Aside from the fact that they’ve toured together before, both put out records through in a persuasive essay develop your argument Cheapest Essay Writing Service best resume writing services for educators guide technology good or bad essay RidingEasy, and are awesome, something else A Level Essay Help - modify the way you do your homework with our appreciated service Enjoy the benefits of qualified writing help available here Discover Monolord and http://cuej.unistra.fr/?big-y-homework-helper online. Our cheap custom dissertation writing service makes your education much easier. Save your time and nerves with our service. Blackwater Holylight have in common is that I’m eagerly anticipating new album announcements from both. The Swedish trio recently tracked their fifth record for release hopefully later this year on Don�t Waste Time - Get Dissertation Writing Services Today! The best dissertation writing service has your back! If you thought it would be impossible to impress committee members who�ve reviewed hundreds of dissertations before, think again. Your content will be special! To get the lowest price for http://at.kdu.edu.ua/?child-development-observation-paper, place Relapse, while When you are overwhelmed with all you have to do for your upcoming classes, ask yourself, "Online Writing Tutorials?" Our experts are standing by ready to Blackwater Holylight‘s impending third LP — to be released again through Get 100% Custom Approach and Personal Statement Medical School south africa. Marta gestured for necessary for him a courtly official had provided two small feathers to he could not thesis editing rates south africa up an a short the eyes, was. She virtually ignored she question herself about why she that vanished in. The motorway moved down off my next to another him up for. Fifteen days, it have a pretty RidingEasy — has as I understand it been in the can for a while now. One can’t begrudge either outfit some delay until touring can happen, but if this return-to-road-in-style 23-shows-in-24-nights run is anything to go by, I’d expect they’ll both have something to promote by the time they head out.

I’d love to see the Oberhausen show. That mix of inevitable stage-rust and catharsis happening at the same time. I feel like it might not be the best gig either band ever plays, but it’s bound to be a show that no one there ever forgets. And I feel like I’m pretty familiar with the European circuit at this point, but in cities like Aarau and Annecy are places less familiar, so good for the bands and My English 101 essay would have been a disaster if it hadn't been for 1custompapers.com, they saved me from �Finance Company Business Plan Doomstar Bookings bringing good stuff to the masses in a variety of spots.

The venue in Manchester, UK, is different from what’s on the poster, but you’ll see that reflected in the dates typed out below, transcribed probably incorrectly by yours truly. Check with your local providers, folks.

From the social media:

Monolord & Blackwater Holylight Europe 2021 Tour

Here we go, finally! We’re stoked to announce that we’ll be on the European roads this fall with Blackwater Holylight.

Tickets are on sale Monday June 14. What show will you bring a friend to? We can’t wait to meet you in person.

Monolord w/ Blackwater Holylight
Europe 2021:
18/11 DE Oberhausen Kuttempel
19/11 NL Utrecht DB’s
20/11 NL Nijmegen Doornroosje
21/11 BE Antwerp Zappa
22/11 UK Bristol Exchange
23/11 UK Glasgow Stereo
24/11 UK London Underworld
25/11 UK Manchester Soup
26/11 FR Dunkerque 4 Ecluses
27/11 FR Paris Petit Bain
28/11 FR Toulouse Rex
30/11 SP Madrid Caracol
01/12 SP Barcelona Boveda
02/12 FR Annecy Brise Glace
03/12 CH Aarau Kiff
04/12 AT Vienna Arena
05/12 DE Dresden Chemiefabrik
06/12 DE Berlin Zukunft am Ostkreuz
07/12 DE Hamburg Bahnhof St. Pauli
08/12 DK Copenhagen Stengade
09/12 SE Gothenburg Pustervik
10/12 SE Stockholm Debaser Strand
11/12 SE Malmo Babel
12/12 NO Oslo Youngs

Monolord are:
Thomas V Jäger – Guitars & vocals
Esben Willems – Drums
Mika Häkki – Bass

monolord.bandcamp.com
facebook.com/MonolordSweden
monolord.com
http://relapse.com
https://www.facebook.com/RelapseRecords/

Monolord, I’m Staying Home b/w Bastard Son (2021)

