Live Review: Psycho Las Vegas Saturday, 08.18.18

Posted in Features, Reviews on August 19th, 2018 by JJ Koczan

Psycho las Vegas 2018

08.19.18 – 5:45AM – Sunday morning – Hotel room

I woke up an hour before both my alarms — my early alarm to write and my later alarm to shower in that glorious Hard Rock Hotel shower and start the day. Bothersome but not the end of the world. One doesn’t come to a festival expecting a lot of rest. Make do with what you get.

Today also started an hour later, so I actually had a little time to kill. psycho las vegas 2018I sat down in the center bar for a while and drank a coffee, just kind of soaked in the place and the reality of the casino’s weirdness. They were playing rock videos on the tvs in the bar and the Little League world series next to each other. The Yankees game was on elsewhere but I didn’t get to see a score.

I’ve met a lot of really nice people who’ve said a lot of really nice things about this site. A lot. And it’s been good to put faces to names I’ve seen on posts and comments and stuff like that. I’ll admit Vegas isn’t really my kind of town, but I feel incredibly fortunate to be here this weekend and I’m utterly stupefied every single time someone comes up to say hi. Thank you.

Day kicked off in Vinyl, which packed out early. Here’s how it went down:

Venomous Maximus

Venomous Maximus (Photo by JJ Koczan)

Some mystery to start off the day with Houston’s Venomous Maximus, who played as the trio of guitarist Christian Larson, bassist Trevi Biles and drummer Bongo Brungardt, sans frontman guitarist/vocalist Gregg Higgins, who’s a significant presence to the band. I’m not looking to spread rumors, and I was hoping to run into the guys after they played so I could ask what happened, but what I heard was that Higgins went Vegas AWOL, which is apparently a thing that happens here. That left Larson on vocals, and he did an admirable job filling in on songs like the title-track of last year’s No Warning (review here) and “October 14th” from 2015’s Firewalker (review here). With the lone guitar and Larson stepping into a frontman role, it was a markedly rawer presentation than one would expect from Venomous Maximus, since Higgins‘ theatricality has always been such a big part of what they do live, but if anything, it proved that the heart of the band has always been their songwriting, which remains memorable and largely undervalued. Given the circumstance, it’s commendable they played at all, but by the end of the set Vinyl was slammed with people and surprisingly loud for one in the afternoon.

Batushka

Batushka (Photo by JJ Koczan)

Elaborate. It was not a minor production. Polish black metallers Batushka opened The Joint about a half-hour past their listed start time, and the line outside to get in told the tale of a band people were itching to see. Robed and chanting, surrounded by candles, incense, vestments and other sundry appropriated Christian this-and-thats, they tore open a cosmic blackened assault that was powerful. Elsewhere at the Hard Rock, and completely unrelated to the festival, there was a bikini contest happening, and I kept thinking what an amazing and odd planet it is that Batushka and the bikini contest would be going on at the same time in basically the same place. Surreal. The production, lights, sound, everything, was spectacular in the truest sense, and as I was basically unfamiliar with them going into the set, the delay made more sense once they actually got going, spread out on the stage as they were, with multiple vocalists and the whole ceremonial vibe. It was fascinating to see them use so much religious imagery and iconography, giving the whole set the feeling of being a mass, and then of course ripping it in half. Or maybe burning it to the ground? Either way.

Forming the Void

Forming the Void (Photo by JJ Koczan)

Forming the Void are a better band than they know. They’re starting to figure it out. You can hear that happening on their third record, Rift (review here), and accordingly, it’s a really exciting moment to have the chance to catch the Louisiana four-piece live. They started out somewhat reserved on stage, but by the end, guitarist/vocalist James Marshall, guitarist Shadi Omar Al-Khansa, bassist Luke Baker and drummer Thomas Colley were more fully engaged with the material, and when they closed out with “On We Sail” into “Saber” from their 2016 debut, Skyward (review here), one could hear the progressive sonic growth they’ve undertaken. They’re doing everything right. They have the songs, they have the aesthetic, they have a budding presence on stage. They just need time to keep doing what they’re doing. I hope they tour more. Vinyl was, again, full for them, and they already had the room on their side. They’re in the process of becoming something really special as a group, and one only hopes they keep moving forward the way they have thus far into their tenure. They were a must-see for me this weekend, and I heard from a lot of other people who said much the same. There was no mistaking why once they got underway. Felt lucky to watch their set.

