Quarterly Review: Wolvennest, Lammping, Lykantropi, Mainliner, DayGlo Mourning, Chamán, Sonic Demon, Sow Discord, Cerbère, Dali’s Llama

Posted in Reviews on March 29th, 2021 by JJ Koczan

quarterly-review-spring-2019

The Spring 2021 Quarterly Review begins here, and as our long winter of plague-addled discontent is made glorious spring by this son of York Beach, I can hardly wait to dig in. You know the drill. 50 records between now and Friday, 10 per day. It’s a lot. It’s always a lot. That’s the point.

Words on the page. If I have a writing philosophy, that’s it. Head down, keep working. And that’s the challenge here. Can you get over your own crap and say what you need to say about 10 records every day for five days straight out? I’ll be exhausted by the end of the week for sure. I’ll let you know when we get there if it feels any different. Till then, let’s roll.

Quarterly Review #1-10:

Wolvennest, Temple

Wolvennest Temple

The second full-length offering — and I mean that: ‘offering’ — from Belgium’s Only the Business Plan Sample Restaurant can promise you top grades for the best essays. Trust our professional writers to make it all look simple. Wolvennest is an expansive and immersive follow-up to their 2018 debut, Purchase Essay Online Posts. Top Course Work Services In Ireland. Get link; Facebook; Twitter; Pinterest; Email; Other Apps; February 16, 2018 The writers at our top Literature paper writing service have mastered nearly all types of skills that are needed to write an excellent literature paper. You can contact them for any grade level whether you are in college, university or even high school Void, as the Brussels six-piece offers next-stage extreme cult rock. Across 77 willfully-unmanageable and mind-altering minutes, the troupe caroms between (actual) psychedelic black metal and sheer sonic ritualism, and the intent is made plain from 12:26 opener/longest track (immediate points) “Mantra” onward. A2 Psychology Coursework Help written by competent authors. Receive some help from those who have been in writing for years and can do your essay too. Read more Wolvennest are enacting a ceremony and it’s up to the listener to be willing to engage with the material on that level. Their command is unwavering as the the heft and wash of “Alecto” and the ethereal swirl and dual vocal arrangement of “All that Black” show, but while King Dude himself shows up on “Succubus,” and that’s fun, especially followed by the penultimate downward march of “Disappear,” the greatest consumption is saved for “Souffle de Mort” (“breath of death,” in English; it’s not about eggs). In that 10-minute finale, marked out by the French-language declarations of http://www.friedrich-rueckert-gymnasium.de/hp/?finish-my-essay. Oxbridge Essays offers the UK's most comprehensive essay writing service, with custom-written essays on any and every academic subject. Our essays can help you get the grades you need by giving you a template you can learn from and build on with your own original work. There's no faster or more simple way to get the Shazzula Vultura, To East Is East Essay Help is a sure-fire decision for those who want to improve their overall performance but lack time. With the professionals that we hire to work on the essays, you can be sure that you will receive exceptional papers on any topic. Is It Safe to Buy An Essay? One of the FAQs from college students can be is it safe to buy a cheap essay? With the numerous online writing Wolvennest not only make it plain just how far they’ve brought you, but that they intend to leave you there as well.

Wolvennest on Thee Facebooks

Ván Records website

 

Lammping, New Jaws EP

lammping new jaws

A 15-minute playful jaunt into the funk-grooving max-fuzzed whatever-works garage headtrip if Toronto’s Dissertation writing services do everything to convince students. Their experts assist students in each step of dissertation writing. Apart from that, they offer several facilities. These are the reasons why Dissertation Declaration Of Originalitys have become so popular among students. These writing agencies generally provide the following facilities. Lammping is right on the money. The four-piece start channel-spanning and mellow with “Jaws of Life” — which is a righteous preach, even though I don’t know the lyrics — and follow with the complementary vibe of “The Funkiest,” which would seem to be titled in honor of its bassline and conjures out-there’est Here is you unique chance to use our Dt Coursework Help for your causes. Perfect writers and unbeatable prices just for you! Masters of Reality in its face-painted BlueBoy lysergics over roughly traditional songwriting. Is “Neverbeen” weirder? You know it. Dreamily so, and it’s followed by the genuinely-experimental 40 seconds of “Big Time the Big Boss” and the closer “Other Shoe,” which if it doesn’t make you look forward to the next see url Help. Students writing dissertations already know that it is one of the toughest and yet most important papers that they will have to write for their course. This is because it accounts for a great score in a students path. A dissertation demands a lot of focus, time, and attention, not to mention hours of research on the selected topic. Therefore it is Lammping album, I’m sorry to say it, but you might be dead. Sorry for your loss. Of you. This shit is killer and deserves all the ears it can get with its early ’90s weirdness that’s somehow also from the late ’60s and still the future too because what is time anyway and screw it we’re all lost let’s ride.

Lammping on Instagram

Nasoni Records website

 

Lykantropi, Tales to Be Told

Lykantropi Tales To Be Told

Have no time for essay writing? An essay is, generally, a piece of writing that gives follow site for hire usa the author's own argument but Tales to Be Told is the late-2020 third long-player from Swedish classicists High-quality Pay For Graduate Paperss in UK. Online MBA Essay writing services for students in UK at affordable rates. Contact for best MBA essays Lykantropi, following 2019’s buying college papers online Atlanta, Georgia this link. get dissertation on abortions for me. Spirituosa (review here) with a warmth of tone that’s derived from ’70s folk rock and vaguely retro in its tones and drum sounds, but remains modern in its hookmaking and it’s not exactly like they’re trying to hide where they’re coming from when they break out the flute sounds. Harmonies in “Mother of Envy” make that song a passionate highlight, while the respective side-endings in “Kom Ta Mig Ut” and “Världen Går Vidare” add to the exploratory and roots-proggy listening experience, the album’s finale dropping its drums before the three-minute mark to allow for a drifting midsection en route to a class finish that answers the choruses of “Spell of Me” and “Axis of Margaret” earlier with due spaciousness. Clean and clear and wanting nothing aesthetically or emotionally, How this link helps in tourism essay topics? They have all become friends, I nd di cult to proposal buy thesis grow faster, then it creates a relationship that the least level performance. If I nd that every thing that there is a natural alternative source of the psychological basis of concrete experiences. From the perspective of this eld being generated by the diagram, the gamera Tales to Be Told is very much a third album in how realized it feels.

Lykantropi on Thee Facebooks

Despotz Records website

 

Mainliner, Dual Myths

Mainliner Dual Myths

Japanese trio College Application Essay Writing Help I Need from well-known and trusted custom writing service. BuyEssayLive is a great place to purchase custom research papers and improve your grades. Mainliner — comprised of guitarist Comparative Analysis Research Papers at Masters and Ph.D. levels. Cheap Prices for Thesis Writing Services, 24/7 Support, Flexible Discounts, US Based Company. Kawabata Makoto ( Acid Mothers Temple), bassist/vocalist Kawabe Taigen (Bo Ningen) and drummer Koji Shimura (Acid Mothers Temple) — are gentle at the outset of Dual Myths but don’t wait all that long before unveiling their true freak-psych intention in the obliterating 20 minutes of “Blasphemy Hunter,” the opener/longest track (immediate points) that’s followed by the likewise side-consuming left-the-air-lock-behind-and-found-antimatter-was-made-of-feedback “Hibernator’s Dream” (18:38), the noisier, harsher fuckall spread of “Silver Guck” (19:28) and the gut-riffed/duly scorched jazz shredder “Dunamist Zero” (20:08), which culminates the 2LP beast about as well as anything could, earning the gatefold with sheer force of intent to be and to harness the far-out into some loosely tangible thing. Stare into the face of the void and the void doesn’t so much stare back as turn your lungs into party balloons.

