As per Halloween tradition, the venerable Maryland Doom Fest has posted its as-of-now-complete lineup for next year’s edition, and MDDF 2025 looks like a rager. Set to unfold its massive billing across June 19-22 in the riffy epicenter of Frederick, Maryland, the fest will highlight newcomers and established acts alike, as veteran outfits like The Skull and Apostle of Solitude, Hollow Leg, Curse the Son, and others make returning appearances and new incarnations like Legions of Doom, Ages and High Noon Kahuna feature familiar players in new contexts. Always cool to see bands like Thunderbird Divine and Spiral Grave doing the thing, and I’ll admit that my eyebrows went up when I saw Virginia’s Lord would be playing, as I’d yet to encounter word of a reunion from that most chaotic of sludge metal outfits. Sonolith and Demons My Friends and Sons of Arrakis and plenty of others will be traveling for it — Ogre! — so I would expect some tours to be forthcoming, and Sun Years, whose Nov. tour begins — wait for it — tomorrow, will feature.

It’s a family reunion you probably already have on your calendar, so don’t let me keep you from perusing the poster and getting stoked on what you find. From Crystal Spiders to B&O Railroad, there’s both a lot here and a lot here to like, and always more waiting to be discovered by those bold enough to show up to Cafe 611 early in the day. Check it out:

MARYLAND DOOM FEST 2025 – June 19-22, Frederick, MD

WE JOURNEY FROM THE HEAVY UNDERGROUND AND STAGES ACROSS THE WORLD TO ASSEMBLE IN FREDERICK, MARYLAND, FOR A JOYOUS CELEBRATION OF DOOM, GROOVE, AND THE ALMIGHTY RIFF.

JOIN US.

After such a magnificent 10th anniversary celebration of #4daysofdoom in 2024, which involved reorganizing and coordinating two stages in one venue (Cafe 611), we are beyond stoked to share The Maryland Doom Fest 2025 roster and marvelous promotional artwork.

The art design was created by one of our Maryland natives in the local music scene—Ben Proudman, the Frederick, MD-based master artist at Key City Tattoo (IG: @tattoosbyprdmn). Ben is also the drummer for the powerful bands Thonian Horde and Foehammer. Our very own Bill Kole (IG: @BillyDiablo) handled the color design and layouts again this year. He majestically brought this piece to life!

Explore the heavy musical talent of these bands and performers and be prepared for the nonstop riffage party in June! Talent beyond words!!! We can’t wait for our doom community to congregate next summer!!!

Time slots, ticket sales, stage rosters, sponsors, and vendors will be presented by year’s end. — 💀DooM💀

THE SKULL + PSYCHOTIC REACTION + APOSTLE OF SOLITUDE + LEGIONS OF DOOM + COMPRESSION + CRYSTAL SPIDERS + HIGH NOON KAHUNA + RED BEARD WALL + WITCHPIT + STRANGE HIGHWAYS + AGES + SUNYEARS + HOLLOW LEG

FUTURE PROJEKTOR + ALL YOUR SINS + SONOLITH + SPIRAL GRAVE + LORD + SABBATH WARLOCK + GALLOWGLAS + SONS OF ARRAKIS + CROP + HOVEL + OGRE + DREADSTAR + THUNDERBIRD DIVINE + WYNDRIDER + SUN MANTRA + KULVERA + STYGIAN CROWN + CURSE THE SON + BENTHIC REALM + HOLY ROLLER

BLOODSHOT + DUST PROPHET + VANISHING KIDS + BLOOD AND EARTH + FIGHT THE FOLD + DAYTRIPPER + B&O RAILROAD + BAILJACK + COKUS + NEW DAWNS FADE + COMA HOLE + FLORIST + ABEL BLOOD + SEASICK GLADIATOR + ENTIERRO + HEX ENGINE + DEMONS MY FRIENDS + ABOMINOG + VRSA + HIGH HORSE CALVARY

https://www.facebook.com/MdDoomFest/
www.marylanddoomfest.com

Four years ago, long-running Connecticut fuzz lurchers Curse the Son offered Excruciation (review here) as their fourth full-length, and pushed depressive and stylistic boundaries in expansive and melodic ways. It was the darkest Curse the Son had ever been. The band as they were at the time doesn’t exist anymore, so maybe it’s not such a surprise that Delirium, their fifth album, follows a different course. They remain led, as always, by guitarist/vocalist Ron Vanacore, but Curse the Son aren’t strangers to trading out players or a rhythm section, which is what’s happened here.

