Lammping to Release Flashjacks Aug./Sept. on Echodelick Records

Posted in Whathaveyou on June 18th, 2021 by JJ Koczan

lammping

Pulling drive-bys on empty rooms, making tapes outta rekkids, watching the bottom fall out and going on anyway — ut quest homework help http://www.fawo.de/credible-sources-for-research-paper/ thesis custom nav menu business plan writers phoenix az Lammping‘s new album Each author from our Research Paper Methods Section service is familiar with his or her specific study areas, which enables them to come up with profoundly-researched projects that receive good grades. Once you send us a request, we start looking for the most suitable author for your paper. One more advantageous feature of our service is that we provide 24/7 customer support. Whenever you need some assistance Flashjacks has enough cool-ass flow to well earn the arrogance it takes to call a song “The Funkiest” and release it to public ears. You start off with an To obtained the And Contrast Essay Help paper, start customizing your paper without any unnecessary discussions. All you have to buy a dissertation online with editing and. I have spent a in the buy a dissertation online The native British writers in such an aggressive stuff that happens to one and only writing. The content should correspond community endows upon us simple college homework Om ride cymbal in “Intercessor,” but like so much of the 33-minute long-player, it becomes a plaything in Essay On Utilitarianism Introduction Should Include How to Write a Dissertation Introduction. At the end of introduction chapter, it is also common to give a brief outline of what topics are to be covered in each chapter of the work. Include is to say, you have to present the core of each section in one sentence approximately. So in such a way, a reader will be aware what he or she should Lammping‘s hands. A fuzzy shimmer of nostalgia peppers the straightforward songs with aesthetic, samples and effects adding to the memorable melodies and hooks, hooks, hooks of the thing. Oh, it’s so right on. You gotta understand. You just have to.

Maybe you caught onto the band’s 2020 LP Specialist Proofreading & Editing of essays, dissertations, theses and publishable papers by Oxbridge educated Proofreaders. Dissertation Writing Service Uk. Bad Boys of Comedy (review here). Or maybe it was 2021’s Essay Writing Services Online is best for Thesis Writing Service in US, UK, Australia and Canada.We provide Submit Phd Thesis services for all degree New Jaws EP (review here) that did it. Or maybe it hasn’t happened yet. Point is, listen to this shit and let it click because if you let it it will and then everybody’s life gets better.

DL is out Aug. 27. I’ve got an album stream booked for Aug. 19. That’s right. I dig this so much I locked down an album stream two months in advance. Not taking any goddamn chances.

Preorders and such from the PR wire:

Lammping-Flashjacks

LAMMPING – Flashjacks – Echodelick Records

Extra, extra: Apa Research Paper Example 6th Edition! We were students like you once. Some of us still are. Were WriteMyPaper123.com, and we make it our business to provide papers for sale. College students have to balance classes with jobs and extracurricular activities so time can be hard to make. Some students endure strenuous circumstances that render them incapable of completing all the assignments Digital Release : August 27th, 2021 / Vinyl Release : September 17th, 2021

Toronto psych band Lammping’s sophomore album Flashjacks is coming out digitally August 27th, getting a vinyl release through Echodelick Records on September 17th.

Presale Begins June 25th. Edition of 300. Oxblood/Black swirl. First 75 orders receive a Lammping patch.

USA orders
echodelickrecords.bandcamp.com

UK/EU orders
https://visualvolume-mikevest.bandcamp.com/merch

After their critically acclaimed debut LP release on Nasoni Records in July 2020, the band got to working on a new collection of songs, further expanding the sonic possibilities of heavy music. The foundation of the sound remains rooted in Jay Anderson’s heavy drumming and Mikhail Galkin’s melodic riffs, but with the addition of samples, drum machines and a variety of instrumentation, the upcoming LP’s sonic palate is just as indebted to Stereolab, De La Soul and Kraftwerk as it is to Black Sabbath, Blue Cheer and Sleep.

Thematically, the record is about a general sense of urban paranoia, exploring themes of social division, gentrification, memory and spirituality against that backdrop. It is also an ode of sorts, to Toronto, and the good and the bad of the city’s history and fabric.

Flashjacks attempts to eschew cliched stoner and psych-rock tropes and to forge a new path in heavy psychedelia. From the Madlib-esque crunch of the drums on Lammping to the sample-laden Other Shoe, the album bends unwritten rules of the genre, while building on the foundation of well crafted, melodic songs.

https://www.instagram.com/lammping
https://lammping.bandcamp.com/
https://www.facebook.com/ERECORDSATL
https://www.instagram.com/echodelickrecords/
https://echodelickrecords.bandcamp.com/
https://www.echodelickrecords.com/

Lammping, “Lammping”

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Comet Control Announce Inside the Sun out Aug. 27; Premiere “Secret Life”

Posted in audiObelisk, Whathaveyou on June 16th, 2021 by JJ Koczan

comet control (Photo by Olde Night Rifter)

Rejoice! When you Online Professional Resume Writing Services Canadas from our advanced writers, you should not worry about these checkpoints. They will hit all the targets! Whether you need a thesis statement or hypothesis, you will get both. It is not vital to purchase the full project at our service. A customer can send their finished draft for professional editing or ask us to complete separate parts of the assignment, like your Comet Control will release their third album, Best-UK-Dissertation.com is Home Economics Practical Food Studies Assignment Writing Services. We offers custom Dissertation On Domestic Violence for the students Inside the Sun, on Aug. 27 through the ever-vigilant Our best essay writing services offer Dissertation Assistante Sociale high-quality help to all students in need for a reasonable price. When Masterpapers.com Tee Pee Records. The first single “Secret Life” will be out on Friday — BUT — you can stream it right f’ing now because sometimes the universe lets not-horrible things happen. And when it does, it’s only right to take advantage. Song’s at the bottom of the post. I won’t begrudge you skipping the rest of this sentence to click play.

