Enslaved Change Date for Utgard – The Journey Within Streaming Event

Posted in Whathaveyou on September 18th, 2020 by JJ Koczan

enslaved

I’m listening to the new Hire like it today! Get rid of junk assignments, learn from the masters and enjoy college life from a fresh perspective Enslaved album for the first time as I write this and they’re barely three minutes into it before they reaffirm both the brutality and the progressivism at heart on their sound. Seriously, I’m on track one and they sound like they wilfully constructed the lineup to bring the most out of this material. I’m impatient to hear more even as I’m hearing it.

The band has rescheduled the final date of their virtual tour to Oct. 1, the day before the album comes out on Welcome to leading platform of custom Online Technical Writings. We offering all kind of academic writing services like Best Paper Writing Service, Top Nuclear Blast. Fair enough. They’ll play songs from the record to herald its arrival. Whatever dudes, just take my money.

Check out the preview video with bassist/vocalist We offer top quality Literature Review Sample Paper to college, university students. Enter the college of your dream with our application essay writers Grutle Kjellson and the prominently displayed vinyl of the second This othello essay is really http://www.cndp.fr/uploads/tf/index.php?1028 not happening Essay help; Instead of spending hours doing research, drafting, revising, and editing you Lennon-Claypool Delirium album. That record ruled.

From the PR wire:

ENSLAVED VIRTUAL TOUR UPDATE

ENSLAVED ANNOUNCE NEW DATE FOR SUMMER BREEZE ‘UTGARD – THE JOURNEY WITHIN’ RELEASE EVENT + LIVE Q&A

resume template examples Reading Comprehension Homework 300 Word how to write a good college essay admission people who help on homework NEW ALBUM, UTGARD, OUT OCTOBER 2ND

RELEASE EVENT: OCTOBER 1ST @ 11AM PT/2PM ET
Q&A: OCTOBER 2ND @ 11AM PT/2PM ET

Enslaved are preparing for the final act of their Cinematic Summer Tour – now due to take place on Thursday 1st of October at 7pm BST / 8pm CEST. This virtual release event ‘Utgard – The Journey Within’ is named after their upcoming studio album Utgard (out on the 2nd of October), from which they’ll be performing several tracks for the first time ever.

The show is a collaboration with respected Dinkelsbühl, Germany metal festival Summer Breeze who have been long-time friends and supporters of the band. The performance will be presented by Louder alongside their sister sites Prog and Metal Hammer, who will also be hosting an exclusive Facebook Q&A with the band the following day also at 7pm BST / 8pm CEST – the day Utgard is revealed to the world.

Enslaved launched an exclusive merchandise range to accompany the Cinematic Summer Tour, with designs viewable below inc. more information. To give everyone the chance to be part of this completely novum in music, all three shows will be free of charge, however Enslaved have launched a donation link if fans wish to make a contribution towards the costs of putting the shows on.
Donation link: paypal.me/enslavedofficial

Purchase exclusive Cinematic Summer Tour merch here:
US store enslaved.aisamerch.com / EU store enslaved.aisamerch.de

For this forward-thinking concept, ENSLAVED joined forces with three festivals, to present fans with three different shows:

July 30th – in cooperation with Roadburn, the tour launched with a “Chronicles Of The Northbound” show.
August 20th – this second show was a “Below The Lights” set, presented by Beyond The Gates festival.
October 1st – the band will end their virtual tour at Summer Breeze festival with a presentation of some new songs, for their release event “Utgard – The Journey Within“. Presented by Louder.

Enslaved is:
Ivar Bjørnson – guitar
Grutle Kjellson – vocals/bass
Ice Dale – guitar
Håkon Vinje – keys/vocals
Iver Sandøy – drums

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Høstsabbat 2020 Off; 2021 Dates Announced

Posted in Whathaveyou on September 8th, 2020 by JJ Koczan

I don’t know. I felt like I had to post something here. Fests being canceled isn’t even really news at this point, but I’ll admit I was holding out some tiny measure of hope for essay writing service best professionals writing papers biotechnology dissertation project training homework reading Høstsabbat. Even if I couldn’t go, I was hoping it would happen, just so I could know it was happening. Something was happening. Well, there you go.

I’ve been in touch with the folks behind the scenes, and you should believe them when they say they really tried to make this work. They did. I don’t know what next year will bring, but hopefully it brings this back, and  reports apa discipline http://cheapessaywritings24.com/custom-essay-writing/ argumentative essay women inequality ways to help the environment essay Greenleaf with it. Ha.

