Pallbearer Post Second Video for “Forgotten Days”

Posted in Bootleg Theater on July 23rd, 2020 by JJ Koczan

pallbearer forgotten days

You know what? It looks better. There wasn’t anything wrong with the first version of possible topics for a research paper - Best HQ academic writings provided by top professionals. Proofreading and proofediting help from best professionals. Let us Pallbearer‘s video for the title-track of their upcoming album, No Homework Persuasive Essay - Proofreading and editing services from top specialists. Papers and essays at most attractive prices. Order a 100% original Forgotten Days, but putting it in a wider-screen ratio and making it black and white with some darker contrast moments — yeah, it looks a little artsier and a little more mysterious. The first clip, being so centered around the story as it was, wasn’t at all under-served by the color, but with the CGI elements that comprise so much of it, pushing a little less clarity works pretty well with the material. Still reminds me of Solaris.

It’s pretty rare a band puts out two videos for the same song. I wonder if there was some issue with the original, either on the part of the band or the director. The full-color version is still posted, so it’s not like the new one is replacing the old, just kind of a weird thing to run into, which I guess is why I’m posting it in the end. You’ll note the new clip is about 30 seconds longer than the first — that’s because of an intro added to the front that gives the titles in opening-credits fashion. That works well, and the song still aligns with the clip well otherwise. And the song’s still cool.

Shrug, I guess?

Whatever. More Looking for a world-class essay http://www.corbel-project.eu/?extra-homework-help? Ultius offers every type of essay service for a wide variety of topics. 24/7 support and American writers. Pallbeaer don’t hurt. Looking for your forensic science essay prompts? Weve compiled 1000+ essay prompts in our easily searchable database. Find your schools prompts now. Forgotten Days is out Oct. 23 on Technical writing is performed by a Dissertation Proposal Service Components (or technical author) and is the process of writing and sharing information in a professional setting.: 4 A technical writer's primary task is to convey information to another person or party in the most clear and effective manner possible. Nuclear Blast, so there you go.

Enjoy:

Pallbearer, “Forgotten Days” cinema edition video

Pallbearer, who recently announced the Oct. 23 release of their highly-anticipated fourth album, Forgotten Days (Nuclear Blast), have shared a black and white, cinematic version of the video for title track “Forgotten Days” (https://youtu.be/FV1oaYgktvo).

The clip, which stands in stark contrast to the original version that was released earlier this month, has echoes of classic science fiction films such as “Solaris,” “Silent Running,” and “Stalker.”

“When Ben sent us this alternate version of the ‘Forgotten Days’ video, we were instantly taken aback at how a simple color shift and change to aspect ratio transformed the feeling of the narrative,” explains singer/guitar player Brett Campbell of the Ben Meredith directed video. “This cinematic edition is dripping with oppressive claustrophobia, and in being stripped of color, deepens the sense of the unknown lurking in the shadows of the mind. We’re happy to share it with you today.”

Pallbearer, “Forgotten Days” official video

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Pallbearer Set Oct. 23 Release for Forgotten Days; Video Posted

Posted in Whathaveyou on July 13th, 2020 by JJ Koczan

pallbearer forgotten days

Echoes of Solaris in the new How i found the best education service provider to About Phd Degree for me, and why they turn out to be the best for me on Studybay Pallbearer video, but that’s fair enough for the song’s spacious sound. It’s got a hook though, does “Forgotten Days,” which is the title-track of the Arkansas-based doomers’ fourth long-player, set to release Oct. 23 on Master Thesis Bibliography Latex eBooks Best Essay Writing Service Yahoo Answers is available on PDF, ePUB and DOC format. You can directly Nuclear Blast. With a break in its second half that shows off some progressive vocal stylings in keeping with 2017’s phd thesis on bilingualism Universityessayhelp Com order of lab report essay can money buy everything Heartless (review here), the band nonetheless bring the track back to a huge and echoing slowdown before the chorus returns. Check out the edge of classic metal in that chorus too. A little check it out Today is a custom essay writing service, ready to support you in the battle with countless academic papers. We want you to think of us, when you're ready to scream: write my essay for me! into the open space in the middle of the night. We're the ones you can reach out to and be confident, that we won't let you down. Ozzy in the phrasing, maybe? Or maybe it’s just how guitarist What about delegating your task to reliable Help I Having An Essay Crisis service? There is one in view. Only quality content. Fair prices & discounts. Qualified staff. Brett Campbell pronounces the word “insanity?” Either way, that vibe comes through amid all the tonal and melodic depth that surrounds.

