Kadabra Premiere “Settle Me” Video; Ultra Preorder Available

Posted in Bootleg Theater, Reviews on July 22nd, 2021 by JJ Koczan


Newcomer trio Kadabra make their debut on Sept. 17 with Ultra, on Heavy Psych Sounds. The Spokane, Washington — not actively burning at the moment but maybe blanketed in not-the-good-kind smoke? — unit of course bear some moniker resemblance to Kadavar, and hey, that’s fine, but if we’re talking early ’10s heavy as comparison points Ultra vibes way more like first-record-era Mars Red Sky and Asteroid jamming in a massive temple carved out of an underground cavern, and if you can’t get down with that, you need to move on with your life. Comprised of guitarist/vocalist Garrett Zanol (Blackwater Prophet, Indian Goat), bassist Ian Nelson (Bad Motivator) and drummer Chase Howard (Vanna Oh), the crux of Kadabra lies in the blend of tonal weight, melodic float and hazy atmosphere, but that doesn’t mean Ultra centerpiece/highlight hook “Bean King” doesn’t move or that closer “Settle Me” (video premiering below) can’t reinvent “The Zoo” by Scorpions into a languid flow while the band stands around and maybe has a smoke in the clip. Have vibe, will travel hopefully travel when the restrictions lift. You get a seven-track/44-minute showing on Ultra, howling and nodding from the outset on “Graveyard,” but not dumb, not retread and not just riffs. There’s melody here, and depth, and roll. It won’t be unfamiliar to many who take it on, but hell’s bells it’s a good time.

“Graveyard” begins the procession of heavy chill hitting its stride in shimmering melody at its midpoint before tapping the wah and making it count and shifting into an airier jam underscored by Nelson‘s bass. If that’s gonna be a pattern, right on. Both “Faded Black”kadabra ultra and “Eagle 20’s,” which follow immediately, top seven minutes, and the former unfolds mellow and languid enough to single-handedly justify the PR wire’s comparison to Dead Meadow below, but there’s more than sleepy sungazing going on too as it trips out, grounded by its heft but still psychedelic, picking up speed late and feedbacking into a fade ahead of the companionably bright start of “Eagle 20’s.” The momentum from the finish of “Faded Black” is held up, but the abiding spirit is still liquefied, the boogie warm as “Eagle 20’s” stretches out over the 7:47 that makes it the longest track on Ultra and the assumed cap for side A, a showcase for Howard on drums, and the warmth in the sounds there, as well as Zanol‘s repeated lines, but really a whole-band feel, since Nelson‘s low end is a steady presence. The aforementioned “Bean King,” then, (presumably) opens side B, with vocals in layers and a post-Sleep cadence recounting stonerized narrative over insistent start-stop heavy push in the verse, a straightforward structure playing well to make it a quirky highlight, veering off for a solo, coming back around, playful and heavy in kind.

The plunge has been taken, the vibe set by the early subdued pacing, and so as “Death” builds on the starts and stops of “Bean King” with a meatier stomp, bringing that noted Asteroidian melody to the fore, Kadabra have already won. Penultimate cut “Coyote” offers due spaciousness and a kick of swagger, some shuffle in answer to its open verse lines, and goes psych in its layered solo later, straightening out for a clean-then-noisy finish that emphasizes the point of side B of Ultra as a victory lap. It’s ineresting that the band notes below “Settle Me” was the last song they wrote for the record. It’s the richest in terms of harmony, and it carries that swing and swagger of “Coyote” before it. It’s abundantly clear Kadabra wrote it after they had a good idea of what they were doing — and also after they decided what they were doing was some hot shit, which, granted, it is — and it ties together the relaxed groove of the first half of the record with the speedier push of the second, wrapping the whole thing around a mega-fuzz guitar line that, again, kind of brings Scorps to mind, and in no way is that a complaint. They fade out at the end, and stay that way — part of me was hoping it was a false ending; would be classic — and the message sent is received: more to come. Here’s hoping, anyhow.

Easily digable for the converted, and one of the best debuts I’ve heard this year — a lot of killer first records in 2021; here’s to pandemic productivity — Kadabra shouldn’t be tossed off because their name reminds you of someone else, and among the ever-packed roster of Heavy Psych Sounds, they legitimately bring something of their own to the label and to the style of molten riffery they play. Can you get to this? Yes, and you should. If you want a bottom line, that’s it.