But hey, you want to know how I really feel about it? I’m bummed. But you know what else? Admission Essay Editing Service Hong Kong, Buy Cheap custom research proposal from research paper writing service. All research proposals are written from essays campus by Høstsabbat gave me hope for months. Months of hope, in 2020. As shows and fests and plans were getting canceled left and right, as the world seemed to be falling apart — turns out, nope, just the US — and everything was going to shit, best site - Craft a timed custom essay with our assistance and make your professors startled Benefit from our inexpensive custom Høstsabbat gave me hope. I can’t even tell you the number of times I’ve said “Well I’m holding out hope for Oslo in October” since March. Couldn’t even guess at the number, but it’s a lot. So thank you, Looking for affordable and reliable Literature Review Companies? See how we can help writing a thesis and what other services we offer! Pick the one you need and Høstsabbat. Thank you for giving me that hope for as long as you could give it. I find it not only reassuring that I could still feel hope given the surrounding plague and dismay, but that much easier to continue to feel hope for better things to come in 2021. Thank you for reminding me to hope and look forward to the next thing.

I hope to continue to do so:

hostsabbat (Photo by Per Krokstad)

Dear followers of Høstsabbat,

These last months have been a nightmare considering the planning of this years’ Høstsabbat festival. Countries and cities have been turning green and red over night, the capacity limit has been up for discussion and a lot of the other ever-changing restrictions has been difficult to work with along the way. The uncertainties have been never ending.

Despite all of this, we tried to put our heads together and come up with a Covid friendly version of this year’s edition, still paying justice to our visions. The crew at Kulturkirken JAKOB has been nothing short of amazing, helping out in all ways possible, trying to make Høstsabbat 2020 happen. As all of you can imagine, having any bands from abroad would mean too many x-factors to move forward with. Our last chance was to have an all-Norwegian festival, but all in all it was too many changes and too many restrictions to make Høstsabbat what it is.

Our final conclusion is therefore to postpone the festival as a whole, hoping as many of this year’s bands can make their way to Oslo next year in October 2021.

This decision is heartbreaking, and not an easy one to make. But in the end, we think this is the best and right thing to do. We hope you understand why we waited this long to bring forward the news. We really tried to make it work. This fall will leave a black hole, compared to what was expected, and how things should have been. On the upside we are planning some really cool, covid-safe happenings in Oslo throughout this Autumn and Spring. Keep your eyes peeled!

TICKETS
We hope as many as possible want to extend this year’s ticket to Høstsabbat 2021 for the same price. In that case, you just keep your ticket and Ticketmaster will change it automatically. You can also get a refund for your ticket by following the link in the end of this text. The refund sheet must be filled in within 2 months to get a refund.

We promise to do whatever it takes to make Høstsabbat 2021 the best one so far, and a special one for all of us. Save the dates next year, Friday and Saturday 1st to 2nd of October.

Until next time, we love you all!

Doom out,
Høstsabbat

REFUND link: https://bit.ly/refund-HS

Photo: Per Georg Krokstad

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Enslaved Post “Urjotun” Video

Posted in Bootleg Theater on September 1st, 2020 by JJ Koczan

enslaved urjotun

It does not take  Custom cheap essays term papers provided by EssayScaning will assist students with searching for appropriate essay writing companies! Check it now! Enslaved all that long to upend decades of listener expectation with the latest single from the upcoming romeo and juliet essay conclusions How To Write A Real Estate Business Plan diversity in medicine essay essays on how customers choose brands Utgard LP, which is set to release on Oct. 2. That’s one month from tomorrow, and as we move into the period of time whereby it begins to cause me physical pain that I’ve not yet heard the album in its entirety, “Urjotun” does precious little to quell the yearning. The Norwegian progressive black metallers wholeheartedly embrace their krautrock side in the four-minute track — even before reading the press release below, my first thought when I heard the initial keyboard line was “ http://www.alvey.cz/?body-of-research-paper essay writing service - The Hidden Gem of INeedHelpwithMyEssay A Secret Weapon for I Need Help with My Essay An excellent title Kraftwerk” — and with lyrics about the cosmic birth of gods, it’s a fittingly weirded-out and somehow-grand backdrop for what plays through.