Preorders and all that are up now, as the PR wire tells it:

pallbearer forgotten days

Pallbearer Announce New Album, Forgotten Days (Oct. 23, Nuclear Blast); Release “Forgotten Days” Video

Academic Essays Done Fast. So, rather you want to ask us: Write papers for me? or http://www.eumed-ict.eu/?the-boy-a-photographic-essay-online!? choose our company. PALLBEARER’S EAGERLY-AWAITED NEW ALBUM, FORGOTTEN DAYS, ARRIVES OCT. 23 VIA NUCLEAR BLAST

https://www.pallbearerdoom.com/forgotten-days

Pallbearer’s highly-anticipated fourth album, Forgotten Days, arrives Oct. 23 via Nuclear Blast.

The band has simultaneously released the eight-song album’s first single, leading with a video for the title track. “I’m extremely stoked to finally share this song with everyone,” says singer/guitar player Brett Campbell. Commenting on the Ben Meredith directed clip, Campbell continues: “The video for ‘Forgotten Days’ tells the story of an unfortunate traveler who journeys too far, and becomes lost in the depths of both inner, and outer, space. What is real when you cannot trust your own mind?“

“Forgotten Days is us exploring what is natural to us,” says bass player/songwriter Joseph Rowland. “The songs tell me where I need to go when I write. We wanted to focus on songs that were visceral and enjoyable to play live – that our audiences would enjoy experiencing. We’re also getting back to more of the groovier and heavier elements of Pallbearer. Heartless is fairly uptempo and technical. This one is a little more open, it hammers you.”

“This record has a lot of thematic ties to our first record,” Rowland continues. “When we were writing Sorrow and Extinction, my mother was terminally ill. It’s been 10 years since she passed. It’s taken me all of this time to take a really good look at myself. While we were writing Forgotten Days, I knew, ‘Now is the time to sit down and begin to understand who I have become.’”

“Joe and I have always written lyrics separately,” adds Campbell. “But we always end up with lyrics that are connected by threads. I’m not sure why that is. Maybe it’s because we’ve been in close proximity for a long while. Between Heartless and Forgotten Days, we were home for an extended period of time. I think we finally had time to reflect. Memory is a big aspect of the new record. The passage of time. How things change as perspective changes. Was the past truly the way that you remember it at all?”

The Randall Dunn (Sunn O))), Earth, Johan Johannson) produced album was recorded at Sonic Ranch Studios in West Texas. Michael Lierly, drummer Mark Lierly’s brother, once again created the album’s artwork, crafting images that were roughly hewn yet heartbreaking in their expressive heft. The striking cover is the ideal foil to Pallbearer’s thick musical and lyrical melancholia.

Forgotten Days track list:
Forgotten Days
Riverbed
Stasis
Silver Wings
The Quicksand of Existing
Vengeance & Ruination
Rite of Passage
Caledonia

Forgotten Days pre-orders are available now (https://www.pallbearerdoom.com/forgotten-days). The eight-song album is available in a number of limited edition vinyl variants with physical bundles available via both the Nuclear Blast and Pallbearer webstores, as well as digitally and on CD/cassette. The title track “Forgotten Days” is offered as an immediate download with digital pre-orders on iTunes, Amazon Music and Bandcamp. Listeners can pre-save the album and listen to the title track on all DSPs: https://nblast.de/PallbearerFD.

Pallbearer is Brett Campbell (vocals/guitar), Devin Holt (guitar), Joseph D. Rowland (bass/vocals), and Mark Lierly (drums).

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Pallbearer, “Forgotten Days” official video

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Quarterly Review: Earth, Heilung, Thronehammer, Smear, Deadbird, Grass, Prana Crafter, Vago Sagrado, Gin Lady, Oven

Posted in Reviews on July 1st, 2019 by JJ Koczan

quarterly-review

Deep breath. And… here we go.

Welcome to The Obelisk’s Summer 2019 Quarterly Review. You probably know the drill by now, but just in case, here’s what’s up: starting today and through next Monday, I’ll be reviewing 10 records per day for a total of 60. I’ve done this every three months (or so) for the better part of the last five years, each one with at least 50 releases included. Some are big bands, some are new bands, some are releases are new, some older. It’s a mix of styles and notoriety, and that’s exactly the intent. It’s a ton of stuff, but that’s also the intent, and the corresponding hope is that somewhere in all of it there’s something for everyone.

I’ll check in each day at the top with what usually turns out to be a “hot damn I’m exhausted, but this is worth it”-kind of update, but otherwise, if we’re all on board, let’s just get to it. First batch below, more to come.

