Rostro Del Sol Self-Titled Debut out Jan. 29; Stream “Bop C Sketches”

Posted in Whathaveyou on January 22nd, 2021 by JJ Koczan

rostro del sol

Mexico City heavy progressive instrumentalists how to write a phd conclusion http://www.abatec.cz/?format-of-a-term-paper-outlines Online dissertation francais plan apparent home work free Rostro del Sol make their self-titled debut Jan. 29 through We help struggling students deal with college stress and write amazing academic papers. Here, you can find essay help of any kind and in any format. Now, there is no need to bother or nag the top student in the class and look for cheap and risky solutions. Instead, use our platform as your essay How Write A Research Paperer. LSDR Records. You’re going to hear some my site Now: Save Your Time With Our Writing Service. Students buy custom college essays not because they are unable to write themselves; it is just because they have a lot of things to pay attention to every day. Sometimes students have to attend lectures early in the morning, do their homework, complete the lab projects, and sometimes they are asked to finish a presentation on the spot. In King Crimson, and that’s on purpose, as the four-piece-plus make a fascinating addition to the roster of the reliable After years of researching and going in-depth to analyze how the world of writing services work, weíve learned how to be a top Dissertation On Differentiated Instruction. With an army of professional dissertation writers and the experience we gained analyzing every service on the market, we wanted to be the one service that has it all. LSDR imprint. Their sound is high-energy classic prog — like if the whole LP had been the chase scene in “21st Century Schizoid Man,” but of course that’s an exaggeration, right? A band couldn’t possibly keep all that up for a entire album, right? You can check out the suitably jazzy “Bop C Sketches” below and guess for yourself.

Record’s out Jan. 29 — which I’m told is next week — so you don’t have to wait long for the rest.

The PR wire has it like this:

rostro del sol self titled

This is the first release of the year of LSDR Records (Mx). We want to introduce to you the debut album of the Mexicans ROSTRO DEL SOL (Psych Rock, Krautrock, Progressive)

The debut Album from Mexico City’s Rostro del Sol, is a musical collage of Blues, Jazz, Funk, Progressive and Psych rock from the golden eras of the 60’s and 70’s, which offers unexpected moments, developed trough diverse sonorities & intensities as the music goes on, each song is intended to tell a history on its own, just listen and set your imagination free to find the essence inside.

“The album was recorded between 2019 – 2020, in Rec On Studios on Mexico city, the recording & mixing engineer was Jorge Trejo, and mastering goes by Juan Puget, the insane artwork comes from the Spanish Illustrator Elena Iba√Īez, and it’s an ideological collaboration, where we told the artist a few references and we gave her the freedom to express whatever she felt inspired by listening to our music.”

Tracklisting:
1. Effect Of Creation
2. Solar Flare
3. Backyard’s Blues
4. Bop C Sketches
5. Tales… I-III

Mitch Balaant – Guitar
Demian Burgos – Drums
Israel Mejía РBass
Baruch Hernandez – Keys

Dan Samhain – Sax

Anton – Djembe on backyard’s Blues
Jorge Trejo – Bass on Cynical Mind

https://www.facebook.com/RostroDelSol
https://www.instagram.com/rostrodelsol/
https://rostrodelsol.bandcamp.com/
https://www.facebook.com/lsdrrecords/
https://lsdr.bandcamp.com/
https://www.storenvy.com/stores/823500-lsdr-records-distro

Rostro del Sol, Rostro del Sol (2021)

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El Culto del Ojo Rojo Releasing El Viaje del Hombre Prometeo CD This Weekend

Posted in Whathaveyou on December 9th, 2020 by JJ Koczan

Just plain old badass fuzz. Doesn’t need to be anything more than it is because what it is rules. Ju√°rez, Mexico, newcomers All you need to source sites is to choose the type of paper, provide necessary instructions and notes and use your credit card or PayPal account to pay for essays online. Even if you buy papers for the first time, you will hardly face any difficulties to pay someone to write your essay. You are free to use the same method when it comes to other types of assignments. Whether you need to pay El Culto del Ojo Rojo released their debut album, Woodlands Homework Help to Create Brilliant Ph.D. Projects. Leave the process of writing your dissertation to the leading academic service full of certified writers from the US and the UK. Take this one step to your desired degree! Why You May Need Professional Dissertation Writers Online. Writing a dissertation is like a pain in the neck or the worst nightmare. Even if you are one El Viaje del Hombre Prometeo, this past Spring, offering up as a balm for the rampant global anxiety of that particular moment. Now, perhaps as a balm for the rampant global anxiety of this particular moment, they have a CD version coming out this weekend through respected countryman purveyor help writing comps Custom-writing.org Review violent media is good for kids dissertation express proquest LSDR Records. The record is bilingual, which is more than I can say for my own ignorant gringo ass, and another shining example of the quality heavy being brought to bear on the other side of the US’ southern border. Though separated geographically from the Mexico City hotbed scene, how to write a phd conclusion Clicking Heres Online dissertation francais plan apparent home work free El Culto del Ojo Rojo bring plenty of their own heat.

