRMED!

Smokers,

You may have seen that JOHN GARCIA cancelled his October/November tour yesterday. It’s with great sadness that we have to say it consequently includes his appearance at Up In Smoke 2018… But no worry! We found another amazing act to headline our Friday night, one of the biggest names in the scene whose sound can be recognized by a single guitar strum: the berlin-based power trio KADAVAR! We’re pretty thrilled about that, aren’t you?!

We are also psyched to announce the 4 following bands:

ELDER (USA) – Elder is the definition of a work in progress, as the group continues to meld the familiar sounds of Sleep‘s colossal riffage with their ever-evolving vision of soaring melodies and sonic soundscapes. Listeners will find themselves locked into the trio’s lengthy epics, which toe the line between the chasms of classic stoner metal and mindblowing psychedelia.

WHORES (USA) – Founded in 2010 in Atlanta, Georgia, Whores has established themselves as one of the most successful and motivated bands in the genre today. Through intense, cathartic live performances and the perfected aggressive tenacity present on their recordings, the band has gained a fervent following sure to do nothing but grow in the years to come. October 2016 saw the band’s first full-length album “GOLD”, and Whores is currently recording the next one.

VILLAGERS OF IOANNINA CITY (GR) – The experimental heavy rock band Villagers of Ioannina City (VIC) comes from the mountains of Epirus – Greece. Their unique sound fuses traditional music into heavy psychedelic rock. The band uses a wide range of instruments, such as low tuned guitars and bass, hammond and rhodes, along with traditional instruments such as clarino, bagpipe, kaval, didjeridoo and others. Currently they are recording their long awaited new album “Age of Aquarius” which will be released in September.

SIX MONTHS OF SUN (CH) – Six Months Of Sun are based in Geneva, Switzerland and released their debut album called “And Water Flows” in 2013. The band served on Stoner Rock sound and offers us instrumental compositions with strong influences from bands such as Karma To Burn, Black Sabbath, Goatsnake, Orange Goblin, Graveyard and Clutch. They released their excellent second album “ Below the Eternal Sky” barely 2 months ago!

www.upinsmoke.de
https://www.facebook.com/UpInSmokeIndoorFestivalInZ7/
https://www.sol-tickets.com/produkte
https://soundofliberation.com

Kadavar, “Die Baby Die” official video

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SonicBlast Moledo 2018: Conan, Kadavar, Naxatras & Nebula Confirmed for Lineup

Posted in Whathaveyou on January 10th, 2018 by JJ Koczan

sonicblast moledo 2018 FIRSTBANNER

In the several years now that I’ve been keeping up with lineup announcements for the Portuguese SonicBlast Moledo festival, I don’t think I’ve ever encountered one that didn’t immediately set me to daydreaming about making the trip to the Iberian coastline to experience it for myself. It’s like a Pavlovian response at this point — drool and all. The first word from SonicBlast Moledo 2018 is, of course, no different, and as I sit in my dimly-lit Massachusetts kitchen with my hood up and three layers of pants on because I’m so god damned cold and cracks in my right-hand fingers so deep that it’s actually physically hurting me to type this sentence right now, August seems like the perfect time to go. Or, you know, tomorrow.

First four for SonicBlast Moledo 2018? Conan, Kadavar, Naxatras and Nebula. That’s just fun to say. Go ahead, give it a shot. Out loud.

Here’s details from the PR wire:

SONICBLAST MOLEDO 2018: Stoner Doom Psych Heavy

Sea Beach Camping Pool Surf Skate

With the dates settled for August 10th and 11th, the lineup of the eighth edition of SonicBlast Moledo starts to take shape with the first confirmations: Kadavar, Nebula, Conan and Naxatras!

Almost five years later after their debut at the third edition of SonicBlast Moledo and their exponential growth, Kadavar return to Portugal to show the best that is done within the Retro Rock world. Following their sudden cancellation on the last edition, the power trio present themselves with their newest work, entitled “Rough Times”, released by the label Nuclear Blast Records, which shows the group’s superiority to create masterpieces of 70’s influenced Hard Rock, always with the excellent capacity of incorporating new elements in their music.

Conceived by the guitarist Eddie Glass, after departing Fu Manchu, Nebula are considered, without any doubt, one of the great and more influential precursors of the Stoner Rock movement. Two decades after their formation and seven years after their indefinite hiatus, the desert legends reborn for their new space incarnation, prepared to rule any soul with their distinctive dose of energetic fuzz, frenetic feedbacks and lots of psychedelia.

Barbarians by the name and by the sound, the British Conan have been defined, for more than 10 years, as caveman battle Doom, marked by distorted devastating guitars, sepulchral voices, and instruments tuned always below the low. With their live shows, we can expect storms of dark and raw riffs, projected by overwhelming walls of sound and brutally slow tempos that put us into a monolithic hypnotism.

Although relatively young, the Greeks Naxatras have already conquered their captive place within the European underground rock. Moved by their fascinating and peaceful psychedelic, together with their nuances of dreamy Hard Rock, this power trio is distinguished by its bold touches of Jazz, Funk, Progressive or desert influences, surely providing a live trip essential to be experienced.

https://sonicblastmoledo.bol.pt/
https://www.facebook.com/SonicBlast-Moledo-242619262427066/
https://www.facebook.com/events/181938749070159/
https://sonicblastmoledo.wordpress.com/

Kadavar, Live in Vienna, Oct. 28, 2017

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