You’ll note in the image above that the crow that has featured in other recent  Check out why it is important to read the best Dissertation Philosophie Que Faut Il Respecter. Only this way will you have access to top quality work delivered on time, and Enslaved videos “Homebound” (posted here) and “Jettegryta” (posted here) — as well as on the cover of Our professional Examples Of A Proposal For A Research Papers bring tons of traffic to your website as our blog writers create engaging content. Hire our blog content service on Utgard itself — makes an appearance, and “Urjotun” is further enhanced by the artwork of one  Kim Holm, with whom it has been my absolute pleasure to work in the past at Roadburn in the Netherlands. Dude is maddeningly talented and his art fits smoothly the atmosphere of this track. I may have missed posting it before, but I wanted to make sure to put the tracklisting for Utgard here as well, because now that there are three songs out from the record — the band will also play it live in a streamed show on Sept. 30 — it’s a little more possible to get a sense of the shape of the whole release. I’m intensely curious as to what “Urjotun” leads to in “Flight of Thought and Memory” and “Storms of Utgard,” but then, I’m intensely curious pretty much as to the entire album.

Clip follows here, along with preorder links and more info from the PR wire.

Enjoy:

Enslaved, “Urjotun” official video

From the new ENSLAVED album ‘UTGARD’, out on October 2nd: https://nblast.de/Enslaved-Utgard. Subscribe to Nuclear Blast YouTube: http://nblast.de/NBytb / Subscribe to Enslaved YouTube: http://bit.ly/subs-enslavd-yt

Norway’s premier progressive black metallers Enslaved have today released third single ‘Urjotun’ from their upcoming studio album Utgard – out October 2nd via Nuclear Blast. The single, one of their most experimental yet, is accompanied by a psychedelic video detailing dark visions and a journey to the outer reaches of the subconscious.

Vocalist Grutle Kjellson commented:
“The lyrical idea for Urjotun had been spinning around in the chaos in the back of my head for quite a while, when Ivar sent me the riff-demo last autumn. I knew instantly that this was it, the very soundtrack of the rise of the primeval giant, the Urjotun! Our mutual love and fascination for that early krautrock scene and for bands like Tangerine Dream and Kraftwerk, finally fully ascended in an Enslaved song, almost 30 years after we picked up those legendary kraut-albums. It’s funny, that in Germany they referred to this kind of music as “Kosmische Musik”, cosmic music! And, that is exactly what this song is about; cosmic chaos. On top of this, director David Hall, made a perfect projection and visualization of our troubled minds”

Produced and Directed by David Hall
Illustrations by Den Unge Herr Holm
Actor: Kelsey Watkinson

Utgard tracklisting:
1. Fires In The Dark
2. Jettegryta
3. Sequence
4. Homebound
5. Utgardr
6. Urjotun
7. Flight Of Thought And Memory
8. Storms Of Utgard
9. Distant Seasons

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Enigma Experience to Release Debut LP Question Mark Nov. 13; Song Streaming

Posted in Whathaveyou on August 31st, 2020 by JJ Koczan

enigma experience

You’re going to hear some shades of Truckfighters in Enigma Experience, which feels somewhat inevitable given that it’s Niklas “Dango” Källgren on guitar (and bass), but despite that recognizable tone, it’s also fair enough for Question Mark to be the work of another, new band. For one thing, it’s a different band, and as much as Källgren contributes to the songwriting of his main outfit, he seems very much to be in the lead here creatively, playing guitar, bass, doing backing vocals and handling everything on the production side. While offering plenty of fuzz — enough that Fuzzorama‘s putting it out, which I guess is to be expected — the record unfolds in a few unexpected ways, from the grand flow of the 10:56 opener/longest track “Realityline” through the jammy closing pair “The Z” and “The Zone” finish with both an open sensibility and a worthy payoff.

One might recognize Oskar “Pezo” Johansson from his own tenure in Truckfighters — he was in the documentary, making him all the more recognizable, and since leaving the band did a stint with Witchcraft as well — and the trio is completed by Norwegian vocalist Maurice Adams.

Release date is Nov. 13, preorders are up, and you’ll find the stream of second track “Lonewolf” on the player at the bottom of this post, via the PR wire:

cover Enigma Experience Question Mark

ENIGMA EXPERIENCE ANNOUNCES DEBUT ALBUM QUESTION MARK

Truckfighters guitarist Niklas Mr. Dango Källgren has teamed up with ex-Truckfighters/Witchcraft drummer Oskar Pezo Johansson and Maurice Adams from Breed/Motorfinger on vocals!

PRE-ORDER – http://www.fuzzoramastore.com/

The Enigma Experience have announced the release of their debut album, Question Mark, which is coming out November 13th via Fuzzorama Records.