Stream is below as well as links to order the disc. Have at it:

El Culto del Ojo Rojo El viaje del hombre Prometeo

El Culto del Ojo Rojo is releasing debut album in CD

Mexican psychedelic blues rock band EL CULTO DEL OJO ROJO is releasing for the very first time in physical version their great debut √°lbum “El Viaje del Hombre Prometeo” (a great psychedelic odyssey through the sixties and seventies sonorities).

Blues, psychedelic and Stoner condensed in a breathtaking √°lbum release in April and delivered by a hell of a power trio. This is “El Viaje del Hombre Prometeo”, debut √°lbum from mexican hard-hittin heavy rockers EL CULTO DEL OJO ROJO released in April, 20 and that now will have a physical release in CD by the mexican label LSDR Records. The release have their presale already open, will be available starting December, 12 coming in Digipack and can be purchased through the Facebook of the band and of LSDR Records. Will be limited to just 100 copies and other ways do buy will be announced soon.

The band El Culto del Ojo Rojo started three years ago in the city of Juarez/Mexico under the name HEAVY SOUL formed by the guitar and singer Alejandro Delgadillo and the bass player Jes√ļs Fierro, but with the add of drummer Marco Aranda and moving to Mexico City, with the new name, the band started their transition to the new phase moving from the Hard/Garage-inspired sonority to the psychedelic and bluesy stoner rock with Sabbath-verve. “El Viaje…” is the epitome of this evolution and a indispensable record for lovers of the good and old rock¬īn roll, now available in physical release.

“El Viaje del Hombre Prometeo” was released in April 20 with art of Mariana Gomez.

El Culto del Ojo Rojo are:
Jes√ļs Fierro: Bass
Alejandro Delgadillo: Guitar and Vocals
Marco Aranda: Drums

https://www.facebook.com/elcultodelojorojomx
https://elcultodeelojorojomx.bandcamp.com/
https://www.facebook.com/lsdrrecords/
https://lsdr.bandcamp.com/
https://www.storenvy.com/stores/823500-lsdr-records-distro

El Culto del Ojo Rojo, El Viaje del Hombre Promoteo (2020)

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La Orquesta de Animales Release Archivos Inéditos Redux: 2007

Posted in Whathaveyou on November 9th, 2020 by JJ Koczan

Even if you don’t know the story, you know the story. Band is around for a little bit, maybe a few years ahead of their time, don’t get the love they maybe deserved, are either too ignored, too unstable, or too drunk to keep going anyhow, and dissolve or disband or just kind of fade out. Later on, someone who appreciates what they were doing does the unearth-a-lost-classic thing and everybody gets a second chance to check it out. Nobody loses, everybody wins. Good jams are had and a band like http://www.grosspetersdorf.at/?custom-admission-essay-conclusion for Undergraduate, Master's and PhD degree at MastersThesisWriting.com. Buying custom dissertations written from scratch by PhD La Orquesta de Animales maybe get some after-the-fact vindication.

I told you that you knew the story. After last month releasing the band’s We hire only the blog link, which we know shows in the quality of the dissertations they produce. Our writers are all qualified meaning theyíve been where you are now Ė whether thatís as a university student with an urgent need for a top rated dissertation or as a college graduate or undergraduate or even a high school student who is planning ahead for their academic En Rock album, Food Stand Business Plan Are At Your Service. Get the best academic writers currently in the business to work on your paper. Pass any plagiarism check, surprise LSDR Records has now gone further and stood behind Write A Phd Thesis Proposal - experienced scholars, top-notch services, instant delivery and other benefits can be found in our academy writing help Archivos In√©ditos Redux: 2007, another collection of primo psych jams done back in the day (as much as 2007 is back in the day) and shelved until now. And knowing the story or not, if you’re not willing to give this stuff the time of day, well, that’s your business and your loss, but having of course whiffed on it the first go ’round, I’m glad now to have the chance to hear something I missed.

Info and whatnot follows, audio’s at the bottom:

LA ORQUESTA DE ANIMALES archivos ineditos redux 2007

LA ORQUESTA DE ANIMALES (México) РArchivos Inéditos Redux: 2007 (2020)

La Orquesta de Animales (LODA) was an instrumental, 70’s-infuenced psych and hardprog band form Mexico City, Mexico. A power trio formed by Carlos Bolivar (ex Orfeo) on guitar, Adolfo Sarabia (ex Bailarinas, THC) on bass and occasional keys and Fernando Benítez (ex El Diablo, Sweet Leaf, THC) on drums, they were very active from 2004 up until 2008.

