Appalooza Premiere “Conquest” from The Holy of Holies

Posted in audiObelisk on November 23rd, 2020 by JJ Koczan

Appalooza

French trio http://www.csk.edu.vn/?master-thesis-in-total-quality-management Consultant. Trusted By 3000+ Corporate Clients. Start in 30min. 12 hours delivery. From 29 $/hr. Appalooza will make their debut on Kidnapped Zacharie who can Online Homework Blog. Culver City Middle School serves 6-8th grade students and is part of Culver City Unified School do my Ripple Music early next year with their second full-length, essay outlines On Writing The College Application Essay Pdf Services Illegal writing a successful college application essays amazon essay about my family The Holy of Holies. The Brest-based troupe were recently announced as one of a set of four pickups for groups with releases to come in 2021, and with the unveiling of “Conquest” and the striking cover art for Term Paper About Music uk - Best pharmacy waiting for you to buy drugs. Amazing discounts that will make your medications even more affordable. Buy The Holy of Holies — suitably enough by Looking for the best Contribution To Knowledge Dissertation provider? We offer 100% Plagiarism Free Papers, Qualified Writers, 24/7 Online Support. Look no Wild Horse Artworks, working in the style of Looking for someone experienced to edit your papers or novel online? eWritingService Online Writing A Research Paper Mla Formats are available for you 24/7 and 365/year. John Dyer Baizley — a fuller picture begins to emerge of things to come.

Certainly, Are you trying to find an expert to Business Plan Writers Glasgow? CaHomeworkHelp.com is the ideal site for all your assignment writing requirements. Appalooza‘s first, self-titled long-player gave some clues as to what they were about when it came out in 2018, but in listening to “Conquest,” you’ll want to pay particular attention to the fullness of the tones and the spaciousness of the mix. The band, who seem to take a smidge-plus of influence from the Buy Argumentative Essay Service - How We Can Help You. Each writing prompt comes on four different paper types to http://www.palliative-geriatrie.de/?pbc-library-live-homework-help the Wovenhand school of neo-Americana and treat it to a due roughing up and thickening of low end — make it heavy, in other words — exhibit a marked scope on the song in question, from the weighted roll that takes hold initially, tipping chapeau in some ways to the progressive heft of Parisian countrymen  ucas help with personal statement Jishka Homework Help Online free math homework science paper thesis Abrahma while ultimately taking their own direction. The first turn is aggro, but the build smooths into a longer, acoustic-driven break, and the end-result impression is that  find this - Forget about those sleepless nights writing your coursework with our writing service 100% non-plagiarism guarantee of exclusive The Holy of Holies won’t be so willing to be pigeonholed.

What does that mean for the entirety of the record? I don’t know, I haven’t heard it yet. But if you, like me, are so, so, so very done with 2020, you might consider digging into the song below as a glimpse at an optimistic future on the horizon, if one that’s still rooted in the sounds of the past.

The band very kindly offers some comment below on the album to come, and if you’re the type to keep an eye out for preorders,  write a great essay How I Do My Homework Help homework schools helpful best research proposal writing service Ripple‘s Bandcamp is certainly a good place to start. It’s linked below.

Enjoy:

Appalooza, “Conquest” official track premiere

Appalooza on The Holy of Holies:

“‘The Holy Of Holies’ is an ironic comment on religion. A storm is coming and ready to send mankind to a certain death. They are deprived and punished for their individualism, appearing already dead. They accept it and seek a new being to venerate, then send a scapegoat to the desert with all their sins, to find the demon Azazael, the Holy of Holies. This fallen angel takes possession of mankind. He reincarnates them into a half-man half-beast species by transplanting a horse skull, symbol of a lost freedom. Our lyrics deal with subjects such as the lie of religion, the failure to assist a person in distress, the exploitation of man by man, the disappointment that one may have in general towards people, the eternal questioning about our existence and the universe.”