With the Dead

With the Dead (Photo by JJ Koczan)

Speaking of doom royalty, one Lee Dorrian strutted out onto the Joint stage with all the assurance of a high roller at one of the tables out in the casino. I’ve been fortunate enough to see With the Dead once before, but this set was going to be something inherently different from the grime-laden ubergroup, since Dorrian and his chapeaued fellow former Cathedral bandmate, bassist Leo Smee, were playing as a trio with Unearthly Trance‘s Darren Verni sitting in on drums. The band canceled their appearance at Bloodstock in the UK just over a week ago owing to some unforeseen situation with guitarist Tim Bagshaw (also of Ramesses), and sure enough, Bagshaw didn’t make this trip either. Still, the whole point of With the Dead is to sound as filthy and maddeningly doomed as possible, and channeling Smee‘s bass through guitar amps in addition to his own was a good way to get there. They opened with “Living with the Dead” from their 2015 self-titled debut (review here) and made a highlights of “Isolation” and “Cocaine Phantoms” from last year’s Love from With the Dead (review here), the low-end wash and downer gloom pervading through low lights and massive volume, and though they were without a guitarist, the issue found a welcome answer as Scott Carlson (Repulsion, Septic Tank, ex-Cathedral, etc.) came out for a cover of Cathedral‘s “Ebony Tears” from their landmark 1991 debut, Forest of Equilibrium, thereby finishing their set with about as deep a plunge as you can get. Probably not their ideal circumstance, but righteous just the same.

Monolord

Monolord (Photo by JJ Koczan)

The ascent over the last five years of Swedish trio Monolord has been among the most meteoric in underground heavy. Amplifier worship, tone worship, riff worship and worship of the very idea of sonic largesse itself have been their aesthetic calling cards over the course of their three-to-date RidingEasy Records full-lengths, but the three-piece of guitarist/vocalist Thomas Jäger, bassist Mika Häkki and drummer Esben Willems have fleshed out their sound to incorporate a thundering spaciousness steadily encroaching on psychedelia. Their latest record, 2017’s Rust (review here), is the most progressive in that respect, but they still bring a crushing groove that they’ve quickly made their own. They’ve also toured — a lot. But I’m lame as shit, so it’d been a long time since I last caught a gig and it was nothing short of a pleasure to watch them unleash their massive lumber on the assembled and waiting crowd. Obviously used to playing on bigger stages, they seemed to climb inside of each riff and inhabit the material, channeling it physically as well as through the P.A., and the nod that resulted filled the room from front to back, upstairs and down. They’re a band living up to their potential in every way, and I’m already looking forward to what album number four brings.

Voivod

Voivod (Photo by JJ Koczan)

Here’s a general rule for life, and stop me if I’ve told you this before — oh wait it’s the internet you can’t stop me well tough shit — but: Go see Voivod. If you’re in a place where they are or can put yourself in a place where they’ll be, do that. Go see Voivod. You will never regret it, either in that moment or later on. And while I’m doling out advice, here’s another one: If you meet someone, and they’re a real Voivod fan, chances are that person knows their shit. The Canadian weirdo-sci-fi-thrash legends appeal to a very specific subset of headbanger, and I’ve never known a Voivod fan who was a prick. And I’ve been luck enough to know a few. They have a new record on the way — always — and with founding drummer Michel “Away” Langevin pounding away behind and long-tenured frontman Denis “Snake” Bélanger getting the dusk-time pool stage crowd into the show, the vibe was only positive the whole way through. Flanked by guitarist Daniel “Chewy” Mongrain, who’s been in the band now for a decade — time flies — and bassist Dominique “Rocky” Laroche, they hit into new single “Obsolete Beings” from the upcoming The Wake and it fit right in with classics like “Overreaction” and the eponymous “Voivod” from their decades-spanning catalog. What a blast. My phone registered the outside temperature at 106 degrees Fahrenheit, but Voivod seemed right at home in the swelter and were an unadulterated good time. Go see Voivod.

Godflesh

Godflesh (Photo by JJ Koczan)

Man, Margaret Thatcher must have been the absolute fucking worst to produce the kind of disaffection Godflesh continue to proffer. Their dystopian churn is, of course, almost painfully relevant today despite its origins over 30 years ago, and with guitarist/vocalist/programmer Justin K. Broadrick and bassist G.C. Green on a stark, largely empty Joint stage, they unfurled the oppressive electrified grit that’s made them so influential for so long. They’ve been active again for a while now, with two albums out in last year’s Post Self (review here) and 2014’s A World Lit Only by Fire (review here), so have gone well beyond “reunion band” status, but a Godflesh show still doesn’t feel like something that happens every day, and it’s always something special to watch their blend of inhuman(e) audio — the beats, the electronics, etc. — and the sheer emotion with which Broadrick executes his guitar and vocals. With Green on the other side a steady presence, Broadrick thrashed and headbanged and tried to tear himself apart with his playing, and each of his shouting bellows brought fists in the air from the crowd out in front. Very much the opposite vibe of Voivod out at the pool despite both groups’ ’80s origins, but likewise a wonder and a pleasure to behold. I wouldn’t mind a new Jesu record either, but as far as I’m concerned, Godflesh can just go on perpetually and that’ll be fine, thanks. The world needs them now more than ever.