With bassist Dan Weeden and drummer Brian Harris — who since recording has already been replaced by the teenaged Logan Vanacore, son to Ron — the band’s personality as channeled through the material comes off as more doom than stoner, with opener “The Suffering is Ours,” “Deliberate Cruelty” and “In Dismal Space” answering for the atmosphere of the prior release while locking into more straight-ahead grooves that feel stripped down in terms of arrangement. There isn’t a ton of layering (but some), and while “In Dismal Space” has a vocal reach, its core shuffle is well within Vanacore‘s purview.

The instrumental portion of the album, whether that’s the sans-vocals “Riff Forest” picking up directly from the back end of the Witchfinder General cover “R.I.P.” (premiered here) in a way that feels like it was born out of an organic jam inspired by the song prior, or the druggy effects interlude “Brain Paint” ahead of the title-track, or “May Cause Drowsiness” directly after and penultimate to the finale “Liste of the Dead,” helps assure there’s enough variety of intention represented, but this too comes in a context that speaks to the core idea of what Curse the Son do in terms of tonal worship Sabbathian stoner-doom and an exploration of themes around mental health. There’s been a global pandemic since the last time Curse the Son put out an LP, so yes, the mood on Delirium remains reliably downer.

The plague is accounted for in “Deliberate Cruelty” after the initial plod of “The Suffering is Ours.” A thickened chug boogie and harmonized lead-guitar flourish gives over to the chorus, “This is our/Extermination song/When breathing/Is terminal for everyone.” That’s a story that’s been told many times at this point, but in phrasing and sound alike, Curse the Son make their version resonate in groove and experience. Most of all, the impression Delirium gives — somewhat contradicting the title — is one of clarity on the part of the band. Of course, the medication-induced fog that would seem to be coming through in “Brain Paint” and the more swirling, languid 52 seconds of “May Cause Drowsiness” are intended to capture a certain kind of stupor, and fair enough.

But as Curse the Son forego what felt like some of the more relatively experimental aspects of the last album and find their way into the kind of doomly traditionalism of “Liste of the Dead” — like slower The Obsessed with Vanacore‘s voice layered in ’90s-Ozzy style for the chorus — and the morose slogging in the bookending leadoff, etc., it’s easy to read purpose into the shape that Delirium takes. Could be Curse the Son willfully pushing themselves in a different direction at Vanacore‘s behest — he’s the only one to play on both records, after all — or it could simply be an extension of the shift in character resulting from the corresponding change in personnel, I honestly don’t know, but as the listener engages with the shove and crashdown of “In Dismal Space,” the dropout of guitar and bass in its verse lines, the album’s sound doesn’t seem like happenstance in the slightest.

Perhaps leaning into the doom portion of the balance of stoner-doom was inevitable for a band who’ve never been shy about wearing their discontent on their collective sleeve, and perhaps part of what makes Delirium feel so self-aware is the aforementioned Witchfinder General cover. This speaks pointedly to older influences — the song originally appeared on the NWOBHM-era doom rockers’ 1982 album, Death Penalty — and accordingly to an older audience, and the inclusion of “Riff Forest” right after not only accounts for how Curse the Son are making that obscure-classic their own, but how they’ve incorporated that influence into their own writing in this particular case. Underlying it all is Black Sabbath, of course, but Curse the Son‘s songwriting seems throughout the album to only benefit from the focused take that birthed it.