Album preorder: https://ripplemusic.bandcamp.com/

APPALOOZA released their first two demos “Squamata” and “Chameleon” respectively in 2013 and 2014, further to which they embarked across the pond for their first ever US tour, taking them to Colorado, Nevada and California. Fired up by a brand new energy ensuing from this successful experience, the band officially released their eponymous debut in 2018, quickly followed by a second North American taking them from the Midwest lands to the Pacific Coast.

Some hundred shows later, APPALOOZA signed to Californian powerhouse Ripple Music for the release of their sophomore album “The Holy Of Holies” in early 2021. The beginning of a new era driven by an album that perfectly embodies the trio’s musical and visual reincarnation, through an intense sonic escape and ultimately, freedom.

Appalooza is :
Sylvain – Vocal/Guitar
Vincent – Drum
Tony – Bass
The Horse – Arrangements

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Starmonger Premiere “Rise of the Fishlords” Video; Revelations Out Nov. 27

Posted in Bootleg Theater on November 12th, 2020 by JJ Koczan

starmonger (Photo by Pierre-Emannuel Leydet)

Parisian heavy rockers Skilled and professional essay writers are offering you Exceptional Write My Papers For Me Hot offer to all our clients! Academic success is Starmonger will release their debut full-length, Get a Better Grade with Please Complete The Offset Account Assignments Service. Thank you that you do my algebra homework!, Marketing, The Web Marketing, 7 pages Revelations, on Nov. 27. I am on record many, many times as saying there’s no substitute for charm, and when I watch their video for “Rise of the Fishlords” and see the three-piece dressed up like the Creature From the Black Lagoon or like something out of a bound-to-be-on-MST3K Roger Corman black and white movie, that particular axiom comes directly to mind. Amid the start-stop riff and a lyrical tale of global warming apparently giving rise to a race of malevolent sea monsters who attack the unsuspecting populace, the clip plays out in a spirit of good fun, if one underpinned by the very real climate crisis unfolding before our very eyes, melding ice-caps, increased wildfire and storm intensity, and record-setting temperatures.

starmonger revelationsYou know. All that stuff.

Why does buying an essay online bring marvelous precedences? When the end of the training year comes, Is it http://gorgeousaffairs.com/?phd-thesis-engineering-technologys online USA realizable for you? Starmonger aren’t exactly making light of any of that — and if they are, so what? what else is there to do? — but the classic sci-fi setting is apt, since the track works from a lyrical place not at all dissimilar from Cold War-era paranoia concerning the effects of nuclear fallout and the doomsday scenarios that pervaded that time. How many movie monsters were made through the dropping/testing of nuclear material? Well, the biggest one that comes to mind is Godzilla, but of course there are tons of other examples that followed that example. The aesthetic synergy between aural and visual components here isn’t to be ignored and doesn’t feel happenstance — especially since drummer  Holt Assignor Meaning Rubric. The international journal holt online essay scoring rubric of architectural education. Seb Antoine directed — and it’s worth noting that Revelations will follow a set of four EPs released under the Revelation banner. “Rise of the Fishlords” appeared on Revelation IV (discussed here), so it’s entirely possible the record will be culled from the preceding series.

One way or the other, at least it goes to show Starmonger are no strangers to working on a theme.

Enjoy the video:

Starmonger, “Rise of the Fishlords” official video premiere

Starmonger is proud to present its new music video, 1 year after the occult summonings in “Dark and Gloomy” : “Rise of the Fishlords” pictures a near future (set in the 1950’s) when sea monsters take their revenge on mankind…

Directed & edited by Seb Antoine (www.sebantoine.com)
DOP : Pierre-Emmanuel Leydet
Monsters & costumes created by Julien Gerner – Frozen Joke Creation

Starring :
Anne-Sophie Picard
Anouk
Clement-Charles
Marie Valentin
Chryssa Floru
Grégory Dreyfus
Matthias Friedman
Maxime Le Metayer
Pierre-Gérard David
Blanche Loreleï

The Fislords :
Arthur Desbois
Steve Faussier
Palem Candillier
Yann Ulloa
Rudy Maman
Seb Antoine

2nd camera operator : Pascal Kardou
3rd camera operator : Maxime Le Metayer
Production Manager & Photographer : Arnaud Vaillant

Thanks to :
Julien Legal
Mairie de Lognes

“Rise of the Fishlords” is featured on Starmonger’s upcoming first LP, “Revelations”, coming November 27th.