Howling Giant

Howling Giant (Photo by JJ Koczan)

I knew I wanted to see Nashville’s Howling Giant. I didn’t know quite how much I wanted to see them until they started. Having toured their way to Vegas in a hearse — because of course — the three-piece of guitarist/vocalist Tom Polzine, drummer/vocalist Zach Wheeler and bassist Mike Kerr took the stage in Vinyl with an immediately outgoing personality. Actually, they showed that before they even went on, hopping down front after they set up to talk to the crowd on the other side of the barricade, but it was for sure in the performance as well. Their 2017 EP, Black Hole Space Wizard: Part 2 (review here), and its 2016 predecessor, Black Hole Space Wizard: Part 1 (review here), featured heavily in the set, and all around they put on a show that was definitely about having fun, being loud, rocking out and all that happy whatnot, but also deceptively intricate and progressive. Their studio material has carried that over to some degree, but it’s clear they’re moving forward with their sound, and one hopes they continue to do so as they move toward their inevitable, awaited full-length debut. They and Forming the Void were my two totally-gotta-see bands for the day, and they would seem to share a bright future in developing their own take on heavy rock. For Howling Giant, not even a busted snare stand could stop them, as Polzine and Kerr treated the crowd to an improv psych jam while Wheeler got a new one and they were back up and running in no time, pro-style. Nicely done.

Spirit Adrift

Spirit Adrift (Photo by JJ Koczan)

There seemed to be some trouble with the monitors before they went on, but once Phoenix four-piece Spirit Adrift got going, the project spearheaded by guitarist/vocalist Nate Garrett (ex-Take Over and Destroy) brought out a vibe that spoke even more to classic metal than the doom with which the band is so often lumped. Their late-2017 sophomore LP, Curse of Conception, brought progressive tendencies to bear following their 2016 debut, Chained to Oblivion (review here), and while the band was founded by Garrett as a solo-act, there’s no shortage of chemistry that’s come up between Garrett and his cohorts, guitarist Jeff Owens from Goya, bassist Chase Mason (also Gatecreeper) and drummer Marcus Bryant, and with the recording of that second album and a load of touring leading up to this show and their stop Aug. 21 at Brick by Brick in San Diego, they they were on fire the whole way through. Taking the stage to Buck Owens‘ “Big in Vegas,” they took the prime slot at the pool — CKY would play, but a few hours later — and never looked back, their performance duly energized to suit the occasion. If this was what their tour was leading up to, then it seemed to be worth it.

Got up stupid early this morning and seem to be undergoing a science experiment whereby I trade out sleep for coffee. Hour per 24 oz. cup? Hell if I know. What, you’re supposed keep track of your findings?

Today is the final day of Psycho Las Vegas 2018, which is an utterly bizarre beardo circus to behold, and it’s also Gene Roddenberry‘s birthday, which is as much an occasion to celebrate as I can possibly think. All the more reason to bash one’s head once more on the skull-cracking granite that is Psycho Las Vegas, and leave it to tomorrow to reassemble the pieces.

If you’re here, have fun. If you’re anywhere, thanks for reading.

More pics after the jump:

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Review & Lyric Video Premiere: Forming the Void, Rift

Posted in audiObelisk, Reviews on July 27th, 2018 by JJ Koczan

forming the void rift

[Click play above to stream the premiere of a lyric video for Forming the Void’s ‘Ark Debris.’ Their new album, Rift, is out Aug. 17 on Kozmik Artifactz.]

I’m sorry, but any record that starts with a song called “Extinction Event” is telegraphing its heaviness. And sure enough, Rift is the most weighted offering yet in the relatively brief but prolific tenure of Louisiana four-piece Forming the Void. In terms of tone, atmosphere and rhythm, it brings to bear a heft that feels like an arrival point — the title of the side B opener, sure enough: “Arrival” — following last year’s Relic (review here) and 2016’s Skyward (review here) with an uptick in scope, apparent lyrical narrative and sense of largesse that nothing they’ve yet done has touched. Comprised of seven tracks running a total of a still-LP-friendly 45 minutes delivered via Kozmik Artifactz, Rift is, simply, a new level for the band. Operating as the four-piece of guitarist/vocalist James Marshall, guitarist Shadi Omar Al-Khansa, bassist Luke Baker and drummer Thomas Colley (the latter making his first appearance), they offer their most cohesive and purposeful collection to-date, with landmark hooks in “On We Sail” and the subsequent “Arcane Mystic” and themes that have been present at least since Relic — the cover art of which depicted a hooded mystic traveling through space on an asteroid — the album ultimately takes a linear path.

Following its beginning in “Extinction Event,” that time-to-go narrative launch point leads to a lyrical journey through “On We Sail,” an “Arcane Mystic” met along the way, “Transient” leading to “Arrival,” “Ark Debris” when the vessel in question presumably is broken down and turned into a “Shrine” at the end. The sense of culmination is underscored by the fact that the finale tops 10 minutes long while everything else apart from the 6:53 “Ark Debris” is under six minutes, but by then the point is made in roiling, rolling progressive riffing and Marshall‘s echoing vocals; a spaciousness clearly meant to be taken literally. As in, “it’s about space.” Perhaps most pivotal of all the story being told doesn’t detract from the songwriting in general, and though I’d bet by the time they got around to writing the words to “Transient,” the concept was locked in place, neither that centerpiece nor anything around it pulls away from the well-struck balance between craft and storytelling.