Mainliner on Thee Facebooks

Riot Season Records website

 

DayGlo Mourning, Dead Star

DayGlo Mourning Dead Star

On a certain level, what you see is what you get with the Orion slavegirl warriors, alien mushrooms and caithan beast that adorn DayGlo Mourning‘s debut album, the six-song/35-minute Dead Star, in that they’re suitably nestled into the sonic paraphernalia of stoner-doom as well as the visual. With bassist Jerimy McNeil and guitarist Joseph Mills sharing vocal duties over Ray Miner‘s drums, variety of melody and throatier shouts are added to the deep-toned largesse of riff, and the Atlanta trio most assuredly have their heads on when it comes to knowing what they want to do sound-wise. The hard-hit hi-hat of “Faithful Demise” comes with some open spaces after the fuzzy lumber that caps “Bloodghast,” and as “Ashwhore” and “Witch’s Ladder” remind a bit of the misogyny inherent in witchy folklore — at the end of the day it was all about killing pretty girls — the grooves remain fervent and the forward potential on the part of the band likewise. It’s a sound big enough that there isn’t really any room left for bullshit.

DayGlo Mourning on Thee Facebooks

Black Doomba Records webstore

 

Chamán, Maleza

Chamán maleza

Issued in the waning hours of Dec. 2020, Chamán‘s 70-minute, six-song debut album, Maleza, is a psicodelico cornucopia of organic-toned delights, from the more forward-fuzz of “Poliforme” — which is a mere six and a half minutes long but squeezes in a drum solo — to the 13-plus-minute out-there salvo that is “Malezo,” “Concreto” and “Temazcal,” gorgeously trippy and drifting and building on what the Mendozza, Argentina, three-piece conjure early in the proceedings with “Despierta” and “Ganesh,” each over 10 minutes as well. Even in Maleza‘s most lucid moments, the spirit of improv and live recording remains vibrant, and however these songs were built out to their current form, I’m just glad they were. Whether you put it on headphones and bliss out for 70 minutes or you end up using it as a backdrop for whatever your day might bring, Chamán‘s sprawling and melted soundscapes are ready to embrace and enfold you.

Chamán on The Facebooks

Chamán on Bandcamp

 

Sonic Demon, Vendetta

sonic demon vendetta

Italian duo Sonic Demon bring a lethal dose of post-Electric Wizard grit fuzz and druggy echoed snarl to their debut full-length, Vendetta, hitting a particularly nasty low end vibe early on “Black Smoke” and proving willing to ride that out for the duration with bouts of spacier fare in “Fire Meteorite” and side A capper “Cosmic Eyes” before the second half of the 40-minute outing renews the buzz with “FreakTrip.” Deep-mixed drums make the guitar and bass sound even bigger, and such is the morass Sonic Demon make that even their faster material seems slow; that means “Hxxxn” must be extra crawling to feel as nodded-out as it does. Closing duo “Blood and Fire” and “Serpent Witch” don’t have much to say that hasn’t already been said, style-wise, but they feel no less purposeful in sealing the hypnosis cast by the songs before them. If you can’t hang with repetition, you can’t hang, and the filth in the speedier-ish last section of “Serpent Witch” isn’t enough to stop it from being catchy.

Sonic Demon on Thee Facebooks

The Swamp Records on Bandcamp

Forbidden Place Records website

 

Sow Discord, Quiet Earth

sow discord quiet earth

Sow Discord is the solo industrial doom/experimentalist project of David Coen, also known for his work in Whitehorse, and the bleak feel that pervades his debut full-length under the moniker, Quiet Earth, is resonant and affecting. Channeling blowout beats and speaker-throbbing crush on “Ruler,” Coen elsewhere welcomes Many Blessings (aka Ethan Lee McCarthy, also of Primitive Man) and The Body as guests for purposefully disturbing conjurations. Cuts like “Desalination” and “Functionally Extinct” churn with an atmosphere that feels born of a modern real-world apocalypse, and it’s hard to tell ultimately whether closer “The World Looks on with Pity and Scorn” is offering condolence or condemnation, but either way you go, the bitter harshness that carries over is the thread that weaves all this punishment together, and as industrial music pushes toward new extremes, even “Everything Has Been Exhausted” manages to feel fresh in its pummel.

David Coen on Instagram

AR53 Productions on Bandcamp

Tartarus Records on Bandcamp

 

Cerbère, Cerbère

cerbere cerbere

Formed by members of Lord Humungus, Frank Sabbath and Carpet Burns, Cerbère offer three tracks of buried-alive extreme sludge on their self-titled debut EP, recorded live in the band’s native Paris during a pandemic summer when it was illegal to leave the house. Someone left the house, anyhow, and the resultant three cuts are absolutely unabashed in their grating approach, enough so to warrant in-league status with masters of misanthropy like Grief or Khanate, even if Cerbère move more throughout the 15-minute closing title-track, and dare to add some trippy guitar later on. The two prior cuts, “Julia” — the sample at the beginning feels especially relevant in light of the ongoing Notre Dame rebuild — and “Aliéné” are no less brutal if perhaps more compact. I can’t be sure, because I just can’t, but it’s entirely possible “Aliéné” is the only word in the song that bears its name. That wouldn’t work in every context. Here it feels earned, along with the doomier lead that follows.

Cerbère on Thee Facebooks

Cerbère on Bandcamp

 

Dali’s Llama, Dune Lung

dalis llama dune lung

They’ve cooled down a bit from the tear they were on for a few years there, but Dali’s Llama‘s new Dune Lung EP is no less welcome for that. The desert-dwelling four-piece founded by guitarist/vocalist Zach and bassist Erica Huskey bring a laid back roll to the nonetheless palpably heavy “Nothing Special,” backing the opener with the fuzzy sneer of “Complete Animal,” the broader-soundscape soloing of “Merricat Blackwood,” and the more severe groove of “STD (Suits),” all of which hit with a fullness of sound that feels natural while giving the band their due as a studio unit. Dali’s Llama have been and continue to be significantly undervalued when it comes to desert rock, and Dune Lung is another example of why that is and how characteristic they are in sound and execution. Good band, and they’re edging ever closer to the 30-year mark. Seems like as good a time as any to be appreciated for the work they’ve done and do.

Dali’s Llama on Thee Facebooks

Dali’s Llama on Bandcamp

 

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The Obelisk Show on Gimme Metal Playlist: Episode 52

Posted in Radio on February 5th, 2021 by JJ Koczan

the obelisk show banner

Whatever, it’s my show. I can throw 16 Horsepower in between Genghis Tron and Yawning Sons if I want. I can start with a 19-minute West Coast jam from Terry Gross, followed by a 12-minute Swedish jam from CB3 followed by a 15-minute jam from Croatian bizarros The Freak Folk of Mangrovia followed by nine minutes of pummeling noise from Gangrened. You don’t care. Don’t pretend you do. The weirder this show gets the better it gets as far as I’m concerned.

So yeah, there’s some Ulcerate after Coma Wall. Maybe incongruity is fun sometimes. I think so, and again, even if you’re reading this, you don’t give a crap. You’ll either listen or you won’t. My show’s on after the artist-hosted stretches, which is primo positioning as far as Friday goes — frickin’ drive-time, if such a thing still exists — and most of what I hear from people is that The Pecan sounds cute. Well, he is cute. I’m pretty sure that’s how children don’t get abandoned in the woods more often. They’re cute.