Starmonger are :
Steve Faussier: bass & vocals
Arthur Desbois: guitars
Seb Antoine: drums

Starmonger, Revelation IV EP (2019)

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Subterraen Premiere “Blood for the Blood Gods”; Rotten Human Kingdom out Nov. 20

Posted in Bootleg Theater on November 10th, 2020 by JJ Koczan

subterraen (Photo by William Lacalmontie)

Set to release Nov. 20, Subterraen‘s debut album, Rotten Human Kingdom, is furious in atmosphere and execution alike. The French three-piece, releasing through Transcending Obscurity Records, are ostensibly death-doom, but only as much as that tag applies to anything crawling and miserable. In truth, their four-song/48-minute offering brings richer stylization incorporating elements from skin-peeler sludge and black metal, and is shy neither about blasts nor feedback to go along with its extended sections of nod and excruciating wretchedness. Whatever genre tag one might want to apply to Rotten Human Kingdom — I even hear some of YOB‘s “Quantum Mystic” shortly past the middle of “For a Fistful of Silver” — the album sounds as though it is trying to claw its way beyond such designations into a purer form of extremity.

Environmental themes persist, but one finds an element of social comment to Rotten Human Kingdom as well. Of course, most of the lyrics are indecipherable in their rasping screams, the name of the record and titles like the opener “Blood for the Blood subterraen rotten human kingdomGods” and “For a Fistful of Silver” can be read as critique of the capitalist order, specifically tying to the subsequent ambient breather “Oceans are Rising” and the 18-minute finale “Wrath of a Downtrodden Planet” in the way industry, agriculture, and humanity in general harms the planet in pursuit of profit. Whatever one reads in Subterraen‘s lurching punishment through the first 14 minutes of that closer, there’s no question as to the severity of the band’s approach. They are steeped in ambient murk and coated in a filth of their own making, and as each extended piece works from shorter to longer, they seem only to dig further and further downward into it.

With the unveiling below of the 13:28 “Blood for the Blood Gods,” a crucial piece of Rotten Human Kingdom comes to light, and not just because it’s the first track on the record. It’s also the rawest look Subterraen give throughout. Not entirely without melody, it doesn’t touch on the mournfulness to come in the finisher or the charge of “For a Fistful of Silver” or even the subdued instrumental creep of “Oceans are Rising,” but instead, its harshness presents a brutality that transcends tempo, and its wash of noise and low distortion becomes the trap that the rest of what follows holds you within.

Call it punishment as much as portrayal, but Rotten Human Kingdom‘s indictment comes through clearly either way.

Enjoy:

Subterraen, “Blood for the Blood Gods” official track premiere

French sludge/doom metal band Subterraen carry the torch of the style on the label, following the ponderous steps of the giants Eremit and Jupiterian. In comparison however, they add their own blackened grit and weighed down heaviness to the proceedings, crafting 10+ minute songs narrating epic, anguish-ridden tales of the slow destruction of the planet and sowing seeds of the inexorable vengeance of mother nature. The emotions are palpable not only in the harrowing cries of the vocalist but also from the palpitating, heaving music that functions as the body of this ancient beast. There is an honest rawness to it all and a dank, earthly vibe that resonates with the sandalwood fragrance emanating from the physical products, with a wooden, coffin-shaped box to go with it. From ashes to ashes, from dust to dust.