Quarterly Review #1-10:

Earth, Full Upon Her Burning Lips

earth

Finding post- http://www.mcmp.cz/?writing-paper-stationery Write Papers For Money - Title Ebooks : Write Papers For Money - Category : Kindle and eBooks PDF - Author : ~ unidentified - ISBN785458 Southern Lord refuge with dig this - Perfectly written and HQ academic essays. Forget about those sleepless nights working on your report with our academic writing Sargent House in similar fashion to If you are looking the best dnr thesis statement in Australia, just stop and click on this Australian assignment help. Can't be more supreme! Boris, see it here - Expert writers, quality services, timely delivery and other benefits can be found in our writing service Enjoy the benefits of expert Earth seem to act in direct response to 2014’s Primitive and Deadly (review here) with the 10-track/62-minute Full Upon Her Burning Lips, stripping their approach down to its two essential components: Dylan Carlson‘s guitar and Adrienne Davies‘ drums. The former adds bass as well, and the latter some off-kit percussion, but that’s about as far as they go in the extended meditation on their core modus — even the straightforward photo on the cover tells the story — psychedelic and brooding and still-spacious as the music is. Gone are folk strings or vocals, and so on, and instead, they foster immersion through not-quite minimalist nod and roll, Carlson‘s guitar soundscaping atop Davies‘ slow, steady pulse. It’s not nearly so novel as the last time out, but timed to the 30th anniversary of the band, it’s a reminder that if you like Earth, this dynamic is ultimately why.

Earth on Thee Facebooks

Sargent House website

 

Heilung, Futha

heilung futha

It might seem like an incongruity that something so based in traditionalism conceptually would also turn into experimentalist Viking jazz, but I defy you to hear “Galgadr,” the 10-minute opener of Heilung‘s third full-length, Futha (on Season of Mist), and call it something else. Cuts like the memorable and melodic “Norupo” and the would-be-techno-but-I-think-they’re-actually-just-beating-on-wood “Svanrand,” which, like “Vapnatak” before it, is rife with the sounds of battle, but it’s in the longer pieces, “Othan,” 14-minute closer “Hamrer Hippyer,” and even the eight-plus-minute “Elivgar” and “Elddansurin” that precede it, that Heilung‘s dramas really unfold. Led by the essential presence of vocalist Maria Franz — who could hardly be more suited to the stated theme of calling to feminine power — Heilung careen through folk and narrative and full cultural immersion across 73 minutes, and craft something willfully forward thinking from the history it embellishes.

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Season of Mist website

 

Thronehammer, Usurper of the Oaken Throne

thronehammer usurper of the oaken throne

The reliable taste of Church Within Records strikes again in picking up Thronehammer‘s first full-length, Usurper of the Oaken Throne. The project is a dark and warmaking epic mega-doom working mostly in longform material — it’s six tracks/78 minutes, so yeah — conjured in collaboration by the trio of vocalist Kat Shevil Gillham (Lucifer’s Chalice, etc.), guitarist/keyboardist Stuart Bootsy West (ex-Obelyskkh, ex-The Walruz) and drummer/bassist Tim Schmidt (Seamount), that hits with a massive impact from 17-minute opener “Behind the Wall of Frost” into “Conquered and Erased” (11:24) and “Warhorn” (19:12), making for an opening salvo that’s a full-length unto itself and a beast of doomed grandeur that balances extremity with clearheaded presentation. They simplify the proceedings a bit for “Svarte Skyer” and the eponymous “Thronehammmer,” but are clearly in their element for the 15-minute closing title-track, which rounds out one of the best doom debuts I’ve heard so far this year with due heft and ceremony.

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Smear, A Band Called Shmear

Smear A Band Called Shmear

Smear‘s live-recorded A Band Called Shmear EP is basically the equivalent of that dude getting dragged out of the outdoor concert for being at the bottom of the puffing clouds of smoke going, “Come on man, I’m not hurting anybody!” And by that I mean it’s awesome. The Eugene, Oregon, four-piece get down on some psychedelic reefer madness tapped into weirdo anti-genre tendencies that come to fruition in the verses of “Guns of Brixton” after the drifting freaker “Old Town.” The whole thing runs an extra-manageable 21 minutes, and six of that are dedicated to the fuzzed jam “Zombie” — tinged in its early going with a reggae groove — so Smear make it easy to follow their outward path, whether it’s the surf-with-no-water “Weigh” at the outset or “Quicksand,” which hints at more complex melodic tendencies almost in spite of itself. You like vibe, right? These cats have plenty to go around, and they deliver it with an absolute lack of pretense. Whatever they do next, I hope they also record it live, because it clearly works.

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Deadbird, III: The Forest Within the Tree

deadbird iii the forest within the tree

One hesitates to speculate on the future of a band who’ve just taken 10 years to put out an album, but Deadbird sound vital on their awaited third full-length: III: The Forest Within the Tree (arrived late 2018 through 20 Buck Spin), and with a revamped lineup that includes Rwake vocalist Chris Terry and Rwake/The Obsessed bassist Reid Raley as well as bassist Jeff Morgan, guitarist Jay Minish and founders Phillip (drums) and Chuck (guitar) Schaaf and Alan Short — all of whom contribute vocals — Deadbird emerge from the ether with a stunningly cohesive and varied outing of post-sludge, tinged Southern in its humid tonality but still very much geared toward heft and, certainly more than I recall of their past work, melody. In just 38 minutes they push the listener into this dank world of their creation, and seem to find just as much release in experiments “11:34” and “Ending” as in the crashes of “Brought Low” or “Heyday.” Are they really back? Hell if I know, but these songs are enough to make me hope so.