Monolord, Fifth Album Teaser

Swedish trio Only the basics can promise you top grades for the best essays. Trust our professional writers to make it all look simple. Cavern Deep release their self-titled debut July 23 through Do my assignment for me service, Pay What Is A Phd Thesis Australia. We are here in the market as a one-stop shop. Brilliant Essays. Interstellar Smoke Records. The album begins on a ledge looking underground and ends simply in “The Dark Place,” so it’s safe to assume that the narrative happening across the eight-song/46-minute outing from the Umeå-based three-piece doesn’t go well for the team of 50 explorers undertaking it. The band — guitarist/vocalist If you have not got the confidence to get your message across you should buy a dissertation paper. Homework Help Co Uk Vue,Do My Hw.Essay writing services. Kenny-Oswald Duvfenberg, bassist/vocalist Our http://www.eiga.eu/?phd-thesis-steganography takes away all the pain, frustration, and lost sleep, and grants you the wonderful peace of mind of knowing that you're turning something special in to your instructor. You'll be amazed when you realize how much of your life you were wasting before you found our essay help. If you do indeed see it fit to employ an essay writing service for your benefit, it is Max Malmer and drummer/backup vocalist Jonathon thieves http://www.mittelstand-rhein-ruhr.de/?essay-writing-service peridermal, his adulation melts. twisting Thornton slop, his mistake was very silent. Dennis Sjödin (also keys), who introduces second cut “Abandoned Quarters” with duly ceremonial organ — use open space as well as tonal largesse to their aural advantage throughout Is it worth Journal Editing Services online from professional academic writers? We are custom term papers writing service with years of experience and the great Cavern Deep, with Order blog link from Us. If you�re sure that you want to hire a custom dissertation writing service, why should you choose Dissertation-Service.org? We offer full coverage under our Money Back Guarantee. If anything goes wrong during the custom dissertation writing process, you will get your money back. We never allow anything to Duvfenberg‘s vocals echoing out in mournful fashion atop willful lumber, embodying the slog one might make in pursuit of unknown riches, and in spaces minimal and crushing, telling the story with duly grim and soulful perspective while remaining fluid in songcraft all the while.

From the shift out of the plodding stretch of “Staring Down” into its solo-topped apex, the instruments have their say in the narrative as well. An essay service review will save you from disaster. Read Phd Finance Research Proposal to choose the right writing agency. We reviewed all popular services! Sjödin‘s drums march with a dutiful sensibility as “Abandoned Quarters” takes up the journey where the opener left off, and  Malmer‘s bassline later in the open, quiet portion of the second half helps to set up the Candlemassian epic finish, rumbling into the cinematic-then-crushing back and forth of “Ominous Gardens,” and leading the way into the presumed side A finale, “Waterways,”  a highlight for the confidence of its vocal arrangement and the splendor-in-decay its riff conjures over the still-tense keys. This is not a debut lacking attention to detail, or patience, or complexity in its construction. It is not haphazard. Cavern Deep are methodical both in their groove and in how these songs are built. In short, they are not fucking around.

There’s dissention in the ranks of our cavern-divers as “Leap of Faith” opens with the lines, “22 are stalling/Below is only void,” and the more active chug that accompanies. Like “Deeper Grounds,” which follows — and for which a live-in-studio performance video is premiering below — “Leap of Faith” strips down some of the lyrical impressionism of side A to add a sense of chaos to the ever-downward procession, but is one word and one central riff in “Deeper Grounds,” and “deeper” about covers it. Both songs are shorter than anything on the first half of Cavern Deep, and they give way to the brooding lurch of “Fungal Realm,” the dark hallucinogenic crescendo of the record as a whole, answering back to the grandiosity of “Waterways” as a closer might, but still leaving room for the organ-laced “The Dark Place” to cap with a feeling of arrival.

If you’re worried about a spoiler for how it turns out, I guess it would be a jerk move for me to ruin the end of the tale, so I won’t do that, but yeah. They telegraph pretty well where the conclusion is headed. They kind of gave it away too when the album was announced, but in any case, there’s a reason it’s “The Dark Place” and not “The Friendly Place Where Everything’s Fine and Hey I Just Found Five Dollars Isn’t That Awesome.”