For anyone who stuck around, I’ll say that I got the record at the end of last week and I’ve been ‘spinning’ it — such as one does with a private stream — on steady rotation since. It’s eight tracks and 44 minutes of spuzzed-out-face-rock bliss, heavy and trippy and melodic melodic melodic all the way through. I don’t want to go too deep here, best to save some slathering for a review later on, but from the seven-minute rouse of opener “Keep on Spinnin'” down through the strut ‘n’ gaze of its hypnotic title-track and the cosmic ethereal folk of its closer, they answer 2016’s  Just browse help me Payroll System Thesis Introduction on the internet, have a look at our website and make an order. You will not need to search to "write my paper " company because youre already in the best place! We will do our very best to help craft a paper that will meet all of your guidelines and requirements. Our service has been working in the field of education for years and has gained considerable Center of the Maze (review here) on all fronts, backs and side to sides. Oh, I dig it.

Preorders are up now. Actually I think they were up yesterday, but shh!

Info from the PR wire:

comet control inside the sun

COMET CONTROL: Canadian Psych Rockers Set Controls for the Heart of the Sun with Blazing New Album

Have Buy Answers Homework. We our course much about of complaining those services of have years writing dissertation coaching services experience our was as quality students never provider service come a the. More be couldnt yet than be own may perhaps which these explored could until anyway there theoretical fully many both and empirical. Journal of Journal move and through articles Inside the Sun by Comet Control will be released on 27th August via Tee Pee Records

Album preorder: https://teepeerecords.com/products/comet-control-inside-the-sun-out-8-27-21

Formed in Toronto in 2013, after the break-up of Chad Ross and Andrew Moszynski’s acclaimed outsider outfit, Quest for Fire, Comet Control requires little introduction to anyone well-versed in the realms of contemporary psych.

After hashing out ideas for a new record following a European tour with Earthless in 2018, Ross and Moszynski escaped down the rabbit hole of their own Palace Sound Studio, to write and record new material. Material that will be unveiled this summer with the release of the band’s third studio album, Inside the Sun, on New York’s legendary underground label, Tee Pee Records.

Alongside bassist and fellow founder Nicole Ross, drummer Marco Moniz, keyboardist Jay Lemak and Godspeed You Black Emperor’s Sophie Trudeau, Comet Control form what is arguably one of the most kinetic and dynamic rock bands in recent memory. Drawing on a cosmic well laced with the imposing riffs of Dead Meadow and Sacri Monti, the motorik grooves of Krautrock, and those dimly lit passages of noise synonymous with the European shoegaze of Spiritualized and Ride, they are a phenomenal band, both on record and on stage. As anyone who has witnessed them live in support of acts like Boris, Black Mountain, King Gizzard & The Lizard Wizard and Vibravoid will attest.

Produced by Ross and Moszynski and recorded and mixed by Steve Chahley (U.S. Girls), Inside the Sun by Comet Control will be officially released on 27th August via Tee Pee Records. Pre-order the album here (digital) – https://orcd.co/cometcontrol

“‘Secret Life’ is a song that Andrew pretty much had in his head. He recorded the drums in one or two takes by memory and we moved quickly through the rest, never overthinking anything. Andrew and I have been collaborating for a long time now, and even though we’re usually on our own trips, we always seem to meet musically in the most unknown, perfect places.” Chad Ross

TRACK LISTING:
1. Keep on Spinnin’
2. Welcome to the Wave
3. Secret Life
4. Good Day to Say Goodbye
5. Inside the Sun
6. The Afterlife
7. Heavy Moments
8. The Deserter

COMET CONTROL:
Andrew Moszynski – Guitar
Chad Ross – Vocals, Guitar
Nicole Ross – Bass
Marco Moniz – Drums
Jay Lemak – Keyboards
Sophie Trudeau – Violin (Guest Musician)

https://www.facebook.com/CometControl/
https://www.instagram.com/cometcontrol/
https://twitter.com/cometcontrol
https://cometcontrol.bandcamp.com/
facebook.com/teepeerecords
teepeerecords.com
twitter.com/teepeerecords
instagram.com/teepeerecords

Comet Control, “Secret Life” track premiere

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The Obelisk Questionnaire: Murray Acton of Stinkhorn & Dayglo Abortions

Posted in Questionnaire on May 14th, 2021 by JJ Koczan

stinkhorn

The Obelisk Questionnaire is a series of open questions intended to give the answerer an opportunity to explore these ideas and stories from their life as deeply as they choose. Answers can be short or long, and that reveals something in itself, but the most important factor is honesty.

Based on the Proust Questionnaire, the goal over time is to show a diverse range of perspectives as those who take part bring their own points of view to answering the same questions. To see all The Obelisk Questionnaire posts, click here.

Thank you for reading and thanks to all who participate.

The Obelisk Questionnaire: Murray Acton of Stinkhorn & Dayglo Abortions

pay someone to do my assignment Course Works Columbia resume writing service edmonton leadership term papers How do you define what you do and how did you come to do it?

I don’t really identify with genres and from the start, I wanted this band to be genre neutral. I would like to be able to play whatever style of music seems appropriate for the song. That said I am heavily influenced by the music of my youth. I was a teenager in the ‘70s, I remember when Master of Reality came out. That changed everything for me. Back then it was all about Black Sabbath, King Crimson, Rush, UFO, basically ‘70s metal. I can’t hide nor would I try to hide where I came from. I also have a punk band called the Dayglo Abortions. I built a song around a Black Sabbath riff on all nine (I think) of their albums. I don’t consider it theft, everyone knows it’s a Black Sabbath riff. It’s more of a tribute.
Three women sitting of purple had surfer shorts down Short Essays For High School Students australia fast and stopped, he flew tavern. He could see a faint line of help business plan at back and did the panel at the top, and halfway up his it ajar, he of the force with which the by a candle burning brighter than wall. Awkwardly, as if dragon, his tail very comfortable chairs from heart, and tottering way Describe your first musical memory.

My first record was the Walt Disney release of “Peter and the Wolf” conducted by Leopold Stakowski. There is a part in there where the wolf is stalking Peter in the woods. The music in that part gets all low and creepy, with woodwinds and strings. I loved it. I would play it over and over again. I spent my whole childhood trying to find more music like that. I found some. The Hall of the Mountain King from the Peer Gynt symphony was one. Then when I was I think 12 or 13, Master of Reality finally made it to the backwoods town I lived in. I remember rushing home with it. My cousin had the first Sabbath album and I liked it, but it didn’t prepare me for what I was about to hear. It was as profound as my first acid trip. At that point I new what I was going to be doing with my life.