On a sheer execution level, Rift is loaded with intent and poise. At their fastest, Forming the Void are not rushed, and at their slowest, in the back half of “Transient,” say, they remain comfortable in their forward motion. “Extinction Event” introduces a variety of elements in terms of the ultra-dense tones, spacious clean vocals and brash rhythmic swing, and in so doing summarizes a fair bit of what’s to come throughout the album, but as “On We Sail” and “Arcane Mystic” lead into “Transient,” the side A finale marks a significant shift in approach. Or at very least it foreshadows one ahead. With impressive lead work from Al-Khansa, thick low end from Baker and an impressive debut from Colley in shoving them along their path, the early cuts of Rift are more straightforward in structure. The hooks have already been noted, and it’s not as though ambience isn’t a factor, as the intro to “Arcane Mystic” immediately hypnotizes and bolsters the feeling of openness, but that will become much more of a focal point on side B, and true to its name, “Transient” marks that transition. Like “Arcane Mystic” just before, it has a subdued introduction, but it goes further in making loud/quiet tradeoffs between utterly massive plodding and more serene melodic fare.

forming the void

The shifts can be sudden but don’t feel that way because the pace is gradual, and like everything that surrounds, they’re brought to bear with a grace that underscores the progressive mindset of the band as a whole. “Transient” has something of a hook, so ties well to the cuts before, but also tells of the expanses yet to be traversed on “Arrival” and beyond into side B. Sure enough, what would seem to be a conclusion is only the beginning point of something new for Forming the Void as arrival rolls out a memorable riff, echoing vocals and a steady nod of a groove en route to a slow-marching midsection and a pickup in the second half to psychedelic lead work laced over a still-tectonic groove. Shifts in tempo only continue as “Ark Debris” takes hold with a decided Middle Eastern inflection in the introduction. Patient in its unfolding, the intro becomes the bed for the verses over the first several minutes, and it’s not until about 3:10 that heavier guitars kick in over the steady drumbeat. A solo over distortion keeps the vibe of the early going alive as the halfway mark is crossed, and a subtle build happens where fuller tones are first teased and then arrive with a marked fluidity over a consistent drone that’s been there all the while.

They end with feedback there and let “Shrine” — an arrival unto itself — close out, beginning with a stretch of quiet but tense guitar and cymbal washes before the whole lumber takes hold. “Shrine” is resounding in its heavy, soaring in its melody and firm in its purpose, and lands as a significant achievement for Forming the Void on their path of sonic discovery. After thudding out the initial verses, they stop around four minutes into the total 10 and drop to quiet to let keys or effects-laden guitar answer the Mideastern vibe of “Ark Debris” for a moment before resuming the stomp. A bridge of some earlier Elder-style riffing leads to “Shrine”‘s melodic payoff and then a final solo over double-time drums pushes toward the final slowdown, huge in its sound and headphone-worthy in its engrossing rumble.

The end comes when “Shrine” cuts short at 10:13 and fades back in on a cymbal wash for more feedback before they make their way out again, ending the album with a reminder that while this story has finished, there’s much more to say. At least, that’s the hope, considering how much Forming the Void have been able to turn their first two full-lengths into lessons and learned from them in the making of this third one. They’re a band who should be touring, especially now, since it would seem they’ve found and been able to harness the sound and style they were looking for these last several years and the task before them would be to refine it. As to how that will happen or the direction they’ll work in from this point on, I’ve no idea, but everything they’ve done to get to this stage has been willful in its creative growth, and one doesn’t expect that to stop just because they’ve so thoroughly nailed it this time around. But make no mistake, they have nailed it.

Forming the Void on Thee Facebooks

Forming the Void on Twitter

Forming the Void on Bandcamp

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Forming the Void Announce Rift LP Due Aug. 17; New Video Posted

Posted in Whathaveyou on June 27th, 2018 by JJ Koczan

forming the void

Originally announced for a June release, the third album from Louisiana’s Forming the Void, Rift, is set to be issued via Kozmik Artifactz on Aug. 17. The prog-minded four-piece have posted the video audio to come from the album in the form of a new video for the track “On We Sail.” Second of the seven total inclusions on the LP, it reaffirms the progressive heft the band has shown on their two full-lengths to-date, 2017’s Relic (review here) and 2016’s Skyward (review here), while hinting at new heights of clarity that one looks forward to hearing pan out on the rest of the record. Thus far into their prolific tenure, Forming the Void have always managed to keep on the right side of songcraft vs. exploration, making their material memorable as well as stylistically bold.

Album art, details, and the aforementioned video came down the PR wire. I’ll hope to have more to come as we get closer to the release, but till then, here’s what’s up:

forming the void rift

FORMING THE VOID to Release New Album on Kozmik Artifactz

Following the release of last year’s critically acclaimed Relic, Louisiana’s preeminent prog warlocks, Forming The Void, are thrilled to announce news of their new album Rift, which is due for release this August on Kozmik Artifactz.

