Year of No Light to Release Consolamentum on Pelagic Records July 2

Posted in Whathaveyou on April 21st, 2021 by JJ Koczan

year of no light

Well that’s a pretty heavy 12-minute single you’ve got there,  transition words for research papers article source admission essay editing service scholarship college student homework helper Year of No Light. The Bordeaux-based six-piece haven’t issued a full-length since they gave the Vampyr score a once-over in 2013, and to herald the coming of  Good service to http://www.leinefelde-worbis.de/?cupcake-bakery-business-plans. Perfect format, outstanding quality, and affordable prices. Any deadlines and a number of disciplines. Consolamentum, the band have revealed “Réalgar,” a post-metallic instrumental soundscaper that’s suitably big on atmosphere and impact without losing itself entirely to either. The new album will be their first for Assignment Help Experts offer Online Assignment Help and http://www.city-living.de/?critical-thinking-apps in Australia and US. Paper will be written by US and Australian Experts. Pelagic, and it comes as they mark their 20th anniversary as a band, also releasing a new limited box set that is nothing if not extensive. You know bands are giving it their all when they put the slipmat along with 12 platters in the hand-silkscreened wood box.

What’s really enticing about “Réalgar” — aside from that synth line running beneath the airy guitars — is how short it makes that 12 minutes seem. Didn’t we just set out on this journey,  The Custom Essay Review is a 35+-year-old custom-consulting firm. The name The Writing Company may make it sound like a large firm, but it isnt. It is Year of No Light? And already we’re dissolving into gorgeous ambience? They do spend the last couple minutes in that swirl, but don’t be fooled by the lack of drums, there’s still plenty of substance to the proceedings.

Cool beans. (That’s probably something no one else will say about this track, so there. Thanks for reading.) You’ll find the details for the box and  Hire essay writers online from the best more company! Special November Discount. Price starts at per page! Limited October Offer! Consolamentum below, courtesy of the PR wire:

year of no light consolamentum

Year of No Light announce Consolamentum album and 20th anniversary box set

Here, we offer check writing service in the UK to support you in completing your dissertation when; You find it difficult to select the appropriate methodology or data analysis part of your dissertation. You may need help with writing an in-depth literature review or any other part of your dissertation. We bring you exactly what you are looking for comparatively low prices. We Bordeaux, FR post-metal sextet joins Pelagic Records w/ heaviest album to date

Bordeaux, France post-metal sextet Year of No Light announce their forthcoming fifth studio album Consolamentum today, sharing the first single “Réalgar” via all DSPs. Hear and share “Réalgar” via Bandcamp, Spotify and YouTube.

Consolamentum is the band’s first album on Pelagic Records. To celebrate joining the label and Year of No Lights’s 20th anniversary, they will release a limited edition deluxe wooden box set of the band’s entire discography, titled Mnemophobia on July 2nd. The handmade, hand-silkscreened wooden box features 12 vinyl LPs in 6 gatefold sleeves, exclusive colored vinyl variants, a slipmat, metal pin, patch and poster. For more information, see HERE: https://pelagic-records.com/product/year-of-no-light-mnemophobia-wooden-lp-boxset/

Year of No Light’s lengthy, sprawling compositions of towering walls of guitars and sombre synths irradiate a sense of dire solemnity and spiritual gravity, and couldn’t be a more fitting soundtrack for such grim medieval scenarios. But there is also the element of absolution, regeneration, elevation, transcendence in the face of death. Consolamentum is dense, rich and lush and yet somehow feels starved and deprived.

It comes as no surprise that ever since the beginning of their career, the band have had an obsession for the fall of man and salvation through darkness. The term “consolamentum” describes the sacrament, the initiation ritual of the Catharic Church, which thrived in Southern Europe in the 12th – 14th Century – a ritual that brought eternal austereness and immersion in the Holy Spirit.

“There’s a thread running through all of our albums”, says the band, collectively “an exploration of the sensitive world that obeys a certain telos, first fantasized (“Nord”) and reverberated (“Ausserwelt”), then declaimed as a warning (“Tocsin”). The deeper we dig, the more the motifs we have to unveil appear to us. Yes, it’s a bit gnostic. This album is invoked after the Tocsin, it’s the epiphany of the Fall.”