To wit, the hook of “Delirium” itself with its clever turn around the month of July being a wonderful time to start living and a terrible time to die represents a cleverness that’s been in Vanacore‘s craft since the also-medicated days of 2011’s Klonopain (review here). The difference on Delirium, then, is one of maturity in expressing and framing ideas; that is, the focus itself is the sign of growth in the band’s root approach, and as cognizant as they may or may not be of direction and how much flash they wanted to bring to the production this time out, the underlying development of what they do remains natural. There’s a drift factor as Delirium moves from its opening salvo into the interludes woven across the second half of the tracklisting — “In Dismal Space” makes for a winning centerpiece coming out of “Riff Forest,” and “Brain Paint” takes off from there — but that outward portrayal of a loss of clarity shouldn’t be taken as actual confusion about what Curse the Son are trying to accomplish. Delirium isn’t so much a step backward as it is a realignment around a different idea of what they do.

In a way, it’s a shame that the timing on Logan Vanacore‘s joining the band didn’t work to have him play on these tracks. It’s surely an exciting moment to have Curse the Son bridge a generational divide, and, well, they don’t put out a record every year. All the same, the material on Delirium feels quintessential in what it captures of Curse the Son‘s persona, and considering the manner in which these songs align with and diverge from what they’ve done before, that they are so much the band’s own highlights the solid foundation on which they’re constructed. For established fans or newcomers, they could hardly make it easier to get on board.

Curse the Son, Delirium (2024)

Curse the Son on Facebook

Curse the Son on Instagram

Curse the Son on Bandcamp

Ripple Music on Facebook

Ripple Music on Instagram

Ripple Music on Bandcamp

Ripple Music website

If it seems a little odd that Connecticut stonerolling trio Curse the Son would lead off the promotional cycle for their upcoming fifth LP — titled Delirium and due out Sept. 6 as their third LP for Ripple Music, announced as of… wait for it… rightnow! — with a cover tune, that’s the point. Following on from the relatively expansive mindset that 2020’s Excruciation (review here) wrought, Delirium brings both a new lineup around founding guitarist/vocalist Ron Vanacore — bassist Dan Weeden, (perhaps a relative of bass alum Richard “Cheech” Weeden?), takes up the low end while on-album drummer Brian Harris has already been replaced by Vanacore‘s teenaged son, Logan Vanacore, who nails it in live videos and clearly keeps his father on his toes in terms of tempo — and a redirection of purpose that comes through clearly in their take on Witchfinder General‘s doomly classic “R.I.P.”

The song is the medium, the medium is the message, and the message is that the band have stripped back a lot of the flourish as regards production, melody and darkness of mood as manifest on Excruciation in favor of a more direct tonality, unbridled Sabbath worship — that comes through in the rhythmic stop-and-turn of “R.I.P.,” and also the rest of it — and a focus on the root principles of dense tones and weighted roll heralded by their earlier work. Doesn’t mean they forgot the lessons of Excruciation, but if you see the cover below and are somewhat reminded of 2012’s Psychache (review here, interview here, vinyl review here, reissue featured here, also discussed here), with the creepy clown vibes in keeping with their black-and-white visual aesthetic, I don’t think that’s a coincidence either.

The video for “R.I.P.” premieres below, following the announcement and info for Delirium, which I’ll just tell you flat out rules. There. Sorry if you didn’t want the spoiler.

From the PR wire:

Curse the Son – Delirium

Curse the Son have endured the tests of time. Lineup shifts, traumatic personal losses and a global pandemic have found the band in a vastly different world. A dark world. A world that doesn’t feel very stable. Lyrically and conceptually, “Delirium” finds Curse the Son exploring and re-experiencing the fear, isolation, confusion and death from a time not so long ago. A slow descent into madness as we self medicated, forced others away and suffered from the greatest losses of all…..each other. Psychologically, the devastating emotional damage inflicted upon us and our children will never fully be understood. Drenched in these drowning vibes, “Delirium” was created.