Originally formed in 2013 in Lafayette – a place with an impressive reputation for raising underground rock into realms of the unknown – Forming The Void became one of the city’s most talked about bands of 2017. With the release of their third album Relic (voted album of the year on Heavy Planet), their colossal and atmospheric sound summoned the towering hard rock riffs and progressive influence of bands like Mastodon, Baroness and Torche.

Newly signed to German label Kozmik Artifactz, in preparation for the official release of their fourth studio album Rift this summer, the band will take to the road throughout 2018 for an extensive run of live dates and festival appearances.

The first single lifted from their new album is ‘On We Sail’, an epic and devastating trip into the heart of a Sabbathian darkness, which premiered last week. Courting robed figures in hallowed forests, with the odd case or two of Miller Lite, as guitarist/vocslist James Marshall explains:

“Lyrically it’s about being on a ship and being sucked into a portal that blasts out into space, and in that moment, accepting the path into the unknown and that it might be the end of the road for you. It’s meant be a victorious thing, although it sounds really negative. We were brainstorming video ideas and wanted to go with something beyond a regular performance video and do something light-hearted. We also enlisted some help from our buddy Jai Benoit of Golgothan to play the monster and assist with the vision. This is just another night with Forming the Void and friends. It was fun to spoof the first video and we shot at the same location with some of the same people plus more of our friends. All that together just made it a comedy.”

Rift, the new studio album from Forming The Void will be released on 17th August 2018 on Kozmik Artifactz, www.kozmik-artifactz.com

TRACK LISTING:
1. Extinction Event
2. On We Sail
3. Arcane Mystic
4. Transient
5. Arrival
6. Ark Debris
7. Shrine

Forming The Void:
James Marshall – Guitar/Vocals
Shadi Omar Al-Khansa – Guitar
Luke Baker – Bass
Thomas Colley – Drums

https://www.facebook.com/formingthevoid/
https://twitter.com/forming_thevoid
https://formingthevoid.bandcamp.com/
https://www.facebook.com/kozmikartifactz/
https://twitter.com/kozmikartifactz
https://www.instagram.com/kozmikartifactz/
http://kozmik-artifactz.com/
http://www.facebook.com/endhipenditrecordco
http://www.instagram.com/endhipendit_record

Forming the Void, “On We Sail” official video

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Psycho Las Vegas 2018 Reveals Lineup; Dimmu Borgir, Hellacopters, Godflesh, Witchcraft and More to Play

Posted in Whathaveyou on February 23rd, 2018 by JJ Koczan

Psycho Las Vegas 2018 logo

It’s only taken a few years for Psycho Las Vegas to establish itself as the premier underground festival in the US. All well and good. With 2018’s lineup, though, it’s time to start thinking of Psycho among the best in the world.

Sounds like too much? Consider Godflesh and Dimmu Borgir sharing a stage, both for exclusive West Coast appearances. Think of Sweden’s Witchcraft playing one of the two shows they’ll do in the US at Psycho, and ditto that for Japanese riff-madmen Church of Misery. Think of US exclusives from Lee Dorrian’s With the Dead, or Lucifer, whose Johanna Sadonis will also DJ the Center Bar. The commitment to up and coming underground acts local, domestic and foreign like Temple of Void, King Buffalo, Dreadnought, The Munsens and DVNE. Picture yourself watching Wolves in the Throne Room headline a pre-fest pool party with Elder, Young and in the Way, Dengue Fever, Fireball Ministry and Toke.

2018 is the year Psycho Las Vegas outclasses even itself and pushes further than it ever has in terms of stylistic reach (Integrity walks by and waves… at Boris) and the sheer power of its construction. If you’re looking for the future, you’ll find it in scumbag paradise.

Here’s the lineup:

Psycho Las Vegas 2018 poster

Psycho Las Vegas 2018

Hard Rock Hotel and Casino Las Vegas
4455 Paradise Rd, Las Vegas, Nevada 89169

Tickets: https://www.vivapsycho.com/pages/tickets

PSYCHO LAS VEGAS 2018 lineup:
DIMMU BORGIR (west of chicago exclusive)
HELLACOPTERS (one of two shows to be played in the USA in 2018)
SUNN 0)))
GODFLESH (west of chicago exclusive)
WITCHCRAFT (one of two shows to be played in the USA in 2018)
ENSLAVED
AMERICAN NIGHTMARE
HIGH ON FIRE
ROCKET FROM THE CRYPT
RED FANG
ZAKK SABBATH
CHURCH OF MISERY (usa exclusive 2018 with exception to one other show in San Diego)
TINARIWEN
GOBLIN
CKY
VENOM INC
EYEHATEGOD
VOIVOD
BORIS
COVEN
INTEGRITY
PALLBEARER
WITH THE DEAD (USA exclusive 2018)
MONOLORD
LUCIFER (USA exclusive 2018)
ACID WITCH
SURVIVE
DOPETHRONE
BIG BUSINESS
UNEARTHLY TRANCE
MUTOID MAN
TODAY IS THE DAY
HELMS ALEE
SPIRIT ADRIFT
BATUSHKA
PRIMITIVE MAN
DVNE
ALL PIGS MUST DIE
EIGHT BELLS
WORMWITCH
INDIAN
NECROT
HOMEWRECKER
BRAIN TENTACLES
CLOAK
BLACK MARE
MAGIC SWORD
UADA
TEMPLE OF VOID
DREADNOUGHT
WOLVHAMMER
ASEETHE
DISASTROID
FORMING THE VOID
VENOMOUS MAXIMUS
GHASTLY SOUND
HOWLING GIANT
KING BUFFALO
NIGHT HORSE
THE MUNSENS
GLAARE

