Days of Rona: Mattia Mazzeo of AyahuascA and Black Gremlin

Posted in Features on June 8th, 2020 by JJ Koczan

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

Mattia Mazzeo AyahuascA Black Gremlin

Days of Rona: Mattia Mazzeo of AyahuascA and Black Gremlin (Collecchio, Italy)

Welcome to http://ireon.ru/?william-blake-essay-help! We are a Dublin based professional education development company which provides academic support to those undertaking How have you been you dealing with this crisis as a band? As an individual? What effect has it had on your plans or creative processes?

First of all, thank you for getting in touch with me. I was in Naples for a show with Black Gremlin (action rock band) a few days before the lockdown (a few places were already locked in the north of Italy) and we were already worried about our near future. With AyahuascA has been the same, the lockdown started on the same day we were supposed to play in Rome, and then all the shows we booked have been canceled including Crystal Mountain Festival which was a great show for us with a lot of great bands (Kadavar, Giobia, Monkey3 any many more). So a lot of hard work vanished into thin air, we were booking two tours with both bands (Black Gremlin and AyahuascA) for November/December but now there are too many uncertainties to book shows, so we decided to focus on new material for the next album. As an individual, I started to write a lot of new stuff, especially for AyahuascA. On this side I’m quite satisfied, isolation helped me to take a trip inside of me, I tried to turn this situation into something positive for me and I knew it could be a good time to write new riffs and lyrics. Everything has changed overnight, all of us started writing new songs on our own at home and now we have enough material for at least two albums and I’m really excited about that, I can’t wait to start to work on it with my bandmates in our rehearsal room, since writing albums is the most intense and beautiful part of the work for me.

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Well, Italy was hit hard by the virus, I was afraid especially the first month (my father also took a light form of the virus). Remembering the first weeks of lockdown is like entering in a separate dimension, a very strange moment in the life of all of us. I think there was a lot of fear in general, the media bombed us with numbers of dead and infected people every day. Personally I have sometimes avoided reading the news, not to get too discouraged. Speaking of our government’s response, I think managing something of this magnitude is really difficult. Some members of the government have shown themselves to be ridiculous individuals, without culture and sense of duty. I also believe that others have done more or less what has to be done. But the perception that I have about it is deviated by an aberrant amount of news, fake news, etc. I think this was the main problem of this situation: the almost total impossibility of having a clear idea of what was going on. But on the other hand, I don’t think it could have been otherwise.

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I think the music community answered well, our balconies were full of musicians who played for the neighborhoods as you may have noticed hahaha. Apart from this, in Italy, there is no real support for those who work in the music business (I am not only talking about musicians, but about promoters, club managers and other figures). Since the lockdown started, new realities have emerged to protect those who work with music and this could be a good starting point for our future. Despite this, I am really worried about many small clubs that have given us fantastic concerts in the last years. I hope that they will be able to resist in this moment of extreme restrictions and start again asap. Personally, I can’t wait to get back on stage. Now it is unthinkable to organize a punk concert with these restrictions(just to name a couple: everyone must be seated with masks and well-spaced, you can not serve drinks), but maybe it is possible to organize some psychedelic or ritual band and enjoy the show in a different way, taking advantage of the distances. Social distancing has a different impact on everyone of us. Surely this new reality is asking us to look within us, whoever has the strength to do so could come out really changed and more “centered” than before. I think great albums can come out of that. I see this period as a call to arms towards our sensitivity, the perception of what we call our world.

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If you have the opportunity to support the bands you love, do it. Buy albums and share the music you love to keep your passion alive, whether you are a musician or a listener. To the bands, on the other hand, I say that this is the best time to dedicate yourself to writing new music and get out of this stronger than before. I believe that from now on the keyword will be “adaptation”, but I believe it is also a good time to create new realities, new projects.

https://www.facebook.com/ayahuasca25/
https://ayahuascatheband.bandcamp.com/
https://www.instagram.com/ayahuascatheband/
https://www.facebook.com/blackgremlinofficialpage/
https://blackgremlin.bandcamp.com/
https://www.instagram.com/blackgremlin_rocknroll/

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Days of Rona: Melissa Pinion of Stygian Crown

Posted in Features on June 4th, 2020 by JJ Koczan

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

stygian crown melissa

Days of Rona: Melissa Pinion of Stygian Crown (Los Angeles, California)

How have you been you dealing with this crisis as a band? As an individual? What effect has it had on your plans or creative processes?