Artwork by Adam Burke (Lurk, Coexistence, Atræ Bilis)

Track listing –
1. Blood for the Blood Gods (13:28)
2. For a Fistful of Silver (14:31)
3. Oceans are Rising (2:35)
4. Wrath of a Downtrodden Planet (18:22)

Line up –
Clem Helvete – Guitar and Vocals
Chris KKP – Guitar
Milvus – Drums

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Mars Red Sky Post “Hollow King” Official Live Video

Posted in Bootleg Theater on November 3rd, 2020 by JJ Koczan

mars red sky (photo by Rob Maurice)

Bordeaux heavy psychedelic progressives Mars Red Sky recently announced a couple of weekenders in their native France, the first of which is set for this weekend. I have no idea if that’s still happening or how it might play out given the EU’s turn toward further lockdown measures following a cold-weather-and-everyone’s-apparently-tired-of-masks spike in COVID-19 cases. What I do know — and stop me if you’ve heard this one before — is I really, really miss going to shows. It’s been 10 months since I’ve been in a venue! That’s insane. Even at my most hermit-like, I don’t think I ever went this long.

Mars Red Sky did a couple live streams in June (review here), but they’re clearly hankering too. Not only can you tell from the fact that they’re bothering to book dates at all, let alone maybe even play them, but also their new video for “Hollow King” from 2019’s The Task Eternal (review here) is a recorded live performance of the song. They did it during soundcheck before playing a gig in Dijon last month. Close your eyes and visualize a time when that would be no big deal. Can you?

Bottom line: I love this song. I dug this record a lot and this band remains pretty frickin’ special. I hope to see them on stage again someday.

Enjoy the video:

Mars Red Sky, “Hollow King” official live video

Bordeaux-based psychedelic rockers MARS RED SKY unveil bold new live video “Hollow King” – recorded a few hours before their latest show in Dijon, France. The track is taken from their new album ‘The Task Eternal’, out on Mrs Red Sound and Listenable Records.

MARS RED SKY’s new live video “Hollow King” highlights the band’s unique sounding, propelled by a pachydermic rhythm section, ethereal vocals, enthralling riffs and meaningful lyrics. Video recorded live in La Vapeur, Dijon (France) by Sébastien from Faits-Divers. “Hollow king” is taken from the album “The task Eternal’ (2019), recorded and mixed by Benjamin Mandeau at Cryogene Studio, mastered by Pierre Etchandy.

MARS RED SKY live:
06.11.20 BESANÇON (25) La Rodia
07.11.20 CHALON-SUR-SAÔNE (71) Théâtre de Chalon-sur-Saône / LaPéniche (portes 18h30 – concert 19h)
08.11.20 BOURG-EN-BRESSE (01) La Tannerie (portes 17h – concert 17h30)
25.03.21 LYON (69) L’Épicerie Moderne / salle musiques actuelles
26.03.21 MULHOUSE (68) Noumatrouff avec Witchfinder
27.03.21 STRASBOURG (67) La Laiterie Artefact

MARS RED SKY are:
Julien Pras : guitar, vocals
Jimmy Kinast : bass, vocals
MatGaz : drums, vocals

Mars Red Sky, The Task Eternal (2019)

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Mars Red Sky Announce French Weekender Live Dates

Posted in Whathaveyou on October 27th, 2020 by JJ Koczan

mars red sky (Photo by Rod Maurice)

Think there’s any chance at all the French government will let an American into the country by next March? I can think of worse ways to enter life as an emigrant refugee — if need be — than to kick around France and go see a couple socially-distant, seated Mars Red Sky shows. It’s not exactly a plan for survival in the doomsday-prepper sense, but let’s be honest, I wasn’t making it through doomsday anyhow.

While we’re being honest, Mars Red Sky doing three shows next month and three shows next March in France is nice and all, but I was really kind of hoping the Bordeaux three-piece were about to announce a new EP that was a half-hour long single-song epic of progressive heavy psychedelic melody. I’m glad they’re getting out — their live stream a few months back (review here) was certainly good fun — but these days one is trying to find anything to look forward to at all, and new Mars Red Sky is always something to look forward to. Maybe next year.

Said everyone, about everything.