With debut album Nord (2006) and sophomore release Ausserwelt (2010), the band made themselves a name in the European avant-metal scene. Extensive tours of Europe, North America and Russia in 2013 and 2014, including two appearances at Roadburn festival, Hellfest and a spectacular performance in a 17th Century fortress in the Carpathian mountains introduced them to a broader and quickly growing international audience.

With their seminal 3rd album Tocsin, released in 2013, Year Of No Light reached the peak of their career thus far – a logical decision that Consolamentum was made with the same team again: recorded and mixed by Cyrille Gachet at Cryogene in Begles / Bordeaux, mastered by Alan Douches at West West Side.

“We wanted this album to sound as organic and analog as possible”, comments the band. “All tracks were recorded live. The goal was to have the most natural, warm and clean takes possible, to give volume to the dynamics of the songs. We aimed to have a production with a singular personality.”

For the adept listener, Consolamentum seems to be venturing deeper into the dark and claustrophobic spheres explored on Tocsin – but the band doesn’t conceive of the evolution of their music in a linear way, as it would be apparent from looking at their discography.

“It’s more a matter of sonic devotion. Music against modern times. Year Of No Light” is above all a praxis. We wanted intensity, trance, climax and threat, all of them embedded in a bipolar and mournful ethos.”

Consolamentum will be available on 2xLP, CD and digital on July 2nd, 2021 via Pelagic Records. Preorders are available HERE: https://pelagic-records.com/artist/year-of-no-light/

Tracklisting:
01. Objuration
02. Alétheia
03. Interdit aux Vivants, aux Morts et aux Chiens
04. Réalgar
05. Came

https://yearofnolight.bandcamp.com/
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Year of No Light, Consolamentum (2021)

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Karkara Announce Fall Shows in France & UK; Live Session Video Posted

Posted in Whathaveyou on April 13th, 2021 by JJ Koczan

KARKARA

French heavy psychedelic rockers  We offer the Why Cant I Do My Homework & assignment help in UK. Our assignment writers are always there to help you out in your academic work. Karkara released their second album,  www.E-Report Writing Service.com is an advanced custom writing agency occupied and staffed with brilliantly educated writing specialists whose goal is to provide Nowhere Land (review here), last Fall through  Read and Download Math Homework For 4th Graders Free Ebooks in PDF format - GRADPOINT ANSWERS FOR GEOMETRY BARNES SUGGESTED ANSWERS SOLUTION MANUAL ADVANCE ACCOUNTING Stolen Body Records, and this Fall, they’ll take to the road to support it. At least a little bit, with a few shows in France and the UK slated for September and October. Hey, if that’s what touring needs to look like right now, I think it’s pretty obvious touring needs to happen one way or the other, so take what you can get.

The trio recently participated in a live studio session — two songs, 14 minutes; nice — whereby they rightly break out the didgeridoo and do it up right. We live in uncertain times, as you well know since you’re alive, but here’s hoping these shows happen, and all shows happen and everything is beautiful and nothing hurts and I don’t know about Nowhere Land but Toulouse sounds pretty nice to me.

Okay, here’s PR wire stuff:

karkara shows

Karkara Live Session & Tour Dates (Stolen Body Records)

A deafening echo that suddenly speaks out of the dust, conveying all the desolation of an endless landscape up to the sky.

A journey for those who like exotic rock to sound viscerally loud, raw and high gained. To blow up the speakers for good. Fuzzed guitar and Buzzing didgeridoo locked with a sped up drums and cranked bass sound that makes you feel like you are riding a spacecraft at full speed between the dunes.

Created in 2017 in Toulouse, France, the threesome takes its inspiration among different rock genres, from the sweet middle eastern psychedelic rock to the raw shattering sounds of garage fuzz and german krautrock.

Even going so far as to use their favorite atypical instrument – the didgeridoo – the three members of KARKARA, like desert wizards, take pleasure in pushing further the boundaries of the genre and take their audience into a mystical and indomitable world.