Enjoy the video:

Kadabra, “Settle Me” official video premiere

Kadabra on “Settle Me”:

“Settle Me” is the last song we wrote for the album ULTRA. The song rides the steady swampy flow of psychedelia while racing into a heavy, fuzzed turbulence.

Settle Me is the second single taken from the KADABRA debut album ULTRA.

The release will see the light September 17th via Heavy Psych Sounds.

ALBUM PRESALE: https://www.heavypsychsounds.com/

USA PRESALE: https://www.heavypsychsounds.com/shop-usa.htm

Kadabra from Spokane, Washington U.S., delivers the eerie psyche crawl of acts like Dead Meadow and the heavy fuzzed riff grime of Black Sabbath. In fall the of 2020, they tracked their debut album with Dawson Scholz, and it is set to release this fall on Heavy Psych Sounds Records.

Written throughout the 2020 global pandemic, Kadabra’s debut album “Ultra” presents an aesthetic that nears that “classic rock” charm and energy. The group has meshed together the droned flow of psychedelic clamor with an abrasive fuzzed riff drive. In the fall of 2020, they tracked “Ultra” with a friend, Dawson Scholz, and it is set to release this fall on Heavy Psych Sounds Records.

Faded Black
Eagle 20’s
Bean King
Settle Me

Garrett Zanol (Vocals/Guitar)
Ian Nelson (Bass)
Chase Howard (Drums)

Kadabra on Instagram

Heavy Psych Sounds on Facebook

Heavy Psych Sounds on Instagram

Heavy Psych Sounds website

Heavy Psych Sounds on Bandcamp

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Heavy Psych Sounds Announces Reissues for Solarius, B.U.S. the Unknown Secretary and Stonewall Noise Orchestra

Posted in Whathaveyou on July 21st, 2021 by JJ Koczan

A never-released 2006 EP from Solarius, who featured Graveyard’s Jonatan Ramm on guitar and vocals, a reissue of B.U.S. The Unknown Secretary‘s 2016 debut (review here), and another reissue, of Stonewall Noise Orchestra‘s 2005 debut album, Vol. 1. Heavy Psych Sounds is sending multiple signals here. First, that its reissue program, which has already fostered revisits to outings from Dozer, Nebula, Kylesa, Josiah, Sgt. Sunshine, and others, will continue to dig into the pre-social-media era of underground heavy and find treasure waiting to be unearthed. Stonewall Noise Orchestra alone proves that, and Solarius feels like a flex there too.

It may be that B.U.S. have been picked up by Heavy Psych Sounds for their next outing — they released an album in 2019 (review here) on RidingEasy that was killer and showed them as underrated — but either way, five years later, their first one is worth another look, and it demonstrates the ever-increasing reach of HPS to do what it wants and when. The Italian label is the go-to for heavy rock and roll and psych in Europe. Their reissues are a victory lap in that regard.

Do Norrsken‘s complete works next.

Info and preorder links follow, courtesy the PR wire:

HPS183 *** SOLARIUS – Universal Trial ***
– first press of the 2006’s unreleased EP feat. members of Graveyard –

We are extremly proud to start the presale of the SOLARIUS 2006’s unreleased EP UNIVERSAL TRIAL !!

ALBUM PRESALE: https://www.heavypsychsounds.com/shop.htm#HPS183

USA PRESALE: https://www.heavypsychsounds.com/shop-usa.htm#HPS183

Recorded back in 2006 and hidden up until now. Swedish retro rockers Solarius masterpiece “Universal Trial” is now brought to daylight with this release. 70’s groovy hard blues rock with a psychedelic twist and featuring Jonatan Ramm of Graveyard fame (before joining that band). Hard, groovy, soft and fuzzy sound that brings you back to the early 70’s.

The songs were recorded in Don Pierre Studios in Gothenburg produced by the legendary Don Alsterberg (Graveyard etc). The master tapes were forgotten but are now found and released on Heavy Psych Sounds Records. The recording is 100% analogue and recorded and mixed on tape. The songs gets its magic from a beautiful mix of groove, melodies, fuzzy hard rock and dreamful psych prog rock influences.