The band have also unveiled the brand-new single ‘Lonewolf’, which opens with a funky and psychedelically charged Primus-esque melody before dropping into a driving groove amid crunching riffs with soaring vocal melodies.

https://songwhip.com/enigmaexperience/lonewolf

The track is one of few on the album that has a ‘normal’ structure when it comes to ‘verse – chorus – verse’ thinking. It’s a song that has a raw energy and groove that immediately takes control and want you to move your head in rhythm with the music. Heavy rock at its best!

On the track, guitarist Niklas ‘Mr. Dango’ Källgren comments, ”The lyrics are about suffering from and handling the pressure of the world, and the expectations from society that push you into a corner when feel different. It’s about daring you to be yourself, to let your creativity loose and to live like you want to live – it’s your life”

The band sees Sweden and Norway joins forces, as Truckfighters guitarist Niklas ‘Mr.Dango’ Källgren has teamed up with ex-Truckfighters/Witchcraft drummer Oskar ‘Pezo’ Johansson and Maurice Adams from Breed/Motorfinger on vocals.
The brainchild of Källgren, he also produced, engineered, mixed and mastered the album as well as playing bass and singing backing vocals.

The album comes on LP, CD and will also be available on a limited-edition vinyl in a very exclusive boxset with double vinyls with silkscreen printing, double gatefold, double posters and of course a nice box.

Question Mark is a very diverse rock record that opens with the ten-minute odyssey ‘Realityline,’ with vocal harmonies reminiscent of early 90s grunge heroes such as Soundgarden and Alice In Chains whilst elevating guitar lines weave over a pulsating backdrop of rhythm.

Elsewhere ‘In My Mind My Secret Place’ sees them slow things up with an ethereal acoustic atmosphere building into a hypnotically heavy and devastating end, whilst album closer ‘The Zone’ is a furiously catchy anthem with Kallgren’s trademark fuzz-fuelled sound piercing through.

Tracklisting
1. Realityline
2. Lonewolf
3. Mighty Mind
4. Corruption
5. Equilibrium
6. In my mind my secret place
7. The Z
8. The Zone

https://www.enigma-experience.com/
https://www.facebook.com/EnigmaExperienceBand/
https://twitter.com/enigmaexperien1
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Enigma Experience, “Lonewolf”

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Review & Full Album Premiere: Slomosa, Slomosa

Posted in audiObelisk, Reviews on August 25th, 2020 by JJ Koczan

slomosa slomosa

[Click play above to stream Slomosa’s self-titled debut in full. It’s out Friday, Aug. 28 on Apollon Records.]

Slomosa may be newcomers, but their sound draws on decades of established heavy rock traditions that are nothing if not stalwart. Based in Bergen, Norway, and releasing their self-titled debut full-length through Apollon Records, the four-piece formed in 2017, recorded in 2018 and traded out half their lineup in 2019, bringing in guitarist Tor Erik Bye and bassist Marie Moe alongside drummer Severin Sandvik and vocalist/guitarist Benjamin Berdous. Starting last Fall, Slomosa began issuing singles from the eight-song/37-minute recorded-live-with-overdubs offering, beginning with the rolling riff that starts the album in “Horses” before following-up with “There is Nothing New Under the Sun” (posted here) and, most recently, “In My Mind’s Desert” (posted here) giving a different look at the breadth of their more than capably conveyed melody. Helmed and mixed by Eirik Sandvik (Amped OutHowlin’ Sun) and mastered by Enslaved‘s own Iver Sandøy, the album benefits from the experienced hands of its production (the band is listed as a co-producer), bringing due tonal presence to a style that is well aware of genre tenets and speaking alike to the formative days of Californian desert rock in the 1990s and the Scandinavian interpretations that followed soon behind.

Kyuss and Queens of the Stone Age are two anchor influences, the former coming into play throughout, in songs like “Kevin” and “Estonia” and even “Scavengers,” which hints at more progressive nuance in the guitar twists of its second half, but remains grounded ultimately in its structure and staves off digging too far into such indulgences. The latter manifests perhaps even more palpably in the vocal patterning and riffing style of Berdous and then-guitarist Anders RørlienKristian Tvedt played bass — and comes to the fore in “In My Mind’s Desert” and “Just to Be,” both of which specifically key in on the Josh Homme-fronted outfit’s 1998 self-titled debut.