We all live in areas that are under lockdown, so we can’t rehearse as a group. Numerous shows and festivals we were scheduled to play have been canceled or postponed as a result of the pandemic. However, we have been keeping up our chops so we can come out strong when venues begin to reopen. This downtime has given us the chance to begin developing riffs, basic song structures and lyrics for a follow-up album.

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It’s hard to say without actually seeing the inside of hospitals, but based on statistics, it appears that the stay-at-home orders are actually working at the moment and our healthcare sector is handling our cases without having to turn away anyone else with critical needs. The initial panic that we saw in mid-March has vanished, and in its place has appeared an anticipation for the world around us to get back to “normal.” The problem is, no one really knows what that means.

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There are two sides to this. Obviously, we feel badly for all the bands whose primary source of income comes from touring. Countless support staff in the entertainment industry have lost their jobs too. What many artists have done in the wake of this crisis is turned a negative situation into something positive. All of the live-streaming performances have been inspiring to see. And the money being raised by these artists for various causes shows us that listeners really care about the bands they follow.

Additionally, Germany’s “Keep It True” festival compiled hours and hours of past footage and presented it on YouTube to give fans something to enjoy on the weekend the festival was supposed to take place. We hope this positive vibe continues when the virus gets under control.

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Stygian Crown will release its debut album amid a pandemic, but our passion to create and perform will not be stopped by the coronavirus. And with the support of the metal community, we’ll be back with a vengeance before you know it!

facebook.com/stygiancrown/
cruzdelsurmusic.com
cruzdelsurmusic.bandcamp.com/

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Days of Rona: Giorgio Trombino of Elevators to the Grateful Sky, Assumption, Sixcircles and Dolore

Posted in Features on June 4th, 2020 by JJ Koczan

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

elevators to the grateful sky Giorgio Trombino

Days of Rona: Giorgio Trombino of Elevators to the Grateful Sky, Assumption, Sixcircles and Dolore (Palermo, Italy)

Creative writing is a steadily growing sector within the academic domain. Some scholars need Dissertation Procurement Strategy with these types of papers, so Eduzaurus How have you been you dealing with this crisis as a band? As an individual? What effect has it had on your plans or creative processes?

We had scheduled our final pre-album rehearsals when the lockdown kicked in. Everything was already in the pipeline but now all plans have been postponed to who-knows-when. That being said, Assumption has always been a long-distance band since we all live in different places, basically three in Northern Italy and one in Slovenia. I mean, our regular band life is already about getting to meet just for specifically planned occasions, so we know the hassle. We would love to stick together much more than we are allowed to and not just for playing and recording. On a personal level, lockdown was ok and I’ve tried to make most out of it. I even managed to move to a new house with my girlfriend as we had like a special permit to carry the furniture, drive back and forth and so on. I have been reading, watching movies and writing new music the rest of the time.

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Situations differ a lot from region to region. Northern regions like Lombardia and Piemonte are still facing the toughest tasks, whereas both major islands and southern Italy in general have seen slightly better times. Veneto, the region I currently live in, has received much praise and is now regarded as a national model in contagion management in spite of the idiotic and extremely unstable discourses of regional President Luca Zaia. It seems like he basically did all he could to try and dismantle this region’s efficient healthcare system during the last few years but in the end he took all of his staff’s credit for the good results. I mean, what else would you expect from someone whose political party (Lega, formerly Lega Nord) is one of the most arrogant, self-righteous and repulsive right wing piles of shit ever in this country? As for the people I know and love, a good percentage of them was freaking out at home. I decided to choose just a few pieces of daily information I felt essential, switched off the rest of the panic-inducing media and focused on other stuff. I, for one, am really grateful for how things turned out for my family and me.