Universal Trial – 4.58
Sky Of Mine – 4.14
Into The Sun – 6.26
Mother Nature Mind – 5.25

Jonatan Ramm – Guitar and vocals
Mattias Ohde – Bass and vocals
Fredrik Aghem – Drums
Johan Grettve – Keys

B.U.S. The Unknown Secretary

HPS184 *** B.U.S. – The Unknown Secretary ***
– repress of the 2016’s debut album –

We are extremly proud to start the presale of the B.U.S. 2016’s debut album THE UNKNOWN SECRETARY repress !!

ALBUM PRESALE: https://www.heavypsychsounds.com/shop.htm#HPS184

USA PRESALE: https://www.heavypsychsounds.com/shop-usa.htm#HPS184

In the beginning, there was chaos…

A while later in the Heavens, where angels reigned, there was once held a great symposium, a glorious feast. Everyone was happy and having a great time, until Lucifer, fairest and mightiest of all the angels, brought in suspicious and strange substances, offering them freely with both hands for everyone to take. All were fooled by the Ancient Serpent, starting to misbehave and act in contradiction to the Heavenly Laws. The Almighty God, enraged upon learning about the mutiny, threw everyone down on earth to suffer eternally in hunger, ugliness and desperation. Vulnerable now to each and every temptation, they are ready to perpetuate Good and Evil, while building their new earthly Kingdom in any way they can.

Angelic chants, Demon’s screams, witches dancing and woeful mortal suffering are recounted in this album’s songs, embellished with mesmerising hymns and sharp riffs. Chaos is always close and all that remains is the human revolution against the forces of evil.

“The Unknown Secretary” comes to further unsettle the turbulent waves of music and burn its own mark in history.

Today, five years after its original release, Heavy Psych Sounds reissues this retro gem, serving it once again straight into your record case.



A1 Fallen – 3:33
A2 Masteroid – 4:45
A3 New Black Volume – 4:53
A4 Forever Grey – 3:28
A5 Don’t Fear Your Demon – 5:04
B1 Rockerbus – 7:38
B2 Withered Thorn – 4:49
B3 Over The Hills – 4:56
B4 Jimi – 5:20

B.U.S. is:
Bill Politis – Vocals & Guitars
Dimitris Papavasileiou – Bass Guitar
Aris Fasoulis – Drums
Fotis Kolokithas – Guitars

stonewall noise orchestra vol. 1

– repress of the legendary album in new coloured versions –

We are also stoked to start the presale of the STONEWALL NOISE ORCHESTRA legendary debut album VOL. 1 repress !!

ALBUM PRESALE: https://www.heavypsychsounds.com/shop.htm#HPS190

USA PRESALE: https://www.heavypsychsounds.com/shop-usa.htm#HPS190

VOL. 1 is the legendary debut album of the swedish stonerockers Stonewall Noise Orchestra, released via Daredevil Records in 2005 featuring ex members from Demon Cleaner and Greenleaf!! This is a Stoner Rock masterpiece picked with some Black Sabbath and Hawkwind fragments! If you like it slow, heavy and straight in your face you can’t miss this one.

After more then 15 years Heavy Psych Sounds decided to give a new life to this masterpiece and repress it in completely new coloured vinyl versions.



Superfortress – 5:05
An Epic Curse – 7:41 (CD BONUS TRACK)
Two Sides Of A Sin – 4:51
As My Sun Turns Black – 3_51
Freedoms Prize (Demon Cleaner cover) – 5:21
Going To Clarksdale – 4:33
Evolution? – 5:28
High Octane Fever – 5:14
Hill Street Madman – 3:49
Sweet Queen – 4:49

Lars-Inge – vocals
Snicken – guitar
Jansson – guitar
Jonas – bass
Mr. Pillow – drums


Solarius, “Universal Trial”

Stonewall Noise Orchestra, “Sweet Queen”

B.U.S., The Unknown Secretary (2016)

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Heavy Psych Sounds Fest Switzerland 2022 Makes First Lineup Announcement

Posted in Whathaveyou on July 20th, 2021 by JJ Koczan

Heavy Psych Sounds Fest Switzerland 2022 stupid crop

Not going to sit here and pretend I know what the next year will bring. Or the next 15 minutes. Shit, I live with a three year old. Every day is a new reality to face down. Maybe announcements like this are grasping at straws for a life that’s gone now. I don’t know. But isn’t it worth it, especially in light of the universe of bullshit that has unfolded over the last year and a half — and don’t fool yourself, is still unfolding — to err on the side of optimism?