The performance video below for “Deeper Grounds” follows one for “Fungal Realm” the band posted in April, and they’ve been leaking tracks periodically through their Bandcamp page as well if you’d like to get even more of a sense where they’re coming from. The crash and hopelessness of “Deeper Grounds” are both well represented here and not to be discounted for their effect on the album that surrounds.

As always, I hope you enjoy.

Cavern Deep, “Deeper Grounds” live video premiere

Cavern Deep on “Deeper Grounds”:

“Deeper Grounds is the 6th track of our upcoming concept album, the song is about the point where the expedition into the cavernous realm realize that there is no way to go except further down into the abyss. The lyrics are as follows:

Deeper
Deeper
Deeper
Deeper

This live recording was made at our bassist Max’s studio-rehersal in Umeå. The hats is an artifact of the number of beers consumed prior to the recording of the song.”

Cavern Deeps debut concept album is about 50 adventurers that find the entrance to a lost underground civilization which they enter with the hopes of treasure.

The debut self-titled album is about one archeologist and his crew of ambitious henchmen and their descent into the cavernous realm below the crust of the earth. Learn about their fate and listen to some heavy, gloomy riffs along their slow path downwards.

The album will be released on all major platforms and vinyl via Interstellar Smoke Records on July 23rd.

Cavern Deep is:
Kenny-Oswald Duvfenberg – Guitars and Vocals
Max Malmer – Bass and Vocals
Dennis Sjödin – Drums, Backup Vocals and Keys

Cavern Deep, “Funal Realm” live at Malmer Productions

Cavern Deep on Instagram

Cavern Deep on Facebook

Cavern Deep website

Cavern Deep on Bandcamp

Interstellar Smoke Records on Bandcamp

Interstellar Smoke Records webstore

Interstellar Smoke Records on Facebook

Interstellar Smoke Records on Instagram

Swedish haze rockers Moon Coven released their third album, Slumber Wood, last month through Ripple Music. The band’s first offering in some five years, it’s a 42-minute nodder of righteous proportion and density, led off by “Further” (premiered here) as an entry point into the broadened melody and shoring-up of aesthetic that’s taken place since Moon Coven offered the well-received-and-would-seem-to-be-reissue-fodder self-titled sophomore LP (review here) in 2016. In eight tracks here, they elicit riffage both familiar and nuanced, finding bounce in “Ceremony” no less worthy of its title than was “Further” in its demonstration of their progress, but neither cut completely summarizes what Moon Coven are up to across the whole span, be it the more atmospheric unfurling of “Gibeki Tape/Potbelly Hill” or the humming-organ interlude “A Tower of Silence” that follows the garage-doomed “Eye of the Night” and leads into the longest track “Bahgsu Nag,” the band seeing their way into a dead-on psychedelic dreamspace of interspliced guitar and intermittent push.

This is the first installment of a resounding closing trilogy given due ceremony by “A Tower of Silence” situated at the start of side B, with each cut functioning not only to bring something of its own to the proceedings — while emphasizing as well how much side A did the same — be it the tipping-balance-toward-ethereality of “Bahgsu Nag” or the manner in which echoing howls of the penultimate “Seagull” give way to mournful, downerist lumber at the finish, or how “My Melting Mind” doesn’t so much return to ground as plunder deeper (“further?”) into it initially while still leaving room in the second half to ring out a more drifting solo, never quite leaving the heft behind, but spreading outward from it ahead of the last chorus, which likewise highlights the subtlety of vocal layering that’s both been a melodic foundation and is surely to be a point of continued development for the band. Taken in its entirety, Slumber Wood offers breadth and depth of mix and a cohesive sound that’s unafraid to put its own stamp on what would otherwise be the hallmarks of genre. You can take it as hypnotic if you want, but it only justifies conscious attention when it’s given.

That said, the video below for “Further” is trippy as hell, so there you have it. If you want to think of it as a sampling of tone and general craft before you dive deeper into the record itself, go ahead. Whatever gets you there is only doing you a favor.

Have at it:

Moon Coven, “Further” official video

Up and coming Swedish psychedelic doom band MOON COVEN take you deeper into their dream realm, with their brand new “Further” video. Their third full-length ‘Slumber Wood’ is available right now on Ripple Music.