Along with this, the driving thrust of “There is Nothing New Under the Sun” seems to harness the intensity that Dozer once brought to the desert sound, and the march of “Horses” at the launch of the record feels derived more from the earliest work of The Sword — who, it should be noted, are from neither California nor Sweden — so there’s more to dig into throughout Slomosa‘s Slomosa than it might at first appear. And while still definitively a desert rock aesthetic — they call it “tundra rock” in honor of Norway’s lack of deserts; you work with what you’ve got — one of the most encouraging aspects of the collection, especially taken in its manageable entirety, is how much Slomosa are able to bring these influences along to suit the purposes of their own songwriting. Ultimately, it is that songwriting that rules the day.

It might take a given listener a turn or two through Slomosa to get past the novelty of picking out riffs and saying, “Oh, that’s this Kyuss track,” be it “Estonia” drawing from “Supa Scoopa and Mighty Scoop” or whatever else, but the rewards are ample for that minimal investment of effort, and they come in form of hooks like those of “Horses” or “There is Nothing New Under the Sun” or “Just to Be,” as well as the more willfully sprawling showcase that is closer “On and Beyond.” The last of those is a singular worthy showcase of the band’s potential, but the truth of the matter is that same potential is writ large across the entirety of the release.

slomosa

Their songs work well together and are placed smoothly for an overarching full-length flow, but it is no coincidence that they spaced out three singles ahead of the full album’s arrival, since that is very much the modus in which the record operates: as a presentation of the individual tracks that comprise it. Each song is crisp and smoothly executed — not so smooth as to detract from the weight or edge, but enough to highlight the melody in Berdous‘ vocals for sure. As “In My Mind’s Desert” taps those nascent Queens of the Stone Age vibes (or is it a less melancholy “I Never Came?”), even the word-playfulness of the lyrics seems to be on board in the line, “No man’s an island in no man’s land.” But even here, there’s more happening than simply deriving new material from something built before.

Certainly there’s plenty of that, and you won’t hear me say otherwise — I don’t imagine even Slomosa themselves would come out and say they’ve completely invented a new sound; beware of anyone who does — but the energy and the vitality behind what they’re doing stylistically is an asset that comes into play all along the album’s varied path. Recording at least the basic tracks live would seem to have been a correct choice in that regard, since that natural foundation resonates even through whatever overdubbing and the added-later vocals. It becomes an essential aspect of each track, as heard in the fuzz-forward “Scavengers,” which hits into a bounce and push that would seem to be positioning itself as an heir to Truckfighters‘ unmitigated sense of fun, or in “There is Nothing New Under the Sun,” which in addition to Dozer directly and perhaps with tongue-in-cheek recalls “My God is the Sun” from QOTSA‘s …Like Clockwork, as well as anywhere else one might have ears to hear it. Slomosa sound like a young band. A young band who know what they want stylistically and are able to craft their material in such a way as to manifest that.

Such things don’t come along every day, and if you’re looking for theses in Slomosa, they’re readily apparent in “There is Nothing New Under the Sun” and “In My Mind’s Desert” — two cuts that seem to find the band directly acknowledging where they’re coming from in terms of overall perspective. An act of that kind of boldness isn’t to be taken lightly, especially from a new group releasing their first album. What remains to be seen is how Slomosa‘s lineup change will affect their sound, and what lessons they’ll take with them from having successfully executed this offering at the high level they have. Will they push outward as “On and Beyond” seems to want to do, or dive deeper into the thrust of “Kevin,” or head somewhere else entirely? Part of what makes Slomosa so exciting as an album is not knowing the answer, but only part, because the work they’ve done in these songs is more than enough to stand on its own, regardless of what might come after.

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Wobbler Announce Oct. 23 Release for Dwellers of the Deep

Posted in Whathaveyou on August 17th, 2020 by JJ Koczan

wobbler

Classic progressive rockers Wobbler were last heard from with 2017’s pan-flute-and-mellotron-laced From Silence to Somewhere, a listener’s buffet of proggy delights that ran through four mostly extended songs. The follow-up, Dwellers of the Deep, looks like it will take somewhat similar shape — at least in its basic construction — also playing out across four tracks, the last of which is an extended finale. If you’re not familiar with the Norwegian outfit, don’t sweat it too hard, but their melodies and the kind of stately bounce of their rhythms make their sound genuinely engaging, and they’re clearly well schooled by now in where they’re coming from as a band. They’re prog and they know it. And you know they know it. And they know you know they know it. And so on.