So yeah, Heavy Psych Sounds is announcing lineup info for its fest next year in Winterthur, Switzerland, at the famed Gaswerk venue. High on FireElder and Duel (who had a recent song premiere here) are the first three names, and that’s awesome. It’s a two-day event, and probably one of at-least-several-if-not-many the Italian label will unveil in the coming months, and though the chances of my being there are approximately nil, it still makes me feel good to think this might happen, so I’m posting about it. That’s all. I just want to actively think positively about a thing.

Here goes:

Heavy Psych Sounds Fest Switzerland 2022


After last year’s cancellation, Heavy Psych Sounds Records is proud to finally reveal the first bands for their Swiss edition of the renowned HPS Fest- series, taking place between June 3 – 4, 2022 at the Gaswerk in Winterthur!

Headquartered in Rome, Italy, Heavy Psych Sounds specializes in presenting the best artists in the global heavy psych, doom, fuzz blues, sludge and space rock realms such as BRANT BJORK, NEBULA, NICK OLIVERI, YAWNING MAN, STÖNER, BLACK RAINBOWS, ACID MAMMOTH, BELZEBONG, WEDGE, THE SONIC DAWN among many more, and their festival- series shows no exception, spotlighting the ever-growing label’s dedication to its craft. While the first HPS Fests were held in Italy, the label has since extended its live reach into the UK, Belgium, Germany, France, the Netherlands, Austria and even the USA: The underground cult label is not only THE adress for all heavy rock record collectors, but has also become an essential part of the live scene with a brisk participation from heavy music fans all over the world. More than a long year without live shows, today Heavy Psych Sounds announced the first big names for their Swiss 2022- edition, and have confirmed metal icons HIGH ON FIRE, progressive psych rock overlords ELDER, and Texas‘ heavy rockers DUEL to play HPS FEST Switzerland!

“We are so stoked to finally get back on the road with our HEAVY PSYCH SOUNDS FESTs !“ Says Heavy Psych Sounds staff member Rajko Dolhar. “After bringing our heavy psych vibes in the EU and the USA in recent years, we wanted to take on Switzerland too. Last year the pandemic put a hitch in our giddy up but we are pretty sure that in 2022 we will succeed. The lineup is one of the best so far with HIGH ON FIRE, ELDER, DUEL and many more yet to come, so grab your tickets and see you soon in front of the stage again !!”

Tickets for the HPS FEST Switzerland are now available at THIS LOCATION: https://www.petzi.ch/en/events/46811-gaswerk-heavy-psych-sounds-fest/tickets/#ticket-67502


Duel, “Children of the Fire

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Album Review: Stöner, Stoners Rule

Posted in Reviews on July 1st, 2021 by JJ Koczan

Stöner stoners rule

The stated objective of Stöner and the recording of Stoners Rule (on Heavy Psych Sounds), as guitarist/vocalist Brant Bjork explained here, has been to strip excess toward essentials. That is to say, Bjork and bassist/mostly-backing vocalist Nick Oliveri — who are joined in the endeavor by drummer Ryan Güt — aren’t so much looking to build on the legacy they’ve created in desert/heavy rock so much as to plunge down to its roots in what Bjork long ago coined “low desert punk.” It is not a coincidence that the first lyrics in album-opener “Rad Stays Rad” are lifted from the Ramones, and “hey ho, let’s go,” set to a thick, mid-tempo rollout, is emblematic of the purpose on display throughout the record that follows.