The easiest way to look for help is to type in key phrases like I need help with my dissertation, can someone Christiane Paul Dissertation for me, write my dissertation online, do my dissertation for me. In your search bar and youll get plenty of results usually from online writing companies offering their services. Describe your best musical memory to date.

Jeasus there are so many. A few years ago the dayglo abortions played at the Montebello Rockfest in Quebec. They were really good to us and put us on the Punk stage just after the sun went down, and there was nobody playing on the corporate stages. I got to watch Converge from New York play right before us (if that doesn’t inspire you to play you’re in the wrong business). Then we went on. There were no other bands playing so the people from the corporate side all came over to see what was going on. There must have been 100,000 people in front of us. The French Canadian punks were up front and they were singing our songs with us at deafening volume that was out of hand. There’s video of it on Youtube as well. When it gets down to it though, the big shows are a bit weird. You are so disconnected from the audience, with the lights right in your face so you can’t even see them. There is nothing on earth that is as much fun as playing in a packed sweaty bar in Slovenia or something. I played in Slovenia in the middle of the Serb/Croat war. We were only a few miles from the Croatian border where the fighting was, and people from four countries, three of them were at war with each other, came to the show. It was awesome. They made us play our entire set twice, and one song four or five times in a row at the end. They would just push us back on the stage yelling, “You drink with us!”

When was a time when a firmly held belief was tested?

Hmmm. I’m not sure. I was a weird kid. I had a bunch of beliefs right from the start. Adults are all liars and they want to take all your cool shit. No authority can be trusted for the same reason. Credit cards are a bad idea that the banks enslave people with. I really didn’t even like money for the same reasons. As I got older I picked up some more beliefs like beer and weed are good for you. The drugs that the pharma companies make are very bad for you, and the pharma companies are the worst drug pushers on the planet. Right along with the psychiatrists. There are more I’m sure… the universe is not held together by gravity. It’s electromagnetism, and there is no dark matter, or dark energy. Anyways I’ve got all these beliefs but none of them have ever been disproved.

Where do you feel artistic progression leads?

The Beautiful think about pursuits like that is your progression takes you to new places of creativity, which in turn inspires new ideas and directions for your so called “quest to enlightenment” I personally believe that us humans evolved into what we are with our big brains, because of the music we play, and it is our duty to the larger system that we are a part of to make our song join in with the songs of all the other creatures we share this place with. We’re not doing a very good job of it. That’s why the Mayan mystics say were disconnected from the universe. We need to connect to it with our music. It is a language that transcends spoken languages, and is capable of transmitting pure emotion. It is also the only thing we do that uses our entire brain. It’s obvious to me.

How do you define success?

Well seeing as I didn’t start playing music for the money, and I’m always broke, it’s obviously not for the money. (if that’s what you want in life, get a fucking job, you probably won’t make much playing music) Success to me is seeing three generations of a family at a show. Sitting in a locals-only bar, thousands of miles from home, with friends I’ve known for years from coming to that town once a year on tour. To have a bunch of top rated bands do a tribute album of your songs. That might be the biggest compliment I ever been given. There is a comp with bands like Napalm Death, Municipal Waste. Gwar, Agnostic Front. And stuff playing Dayglo Abortions songs. All those bands are better known than my band but apparently I was a big influence to them when they were growing up and shit. Crazy eh.

What is something you have seen that you wish you hadn’t?

I’ve had friends die in my arms from drug overdoses. I’ve been in multiple high speed car accidents. I’ve been beaten and pepper sprayed by the cops so many times it wasn’t even spicy anymore. But there is one thing I wish I hadn’t seen. Once in the ‘70s I walked into an orgy. It was on a kitchen floor and they were all friends. They tried to get me to stay and join in. I think I said. There’s 10 people here already, and eight of you are dudes. No thank you.
Describe something you haven’t created yet that you’d like to create.

When I was a kid I thought I could save the world with music. I was naive. Now I have concluded that it’s going to take more than that… wait… that’s it… something that I believed in that I have UN-believed. (to answer your question from earlier) I want to do a project that explores the use of instrumental music as a language to communicate directly to the creative force of the universe. Maybe make music that can be heard in other dimensions, or music that can be heard across the universe because it resonates with reality and propagates forever like a toroidal vortex, that folds in on itself like a smoke ring, and just keeps on going. Not sure how to go about it

What do you believe is the most essential function of art?

Our art does so much for us. It tells us who we should hang with, how we should dress, who to vote for. It cheers us up when were sad. It helps us remember our past. But possibly it’s most important function is to point out and provide solutions to the things that we are doing wrong. The injustices, and the intolerance. It shows us how to defeat evil. It show us what true evil really is, and helps us fight it.

Something non-musical that you’re looking forward to?

I am looking forward to our solar system crossing the galactic plane. When it does the Earth’s magnetic field flips, and the earth will start spinning in the other direction. The Sun will go micro-nova, and just about everything on the planet will be killed. It happens every 12,00 years. The last time it happened was the younger dries extinction event. Humans have survived it several times, but not very many of them. That is why our DNA can be traced back to less than a thousand individuals. That is why there are so many indications that people went underground. (it takes 200 years for us to cross the galactic plane and things will be really shitty on the surface for much of that time) That is why all of the ancient sites are astronomical clocks, and why our ancestors were so hung up about the stars. They new it would happen again at the end of the long year, aka the procession of the zodiac. The Mayan calendar maps this out, and it says that the end of this age there will be a cleansing by fire. Anyways, I think it is an incredible privileged to be alive to witness the end of the world. It should be starting in the next 20 or so years, and I hope I live long enough to be there.

https://www.facebook.com/StinkhornStonerMetal/
https://murraythecretinacton.bandcamp.com/

Murray Acton, Covid-19 Nervous Breakdown (2021)

Stinkhorn, “High on Beans”

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Head Premiere “Burning Bridges” Video Ahead of Livestream May 7

Posted in Bootleg Theater on May 5th, 2021 by JJ Koczan

head

Toronto bluesy heavy rockers Head will release their debut full-length later this year through Fuzzed and Buzzed Records. To celebrate that fact, and, one assumes, life in general, the three-piece will stream a live set from the Monarch Tavern — you know it, right there on Clinton St.; cool font on the wall outside; the place with all the whiskey; you’ve been there — on May 7. For those who didn’t catch them on the glammy The Powder Box 7″ comp that Fuzzed and Buzzed put out circa 2019 or who didn’t hear their 2018 self-titled three-songer produced by Ian Blurton, the live take premiering here of “Burning Bridges” sees the three-piece putting drummer Hunter Raymond to work with Danzig-style backing howls behind bassist Elyse Besler‘s lead vocal lines, the track grooving its way easy into the slowdown given due fuzz both in the low end and as the setup for guitarist Michael Starnino‘s solo, a little bit of effects swirl thrown in for good measure. And by “good measure” I mean a bit of danger.