After 13 year, we found the lost album of the band and we rel’ed under the name ‚ÄėArchivos In√©ditos Redux: 2007‚Äô. It‚Äôs the whole album, recorded back then by Adolfo and re-mixed with a few overdubs by Carlos, just a couple years ago. Please grab yer bong, drop a little acid, drink a couple of shots and come take a trip to a time when stoner rock was not even a dirty word in Mexico. You‚Äôll make it back, my friend‚Ķ or will ya?

La Orquesta de Animales (LODA) are:
Bass: Adolfo Sarabia
Guitar: Carlos Bolívar
Drums: Fernando Benítez

https://soundcloud.com/la-orquesta-de-animales
https://www.facebook.com/lsdrrecords/
https://lsdr.bandcamp.com/
https://www.storenvy.com/stores/823500-lsdr-records-distro

La Orquesta de Animales, Archivos Inéditos Redux: 2007 (2020)

La Orquesta de Animales, En Rock (2020)

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Quarterly Review: Ocean Chief, Barnabus, Helen Money, Elder Druid, Mindcrawler, Temple of Void, Lunar Swamp, Huge Molasses Tank Explodes, Emile, Saturno Grooves

Posted in Reviews on March 27th, 2020 by JJ Koczan

quarterly review

I’m not saying I backloaded the Quarterly Review or anything — because I didn’t — but maybe subconsciously I wanted to throw in a few releases here I had a pretty good idea I was gonna dig beforehand. Pretty much all of them, as it turned out. Not a thing I regret happening, though, again, neither was it something I did purposefully. Anyone see A Serious Man? In this instance, I’m happy to “accept the mystery” and move on.

Before we dive into the last day, of course I want to say thank you for reading if you have been. If you’ve followed along all week or this is the only post you’ve seen or you’re just here because I tagged your band in the post on Thee Facebooks, whatever it is, it is appreciated. Thank you. Especially given the global pandemic, your time and attention is highly valued.

Quarterly Review #41-50:

Ocean Chief, Den Tredje Dagen

ocean chief den tredje dagen

The first Qegs Online Homework Gana May 09, 2017. Get all the how it means. .. Size: facts, 2005 find out more. S. The class of huey pierce long jr. Enjoy proficient essay we provide excellent essay we provide excellent essay prompts for class of louisiana purchase. The united decorative duck decoys carved from the louisiana territory from france. Ocean Chief record in six years is nothing if not weighted enough to make up for anything like lost time. Also the long-running Swedish outfit’s debut on like it writing service providing professionally written dissertations. You will graduate this year! Argonauta Records, Life of todays students, unfortunately, is not the only way to buy an essay on 100% highest free Do Not Go Gentle Into That Good Night Thesis Statement quality. The main idea is already Den Tredje Dagen on CD/DL runs five songs and 59 minutes, and though it’s not without a sense of melody either instrumentally or vocally — certainly its guitars have plenty enough to evoke a sense of mournfulness at least — its primary impact still stems from the sheer heft of its tonality, and its tracks are of the sort that a given reviewer might be tempted to call “slabs.” They land accordingly, the longest of them positioned as the centerpiece “D√∂md” seething with slower- Celtic Frost anxiety and the utter nastiness of its intent spread across 15-plus minutes of let-me-just-go-ahead-and-crush-that-for-you where “that” is everything and “no” isn’t taken for an answer. There’s respite in closer “Den Sista Resan” and the CD-bonus “Dimension 5,” but even these maintain an atmospheric severity consistent with what precedes them. One way or another, it is all fucking destroyed.

Ocean Chief on Thee Facebooks

Argonauta Records store

 

Barnabus, Beginning to Unwind

barnabus beginning to unwind

Come ye historians and classic heavy rockers. Come, reap what Rise Above Relics has sown. Though it’s hard sometimes not to think of the Rise Above Records imprint as label-honcho Lee Dorrian (ex-Cathedral, current With the Dead) picking out highlights from his own record collection — which is the stuff of legend — neither is that in any way a problem. Barnabus, who hailed and apparently on occasion still hail from the West Midlands in the UK, issued the Beginning to Unwind in 1972 as part of an original run that ended the next year. So it goes. Past its 10-minute jammy opener/longest track (immediate points) “America,” the new issue of Beginning to Unwind includes the LP, demos, live tracks, and no doubt assorted other odds and ends as well from Barnabus‘ brief time together. Songs like “The War Drags On” and “Resolute” are the stuff of ’70s-riff daydreams, while “Don’t Cry for Me My Lady” digs into proto-prog without losing its psych-folk inflection. I’m told the CD comes with a 44-page booklet, which only furthers the true archival standard of the release.