Stöner, with an umlaut? That’s something you’d name a band in high school. And yeah, you might write even scribble Stoners Rule on the front of your notebook while note paying attention in whatever class it might be. But that’s the idea behind the band. Yes, their pedigree involves Kyuss/Vista ChinoFu ManchuQueens of the Stone AgeMondo GeneratorChéTen EastThe DwarvesDesert Sessions, solo work from both, and on and on and on (we could do this all day). Stöner is an effort to distill all of that work they’ve done down to its simplest, most straightforward form.

Is that possible? Can you go back without actually going back? I don’t know, but Stoners Rule turns a willfully simple methodology into a strength throughout its seven tracks and 42 minutes. There is no question that some of what the trio are up to is a nostalgia trip for Bjork and Oliveri, and from the already-noted Ramones lyric in “Rad Stays Rad” and general perspective there to the Oliveri-fronted punk of “Evel Never Dies” — about daredevil Evel Knievel, which is about right in demographic terms — and in “The Older Kids,” to the these-are-lessons-we’ve-learned point of view in “Own Yer Blues,” “Nothin'” and “Stand Down,” even unto “Tribe/Fly Girl,” the 13-minute concluding jam that includes lines about finding their sound and finding their tribe, there’s a lot happening in past-tense throughout the songs. “Go ask the older kids” is something a parent says to a child.

“All your shit/It ain’t shit” in “Stand Down” comes across with the assurance of experience. “You take nothin’,” is both sound advice and testimony of ethic on the part of the lyrics. With the ever-fluid, laudably understated, not-doing-too-much-but-doing-it-right adaptable swing drumming of Güt, who also plays in Bjork‘s solo band, behind them, even at their most playful, Stöner are walking a delicate balance between looking back and embarking on something fresh, which is the project itself, while actively trying to remain unconcerned about any of it and just jam out and write songs and have a good time.

However simple they might seem and however straightforward the resultant material is — with “The Older Kids” nodding toward the ultra-seminal structures of riff that typified Kyuss as if to prove the theorem of “rad staying rad” before anyone could even have time to question it — these are not minor stylistic ambitions. And just because something is straightforward doesn’t mean it’s dumbed down or lazy, which the material on Stoners Rule isn’t. Rather, clever turns of phrase abound, even unto the idea of “taking things vs. taking nothing” in “Nothin'” — a song that’s two and a half minutes long and nonetheless serves as the centerpiece here.


Some compositions are easier to read more as Bjork‘s or Oliveri‘s at least in the main — “Evel Never Dies” has an inimitable mania that feels very Oliverian, and “Stand Down”‘s wah-soaked “Ain’t no funk if it don’t smell like a skunk” comes across as more Bjork, but the contributions of the one to the other aren’t to be understated. These are songwriters who’ve worked together on and off for over 30 years. Ultimately, a track like “Own Yer Blues” feels most like it emerged naturally out of a bluesy fuzz jam to become the slow-rolling hooky piece it is, and all three members of the band do well sharing space in the song. It’s by not pretending to be more than it is that Stoners Rule most flourishes.

It seems inevitable, though, that Stoners Rule would come up against high expectations, particularly given the personnel involved and the fanfare that surrounded the band’s debut as part of the ‘Live in the Mojave Desert’ streaming series. On a basic listening level, Stoners Rule doesn’t come across as that much different from the resultant live album from that stream, Live in the Mojave Desert Vol. 4 (review here), and it’s not supposed to. If anything, it’s to the band’s credit that it does, since the purpose behind what they’re doing is to make it sound like a live show might — the music in a raw, natural state, being itself raw and natural in its makeup — so while I’ve come across some ambivalence toward the record and it’s arguable the studio release has perhaps had some of its potential impact lessened by the live album showing up first, it seems likely that over time the balance will even out and Stöner‘s studio offering will stand on its own as the initial statement of intent that it is.

Part of its doing so, again over the longer haul, is what/if anything Stöner do to follow it up. Tour dates have been booked domestically and abroad, and it could well be that the band will continue forward and bring another collection of songs to bear after Stoners Rule, rather than Bjork and Güt going back to their band and Oliveri returning to any number of his several ongoing projects, and build on their accomplishments here. As it is, they do well by actively trying not to live up to the standard their pedigree would dictate, and that level of fuckall is all the more enjoyable as a listening experience because of the perspective of their songwriting and performances. I’m not sure what some listeners might’ve thought was coming, but it’s a band called Stöner. Maybe if they wanted it to be prog, they’d have called it that.