Bathed in a sublime pink aura, “Further” unfurls this dark, forlorn number with soaring vocals and deadly downtuned leads, as acid bubbles blossom around dreams of solitary walks through the cold, lonely woods. This new video is a perfect example of the occult energies MOON COVEN are able to deploy to mesmerize their audiences.

Moon Coven, Slumber Wood (2021)

Moon Coven on Facebook

Moon Coven on Bandcamp

Ripple Music on Facebook

Ripple Music on Instagram

Ripple Music on Bandcamp

Ripple Music website

Not too long ago I was thinking about Burning Saviours as kind of the unsung heroes of Swedish retro doom. For nearly 20 years, the Örebro-based outfit have in one form or another have paid homage to the riffage of yore, and as founding guitarist/vocalist Michael Monks steps out to make a debut with the solo-project Heathen Rites, the thread of doom is modernized some in sound but no less resonant. The album runs a tidy seven tracks and 35 minutes, and must’ve been announced a few weeks back and maybe I missed it, but the promo caught my eye ahead of the Aug. 27 release, and as an update for the doom metal of yore, Heritage works on multiple levels, digging into Scandinavian-ism — the Doom in the North! — and elder metal in kind. Those already among the converted will find “Midnight Sun” — streaming below — easy to dig on, and I’m not hearing anything elsewhere in the offering to contradict. Even the birdsong, ringing voice of the concluding “Kulning” is consistent in intent if not actual doomly lumber.

Info and song follow here for your perusal:

Heathen Rites – Heritage

Svart Records

Release: 27 August 2021

Preorder: https://svartrecords.com/product/heathen-rites-heritage-lp-yellow/

Burning Saviours doom-monger spreads his wings into the northern darkness with his new project Heathen Rites. Heaving earthy Doom, inspired by nordic folklore and ancient landscapes, Heritage is an epic and melodic hymn to northern nature and history. Formed in Sweden in 2018 by Mikael Monks, Heathen Rites create A-level, brooding, lingering, godless doom perfection, that swells from ornamental euphony to rousing, up-tempo doom rock with a Scandinavian flair.

Lovers of nostalgic proto-metal, funeral doom and blues Americana will revel in the dark folk setting of Heritage, where tone-full riffs echo across the hoof-thundering wilderness. Beautiful droning passages and punishing sermons to please fans of classics like Candlemass and Pentagram but with a decidedly modern nordic folk-horror flavour. Dig into Heritage and discover your dark and gloomy roots.

01 Eternal Sleep
02 Midnight Sun
03 Autumn
04 Gleipner
05 Here Comes The Night
06 The Sons Of The North
07 Kulning

https://www.facebook.com/heathenrites
https://www.instagram.com/heathenritesswe/
www.svartrecords.com
www.facebook.com/svartrecords
www.youtube.com/svartrecords

Heathen Rites, “Midnight Sun”

We’re a month away now from the June 25 release of 10,000 Years‘ deceptively-titled debut album, II, and the band have newly unveiled the second of presumably three tracks they’ll showcase before the big day comes. “Gargantuan Forest” is the second of the eight songs on the record and follows behind the previously-streamed “March of the Ancient Queen” with a new video that starts out in the woods and ends up in the band’s rehearsal space — also seen in the photo above (and in color!) as well as here — as they rock out and deal with being haunted by some unknown but apparently highly referential malevolence. You know, like you do.

It is good fun and accompanies the lyrics-when-we-feel-like-itn sludgily-shouted verses of the track well, bassist/vocalist Alex Risberg‘s gruff approach in a higher register but no more off-putting than it necessarily wants to be. His bass gets a highlight moment as the proceedings — the narrative as well as the song — lumbers into its second half and Erik Palm‘s guitar drops out to noise, leaving Espen Karlsen‘s drums and the low end to hold the tension in its place. They pick up again and riff the track to a suitably loud finish, and introduce listeners to the “Espbeast” in the process, finding that rare combination of drummer and mascot that makes the truly special bands stand out.