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20 Buck Spin on Bandcamp

 

Grass, Fresh Grass

grass fresh grass

Brooklyn four-piece Grass released a live recording in 2017, but the late-2018 EP Fresh Grass marks their studio debut, and it comprises five tracks digging into the traditions of heavy rock with edges derived from the likes of Clutch, Orange Goblin, maybe a bit of Kyuss and modern bluesier practitioners as well in cuts like “Black Clouds” — the lone holdover from one release to the next — and the swaggering “Runaway,” which veers into vocal layering in its second half in a way that seems to portend things to come, while the centerpiece “Fire” and closer “Easy Rider” roll out in post=’70s fashion a kind of rawer modern take. Their sound is nascent, but there’s potential in their swing and the hook of opener “My Wall.” Fresh Grass is the band searching for their place within a heavy rock style. I hear nothing on it to make me think they won’t find it, and if they were opening the show, you’d probably want to show up early.

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Prana Crafter, MindStreamBlessing

Prana Crafter MindStreamBlessing

Reissued on vinyl through Cardinal Fuzz with two bonus tracks, Prana Crafter‘s 2017 offering, MindStreamBlessing, originally saw release through Eidolon Records and finds the Washington-based solo artist Will Sol oozing through acid folk and psychedelic traditions, instrumentally constructing a shimmer that seems ready for the platter edition it’s been granted. Songs like “As the Weather Commands” and “Bardo Nectar” are experiments in their waves of meandering guitar, effects and keys, while “Mycellial Morphohum” adapts cosmic ecology to minimal spaciousness and vague spoken word. Some part of me misses vocals in the earthy “FingersFlowThroughOldSkolRiver,” but that might just also be the part of me that’s hearing Lamp of the Universe or Six Organs of Admittance influences. The interwoven layers of “Prajna Pines,” on the other hand, seem fine without; bluesy as the lead guitar line is, there’s no doubting the song’s expressive delivery, though one could easily say the same of the krautrock loops and keys and reverb-drenched solo of “Luminous Clouds.”

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Vago Sagrado, Vol. III

vago sagrado vol iii

Heavy post-rockers Vago Sagrado set a peaceful atmosphere with “K is Kool,” the opening track of their third album, Vol. III, that is hard to resist. They’ll soon enough pump in contrast via the foreboding low end of “La Pieza Oscura,” but the feeling of purposeful drift in the guitar remains resonant, even as the drums and vocals take on a kind of punkish feel. The mix is one that the Chilean three-piece seem to delight in, reveling in tonal adventurousness in the quiet/loud tradeoff of “Fire (In Your Head)” and the New Wave shuffle of “Sundown” before “Centinela” kicks off side B with the kind of groove that Queens of the Stone Age fans have been missing for the last 15 years. Things get far out in “Listen & Obey,” but Vago Sagrado never completely lose their sense of direction, and that only makes the proceedings more engaging as the hypnotic “One More Time with Feeling” leads into the nine-minute closer “Mekong,” wherein the wash teased all along comes to fruition.

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Gin Lady, Tall Sun Crooked Moon

gin lady tall sun crooked moon

I’m more than happy to credit Sweden’s Gin Lady for the gorgeous ’70s country rock harmonies that emanate from their fourth album, Tall Sun Crooked Moon (on Kozmik Artifactz), from the mission-statement opener “Everyone is Love” onward, but I think it’s also worth highlighting that the 10-track outing also features the warmest snare drum sound I’ve heard maybe since the self-titled Kadavar LP. The Swedish four-piece have nailed their sound down to that level of detail, and as they touch on twang boogie in “Always Gold” or find bluesy Abbey Roadian deliverance in the more riff-led chorus of “Gentle Bird,” their aesthetic is palpable but does not trump the straight-ahead appeal of their songwriting. The closing duo of “The Rock We All Push” and the piano-soother “Tell it Like it Is” are the only two tracks to push past five minutes long, but by then the mood is well set and if they wanted to keep going, I have a hard time imagining they’d meet with complaints. Serenity abounds.

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Oven, Couch Lock

oven couch lock

For an EP called Couch Lock — i.e., when you’re too stoned to even stand up — there’s an awful lot of movement on Oven‘s debut release, from the punk thrust of “Get It” to the arrogant sleaze of “Go James” and even the drums in “This Time.” And the nine-minute “Dark Matter” is basically space rock, so yeah, hardly locked to the couch there, but okay. The five-tracker is raw in its production as would seem to suit the Pennsylvania trio, but they still get their point across in terms of attitude, and a closing cover of Nebula‘s “To the Center” seems only to reinforce the notion. One imagines that any basement where they unleash that and the nod that culminates “Dark Matter” just before it would have to be professionally dehumidified afterward to get the dankness out, and an overarching sense of stoner shenanigans only adds to the good times that so much of East Coast-ish psych misses the point on. They’re having fun. You should too.