Stöner, Stoners Rule (2021)

Stöner on Facebook

Stöner on Instagram

Stöner website

Heavy Psych Sounds on Facebook

Heavy Psych Sounds on Instagram

Heavy Psych Sounds website

Heavy Psych Sounds on Bandcamp

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Duel Premiere “Children of the Fire”; In Carne Persona Preorder Available

Posted in audiObelisk, Whathaveyou on June 30th, 2021 by JJ Koczan


Austin, Texas, heavy rockers Duel are ready to roll out their fourth album, In Carne Persona. The Lone Star purveyors have done precious little since debuting with 2016’s Fears of the Dead (review here) beyond kick ass and take names, in the studio and on the road, and of course as there was that whole thing about the plague last year, In Carne Persona arrives following their longest time off tour in the last five years. They had Europe booked for Feb. and March last year, and, well, yeah.

But go ahead and get you some of “Children of the Fire” — an appropriate-enough title for a burner — with its dual-guitar classicism and unbridled shove-that-swings and tell me they’re not ready to party. Four records deep, they sound like they know who they are and what they want to do, and from the melody of the hook into the take-no-nonsense solo-plus-final-chorus, it’s four and a half minutes of organic efficiency that speaks only to the follow-up to 2019’s Valley of Shadows (review here) as one worth marking the calendar for.

Or preordering — and hey, wouldn’t you know, preorders are up as of right now. This very second.

Dig in. PR wire info follows the song:

Duel, “Children of the Fire” track premiere

duel in carne persona

Duel – In Carne Persona – Oct. 1

CHILDREN OF THE FIRE is the first single taken from the DUEL upcoming brand new album In Carne Persona. The release will see the light October 1st via Heavy Psych Sounds.

“In Carne Persona”, the upcoming fourth full length album from Texas heavy rockers DUEL, is more of what you have come to expect from the band. Nine new heavy riff soaked tracks from a dungeon in the desert. Written and recorded during plague lockdown, In Carne Persona has the feel of an album that takes its time and full attention to detail. Several upbeat classic guitar rockers in the vain of Thin Lizzy, early UFO, and the beginnings of KISS. A handful of old school NWOBHM anthems channeling early Judas Priest and Iron Maiden, tripped out stoner and proto metal soundscapes. Always pushing the barriers of their sound and offering up something new with the soul of the classic DUEL evil boogie.

“Children of the fire is the opening track from our new album. A sun scorched upbeat rocker with a killer dual guitar solo section. The vibe of this one we felt was reminiscent of the earliest DUEL songs like Fears of the Dead.”



Austin, Texas occult rockers DUEL are super heavy, tripped out 4 piece old school stoner metal. Steeped in the more sinister sounds of dungeon-esque early 80’s heavy metal, Proto metal of the 70’s and late 60s psych. Their tunes spin dark tales of ritual horror, occult sex and Apocalyptic doom. Exploring alternate realms, and the depth of infinite space with a head full of mushroom tea. Dueling Thin Lizzy esque guitars with the aggression of Motorhead meets the MC5. Dealing their own brand of dark boogie

Tom Frank – Guitars / Vocals
Shaun Avants – Bass / Vocals
Justin Collins – Drums
Jeff Henson – Guitars / Vocals


Duel, Valley of Shadows (2019)

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Kylesa to Reissue Catalog Through Heavy Psych Sounds; Preorders Up

Posted in Whathaveyou on June 24th, 2021 by JJ Koczan

I guess it’s possible we’re counting Kylesa‘s 2002 self-titled debut as a demo here? It was certainly raw compared to the band they’d become over their years together. But I don’t know, because the PR wire info lists 2005’s To Walk a Middle Course — on the heels of which they signed to Prosthetic for the subsequent two releases, 2006’s Time Will Fuse its Worth and 2009’s Static Tensions (review here) before aligning to Season of Mist — as the second record, so maybe it’s just a question of there being four more to come instead of three. Perhaps an issue for another time. The point here is that the three records listed above originally put out between 2005-’09 are being reissued on vinyl through Heavy Psych Sounds.