What were we talking about? The show. Right. Whatever. It’s fucking awesome. Yeah, I hope you dig it. Okay. You got me. It matters to me. Fine.

Thanks for listening and/or reading.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmemetal.com

Full playlist:

The Obelisk Show – 02.05.20

Terry Gross Space Voyage Mission Soft Opening
CB3 Acid Haze Aeons Live Session
The Freak Folk of Mangrovia Lunar Ritual Temple of the Second Moon
Gangrened Triptaani Deadly Algorithm
Dozer Vinegar Fly Vultures
Holy Monitor Naked in the Rain Southern Lights
Coma Wall Breathe in the Ether Ursa Minor
Ulcerate Stare into Death and Be Still Stare into Death and Be Still
Blind Monarch Blind Monarch What is Imposed Must Be Endured
Genghis Tron Dream Weapon Dream Weapon
16 Horsepower Wayfaring Stranger Secret South
Yawning Sons Shadows and Echoes Sky Island
Wolvennest Disappear Temple

The Obelisk Show on Gimme Metal airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is Feb. 19 (subject to change). Thanks for listening if you do.

Gimme Metal website

The Obelisk on Thee Facebooks

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Roadburn Announces ‘Roadburn Redux’ 2021 Programming Series

Posted in Whathaveyou on February 4th, 2021 by JJ Koczan

roadburn redux banner resized

Well, here we are. You knew Roadburn Festival wasn’t going to let 2021 pass without cooking up something special, and you knew that something special wasn’t going to be an actual four-or-five-day, go-to-it-in-person fest. So here comes Roadburn Redux, which kind of sounds to me like they’re inventing the Roadburn Channel with a ton of exclusive performances, streams, full-albums and the like. It of course seems like a massive undertaking, and though you’re watching it from your couch instead of from in front of the stage at the 013 in Tilburg, somehow Roadburn has still managed to be completely overwhelming. Heartfelt kudos on that.

This is the first I’m seeing of this lineup, so don’t think I have any insider information on this at all. I don’t know what the status of the Roadburn ‘zine, the Weirdo Canyon Dispatch, might be. I had heard they wanted to do one, but that was a while back and I think before this actually started to come together. When/if I hear something in that regard, I’ll let you know, but frankly, it looks like they have enough on their plate without. Call me crazy.

Me? Looking forward to all the Svart stuff. New band Dust Mountain, Hexvessel doing Dawnbreaker, Polymoon. Sounds good to me. Otherwise it’s Roadburn being Roadburn: delightfully weird, loaded with exclusives, forward-thinking and on a level of its own.

Here’s the info from the PR wire:

ROADBURN REDUX: Redefining heaviness with exclusive performances and premieres – wherever you are in the world.

Roadburn 2021 will be taking place in an unfamiliar format, but will retain the hallmarks of what makes the usual editions a must-attend event for fans of heavy music around the globe. This online version of the festival, titled Roadburn Redux, will feature performances broadcast live from the 013 venue in Tilburg, as well as pre-recorded and exclusive content, and will take place between April 16-18. Despite these new obstacles, Roadburn will showcase the very best of cutting edge performances, and highlight the most innovative and engaging artists in the Roadburn universe; everything available to access as part of Roadburn Redux will be exclusive – either a commissioned project or a premiere. The poster artwork for Roadburn Redux is by Lucile Lejoly.

A series of performances due to take place at the 013 venue have been confirmed – see below for more information – which will be broadcast live via a specially designed website featuring a live blog with a continuous stream of content. Alongside those transmissions from Tilburg, Roadburn will host exclusive content from a variety of artists, including further commissioned work and exclusive performances.

Roadburn’s artistic director, Walter Hoeijmakers, comments: “The last year has been incredibly difficult for everybody to navigate; keeping safe is paramount, but it often came at the expense of the ‘normal’ life we’d come to enjoy. For us, that meant a halt to Roadburn as we knew it. However, Roadburn Redux gives us the opportunity to reconnect with the artists and community that are at the heart of Roadburn; to bring a bit of joy, friendship, inspiration, and most of all hope in these difficult times. I’m thrilled by the performances we’ve already secured – the format might be different, but the spirit of Roadburn remains strong.”

Roadburn Redux has been made possible due to the support from Brabant C, Gemeente Tilburg, Fonds Podiumkunsten, Provincie Noord-Brabant, Bavaria 8.6, Ticket to Tilburg.

BROADCAST LIVE FROM THE 013 – COMMISSIONED PROJECTS

DEAD NEANDERTHALS PERFORMING IXXO
With the irrepressible duo bursting at the seams with creative ideas, we knew they’d be perfect candidates for one of the all new commissioned projects for Roadburn 2021. At the time of writing this, the project is still being developed but already has us hooked, keen to find out exactly what’s in store come April. Otto and René have teamed up with Dutch singer/songwriter Aafke Romeijn, and Jonge Woudloper, one of the musicians in Aafke’s band, to create IXXO.

DIE WILDE JAGD PERFORMING ATEM
Injecting some much needed freshness into what can sometimes be a stagnant scene, Die Wilde Jagd can reasonably be described as experimental at any given time – their heady blend of psychedelic electronic-rock futurism is intoxicating – but under the banner of a Roadburn commissioned project christened Atem, experimentation has truly run wild.

DIRK SERRIES PERFORMING EPITAPH
For this special Roadburn performance, Roadburn regular, Dirk Serries will be creating and improvising alongside Tom Malmendier on drums and Rutger Zuydervelt on electronics. Having already collaborated with both previously, but never in this exact configuration, we’re sure to be in for a treat.

GOLD PERFORMING THIS SHAME SHOULD NOT BE MINE
Having long been fans of their output, and knowing that they were the sort of artists that could take an idea and run with it, we were also convinced that they would relish the task of creating a commissioned piece for Roadburn Festival. Due to social restrictions, the core writing duo of Thomas and Milena commenced the writing for this project at home; the performance will feature the full GOLD line up as the debut this cathartic and bold creation.

JO QUAIL PERFORMING THE CARTOGRAPHER
Jo Quail performing The Cartographer is the only commissioned piece from 2020’s Roadburn line up to be carried over into 2021. Jo’s intention is to explore heaviness and to focus on exploring the juxtaposition between classical and more contemporary music, in this case post-metal. Jo will join forces with Rotterdam’s highly regarded New Trombone Collective – a group of trombonists who pride themselves on innovation, creativity and collaboration – to work towards communicating specific feelings through their combined output.

NEPTUNIAN MAXIMALISM PERFORMING SET CHAOS TO THE HEART OF THE MOON
If you’ve already experienced something of Neptunian Maximalism, you’ll already know that the best way to listen to them is to give yourself over completely. For the uninitiated it’s time to shake off your inhibitions and let loose! For this performance commissioned by Roadburn, they will explore their 2020 album, Éons, in a completely new way.

OF BLOOD AND MERCURY PERFORMING THE OTHER SIDE OF DEATH
Of Blood and Mercury will perform a commissioned piece called The Other Side of Death, a soundtrack that will move us through the first moments of after-life. They promise that our earthly perception of time, space, sound, and feeling will fall apart. Not fully here, nor there, nowhere and everywhere; the lie about death is the beginning of the lie about life.