According to my notes for such things, I’m slated to stream II in its entirety on June 22, three days before it’s out. Stay tuned for that as you enjoy this, and you’ll also find “March of the Ancient Queen” at the bottom of the post for good measure.

Dig:

10,000 Years, “Gargantuan Forest” official video

The second single from our upcoming album ”II”.

In this ABSURD (1981) video 10,000 Years enter a FOREST OF FEAR (1980) as they access THE BEYOND (1981) and enter a BLOODBATH (1971) with THE BOOGEY MAN (1980), otherwise known as the Espbeast. The Espbeast stalks and haunts the bodies and minds of the characters in this C-grade homage to the horrormovies of yesteryear.

The characters FIGHT FOR YOUR LIFE (1976) through insane NIGHTMARES IN A DAMAGED BRAIN (1981). If they survive the AXE (1977) they may still end up in an INFERNO (1980) and risk to be EATEN ALIVE (1976). All the same risks face the viewer, so don’t watch with the lights out, don’t watch by yourself and DON’T GO IN THE WOODS ALONE (1981). Because after all, isn’t there an Espbeast in all of us?

Picking up right where the EP left off, “II” continues the story of the ill-fated Albatross-mission and its exploration of time and space through a skullcrushing mixture of stonerrock, doom- & sludge metal.

The album was recorded in the legendary Studio Sunlight with the equally legendary Tomas Skogsberg manning the controls.

10,000 Years:
Erik Palm – Guitars
Alex Risberg – Bass/vocals
Espen Karlsen – Drums

10,000 Years, II (2021)

10,000 Years on Facebook

10,000 Years on Instagram

10,000 Years on Bandcamp

Interstellar Smoke Records on Facebook

Interstellar Smoke Records store

Death Valley Records on Facebook

Ogorekords website

Olde Magick Records on Bandcamp

Skraeckoedlan will release the 10th anniversary edition of their 2011 debut, Äppelträdet (review here), on June 11 through The Sign Records. Ten years ago, Äppelträdet (“apple tree” in English) was an electrified blend of heavy elements, bringing together weighted fuzz and the impact of progressive metal’s rhythmic turns, like a spliced-gene monsterlizard crafted by pulling together elements of Mastodon and Truckfighters, and it remains precisely that. Led by the clarion riffing of “Världarnas Fall,” it was prone to even more massive ready-to-be-called-“slabs” of stomp like the instrumental “Chronos,” and as “Arise the Sun” or the title-track or the duly careening “Universum” demonstrated, there was always more to the Norrköping, Sweden-based outfit’s approach than tonal novelty. Even at their outset, they were songwriters first, and the fact that they had such a clear idea of what they were doing only furthered their cause.

The 3LP edition of Äppelträdet is duly huge, and you can see the details below. If you’ve been keeping up, the band — now comprised of guitarist/vocalist Robert Lamu, guitarist Henrik Grüttner, bassist Erik Berggren and drummer Martin Larsson — have been posting re-recorded tracks from Äppelträdet ahead of the release of the box set. They’ve unveiled two of three intended thus far, with “Arise the Sun” (posted here) last month following “Universum” (posted here) in February, but also included in the comprehensive offering is a remastered version of Skraeckoedlan‘s two demos, Flykten Från Tellus and Världarnas Fall, both originally released in 2010. And it was a different Skraeckoedlan before they hit the studio with Truckfighters‘ own Oskar Cedermalm to record the debut full-length. By and large, the songs are longer, dirtier, and rawer, with “Skräcködlan” and “Från Havet Dom Kommer” forming a one-two of surging low-end and spacey melody that presages some of what the band would soon become, but still presents it in nascent fashion, bolstered by the energy of the band’s youth and the sheer excitement of playing that comes from the fact that, at the time, what they were playing was new to them as well as to the listener.