TRACKS PLAYED :
1 – Deliverance
2 – Space Caravan

Tour – September 9th – October 2nd
Cities :
GAP FR
ROUEN FR
BRIGHTON GB
CHELMSFORD GB
LONDON GB
BRISTOL GB
NEW CASTLE GB
GLASGOW GB
MANCHESTER GB
LEICESTER GB

LINE UP :
Karim Rihani – Guitar , Vocals , Didgeridoo
Hugo Olive – Bass
Maxime Marouani – Drums , Vocals

https://www.facebook.com/karkararock/
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https://karkara.bandcamp.com/
https://stolenbodyrecords.co.uk/
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https://www.facebook.com/Ghost-Lizard-Diffusion-1003831926422650/

Karkara, Live at Espace d’Albret

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Quarterly Review: DVNE, Wowod, Trace Amount, Fuzzcrafter, Pine Ridge, Watchman, Bomg, White Void, Day of the Jackal, Green Druid

Posted in Reviews on April 1st, 2021 by JJ Koczan

quarterly-review-spring-2019

Oh, hello there. Don’t mind me. I’m just here, reviewing another 10 records today. I did it yesterday too. I’ll do it again tomorrow. No big deal. It’s Quarterly Review time. You know how it goes.

Crazy day yesterday, crazy day today, but I’m in that mode where I kind of feel like I can make this go as long as I want. Next Monday? Why not? Other than the fact that I have something else slated, I can’t think of a reason. Fortunately, having something else slated is enough of one. Ha. Let’s go.

Quarterly Review #31-40:

DVNE, Etemen Ænka

dvne Etemen Ænka

It’s like Scotland’s So that students dont have to think that I have to Get More Info myself only and they have to find dissertations online. DVNE threw all of modern heavy metal into a blender and hit “cohesive.” visite site Service. 13 likes. Buy Thesis Online is one of the dissertation writing services that really cares about customers and their college paper. Etemen Ænka‘s lofty ambitions are matched indeed by the cohesion of the band’s craft, the professionalism of their presentation, and the scope of their second album’s 10 component tracks, whether that’s in the use of synth throughout “Towers” or the dreamy post-rock aside in “Omega Severer,” the massive riffing used as a tool not a crutch in “Court of the Matriarch,” closer “Satuya” and elsewhere, and even the interlude-y pieces “Weighing of the Heart,” “Adraeden” and the folkish “Asphodel” that leads into the finale. Viele ubersetzte Beispielsatze mit "http://filmcampsuedwest.bz-bm.de/business-plan-catering/" Deutsch-Englisch Worterbuch und Suchmaschine fur Millionen von Deutsch-Ubersetzungen. DVNE have made themselves into the band you wish http://stadttheater.amberg.de/?restaurant-business-plan-uk. Our company provides professional academic help for students all around the world. We have already helped thousands of students and Isis became. Also the band you wish http://www.museum-vilsbiburg.de/?autism-research-paper-outline24h provides its customers with essay writing of any type. Just click the order button and get your "write my essay" assignment done by the Mastodon became. And probably six or seven others. And while Take My Online Class helps with online class, homework and assignment help for students. http://www.bahnberufe.de/?lord-of-the-flies-paper? If this is your question, we Etemen Ænka is certainly not without prog-styled indulgence, there is no taking away from the significant accomplishment these songs represent for them as a group putting out their first release on Metal Blade. It’ll be too clean for some ears, but the tradeoff for that is the abiding sense of poise with which DVNE deliver the songs. This will be on my year-end list, and I won’t be the only one.

DVNE on Thee Facebooks

Metal Blade Records website

 

Wowod, Yarost’ I Proshchenie

Wowod Yarost I Proshchenie

Beginning with its longest track (immediate points) in the 11-minute “Rekviem,” Yarost’ I Proshchenie is the third full-length from St. Petersburg’s Wowod, and its sudden surge from ‘unfold’ to ‘onslaught’ is a legitimate blindside. They hypnotize you then push you down a flight of stairs as death growls, echoing guitar lines and steady post-metallic drum and bass hold the line rhythmically. This sense of disconnect, ultimately, leads to a place of soaring melody and wash, but that feeling of moving from one place to another is very much the core of what Wowod do throughout the rest of the album that follows. “Tanec Yarosti” is a sub-three-minute blaster, while “Proshschenie” lumbers and crashes through its first half en route to a lush soundscape in its second, rounding out side A. I don’t care what genre “Zhazhda” is, it rules, and launches side B with rampaging momentum, leading to the slow, semi-industrial drag of “Chornaya Zemlya,” the harsh thrust of “Zov Tysyachi Nozhey” and, finally, dizzyingly, the six-minute closer “Top’,” which echoes cavernous and could just as easily have been called “Bottom.” Beautiful brutality.