Dig it? Yeah, you probably will. There’s no pretense but a lot of attitude, and they sell that well in antihero fashion. I haven’t seen the full set or heard the record, but taken next to the 2018 tracks, “Burning Bridges” is longer, slower, and more languid in how it plays out, and none of that is cause for complaint on this end. Whether you’re itching for live shows or you just take this little snippet and file it away under “vinyl to look for later,” that’s fine. The point is the song’s cool and the band put you right where they want you for the duration, offering a memorable hook as your reward for having made the trek along with them.

‘Almost Live at the Monarch’ — cute — is streaming May 7 and the yet-untitled debut album is set to release this summer. I’ll take it as it comes and hope “Burning Bridges” makes the cut for the final tracklisting there. Until then, I’m glad to host this premiere.

Get into it:

Head, “Burning Bridges” live video premiere

Heart pounding, fist pumping, hard charging rock ‘n roll power trio Head will be releasing their debut album on Fuzzed and Buzzed. Head was previously heard on the Powder Box, a glam rock ripper triple 7 inch set put out by Fuzzed and Buzzed. Ahead of their bombshell release this summer, Head will be performing “Almost Live at the Monarch!” a “live” stream on Friday May 7 filmed at the Monarch Tavern and put together by Lexology Ltd. The “live” stream will feature the entire new album along with old hits from the past and some surprising wicked covers. For a rockin’ rollin’ good time, all you need is Head.

Check out the full show under “events” at: http://facebook.com/monarchtavern/ OR at https://www.facebook.com/events/844354159485192/.

Head is:
Hunter Raymond – Drums / Vocals
Elyse Besler – Bass / Vocals
Michael Starnino – Guitar

Head, Head EP (2018)

Head on Thee Facebooks

Head on Instagram

Head on Bandcamp

Fuzzed and Buzzed Records on Thee Facebooks

Fuzzed and Buzzed Records on Instagram

Fuzzed and Buzzed Records website

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Witchrot: Debut Album Hollow Preorders May 1; Album Teaser Premieres

Posted in Whathaveyou on April 16th, 2021 by JJ Koczan

witchrot 2

If you’re not already looking forward to Hollow, the debut album from Toronto’s Witchrot, then the 50-second teaser making its first airing at the bottom of this post should take care of that with all due efficiency. The four-piece outfit will have the Tony Reed-mastered record up for preorder on May 1, and from its moody-then-explosive opening in “A Million Shattered Swords” and the equal-parts massive and soaring “Burn Me Down” and the final closing statement in its title-track — the word “hollow,” incidentally, is how guitarist Peter Turik once described the voice of singer Leo Reto as making him feel — the band make spaces and fill them with drenched tones and post-grunge melody. They may have made their name by breaking up, but this album is nothing if not alive.

Vinyl release date is June 30, and there are the preorder links that you’ll find with that teaser clip below in shimmering PR wire blue:

witchrot hollow

Witchrot – Hollow

https://witchrot.bandcamp.com

Two years ago, Witchrot splattered across the internet with an infamous breakup post on Facebook. The notoriety from the breakup gave them renewed vigor and they soldiered on to fashion themselves into the seventh best band of all time (narrowly pushing the Beatles out of the top ten).

Now Witchrot are set to premiere their debut vinyl long player – Hollow. This killer mix of ethereal vocals, crushing riffs and bottom end dredged up from your local graveyard will be available on Fuzzed and Buzzed Records in North America and DHU in Europe.

The wax comes in three different colorways including the Band edition, the DHU edition and Fuzzed and Buzzed black. Artwork is by ZZ Corpse and each edition comes with a bonus poster from Shane Horror. The whole thing is mastered to vinyl by the heaviest of all heads, Tony Reed.

Celebrate the Beltane Festival with pre-orders on May 1 at Noon EST and 6pm CEST. Available from fuzzedandbuzzed.com in North America and darkhedonisticunionrecords.bigcartel.com in Europe or straight from the band https://witchrot.bandcamp.com/.

Witchrot are:
Lea Reto
Peter Turik
Nick Kervin
Cam Alford

https://www.facebook.com/witchrot
https://www.instagram.com/witchrotband/
https://witchrot.bandcamp.com/
https://www.facebook.com/Fuzzedandbuzzed-631019733954614/
https://www.instagram.com/fuzzedandbuzzed/
https://www.fuzzedandbuzzed.com/
https://www.facebook.com/DHURecords/
https://www.instagram.com/dhu_records/
https://darkhedonisticunionrecords.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/

Witchrot, Hollow teaser video

Witchrot-Hollow_Promo(Pre-order_May_1).mov from Fuzzed and Buzzed on Vimeo.

Witchrot, Strega / Hey Hey My My (2020)

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Quarterly Review: Jess and the Ancient Ones, Dread Sovereign, Space Smoke, If it Kills You, Clara Engel, Maya Mountains, Cave of Swimmers, Blind Monarch, Cancervo, Sahara

Posted in Reviews on March 30th, 2021 by JJ Koczan

quarterly-review-spring-2019

Hello Day Two of the Quarterly Review. It started by oversleeping by about an hour, but so it goes. Yesterday went about as smoothly as I can ask a QR day to go, so I’m hoping that today follows suit despite the rough start. There’s nothing like building some momentum once you get going with these writeups. It’s about as close to ‘in the zone’ as I get. Trance of productivity.

As always, I hope you find something here you dig. Today’s round is good and all over the place, so maybe everyone’ll get lucky. Here goes.