Musically and sonically “Delirium” has the fuzzed out gloomy electricity of “Psychache”, with a knowing glance towards the advanced songwriting structures found on “Isolator”. Following 2020’s more experimental “Excruciation” album, Curse the Son decided to make “Delirium” a return to more familiar territories. Elements of all eras of the band are evident here on this release. Crushing doomed out numbers like “Liste Of The Dead” and “This Suffering Is Ours” state their case with mind numbing heaviness. In contrast, the more uptempo and challenging “Deliberate Cruelty” and “Delirium” offer more dynamic and complex themes. A cover version of “R.I.P.” by Witchfinder General finds its way into the grooves of “Delirium” as well!  As long time fans of Witchfinder General, it was an honor to pay homage to one of the greatest and underrated stoner/doom originators!

Once again the band teamed up with Eric Lichter and Dirt Floor Recording to record “Delirium”. This longtime partnership has proven very  successful and fulfilling over the years starting with the recording of “Isolator” in 2016. Curse the Son is extremely proud to once again be working with Ripple Music for the worldwide release or “Delirium” on September 6, 2024.

Tracklist:
1. The Suffering is Ours
2. Deliberate Cruelty
3. R.I.P.
4. Riff Forest
5. In Dismal Space
6. Brain Paint
7. Delirium
8. May Cause Drowsiness
9. Liste of the Dead

“Delirium” was written and recorded in the many months of 2022-2023. This time the band returned to Dirt Floor with a sense of rejuvenation, rebirth, and a deeper connection to the material being performed. Dan Weeden joined the band on bass in 2022. Dan has been a friend and writing partner of Ron’s since the early 1990s. Shortly after the recording of “Delirium”, drummer Brian Harris amicably parted ways with the band. Shortly after, Ron’s son Logan Vanacore took over as the drummer for the band. At 14 years old, Logan is a widely recognized drumming phenom and he and Dan play vital roles as Curse the Son’s concussive rhythm section. “Delirium” will be released by Ripple Music in September, 2024.

Current line-up:
Ron Vanacore (guitar, vox)
Dan Weeden (bass)
Logan Vanacore* (drums)

*Drums on “Delirium” performed by Brian Harris

http://cursetheson.com
http://facebook.com/cursetheson
htttp://instagram.com/cursethesonofficial
https://cursetheson.bandcamp.com/

https://www.facebook.com/theripplemusic/
https://www.instagram.com/ripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Curse the Son, “R.I.P.” (Witchfinder General cover) official video

Set for May 18, the inaugural Ripplefest Boston is announced as a new joint effort between Ripple Music and Grayskull Booking, and the lineup is quality front to back. King Buffalo will headline at the Middle East Downstairs — which, in a victory for Beantown weirdos of all stripes, has apparently not yet been turned into condos doubling as luxury dorms — and they’ll come from Rochester, New York, to do so, but lest you worry about homegrown representation, between Blood Lightning, Mother Iron Horse, Kind and Cortez, they’ve got it covered. Curse the Son (new album when?) will head north on I-95 from their home in Connecticut to lead off what I have no doubt will be a rager to remember and hopefully the beginning of a new annual tradition.

Ripplefest of course has long since joined the city-as-franchise model of heavyfest curation. Ripplefest Texas in September has a multi-day assemblage that’s among the finer lineups I’ve ever seen in the US, but they’ve also been doing it for a few years now, so give Boston time to get sorted and see what the response is to this initial edition before scaling up your expectations. In other words, worry about 2026 when we get there. For now just be stoked a thing is happening and don’t forget to actually show up so that it can happen again. I’m still not sure why nobody’s set up one of these in Parsippany, New Jersey, but I guess that’s just me.

The announcement was short and sweet and came from social media:

How much goodness can you take? Been keeping this under wraps, but now the kids gloves have come off. Get ready for RippleFest Boston!