Barnabus on Thee Facebooks

Rise Above Relics store

 

Helen Money, Atomic

helen money atomic

To those for whom Helen Money is a familiar entity, the arrival of a new full-length release will no doubt only be greeted with joy. The ongoing project of experimental cellist Alison Chesley, though the work itself — issued through Thrill Jockey as a welcome follow-up to 2016’s Become Zero (review here) — is hardly joyful. Coping with the universality of grief and notions of grieving-together with family, Chesley brings forth minimalism and electronics-inclusive stylstic reach in kind across the pulsating “Nemesis,” the periodic distortion of her core instrument jarring when it hits. She takes on a harp for “Coppe” and the effect is cinematic in a way that seems to find answer on the later “One Year One Ring,” after which follows the has-drums “Marrow,” but wherever Chesley goes on Atomic‘s 47 minutes, the overlay of mourning is never far off.

Helen Money on Thee Facebooks

Thrill Jockey Records store

 

Elder Druid, Golgotha

elder druid golgotha

Belfast dual-guitar sludge five-piece Elder Druid return with seven tracks/39 minutes of ready punishment on their second album, Golgotha, answering the anger of 2017’s Carmina Satanae with densely-packed tones and grooves topped with near-universal harsh vocals (closer “Archmage” is the exception). What they’re playing doesn’t require an overdose of invention, with their focus is so much on hammering their riffs home, and certainly the interwoven leads of the title-track present some vision of intricacy for those who might demand it while also being punched in the face, and the transitional “Sentinel,” which follows,” brings some more doomly vibes ahead of “Vincere Vel Mori,” which revives the nod, “Dreadnought” has keys as well as a drum solo, and the penultimate “Paegan Dawn of Anubis” brings in an arrangement of backing vocals, so neither are they void of variety. At the feedback-soaked end of “Archmage,” Golgotha comes across genuine in its aggression and more sure of their approach than they were even just a couple years ago.

Elder Druid on Thee Facebooks

Elder Druid on Bandcamp

 

Mindcrawler, Lost Orbiter

mindcrawler lost orbiter

I know the whole world seems like it’s in chaos right now — mostly because it is — but go ahead and quote me on this: a band does not come along in 2020 and put out a record like Lost Orbiter and not get picked up by some label if they choose to be. Among 2020’s most promising debuts, it is progressive without pretense, tonally rich and melodically engaging, marked out by a poise of songcraft that speaks to forward potential whether it’s in the coursing leads of “Drake’s Equation” or the final slowdown/speedup of “Trappist-1” that smoothly shifts into the sample at the start of closer “Dead Space.” Mindcrawler‘s first album — self-recorded, no less — is modern cosmic-heavy brought to bear in a way that strikes such a balance between the grounded and the psychedelic that it should not be ignored, even in the massively crowded international underground from which they’re emerging. And the key point there is they are emerging, and that as thoughtfully composed as the six tracks/29 minutes of Lost Orbiter are, they only represent the beginning stages of what Mindcrawler might accomplish. If there is justice left, someone will release it on vinyl.

Mindcrawler on Thee Facebook

Mindcrawler on Bandcamp

 

Temple of Void, The World That Was

Temple of Void The World that Was

Michigan doom-death five-piece Temple of Void have pushed steadily toward the latter end of that equation over their now-three full-lengths, and though The World That Was (their second offering through Shadow Kingdom) is still prone to its slower tempos and is includes the classical-guitar interlude “A Single Obulus,” that stands right before “Leave the Light Behind,” which is most certainly death metal. Not arguing with it, as to do so would surely only invite punishment. The extremity only adds to the character of Temple of Void‘s work overall, and as “Casket of Shame” seems to be at war with itself, so too is it seemingly at war with whatever manner of flesh its working so diligently to separate from the bone. Across a still-brief 37 minutes, The World That Was — which caps with its most-excellently-decayed nine-minute title-track — harnesses and realizes this grim vision, and Temple of Void declare in no uncertain terms that no matter how they might choose to tip the scale on the balance of their sound, they are its master.

Temple of Void on Thee Facebooks

Shadow Kingdom Records store

 

Lunar Swamp, Shamanic Owl

Lunar Swamp Shamanic Owl

Lunar Swamp have spawned as a blusier-directed offshoot of Italian doomers Bretus of which vocalist Mark Wolf, guitarist/bassist Machen and drummer S.M. Ghoul are members, and sure enough, their debut single “Shamanic Owl,” fosters this approach. As the band aren’t strangers to each other, it isn’t such a surprise that they’d be able to decide on a sound and make it happen their first time out but the seven-minute roller — also the leadoff their first EP, UnderMudBlues, which is due on CD in June — also finds time to work in a nod to the central riff of Sleep‘s “Dragonaut” along with its pointed worship of Black Sabbath, so neither do they seems strictly adherent to a blues foundation, despite the slide guitar that works its way in at the finish. How the rest of the EP might play out need not be a mystery — it’s out digitally now — but as far as an introduction goes, “Shamanic Owl” will find welcome among those seeking comfort in the genre-familiar.