Karisma Records certainly knows it, which I’ll assume is why preorders for Dwellers of the Deep are up now ahead of the Oct. 23 released date.

No audio yet, but the PR wire brings art, details and links:

wobbler dwellers of the deep

Karisma Records Announces Details Of New WOBBLER Album “Dwellers Of The Deep”!

When WOBBLER’s fifth album “Dwellers of the Deep” hits the streets on the 23rd October, it´s exactly three years since the Norwegian’s last release “From Silence to Somewhere”, and if anyone is expecting an identical album, they may have to think again, because, according to the band, the new album will be a different beast entirely:

When we set out planning the new album we agreed that we couldn´t make the same album over again. With “Silence” we did things without wanting to fit into a progressive box, and the process behind “Dwellers of the Deep” was even more along those lines. In that sense it´s more experimental.

Some songs contain rock blast outs while others provide the calm of a foggy morning in the woods; all have their place in what eventually became a thematic dive into the depths of human emotion. Our take on it, anyway.

“Dwellers of the Deep” promises to serve up an exciting blend of both carefully planned and passionately jammed compositions encompassing everything WOBBLER has done up to now. These new musical directions will no doubt further enhance the quintet’s aural idiosyncrasies, and solidify the band’s burgeoning stature as one of the most exciting and interesting bands on the global music scene, independent of genre.

The production is open, detailed, warm and punchy, making the soundscapes put together by Lars Fredrik Frøislie to an aural feast. “Dwellers of the Deep” will be available in Digipak CD and digital formats, as well as in four different 180 gram gatefold vinyl editions; black vinyl, two different limited edition coloured vinyls, and a limited edition transparent vinyl. All the limited editions come with a poster.

Side A contains two pieces at medium length showcasing the band´s mastery of dynamics and flow, with passages and themes veering from the scenic and serene to the downright rocking.

Side B opens with the welcome respite of four minutes serenity, cradling the listener in pastoral and mystic swathes of acoustic guitar, glockenspiel and gentle vocals before an album closing 19 minutes journey into the unknown with the band in full blast.

Track listing for “Dwellers of the Deep” is as follows:

1. By the Banks (13:49)
2. Five Rooms (08:28)
3. Naiad Dreams (04:24)
4. Merry Macabre (19:00)

“Dwellers of the Deep” is now available to pre-order from:

Dwellers Of The Deep is now available to pre-order from:

Webshop: https://www.karismarecords.no/kar194-wobbler-dwellers-of-the-deep/

Bandcamp: https://wobbler.bandcamp.com/album/dwellers-of-the-deep

US Webshop: https://karismarecords.aisamerch.com/

Consisting of four distinctive pieces “Dwellers of the Deep” is a fine example of WOBBLER´s trademark creative whims and playful exuberance, and the band has offered an insight into what fans can expect from the album and what went into its creation:

The recording sessions were somewhat shaped partially by what was happening during the first months of Covid-19. In a very Decameronesque way, we sent “histories” to each other from our hermitages, while the plague waited in the shadows outside. It contributed to a sense of meaningful gravity, making it crucial that the task at hand be fulfilled with our most sincere and unparalleled endeavours.

The lyrical themes on the album deal with human emotions, and the ongoing struggle between juxtaposed forces within the psyche. An introspective voyage amongst the realms of memories, feelings and instincts, where the light is brighter and the dark is darker. The concepts of wonder, longing and desperation permeates the histories told, and the currents from the deep are ever present. The final track, “Merry Macabre”, is a 19 minute suite taking the listener through aspects of the darker sides of WOBBLER´s sound. It probably sums up what we wanted to express this time around; songs with a weirder tint, an experimental, almost impressionist splitting of themes that at the same time provides a larger frame.

Formed in Hønefoss in 1999, WOBBLER’s lineup features Lars Fredrik Frøislie on keyboards and backing vocals, Martin Nordrum Kneppen on drums, percussion and recorder, Kristian Karl Hultgren on bass, Andreas Wettergreen Strømman Prestmo on vocals, guitar, glockenspiel, recorder and percussion and Geir Marius Bergom Halleland on lead guitar and backing vocals.

https://facebook.com/wobblerofficial
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https://wobblerofficial.com
https://www.facebook.com/KarismaRecords/
www.karismarecords.no

Wobbler, From Silence to Somewhere (2017)

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Stream Review: Enslaved, ‘Chronicles of the Northbound,’ 07.30.20