That puts Kylesa in the choice company of Dozer and Nebula as an act for whom the Italian label has embarked on a reissue series. While they’re without the doubt the least stoner rock of that bill, their more aggressive style — highlighted during this period of their tenure — was always tinged with an undercurrent of heavy. In any case, can’t argue. These records deserve to be heard, as the does the rest (?) of the Savannah, Georgia, troupe’s catalog apparently to see reissue next year.

Preorders up now. Links, all three album streams, and whatnot follow:


Heavy Psych Sounds to repress first three KYLESA albums – presale starts TODAY!!!

Today we start with the presale of the first 3 albums. In 2022 we are going to repress the other 3 releases.

FIRST THREE ALBUMS PRESALE: https://www.heavypsychsounds.com/shop.htm

USA PRESALE: https://www.heavypsychsounds.com/shop-usa.htm

NEW KYLESA MERCH by Branca Studio: https://www.heavypsychsounds.com/merch.htm

“We’re happy to announce that HPS is reissuing the long OOP titles “To Walk a Middle Course”, “Time Will Fuse Its Worth” and “Static Tensions” on vinyl. These were really our most formative years as a band; a time when we toured the most, discovered who we were musically and found a sound that we could no doubt call our own.”

HPS180 *** KYLESA – Static Tensions ***
– REPRESS of the 4th KYLESA album with new coloured versions –


Scapegoat – 3:25
Insomnia For Months – 2:04
Said And Done – 4:10
Unknown Awareness – 4:23
Running Red – 5:46
Nature’s Predators – 4:10
Almost Lost – 3:03
Only One – 5:20
Perception – 3:43
To Walk Alone – 4:23

HPS181 *** KYLESA – To Walk a Middle Course ***
– REPRESS of the 2nd KYLESA album with new coloured versions –


A1 In Memory – 4.29
A2 Fractured – 2.43
A3 Train Of Thought – 3.29
A4 Motion And Presence – 4.26
A5 Welcome Mat To An Abandoned Life – 3.38
B1 Bottom Line – 2.48
B2 Eyes Closed From Birth – 3.56
B3 Shatter The Clock – 4.46
B4 Phantoms – 6.15
B5 Crashing Slow – 3.35

HPS182 *** KYLESA – Time Will Fuse Its Worth ***
– REPRESS of the 3rd KYLESA album with new coloured versions –


A1 Intro – 0.34
A2 What Becomes An End – 4.02
A3 Hollow Severer – 4.12
A4 Where The Horizon Unfolds – 4.53
A5 Between Silence And Sound – 6.18
A6 Intermission – 2.01
B7 Identity Defined – 3.20
B8 Ignoring Anger – 5.17
B9 The Warning – 6.26
B10 Outro – 2.23

Kylesa last lineup:
Phillip Cope – vocals, guitars, samples
Laura Pleasants – vocals, guitars
Carl McGinley – drums, percussion, keys / samples


Kylesa, To Walk a Middle Course (2005)

Kylesa, Time Will Fuse its Worth (2006)

Kylesa, Static Tensions (2009)

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Duel Announce Fourth Album Preorders Start Next Week

Posted in Whathaveyou on June 23rd, 2021 by JJ Koczan

Count Austin heavy rockers Duel among the multitudes whose forward momentum got usurped by circumstances well beyond their control last year. Their last record was 2019’s Valley of Shadows (review here), which saw them continue to tour hither and yon on various continents, and while they haven’t been able to do that over the last 15 months, at least somebody was writing. Their fourth studio album — fifth overall release for Heavy Psych Sounds when one includes 2018’s Live at the Electric Church (review here) — will presumably be out sometime in the Fall since preorders are starting next week.

In keeping with the label’s promotional style, this is kind of the announcement of the announcement, and when the preorders start, that’ll be when there’s a track premiere, the album details, probably artwork and all that stuff. Fair enough. Duel have proven nothing if not reliable over the course of their career to-date, and I look forward to hearing how they counter the restlessness they no doubt felt having to sit on ass for so damn long.

Easy bet this’ll be good.

From the PR wire:


Heavy Psych Sounds to announce DUEL is coming back with a brand new album!!!