Here’s where we tear it up Ripple Music-style with King Buffalo Blood Lightning Mother Iron Horse KIND Cortez & Curse the Son! Tickets on sale this Friday at 10 AM:

https://facebook.com/events/s/ripplefest-boston-feat-king-bu/421900976862893/

https://www.facebook.com/theripplemusic/
https://www.instagram.com/ripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Blood Lightning, Blood Lightning

Look at the blue text below and you know what you’re gonna see? Yes, a whole lot of skull emojis. Like a lot. But it happens that each individual one corresponds to a demonstration of the labor of love and community that is the Maryland Doom Festival. From Abel Blood through Zekiah, Maryland Doom Fest 2024 celebrates its 10th anniversary edition with its standard sans-bullshit glut of heavy. Once more the Frederick-based event looks your square in the eye, drops for absolutely immersive days on you and asks if you’re up for it. Well, are ya?

I’m not sure what my summer travel plans are yet — this and Freak Valley have overlapped the last couple years for me — but it’s been since 2019 that I was last down there and oh I’d be so eager to show up and have the three or four people who recognize me (and thus make it feel like an absolute family experience; love love love everywhere you go down there) quietly think to themselves I’ve gotten older and fatter en route to obliterating myself with volume for about 96 hours straight. Fuck. King. A.

Oh, and I hear Thunderbird Divine have new stuff in the works and it’s amazing. So that’s a thing too.

Social media had it like this:

We are super stoked to share with you the Maryland Doom Fest 2024 rosters, schedules, and lineups!!!

#4daysofdoom

THE MARYLAND DOOM FEST 2024

✝️Thursday June 20

Cafe 611-

💀 Thunderhorse
1115-1230
💀 The Magpie
1010-1055
💀 Born of Plagues
905-950
💀 Stone Nomads
800-845
💀 Pyre Fyre
700-740
💀 Dirt Eater
600-640

Olde Mother Brewery-

💀 Spellbook
920-1000
💀 Strange Highways
820-900
💀 Bailjack
720-800
💀 Stone Brew
620-700
💀 Abel Blood
520-600

✝️Friday June 21

Cafe 611-

💀 Diggeth
1215-120
💀 Shadow Witch
1110-1155
💀 Red Beard Wall
1010-1050
💀 CROP
910-950
💀 Almost Honest
810-850
💀 Cobra Whip
715-750
💀 The Crows Eye
620-655
💀 Stereo Christ
525-600

Olde Mother Brewery-

💀 Ten Ton Slug
915-1000
💀 Thousand Vision Mist
815-855
💀 Crowhunter
715-755
💀 Asthma Castle
615-655
💀 Bonded by Darkness
515-555

✝️Saturday June 22

Cafe 611-

💀 WHORES.
1150-115
💀 AGE/S
1040-1130
💀 Bloodshot
935-1020
💀 O ZORN!
830-915
💀 Double Planet
730-810
💀 Sun Years
630-710
💀 When the Deadbolt Breaks
530-610

Olde Mother Brewery-

💀 Black Water Rising
915-1000
💀 Switchblade Jesus
815-855
💀 Wyndrider
715-755
💀 Indus Valley Kings
615-655
💀 Vermillion Whiskey
515-555
💀 Doctor Smoke
415-455

✝️Sunday June 23

Cafe 611-

💀 Cirith Ungol
1200-110
💀 Mythosphere
1055-1140
💀 Conclave
955-1035
💀 Compression
855-935
💀 Sons of Arrakis
755-835
💀 Curse the Son
655-735
💀 Kulvera
555-635
💀 Old Blood
500-535
💀 Cloud Machine
405-440

Olde Mother Brewery-

💀 Thunderbird Divine
920-1000
💀 Black Manta
820-900
💀 High Noon Kahuna
720-800
💀 Unity Reggae
620-700
💀 King Bastard
520-600
💀 Zekiah
420-500

52 bands over a 4 day weekend at 2 venues across the street from one another!!
#4daysofdoom

WEEKEND PASSES: https://www.eventbrite.com/e/the-maryland-doom-fest-2024-tickets-732298202637?aff=oddtdtcreator

https://www.facebook.com/MdDoomFest/
www.marylanddoomfest.com

Thunderbird Divine, “I’m Gonna Love You Just a Little More, Babe” (Barry White cover)