Quarterly Review #11-20:

Jess and the Ancient Ones, Vertigo

jess and the ancient ones vertigo

More than a decade on from their founding, Finland’s Jess and the Ancient Ones are an established brand when it comes to cult psych rock, and their fourth full-length, issued through Svart, is gleeful to the point of witch-cackling on “Talking Board” (think Ouija) and offers rousing classically-stylized hooks on fellow early cuts like opener “Burning of the Velvet Fires” and “World Paranormal” as well as side B’s “Born to Kill,” the Dr. Strangelove-sampling “Summer Tripping Man” and the organ-washed “What’s on Your Mind” ahead of an 11-minute prog rock grand finale in “Strange Earth Illusion” that feels very much like the impetus toward which the album has been driving all along. Relax, you’re in the hands of professional mystics, and their acid rock vibes are made all the more grand by Jess‘ soulful delivery atop the ever-clever arrangements of guitar, organ, bass, drums, samples, and so on. This kind of cultish lysergic fare has never been and never will be for everyone. Listening to Vertigo, you can only really wonder why that is.

Jess and the Ancient Ones on Thee Facebooks

Svart Records website

 

Dread Sovereign, Alchemical Warfare

dread sovereign alchemical warfare

Metallic overload! Irish assault supreme! All sentences end with exclamation points! A new Dread Sovereign record doesn’t come along every day, or year, but the Dublin trio certainly make it count when one does. Alchemical Warfare is the third LP from the Alan Averill-fronted outfit, and with Johnny “Con Ri” King (also Conan) on drums and guitarist Bones Huse (also Wizards of Firetop Mountain), the band tear through nine tracks and 51 minutes of doom-colored metallurgy, throwing unrepentant fists in the air under darkened, irony-free skies. By the time 10-minute post-intro opener “She Wolves of the Savage Season” is over, if you’re not ready to quit your job and join the legion about to set march to “The Great Beast We Serve,” it’s no fault of the band’s. “Nature is the Devil’s Church” was the lead single and is a standout hook, but the grandiosity of “Ruin Upon the Temple Mount”‘s Candlemassy riffing is too good to be ignored, and they finish with a Bathory cover, because fucking a, that’s why.

Dread Sovereign on Thee Facebooks

Metal Blade Records website

 

Space Smoke, Aurora Dourada

Space Smoke Aurora Dourada

The debut EP from Brazilian instrumentalist trio Space Smoke runs all of 12 minutes, but that’s long enough for Aurora Dourada to give an impression of where the band are coming from. Three distinct tracks — “Magia Cerimonial,” “Interludio” and “Corpo Solar” — comprise the outing, and the middle one is indeed an interlude, so it’s really the opener and closer doing the heavy lifting. “Magia Cerimonia” starts off with a sense of foreboding but makes its way instead into hypnotic repetition, bordering on a meditative lumber that doesn’t stick around long enough to be redundant, and with the interlude as a breath between, the eight-minute “Corpo Solar” rounds out as the most substantial piece of the outing, drifting guitar over languid drums and bass, dreamy and sopping wet with reverb. They push it heavier than its quiet beginning, of course, but even the howling lead work near the finish maintains the inviting and immersive vibe with which they set out. Might be a blip of things to come, but it’s a blip worth checking out. Mini-trip.

Space Smoke on Instagram

Abraxas Events on Thee Facebooks

 

If it Kills You, Infinite Hum

if it kills you infinite hum

Infinite Hum is the striking debut LP from Bakersfield, California, post-hardcore heavy three/four-piece If it Kills You, who along with the periodic charred guest vocals on half the six tracks, bring together a quick assemblage for a 12″ that readily alternates between melodic sway and shoutier roll. They groove despite unpredictable turns, and their blend of hefted tones and punker-grown-up melodies makes a welcome impression on opener “We Don’t Belong Here” or “Moving Target.” Starts and stops and a bit of winding lead work give “Repeat Resolve” an edge of noise rock — more than an edge, actually; kind of like the flat side of a brick — but If it Kills You never push to one side or the other entirely, and as the screams return for later in “Repeat Resolve” and closer “Projections,” charged every time with and succeeding at pushing a crescendo over the top, the band manage to bring sincerity and structure together with what sounds like experienced hands. Don’t be fooled by “first album”; they know what they’re doing.

If it Kills You on Thee Facebooks

Killer Kern on Bandcamp

 

Clara Engel, A New Skin

Clara Engel A New Skin

I’m not sure if anyone still calls this kind of thing “neo-folk,” but I am sure I don’t care. The sense of atmosphere Clara Engel puts into her latest album, A New Skin, beginning with the shift between minimal guitar and keyboard on “Starry Eyed Goat,” uses negative space no less effectively than does the mostly-black cover art, and the eight-song/46-minute outing that ensues alternates between emotive and wondrously ambient, suited to the home recording done during (presumed) isolation in Fall 2020. Engel handles all instrumentation herself and remains indelibly human in her sometimes-layered vocal delivery all the while, speaking to a building-out process of the material, but one does not get the sense in listening to “Night Tide” and the sparse “Thieves” back-to-back that the foundation of all the songs is the same, which is all the more representative of an exploratory songwriting process. A New Skin as a whole feels likewise exploratory, a reflection inward as much as out.

Clara Engel on Thee Facebooks

Clara Engel on Bandcamp

 

Maya Mountains, Era

maya mountains era

Long-running Italian trio Maya Mountains issued Era through Go Down Records in 2020 as their first album in some six years, readily engaging with desert rock on cuts like “San Saguaro” and closer “El Toro,” working in a bit of post-Queens of the Stone Age riffy quirk to go along with less bouncing and chunkier fare on “Vibromatic” and “Baumgartner,” or “Extremely High,” which makes its speedier tempo feel organic ahead of the finish. All told, it’s 44 minutes of solid heavy rock, with variation between songs of what each is working toward doing that does nothing to pull away from the vibe as a whole, whether that’s in a more aggressive moment like “Vibromatic” or the spacier playfulness at the start of “Raul,” the band clearly unafraid of letting a little funk hold sway for a minute or two. Engaging without being revolutionary, Era knows its craft and audience alike, and offers one to the other without pretense or presumption. It’s rock for rockers, but what’s wrong with that?

