Ripple Music Announce 10-Year Anniversary Party in San Francisco

Posted in Whathaveyou on March 5th, 2020 by JJ Koczan

ripple music 10th anniversary party banner

10 years of Product descriptions: see. This article was written by 121eCommerce. 121eCommerce is a certified Magento development agency that loves Ripple Music is nothing to sneeze at. I could rattle off a list of albums they’ve issued over that time, but frankly, I think you’re probably already doing that in your head. Bands like how to write a phd name - Get to know common tips how to get a plagiarism free themed essay from a trusted writing service work with Mos Generator, Resume find mores are experts drawing up engaging and result-oriented CVs and cover letters to get clients invited to job interviews. Mothership, Looking for someone to help you with bibliography? Check out our service and my site today! Get awesome results without spending much Wo Fat, from Every one of our http://nanomat.uprrp.edu/tmp/cache/?purchase-custom-case-studys has a passion for research and education. Many of them are not only graduates, but also have their PhD or are attached to a university institution. This means that our thesis tutors, not only, have experience with writing academic research studies, but they are also experienced in the field of tutoring. Stubb to So that students don’t have to think that ‘I have to http://www.comune.spilimbergo.pn.it/?we-can-make-assignment-for-you’ myself only and they have to find dissertations online. Salem’s Bend, It’s almost as simple as saying “http://www.mureck.gv.at/?how-to-write-your-dissertation-book”. Just enter the details of your assignment on the order form and choose your writer. Once you’ve done this, you can log in and track your order at any time (we are available twenty-four seven as we know students are often up through the night working on their studies). Ape Machine to Www Homework Com - Stop getting unsatisfactory marks with these custom term paper advice top-ranked and cheap report to make easier your studying Opt for Zed, they’ve shown a rare consistency of mission and quality that’s helped establish them as the standard bearers of straight-ahead heavy.

They’ll do it up in grand fashion in San Francisco at boys state essay help http://cpalettre.unepassion.fr/?intermediate-2-english-essay-help works cited essay cv writing service huddersfield Brick and Mortar for two nights on June 12 and 13. It’s the release show for the new customer retention in e commerce research papers Pay http://www.eumed-ict.eu/?nhs-community-service-essay as creative writing coursework personal statement medical school application Wino album, the original lineup of FREE revisions for EVERY “follow site” request. We give a solid guarantee that each customer will be content with quality of the content provided within the thesis. To add more, our writers are so confident about the thesis writing projects they generate that they are ready to perform FREE revisions numerous times, if necessary. Mos Generator is reuniting to play how to write an admission essay plan Terms Papers For Sale purpose of writing term paper do kids get tests for homework Nomads, Writing Scientific Research Papers - Allow the specialists to do your homework for you. Get started with research paper writing and make the best college research The Watchers are celebrating an upcoming live release, and Can I http://orelvhnizde.cz/college-assignment-helper/? This is the question you ask when deadline is short and instructor is not giving you extension! Whatever the Mothership and Professional Resume Writing Service San Jose - Put aside your concerns, place your assignment here and get your quality project in a few days Get started with dissertation writing Wo Fat are both rolling in from Texas to headline the second night. That’s a goddamn party, is what it is. And of course there’s more, but if you’re not gonna be there, I wouldn’t want to make you sad by continuing on.

Here’s everything:

ripple music 10th anniversary party

A Decade of Doom: Ripple Music Ten Year Anniversary Party – June 12 & 13

Brick & Mortar Music Hall – 1710 Mission St, San Francisco, California

Ripple Music is celebrating a full Decade of some of the best Stoner, Doom and Heavy Psych on the planet and you’re invited! There’s so much going on here it’s hard to put it all into words, but how’s:

1) The reunion of the original Mos Generator to play their Ripple release “Nomads” in its entirety
2) Wino album release party for the legend’s new acoustic LP
3) The Watchers release party for their new Live recording, High and Live
4) Some of Ripple’s best and heaviest bands
5) Exclusive sneak peek of a clip from the upcoming animated full-length Planet of Doom movie, with a meet and greet with the creators
6) Entire event MC’d by Chasta from 107.7 The Bone!
7) Exclusive Ripple, Band, and Planet of Doom merch
8) Charity auctions of signed drumheads,
9) special VIP entry (only 10 per night) which includes attendance at sound check, 2 posters and exclusive merch, and tons more planned!