If you need me, I’ll be investigating visa applications. Here’s the info on their shows, with links and whatnot:

mars red sky tour france

MARS RED SKY – France Shows

We are super excited to be able to announce this tour in France! The concerts will all be sitting but in beautiful rooms and with compliance with the health rules. And you can find our merch of course…

06.11.20 BESANÇON (25) La Rodia
Event: Mars red Sky à Besançon
Tickets: https://marsredsky.rocks/presales0611

07.11.20 CHALON-SUR-SAÔNE (71) Théâtre de Chalon-sur-Saône / LaPéniche (portes 18h30 – concert 19h)
Event: Mars Red Sky au Piccolo
Tickets: https://marsredsky.rocks/presales0711

08.11.20 BOURG-EN-BRESSE (01) La Tannerie (portes 17h – concert 17h30)
Event: Mars Red sky [Heavy psychédélique]
Tickets: https://marsredsky.rocks/presales0811

25.03.21 LYON (69) L’Épicerie Moderne / salle musiques actuelles
More info shortly!

26.03.21 MULHOUSE (68) Noumatrouff avec Witchfinder
More info shortly!

27.03.21 STRASBOURG (67) La Laiterie Artefact
Event: Mars Red Sky + Witchfinder • Strasbourg • La Laiterie
Tickets: https://marsredsky.rocks/presales2703

http://www.facebook.com/marsredskyband/
https://marsredsky.bigcartel.com/
http://www.marsredsky.net
http://www.listenable.net
http://www.facebook.com/listenablerecs

Mars Red Sky, “Crazy Hearth” official video

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Goatfather Sign to Argonauta Records; Monster Truck out in 2021

Posted in Whathaveyou on October 15th, 2020 by JJ Koczan

It brings a sense of normalcy to my day when news comes through about Argonauta Records signing a band. Really, it’s good to know that amid all the pervasive chaos that seems to unfold every single exhausting day, Gero is out there snagging this or that act for release sometime in the not-too-distant-yet-still-entirely-unknowable future. In this case, it’s French burl-rockers Goatfather, whose 2017 single “Black Goat” you can hear below and who made their debut in 2016 with a record that somehow they decided it was a good idea to call Hipster Fister. Well then. If you need me, I’ll be giving the benefit of the doubt that all such sexual aggression is taking place in a loving and consensual context.

The new full-length has the more innocuous title of Monster Truck, and as the parent of a toddler who spends a goodly portion of his day thinking about such things, I know damn well somebody who is going to be excited about whatever video might accompany the release. Fingers crossed anyhow.

Release is tagged for “early 2021,” as per the PR wire:

goatfather

French Heavy Stoner Rock Overlords GOATFATHER Sign Worldwide Deal with Argonauta Records!

New Album, “Monster Truck”, Coming in Early 2021!

French heavy stoner rock overlords, GOATFATHER, have announced their signing with Argonauta Records, who will release the band’s sophomore album in early 2021!

With their acclaimed debut album, “Hipster Fister”, GOATFATHER quickly gained high praise from both fans and critics alike, and burst into the heavy rock scene with shows in support of acts such as STONED JESUS, MARS RED SKY or PLANET OF ZEUS to name just a few. Their filthy blend of high-voltage, heavy and powerful stoner rock takes you on a wild ride, and GOATFATHER’s new album will show no signs of slowing down on that trip! Fasten your seatbelts, as the “Monster Truck” will be rollin‘ as LP, CD and Digital formats in early 2021, says the band about their upcoming collaboration with Argonauta Records:

“Stonerheadz!

As Bruce Willis once said, to be the best you have to work with the best. So we’re very proud to announce our collaboration with Argonauta Records and All Noir! We know that Gero, Mona and all the Argonauta family are real music lovers, who like it heavy, fuzzy and groovy. Seems we were made to get along!