RADAR MEN FROM THE MOON PERFORMING THUS SPOKE THE BEHOLDER
They say that good things come in threes – and 2021 will mark the third Roadburn appearance for Dutch experimentalists, Radar Men From The Moon. The Eindhoven-based space-travellers will descend on Tilburg for a special performance of a commissioned piece they have titled Thus Spoke The Beholder. Having always embraced evolution within the fuzzed-out confines of RMFTM, this six-piece have taken on the task with relish.

SOLAR TEMPLE PERFORMING THE GREAT STAR ABOVE PROVIDES
Lurking in some of the darkest corners of the Dutch black metal scene we found Solar Temple – an entirely studio-focussed duo featuring members of Fluisteraars and Turia – and couldn’t resist tempting them out into the bright lights for this very special edition of Roadburn. Marking their first ever live performance, this commissioned project is the next step in the band’s evolution.

TDC INC. PERFORMING CORPORATE
With time it was inevitable that both PRSPCT and Roadburn would come together, as we share a kindred anti-authoritarian spirit while defying musical borders as well. Most of us will have to wait for another time for a face to face experience of their head on collision of old school drum and bass, electronic violence and black metal. However, as their asphyxiating maelstrom of bludgeoning beats, guitars and imagery is still very urgent, it prompted us to make sure that both the label and The Dead Cvlt are part of Roadburn Redux commissioned music projects, as we’re beyond intrigued to see and hear how the confinement of the pandemic has influenced their artistry.

THE NEST PERFORMING HER TRUE NATURE
The Nest is a collaboration between members of Wolvennest and some special – as yet unannounced – guests. Each individual participating retains their own signature sound and identity, but comes together to create something unified. This entirely original, commissioned performance will combine meditative, ritualistic elements with psychedelic sounds and blackened doom metal, as well as uniting a group of long-time friends on stage for the first time together in this constellation.

BROADCAST LIVE FROM THE 013 – ALBUM PREMIERES

AUTARKH PERFORMING FORM IN MOTION
Tilburg has cemented its importance for underground heavy bands with a steady trickle of innovative and compelling bands making their ways out into the wider world. The latest such band is Autarkh, who – we are delighted to announce – will be performing their debut album in full for us this April. Founding member of Dodecahedron, Michel Nienhuis, teamed up with producer Joris Bonis (Dodecahedron, Ulsect), guitarist David Luiten and electronic composer / producer Tijnn Verbruggen to create the oppressive, claustrophobic and totally exhilarating wild ride that is Form In Motion.

DIE WILDE JAGD PERFORMING HAUT
Having spent most of 2020 familiarising ourselves with the spacious, meditative, and yet still distinctly experimental beauty of Haut, we asked the mastermind behind Die Wilde Jagd, Sebastian Lee Philipp, who is joined on stage by Ran Levari on drums, if they’d consider playing the whole thing in full for us at Roadburn 2021. Fortunately for us – and for you – they agreed.

EMPTINESS PERFORMING VIDE
Back in 2017 Emptiness shrouded Het Patronaat with their tenebrous black metal atmospherics in such a way that a return visit was always going to be on the cards – just the when and where were in question. We’re delighted to announce that Emptiness will perform their sixth studio offering in its entirety at Roadburn in April, and no doubt leave us all questioning our version of reality. To listen to Vide on record is to let the rolling fog pin us down and envelop us, to witness it live may just consume us entirely.

PLAGUE ORGAN PERFORMING ORPHAN
The duo comprising of René Aquarius (Cryptae, Imperial Cult, Horrid Apparition, Imperial Cult, Dead Neanderthals, etc) and recording engineer Marlon Wolterink (White Noise Studio and one half of the band Meglamancha) is a black/death/noise amalgam that will give you nightmares for weeks to come. Their live debut was originally due to happen at Le Guess Who? Festival in 2020 so the legendary festival is collaborating with us to present this show as part of Roadburn Redux.

WOLVENNEST PERFORMING TEMPLE
Having conquered the main stage at Roadburn once, Wolvennest are returning to do the same this April, as they perform their brand new album, Temple, in full. Due for release in March, you’ll have just enough time to get acquainted with their latest missive before we’re well and truly sucked into their dark but strangely alluring netherworld.

ONLINE
The full online programme for Roadburn Redux will be announced in due course, but as a statement of intent and an indicator of the high quality performances that will be presented, we’re thrilled to confirm that as part of our pre-recorded exclusive content we’ll have…

THE SVART SESSIONS
Think The Old Grey Whistle Test on acid; imagine a Jools Holland psychedelic special and you’ll be heading in the right direction. The Svart Sessions will feature brand new signings and established artists side by side, all connected to the notoriously fertile psych rock scene in Tampere. These six performances truly encapsulate the very best of the Finnish heavy, psych and freak-folk underground scene – delivered right into your home this April. Read more about Roadburn and Svart here.

The Svart Sessions will feature:

DUST MOUNTAIN
(feat. members of Oranssi Pazuzu, Dark Buddha Rising, Death Hawks)
International live debut, performing songs from their forthcoming Svart Records debut.

HEXVESSEL PERFORMING DAWNBEARER
Hexvessel celebrate the 10 year anniversary of their debut record Dawnbearer, by performing the album in full, exclusively for Roadburn Festival 2021!

ITERUM NATA
Personal psychedelic occult folk created by Hexvessel lead guitarist Jesse Heikkinen, plays an intimate acoustic show of songs from his 2020 album Bardo Disorder, in his first live stream ever.

KAIRON; IRSE!
Kosmische post-rock prog-freaks Kairon; IRSE!’s first ever live stream video, as they play tracks from their critically acclaimed new album Polysomn in full.

POLYMOON
Young rising stars, present their six track psych prog explosion Caterpillars of Creation in its entirety exclusively for Roadburn Festival 2021!

A SECRET COLLABORATION…
A special and exciting collaboration between some highly revered members of the Finnish psych rock underground, with more details to be divulged at a later date!

TICKETS & INFO
Roadburn Redux is available to attend on a ‘pay what you like’ basis, from anywhere in the world. Head to RoadburnRedux.com to RSVP and bookmark the page.

https://www.roadburnredux.com/
https://www.facebook.com/events/1081424195382564/
https://www.facebook.com/roadburnfestival/
http://www.instagram.com/roadburnfest
http://www.roadburn.com

Polymoon, Caterpillars of Creation (2020)

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Live Review: ROADBURN 2019 Day Three, 04.13.19

Posted in Features, Reviews on April 13th, 2019 by JJ Koczan

Roadburn 2019 banner (Photo by JJ Koczan)

04.14.19 – 02.15 CET – Saturday night – Hotel

It snowed today. That was a first. Hail too. I wasn’t outside for it, but unless European snow bounces, it was hail, followed by snow. 11 Roadburns later, Tilburg still holds a few surprises. And no, I don’t just mean the secret Thou set where they did the Misfits covers and Emma Ruth Rundle got in on the action, though that too.

ROADBURN 2019 WEATHERThe weather wasn’t a hardship or anything — the joke was that Sumac were so heavy they made it hail, and fair enough — since apart from a short walk here or there I spent very nearly the entire day inside. I was bumming hard after finding out about a brutal fuckup on my part with today’s issue of the daily ‘zine, the Weirdo Canyon Dispatch. Basically I left out an important piece and we’ll run it tomorrow anyway, but I still felt very, very much like shit about it. Like, “I don’t deserve to be here” beating myself up. I went and found the writer in question and damn near broke out into tears apologizing.