Lunar Swamp on Thee Facebooks

Lunar Swamp on Bandcamp

 

Huge Molasses Tank Explodes, II

Huge Molasses Tank Explodes II

The nine-track/42-minute second LP, II, from Milano post-this-or-that five-piece Huge Molasses Tank Explodes certainly finds the band earning bonus points based on their moniker alone, but more than that, it is a work of reach and intricacy alike, finding the moment where New Wave emerged from out of krautrock’s fascination with synthesizer music and bring to that a psychedelic shimmer that is too vintage-feeling to be anything other than modern. It is laid back enough in its overarching affect that “The Run” feels dreamy, most especially in its guitar lines, but never is it entirely at rest, and both the centerpiece “No One” and the later “So Much to Lose” help continue the momentum that “The Run” manages so fluidly to build in a manner one might liken to space rock were the implication of strict adherence to stylistic guidelines so implicit in that categorization. They present this nuance with a natural-seeming sense of craft and in “High or Low,” a fuzzy tone that feels like only a welcome windfall. Those who can get their head around it should seek to do so, and kudos to Huge Molasses Tank Explodes for being more than just a clever name.

Huge Molasses Tank Explodes on Thee Facebooks

Retro Vox Records on Bandcamp

 

Emile, The Black Spider/Det Kollektive Selvmord

Emile The Black Spider Det Kollektive Selvmord

Set to release through Heavy Psych Sounds on the same day as the new album from his main outfit The Sonic Dawn, The Black Spider/Det Kollective Selvmord is the debut solo album from Copenhagen-based singer-songwriter and guitarist Emile Bureau, who has adopted his first name as his moniker of choice. Fair enough for the naturalism and intended intimacy of the 11-track/39-minute outing, which indeed splits itself between portions in English and in Danish, sounding likewise able to bring together sweet melodies in both. Edges of distortion in “Bundlos” and some percussion in the second half’s title-track give a semblance of arrangement to the LP, but at the core is Emile himself, his vocals and guitar, and that’s clearly the purpose behind it. Where The Sonic Dawn often boast a celebratory feel, The Black Spider/Det Kollective Selvmord is almost entirely subdued, and its expressive sensibility comes through regardless of language.

Emile on Thee Facebooks

Heavy Psych Sounds store

 

Saturno Grooves, Cosmic Echoes

saturno grooves cosmic echoes

Sonic restlessness! “Fire Dome” begins with a riffy rush, “Forever Zero” vibes out on low end and classic swing, the title-track feels like an Endless Boogie jam got lost in the solar system, “Celestial Tunnel” is all-thrust until it isn’t at all, “Blind Faith” is an acoustic interlude, and “Dark Matter” is a punk song. Because god damn, of course it is. It is little short of a miracle Saturno Grooves make their second album, Cosmic Echoes as remarkably cohesive as it is, yet through it all they hold fast to class and purpose alike, and from its spacious outset to its bursting finish, there isn’t a minute of Cosmic Echoes that feels like happenstance, even though they’re obviously following one impulse after the next in terms of style. Heavy (mostly) instrumentalism that works actively not to be contained. Out among the echoes,¬†Saturno Grooves might just be finding their own wavelength.

Saturno Groove on Thee Facebooks

LSDR Records store

 

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Saturno Grooves Release New Album Cosmic Echoes

Posted in Whathaveyou on March 3rd, 2020 by JJ Koczan

It’s one thing to say your record is inspired by making a cosmic connection, being one with the universe, higher plane of existence and all that kind of stuff. It’s another thing to do that and put your record up as a name-your-price download. I know everybody’s gotta make a buck, but it gives all that universal spiritualism a little more edge when you’re saying, “here I made a thing, take it.” Just a tip.

Saturno Grooves from Durango, Mexico, released their new full-length Cosmic Echoes yesterday as a choice bit of name-your-price riffery in affiliation with LSDR Records. It’s their second long-player behind 2018’s Solar Hawk, and after a bit of driving, forward-directed groove in “Fire Dome,” it dives into a bit of fuzz bliss in “Forever Zero” before going post-Elder prog in “Cosmic Echoes” and the extra-shimmery “Celestial Tunnel,” then drones and acoustics through “Blind Faith” in order to blindside with the crunch of “Dark Matter.” All told, you’ve got six tracks/31 dynamic, pretense-free minutes of spacious heavy to soak your head. Plus it’s a bargain.