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First it seemed like house streaming and people doing stuff live on Facebook were the answer. I stand with what Nick Cave said about them in early April, I think most of that stuff is plain self-indulgence. Live music is mostly a social thing, there’s no way a surrogate experience can ever avoid being boring and feel adulterated. I have written tons of music for almost all of my projects, worked on commercial tunes for advertisement, home demoed 90 percent of a future Sixcircles album did a lot of stuff that I always wanted to focus on and I have been waking up each morning wanting to do more and go to places I hadn’t been musically before. You know, Moody Blues once said thinking is the best way to travel. For what concerns the broader music community, I know many people in the live music world that are struggling to survive and some drive-in gig isn’t simply enough to change things. I can only wish for a speedy twist in the plot for people dealing with this.

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A disproportionate event such as the one we’re all going through now offers a whole array of free lessons to be learned. Biggest one is that all things must pass. Inhabitants of the privileged sector of the planet are now familiar with a redefined concept of “personal restriction” to some extent. Covid has pulled the best and worst out of everyone and hung a huge question mark over our heads. Franco Maresco, a Sicilian director whose art I admire, has recently said in an interview that mankind won’t learn much from the pandemics, just like many times before. I partly share this vision and feel like covid is a portion of a bigger dysfunctional picture anyway. I’m essentially hoping for best and preparing for worst. I can say I felt nauseauted by the trendy optimist logorrhoea that flooded the Italian web when everybody started writing, painting, drawing the phrase “ce la faremo” (“we will make it”) on whatever available surface. After all, Turgenev once stated that there are situations, however touching, from which one nevertheless wants to escape… as for Assumption, the band is made of people I love. We will simply carry on and do our stuff whenever it’s possible again.

https://www.facebook.com/assumptiondoom/
https://assumption.bandcamp.com/
https://www.instagram.com/assumption_band/
https://www.facebook.com/sixcirclesband/
https://phonosphera.bandcamp.com/album/sixcircles-new-belief/
https://www.facebook.com/ElevatorstotheGratefulSky/
https://elevatorstothegratefulsky.bandcamp.com/
https://www.facebook.com/doloremeanspain/
https://dolore1.bandcamp.com/

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Days of Rona: Jose Maldonado of 3 Wheeler Band

Posted in Features on June 3rd, 2020 by JJ Koczan

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

3 wheeler band jose maldonado

Days of Rona: Jose Maldonado of 3 Wheeler Band (Monterrey, Mexico)

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As a band we have been really close using video calls and social media to connect, uploading some old tracks on Bandcamp and recently went back to rehearsal but only 2 of us, so it’s kind of hard right now to be all 3 of us in the same room jammin’ some tunes.

As an individual, I’ve been taking care of my Family, staying in touch with Friends and Family via video calls and I’m very fortunate to be able to work from home, so just trying to keep my mind busy.

On band plans, this coming August we are going to turn 10 years as a band and we were planning the anniversary gig and this covid crap hit us hard, so that’s on standby right now but we have uploaded music to our Bandcamp and are talking about making a video. Regarding the creative process this lockdown has helped us in working on some riffs for new tracks so we have been busy doing that. We try to stay positive about all of this and eager to get back on stage and have a good time.

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I live in Monterrey, Mexico, an industrial city northeast of the country (a two-hour drive from Texas). At first people were kind of freaking out and being really afraid of the virus and nobody was going out for anything except groceries and basics. Now, two and a half months later, people are tired of staying indoors, local government closed the Heineken brewery which makes, of course, Heineken but also Tecate beer and the people just freaked out, panic beer shopping until we ran out of beer. The brewery remains closed and currently there is no beer in the city and folks are just losing it. Besides, local and federal government communications are not clear and people are starting to go out a bit more. We hear similar stuff happening in Texas, so we are taking care of each other but we had enough of the lock down really.

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The local music scene has responded great by doing a lot of online collaboration through videos and creating songs from the distance so yeah, the local scene has been busy, very creative and active on social media. And inspired? Yes, we and other band friends have been doing our homework, my side band Artesano de Piedra also uploaded unreleased tracks to Bandcamp, members of 3 Wheeler Band, Moonwatcher and Tres Cabrones created a new acoustic venture named Moon Dweller Trio and some other friends are taking advantage of the time they have on their hands to be creative. So we’re good, we all will come back stronger.