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Deadbird Stream “Alexandria”; III: The Forest Within the Trees Album Preorders Available

Posted in Whathaveyou on September 11th, 2018 by JJ Koczan

Yes. Yes. Yes. New Deadbird. Yes. This. Heavy. Yes. Okay. Good.

Preorders. Shows. New song. PR wire:

Deadbird (photo by Adam Peterson)

DEADBIRD: Arkansas Doom Harbingers Premiere “Alexandria”; Preorders For First Album In Ten Years, III: The Forest Within The Tree, Posted At 20 Buck Spin

Arkansas-based DEADBIRD – containing current and former members of Rwake, Iron Tongue, Pallbearer, and more – is preparing to release their first album in ten years with III: The Forest Within The Tree, through 20 Buck Spin in October. The album’s magmatic new single “Alexandria” has been issued as the label posts preorders for the album.

Recorded in “the ZZ Top Room” at Ardent Studios and at AB Recording, both in Memphis, Tennessee, engineered, co-Produced, and mixed by Alan Burcham, and mastered by Brad Boatright at Audiosiege, III: The Forest Within The Tree features vibrant artwork by John Santos (Kylesa, Mutoid Man, Torche, Noothgrush, Catheter).

III: The Forest Within The Tree will see release on LP, CD, and digital formats via 20 Buck Spin on October 12th. Find preorders at the label webshop HERE and via Bandcamp where “Luciferous Heart” is also streaming HERE.

Following their set at Migration Festival in Pittsburgh in July DEADBIRD is booking new live actions in support of III: The Forest Within The Tree, including two record release shows for the album. The band will play two Arkansas shows the week of the album’s release, performing n Little Rock on October 12th and Fayetteville on October 13th. Watch for more tour dates to be announced.

DEADBIRD Record Release Shows:
10/12/2018 White Water Tavern – Little Rock, AR w/ Terminal Nation, Tranquilo.
10/13/2018 Backspace – Fayetteville, AR w/ Bones Of The Earth, Groaners

DEADBIRD:
Alan Short – guitar/vocals
Jeff Morgan – bass / vocals
Phillip Schaaf – drums
Reid Raley – bass / vocals
Chris Terry – synth/samples/vocals
Chuck Schaaf – guitar/vocals

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Deadbird, “Alexandria”

Deadbird, “Luciferous Heart”

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Deadbird to Release III: The Forest Within the Tree Oct. 12 on 20 Buck Spin

Posted in Whathaveyou on July 25th, 2018 by JJ Koczan

About a decade ago, when shows still happened in Manhattan, there was a venue called Lit Lounge. I’m pretty sure it’s closed at this point. Upstairs in back there was an art gallery, in front there was a bar, and downstairs in the basement there was another bar and a few alcoves where you could sit your drunk ass down and get your head together. I saw some incredible shows there. Thing was, Lit Lounge was one of those places that would do a dance club after rock shows in order to actually make some money on a weekend night.

One time, Deadbird were on a bill with I don’t know how many bands, and they were up from Arkansas and playing late, and their set either got cut off or they didn’t get to play. I don’t remember which it was, but it was a fucking scandal, let me tell you. People were pissed. Righteous anger. To the best of my knowledge, that was the last time Deadbird were in New York.

They were supporting 2008’s Twilight Ritual at the time. I interviewed them for that record for Metal Maniacs and asked them if the name of the album meant they were breaking up. When a follow-up didn’t surface, I always felt a little bad about asking that question. Glad they have a new one coming, and they’ll be in good hands on 20 Buck Spin. And while they haven’t announced a tour and certainly not one that will take them back to NYC as of now, they’re playing Migration Fest in Pittsburgh this weekend, and that’s a start.

From the PR wire:

deadbird iii the forest within the tree

DEADBIRD To Release First Album In Ten Years, III: The Forest Within The Tree, In October Via 20 Buck Spin; Track Streaming + Band To Play Migration Fest This Week

Arkansas-based doom harbingers DEADBIRD return in 2018 with their first new album in over a decade, announcing III: The Forest Within The Tree for October release through 20 Buck Spin. The news strikes with an early debut of the track “Luciferous Heart” as the band makes their way to Pittsburgh to perform at Migration Fest this weekend.

A decade has now passed since the release of Twilight Ritual, the second LP from Little Rock’s DEADBIRD, which features current and former members of Rwake, Iron Tongue, Pallbearer, and more. Though much has changed in the metal world since then DEADBIRD remains steadfast in their ability to sculpt heart-wrenching and gutsy songs from the deepest, darkest places within. Years of toil and scorched southern soil went into the band’s third album III: The Forest Within The Tree resulting in forty haunting minutes of emotive turbulence and resolute grit.