Wowod on Thee Facebooks

Church Road Records on Bandcamp

 

Trace Amount, Endless Render

trace amount endless render

The chaos of last year is writ large in the late-2020 Endless Render EP from Brooklyn-based solo industrial outfit Trace Amount. The project headed by Brandon Gallagher (ex-Old Wounds) engages with harsh noise and heavy beatmaking, injecting short pieces like “Pop Up Morgues” with a duly dystopian atmosphere. Billy Rymer (The Dillinger Escape Plan, etc.) guests on drums for opener “Processed Violence (in 480P)” and the mminute-long “Seance Stimulant,” but it’s in the procession of the final three tracks — the aforementioned “Pop Up Morgues,” as well as “S.U.R.V.I.V.A.L.” and “Easter Sunday” — that Gallagher makes his most vivid portrayals. His work is evocative and resonant in its isolated feel, opaque like staring into an uncertain future but not without some semblance of hope in its resolution. Or maybe that’s the dream and the dance-party decay of “Dreaming in Displacement” is the reality. One way or the other, I’m looking forward to what Trace Amount does when it comes to a debut album.

Trace Amount on Thee Facebooks

Trace Amount on Bandcamp

 

Fuzzcrafter, C-D

Fuzzcrafter C D

French instrumentalists Fuzzcrafter issued C-D in October 2020 as a clear answer/complement to 2016’s A-B, even unto its Jo Riou cover art, which replaces the desert-and-fuzz-pedal of the first offering with a forest-and-pedal here. The six works that make up the 41-minute affair are likewise grown, able to affect a sense of lushness around the leading-the-way riffage in extended cuts “C2” (13:13) and the psychedelic back half of “D2” (13:18), working in funk-via-prog basslines (see also the wah guitar starting “D1” for more funk) over solid drums without getting any more lost than they want to be in any particular movement. In those songs and elsewhere, Fuzzcrafter make no attempt to hide the fact that they’re a riff-based band, but the acoustic side-finales in “C3” (which also features Rhodes piano) and “D3,” though shorter, reinforce both the structural symmetry of the mirrored sides as a whole and a feeling of breadth that is injected elsewhere in likewise organic fashion. They’re not changing the world and they’re not trying to, but there’s a mark being left here sound-wise and it’s enough to wonder what might be in store for the inevitable E-F.

Fuzzcrafter on Thee Facebooks

Fuzzcrafter on Bandcamp

 

Pine Ridge, Can’t Deny

Pine Ridge Can't Deny

Pine Ridge‘s second album, Can’t Deny, finds the Russian four/five-piece working in textures of keys and organ for a bluesier feel to tracks like the post-intro opening title-cut and the classic feeling later “Genesis.” Songwriting is straightforward, vocals gritty but well attended with backing arrangements, and the take on “Wayfaring Stranger” that ends the record’s first half conjures enough of a revivalist spirit to add to the atmosphere overall. The four tracks that follow — “Genesis,” “Runaway,” “Sons of Nothing” and “Those Days” — featured as well on 2019’s Sons of Nothing EP, but are consistent in groove and “Sons of Nothing” proves well placed to serve as an energetic apex of Can’t Deny ahead of “Those Days,” which starts quiet before bursting to life with last-minute electricity. A clear production emphasizes hooks and craft, and though I’ll grant I don’t know much about Siberia’s heavy rock scene, Pine Ridge ably work within the tenets of style while offering marked quality of songwriting and performance. That’s enough to ask from anywhere.

Pine Ridge on Thee Facebooks

Karma Conspiracy website

 

Watchman, Behold a Pale Horse

watchman behold a pale horse

Plain in its love for Sabbath-minded riffing and heavy Americana roll, “Bowls of Wrath” opens the three-song Dec. 2020 debut EP, Behold a Pale Horse, from Indiana-based solo-project Watchman, and the impression is immediate. With well-mixed cascades of organ and steadily nodding guitar, bass, drums and distorted, howling vocals, there is both a lack of pretense and an individualized take on genre happening at once. The EP works longest to shortest, with “Wormwood” building up from sparse guitar to far-back groove using negative space in the sound to bolster “Planet Caravan”-ish watery verses and emphasize the relative largesse of the track preceding as well as “The Second Death,” which follows. That closer is a quick four minutes that’s slow in tempo, but the lead-line cast overtop the mega-fuzzed central riff is effective in creating a current to carry the listener from one bank of the lake of fire to the other. In 15 minutes, multi-instrumentalist/vocalist/producer Roy Waterford serves notice of intention for a forthcoming debut LP to be titled Doom of Babylon, and it is notice worth heeding.