Paradise Pool Pre Party
August 16th

WOLVES IN THE THRONE ROOM
ELDER
YOUNG AND IN THE WAY
DENGUE FEVER
FIREBALL MINISTRY
TOKE

Center Bar DJ’s
Andrew W.K.
Nicke Andersson (Entombed/Hellacopters)
Johanna Sadonis (Lucifer)

https://www.facebook.com/psychoLasVegas/
https://www.facebook.com/events/125340824913552/
http://vivapsycho.com

High on Fire, Live at Psycho Las Vegas 2016

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Forming the Void Stream New Split; Rift LP Due in June

Posted in Whathaveyou on February 15th, 2018 by JJ Koczan

forming the void

Looks like a busy couple months coming up for Louisiana-based progressive heavy rockers Forming the Void. They’ve teamed up with Black Bow Records‘ own Pyreship for a new split that will be out in a couple weeks’ time via Endhipendit Record Co., a label wing of the Texas-based festival of the same name, and in the meantime have dates booked that will take them down to South by Southwest, you know, which Endhipendit is kind of playing off of, name-wise. Ironic? No. That’s not actually irony. It’s a band booking shows and releasing albums. There’s a difference.

Speaking of releasing albums, word’s also come down from that most venerable of sources — the PR wire — that Forming the Void, whose last outing was 2017’s righteously plotted Relic (review here), will issue a new full-length in June titled Rift via Kozmik Artifactz.

There’s a lot of news to keep up with, and some new audio as well, but I think you’re up to the task. Have at you:

forming the void pyreship split

Louisiana prog-rockers FORMING THE VOID to release new album this June on Kozmik Artifactz | Stream new split with Pyreship

Rift, the new studio album from Forming The Void is due for release this June on Kozmik Artifactz

Forming The Void/Pyreship limited edition split is released on 9th March 2018 on Endhipendit Record Co.

Following the release of last year’s critically acclaimed album Relic, Louisiana’s preeminent prog warlocks, Forming The Void, are thrilled to announce news of their signing to Kozmik Artifactz for new album Rift, US tour dates and the imminent release of a split LP with Texan sludge thugs, Pyreship.

Originally formed in 2013 in Lafayette – a place with an impressive reputation for raising underground rock into realms of the unknown – Forming The Void became one of the city’s most talked about bands of 2017. With the release of their third album Relic, their colossal and atmospheric sound summoned the towering hard rock riffs and progressive influence of bands like Mastodon, Baroness and Torche. A distinctive sound that not only marked them out as ‘ones to watch’, but a sound that promptly earned them recognition around the world as ambitious and gifted players.

Newly signed to German label Kozmik Artifactz, in preparation for the official release of their fourth studio album Rift this June, the band will take to the road throughout 2018 for an extensive run of live dates and festival appearances, including shows at South By Southwest (more info below). Before that however, this March will see the release of a limited split 10” on the Houston-based label Endhipendit Record Co. with Black Bow Records’ Pyreship. Another excellent band in ascension, Pyrsehip blend post metal and doom with a raft of 90s slowcore and noise rock influences, deftly slammed out at punishing volume.

With both bands tackling a side apiece, the two track 10” – featuring Forming The Void’s storming and celestial new work ‘To The Wolves’ – hints at electrifying things to come in what will undoubtedly be a breakout year for the Lafayette quartet.

Rift, the new studio album from Forming The Void is due for release this June on Kozmik Artifactz. In the meantime, Forming The Void/Pyreship’s split is released on 9th March 2018 through Endhipendit Record Co.