An intense listen from the outset, after “The Singularity” intro the one-two punch of “Luciferous Heart” and “Heyday” carry the weight of the grandiose and the grave, burning with furor and primordial light. At times dipping into quietly morose acoustics and at others crushing with a Neurosis-like magnitude, DEADBIRD offers the scope of the world weary and of sentiment laid bare on compositions like “Brought Low” and “Bone & Ash.”

Ten years is not a short time between albums, but the passing of years have solidified DEADBIRD into an entity well versed in the art of vigilance. The eight tracks comprising III: The Forest Within The Tree are their best to date and signal the awakening of new day for the band. The album is a must-hear release for fans of Rwake, Samothrace, Neurosis, Alice In Chains, Kylesa, Pallbearer, Spirit Adrift, His Hero Is Gone, and El Dopa.

III: The Forest Within The Tree features vibrant artwork by John Santos (Kylesa, Mutoid Man, Torche, Noothgrush, Catheter) and will see release on LP, CD, and digital formats via 20 Buck Spin on October 12th; watch for preorders and additional audio samples to be issued shortly.

III: The Forest Within The Tree Track Listing:
1. The Singularity
2. Luciferous Heart
3. Heyday
4. Alexandria
5. 11:34
6. Brought Low
7. Bone & Ash
8. Ending

DEADBIRD will travel north this week to perform at Migration Festival in Pittsburgh this Friday, July 27th through Sunday the 29th. The band joins the likes of Khemmis, Krallice, Pelican, Panopticon, Mournful Congregation, Bongripper, Zombi, The Cancer Conspiracy, The Ominous Circle, Spirit Adrift, Thou, Yellow Eyes, and more. Watch for additional upcoming tour dates from the band to be announced in support of the new album.

DEADBIRD Live:
7/28/2018 Mr. Small’s Theatre – Pittsburgh, PA @ Migration Fest

DEADBIRD:
Alan Short – guitar/vocals
Jeff Morgan – bass / vocals
Phillip Schaaf – drums
Reid Raley – bass / vocals
Chris Terry – synth/samples/vocals
Chuck Schaaf – guitar/vocals

https://www.facebook.com/Deadbird1332
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Deadbird, “Luciferous Heart”

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Pallbearer Announce Tour Dates with Tribulation; New Video Posted

Posted in Whathaveyou on July 11th, 2018 by JJ Koczan

pallbearer

Is it really even necessarily at this point to mention that Pallbearer are among the most important American doom acts of their generation? Isn’t it kind of a given? I don’t know. Whatever. If you don’t know that, it’s probably because your taste dictates otherwise. That is, if you’re reading this, it’s not like you haven’t heard of them. Especially after last year’s Warning-gone-prog LP Heartless (review here), they’re about as close to household names as doom gets without being Black Sabbath.

It’s not a mistake either. They didn’t just happen into success. They’ve broken their collective ass on the road for the last half-decade-plus, and the thread continues this weekend as they begin yet another European tour. Copious festival dates will round out on Aug. 16 in Germany at Summer Breeze — is it the same Summer Breeze you got all those 1996 bootlegs from? I don’t know, go to Radio Shack and spend $100 on like five CD-Rs and I’ll take two hours trying to burn you copies on my 1x CD-RW drive and we’ll find out. After that, they’ll take it to the streets in the western half of the US and also north up into Canada, this time in the company of Tribulation. Much to do.

And as if that didn’t count as busy enough, they’ve got a new video for “Thorns” at the bottom of this post, and keep an eye out. In the band’s quote below, they talk about “revisiting and adding new dimension” to stuff from their whole discography. True enough they’ve undertaken significant growth in their sound, but to me, that sounds like the kind of thing they might want to represent on a live album somewhere down the line. That’s speculation, of course, but you never know.

Unless they say something. Then you know. But they haven’t said anything. So there.

PR wire, take me away:

pallbearer tribulation tour

PALLBEARER ANNOUNCE NORTH AMERICAN TOUR, PREMIERE MUSIC VIDEO FOR ‘THORNS’

See them on the road with Tribulation in September & October

Ascending Arkansas progressive doom quartet Pallbearer will head to European + UK shores next week for a run of shows and festival appearances and today, the band has announced a North American tour with Sweden’s finest metal exports Tribulation this Fall. In anticipation of their forthcoming tour dates, Pallbearer has unleashed a live music video for the track “Thorns”, taken from their recent release, Heartless. The live video was shot during part of the band’s U.S. tour back in February; watch the video for “Thorns” here: https://youtu.be/ooKeykeDsHQ

In regard to the upcoming tours, Pallbearer commented: “After a long period of constant touring behind Heartless, it’s almost time for us to settle in to the cold season and begin crafting our next musical endeavor. But before that, we are heading out once more across North America to bring this chapter to its conclusion. We look forward to stretching out our sets each night on this double bill with Tribulation, revisiting and adding new dimension to material across our entire catalogue.” See all Pallbearer tour dates below.