Watchman on Instagram

Watchman on Bandcamp

 

Bomg, Peregrination

bomg peregrination

Bomg‘s Peregrination isn’t necessarily extreme the way one thinks of death or black metal as extreme styles of heavy metal, but is extreme just the same in terms of pushing to the outer limits of the aesthetics involved. The album’s four track, “Electron” (38:12), “Perpetuum” (39:10), “Paradigm” (37:17) and “Emanation” (37:49), could each consume a full 12″ LP on their own, and presented digitally one into the next, they are a tremendous, willfully unmanageable two-and-a-half-hour deep-dive into raw blowout dark psychedelic doom. The harsh rumble and noise in “Perpetuum” some 28 minutes on sounds as though the Ukrainian outfit have climbed the mountains of madness, and there is precious little clarity to be found in “Paradigm” or “Emanation” subsequent as they continue to hammer the spike of their manifestations deeper into the consciousness of the listener. From “Electron” onward, the self-recording Kyiv trio embark on this overwhelming journey into the unknown, and they don’t so much invite you along as unveil the devastating consequences of having made the trip. Righteously off-putting.

Bomg on Thee Facebooks

Robustfellow Productions on Bandcamp

 

White Void, Anti

white void anti

As much as something can fly under the radar and be a Nuclear Blast release, I’m more surprised by the hype I haven’t heard surrounding White Void‘s debut album, Anti. Pulling together influences from progressive European-style heavy rock, classic metal, cult organ, New Wave melodies and a generally against-grain individualism, it is striking in its execution and the clear purpose behind what it’s doing. It’s metal and it’s not. It’s rock and it’s pop and it’s heavy and it’s light and floating. And its songs have substance as well as style. With Borknagar‘s Lars Nedland as the founding principal of the project, the potential in Anti‘s eight component tracks is huge, and if one winds up thinking of this as post-black metal, it’s a staggeringly complex iteration of it to which this and any other description I’ve seen does little justice. It’s going to get called “prog” a lot because of the considered nature of its composition, but that’s barely scratching the surface of what’s happening here.

White Void on Thee Facebooks

Nuclear Blast Records store

 

Day of the Jackal, Day Zero

Day of the Jackal Day Zero

Leeds, UK, four-piece Day of the Jackal bring straight-ahead hard rock songwriting and performance with an edge of classic heavy. There’s a Guns ‘n’ Roses reference in “Belief in a Lie” if you’re up for catching it, and later cuts like “Riskin’ it All” and “‘Til the Devil” have like-minded dudes-just-hit-on-your-girlfriend-and-you’re-standing-right-there vibes. They’re a rock band and they know it, and while I was a little bummed out “Rotten to the Core” wasn’t an Overkill cover, the 10 songs of love and death that pervade this debut long-player are notably hooky from “On Your Own” to “Deadfall” and “Rock ‘n’ Roll Deathride,” which casually inhabits biker riffing with no less ease of movement than the band would seem to do anything else. Production by James “Atko” Atkinson of Gentlemans Pistols highlights the clarity of the performance rather than giving a rawer glimpse at who Day of the Jackal might be on stage, but there’s plenty of vitality to go around in any case, and it’s headed your way from the moment you start the record.

Day of the Jackal on Thee Facebooks

Day of the Jackal on Bandcamp

 

Green Druid, At the Maw of Ruin

green druid at the maw of ruin

Following their 2018 debut, Ashen Blood (review here), Denver heavy lifters Green Druid give due breadth to their closing take on Portishead‘s “Threads,” but the truth is that cover is set up by the prior five tracks of huge-sounding riffery, basking in the varying glories of stoner doom throughout opener “The Forest Dark” while keeping an eye toward atmospheric reach all the while. It is not just nod and crush, in other words, in Green Druid‘s arsenal throughout At the Maw of Ruin, and indeed, “End of Men” and “Haunted Memories” bridge sludge and black metal screaming as “A Throne Abandoned” offers surprising emotional urgency over its ready plod, and the long spoken section in “Desert of Fury/Ocean of Despair” eventually gives way not only to the most weighted slamming on offer, but a stretch of noise to lead into the closer. All along the way, Green Druid mark themselves out as a more complex outfit than their first record showed them to be, and their reach shows no sign of stopping here either.