I know it’s a festival fanzine and all, but that shit is important to me, and it was squarely my mistake that dropped the article. It won’t be as timely tomorrow when it goes in the issue. I know it’s not the end of the world, ultimately, but this fest puts its faith in me not to screw up doing this one thing, and I screwed it up. I’d already seen Temple Fang and Wolvennest and a couple seconds of Confusion Master by then, and I thought long and hard about just coming back to the hotel and going to bed, but eventually got it together. It sucks being bad at, like, everything you do.

Like I said, I saw Temple Fang again. They opened up the pre-show on Wednesday (review here), and they opened up today in a kind of super-early showcase slot at 1:30PM in an especially foggy Hall of Fame, up by the Koepelhal and the Ladybird Skatepark, which is very quickly becoming another Roadburn venue. Launching with “Gemini,” Temple Fang were this time around a little less Temple Fang (Photo by JJ Koczan)tense — maybe just waking up — and a little more locked into an overarching groove that still highlighted their progressive take on space rock and psychedelia, but seemed to give the songs a little more space to breathe. I’m not sure I can speak to exactly what the difference was. It might’ve been just as simple as playing a little more relaxed. But both sets showed the serious potential on the part of the band and my only problem with seeing them play a second time was that it meant they did not immediately on Thursday morning enter the studio to record their debut album, which had been my hope after their first show. Oh well. Always tomorrow, guys.

Wolvennest opened the Main Stage, with theremin, incense and a few skulls here and there amid their darkened cult rock atmospherics. The Brussels-based outfit are celebrating the release this month of their new EP, Vortex, which came out last week through the ever-tasteful Ván Records, and I have no doubt they persuaded a few heads with their murky vibe and swirling, obscure but still progressive heaviness. Fronted by Sharon Shazzula, who’s done work over the years with Aqua Nebula Oscillator, Kadavar, Farflung and a host of others — in addition to having founded Swamp Booking — and she and the full band alongside her brought a consuming wash of noise to the big room at the 013, and once I got back from my Wolvennest (Photo by JJ Koczan)Beto-esque apology tour (except I meant it), I found I was even more into it near the finish. It was somewhere between black metal, psychedelia and lurch, and wherever that was, that seemed definitely like the place to be. I’m sure someone cleverer than me has already invented a genre tag for it. To me it just sounded awesome.

Today was Maalstroom — a massive celebration of Dutch black metal held at Het Patronaat and given the added poignancy of also serving as an ad hoc tribute to former Dodecahedron frontman Michiel Eikenaar, who passed away yesterday after a long illness. Malstroom itself is the third of Roadburn 2019’s commissioned projects, and like last year’s Vánagandr formed of Icelandic black metallers, Maalstroom drew/draws from various projects working together on a new piece as a new entity. The whole day at the church was dedicated to it, and though my own adventure would take me on a different path, it would be hard not to admire the vision in putting that kind of thing together with Witte Wieven, Turia, Laster, Terzij de Horde, the aforementioned Dodecahedron and then Maalstroom itself to close out. One way or the other, it was going to be a special day.

Sumac (Photo by JJ Koczan)There were also more acts today from Tomas Lindberg‘s curation, including UranThe Exorcist GBG, and Orchestra of Constant Distress, and it was the Exile on Mainstream Records 20th anniversary celebration. Oh, and Sleep played Sleep’s Holy Mountain (2009 reissue review here) in its entirety. You know, because why not. I wound up flitting back and forth between 013 and the Koepelhal complex for the day, as I think a lot of people did who didn’t otherwise camp out at the Patronaat. Sumac absolutely floored me playing the Main Stage. What’s been my hesitation with those guys? I have no idea. I’ve dug both their records — last year’s Love in Shadow (review here) and 2016’s What One Becomes (review here) — but I still never really considered myself a fan. It’s Aaron Turner (ex-Isis, etc.), Bryan Cook (Russian Circles) and Nick Yacyshyn (Baptists), and their tone was probably the heaviest I’d heard this weekend up to that point. I don’t know what my hangup was with that band, but yeah, I’ll go ahead and credit the universe with being right on that one. More records to buy: just what I need.

Mythic Sunship had added another set at the Skatepark — they wound up playing three times, so I’m extra glad I caught them at least once — so I made my way up there and stopped in Koepelhal first to see Boston’s Morne, who were casting death across that packed and massive space. Couldn’t help but notice guitarist/vocalist Milosz Gassan wearingMorne (Photo by JJ Koczan) a t-shirt for Armageddon Shop (or Armageddon Boston, to be more specific) on the stage. Today was apparently Record Store Day, so fair enough. Roadburn never seems to lack for commerce, as the merch area just outside the Koepelhal proper shows, but I’m sure plenty of people also made it over to Sounds, which is the local shop down the road a little ways. I went once. It was cool. This year, however, my feet were glued in place for Morne, who issued their To the Night Unknown LP through that same Armageddon Shop label last year. No regrets. Their sound has the classic emotional crux of death-doom but toys with that balance effectively and still holds a pervasive sense of atmosphere.

It was almost time for that Mythic Sunship show, and I was looking forward to it, but Treedeon in the Hall of Fame for the Exile on Mainstream 20th anniversary was too good to pass up. The German trio’s bizarre noise rock is so emblematic of that label, and while I don’t think my tastes and those of Andreas Kohl, who runs imprint, always line up — though we’re both big Wino fans — it’s a fair bet that something on Exile on Mainstream is going to at very least be interesting. In the case of Treedeon, it was interestingTreedeon (Photo by JJ Koczan) like a fucking boot to the throat. Even their recorded work — the latest LP was 2018’s Under the Manchineel (review here) — doesn’t quite capture the density of their approach to noise rock, and golly it was loud in the Hall of Fame. It’s a low ceiling, so the sound just feels like it’s collapsing on you, and that suited Treedeon well in portraying another vision of extremity after Morne.

Among other things, it was about the polar opposite of seeing Mythic Sunship in a skate park, so that was fun. Indeed, dudes were skating on the ramps and rails and whatnot and looking annoyed as people started filing in for the show. Sorry. The Copenhagen four-piece have been on tour since April 4 supporting their excellent 2018 offering, Another Shape of Psychedelic Music (review here), and though they didn’t have the sax with them today as they apparently did yesterday, they still tore it up ferociously, by which I mean they played a smoothly progressive jam-based kraut-psych-rock and their chemistry was out in full force. Their drummer ate a banana right before they went on, which I’m sure helped keep his energy up, and the Ladybird filled up well for them. They’re the kind of band I’d probably never get to see if I wasn’t here, let alone see in such a context, so I was stoked on the opportunity and the outcome of it. I don’t think they will, but if they played another set tomorrow, I doubt anyone would complain, Mythic Sunship (Photo by JJ Koczan)except maybe those skateboarders.

Dinner was chicken in peanut sauce. I had a few quick bites and then went back to the Main Stage to watch the end of Cave In‘s set. I gotta say, I haven’t listened to Cave In actively in a long time, and I still knew just about every word to everything they were playing. That band can write a song. They had Nate Newton (Converge) on bass in the place of Caleb Scofield, who passed away and was memorialized with an acoustic set last year by his bandmates Steve Brodsky and Adam McGrath that’s since been released by Roadburn Records, and while I didn’t see the full set, what I caught was dead on. They’ve always occupied a space between punk, metal and rock, but they’ve also always made that space their own, and to see them do that in front of a crowd so into it as that at Roadburn was affirming even if I only caught a couple songs.