With headlining performances slated from a soon-to-retire Cirith Ungol, noise crushers Whores., mostly-local melodic heavy proggers Mythosphere, Switchblade Jesus, Conclave, Ten Ton Slug (from Ireland; I got to see them one time; way burly; they’ll do well in Frederick), and plenty of other returning acts and newcomers alike, the lineup for Maryland Doom Fest 2024 could hardly be more appropriate a celebration of the annual Chesapeake gathering’s 10th anniversary. Based in Frederick, the four-day ultra-consuming sensory assault of volume will once again take place at Cafe 611 and Olde Mother Brewing, and if you’ve never been, I’ll tell you outright there’s nothing quite like it.

I mean that. Maryland Doom Fest goes harder than the average festival. A day might start at 1PM and not end until 2AM. And now more than ever, as the fest has grown with the two venues running alongside each other, the bill is packed. I think this year was 50 bands? Well, they’ve got 52 for 2024, and while next June is a while out, there’s a tradition to uphold of Halloween announcements, and festival honcho JB Matson (Bloodshot, War Injun, Outside Truth, etc.) pays tribute to his regulars — Shadow Witch, Bailjack, Thunderbird Divine, Thousand Vision Mist (congratulations to Danny Kenyon of Thousand Vision Mist on recently kicking cancer’s ass), among others here — while also giving showcase to outfits like Pyre Fyre, O Zorn! (whose very moniker heralds weirdness), WyndRider and more.

Congrats to Matson and all at Maryland Doom Fest on their 10th anniversary. To do something of this scope once is a lot. To do it across 10 years, well, aside from being fucking crazy, it’s also deeply admirable.

The aforementioned announcement — brief as ever; the poster lands heavy enough to cover any lack of verbiage — follows, courtesy of socials. Ticket link is there too:

WE ARE EXTREMELY PLEASED TO PRESENT TO YOU, THE MARYLAND DOOM FEST 2024 LINEUP!!!!!
THIS WILL BE OUR 10 YEAR ANNIVERSARY CELEBRATION!!
(#128128#)(#129304#)(#128128#)

52 bands over a 4 day weekend at 2 venues across the street from one another!!
#4daysofdoom

WEEKEND PASSES: https://www.eventbrite.com/e/the-maryland-doom-fest-2024-tickets-732298202637?aff=oddtdtcreator

https://www.facebook.com/MdDoomFest/
www.marylanddoomfest.com

Ten Ton Slug, Live at Red Crust Festival 2022

It’s a big ‘un. And if you’re like me, there are a couple names that stick out from the poster below, particularly Earthride and The Skull. Both are tribute sets, of course. The Skull frontman Eric Wagner passed away in 2021 after complications from a covid-19 infection and the loss of Earthride‘s Dave Sherman just a couple months ago continues to be keenly felt in and beyond the confines of the scene he called home. Karl Agell (ex-C.O.C.) will step in for The Skull, while Scott Angelacos of Hollow Leg is set to front a rotating cast of players for Earthride. You would be hard-pressed to find a more fitting occasion for honoring one’s own, except perhaps this gig in a couple weeks.

Plenty of familiar, returning acts as well as newcomers. Hippie Death Cult and will travel from the Pacific Northwest, Switchblade Jesus and Doomstress make an appearance (not the first for either) from Texas, and Red Mesa come straight out of the capital-‘desert’ Desert. Meanwhile, Faith in Jane, Black Lung, Bloodshot, Mangog, Mythosphere, Thonian Horde, Spiral Grave and plenty of others represent the Maryland home team, High Leaf and Thunderbird Divine trip down from Philly, Curse the Son (CT) and Guhts (NY) come from farther north, Hollow Leg make the trip out from Florida, and Lo-Pan, Doctor Smoke and Brimstone Coven head over from the Midwest. That’s just off the top of my head. I’m not sure there’s ever been a MDDF pulling so many bands from different parts of the country, though of course international bands have featured in the past as well.