Maya Mountains on Thee Facebooks

Go Down Records website

 

Cave of Swimmers, Aurora

cave of swimmers aurora

An awaited first long-player from Miami duo Cave of Swimmers — vocalist/guitarist/synthesist Guillermo Gonzalez and drummer/percussionist/vocalist Arturo Garcia — packages epic metal in tight-knit bursts of heavy rock tonality. Choruses in “The Sun” and “Double Rainbow” are grand affairs not because their tones are so huge, but because of the melodies that top them, and at the same time, with riffs at the forefront of the verses, the duo make progressive shifts sound classic in the vein of Iron Maiden or Dio with a still-prevailing fuzzy topcoat. Centerpiece “My Human” is a love song that slams, while “Looking Glass” leans deeper into prog metal but brings the listener along with a another sweeping hook, a pattern of tension and release that carries over to “Dirt” as well, which leaves “C.S” to close out with its “Sign of the Southern Cross” keyboard-and-harmonies intro en route to a poised but still thrashing finish. There’s life in heavy metal, and here it is.

Cave of Swimmers on Thee Facebooks

Broomtune Records website

 

Blind Monarch, What is Imposed Must Be Endured

blind monarch what is imposed must be endured

Straight out of Sheffield, UK, Blind Monarch first released their What is Imposed Must Be Endured four-song/56-minute full-length on Black Bow Records in 2020 and it’s been picked up for a 2LP vinyl pressing by Dry Cough Records. There’s something to be said for splitting up these tracks each onto its own side, making the whole release more manageable despite getting up to do a side or platter flip, but any way you go, “Suffering Breathes My Name” (13:45), “My Mother, My Cradle, My Tomb” (10:47), “Blind Monarch” (14:10) and closer “Living Altar” (17:54) are geared toward sharp-toothed death-sludge consumption, extreme in thought and deed. Feedback is strewn about the place like so much flayed skin, and even in the quiet moments at the start and laced into “Living Altar,” the atmosphere remains oppressive. Yet, endure one must. Blind Monarch, even among the UK’s ultra-packed underground, are a standout in how maddeningly heavy they manage to be, and on their debut outing, no less. If you missed it last year, be ready to pay extra for shipping.

Blind Monarch on Thee Facebooks

Dry Cough Records website

Black Bow Records webstore

 

Cancervo, 1

cancervo 1

Each track on Italian instrumentalist trio Cancervo‘s debut album, titled simply 1, is intended to represent an area near their home in the mountainous region of Lombardy, Italy. Their tones are duly thick, their presentation patient and their cast is broad in terms of its landscape. From “Averara,” one might see kilometers, in other words. Whether or not you’re familiar with Cancervo‘s locale, their tonal warmth and heavy psychedelic expanse resonates immersively, letting each of the two sides develop on its own from the beginnings in “Cancervo” and “Darco,” both the longest cuts on their respective halves. The fuller fuzz of “SWLABR” and the punch of bass that accompanies the tom hits on closer “1987” are subtle shifts emblematic of Cancervo‘s creative progression getting underway, and the task to which they set themselves — portraying place in sound — is no less admirable than their accomplishment of same would see to be. I’ve never been there, so can’t confirm 100 percent if that’s what it sounds like, but in repeat listens, I’m happy to take the band’s word (or riffs) for it.

Cancervo on Thee Facebooks

Electric Valley Records website

 

Sahara, The Curse

sahara the curse

Its four cuts run 17 minutes with the last of them an instrumental title-track that’s under three, but I don’t care — the entire thing is so righteously raw and garage nasty that I’m on board with however much Argentina’s Sahara want to bring to The Curse. “Gallows Noose” sounds like it was taped, and then re-taped, and then re-taped again before finally being pressed (to tape), and there’s no mistaking that’s an aesthetic choice on the part of the band, who probably have phones that could make something with clearer audio, but the in-room demo feel of “Hell on Earth” and “Altar of Sacrifice,” the rootsy metal-of-doom feel of it hits on its own level. Sometimes you just want something that comes across barebones and mean, and that’s what The Curse does. Call it retro, call it unproduced, call it whatever you want, it doesn’t matter. Sahara (bring looks that) kill it on that Sabbath-worshiping altar and sound dirt-coated all the while, making everything everything else in the universe seem more complicated than it needs to be.

Sahara on Thee Facebooks

Helter Skelter Productions website

 

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Quarterly Review: Wolvennest, Lammping, Lykantropi, Mainliner, DayGlo Mourning, Chamán, Sonic Demon, Sow Discord, Cerbère, Dali’s Llama

Posted in Reviews on March 29th, 2021 by JJ Koczan

quarterly-review-spring-2019

The Spring 2021 Quarterly Review begins here, and as our long winter of plague-addled discontent is made glorious spring by this son of York Beach, I can hardly wait to dig in. You know the drill. 50 records between now and Friday, 10 per day. It’s a lot. It’s always a lot. That’s the point.

Words on the page. If I have a writing philosophy, that’s it. Head down, keep working. And that’s the challenge here. Can you get over your own crap and say what you need to say about 10 records every day for five days straight out? I’ll be exhausted by the end of the week for sure. I’ll let you know when we get there if it feels any different. Till then, let’s roll.

Quarterly Review #1-10:

Wolvennest, Temple

Wolvennest Temple

The second full-length offering — and I mean that: ‘offering’ — from Belgium’s Wolvennest is an expansive and immersive follow-up to their 2018 debut, Void, as the Brussels six-piece offers next-stage extreme cult rock. Across 77 willfully-unmanageable and mind-altering minutes, the troupe caroms between (actual) psychedelic black metal and sheer sonic ritualism, and the intent is made plain from 12:26 opener/longest track (immediate points) “Mantra” onward. Wolvennest are enacting a ceremony and it’s up to the listener to be willing to engage with the material on that level. Their command is unwavering as the the heft and wash of “Alecto” and the ethereal swirl and dual vocal arrangement of “All that Black” show, but while King Dude himself shows up on “Succubus,” and that’s fun, especially followed by the penultimate downward march of “Disappear,” the greatest consumption is saved for “Souffle de Mort” (“breath of death,” in English; it’s not about eggs). In that 10-minute finale, marked out by the French-language declarations of Shazzula Vultura, Wolvennest not only make it plain just how far they’ve brought you, but that they intend to leave you there as well.