It was time for Sleep. There was the requisite changeover after Cave In, and fair enough for the mighty stacks of amps and cabinets brought out, as well as Jason Roeder‘s drum riser. I mean, Sleep playing Sleep’s Holy Mountain. In full. Sleep (Photo by JJ Koczan)Front-to-back. As the first of two nights of sets. What the hell more could you want? If your answer was, “maybe a shortened version of ‘Dopesmoker’ and ‘The Clarity,'” they did those too, but obviously the highlight was seeing Al CisnerosMatt Pike and Roeder run through those Holy Mountain tracks. Pike even switched to an acoustic guitar for an extended take on “Some Grass” ahead of “Aquarian.” The Main Stage hall was packed to the point that the upstairs balcony looked like it was about to spill over, and the whole room just became a sea of nodding heads to each riff. Everyone kept up with the changes. Everyone knew where they were going. It was yet another of those Roadburn things that make you feel so stupid lucky to be here to see. Funny how those keep popping up all weekend. Every year. All weekend. They’re back tomorrow doing The Sciences in full. Again, Roadburn.

There was still plenty of Roadburn day three to go, but I was (un)fairly beat. Still, there was one more thing I had to, had to, had to see, and it was Bellrope. They were closing out the Exile on Mainstream celebration at Hall of Fame, and though the hike up there felt daunting to my riffed-out legs, I did it anyway and got up there before the two-bass-one-guitar-all-smash German foursome got started. Their debut album, You Must Relax (review here), is on my list of 2019’s best despite (because of?) its initial feedback assault to weed out the Bellrope (Photo by JJ Koczan)weak-hearted among its listenership. They did similar on stage, by the way, but shorter, and with a mammoth and punishing low end push to fill out that feedback, it was brutal in the best way possible. They brought up two members of Treedeon for a guest vocal spot and the sort of sludge ensued that you should need a prescription to get, which should explain the line that went out the door.

Despite the day’s rough start with my stupid, stupid, stupid, unprofessional bullshit error in the ‘zine, it was still a day that was as fantastic as it was busy. Tomorrow is the end of Roadburn 2019, and it’s always bittersweet, so while I’m plenty exhausted, like At the Gates before me, I’m going to try to drink from the night itself and let adrenaline carry me through as, hopefully, it will.

Thanks for reading. More pics after the jump.

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Roadburn 2019: Thou to be Artist-in-Residence; Cave In, Daughters, Messa, Ulcerate and More Added

Posted in Whathaveyou on September 13th, 2018 by JJ Koczan

roadburn 2019 banner

Oh, Roadburn. Even after all these years, you continue to be the stuff of daydreams. In some of my grimmest hours of self-loathing and if-you-need-me-I’ll-be-sticking-a-t-shirt-in-the-muffler-and-listening-to-Anathema-in-the-car fetishizing, I think of the sun shining through the henge of Weirdo Canyon and press on toward another April to come. You are the center of every year and you continue to inspire. As exhausting as you are — and you are — you are a spiritual rejuvenation that is unparalleled in my experience. I consider myself fortunate and a richer person for having you in my life.

Here’s only a small part of why. If you get it, you get it. Tickets are on sale Oct. 4. They’ll go. Don’t miss them:

More names for Roadburn 2019 – including Artist In Residence; ticket onsale date confirmed.

– CAVE IN to play Roadburn 2019
– OLD MAN GLOOM return to the festival
– THOU confirmed as Artist In Residence
– Plus more…

CAVE IN

We are thrilled to confirm that CAVE IN will be performing at Roadburn. At the 2018 edition of Roadburn, Stephen Brodsky and Adam McGrath paid a moving tribute to bandmate Caleb Scofield who died the previous month, with an acoustic set of covers and CAVE IN tracks. As the audience and band members alike found catharsis through music, we wouldn’t have begrudged them one bit if this performance was the closest we ever got to CAVE IN at Roadburn.

When whispers reached us that CAVE IN would potentially be open to a Roadburn set for 2019 – our interest was well and truly piqued. Some months later, we’re beyond delighted to say it’s true – it’s really happening.

Stephen Brodsky comments:

“Without question, it’s a high honor of artistic merit to perform at Roadburn. Members of CAVE IN have had the fortune of playing with other bands/projects in years past. Seems only a matter of time that we’d do a proper set at one of the best festivals on the planet devoted to forward-thinking music. We hope you’ll join us for a celebratory sonic lift-off into Roadburn 2019.”

CAVE IN will perform on Saturday, 13 April.

OLD MAN GLOOM

Since OLD MAN GLOOM last played Roadburn in 2014, a lot has changed. Later that year they released The Ape of God, and The Ape of God… a pair of identically named albums which were challenging in all the right ways, and a few of the wrong ways too.

Following the death of bassist, Caleb Scofield, earlier this year, OLD MAN GLOOM vowed to continue what they had already started. Stephen Brodsky will be handling bass duties for this performance, and in turn Nate Newton will be taking on the role for Cave In’s set. This collaborative trip across the pond is made by a group of friends united by love and a desire to celebrate the life of Caleb. To that effect, OLD MAN GLOOM promise a special set at Roadburn and more details will be available in due course.

OLD MAN GLOOM will perform on Sunday, 14 April.

ARTIST IN RESIDENCE: THOU

There are a few pretty immovable parts of Roadburn these days; traditions that we maintain to showcase the best and brightest in our little world. One of these cornerstones is our Artist In Residence – a band or solo artist who will perform multiple times across the weekend, and with each set they showcase a different facet of their creativity. Past artists in residence include Earthless, Gnod and Misþyrming

The choice for 2019 was… easy. If there’s one band who have surpassed themselves – and arguably many of their peers – in terms of creative output this year, it’s THOU. They will play four times across the weekend; there will be a collaborative set, a covers set, an acoustic set, and a Magus era set. What exact form those performances take, and the details of them will unfold between now and… well, the moment they step on stage for each of those specific sets.

THOU will perform on each day of the festival.

CURATED: HENRIK PALM

The first artist out of the bag for Tomas Lindberg’s The Burning Darkness curated event at Roadburn 2019 is none other than HENRIK PALM. Tomas explains his choice:

“His name should ring a bell with everybody into anything heavier in our beloved alternative underground scene. He has been a part of seminal bands such as In Solitude and Ghost, and also more “off the map” bands such as the groundbreaking Pig Eyes.

“When I finally got to see him live some time ago, the performance just blew me away. Be sure to not miss out on this. It’s a must see show.”

HENRIK PALM will perform on Saturday, April 13 as part of Tomas Lindberg’s The Burning Darkness curated event.

ALSO ANNOUNCED:

Chaotic shapeshifters DAUGHTERS will make their Roadburn debut

DRAB MAJESTY will transcend time and space at Roadburn 2019

Prepare for a brain-altering, bone-shifting experience with ULCERATE

IMPERIAL TRIUMPHANT will exclusively perform tracks from their recent release Vile Luxury

GOLD return to Roadburn and will showcase new material and launch their new album

WOLVENNEST will perform Void in full on the Main Stage with special guest musicians

MESSA will take us on a transcendent journey

Poland’s MORD’A’STIGMATA to crush all hope when they play Roadburn 2019.

TICKETS:

Tickets for Roadburn 2019 will go on sale on Thursday, October 4. They will be available to purchase in person from Sounds Tilburg record store (from 6pm) for those in the vicinity. For those further afield, tickets will be available from Ticketmaster.nl from 8pm CEST/ 7pm BST/ 2pm EDT. We recommend setting up a Ticketmaster.nl account in advance.

Tickets will be priced as follows:
3 days ticket €181 + €4,50 service fee
4 days ticket €204 + €4,50 service fee
Day ticket (Thu, Fri or Sat) €62 + 4,50 service fee
Sunday ticket €55,50 + €4,50 service fee

News regarding the the new luxury cabins at the Beekse Bergen Safari Park, and information regarding the 2019 Urban Campsite in Tilburg will be available ahead of tickets going on sale.