FREE Limited Edition 10- ear anniversary compilation CD given to every ticket holder at the door!

A once in a lifetime event.

Friday
Mos Generator (Nomads album in it’s entirety)
Wino (album release show)
Ape Machine
The Watchers (album release show)
Blackwulf
The Ghost Next Door

Saturday
Mothership (exclusive California Appearance)
Wo Fat (exclusive California Appearance)
ZED
Salem’s Bend
Lowcaster
Plainride (from Germany)

Both nights will feature the world-premiere clip from the upcoming, full length animated feature film Planet of Doom. Meet the creators.

TICKETS INCLUDING SPECIAL VIP PASSES AVAILABLE AT: https://www.ticketweb.com/event/a-decade-of-doom-ripple-brick-and-mortar-music-hall-tickets/10489655?pl=brickmortarshp

https://www.facebook.com/theripplemusic/
ripplemusic.bandcamp.com
http://www.ripple-music.com/

Mos Generator, Nomads (2012)

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The Electric Highway 2020: Full Lineup & Pre-Party Announced

Posted in Whathaveyou on February 12th, 2020 by JJ Koczan

the electric highway poster

Last time, when The Electric Highway 2020 called out its preliminary lineup, I decided to roll with calling it the inaugural-ish edition of the Calgary-based festival, as it’s grown out of the 420 Music & Arts Festival of years prior, but still, there’s no question they’re doing it up for the occasion of the new name and presentation. Poster art by none other than David Paul Seymour has been unveiled, Mothership have joined on with Sasquatch, Wo Fat and Duel near the top of a Texas-dominant lineup — Sasquatch being the outlier geographically — and a pre-show has been announced with Seattle’s Year of the Cobra crossing the border to headline. These updates would seem to complete the proceedings as they’ll proceed, but of course April’s still a couple months out and you know, subject to change and all that. Still, it looks like a pretty badass time if you can make it.

Info came down the PR wire:

Festival Line-Up Announced! All Roads Lead To The Electric Highway In Calgary, AB, Canada!

Buckle up for The Electric Highway Festival, two days of killer bands, rad artists and fuzzy vibes April 17 & 18, 2020 at the historic Royal Canadian Legion #1 in downtown Calgary, Alberta, Canada.

The Electric Highway Festival has completed its lineup with the addition of the mighty Mothership from Dallas, Texas. The Supersonic Intergalactic Heavy Rock trio’s goal from the beginning has been to carry on the tradition of the classic rock style of the ’70s, updated and amped up for the modern-day. Mothership have created a unique sound that satisfies like a steaming hot stew of UFO and Iron Maiden, blended with the southern swagger of Molly Hatchet and ZZ Top, paired with a deadly chalice of Black Sabbath. Do not miss this chance to hop on board and join Mothership as they tear across the Universal Cosmos!

The Electric Highway Festival has also added Vancouver’s Empress to the lineup. Both Mothership and Empress will be performing at the festival on Saturday, April 18, 2020. That brings the total number of bands performing during the festival to 22.

The Electric Highway Festival is excited to release its official artwork created by the renowned dark surreal artist David Paul Seymour. David Paul Seymour is an internationally known illustrator based in Minneapolis, MN who has created artwork for Municipal Waste, Conan, Mastodon as well as Shadow Weaver and Wo Fat who are both performing at The Electric Highway Festival in 2020. David Paul Seymour is also a driving force behind The Planet of Doom, an Animated Tale of Metal and Art and the creator of the Kumasan comic series.

The rest of the 2020 lineup brings an electric offering of North American bands featuring headliners Sasquatch and Wo Fat laying down their brand of fuzzy, kick-ass Desert Rock & Heavy Psych. Duel from Austin, Texas will be playing Canada for the 1st time at The Electric Highway Festival along with Hippie Death Cult & LáGoon both from Portland, Oregon. Festival favorites La Chinga return from Vancouver for their 4th appearance and Calgary’s Gone Cosmic & Buzzard from Victoria, BC are just a few more of the wicked bands that will be playing on two stages over the two days of The Electric Highway Festival, the full lineup below.