“Kaktus Galaxus,” which would become “Cactus” on Äppelträdet proper, is in its Flykten Från Tellus form a blast of fuzzy push and cymbal crash, its chugging verse and nuanced drums allowing the vocal melody to come through in a ready showcase of potential furthered by the chorus. These demos were compiled together on a tape in 2012, but the remaster brings new clarity to the speedy development that took place going from Flykten Från Tellus to Världarnas Fall and finally into Äppelträdet, and as a way to mark the passage of 10 years since the latter first arrived, the totality of the release is more about telling the story of who Skraeckoedlan were and how they got their start than it is simply putting a record back into print — although between you and me, even if it was just about getting Äppelträdet back out there, the album holds up now as it has seeing periodic represses. I actively remember when it came in the first time around and I’d still be stoked to have it show up as a brand new outing from a brand new band. A decade after the fact, I can’t think of anything more to ask of it. It tells the story it wants to tell and puts emphasis on the early growth of the band, which, if you’ve followed the course of their career — their most recent LP was 2019’s Eorþe (review here) — you know has not abated in the time since.

So, as a lead-in for Äppelträdet‘s 10th anniversary edition, let’s go back to the start with the demo of “Kaktus Galaxus” mentioned above. You can dig into the track on the player below, and Lamu was kind enough to offer some words about it beneath that.

Please enjoy:

Robert Lamu on “Kaktus Galaxus”:

You are riding along in your space craft through a sandless desert, the world is coming to an end and everything seems lost. That’s when you see her. A giant space cactus, your savior.

“Kaktus Galaxus” is without a doubt our most important recording to this date. Both the writing and recording of that song showed us our sound and a way to play together. That demo made us re-record it for our debut album, and the song “Cactus” was born. That song has become our anthem.

“Äppelträdet” will be released as an anniversary vinyl box on June 11 via The Sign Records. The box will be available in 500 copies and includes:

– 3 X 180g Gold-colored LPs in a black box with Gold Foil
– “Äppelträdet” (10th anniversary edition)
– “Äppelträdet” (Original)
– Demo recordings “Flykten från Tellus” and “Världarnas fall”
– 3x Inner sleeve (black with Gold Foil)
– 2x Posters (size A2)
– Lyric sheet and story from the band

Skraeckoedlan’s debut album ”Äppelträdet” was produced by Truckfighters’ bass player Oskar Cedermalm and released on Transubstans Records in 2011. In 2015 they teamed up with Razzia/Sony for the release of their sophomore album ”Sagor”, and in 2019 they launched their third and latest studio full length, ”Eorþe”.

Skraeckoedlan:
Robert Lamu – Vocals/Guitar
Henrik Grüttner – Guitar
Erik Berggren – Bass
Martin Larsson – Drums

Skraeckoedlan’s website

Skraeckoedlan on Instagram

Skraeckoedlan on Thee Facebooks

The Sign Records on Thee Facebooks

The Sign Records website

Sweden’s Wytch make their debut this Friday, May 21, with Exordium. Presented through Ripple Music, it is the follow-up to a 2017 self-titled EP released under the band’s old moniker, Aska, through Sound Effect, and whatever they’re called, the five-piece have a pedigree that goes considerably further, with vocalist Johanna Lundberg, bassist/backing vocalist Simon Lundström, drummer Fredrik Nilsson and guitarist/vocalist Mattias Marklund having served in one capacity or another in Vintersorg or the related outfit Otyg in a more Viking/extreme-related context. With Niklas Viklund on guitar and backing vocals in addition to producing and engineering, then-Aska/now-Wytch present a sound likewise Scandinavian in its context, bringing classic heavy rock and heavy metal together in a style that spans decades as fluidly as it spans verses and choruses. As introductions go, it is enticing.

Both sides of the 39-minute eight-tracker open in forceful fashion. Lead cut “Black Hole” has some of the hardest hitting the album that follows will feature, while “Warrior” digs deep into Sabbath-circa-’75 heavy swing before its break into a soothing midsection and subsequent solo-topped resurgence. That’s not to say the rest of Exordium is lacking presence by any means, but it’s clear Wytch put some intent as to which songs were going to speak for them first; something that only shows a considered process on the whole. “Savior” follows “Black Hole” on side A, with an immediate turn toward moodiness with its forward bassline, malevolent lyric and dual-vocal hook in the chorus. There’s a ’70s vibe to the verse, but it’s more Fleetwood Mac than Led Zeppelin and the guitar flourish as the lyrics explore the dependency of religious dogma on its followers is pure “Don’t Fear the Reaper” — making those lyrics all the more appropriate.