The artists performing at Roadburn 2019 are:
Birds In Row
Cave In
Curator: Tomas Lindberg
Daughters
Drab Majesty
Gold
Gore
Have A Nice Life
Heilung
Henrik Palm
Imperial Triumphant
Louise Lemón
Messa
Midnight
Mord’a’Stigmata
Old Man Gloom
Seven That Spells
Sleep
Thou
Ulcerate
Vile Creature
Wolvennest

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Stephen Brodsky & Adam McGrath, Tribute to Caleb Scofield at Roadburn 2018

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Roadburn 2017 Audio Streams Mega-Batch Posted Featuring Bongzilla, Slomatics, Valborg, Warning and More

Posted in audiObelisk on September 15th, 2017 by JJ Koczan

warning-1-Photo-by-JJ-Koczan

It’s been tradition around these parts for I don’t even know how long to post the annual audio streams as they come out from each Roadburn, and I hope the case will be no different as we move further away from Roadburn 2017 this past April in Tilburg, the Netherlands, and inexorably toward the first announcements for Roadburn 2018 to come. This process — the posting — used to require a slew of links and media players, which I actually kind of liked because it allowed for emphasis on just how much material there was emerging from the festival, how much work Marcel van de Vondervoort and his team put into the recording and mixing of these sets for all the bands, and so on.

Well, it’s the future now — or I guess it was the future like five years ago? I may have missed when it actually became the future; whatever — and we apparently don’t even need to have 22 different media players to post 22 different streams from Roadburn 2017. We need one. Netherlands-based media company 3voor12, which has always hosted the sets, brings forth a mega-batch today featuring the likes of (alphabetically) Atala, Author and Punisher, Bongzilla, Carpenter Brut, Casual Nun, Cobalt, Disfear, Forn, GNOD, Inter Arma, Joy, Les Discrets, Nadra, Pontiak, Serpent Venom, Slomatics, Temple ov BBV, Trans Am, Ultha, Valborg, Warning and Wolvennest.

Not inconsiderable. It’s been mere hours since Slomatics‘ Futurians: Live at Roadburn was reviewed here, but I also had occasion to see Warning (pictured above), JoyLes DiscretsAtalaValborg and others on that list, and I can attest to their being a joy to behold. Part of the fun of these streams is also getting some sense of what you missed at Roadburn due to making the inevitable hard choice of a schedule conflict, so I guess this is my shot at hearing what Bongzilla got up to during their time on stage. If you need me I’ll be doing that.

Hope you enjoy as well:

Thanks as always to Walter for sending the embed my way. For all this site’s Roadburn 2017 coverage, click here.

Roadburn’s website

Marcel Van De Vondervoort on Thee Facebooks

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Roadburn 2017: My Dying Bride, Scissorfight, Backwoods Payback, Come to Grief and More Added

Posted in Whathaveyou on November 15th, 2016 by JJ Koczan

Roadburn 2017 banner

Roadburn 2017 adds 26 new bands to its lineup. Let me spell that out: TWENTY-SIX. And from My Dying Bride to Sumac to Scissorfight to Memoriam to Valborg, it’s precisely the kind of all-things-to-all-people mix that one has come to expect from the annual April festival, promising an experience like no other in John Dyer Baizley‘s curated event, as well as sets from the likes of Gong and Backwoods Payback and Suma and Unearthly Trance, the latter two who were former US tourmates once upon a time and will reunite in Tilburg this coming Spring. Blown away by how huge this event has become, and how every year it just seems to keep growing and moving forward. Sit back and look at the poster below for today’s adds. It’s astounding.

Tickets on sale now. From the PR wire:

roadburn-2017-new-adds-my-dying-bride

Twenty six new bands added to the Roadburn 2017 line up

My Dying Bride will take to the Roadburn stage for the first time
David Tibet and Youth will perform as Hypnopaz?zu
Wolves In The Throne Room return from hibernation
Memoriam breathe new life into death metal
Wear Your Wounds show a different side to Jacob Bannon as part of John Dyer Baizley’s curation
Carpenter Brut take synthwave to new and exciting places
Those Poor Bastards conjure up the image of two undead holy preachers
….and more

MY DYING BRIDE:
My Dying Bride have been confirmed to make their Roadburn Festival debut at the 2017 edition of the festival. As one of the leading lights of metal during the 90s, where they helped to further define what doom metal really was and where it could still go, this West Yorkshire bunch earned a place in metal history. They’ve done it all and somehow have managed to remain fresh and inventive.

The influential British doom band will perform a suitably mournful doom-filled set on Saturday, 22 April, 2017 at the 013 venue.
Read more about My Dying Bride here.

HYPNOPAZ?ZU:
It’s PixieTime

Girls and Boys—

For our HypnoPickNick

Bring Moons and Toys!

We are thrilled to announce that Hypnopaz?zu (David Tibet of Current 93 and Youth of Killing Joke) will perform at Roadburn Festival 2017, alongside Ulver, on Sunday, April 23 at the 013 venue, Tilburg, The Netherlands. Their album, Create Christ, Sailor Boy, ranks among our albums of the year at Roadburn HQ, and we cannot wait to witness it brought to life on stage at Roadburn 2017.

WOLVES IN THE THRONE ROOM:

Wolves In The Throne Room will be returning to Europe for the first time since 2012, and since they announced their subsequent hiatus. The band will steer away from the ambient and ethereal landscapes they created on their 2014 album Celestite, instead setting their sights on the more raw and earthy sounds from earlier in their back catalogue. Whatever choice cuts they select to serve up, the set is sure to be a masterclass in atmospheric black metal from one of the most important bands to leave their mark on the genre in recent years.

Wolves In The Throne Room will play at Roadburn Festival 2017 on Thursday, April 20, at the 013 venue, Tilburg, The Netherlands.

MEMORIAM:

Bolt Thrower’s Karl Willetts started Memoriam as “a celebration of life through death metal”, and the results are exactly as one might expect. Having recruited Benediction bassist, Frank Healy, former Bolt Thrower drummer, Andy Whale, plus guitarist Scott Fairfax, Memoriam are clearly on an old school, death metal mission.

Willetts commented: “Memoriam are pleased to announce that they will be playing at the acclaimed Roadburn festival in 2017.

“We have seen this festival grow over the years and for us to be among the illustrious selection of bands playing this year is an honour!!! With our debut album to be released sometime early 2017 Roadburn will give us the opportunity to showcase our new material. Memoriam will unleash its devastating weaponry upon Roadburn 2017 and provide a true celebration of life through old school death metal.”

Follow Memoriam onward into battle on Saturday, 22 April when they play at the 013 venue, Tilburg, The Netherlands.

WEAR YOUR WOUNDS:

Wear Your Wounds – Converge vocalist Jacob Bannon’s intensely personal project – is an outlet he has been quietly feeding over the years, a repository for his lo-fi solo recordings that will now finally see the light. Scheduled for April 7th, just a couple of weeks before Roadburn, Wear Your Wounds’ first self-titled full length has us sitting on our hands with excitement.