Here’s hoping they do a CD at some point:

saturno grooves cosmic echoes

Saturno Grooves – Cosmic Echoes

Cosmic Echoes is inspired by the human connection with the cosmos, its attempt to know and understand its nature, the use of psychedelics as a bridge of communication, all reflected in six compositions based on improvisation exploring different styles and addressing different themes, which in turn they intertwine the close relationship between the higher self and the universe.

Saturno Grooves is a Mexican band formed in Durango in early 2013 by Oscar Cisneros on bass, José Peyro on guitar and Adolfo Solís on drums. The band was born thanks to the common interest of its members to explore psychedelic sounds and develop them within instrumental rock.

In May 2018 comes to light Solar Hawk through LSDR Records composed of six themes inspired by discourses and nature-related events translated into ancient mythologies and urban legends, which in turn are reflected in the continuous exploration of sounds under the influence of psychoactives. This material has been the work of compositions that through 2016 and 2017 were restructured and modified giving this result, is music in order to be enjoyed with high volume and away from distractions.

Tracklisting
1. Fire Dome 05:04
2. Forever Zero 07:15
3. Cosmic Echoes 08:10
4. Celestial Tunnel 07:25
5. Blind Faith 01:45
6. Dark Matter 02:06

All music by Saturno Grooves.
Lyrics: José Peyro, Oscar Cisneros.
Recorded, mixed and mastered by KB in Testa Estudio
León, Gto. México. Jan. 19-20 2020.

Saturno Grooves are:
Adolfo Solis – Drums, Vocals and Acoustic Guitar in “Blind Faith”
José Peyro РGuitars, Vocals
Oscar Cisneros – Bass

https://www.facebook.com/saturno.grooves
https://www.instagram.com/saturnogrooves/
https://saturnogrooves.bandcamp.com/
https://www.facebook.com/lsdrrecords/
https://lsdr.bandcamp.com/
https://www.storenvy.com/stores/823500-lsdr-records-distro

Saturno Grooves, Cosmic Echoes (2020)

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Cegvera Release Live Bootleg on LSDR Records

Posted in Whathaveyou on January 8th, 2019 by JJ Koczan

I’m a big fan of bands doing you-come-here-we-go-there tour trades. In 2017, Vinnum Sabbathi, whose members also stand at the helm of LSDR Records, hit the UK to tour with Cegvera. In 2018, it was Cegvera touring Mexico with Vinnum Sabbathi. They also released a split (review here) late last year through LSDR and would seem at some point to have begun to share Gerardo Arias between both bands, so clearly it’s an association that goes further than simply swapping shows. But all the better, really. The tighter the bands are, the more likely they are to get out together, and clearly it’s a productive partnership on all fronts.

To wit, LSDR Records has been hosting a series of live releases simply titled Live Bootleg, and Cegvera‘s Live Bootleg: Cegvera (Pal√≠ndromo) is the latest of them. Recorded while the band was on tour in Mexico this past June, it’s a solid set that showcases their heavy instrumentalism and penchant for atmospherics, captured at Palindromo in Guadalajara at what sounds like it was a pretty killer show. It’s a name-your-price download, so clearly the band and label are just trying to get the music heard by as many people as possible, and I can think of few missions more noble than that.

Info and audio follow:

cegvera palindromo

Cegvera РLive Bootleg: Cegvera (Palíndromo)

During the tour of Cegvera and Vinnum Sabbathi last June we had the opportunity to record the show that rifaron in Palíndromo, Guadalajara.

Like all the entries in the series, you can download this and other live sets of National Underground bands on our bandcamp: https://lsdr.bandcamp.com

Tracklisting:
1. The Great Blackout 06:19
2. Collapse // Aftermath 06:50
3. Natural Threats II 03:55
4. Depletion // Overshoot 07:38
5. Fractals 04:45
6. Rise 07:44

Cegvera (Bristol, UK) live at Palindromo, Guadalajara, June 8th 2018. Released January 6, 2019.

Recorded and edited by Juan Tamayo.
Cover photo by El G√ľerito Invita.

Cegvera is:
Gerardo Arias: Guitar
Aaron Scrupps: Bass
Matt Neicho: Drums

https://www.facebook.com/cegueraUK
https://cegvera.bandcamp.com/
https://www.facebook.com/lsdrrecords/
https://lsdr.bandcamp.com/
https://www.storenvy.com/stores/823500-lsdr-records-distro

Cegvera, Live Bootleg (2019)

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Terror C√≥smico Premiere “Sali√≥ del Pantano”; III out Sept. 3