“We here at cult DUEL are absolutely stoked to announce we are releasing yet another full length album with our Heavypsychsounds family. We have made good use of our time during our modern plague, and are looking forward to sharing it with y’all.”

Austin, Texas occult rockers DUEL are super heavy, tripped out 4 piece old school stoner metal. Steeped in the more sinister sounds of dungeon-esque early 80’s heavy metal, Proto metal of the 70’s and late 60s psych. Their tunes spin dark tales of ritual horror, occult sex and Apocalyptic doom. Exploring alternate realms, and the depth of infinite space with a head full of mushroom tea. Dueling Thin Lizzy esque guitars with the aggression of Motorhead meets the MC5. Dealing their own brand of dark boogie

They have earned a reputation with their beer soaked high energy live performances, relentless touring, writing and recording schedule. Since 2016 the band have released 3 albums with a 4th LP “Valley of Shadows” set to be released on Heavy Psych Sounds Records in May of 2019. DUEL is about to embark on their sixth extensive European tour once again hitting many of the major festivals that they have in the past. Desert Fest, Freak Valley, Stick and Stone, Black Deer Fest in the UK etc. The band has also stayed extremely busy at home in the United States with a brand new album to come in 2021.

Tom Frank – Guitars / Vocals
Shaun Avants – Bass / Vocals
Justin Collins – Drums
Jeff Henson – Guitars / Vocals


Duel, “Black Magic Summer” official video

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Kadabra Releasing Ultra Sept. 17

Posted in Whathaveyou on June 18th, 2021 by JJ Koczan


Well, now I get it. Sept. 17 is three months from yesterday, so there’s still a bit of time for the plot to unfold, but Kadabra make a bold first showing in the initial single from their upcoming debut album, Ultra. Set to issue through Heavy Psych Sounds, the record is up for preorder now and is led off by “Graveyard,” which one can hear below in its post-Mars Red Sky melody ‘n’ wah weighted roll coupled with a spaciousness that’s pure Pacific Northwestern mountaintop all the way. I dig it, man. I dig it. The label’s earned a lot of trust with international pickups over the last few years, so I was expecting to dig it when the signing was announced last week, but that doesn’t make doing so any less satisfying now that there’s some audio to accompany.

Three months is a long time.

Preorders are up now though, if you’re the type to take care of things early, and I dig the album art with the stained glass and all that. I’ll hope to have more to come on Ultra once, you know, I hear it and so on.

The PR wire has this:

kadabra ultra

KADABRA share first single off upcoming debut album ‘Ultra’ on Heavy Psych Sounds; preorder available now!

Spokane, Washington stoner rockers KADABRA sign to Heavy Psych Sounds for the release of their debut album ‘Ultra’ on September 17th, and premiere the first single “Graveyard”.

Written throughout the 2020 global pandemic, KADABRA’s debut album presents an aesthetic that nears that “classic rock” charm and energy. The group has meshed together the droned flow of psychedelic clamor with an abrasive fuzzed riff drive. In the fall of 2020, they tracked their debut album with their friend Dawson Scholz, and it is set to release this fall on Heavy Psych Sounds Records. ‘Ultra’ will be released on September 17th, 2021 through Heavy Psych Sounds, and available to preorder now on various vinyl formats, CD and digital.

KADABRA Debut album ‘Ultra’
Out September 17th on Heavy Psych Sounds
PREORDER: https://www.heavypsychsounds.com/

1. Graveyard
2. Faded Black
3. Eagle 20’s
4. Bean King
5. Death
6. Coyote
7. Settle Me

In 2020, a year wrecked with cultural dissent and a global pandemic, fellow musicians and long-time friends Garrett Zanol (Blackwater Prophet) and Ian Nelson decided to start their own band. After retaining the talents of their favorite local drummer Chase Howard, the group got to work on writing an album that illustrates their current climate. KADABRA delivers the eerie psyche crawl of acts like Dead Meadow and the heavy fuzzed riff grime of Black Sabbath. In the fall of 2020, they tracked their debut album with Dawson Scholz, for a release this fall on Heavy Psych Sounds.

Garrett Zanol (Vocals/Guitar)
Ian Nelson (Bass)
Chase Howard (Drums)


Kadabra, “Graveyard”

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