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As a band 3 Wheeler Band will continue to work on new riffs and turn them into new tracks, we will be busy doing that and staying in touch with Friends/Fans and placing some CDs out for distribution in the States, so stay tuned for that.

Regarding our situation as a City and Country, we basically are not doing that bad regarding the virus, some government agencies are tricking numbers and giving out fake info. If you have Friends and Family in Mexico reach out to them and ask them directly, do not fall for the info shown in the media, they are just creating panic and fear.

Personally, just take care of you and yours. Do not lose touch with Friends, use technology to connect with them and don’t fall for the news in the media. Try to stay positive as much as you can. We will get through this and heavy music and live music will be back stronger than ever. And if you are enjoying some cold beer send some our way! Salud!

https://www.facebook.com/3WheelerBand/
https://www.instagram.com/3wheelerband/
https://3wheelerband.bandcamp.com/

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Days of Rona: Bill Kole of Ol’ Time Moonshine

Posted in Features on June 1st, 2020 by JJ Koczan

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

ol time moonshine bill kole

Days of Rona: Bill Kole of Ol’ Time Moonshine (Toronto, Canada)

How have you been you dealing with this crisis as a band? As an individual? What effect has it had on your plans or creative processes?

Ol’ Time Moonshine was in the studio laying down drums and bass for our new record at the beginning of March when the reports of the virus started to become more frequent. It wasn’t long before the shelter in place/quarantine orders came down. It’s now been a bit more than 10 weeks since we’ve all been in the same room playing together. We’ve been working on our parts for the record and taking care of some band business and promotion, including uploading our releases to streaming services after more limited release. The uncertainty of what the musical landscape will look like when this is all over has been weighing a bit heavily – a number of venues in our province have already shut down permanently since the pandemic began, and a lot more are close. Even when they open up, the capacity restrictions are likely to devastate their businesses. As a band we’re just taking everyday and doing what we can; looking after all the little projects we always said we’d do if we ever had time. The plan right now is to get back and start tracking guitars and vocals in June, which was our original target for completing the record. We’re lucky to live in an era of connected technology that can keep us together and informed if we choose to use it that way.

I’m blessed to work for a wonderful, family owned film audio support business that has kept me on payroll, even when the office was shut, and we’ve reached a point where I’m able to come in to the office safely, mostly working alone, for a few hours a few days a week. It helps break up the monotony of the days, and I’ve been walking the few kilometres to work to avoid public transit and get some exercise. It’s been wonderful to see my family pull together and be strong in the face of this, and to have friends and family making masks for one another, shopping for those less mobile, trying to make the kids in the neighbourhood feel special on their birthdays, etc. I finally was able to teach my daughter the basics of riding her bike after several seasons of trying, and we’ve done lots of work on our apartment to freshen it up. I’ve been working on a few album covers and posters in my free time (and a lot of revisions on posters due to shows moving). I’ve tried to keep getting up at the same time everyday and keeping somewhat of a schedule so that the days don’t just fade away into one another. Motivation has its good days and bad days, but I try not to be hard on myself. I’ve found my emotions bubble closer to the surface; joy and sadness bring me to tears pretty quickly these days. Trying to look at the positives each day and stay strong for my family and friends.

How do you feel about the public response to the outbreak where you are? From the government response to the people around you, what have you seen and heard from others?

I generally feel that the federal and provincial and municipal governments have done a decent job of looking after their people in this crisis, though there is always room for improvement and some communities have been more affected than others. Unfortunately, a few have felt that the rules they make do not apply to them. We’re seeing that in a lot of places, though, not just Canada. I fear that a lot of restaurants, theatres, venues and other cultural institutions may not weather this storm without further intervention. It will certainly be interesting to see what survives and thrives on the other side of this unprecedented economic disaster. On a personal level, most of my friends and family have remained rational and followed precaution. I’m proud of them. I am particularly proud of my friends and family in health care and food service that have sacrificed so much to ensure our safety and wellbeing. I haven’t had anyone close to me pass from COVID-19 complications, but I do have several friends and family members that have lost loved ones. It’s probably too late and too difficult for most, but I feel a stricter lockdown, sooner, would have been more effective then and less painful now. We’re a bit too eager to get back to “normal” and I fear that opening up too soon will undo the progress we’ve made. We just loosened a few restrictions last week, and already people are getting lax about wearing masks and distancing. As someone with asthma and autoimmune issues I need to be a bit extra cautious, and it can be disheartening to see someone not wearing a mask in an enclosed space like a store, or just as bad, wearing it as a chin strap or taking it off to lean over a protective barrier and speak to them.