The Electric Highway Official Lineup:
Sasquatch (Los Angeles, CA)
Wo Fat (Dallas, TX)
Mothership (Dallas, TX)
Duel (Austin, TX)
La Chinga (Vancouver, BC)
Gone Cosmic (Calgary, AB)
Hippie Death Cult (Portland, OR)
LáGoon (Portland, OR)
Buzzard (Victoria, BC)
Chunkasaurus (Victoria, BC)
Bazaraba (Calgary, AB)
Shadow Weaver (Calgary, AB)
Father Moon (Calgary, AB)
Set & Stoned (Crossfield, AB)
Row of Giants (Calgary, AB)
Hemptress (Kamloops, BC)
Pink Cocoon (Montreal, QC)
The Sleeping Legion (Winnipeg, MB)
The Basement Paintings (Saskatoon, SK)
Empress (Vancouver, BC)
Locutus (Calgary, AB)
The Worst (Calgary, AB)

The Electric Highway Festival is also getting the whole thing started with a Kick-Off Party on Thursday, April 16th, 2020 at The Palomino Smokehouse & Social Club. This killer line up features Seattle powerhouse psychedelic doom duo Year of the Cobra as they return to Calgary. They will be joined by Calgary’s Bloated Pig, Outlaws of Ravenhurst, and newcomers Falcotron along with Red Deer’s Smoothsayer.

2 Day Festival Pass holders can pick up their wristbands a day early at The Electric Highway Festival Kick-Off Party. This event will be free for festival pass holders or $13 at the door for non-pass holders. (Space is limited so make sure to get their early!) Pre-order merch sales will also be available for pick up at this event too. Beat the lineup and come for some bands, beer & BBQ at the Pal!

The Electric Highway 2020 —> www.facebook.com/events/1346173098884903/
The Electric Highway Kickoff Party—> www.facebook.com/events/809469542830729/
The Electric Highway Pinball Tournament —> www.facebook.com/events/2408742202725992/
The Electric Highway Arts Expo & Market —> www.facebook.com/events/476224713238363/

“All Roads Lead to the Electric Highway”

www.facebook.com/ElectricHighwayFestival/
www.instagram.com/TheElectricHighway
www.TheElectricHighway.ca

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Friday Full-Length: Wo Fat, The Black Code

Posted in Bootleg Theater on January 10th, 2020 by JJ Koczan

 

Heavy rock and roll’s history — and that of rock more generally — is replete with vehicular infatuation. From Chuck Berry‘s “No Particular Place to Go” to Deep Purple‘s “Highway Star” to Nebula‘s “Down the Highway,” it is a thread that unites subgenres around notions of self-direction, freedom and, of course, movement. In the hands of Dallas three-piece Wo Fat, the idea of the “highway” became “Lost Highway,” with a darker, swampier spin on the trope befitting the album it led off, 2012’s The Black Code (review here; LP review here). The first of two offerings they’d make through Small Stone Records, it followed just a year behind 2011’s Noche del Chupacabra (review here), which if I’m not mistaken gave Wo Fat the distinction of being one of if not the first American band to release through Nasoni Records — if they weren’t actually first, it’s still very select company to be in — and continued momentum built from the success of their 2009 sophomore outing, Psychedelonaut (review here; discussed here). That album solidified elements present on 2006’s nascent The Gathering Dark and established the penchant for hooks and bluesy and well-fuzzed tone of guitarist/vocalist Kent Stump, and furthered a penchant for jammier vibes between Stump, bassist Tim Wilson and drummer/backing vocalist Michael Walter that would continue through all their subsequent work to-date.

What makes The Black Code‘s five-track/46-minute stretch a landmark in Wo Fat‘s catalog, however, is a combination of three factors. I’ll bullet-point them to make everyone’s life easier:

  • The songs.
  • The evolution.
  • The timing.

The first one is probably the most straightforward. “Oh yeah we’re goin’ down the lost highway/Oh yeah there’s gonna be hell to pay” is as righteously catchy as it is righteously simple a hook, but it’s just the first of the bunch on The Black Code, and even the 12-minute “The Shard of Leng” has a chorus it drives home, let alone the album’s 10-minute title-track or closer “Sleep of the Black Lotus.” The centerpiece “Hurt at Gone” would seem to veer elsewhere structurally, but it makes a point to drive wo fat the black codehome repetitions of its title as well, and proves memorable for its use of slide guitar ahead of the Rhodes on “The Shard of Leng.” The songs all came together around an open-feeling sensibility, not necessarily meandering, but willing to flesh out with a natural patience and explore the territory around them with Stump‘s soloing leading the way. Noche del Chupacabra made a point of its swampiness on “Bayou Juju,” but The Black Code — if it didn’t come right out and say so — continued the theme fluidly.