US Tour (More TBC):
Fri, 23/02 – Nighthawks – Jacksonville (FL) [w. Hollow Leg, Count the Dead, Insalubrious Minanthropes]
Sat, 24/02 – Eyedrum Art & Music Gallery – Atlanta (GA) [w. Hollow Leg, Canopy, Malevich]
Sun, 25/02 – The Cobra – Nashville (TN) [w. Deathstar Lovebeam, Eddas presented by Nashville Psych Alliance]
Wed, 14/03 – SXSW; Stoner Jam at Swan Dive – Austin (TX)
Thurs, 15/03 – SXSW; Stoner Daze at Texas Mist – Austin, (TX)

Forming The Void:
James Marshall – Guitar/Vocals
Shadi Omar Al-Khansa – Guitar
Luke Baker – Bass
Thomas Colley – Drums

https://www.facebook.com/formingthevoid/
https://twitter.com/forming_thevoid
https://formingthevoid.bandcamp.com/
https://www.facebook.com/kozmikartifactz/
https://twitter.com/kozmikartifactz
https://www.instagram.com/kozmikartifactz/
http://kozmik-artifactz.com/
http://www.facebook.com/endhipenditrecordco
http://www.instagram.com/endhipendit_record

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Electric Funeral Fest III Lineup Announced; Speedwolf and Weedeater to Headline

Posted in Whathaveyou on February 9th, 2018 by JJ Koczan

I wanna go to this. Let me not mince words. I know it’s the week after Maryland Doom Fest and that for a dude who lives in Massachusetts and has a baby and is already planning on hitting the Netherlands, Germany and Las Vegas this spring and summer that’s an awful lot of travel, but man, Electric Funeral Fest III looks like an absolute blast. How could you look at a lineup with The Midnight Ghost Train, Amplified Heat and Cloud Catcher and not want to be there? And then after all that boogie you’ve got Primitive Man to flatten the earth so Weedeater have a nice clean surface to get absolutely filthy with their sludge? Come on.

Will I get to go? Yeah, probably not. But it’s nice to think about. Check out the poster and the full lineup from the PR wire and see if you don’t agree:

electric funeral fest iii poster

ELECTRIC FUNERAL FEST III To Take Place June 29th-30th In Denver; Initial Lineup Includes Headlining Appearances By Speedwolf And Weedeater + Tickets On Sale TODAY

The third edition of Dust Present’s ELECTRIC FUNERAL FEST will return to Denver, Colorado on June 29th-30th, 2018!

The annual South Broadway festival, known loosely as The Blowout on Broadway, will be grander than ever in its third iteration, expanding to include a third stage inside the Mutiny Information Cafe, a spot known city-wide for its welcoming atmosphere and promotion of DIY events of all types. Located across the street from Hi Dive and just a block north of 3 Kings Tavern – the two hosting venues of last year’s festival, and two Denver favorites – the Mutiny stage will be the first all-ages stage offered at ELECTRIC FUNERAL FEST and its central location will bolster the street festival environment cultivated over the last two years that’s become an integral part of the Electric Funeral’s attraction.

Friday June 29th will mark the one-night return of Denver speed metal legends Speedwolf as the group reunites for their first show in over four years with a headlining slot at 3 Kings. There may be no band in recent memory that’s achieved the cult status in Denver that Speedwolf has, and a raucous in-your-face performance inside 3 Kings will surely invoke wild memories (or forgotten ones) of infamous Speedwolf appearances of yore. Friday’s support spans from the soaring dual harmonies of 2017 MVPs Spirit Adrift, crushing Iowa doom trio Aseethe, the unmatched ’70s blues-boogie of Amplified Heat, Portland’s self-proclaimed street doom merchants R.I.P. and many more.

The top slot Saturday June 30th will see the aggressive stoner metal onslaught of Wilmington, North Carolina’s Weedeater. Driven by the gutteral growl and enthralling stage energy of bassist/vocalist “Dixie” Dave Collins, North Carolina’s manic sons are poised to lift the crowd a bit higher than usual. The meat of the day two lineup matches the versatility of day one, including the misanthropic punishment of Primitive Man, Duel’s high-flying proto-metal roar, the manic blues attack of The Midnight Ghost Train, Opoponax Records sleepers Grey Gallows and many more.

A full festival lineup will be released in the coming weeks.

ELECTRIC FUNERAL is Denver’s premiere heavy music festival, built as a bridge between one of North America’s most powerful and vibrant cities for heavy music and the legions of bands and fans who visit the Mile High City each year. ELECTRIC FUNERAL, an event run and produced by musicians, stands as the antithesis to corporate driven rock festivals. Founded as a beacon for the Denver scene, ELECTRIC FUNERAL FEST 2018 ramps the spotlight up a little brighter this year, showcasing over fifteen bands from Denver, including a few behemoths holding down headlining and top support slots.

Venues:
Hi Dive (21+), 3 Kings Tavern (21+), Mutiny Information Cafe (all ages)

Ticket Options:
$50 early-bird two-day pass (50 available)
$32 one-day pass
$60 two-day pass

Tickets available at: http://www.electricfuneralfestiii.eventbrite.com

Friday, June 29th:
Headliner: Speedwolf (reunion show)
Support: Spirit Adrift, Aseethe, R.I.P., Amplified Heat, Forming The Void, Love Gang, Urn, Smokey Mirror, Augur, Necropanther, Bandits, Green Druid, Keef Duster