What do you think of how the music community specifically has responded? How do you feel during this time? Are you inspired? Discouraged? Bored? Any and all of it?

I think most of the people in my musical circle have adapted well, but miss being able to see each other and hang out at shows. I’ve watched a number of great live streams, and some cool pro-shot shows are coming online soon. It’s not entirely the same without the atmosphere and immersion, but it’s the best we’ve got for the moment. I’ve had more time to listen to music, so I’ve been diving in and doing a lot of deep listening, catching a lot of great records I missed the first time around. There have been some great articles and discussions in the scene, and it’s been fun to see what a lot of my fellow musicians have been listening to. I’ve talked to a few groups of musicians about contributing guitar or vocals to a few different projects outside of OTM. I’m really proud of the record Ol’ Time Moonshine is working on, and I REALLY want to get it finished and out there. We’ve gone through a lot these past few years since the release of “The Apocalypse Trilogies”, so it has been a bitter pill to swallow to see us get all of our game pieces in order just for the game to change, but we’ll adapt and move forward, we always do. It could have been much worse, though, so I’m grateful we haven’t lost more. So many friends have had to cancel their release parties and tours. So many promoters and touring companies have lost their livelihood for the perceivable future. So many recovering addicts and people with mental health issues have lost their support. If you are having a good, positive day and feel you can handle it, please, reach out to someone you know who might not be and let them know they have someone that loves them.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything? What is your new normal? What have you learned from this experience, about yourself, your band, or anything?

I don’t think things can possibly go back to the way they were. It’s all going to be a bit different, and take some getting used to. I think some have found they are stronger than expected, and some are not as strong as they thought. We need to be compassionate and help one another, especially those that fall through the cracks, and we need to take better care of our mental health. We need to be kinder, and more honest with ourselves and loved ones. I miss my US and worldwide doom family, and hope the borders open back up soon and that everyone stays safe so we can enjoy live music again soon.

https://www.facebook.com/oltimemoonshine/
https://oltimemoonshine.bandcamp.com/
http://www.oltimemoonshine.com/

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Days of Rona: Nikola Runjavec of Them Moose Rush

Posted in Features on June 1st, 2020 by JJ Koczan

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

them moose rush

Days of Rona: Nikola Runjavec of Them Moose Rush (Bjelovar, Croatia)

How have you been you dealing with this crisis as a band? As an individual? What effect has it had on your plans or creative processes?

Initially, we were quite sad as this is our release year, and we have realized that crucial component of promoting our release – live gigs, will not be possible. We needed to cancel all our shows and postpone the EU tour. As time went by, and we were allowed to meet again to rehearse, we experienced this childish excitement and feeling of being re-united again and allowed to do what we do best. We transferred all our energy as a band into writing new stuff, and now we are quite excited as this situation gave us more time than ever to invest into songwriting and jamming, so we are really generating a lot of new songs and preparing to record new stuff. We realized that making new songs is what makes us happiest as artists.

How do you feel about the public response to the outbreak where you are? From the government response to the people around you, what have you seen and heard from others?

We are quite happy how this was dealt with in Croatia. Our authorities have commanded total lockdown quite early, so we are already few days with 0 or only few new cases. This collective awareness contributed to faster recovery and is now allowing us to come back to normal. I think some open air concerts with limited number of people are already allowed in Croatia.

What do you think of how the music community specifically has responded? How do you feel during this time? Are you inspired? Discouraged? Bored? Any and all of it?

The worst thing you can do is being bored. In general. If a person is healthy, I think this is highly disrespectful in context of a life that’s been given to us all and endless opportunities to grow as a person and musician. We used this time to learn new stuff about music, gear, production, songwriting etc. Things for which we now have a bit more time and we feel happy about it.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything? What is your new normal? What have you learned from this experience, about yourself, your band, or anything?