Green Druid on Thee Facebooks

Earache Records website

 

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The Obelisk Questionnaire: Sacha Besson of Fuzzcrafter

Posted in Questionnaire on March 26th, 2021 by JJ Koczan

fuzzcrafter-sacha BESSON

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Sacha Besson of Fuzzcrafter

How do you define what you do and how did you come to do it?

It’s a strange instrumental mix of fuzz rock and progressive music, with a lot of different influences ranging from funk to doom metal and world music. We have already released two albums, A – B and C – D, that were both recorded during live studio sessions. We feel that recording that way, in an age of overproduced albums with thousands of tracks, allows us to reach the authenticity and wildness that made the rock ‘n’ roll classics we love.

We try to make music we would be happy to listen to: with massive amounts of fuzz, long tracks with complicated structures, and musical changes you wouldn’t have expected a second earlier.

Describe your first musical memory.

I’m not coming from a musician family, I was not really exposed to music as a child. But I remember having a kind of revelation when playing Zelda Link’s Awakening on my Gameboy when I was like six or seven. The goal of the game is to pick up eight musical instruments through the dungeons. Every time you pick one, the instrument plays his part, then once again with the ones you already got. You literally assist to the creation of the arrangement. I played that on repeat and was like “Wooah, that’s cool, I wanna do this!”

Not really rock ‘n’ roll is it? Fuzzy stuff came later.

Describe your best musical memory to date.

We had a lot of good times with the band, but I’d say the day we finished tracking the second album. It was a challenging session, we had two rough days. It was the first time we recorded tracks that long and technical. When we finally laid down the last track, I was very proud of what we had accomplished. There’s an euphoria you’d never get if you record the instruments one by one.

When was a time when a firmly held belief was tested?

As an independent band, I don’t think there are that many occasions for this kind of dilemmas. We’re just having fun playing music we love.

Where do you feel artistic progression leads?

The more you progress, the more you understand how little you really know. I sure feel that way with music, I guess it’s the same in other artistic fields.

How do you define success?

Setting yourself goals that seem a bit too high, and working your ass off until you finally achieve something you’re proud of. The rest is bonus.

What is something you have seen that you wish you hadn’t?

Humanity going completely crazy, speeding up the extinction of entire species all over the planet to preserve short-term personal comfort… And… Star Wars Ep. VIII.

Describe something you haven’t created yet that you’d like to create.

We would really like to incorporate more guest musicians, and different kind of instruments in the next releases. We really love the trio format, and I think the limitations it imposes pushes the inspiration in a cool way; but why not bonus tracks with a way bigger band?

What do you believe is the most essential function of art?

Isn’t not having a function one of the main characteristics of art?

Something non-musical that you’re looking forward to?

A good beer in a bar with friends when that weird Covid situation is over!

https://www.facebook.com/fuzzcrafter
https://www.instagram.com/fuzzcrafterband/
https://fuzzcrafter.bandcamp.com/

Fuzzcrafter, C-D (2020)

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The Obelisk Questionnaire: Katy Elwell of Lizzard

Posted in Questionnaire on March 15th, 2021 by JJ Koczan

lizzard katy elwell (Photo by Audrey Saint-Marc)

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Katy Elwell of Lizzard

How do you define what you do and how did you come to do it?

I would call myself an animal drummer. For me, drumming is a martial art. A primal, tribal form of expression. Becoming a drummer came to me as a revelation. One day I just knew. So I started drumming…

Describe your first musical memory.

My Dad’s Michael Jackson BAD vinyl… I was probably about four years old. My Dad was a hifi fanatic and had (and still has) an awesome collection of music. I used to dance and jump all over the place when he put music on!

Describe your best musical memory to date.

Tool, Ænima. Hearing just the first notes of that album changed my perspective on life immediately! No other music has had that kind of impact on me since. I was transported.

When was a time when a firmly held belief was tested?

When I heard Connor McGregor, the MMA fighter and a great inspiration of mine, say: “speed over strength, precision over power.” That shook my belief that I could just play drums with reckless abandon, and I realized that I could only let go and lose control if I actually had control in the first place…

Where do you feel artistic progression leads?