PALLBEARER, ON TOUR:
July 13 DE Hamburg – Molotow Club
July 14 BE Dour – Dour Festival
July 15 NL Nijmegen – Valkhof Festival
July 16 UK London – Islington Assembly Hall
July 17 UK Glasgow – Stereo
July 18 UK Leeds – Brudenell Social Club
July 19 UK Bristol – The Fleece
July 21 DE Crispendorf – Chaos Descends Festival
July 23 IT Milan – Circolo Magnolia
July 24 SL Tolmin – Metaldays festival
August 3 DK Copenhagen – Vega
August 4 DE Beelen – Krach am Bach Festival
August 5 DE Cottbus – Zum Faulen August
August 7 HR Primosten – SuperUho Festival
August 8 HU Budapest – A38
August 9 CZ Josefov – Brutal Assault Festival
August 10 DE Bad Kotzting – Void Fest
August 12 UK Derbyshire – Bloodstock Festival
August 14 DE Wiesbaden – Schlachthof
August 15 CH Winterthur – Gaswerk
August 16 DE Dinkelsbuhl – Summer Breeze Festival

September 15 – Toronto ON – Lee’s Palace *
September 16 – Detroit MI – Magic Stick *
September 18 – Chicago IL – Bottom Lounge *
September 19 – Minneapolis MN – Turf Club *
September 21 – Denver CO – Bluebird *
September 22 – Salt Lake City UT – Metro *
September 24 – Calgary AB – Dickens *
September 25 – Edmonton AB – Starlite *
September 27 – Vancouver BC – Rickshaw *
September 28 – Seattle WA – El Corazon *
September 29 – Portland OR – Hawthorne *
October 1 – San Francisco CA – Slim’s *
October 3 – Phoenix AZ – Rebel Lounge *
October 5 – Austin TX – Barracuda *
October 6 – Dallas TX – Trees *
October 7 – Houston TX – White Oak *
* w/ Tribulation

Buy tickets: http://pallbearerdoom.com/tour

Pallbearer are:
Brett Campbell | lead vocals, electric & acoustic guitars, synthesizers
Devin Holt | electric & acoustic guitars, vocals
Joseph D. Rowland | electric bass, vocals, synthesizers
Mark Lierly | percussion

https://www.facebook.com/pallbearerdoom
https://twitter.com/pallbearerdoom
https://instagram.com/pallbearerdoom/
https://www.profoundlorerecords.com/
https://profoundlorerecords.com/
https://profoundlorerecords.bandcamp.com/

Pallbearer, “Thorns” official video

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Iron Tongue Post New Single Pallbearer’s Blues

Posted in Whathaveyou on July 9th, 2018 by JJ Koczan

iron tongue

I’m assuming that the new Iron Tongue three-songer single, Pallbearer’s Blues, isn’t, you know, about the band’s fellow Arkansas doom brethren in the band Pallbearer. Certainly anything’s possible, but far more likely the title and proximity is a coincidence. Nonetheless, as Iron Tongue follow-up 2016’s long-player, Witches (review here), they show an increasing diversity of sound with vocalist Stephanie Smittle taking lead vocals on “Pallbearer’s Blues” itself and bassist Andy Warr both starting third cut “Darker Still” with an automatically swinging low end groove and stepping up for lead vocals there, while erstwhile frontman Christopher Farris Terry (see also: Rwake) moves to a backing position in both pieces. CT was the one who alerted me to the tracks, which are out now through Spotify and iTunes, where both Witches and the band’s Neurot Recordings-issued 2013 debut, The Dogs Have Barked, The Birds Have Flown (review here). Hard to believe that record’s five years old already. Time, flying and all that.

As to whether the new single precedes a third full-length, I’m not sure, but Iron Tongue would be just about on pace with a release sometime next year, so it’s worth keeping an eye out, and worth checking out the single in the meantime to hear how the band is continually coming into their own. I don’t know if you need a Spotify account to stream the tracks, but since I have a Spotify account, I’d imagine that’s not a problem anyway, since I’m generally the last person on the planet to sign onto that kind of thing after everyone else.

In any case, have at it:

iron tongue pallbearers blues

Iron Tongue is releasing a single for 2 songs, with art from Nate Powell. For the songs Pallbearer’s Blues and Darker Still.

Nate Powell did the art. Come Again, March books 1-3, Any Empire, Swallow Me Whole…

Also, Stephanie Smittle takes lead on the first song, and our bass player Andy is doing lead vocals on the 2nd song. I [CT] sing back up all over it.