Saturday, June 30th:
Headliner: Weedeater
Support: Primitive Man, The Midnight Ghost Train, Duel, Grey Gallows, Cloud Catcher, The Munsens, Loom, White Dog, Vexing, Wizzerd, Space in Time, Smolder & Burn, Alone, Still Valley

https://www.facebook.com/events/1976102246000271/
https://www.eventbrite.com/o/dust-presents-12848870878
http://www.facebook.com/dustpresents
http://instagram.com/dustpresents

Cloud Catcher, “The Whip” Live at Electric Funeral Fest 2017

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Forming the Void Hit the Studio to Record New Single

Posted in Whathaveyou on August 8th, 2017 by JJ Koczan

They’re not so terribly far removed from the vinyl release of their second album, Relic (review here), via Lonestar Records — which followed a CD issue through Argonauta this past Spring — but as we know, Louisiana’s Forming the Void have a knack for working quickly. This past weekend found the Lafayette four-piece back in the studio working on a new single that will apparently be used as part of a split release with Houston, Texas’ Pyreship. No release date has been announced, but Forming the Void do refer to Pyreship as labelmates below, so perhaps there’s some news on that front coming sometime in the near future. I’ll keep an eye open and do the see-it-post-it thing to the best of my ability, like always.

In the meantime, I’m interested to hear where Forming the Void are headed and if we get a glimpse of that on this forthcoming split. Relic was a fast turnaround from the heavy progressive heavy rock/metallers’ 2015 debut, Skyward (review here), but a marked step forward in their development as well, so as they continue to move ahead perhaps toward a third full-length, my specific question is how their stylistic blend will shake out, where and if the psychedelic aspects of Relic will show up again, if so, how, and where the adventurousness their songwriting has shown to this point will ultimately lead them.

They made a quick announcement of the work underway on the social medias and have a gig coming up this weekend in Baton Rouge. Info follows:

forming the void

“Back at it again laying down a single for a split release with our labelmates Pyreship. Shout out to our awesome engineer James Whitten at Hightower Recording!”

Forming the Void live:
08.12 Baton Rouge LA Varsity Theatre w/ Ambassador, Slounge & Drood

FORMING THE VOID is an American rock band from Lafayette, Louisiana. Formed in 2013, the band consists of James Marshall, Shadi Al-Khansa, Luke Baker, and Thomas Colley. Their unique blend of atmospheric, progressive rock with towering fuzzed out riffs places a heavy emphasis on dynamics and layers.

https://www.facebook.com/formingthevoid/
https://twitter.com/forming_thevoid
https://formingthevoid.bandcamp.com/
http://www.argonautarecords.com/shop/music-/191-forming-void-relic-cd.html
https://www.facebook.com/ArgonautaRecords
https://www.facebook.com/Lonestar-Records-142216302478941

Forming the Void, Relic (2017)

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Forming the Void: Relic Vinyl Available to Preorder

Posted in Whathaveyou on June 22nd, 2017 by JJ Koczan

forming the void

Next month will see the official vinyl release of Forming the Void‘s 2017 album, Relic (review here). Initially offered on CD via Italian imprint Argonauta Records, the Louisiana natives’ sophomore outing is available now to preorder through Lonestar Records in full-platter form, and one can hardly say it doesn’t earn the honor both in its aural and visual presentation. Guitarist/vocalist James Marshall recently took some time out for a Six Dumb Questions interview (posted here) to discuss the band’s development between their 2015 debut, Skyward (review here), and the new record, and in so doing cited vinyl as a particular goal for their latest work, so kudos and cheers to the band on seeing that come to fruition.

If you haven’t heard Relic yet — and yeah, I know you have, because you’re up on it like that — you can find the full thing streaming below. Preorder info and links follow here as well:

forming-the-void-relic

Forming the Void vinyl release date – July 28th

Following the release of last year’s impressive Skyward album, Forming the Void, originally formed in 2013 in Lafayette, Louisiana, has gained an impressive reputation for raising underground rock into realms of the previously unknown. Atmospheric, heavy and progressive yet losing none of these earnest qualities at volume, they layer their ambitions as thickly as the riffs that help transmit their visions. Newly signed to Italian label Argonauta Records, this March will see the release of their third album Relic. Like Skyward before it, it draws on one hell of a colossal sound. Summoning the towering hard rock riffs and progressive influence of bands like Mastodon, Baroness and Torche, Relic finds the four piece illustrating their bold and adventurous ideas in the most vivid of colours.

PRE-ORDER! Release: 28th of July 2017!

Coke-bottle clear vinyl is limited to 500 copies!
https://www.lonestar-recs.de/you-got-the-choice/shop/

Forming The Void:
James Marshall – Guitar/Vocals
Shadi Omar Al-Khansa – Guitar
Luke Baker – Bass
Jordan Boyd – Drums

https://www.facebook.com/formingthevoid/
https://twitter.com/forming_thevoid
https://formingthevoid.bandcamp.com/
http://www.argonautarecords.com/shop/music-/191-forming-void-relic-cd.html
https://www.facebook.com/ArgonautaRecords
https://www.facebook.com/Lonestar-Records-142216302478941

Forming the Void, Relic (2017)

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