Posted in Reviews on July 31st, 2020 by JJ Koczan

enslaved

I kind of rolled my eyes last month when Norwegian progressive black metallers Enslaved announced their ‘Cinematic Summer Tour,’ but from the sweeping ambient camera shots that launched the proceedings of the Roadburn-presented ‘Chronicles of the Northbound’ hour-long set to the sense of ceremony with which they wrapped up “Death in the Eyes of Dawn” chanting over acoustic guitar, the emphasis indeed was on a cinematic feel. Visually and aurally, this was a produced affair — far from the rawness that some live streams shoot for — much more of a concert film. They may have played the songs live, but it was a live stream premiere rather than a live show happening at the moment it aired, though as the long-running Bergen, Norway, five-piece tore through the fan-selected setlist, it was hard not to be blown away anyhow by the force of the show they put on.

One has to think it helps that drummer Iver Sandøy is a noted music producer in terms of the sound captured. Bassist/founder Grutle Kjellson‘s telltale rasp came through with a studio-quality fullness that was a close match to some of what Enslaved have done on their albums, and in addition to apparently being the kind of percussionist who can tear into blastbeats on “Fenris” from 1994’s sophomore outing, Frost, Sandøy — who joined the band in 2018 — periodically added harmonies to the clean vocals of keyboardist Håkon Vinje, who made his debut enslavedwith Enslaved on 2017’s E (review here) and only sounded more integrated in the band on the older material here. Vinje and Sandøy quickly brought a marked sense of presence to “Ethica Odini” from 2010’s Axioma Ethica Odini (review here) at the start of the set, and Vinje‘s and Kjellson‘s subsequent handling of the chorus to “Roots of the Mountain” was likewise a soaring early highlight that preceded the more dug-in vibes of “Fenris” and “793 (Slaget om Lindisfarne),” the latter epic taken from 1997’s Eld.

The live chat on the YouTube feed, which gives one an odd sense of togetherness while watching something like this, blew up at that point. People had been well on board with “Fenris” and the organ that kept it in line with the more recent, progressive fare surrounding, but when “793” hit, there was a palpable sense of digitally-expressed joy and copious exclamation points. Well earned on the band’s part, twisting through the various stretches of that track before bringing things back to ground with the landmark title-cut of 2004’s Isa; the song that made black metal swing and the album that set Enslaved on the proggier path they’ve spent the last 16 years marching. The placement of its hook after the more expansive “793” was a clever way to snag wandering or otherwise hypnotized attentions, and the keys running alongside the guitars of Ivar Bjørnson and Arve “Ice Dale” Isdal sounded incredible. Really. I took notes of the setlist while watching, and next to “Isa” I wrote: “keys sound incredible.” I stand by it.

It was a little bit of a bummer not to hear anything off the forthcoming Utgard album that Nuclear Blast will release on Oct. 2 — they’ve put out videos thus far for “Homebound” (posted here) and “Jettegryta” (posted here) — and having asked to hear the record in advance and been shut down for not being cool enough, twice as much so. Still, Enslaved will wrap the cinematic tour with a full performance of the album on Sept. 30 co-presented by the Summer Breeze Festival, so they’ll take care of it one way or the other, and I found no argument with the fan-picked songs they played. “The Watcher,” which caps 2008’s Vertebrae, is one of few pieces that could hope to follow “Isa” and not stand in its shadow in terms of chorus grandiosity, and as they tore through it — again with Vinje making his presence felt — and shifted into “Death in the Eyes of Dawn,” I suddenly realized just how quickly the stated hour of the set was proceeding.

Taken from 2012’s Riitiir (review here), “Death in the Eyes of Dawn” enabled the band to express many of the strengths of their current incarnation. After the memorable “Isa” and “The Watcher,” “Death in the Eyes of Dawn” unfolded with a more progressive feel, still keeping extremity at its core, but allowing room for Sandøy to return on harmonies with Vinje, and finding Isdal moving to acoustic for the Viking-folk finish already noted. Along the way, the various turns and executions were sharply brought to bear and the band as a whole handled the song with the poise of the established masters they are. In reality, one could hardly have expected less. I could’ve done with more shots of Sandøy at work, but that might just be curiosity as well to see what “the new guy” is up to behind the kit. The final setlist:

“Ethica Odini”
“Roots of the Mountain”
“Fenris”
“793 (Slaget om Lindisfarne)”
“Isa”
“The Watcher”
“Death in the Eyes of Dawn”