There are always some shakeup between the first announcement and the final lineup, but so far so good here. Any way it works out, Maryland Doom Fest has nothing to prove at this point. Guaranteed banger.

Here’s the poster (oy) and the lineup, the latter in alphabetical order:

Maryland Doom Fest 2023

June 22-25 – Frederick, MD

We are proud to present to you The Maryland DooM Fest 2023 lineup roster and 2023 promotional art!!!!

We showcase over 50 kickass bands bringing you heavy riffs over these #4daysofdoom!!

The centerpiece art was created by Joshua Adam Hart (Earthride, Unorthodox, Revelation, Chowder, Stout, to name a few).

Josh is a career tattoo artist and is currently scheduling appointments at Triple Crown Towson Tattoo. Schedule to get ink from him at info@triplecrowntowson.com

The incredible flyer layout, coloring, and design is by our very talented Bill Kole (make sure to check out his band Ol’ Time Moonshine)!!

Above the Treachery, Akris, Black Lung, Bloodshot, Bonded by Darkness, Borracho, Brimstone Coven, Cobra Whip, Conclave, Crowhunter, Curse the Son, DeathCAVE, Doctor Smoke, Doomstress, Double Planet, Dust Prophet, Earthride, Faith in Jane, False Gods, Flummox, Fox 45, Future Projektor, Gallowglas, Grim Reefer, Guhts, Helgamite, High Leaf, Hippie Death Cult, Hog, Hollow Leg, Hot Ram, Las Cruces, Leather Lung, Lo-Pan, Mangog, Mythosphere, Orodruin, Red Mesa, Severed Satellites, Shadow Witch, Smoke the Light, Spiral Grave, Switchblade Jesus, The Skull, Thonian Horde, Thousand Vision Mist, Thunderbird Divine, Unity Reggae, VRSA, Weed Coughin, Wizzerd

https://www.facebook.com/MdDoomFest/
www.marylanddoomfest.com

Lo-Pan, “Ascension Day” live at Maryland Doom Fest 2019

Some records you just keep going back to. This year marks the 10th anniversary of deep-riffing Connecticut trio Curse the Son‘s second full-length, Psychache (review here, interview here, vinyl review here, also discussed here), and the band are celebrating with a well-earned remaster/limited reissue out Sept. 23 through Salt of the Earth Records. They’ve also got a new lineup around founding guitarist/vocalist Ron Vanacore and plans to record a new album for release next year.

That’s not irrelevant, as Curse the Son look back on Psychache‘s six songs/31 minutes, it’s easy to hear both how they’ve grown in the years since and why they’d look to strip back and re-simplify their sound — the album at 31 minutes and six songs is everything it needs to be. Released first by the band in 2012 as the foll0w-up to the previous year’s Klonopain (review here), it was pressed to CD in 2013 and vinyl in 2014, the latter through STB Records — they were ahead of their time in staggering formats, but also it was very much an organic, word-of-mouth kind of growth — and Psychache continues to resonate to a rare degree these 10 years after the fact with its red-eyed sludge rock, encompassing fuzz and languid rolling grooves. It was everything it needed to be and nothing it didn’t. Most bands never get to put out an album like that. A rare achievement of nigh-on-infinite listenability.

And no, I’m not just saying that because I’m hosting the stream — as you can see in the first paragraph’s many links, I’m not hurting for having covered the album — or because I wrote the intro to the liner notes (shout to Billy from Doomed & Stoned, who did the notes proper) accompanying this reissue. The truth is I do return to Psychache on the regular in my own listening, and at this point it feels like visiting an old friend. Its riffs unfold themselves at the center of each song, and around them dance the hooks of “Goodbye Henry Anslinger,” “Spider Stole the Weed,” the lurching “Somatizer” and the even-slower “The Negative Ion,” that finale a more agonized row that, in hindsight, would preface some of the more doomed fare on subsequent outings, 2016’s Isolator (review here) and 2020’s Excruciation (review here), the latter representing their most complex work to-date.