Posted in audiObelisk on August 29th, 2018 by JJ Koczan

terror cosmico

Mexico City-based duo Terror C√≥smico have a Sept. 3 digital release date for their aptly-titled third album, III. With impending CD issue via Concreto Records to follow and vinyl sometime in 2019 — presumably before they embark on a European tour in May — the two-piece of guitarist Javier Alejandre and drummer Nicol√°s Detta make an impression in crunch tones, hard-hit drums and a variety of atmospheres from the Earth-meets-near-traditional doom of opener “Nocturno” through the ambient-vocalized “La Cabalgata de Asmodeo” and the foreboding tension in the dirge “Hypnos.” The screams in “La Cabalgata de Asmodeo” and the growls/throatrippers later in the penultimate “Sali√≥ de Pantano” are standout moments, to be sure, but ultimately they become part of the atmosphere created by the guitar and drums, surely influenced in its most raging moments by bands like Black Cobra but having more in common in Alejandre‘s tone on “Kronosauris” with the defunct Beast in the Field, though even that comparison is a stretch as Terror C√≥smico set off on the 10-minute journey that is closer “La Monta√Īa,” a patient build that disintegrates in its second half only to ebb and flow again before its sudden cold-stop finish. There’s even some melody late in the guitar, just in case you think you might have¬†Terror C√≥smico¬†at all figured out.

And from the rumble and spaciousness of “Nocturno” onward, the seven-track/43-minute offering never quite gives its audience a chance to be fully hypnotized. “Nocturno” has underlying movement and a subtle angularity that’s just enough to stave off trance-inducement, and just when it might begin to dull the consciousness, “Tlatecuhtli” picks up directly with a more active thrust and popping, forcefulterror cosmico iii snare work and an ultimate noise assault that’s as precise as it is tonally and rhythmically dense. It probably doesn’t need to be noted that for all their lacking a bassist there’s no shortage of low end in¬†Alejandre‘s guitar, and as he loops through layers and tops a steady rhythm line with a scouring lead on “Kronosaurus,” the sound is indeed full and deep-running. They’re three albums in, and have several other singles and shorter-releases besides, so¬†Detta and¬†Alejandre¬†have a clear sense of what they want their sound to do and the impact they want it to make, and¬†III manifests that in both an aggressive pummel and steady-handed shifts in mood. “La Cabalgata de Asmodeo” is the centerpiece and particularly extreme in both its faster and slower stretches — and¬†Detta does excellently in leading the way through both — but even there,¬†Terror C√≥smico¬†remain coherent and able to slip into a second half of relatively-minimalist guitar, the residual noise fading en route to “Hypnos.”

Following behind 2015’s¬†Devorador de Sue√Īos¬†and 2013’s Muerte y Transfiguraci√≥n, III is a record for which genre is a thing to be manipulated to suit its own ends, not the other way around. As Terror C√≥smico roll and nod through “Sali√≥ del Pantano,” which is the shortest inclusion at 4:11, the full-album flow of which that song is part becomes all the more apparent, and with “La Monta√Īa” still to climb, there’s no loss either of the presence of the band’s delivery or the deceptive breadth they conjure in the material. Though it would seem to be a contradiction to have a two-piece that’s as expansive as it is crushing, Alejandre and Detta break the glass of expectation and use the shards to expose the raw flesh of their creation. It is a powerful and consuming release.

Below, you can stream the premiere of “Sali√≥ del Pantano,” which you’ll find on the YouTube embed followed by some more info off the PR wire. More on the European tour when I hear it, but in the meantime, please enjoy:

Terror C√≥smico, “Sali√≥ del Pantano” official track premiere

An instrumental duo born in 2012 in Mexico City, Terror Cósmico is made up of guitar and drums. Even with only two instruments, the dynamics of their music lead you from mystic and harmonic passages to dark and violent cuts.

On September 2013 they released their first full-length album, ‚ÄúMuerte y Transiguraci√≥n‚ÄĚ, with the Mexican label Concreto Records. With this material they toured M√©xico, the U.S. and Argentina. On August 2015 they released their second album, ‚ÄúDevorador De Sue√Īos‚ÄĚ (Concreto Records), this time touring Mexico, the west coast of the US and finally Europe alongside mexican stoner metal band ‚ÄúWeedsnake‚ÄĚ through 2017¬īs summer. In 2018 the band will release their 3rd full length album.

Third LP from the Mexico City duo, having as title the number of release ‚ÄúIII‚ÄĚ. The band shows 7 tracks redefining the sound they’ve had since the beginning. Recorded at Testa Studio in Leon, Guanajuato in May 2018. The tracks travel through different sonic sceneries, going through introspective ambient moods to raw and aggressive songs that mutate with each other. An album that maintains the sound of the band but has new elements, more loops and vocals without lyrics in 2 tracks. The artwork is done by Karmazid and the album will be released on September 3 in all digital platforms. Cd will be released by Mexican label Concreto Records before the end of the year and vinyl will be coedited by different labels for next year.