Though the presentation style was something of a surprise, the manner in which Enslaved proceeded through that set brought a live enslaved pretend tourshow’s intensity to such outright professional smoothness, making for a showcase worthy of the scope of 20-plus years the band wound up covering. For those seeking a rawer take from Enslaved, I might suggest their 2017 offering, Roadburn Live (review here), recorded in 2015 when Bjørnson curated alongside Wardruna‘s Einar Selvik. That was Enslaved‘s first official live release, and it was before either Vinje or Sandøy were in the band — between the two of them, they simply bring the melodic reach to a new level — but I wouldn’t be surprised either if this ‘Chronicles of the Northbound’ set showed up as a live album either, or a BluRay/video download or some such kind of A/V outing. While the quality of the product was outstanding for a live stream, frankly, to have it end there seems like a waste of material, even with the special merch they’ve made available.

As one looks forward to the arrival of Utgard this Fall, and mourns the actual-touring Enslaved won’t get to do to herald its coming, the start of their cinematic tour was a refresher on just how far the band has pushed their sound and their live chemistry and how — as they approach 30 years from their founding by Bjørnson and Kjellson in 1991 — they only continue to grow and evolve.

Enslaved‘s cinematic tour continues on Aug. 20 playing Below the Lights in full as presented by Beyond the Gates Festival, and wraps with the aforementioned Sept. 30 rendition of Utgard presented by Summer Breeze. I’ll hope to have more on Utgard closer to the release, and thanks for reading in the meantime.

Enslaved, ‘Chronicles of the Northbound’ live stream (limited time only)

Enslaved on Thee Facebooks

Enslaved on Instagram

Enslaved merchandise

Enslaved website

Nuclear Blast on Thee Facebooks

Nuclear Blast on Instagram

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Bismarck Post Oneiromancer Live Playthrough

Posted in Bootleg Theater on July 27th, 2020 by JJ Koczan

bismarck (photo by Vegard Fimland)

They recommend watching in 4K, but I think even if you’re slumming it in 1080p the focus on professionalism comes across in Bismarck‘s whole-album playthrough of their 2020 sophomore full-length, Oneiromancer (review here). The video, which trims the 35-minute long-player down to just under 32, was reportedly shot in one take and features pro-shop sound and lighting — there’s even a fan on frontman Torstein Tveiten — as well as three working cameras throughout. Lights flash, cuts are sharp, and the band themselves waste none of their or the audience’s time. Clearly it was a show-up-and-get-down-to-business kind of affair.

With it, the Bergen, Norway, five-piece give an impression of some of the intensity they might bring to a stage show, the darkened hammering of their rhythms bringing together post-metal’s claustrophobia with the sheer bite of aggressive and extreme sludge, and unsurprisingly, their performance proves worthy of the presentation they’re making of it. When I reviewed the album, I called it thoughtful, and the same applies here. Aggro as they are, Bismarck know exactly what they’re doing. The low lighting during quiet stretches, the attention to detail in the camera swaying, the balance of ambience and crush that pervades — it all serves the experience of the record as whole, and if the underlying point of Bismarck playing the thing front-to-back is to emphasize just how well it functions in that kind of listening context, the message isn’t at all lost.

Obviously the intent here, aside from maybe telling you to put in the entire and eminently manageable 35-minute ask that Oneiromancer is making, is to capture a live feel, and in that sense, the manner in which they do so actually runs against the current expectation born of so much of the live-streaming happening by bands around the world due, duh, to the COVID-19 pandemic. This may be Bismarck‘s answer to such a thing, since they are playing live and all, but this is professionally filmed and edited, wasn’t premiered live at the same time it was played. Thus it’s more like a concert video than a live performance being aired at the same time it’s played.

In either case, Bismarck crush it.

To wit, the video:

Bismarck, Oneiromancer live playthrough

This is a 100% live, one take playthrough of our latest album “Oneiromancer”! Performed, filmed and recorded at Carte Blanche’s Studio Bergen!

Bismarck is
Torstein Tveiten – Vocals
Eirik Goksøyr – Guitar
Tore Lyngstad – Drums
Trygve Svarstad – Guitar
Leif Herland – Bass

Lights by Thomas Bruvik
Filmed by Martin Borge & Lars Inge Torp
Edited by Martin Borge
Recorded, mixed and mastered by Leif Herland in Polyfon Studio

Bismarck, Oneiromancer (2020)

Bismarck on Thee Facebooks

Bismarck on Instagram

Bismarck on Bandcamp

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