Psychache — fleshed out via the atmospheric meds-pun interlude “Valium For” and its instrumental title-track, the latter of which closes side A, the former opening side B — is best heard rather than read, so I’m going to spare you the glut of blah-blah-blah in the hope that you’ll instead take the time to hit play below and experience it for yourself. Its intangible strengths are right there in the music. The interplay of would-be burl tone and Vanacore’s pattern-setting vocals was upon initial release a sans-pretense prediction of a decade’s worth of Sabbath worship to come, and looking/listening back on it now, the vanguard feel is like a proven theorem. How many ways are there to say they nailed it? Front-to-back, that’s all they did. And for an outing that’s as cannabinoid — we called it “weed” back then — as Psychache is, if you find a wasted second in its 31 minutes, you’ll have to let me know because I’ve been listening to this record for a fucking decade now and I’ve yet to find one that doesn’t serve either the purpose of the song itself or the album as a whole.

Dig in. Whether you were on board when it first came out or if it’s completely new to you — all the better, really — the best advice I can give is to just follow the nod and enjoy. This is a celebration of an offering that defines cult classic.

Enjoy:

Ron Vanacore on Psychache reissue and new lineup:

“We have been working extremely hard to recapture and revisit the “original” Curse the Son sound after some years of experimentation. Preparing to play ‘Psychache’ in it’s entirety has been invigorating for us all. Dan and Brian are very excited to be a part of this and their enthusiasm has been infectious. We have already begun to write new songs as well, prepare for the HUGE guitars, fuzzy bass and monstrous drums of the old times. We will be playing “Psychache” in it’s entirety live as a treat for everyone (including ourselves)! Plans are to write this Winter and get back into the studio by Spring ’23 to record the next record. Fans old and new rejoice – we are back!”

Preorders: https://saltoftheearthrecords.com/product/815380

Doom metal stalwarts Curse The Son, based in Hamden, Connecticut, announce a new line-up and the tenth anniversary reissue of the album Psychache on Salt of the Earth Records!

Curse the Son has decided to celebrate the 10-year anniversary of Psychache with a special reissue on Salt Of The Earth Records. Fully remastered by long-time Curse the Son engineer and co-producer Steve Wytas, the album sounds reborn.

This one-time limited run of 200 CD’s is packed with behind-the-scenes introspection into the songs, liner notes, photos, memories from the band, in addition to newly remastered audio.

“This is a labor of love,” frontman Ron Vanacore admits. “It has always been my favorite Curse the Son record not only due to the tunes and overall vibe, but also because it’s the record that truly put us on the map.”

Psychache is a reflective effort of the time and still feels as valid today as it did when it originally was released. Produced by Vanacore, the record was originally recorded at Underground Sound in East Haven, Connecticut, with engineer/owner Chris DelVecchio. Sessions began in December 2011 and mixing was completed in August of 2012.

The iconic photograph on the cover of Psychache is mysteriously haunting. Taken in the 1930s, this photo “spoke” to Ron Vanacore and was determined to be the album cover before a single note had been written for the record. “I love the menacing vibe as the
masked kid walks towards you brandishing an unidentifiable weapon,” he says. The album’s central theme being fear, Vanacore felt it was the absolute perfect visual representation for the music.

Curse the Son live:
September 23rd @ The Cellar On Treadwell (Hamden, Ct) CD Release Show w/Joetown and Fractured Reality
September 24th @ Keegan Ales (Kingston, NY) w/Geezer and Shadow Witch
October 7th @ New England Stoner/Doom Festival Prost Music Hall (Jewett City, Ct)
October 29th @ Country Tavern (Guilford, Ct) w/ Alcoholica

More dates TBA

Psychache – 2012 Line-Up:
Ron Vanacore (guitar, vox)
Cheech Weeden (bass)
Michael Petrucci (drums)

Curse the Son – 2022 line-up:
Ron Vanacore (guitar, vox)
Dan Weeden (bass)
Brian Harris (drums)

Curse the Son on Facebook

Curse the Son on Bandcamp

Salt of the Earth Records on Facebook

Salt of the Earth Records website