Now let’s kick some asses! Goatfather’s 2nd album “Monster Truck” will be released in 2021 in LP, CD and digital. So brace yourself and see you all in the pit (hopefully)!“

Label owner, Gero Lucisano, comments: “I’ve got the chance to be in touch with Raphaël, band’s drummer, a few months ago, he sent me some links and some band details I immediately found intriguing. After exchanging few messages I immediately got the band would have been ready for a collaboration with a label. They not only have a top notch sounding album, they also have that kind of attitude that I dig when it comes to understand that from now on we will work as a team. So do not expect GOATFATHER being just a band with a massive wall of groovy songs, yet also a bunch of guys with attitude and the need to shout their strength to the whole world. I’m excited to start now to work with them!”

Goatfather is:
Drums : Raph “Grizzly” J.
Bass : Quentin “Greunt” J.
Lead Guitar : Pierre “Menhir” B.
Rhythm Guitar/Vocals : Yann “Olaf” S.

www.facebook.com/goatfatherstoner
www.goatfather.bandcamp.com
www.argonautarecords.com

Goatfather, “Black Goat”

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Blaak Heat Reissuing Self-Titled Debut; Premiere Bonus Track “Montaña de Oro”

Posted in audiObelisk, Whathaveyou on October 13th, 2020 by JJ Koczan

blaak heat shujaa 2010 (Photo by Magda Wosinska)

Blaak Heat will reissue their 2010 self-titled debut (review here) through Psychedelic Salad Records on Oct. 20. I’ll admit it’s a little strange to go back and listen to the Scott Reeder-produced first full-length from the then-Parisian progressive desert rock outfit, knowing not only that they’d go on to change their name from Blaak Heat Shujaa to just Blaak Heat, and that guitarist/vocalist Thomas Bellier would change out multiple lineups before putting the band on hiatus in 2018, but also just how expansive they’d become over the course of subsequent releases. Blaak Heat Shujaa‘s Blaak Heat Shujaa, a decade later, can’t help but feel like a portent of things to come and how their work would evolve over subsequent years, touring, and so on, but it’s also a reminder of how much was already there in the sound.

The Eastern-inflected lead work of Bellier and the mellow vocal delivery of “High on Altitude” or the quick fuzzy turns of “The Brown Buffalo” would go on to become a deeply nuanced approach by the time the band got around to 2013’s The Edge of an Era (review here) and 2016’s Shifting Mirrors (review here), but the nascent, sometimes jammy spirit of the self-titled remained a foundation from which they would continue to explore outward. The Morricone-tinged “Montaña de Oro” — presaging some of the collaboration Bellier would go on to do with Western desert obsessives Spindrift — was recorded as a demo in the same era as the self-titled itself, with the 2010 lineup of the band (seen above) of Bellier, bassist Antoine Morel-Vulliez, and drummer Timothée Gacon. It’s instrumental, but the galloping acoustic and plucked lead notes make the point just the same, and in a quick three minutes, Blaak Heat Shujaa remind of the potential they’d go on to fulfill during their time. It feels refreshing in a way to go back to the start.

Bellier has an album out this year with his new outfit Al-Qasar, specifically highlighting the Middle Eastern influences that informed Blaak Heat‘s take on desert rock, and though “Montaña de Oro” is a departure somewhat from that sphere, it nonetheless represents the intersection of ideas and cultural elements that the band explored so well during their time.

PR wire info follows. Please enjoy:

Preorder: http://www.psychedelic-salad.com/product/blaak-heat-shujaa/
European/UK Preorder: https://europe.psychedelic-salad.com/product/blaak-heat-shujaa/

Psychedelic Salad Records brings us the 10-year anniversary, double LP gatefold re-release of Blaak Heat Shujaa’s eponymous debut album, which first came out in October 2010. Remastered, this first ever vinyl pressing of the album also contains “Montan?a de Oro”, an exclusive lost demo tape from the same era!

The album was recorded and produced by Scott Reeder (of Kyuss fame) at The Sanctuary, a ranch nestled in the hills at the edge of the Mojave desert. The recordings musically capture the distance traveled by a then all-French lineup, from Paris to the epic valleys of the high desert, with prior stops in the Los Angeles region.