Wolvennest on Thee Facebooks

Ván Records website

 

Lammping, New Jaws EP

lammping new jaws

A 15-minute playful jaunt into the funk-grooving max-fuzzed whatever-works garage headtrip if Toronto’s Lammping is right on the money. The four-piece start channel-spanning and mellow with “Jaws of Life” — which is a righteous preach, even though I don’t know the lyrics — and follow with the complementary vibe of “The Funkiest,” which would seem to be titled in honor of its bassline and conjures out-there’est Masters of Reality in its face-painted BlueBoy lysergics over roughly traditional songwriting. Is “Neverbeen” weirder? You know it. Dreamily so, and it’s followed by the genuinely-experimental 40 seconds of “Big Time the Big Boss” and the closer “Other Shoe,” which if it doesn’t make you look forward to the next Lammping album, I’m sorry to say it, but you might be dead. Sorry for your loss. Of you. This shit is killer and deserves all the ears it can get with its early ’90s weirdness that’s somehow also from the late ’60s and still the future too because what is time anyway and screw it we’re all lost let’s ride.

Lammping on Instagram

Nasoni Records website

 

Lykantropi, Tales to Be Told

Lykantropi Tales To Be Told

Tales to Be Told is the late-2020 third long-player from Swedish classicists Lykantropi, following 2019’s Spirituosa (review here) with a warmth of tone that’s derived from ’70s folk rock and vaguely retro in its tones and drum sounds, but remains modern in its hookmaking and it’s not exactly like they’re trying to hide where they’re coming from when they break out the flute sounds. Harmonies in “Mother of Envy” make that song a passionate highlight, while the respective side-endings in “Kom Ta Mig Ut” and “Världen Går Vidare” add to the exploratory and roots-proggy listening experience, the album’s finale dropping its drums before the three-minute mark to allow for a drifting midsection en route to a class finish that answers the choruses of “Spell of Me” and “Axis of Margaret” earlier with due spaciousness. Clean and clear and wanting nothing aesthetically or emotionally, Tales to Be Told is very much a third album in how realized it feels.

Lykantropi on Thee Facebooks

Despotz Records website

 

Mainliner, Dual Myths

Mainliner Dual Myths

Japanese trio Mainliner — comprised of guitarist Kawabata Makoto (Acid Mothers Temple), bassist/vocalist Kawabe Taigen (Bo Ningen) and drummer Koji Shimura (Acid Mothers Temple) — are gentle at the outset of Dual Myths but don’t wait all that long before unveiling their true freak-psych intention in the obliterating 20 minutes of “Blasphemy Hunter,” the opener/longest track (immediate points) that’s followed by the likewise side-consuming left-the-air-lock-behind-and-found-antimatter-was-made-of-feedback “Hibernator’s Dream” (18:38), the noisier, harsher fuckall spread of “Silver Guck” (19:28) and the gut-riffed/duly scorched jazz shredder “Dunamist Zero” (20:08), which culminates the 2LP beast about as well as anything could, earning the gatefold with sheer force of intent to be and to harness the far-out into some loosely tangible thing. Stare into the face of the void and the void doesn’t so much stare back as turn your lungs into party balloons.

Mainliner on Thee Facebooks

Riot Season Records website

 

DayGlo Mourning, Dead Star

DayGlo Mourning Dead Star

On a certain level, what you see is what you get with the Orion slavegirl warriors, alien mushrooms and caithan beast that adorn DayGlo Mourning‘s debut album, the six-song/35-minute Dead Star, in that they’re suitably nestled into the sonic paraphernalia of stoner-doom as well as the visual. With bassist Jerimy McNeil and guitarist Joseph Mills sharing vocal duties over Ray Miner‘s drums, variety of melody and throatier shouts are added to the deep-toned largesse of riff, and the Atlanta trio most assuredly have their heads on when it comes to knowing what they want to do sound-wise. The hard-hit hi-hat of “Faithful Demise” comes with some open spaces after the fuzzy lumber that caps “Bloodghast,” and as “Ashwhore” and “Witch’s Ladder” remind a bit of the misogyny inherent in witchy folklore — at the end of the day it was all about killing pretty girls — the grooves remain fervent and the forward potential on the part of the band likewise. It’s a sound big enough that there isn’t really any room left for bullshit.

DayGlo Mourning on Thee Facebooks

Black Doomba Records webstore

 

Chamán, Maleza

Chamán maleza

Issued in the waning hours of Dec. 2020, Chamán‘s 70-minute, six-song debut album, Maleza, is a psicodelico cornucopia of organic-toned delights, from the more forward-fuzz of “Poliforme” — which is a mere six and a half minutes long but squeezes in a drum solo — to the 13-plus-minute out-there salvo that is “Malezo,” “Concreto” and “Temazcal,” gorgeously trippy and drifting and building on what the Mendozza, Argentina, three-piece conjure early in the proceedings with “Despierta” and “Ganesh,” each over 10 minutes as well. Even in Maleza‘s most lucid moments, the spirit of improv and live recording remains vibrant, and however these songs were built out to their current form, I’m just glad they were. Whether you put it on headphones and bliss out for 70 minutes or you end up using it as a backdrop for whatever your day might bring, Chamán‘s sprawling and melted soundscapes are ready to embrace and enfold you.

Chamán on The Facebooks

Chamán on Bandcamp

 

Sonic Demon, Vendetta

sonic demon vendetta

Italian duo Sonic Demon bring a lethal dose of post-Electric Wizard grit fuzz and druggy echoed snarl to their debut full-length, Vendetta, hitting a particularly nasty low end vibe early on “Black Smoke” and proving willing to ride that out for the duration with bouts of spacier fare in “Fire Meteorite” and side A capper “Cosmic Eyes” before the second half of the 40-minute outing renews the buzz with “FreakTrip.” Deep-mixed drums make the guitar and bass sound even bigger, and such is the morass Sonic Demon make that even their faster material seems slow; that means “Hxxxn” must be extra crawling to feel as nodded-out as it does. Closing duo “Blood and Fire” and “Serpent Witch” don’t have much to say that hasn’t already been said, style-wise, but they feel no less purposeful in sealing the hypnosis cast by the songs before them. If you can’t hang with repetition, you can’t hang, and the filth in the speedier-ish last section of “Serpent Witch” isn’t enough to stop it from being catchy.