John Dyer Baizley comments:
“I’ve never seen them perform (who has, really?) so it goes without saying that I will be front and center for this moment. The lineup for Wear Your Wounds will include the following, in addition to Jake Bannon himself: Chris Maggio (Sleigh Bells, Trap Them, Coliseum), Mike Mckenzie (The Red Chord, Stomach Earth, Unraveller) Adam McGrath (Cave In, Zozobra, Nomad Stones), and Sean Martin (Hatebreed, Twitching Tongues, Kid Cudi, Cage). Don’t let that list fool you, THIS IS NOT A SUPERGROUP, but its hard to deny the talent and power within those musicians and collaborators. Please don’t miss the opportunity to witness their first-ever performance.”

CARPENTER BRUT:

Carpenter Brut take the essence of metal that you like, the parts of techno that you used to like and the atmospheric film music of Carpenter/Argento/Goblin that you love, to create a heady, melodic and intense genre. This French outfit is taking the synthwave to new and exciting places.

Carpenter Brut play on Saturday, 22 April at the 013 venue, Tilburg.

THOSE POOR BASTARDS:

Sounding like two undead holiness preachers, crawling out of an abandoned Mississippi graveyard consumed by the foul bog and delivering their message of the endtimes, Those Poor Bastards will hover around the next edition of Roadburn determined to convince you that your eternal soul is already damned beyond redemption.

With the devil on their trail and the graveyard constantly looming ahead, Those Poor Bastards will ruin Het Patronaat when they play their ghoulish songs on Thursday, 20 April at Roadburn 2017 in Tilburg, The Netherlands.

ALSO CONFIRMED:

(DOLCH) lined up to shapeshift and mystify
ASH BORER deliver innovative Cascadian black metal to the Roadburn masses
BACKWOODS PAYBACK deliver honest expressions of heartfelt, heavy rock and roll
CASUAL NUN to deliver downright heavy psych
COME TO GRIEF will pay homage to Grief’s legacy
EMMA RUTH RUNDLE will perform a set thick with emotion and densely packed with honesty
ESBEN AND THE WITCH promise to delight with atmospheric, apocalyptic rock
FANGE make their debut with heaps of D-Beat and amplifier worship
GONG will lead us into psych rock sonic anarchy
NO SPILL BLOOD to demonstrate a fusion of muscular, sludgy punk energy and swirling synthesiser noise as part of John Dyer Baizley’s curated event.
OXBOW will release their next album, Thin Black Duke, shortly ahead of their Roadburn performance
SCISSORFIGHT promise to “unleash some New Hampshire backwoods debauchery”
SUMA bring their abrasive doom from Sweden
SUMAC sees the return of Aaron Turner to Roadburn with his denser-than-a-black-hole outfit
UNEARTHLY TRANCE set to combine the nihilism and confrontational approach of real sludge, both in lyrics and in actual musical delivery
VALBORG return to deliver another dose of their bleakly elegant presence.
VANUM will set Roadburn ablaze with a blend of icy melody and blackened atmospheric majesty
WOLVENNEST will churn up some utterly hypnotic, sonik soundscapery
YOUTH CODE show off their aggressive and expansive modern take on the EBM sounds of the 80s as part of John Dyer Baizley’s curated event.

Artists already announced for Roadburn 2017 include Coven, Warning (playing Watching from a Distance in full), Artists in Residence – GNOD, Mysticum, Oranssi Pazuzu, Deafheaven, Chelsea Wolfe, and our 2017 curator, John Baizley who will perform with Baroness, plus many more. Roadburn Festival will take place 20-23 April, 2017 at the 013 venue, Tilburg, The Netherlands.

Tickets are on sale for Roadburn 2017 and can be purchased from this link.
4 day – 195 Euro
3 day (Thu, Fri, Sat) – 172 Euro
Single day ticket, Sunday only – 54 Euro

Thursday, Friday and Saturday single day tickets will be on sale at a later date.

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Scissorfight, Chaos County (2016)

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Desertfest Belgium 2016: Uncle Acid, Coogans Bluff, Vodun, Wolvennest and Black Swarm Added

Posted in Whathaveyou on June 2nd, 2016 by JJ Koczan

desertfest belgium 2016 header

Our friends at Desertfest Belgium 2016 might be understating it somewhat when they refer to Uncle Acid and the Deadbeats as a ‘crowd-pleaser,’ but the point still stands. The UK outfit are every bit worthy of holding near-top position on the poster for the event, next to Pentagram, and wherever they end up on the final bill, they’re a damn good get. Also joining the lineup today are UK upstarts Vodun, Germany’s Coogans Bluff, and Wolvennest and Black Swarm, assuring that Desertfest Belgium 2016 gets its due course of offbeat vibes and varying swaths of heavy. You can see the full lineup below. It already looks like a killer weekend, and I have the feeling they’re not even close to done compiling it.

From the PR wire:

desertfest belgium 2016 new poster-700

DF Antwerp 2016 ADDS UNCLE ACID, COOGANS BLUFF & more!

We’ve enjoyed an overwhelming load of good vibes following our first band announcements, and we expect no less from this next fresh batch. There’s something here for everyone. You want a crowd pleaser? How’s UNCLE ACID & THE DEADBEATS pleasing ya! You want crazy and original? COOGANS BLUFF will have you covered. You want the potential surprise exploding live hit of this year’s festival? We’re putting our bets on VODUN’s blend of metal and wailing soul vocals. And since we’re Belgian after all (and proud of it, dammit!), we’ve added heavy droners WOLVENNEST and singular metalheads BLACK SWARM to the line-up.

Are you hungry for more? You better be, because the next update’s only a few weeks away!

UNCLE ACID & THE DEADBEATS

Ever since their debut album hit the scene in a cloud of menacing mystery, Uncle Acid & the Deadbeats have been pulling an evergrowing fanbase of metal and rock fans alike into their own self-created world. Their heavy psychedelia has been likened to The Beatles, had they followed their own helter skelter down into the darkest recesses of the 1970s.
Call them the Bong Lennon or the Crack Sabbath – in essence they’re a pop band, singing of death and murder in alluring vocal harmonies.

COOGANS BLUFF

They have been called “Retro”, but can you name any other band that combines krautrock, prog, psychedelic, stoner and bluesrock in such an unusual way? Coogans Bluff is a band that knows how to combine the best of all these genres, while still showing fresh and daring ideas. The band shows a very personal sense of humor in their image. However, their highly original brand of music is played with pure dedication. All hail the tinfoil hats!

VODUN

This one’s going to blow your mind… Vodun hails from London, a power trio that delivers crushing metal riffs as a backbone for some high-energy soulful wailing. MOJO magazine describes them as “Aretha Franklin fronting Royal Blood after imbibing ayahuasca”, but even that won’t prepare you for the onslaught of dark ritual madness these three bring to the stage. Amidst the rushing screams of Mother Earth, the pounding drums of Ouidah, the markets of Lomé and the open heart of Erzulie, there exists VODUN!

WOLVENNEST

Wolvennest (that’s Dutch for “Wolf’s nest”) is a musical joint venture between Kirby Michel (La Muerte), Corvus von Burtle (Cult Of Erinyes) and Marc De Backer (Mongolito), a distinctive blend of guitar loops, repetitive beats, synthesizers keys mixed with darkened hypnotic ambient vocal sounds. The resulting glorious mess is a highly original mix of seventies Krautrock and nineties Norwegian Black Metal.

BLACK SWARM

Black Swarm entered the Belgian underground metal scene in 2011. With only 6 songs they took to the stage, and immediately started to rally a fanbase consisting in- and outside the metalhead community. Watch out for their flamboyant singer Sam De Roeck though… he’s known to give the crowd just “a little more” than they bargained for when he gets in the mood!

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http://www.desertfest.be/tickets

Uncle Acid, “Melody Lane” official video

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