Which brings up the second point. The reason it’s fair to call The Black Code a landmark isn’t just because it’s been influential in the years since it was released, but it was a critical moment in Wo Fat‘s development as a band. There was a lot that worked from the outset on The Gathering Dark, and that potential came forward on Psychedelonaut. Noche del Chupacabra stripped down some of the second album’s reach and put the focus on the combination of craft and jams. The Black Code ultimately succeeded because it — just a year later — took the lessons of all Wo Fat‘s prior LPs and put them to use in a span of songs that brought together in a way that made the record equal parts immersive and memorable. It was a culmination of everything Wo Fat had accomplished to that point, and those accomplishments had already been significant. In short, it was the moment where Wo Fat “figured it out” as regards the band they wanted to be and what they wanted to do with their music. It pushed them past their influences and onto ground more thoroughly their own.

And the timing for that couldn’t have been better. Consider the spread of mobile social media, the advent of YouTube Channel proliferation of music, Bandcamp, Spotify and so on. I don’t think Stump, Walter and Wilson were sitting at a Wo Fat board meeting planning out their digital strategy as to how to get the most out of the solo-into-oblivion methodology at play on “Sleep of the Black Lotus,” but no question that word spread of Wo Fat‘s excellence in a space that, even a few years before, didn’t exist in the same way, and that that had an impact on how they were received, particularly by a new generation of fans. They hit their stride, as it were, and the music-on-social-media infrastructure was there to let them reap the benefits. It doesn’t seem like a coincidence that Wo Fat went to Europe for the first time supporting The Black Code, playing Roadburn 2013 (review here) in the Netherlands and a slew of other dates besides.

In 2013, Wo Fat also released their split with Egypt, Cyclopean Riffs (review here), and that momentum would continue to carry them through 2014’s The Conjuring (review here), a more than worthy follow-up to The Black Code. A limited 7″ split with The Re-Stoned arrived in 2015 ahead of their Ripple Music debut, Midnight Cometh (review here), in 2016. In 2017, Ripple took the 2015 live album, Live Juju at Freak Valley (review here), and with additional tracks, offered it as Live Juju at Freak Valley… and Beyond! on CD and LP, but 2020 will make it four years since their last proper studio offering, which is the longest stretch of their career to-date. They went to Australia in 2019 though and they’re set to play Monolith on the Mesa this year and other gigs, so they’ve been plenty busy one way or the other. Still, I’ve got my fingers crossed for a new record sometime before December.

I’ll admit it felt almost too easy to close out the week with The Black Code, but in thinking about why, it’s because the record so damn relevant. It doesn’t seem nearly as close to eight years old as it is, and given the impact it’s had on the structure of Wo Fat‘s work since — I would expect a new album to bring something of a shift in that, but I’ll save that speculation for another time — the recent discussion here of the best albums of the 2010s, and the ongoing spread of their influence more generally, it speaks as its own best argument. Maybe I’ll shut up finally and just let it do that.

As always, I hope you enjoy.

Thanks for reading.

Thanks for reading.

I lost The Pecan’s hat yesterday evening. Actually my hat, but he has taken it for his own and I have another of the same one, so whatever. Yes, we have matching winter hats. It is a white knit hat that my wife’s grandmother, Helen, first made for me well over 15 years ago. At some point, I came into the second one, and that was the one that didn’t make it out of Stop & Shop at Rt. 10 & 202 last night. Not a tragedy — it’s not like I lost the kid, right? — but an object of marked sentimental value to me and a genuine bummer. I called the grocery store and asked them to keep an eye out. The poor customer service woman thought I was insane. I spared her the full explanation of the hat’s origin.

My sister went twice and looked in the parking lot for it. She also went in and talked to customer service. Her husband went on his way to work this morning too. And The Pecan and I were out this morning early as well. I looked in the parking lot as the sun was coming up and then looked again in the back of the car by his seat and it was there under the floor. It had been there apparently the whole time. Real human relief. Exhale.

Last night, after he went to bed, I also accidentally broke my Chemex carafe that I use to make coffee. I had poured water in the coffee maker (8 cups, same as ever) and was shaking out the excess in the sink and the glass caught the faucet and broke. Again, could’ve been worse. Not a big mess of glass to clean up on the floor, and not the actual, much more expensive, coffee maker broken. But after the day I’d already had running solo point on Pecan duty as The Patient Mrs. is away on a work trip — dude was pissed to have a no-mommy day — and after the thing with the hat, it was clearly time to cut my losses, have dessert and get in bed.