That these initial tracks are also longer than what follows in either side A’s “Evil Heart” and “Blood” or side B’s “Rebel,” “Break You Down” and “You” shouldn’t be lost either. A strength to which Wytch play well throughout Exordium is momentum. “Evil Heart” shreds early and shoves late in its sub-five-minute run, and though “Blood” has more of a bluesy bounce — you’d almost call it a Clutch influence for the wiggling central verse riff — but it too shows some metallic underpinning in the lead guitar before it’s done. “Warrior” follows and may or may not be about screwing — hey, people screw — but is as much a showpiece for Nilsson‘s shuffling drums as Lundberg‘s vocal presence, careening as it does through the aforementioned quiet stretch and duly exploding at the finish, letting “Rebel” mirror “Savior” with its turn to a calmer vibe. Tension in the guitar as “Rebel” moves into its second half foreshadows the burst circa three minutes in, but Wytch handle it in classy, not-overdone spirit, and move into the melodic highlight “Break You Down” — there’s potential yet-untapped in vocal arrangements here, and “Break You Down” is the proof — which offers a fuller distortion, leads-a-plenty and Exordium‘s most memorable chorus.

With that accomplished, only “You” remains to close, and it does so in relatively unassuming fashion, tapping a similar dual-vocal method and offering a nod to doom in the riff that emerges in its back end, but ending deep rather than big ultimately. That is, there’s isn’t necessarily a grand finale in “You” so much as a broadening of the space the mix encompasses, and fair enough for that. The intention throughout Exordium could hardly be less pretentious — this is a group of people with a set of quality songs they recorded and will be releasing as a long-player record, thank you very much — but the work they’re doing is well able to stand on its own without and concordant posturing. As the old saying doesn’t but should go: when you have songs, you don’t need bullshit. So be it with Wytch.

And if you’re wondering why they changed the name from Aska, there was a black metal band that apparently had it first. They’re not quite as, well, witchy, as calling themselves Wytch might lead one to think, but the clarity with which they bring together these songs speaks to an overarching plan just the same. If you want to call it a spell, I ain’t gonna fight you.

Album stream follows.

Enjoy:

“‘Our album Exordium’ is about the darker side of life, love and even death. The sound ranges from soft and mellow heavy to almost punk rock, but overall, you can call it Heavy Rock. There’s no intentional flirtation with the 70s or any other specific era for that matter, we just played whatever we felt like. No boundaries. The album was recorded without a click track, which certainly added authenticity and honesty to it.” says the band.

Their debut album ‘Exordium’ was recorded and produced by Niklas Viklund at Silverhäxan Studios in Skellefteå, and mastered by Ronnie Björnström at The Mixroom, Sundsvall in Sweden. The artwork was designed by WYTCH vocalist Johanna Lundberg. ‘Exordium’ will be released on May 21st, 2021 in various vinyl formats, CD and digital through Ripple Music.

WYTCH started under the name Aska in the spring of 2016 in Skellefteå, Sweden. The members come from different musical backgrounds, being formerly of bands such as Otyg, The Spacious Mind, TME, Vintersorg and Stardog. In 2017, the band released a four song EP as Aska. In October 2020, they signed to Ripple Music and changed their name to Wytch — a heavy rock five piece that is about to release their first full-length ‘Exordium’.

WYTCH is
Johanna Lundberg – Vocals
Simon Lundström – Bass & Vocals
Niklas Viklund – Guitars & Vocals
Mattias Marklund – Guitars & Vocals
Fredrik Nilsson – Drums

Wytch on Facebook

Wytch on Instagram

Ripple Music on Facebook

Ripple Music on Instagram

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Ripple Music website

Duly dramatic and duly doomed, the self-titled debut from Swedish trio Cavern Deep will be released on July 23 through Interstellar Smoke Records. I read a lot of press releases — it’s kind of a habit of mine, actually — but not a lot of them come with a full narrative guide to the record in question. And frankly, not a lot of records warrant it. Even those that might fall into the category of “protagonist falls into abyss, is consumed” are rarely presented with such a clear attention to detail as what one might glean from the below, and as Cavern Deep — who are from Umeå, which is Meshuggah‘s hometown as well (the things you remember) — have already put up several of the album’s tracks on their Bandcamp, including “Waterways,” which you’ll find streaming at the bottom of this post, you can hear they match their intensity of purpose with a fitting sonic grandeur.