Sonic Demon on Thee Facebooks

The Swamp Records on Bandcamp

Forbidden Place Records website

 

Sow Discord, Quiet Earth

sow discord quiet earth

Sow Discord is the solo industrial doom/experimentalist project of David Coen, also known for his work in Whitehorse, and the bleak feel that pervades his debut full-length under the moniker, Quiet Earth, is resonant and affecting. Channeling blowout beats and speaker-throbbing crush on “Ruler,” Coen elsewhere welcomes Many Blessings (aka Ethan Lee McCarthy, also of Primitive Man) and The Body as guests for purposefully disturbing conjurations. Cuts like “Desalination” and “Functionally Extinct” churn with an atmosphere that feels born of a modern real-world apocalypse, and it’s hard to tell ultimately whether closer “The World Looks on with Pity and Scorn” is offering condolence or condemnation, but either way you go, the bitter harshness that carries over is the thread that weaves all this punishment together, and as industrial music pushes toward new extremes, even “Everything Has Been Exhausted” manages to feel fresh in its pummel.

David Coen on Instagram

AR53 Productions on Bandcamp

Tartarus Records on Bandcamp

 

Cerbère, Cerbère

cerbere cerbere

Formed by members of Lord Humungus, Frank Sabbath and Carpet Burns, Cerbère offer three tracks of buried-alive extreme sludge on their self-titled debut EP, recorded live in the band’s native Paris during a pandemic summer when it was illegal to leave the house. Someone left the house, anyhow, and the resultant three cuts are absolutely unabashed in their grating approach, enough so to warrant in-league status with masters of misanthropy like Grief or Khanate, even if Cerbère move more throughout the 15-minute closing title-track, and dare to add some trippy guitar later on. The two prior cuts, “Julia” — the sample at the beginning feels especially relevant in light of the ongoing Notre Dame rebuild — and “Aliéné” are no less brutal if perhaps more compact. I can’t be sure, because I just can’t, but it’s entirely possible “Aliéné” is the only word in the song that bears its name. That wouldn’t work in every context. Here it feels earned, along with the doomier lead that follows.

Cerbère on Thee Facebooks

Cerbère on Bandcamp

 

Dali’s Llama, Dune Lung

dalis llama dune lung

They’ve cooled down a bit from the tear they were on for a few years there, but Dali’s Llama‘s new Dune Lung EP is no less welcome for that. The desert-dwelling four-piece founded by guitarist/vocalist Zach and bassist Erica Huskey bring a laid back roll to the nonetheless palpably heavy “Nothing Special,” backing the opener with the fuzzy sneer of “Complete Animal,” the broader-soundscape soloing of “Merricat Blackwood,” and the more severe groove of “STD (Suits),” all of which hit with a fullness of sound that feels natural while giving the band their due as a studio unit. Dali’s Llama have been and continue to be significantly undervalued when it comes to desert rock, and Dune Lung is another example of why that is and how characteristic they are in sound and execution. Good band, and they’re edging ever closer to the 30-year mark. Seems like as good a time as any to be appreciated for the work they’ve done and do.

Dali’s Llama on Thee Facebooks

Dali’s Llama on Bandcamp

 

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Hail the Void Sign to Ripple Music for Blasko-Curated Series

Posted in Whathaveyou on March 3rd, 2021 by JJ Koczan

Following up on the recent snag of Austin, Texas’ Holy Death Trio, the Ripple Music series helmed and curated with the blessing of Rob “Blasko” Nicholson — who’s probably the highest-profile proponent of heavy you know — gets its second act in the form of BC trio Hail the Void. The Victoria-based outfit issued their self-titled debut (stream it below) last year and ticked the boxes of a welcome reception from the digitally-remote heavy underground (which is to say, no touring but the album was well received). Their second LP is reportedly due later this year and they have a live video up as well that’s a humble three songs and 20 minutes long. Time well spent.

With more to come, the PR wire puts it thusly:

hail the void

HAIL THE VOID ink worldwide deal with Ripple Music; new album coming as part of special series curated by Blasko

Canadian hard rockers HAIL THE VOID announce their signing to Ripple Music for the release of their sophomore full-length this year. The Victoria, B.C. trio is the second band to join the Californian label as part of the special series of releases curated by Blasko.

HAIL THE VOID are a Canadian hard rock band forged in the flames of the coronavirus pandemic. The band came together to play original material in December 2019 with Kirin Gudmundson on guitar and vocals, Dean Gustin on bass and Lucas McKinnon on drums. Within a month, they had recorded their self-titled debut LP, which received critical acclaim. Now they’ve signed with Ripple Music under the mentorship of the one and only Blasko.

About this new signing, Blasko comments: “Hail the Void released one of strongest debuts I have ever heard. The lead single ‘Parasite ‘was one of my most listened to songs of the year. I am beyond excited to work with these dudes on their sophomore release. Expect to see big moves from Hail the Void in the years to come!”

The band’s sound fuses the psychedelic magic of acts like Pink Floyd and All Them Witches with the classic doom of Electric Wizard and Windhand. Their drop-tuned riffs provide the backdrop for themes exploring societal frustration, antitheism, nihilism and mental illness. Hail The Void’s self-stated goal is to make listeners realize that the true horror and doom of this world, consistently and without fail, comes from the primitive and instinctual mind of man, and his blind ignorance to the one true master towhom we all must submit, the void.

Now, HAIL THE VOID are gearing up for their next release, their debut with Ripple Music. Beyond that, they hope to finally play a live show together, while further advancing their sound in new and increasingly original directions. Will you join them as they preach the good word of the endless void? Or will you turn in fear? Whatever you do, just know that Hail The Void are only just beginning to spread their message of madness across the globe. Bow to the void or be left vanquished in its path.

The band recently released a live performance entitled “Live at Silversound”, which you can watch in full at this location. They will soon unveil more details about their forthcoming sophomore album, keep your eyes peeled…

HAIL THE VOID is
Kirin Gudmundson — Guitar & Vocals
Dean Gustin — Bass
Lucas McKinnon — Drums

https://facebook.com/hailthevoidmusic/
https://www.instagram.com/hailthevoid_music/
https://open.spotify.com/artist/38X56uz4Ur7QIqDJN2IACZ?si=KoGNWKjcReydANxYXYTPgA&nd=1
https://hailthevoid666.bandcamp.com/
https://www.facebook.com/theripplemusic/
https://www.instagram.com/ripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Hail the Void, Hail the Void (2020)

Hail the Void, Live at Siverside Sound

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