Blaak Heat Shujaa later shortened its name to “Blaak Heat” and went on to release two more albums, one EP, and one 7″ on the likes of NYC’s Tee Pee Records and Finland’s Svart Records. With a rotating cast of French and American musicians, the band toured Europe and America before going on a partial hiatus in 2018. Blaak Heat members have played or are currently active with Nebula, Mondo Generator, Spindrift, and Al-Qasar.

Out 20 October 2020 on Psychedelic Salad Records.

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Stone From the Sky Premiere Live Video for “Animal”

Posted in Bootleg Theater on September 18th, 2020 by JJ Koczan

stone from the sky animal live video

Fair enough that Le Mans, France-based instrumental trio Stone From the Sky should be premiering a video for the live-in-studio version of their song “Animal” ahead of the release of their Live in La Grange, since they did the same thing with the original version of the track as well. Call it promotional symmetry. Stone From the Sky issued Break a Leg (review here) — the full-length from whence “Animal” came — in May 2019, about 16 months and an entire lifetime ago. The new offering, which, as the title tells you was indeed recorded live at La Grange studio, is being released as a sort of glimpse at what could’ve been if the band was able to tour this Fall. They are, of course, not. So even though they followed 2017’s Fuck the Sun with a first live album in the crowd-mic’ed Live in Agger that same year, both the context and circumstances for Live in La Grange are different. See also: everything.

And what can you really say at this point? “Yeah, those probably would’ve been some cool shows.” Well, they probably would”ve been. Stone From the Sky sound on their game with the 36-minute/six-song set they present, from the opening My Sleeping Karma-ism of “Vena Cava” from the last album to the expansion on the same ideas and the consuming post-heavy lead that rises in the second half of “Godspeed,” a new song set to release on the band’s next LP presumably due out on More Fuzz Records once life magically returns to “normal” sometime next year. Whether or not that happens, the peak at things to come from the dynamic three-piece is welcome as it arrives through Live in La Grange, which perhaps doesn’t quite have the same physicality a live show might — that is, nobody’s thrashing out — but does carry through a palpable sense of the people behind the performances and is still graceful enough to build an atmosphere from the aforementioned opener onward.

The setlist, as it were, focuses on Break a Leg, and fairly enough so as the band’s latest work, and “Agger,” “Animal” and “Atomic Valley” indeed represent the album well, with the latter appearing as the bridge between “Godspeed” and the finale “Welcome to Trantor” from Fuck the Sun. Again, there’s a bit of the tantric tension in the early guitar and bass interplay on the closer, but Stone From the Sky careen through scorching solo work and fervent rhythmic push in kind before they return to ground ahead of their last build. It’s a satisfying cap to a satisfying set, which brings me back around to the original point of, “Yeah, those probably would’ve been some cool shows.” And hey kids, someday they might still be. At least in Europe. At some point. Ever.

If I sound hopeless, I’m sorry, but I am.

But maybe not completely so, because the lesson to take away from Live in La Grange aside from that Stone From the Sky are a good live band, is that creative expression finds a way. Sometimes that’s bands setting up a camera in a rehearsal space, and sometimes that’s a band booking a little studio time, putting to tape what would’ve been their tour set, and putting it out as a name-your-price download, like Stone From the Sky. That persistence, like grass popping up through cracks in highway pavement, is nothing if not admirable.

Enjoy the premiere of “Animal” from Live in La Grange below. And if you’re curious, I included the video for the original studio version at the bottom of this post as well.

Dig:

Stone From the Sky, “Animal” official live video premiere

Stone From The Sky – Animal
Recorded live in La Grange Studio / FR

The full live is available on our Bandcamp : https://stonefromthesky.bandcamp.com/album/live-in-la-grange

Camera: Pierre Posnic, Renaud Tessier, Jospeh Smalley, Solal Boutoux
Montage: Renaud Tessier
Editing: Solal Boutoux
Record and mix: Jordan Jupin
Mastering: Role at Die Tonmesterei / DE

Stone from the Sky, “Animal” official video

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