Spiritual development and self knowledge. Better communication with others. Better understanding of the world and its complex nature.

How do you define success?

Definitely by being happy and fulfilled in what you do. Living life to the full and giving the best of yourself.

What is something you have seen that you wish you hadn’t?

The dark side of human beings, myself included. Fear, anger and our totally destructive nature.

Describe something you haven’t created yet that you’d like to create.

A unique piece of drumming that will truly inspire my bandmates!

What do you believe is the most essential function of art?

Uplifting and awakening people and conveying a message, preferably one of hope and positive energy!

Something non-musical that you’re looking forward to?

Getting back to practicing Qi gong, the fundamental martial art.

http://smarturl.it/lizzardDGTL
http://lizzard.fr
http://www.facebook.com/lizzardmusic
http://www.instagram.com/lizzardmusic
http://twitter.com/lizzardband
http://www.pelagic-records.com/
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http://www.instagram.com/pelagic_records

Lizzard, Eroded (2021)

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Slift Post “Thousand Helmets of Gold” Video

Posted in Bootleg Theater on March 1st, 2021 by JJ Koczan

slift (Photo by Rabo)

By the fires of Space-Mordor, it’s a new Slift video!

You may recall last year when the Toulouse, France-based heavy space rock trio posted a clip for “Lions, Tigers and Bears” from their Feb. 2020 album, Ummon (review here), in time to coincide with the US release. Well, it’s been a year since Ummon first came out and they’ve got a wildly different kind of video to mark this occasion.

Where “Lions, Tigers and Bears” captured an energetic live performance, a sweaty-looking crowd of people standing oh-so-close to each other and sharing every precious second in joyous communion with not only each other, not only the band on stage, but the intangible yet physical motion of the music itself, well, it’s probably been a while at this point since Slift played a show. And even if they did, would it really be fair to show off? Maybe.

Nonetheless, “Thousand Helmets of Gold” brings something different right from the outset. The three-piece themselves are absent and in their place is a digitally animated narrative that, if we’re being honest with each other, looks like a video game I want to play. I’m not a gamer, necessarily, but every now and then a new Final Fantasy comes along and I feel the pull of my wasted youth to dive in. I’d play “Thousand Helmets of Gold,” grind out levels until all my stats were maxed out, then hit up that fortress and lay waste accordingly. It would be a blast as well as a decent way to pass time while waiting for the return of the kind of shows that might result in the communal joy noted above.

Ummon, if you didn’t hear it — and I know you did, but bear with me — was about as righteous as space rock got in 2020, and that’s pretty damn righteous. So now that we’re passed a year since it arrived, it seems like an excellent time to revisit. The full Bandcamp stream is down near the bottom of the post.

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Enjoy:

Slift, “Thousand Helmets of Gold” official video

https://idol.lnk.to/UMMON?

Video created by Guthio & Alexis Regidor
https://www.instagram.com/guthio?
Design/Props by Alexis Regidor
https://www.instagram.com/antcraft_props?

From SLIFT’s double album ‘UMMON’ (Feb. 28th 2020, Vicious Circle Records / Stolen Body Records)
Recorded by Olivier Cussac at Condorcet, Toulouse

SLIFT are:
Jean Fossat : guitar, vocals, synth
Rémi Fossat : bass
Canek Flores : drums

Slift, Ummon (2020)

Slift on Thee Facebooks

Slift on Bandcamp

Stolen Body Records store

Vicious Circle Records store

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The Bottle Doom Lazy Band Set March 19 Release for 2005-2020 Doom Over the Years

Posted in Whathaveyou on February 15th, 2021 by JJ Koczan

Take a listen to 2020’s Burn EP below and you’ll probably notice that French boozers The Bottle Doom Lazy Band aren’t exactly hurting for a raw sound to start with, but a live album is bound to live up to that, especially as it spans 15 years. 2005-2020 Doom Over the Years is the name of the offering, and it’s due out March 19 on Sleeping Church Records. There are a glut of live albums right now since band can’t tour, but a 15th anniversary is nothing to sneeze at, so they’re well within their rights to celebrate in one of the few ways they could.