Besides the obvious horrible impact of COVID-19, I think the world learned an important lesson – that life is possible without daily rush for profit and that nothing bad will really happen if things get paused for a little while. I personally finally got some extra time to take care about myself and think about my lifestyle and make some concrete positive actions as learning to cook more different recipes for example. It’s kind of back to the basics – you just need closest companions, air and food to survive, and everything else is up to you and your little universe which you create to make you happy. Thank god there is so many things which can keep yourself busy with all technology available in our times, especially if you are into music/songwriting/music production.

http://www.facebook.com/themmooserush
https://themmooserush.bandcamp.com/
http://www.themmooserush.com/

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Days of Rona: Stephan Möller of Iron & Stone

Posted in Features on May 29th, 2020 by JJ Koczan

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

iron-and-stone-stephan-moller-(Photo-by-Andre-Gross)

Days of Rona: Stephan Möller of Iron & Stone (Hildesheim, Germany)

How have you been you dealing with this crisis as a band? As an individual? What effect has it had on your plans or creative processes?

The most obvious thing is we haven’t been able to rehearse for almost 2 months now. It is easy to practice the songs at home, but you simply cannot recreate the dynamics of five dudes in a rehearsal space playing music at full volume. So this is something that we really miss. Fortunately we found out that rehearsals in our space are possible so we will be able to start rehearsing again.

Otherwise things have not changed that much. We stay in touch via Whatsapp or phone. Pretty much everyone of us is able to work on the music at their home, so the writing process goes as usual and we are working on another EP (the first in a series of three) which we are planning to record in the summer.

We had to cancel a couple of shows and since nobody knows when the clubs will be able to open again it is hard to get any new shows for the future. Some local festivals we were to play this summer have been moved to 2021 and we stay in contact with promoters.

How do you feel about the public response to the outbreak where you are? From the government response to the people around you, what have you seen and heard from others?

I think the government did a pretty good job so far, especially in the beginning. Of course, there are a lot of ways it could have been better, but overall we have a rather low number of deaths and the number of infections is developing in a positive way too. During the early days of the pandemic it looked like fighting of the different parties stepped back a little and everybody was working for the greater good. So we can only hope that this will continue (which does not seem to be the case right now).

As in almost all countries there is a good amount of “woke” people rubbing their bullshit-theories into everyone’s face and they seem to become more and more stupid by the hour. Much more alarming is that some far-right groups try to undercut the otherwise un-political corona-critical-groups. This may turn really ugly.

On a personal level it (strangely) feels like something has changed for the better. Henning (our singer) and me are neighbours and we live in a very small village in a rather rural region. Me and my wife work from home and through those last weeks life has decelerated a good amount. We drive to the city once a week to shop groceries and the other days we enjoy the countryside and hike the woods and fields or work in the garden. Everything is quiet and more peaceful since there are less cars driving through our valley. If there weren’t people dying off the virus it would be a beautiful time around here.

Christopher and Torsten on the other hand work at hospitals so they are affected by the whole situation in a much more direct way.

What do you think of how the music community specifically has responded? How do you feel during this time? Are you inspired? Discouraged? Bored? Any and all of it?

By what I have seen so far the scene reacted quite well. From streaming live-shows to those Bandcamp-Fridays there has been a lot of creative actions and it seems like people are working together to get through this.

We all have our regular jobs so we do not depend on the band financially. But as a band the whole situations is surely frustrating to a certain degree, since we cannot rehearse and had to cancel or postpone some of the few shows that we are able to play each year. But on the other hand we are highly motivated to return to the stage and we are working on new material to record later this year. So no time for boredom, we are highly motivated.

The clubs and venues however are in real danger of not making it through the crisis as well as the bands that are doing music as a full-time job.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything? What is your new normal? What have you learned from this experience, about yourself, your band, or anything?