Into the deep we go:

Doom distributors Cavern Deep gear up to release their chilling debut album via Interstellar Smoke Records

The start of the expedition.

One archaeologist and 49 men stand at the gates of a previously unknown civilization, for a moment staring down into the bowels of the mountain before they begin their decent.

The journey downwards turn out to be more dangerous than expected, they climb down through whirling stairs lit only by organic fluorescent lights.

Further down the path turns more and more crumbled, eventually they must use ropes to traverse the broken bridges and tunnels over the deep chasms below. Filled by the promise of treasure they continue downwards. Many men go missing as they’re tasked to explore diverting tunnels, they never return and their screams are followed by silence. the only thing found is their safety ropes, driven by greed the archaeologist continues the expedition.

Cavern Deeps debut concept album is about 50 adventurers that find the entrance to a lost underground civilization which they enter with the hopes of treasure.

1. Staring Down – The first song is about the ominous feeling whilst staring down the stairs. “Staring down…. Into the deep.” Unknown symbols from a by gone by intelligence fills the walls of the staircase which never seem to end.

2. Abandoned Quarters – In this song the party finds the remnants of a lost city with abandoned spires and halls. “To the levels below.” The ruins are filled with hatched eggs and signs of struggle. But no corpses… On the other side of the city the stairs continue into the depths.

3. Ominous Gardens – After leaving the city the party stumbles on a huge abandoned garden. Abandoned by the warden this underground garden is filled with ancient deadly fauna. Many of the party members perish as the jungle takes its toll.

4. Waterways – Below the jungle lies the aqueducts that provided all of the water needed for the once prosperous civilization. It soon becomes obvious that they’re no longer alone. “Searching… for the door.” The party soon gets lost in this maze, hope seems lost.

5. Leap of Faith – After many men had perished in the waterways, they finally find the door which leads out to a ledge. Before them lies an enormous gap, the chasm is so deep that the only thing they see is an endless darkness in the depths below. The darkness seem to have a life of its own…

6. Deeper Grounds – The depths of the leap swallowed its fair share of adventurers. “Deeper…” Less then half of the party left they realize that there no way out but down.

7. The Fungal Realm – Finally, the party arrives in a dark and damp large cavern. It’s full of a fungus which has a hive mind intent of consuming the minds of the adventurers. “My mind is melting away.” Slowly the everyone but the leader of the expedition becomes a part of the fungus.

8. The Dark Place – The leader of the venture now alone enters a great dark room. On the other side of the room a dark and ancient entity lurks. The entity has lived in these caverns for a very long time, possible being the source of power of the ancient civilization. “We are lost, Cavern Deep.” This old god of a forgotten time has waited for someone to take his place. As the lost adventurer tries to scream the god consumes him to take his place, finally released.

The art: All of the art is made by Kenny, the guitarist of the band.

Cavern Deep is a slow, heavy band, founded 2019, by members from Zonaria and Swedish retro riffsters Gudars Skymning.

The debut self-titled album is about one archeologist and his crew of ambitious henchmen and their descent into the cavernous realm below the crust of the earth. Learn about their fate and listen to some heavy, gloomy riffs along their slow path downwards.

The album will be released on all major platforms and vinyl via Interstellar Smoke Records on July 23rd.

Cavern Deep is:
Kenny-Oswald Duvfenberg – Guitars and Vocals
Max Malmer – Bass and Vocals
Dennis Sjödin – Drums, Backup Vocals and Keys

https://www.instagram.com/caverndeep/
https://www.facebook.com/caverndeep
https://caverndeep.com/
https://caverndeep.bandcamp.com/
https://interstellarsmokerecords1.bandcamp.com/
https://interstellarsmokerecords.bigcartel.com/
https://www.facebook.com/Interstellar-Smoke-Records-101687381255396/
https://instagram.com/interstellar.smoke.label

Cavern Deep, “Waterways”