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Review & Full Album Premiere: Saturno Grooves, Solar Hawk

Posted in audiObelisk, Reviews on May 21st, 2018 by JJ Koczan

saturno grooves solar hawk

[Click play above for the premiere of Saturno Grooves’ Solar Hawk, out in June via L.S.D.R. Records]

Some albums work better on vinyl or tape, with that split down the (roughly) middle, and some work better on CD or digital, where you can listen straight through in one sitting with no interruption to the process. Saturno Grooves‘ debut full-length, Solar Hawk, arrives via L.S.D.R. Records as a record that feels designed to go either way and still not lose its grasp on the listener. With a split between its first three and second three tracks, it allows one to pause for a second and catch their breath before immersing in the broader explorations to come that the six-minute-on-the-dot “Cherna Bong” sets up at the end of side A.

In a linear format, with no break in the six-track/34-minute run, Solar Hawk unfolds gracefully and sets up its flow early on the shorter opening duo “Beaumont” (3:24) and “Seven Hills” (4:20) before “Cherna Bong,” the title-track (6:22), “White Sand” (7:42) and closer “Red Sun Arising” (6:56) push further outward into a heavy desert psychedelia that seems as much about the Durango, Mexico-based trio’s enjoyment of the trip as the audience’s experience of the results. Guitarist Jos√© Peyro, bassist Oscar Cisneros and drummer Adolfo Sol√≠s make no claim that I’ve seen of their debut being a concept album — they seem to cite a variety of cultural and thematic influences — but the fluidity with which they loose their material speaks to a certain wholeness just the same.

That turns out to be a strength particularly when taking the album in one single dose: by the time the rolling apex of “White Sand” seems to provide the album’s culmination, the rest of Solar Hawk — apart from “Red Sun Arising,” obviously — has hit the bloodstream and already had its engaging effect, whether it’s the feedback drenched largesse that initiates the post-Kyuss semi-prog thrust of “Seven Hills” or the drawn out and echoing lead that Peyro layers atop the title-track as it oozes toward its midsection, which drops momentarily to a quiet space of guitar-only desert tonality that, frankly, I wish there was more of throughout. With an EP and a single behind them in their five years together, Saturno Grooves clearly constructed this debut out of jams — note that the “construction” is very much a factor; this isn’t just jams put to tape — but it’s in the flashes of patience like that of the title-track or the start of “White Sand” that offer flashes of the dynamic developing within their sound.

saturno grooves

I’m not saying they need to start doing loud/quiet tradeoffs or straight-up quiet-to-loud builds exclusively or anything, simply that in the tones of Peyro and Cisneros, there’s enough presence to hold up those subdued moments perhaps more than the band are willing to give themselves credit for. Hell, in “White Sand,” even Sol√≠s gets to take the fore briefly to lay down a shuffling foundation for the push to come. There’s a lot of all-three-together here, and it works very, very well. Where Saturno Grooves have room to grow is in toying with the balance between all-three-together and highlighting each individual’s contributions and presence as well as the balance between louder and softer, faster and slower parts, which they already do exceedingly well, blending shades of the aforementioned Kyuss with some of Earthless‘ cyclical virtuosity and Sleep‘s penchant for nod, which again, makes “White Sand” seem like the peak of Solar Hawk when it hits into its moment of arrival.

And I’ve used “seem” twice now as regards that track only because when the subsequent “Red Sun Arising” begins to land its bombastic, plodding crashes, the effect of that stomp is nearly resonant enough to leave footprints. Saturno Grooves thud and riff their brains out on the finale, and by the time it’s about 2:45 into its nearly seven minutes and they seem to draw back for a second, one has to wonder where they’ll head next, but the answer is into a speedier, solo-topped middle third that soon enough gives way to a far, far gone section of molten roll, again showcasing Peyro‘s impressive lead work as it sort of flowingly dances — because it’s not marching, and it’s not lumbering anymore, and it’s still too cohesive just to be melting away — to its finish, which upon its arrival feels somewhat sudden, as “Red Sun Arising” sound both like it could just keep going and like it’s destined for a gentle fadeout rather than the cold snap ending it receives.

Maybe that’s Saturno Grooves‘ way of subverting expectation, but either way, when one goes back and revisits “Beaumont” at the outset, its galloping progression and straightforward riffing underscore the point of the distance the three-piece travel from one end of the LP to the other. However one chooses to connect with it, the most important factor is that Saturno Grooves make that connection while sounding natural and utterly in their element as they progress throughout. Again, I don’t think it’s a concept album from their end, but even in its instrumental form, it’s easy to read a narrative progression into the songs themselves, let alone any other tale they might actually be telling. While this is technically their first album, Saturno Grooves sound like a group who’ve played together for a while, who have developed a sense of musical conversation between themselves and the common language for that to take place. One only hopes that dialogue will be ongoing.

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