I feel like this whole situation is chance for us all to focus on the really important aspects of life. We will get through this together and we will not fall victim to all those loudmouths preaching their hate and anger and conspiracy bullshit. Our scene will get through this, there will be live shows again, I am confident about this. We’ve got to be careful and reasonable so we can all stay healthy. Support each other, we’re in this together. Peace.

https://www.facebook.com/ironandstoneband/
https://ironandstone.bandcamp.com/
https://www.facebook.com/handofdoomrecords/
https://handofdoomentertainment.bigcartel.com

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Days of Rona: Captain and Bjudas of Kal-El

Posted in Features on May 29th, 2020 by JJ Koczan

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

kal-el

Days of Rona: Captain and Bjudas (Stavenger, Norway)

How have you been you dealing with this crisis as a band? As an individual? What effect has it had on your plans or creative processes?

Captain: As all live shows got cancelled, we started writing new material, and has been busy with studio. Released a single and signed to a new label, Majestic Mountain Records. The writing process has been quite fun this time around as everyone has chipped in with ideas and arrangements. Even the dull process of recording was fun due to the fact that the eagerness and willingness to make music is back ? My day job has pretty much been going as usual, but of course the shadow of a pandemic and the seriousness of the impact on society has been in my mind since the outbreak.

My parents are of age, with my father in the “target group,” so of course it is something that lurks there all the time. I got friends struggle with their business due to decrease in income, and the city I live in has been like a ghost town for several months now. They just opened up so we can visit bars again, with heavy restrictions of not being to close to others. Not easy on bars, but somehow it seems to work in an odd way. A third of the normal crowd is allowed in, so it’s strange indeed. As mentioned earlier, all the live shows we had booked, was cancelled, so we went into the rehearse room and started writing. We have a ton of different ideas and riffs just sitting there, so it was pretty good to just work on those.

Bjudas: It is safe to say that the covid-19 epidemic has set some major drawbacks. But as a band, we have adapted quickly. So instead of sitting around and waiting for this thing to go away. We decided that we wanted to record a new album. Sins we found out that we had a big bag of riffs laying around. We had enough stuff to make a whole album. So, the creativity has exploded in our case.

How do you feel about the public response to the outbreak where you are? From the government response to the people around you, what have you seen and heard from others?

Captain: At some level it could seem like overkill in how everything just got locked down. People started to behave different, and it seemed like doomsday in many aspects. To see businesses, lifeworks, just get shattered, millions of people in isolation, deaths by the thousands and an immense suffering due to an invisible enemy was pretty shocking to experience and understood the hard actions taken by the different governments more seriously.

Bjudas: The public response has been ok. And we have managed to control the virus pretty good. Regarding the government, I feel they have responded in a professional manner. And have provided the needed founding for the main population. We have a very good welfare system (compared to other countries). And people got their money in full.

What do you think of how the music community specifically has responded? How do you feel during this time? Are you inspired? Discouraged? Bored? Any and all of it?

Captain: Personally it’s been challenging to see people being on the brink of collapse due to their jobs just cease to exist. No income, no hopes at all, just darkness as businesses just vanish in thin air more or less overnight. Bars, small specialty shops, venues, festivals and the likes by the millions have been affected. We may never get back to the so called normal ever again, but hopefully we will get back to a similar way of life as time goes by.

Bjudas: The music community along with the rest of service-related occupations has had the biggest blow in these crises. With band not able to do gigs and have no steady income. Bands are struggling to make ends meet. In my case, I get more determined in cases like this. What can we do to stay active? How can we still be able to be productive and feel that we are a band? And not a sunken ship? So, I`m not bored, there is a lot to do still.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything? What is your new normal? What have you learned from this experience, about yourself, your band, or anything?

Captain: Never to give up, we are born into this challenge called life, and there are always mountains to climb. We didn’t get this far by giving up by overwhelming odds, and we will not give up this time either.
As for the band; we are still alive, and we will continue to make music and do shows for a long time to come!

Bjudas: I have learned that you should not eat a bat. That is for Ozzy to do… I think that we are very adaptable, as I have said earlier. Not giving up is a big thing. The new normal I can say, is this distancing thing. I take myself in not staying to close to people. And I think this will stay with us for a while.

http://kal-el.no
http://kal-el.bandcamp.com
http://facebook.com/kalelproject
http://instagram.com/kalelband
http://majesticmountainrecords.bigcartel.com
http://facebook.com/majesticmountainrecords
http://instagram.com/majesticmountainrecords

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