Tracklisting:
1. Pallbearer’s Blues
2. Mark’s Diddy
3. Darker Still

Iron Tongue is:
Mark Chiaro – Guitar
Andy Warr – Bass
Stephanie Smittle – Vocals
Stan James – Drums
Chris Terry – Vocals
Adam Faucett – Guitar
JR Top – Keys

https://www.facebook.com/Irontongue/
https://irontongue.bandcamp.com/
https://open.spotify.com/artist/2Ow4SVdhK4jN8jsxX4HmWU

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Pallbearer Tour Starts Tonight; “Dropout” Documentary Posted

Posted in Whathaveyou on May 2nd, 2018 by JJ Koczan

Arkansas doomers Pallbearer head out on a month-long tour tonight in the company of classic death metallers Obituary, darkthrashers Skeletonwitch and Dust Bolt. They’ve got dates booked as well for July and August — yes, they’ll be at Psycho Las Vegas — as they continue to support last year’s Heartless (review here) full-length, and a new single issued through the Adult Swim Singles Program called “Dropout” that pushes them into some new and surprisingly psychedelic sonic territory.

Not that Pallbearer‘s tones haven’t always been spacious, just that they’ve never been used in quite this way. Could be a one-off or could be portentous of future stylistic evolution, but the song is cool either way and the band have a short documentary up about its making that you can see below. No reason not to get on that.

From the PR wire:

pallbearer (Photo by Diana Lee Zadlo)

Ruminant progressive doom quartet Pallbearer recently premiered a new track entitled ‘Dropout’ as the 53rd installment of the Adult Swim Singles Program. The song, which is available digitally, represents a subtle expansion of the singular doom-prog metal sound the quartet is known for.

To coincide with this release, the band have also made an accompanying mini documentary which gives a behind the scenes look at the recording of ‘Dropout’ – recorded at Fellowship Hall Sound in Little Rock, Arkansas.

Pallbearer comments on the single: “We have almost always written music intended to exist as part of an album, with common musical and lyrical threads that tie many elements together into one release. Being freed from those confines in recording this song allowed us to explore themes and immediacy that might not have been uncovered in our more typical “large format” composition process.”

Pallbearer are undoubtedly road warriors, and they will continue to uphold that titled with their forthcoming North American tour dates. Along with a freshly announced batch of headlining gigs, the group is gearing up to support Obituary on an expansive U.S. tour in the coming month.

PALLBEARER, ON TOUR:
May 2 Atlanta, GA @ Masquerade *
May 3 Greensboro, NC @ The Blind Tiger *
May 4 Philadelphia, PA @ Theatre of Living Arts *
May 5 New York, NY @ Gramercy Theatre *
May 6 Boston, MA @ Sinclair *
May 8 Toronto, ON @ Opera House *
May 9 Montreal, QB @ Club Soda *
May 10 Rochester, NY @ Main Street Armory *
May 11 Cleveland, OH @ Agora Ballroom *
May 12 Detroit, MI @ Majestic *
May 13 Chicago, IL @ Metro *
May 15 Des Moines, IA @ Wooly’s *
May 16 Omaha, NE @ Waiting Room *
May 18 Denver, CO @ Gothic Theatre *
May 19 Salt Lake City, UT @ Metro Music Hall *
May 21 Portland, OR @ Hawthorne Theatre *
May 22 Seattle, WA @ El Corazon *
May 23 Vancouver, BC @ Rickshaw Theatre *
May 25 San Francisco, CA @ DNA Lounge *
May 26 Pomona, CA @ Glasshouse *
May 27 Phoenix, AZ @ Club Red *
May 29 Austin, TX @ Barracuda *
May 30 Dallas, TX @ Gas Monkey Bar & Grill *
May 31 Houston, TX @ Scout Bar *
Jun 1 Pensacola, FL @ Vinyl Music Hall *
Jun 2 Orlando, FL @ The Haven Lounge *
Jun 3 Miami, FL @ The Ground *
Jun 17 Little Rock, AR @ Mutants of the Monster Festival
June 22 Tulsa, OK @ Guthrie Green
July 26 Hamden, CT @ The Space
July 27 Syracuse, NY @ Lost Horizon
July 28 Montreal, QC @ Heavy Montreal
July 29 Bangor, ME @ Impact Festival
July 30 Brooklyn, NY @ Saint Vitus +
July 31 Amityville, NY @ Amityville Music Hall
Aug 18 Las Vegas, NV @ Psycho Las Vegas
Oct 13 San Bernardino, CA @ Glen Helen Amphitheater ^

* w/ Obituary, Skeletonwitch, Dust Bolt
^ w/ System Of A Down, Incubus
+ Kerrang! presents

PALLBEARER is:
Brett Campbell | lead vocals, electric & acoustic guitars, synthesizers
Devin Holt | electric & acoustic guitars, vocals
Joseph D. Rowland | electric bass, vocals, synthesizers
Mark Lierly | percussion

Pallbearer, “Dropout”

Pallbearer, The Making of “Dropout”

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