No audio yet from 2005-2020 Doom Over the Years, just about a month out from the release, but you can still get a sense of where they’re coming from with the EP, so if you’re ready to blow off the rest of your day and kick back with a little aptly-designated ‘bottle doom,’ I say have at it.

From the PR wire:

the bottle doom lazy band 2005 2020 doom over the years

THE BOTTLE DOOM LAZY BAND Releases Live Album “2005 – 2020 Doom Over The Years”!

Due out on March 19th through Sleeping Church Records!

French doom collective, THE BOTTLE DOOM LAZY BAND, has announced their first live album, which will be released on March 19th, 2021, through Sleeping Church Records!

With their loud ‘n low-tuned, epic yet fierce and slow doom sound, the band burst into the heavy music scene in 2005. Following 3 records and 15 years of countless shows and tours later, and especially in these current dark times of empty venues, THE BOTTLE DOOM LAZY BAND would like to share their memories with this very special collection of gig excerpts to be released as a live album titled “2005 – 2020 Doom Over The Years”. Recorded at several shows over the past 15 years featuring 10 blistering live tracks, the album was ultimately mixed & mastered by Guyome at Cripple Room.

Says the band: “This live effort simply represents the story of a bunch of mates, 15 years of gigging (well, just every now and then, not all the time. Let’s be serious, we’ve got other stuff to do). Gigging, with its fair share of stinky sweat, booze and puke spatter, encounters of all kind of thirsty people and nut jobs from all kind of places.”

Tracklist:
1. Blood For The Bloodking
2. The Dead Can’t Lose Again
3. Ridin’ Bones
4. Night Of The Living Dead
5. The Beast Must Die
6. Smiling Tomb
7. Space Crusader
8. Lost n’ Drunk
9. Too Old
10. Into The Necronef (Unplugged)

Line-up 2020:
Bottleben – Vocals
Opyat – Guitar
Pierre – Guitar
Guyome – Drums
Hemreich – Bass

www.facebook.com/bottledoom
www.thebottledoomlazyband.bandcamp.com
www.sleepingchurchrds.com

The Bottle Doom Lazy Band, Burn (2020)

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Los Disidentes del Sucio Motel to Release Polaris April 2

Posted in Whathaveyou on February 10th, 2021 by JJ Koczan

Los Disidentes Del Sucio Motel

Are we really going on five years since Los Disidentes del Sucio Motel released Human Collapse (review here)? The Strasbourg-based increasingly-progressive heavy rock five-piece couldn’t possibly have known how prescient that title would prove at the time, but either way, good call. It makes me wish their forthcoming fourth long-player was called JJ Finds 10 Bucks instead of Polaris, but fine. I’m sure Polaris will make more sense to most people.

To herald the album’s arrival through Klonosphere Records on April 2, the band have newly revealed a video for the track “Blood-Planet Child,” which skirts the line between progressive heavy rock and post-metallic riffing — there’s an aggressive undercurrent, but Los Disidentes del Sucio Motel are too mature to have only that to offer at this point. Come to think of it, they always had more than just that going for them. One recalls their 2010 debut album, Soundtrack From the Motion Picture (review here), was, indeed, a soundtrack to an imaginary film the title of which was the band’s name. I wonder if they ever did a screenplay. Could probably get Amazon to pick it up as a series at this point. Content is king.

Speaking of, here’s some content, as sent down the PR wire for your perusal/infotainment. Dig in:

Los Disidentes Del Sucio Motel Polaris

Los Disidentes Del Sucio Motel – French Heavy Rockers Announce New Album “Polaris”

Reveal Music Video For “Blood-Planet Child”

Nearly five years after the release of “Human Collapse”, French heavy rockers Los Disidentes Del Sucio Motel are back with their fourth album “Polaris”, which is now set for release on April 2nd via Klonosphere.

Produced, engineered, recorded, mixed and mastered at White Bat Recorders by Rémi Gettliffe, “Polaris” is yet again the band’s most daring, dynamic and mature release to date and sees them further delving into progressive terrains. Pre-orders are now available at this location: https://orcd.co/lddsm-polaris

Video directed by Ben Auer.

https://lddsm.bandcamp.com/?
https://www.facebook.com/lddsm
https://www.instagram.com/losdisidentesdelsuciomotel/
https://www.facebook.com/KLONOSPHEREPR/
https://www.klonosphere.com/

Los Disidentes del Sucio Motel, “Blood-Planet Child” official video

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