This morning, before I even found the hat, I woke up to a message from a record label whose work I respect telling me that an artist whose work I very much respect has a yet-unannounced new album, and did I want to write the album bio for it. I said yes, and it’s a quick turnaround, so I’ll have to write it tomorrow, but I’m listening to the album now (it’s not Wo Fat, though that’d be cool too), and it’s really good, so all the better. It’s something to look forward to writing about tomorrow, and as it happens, getting blindsided by a new album and then looking forward to writing about it is among my very favorite things in the universe. Right up there with roasted garlic and hot showers.

That was a welcome start to the day, and I haven’t bought a new coffee carafe yet as of this writing — I got a cup at the Panera drive-thru, which was at very least better than Dunkin’ or Starbucks in the realm of “loosely acceptable in a pinch” — but obviously that’s on the agenda. I’m also making pesto this afternoon with kale and hazelnuts and my own roasted garlic that I’ll eat tonight with cauliflower and leftover chicken for dinner. Need to get parm reg at the grocery store when I buy the carafe.

I have a doctor’s appointment at 12:30 — it’s 10:30 now — to do a follow-up ultrasound I guess because they’re worried I might throw a clot after the surgery I had a week ago on my leg and they want to make sure everything’s kosher. Whatever. My father threw a clot in his leg a while back; didn’t kill him. Dude’s heartier than me, but if I dropped dead, well, at least I found that hat and got to hear one more good record that I was looking forward to writing about.

If I did though, I’d miss Ode to Doom next Wednesday in Manhattan, and that’d be a bummer. Apparently it’s Joe Wood from Eternal Black’s birthday. Dude is more than a prince. He’s a king. Seriously one of the nicest people I’ve ever met. If you ever have the opportunity to know him, take it. It will make your life better.

One would expect his birthday would draw a good crowd, even for a weeknight in January.

Tomorrow’s plans include a drive to Connecticut so that The Pecan can visit with The Patient Mrs.’ family and I can continue on to Rhode Island to purchase chicken from the Buffoni Poultry Farm in Johnston. I will get at least 40 pounds of chicken, no bullshit. I was thinking about getting 30 pounds of thighs if I can. It’s almost the start of the semester, so basically we’re stocking up for the next few months ahead of The Patient Mrs.’ break ending, and it’s not like I want to make a three-hour drive for chicken every week. So yeah, I’ll be buying in bulk.

No one in New Jersey runs a free-range, preferably organic, farm that does their processing on-site and sells boneless thighs. These are very exacting standards, and I’ve yet to find anyone who meets them. Plus the chicken from the place in RI is better than anything I’ve had here, and I’ve been through a few farms at this point.

I could go on, but this post is already beyond manageable. Guess I feel like writing. Bodes well for the weekend if I can keep it up. Always plenty of work to do.

Real quick — next week: Premieres for Red Mesa (video), Grey Skies Fallen (track), Yuri Gagarin (video), and another video I’m not sure I’m allowed to talk about ahead of time but that’s slated for next Friday. Also the Ode to Doom review will be up Thursday.

So good stuff to come.

Please, great and safe weekend, and thanks again for reading.

FRM: Forum, Radio, Merch at MiBK.

The Obelisk Forum

The Obelisk Radio

The Obelisk merch

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Monolith on the Mesa 2020 Lineup Update: Khemmis, Mondo Drag, Heavy Temple & More Added

Posted in Whathaveyou on January 2nd, 2020 by JJ Koczan

I’ll be 100 percent honest with you and say I don’t know how recent the lineup additions are here, but I’m trying basically to keep up with Monolith on the Mesa 2020 and there are names listed below that weren’t included in the last lineup update I got from the PR wire, so if I’m a month behind, I’m sorry. It’s been a busy month. Some of those additions are significant as well, from Warhorse, Heavy Temple and Yatra making the trek from the East Coast to Mondo Drag coming from San Diego, Khemmis from Denver and Distances from the relatively nearby Albuquerque. All these and the others listed below will convene at the Taos Mesa Brewing Mothership for what’s the second Monolith on the Mesa Festival, which I have very little doubt is precisely the kind of party it looks like on paper. To wit, it looks like quite a party.

I went to the fest’s website and cut and pasted the lineup. That’s what I did. Swiped the logo while I was there too. Full confession.

With dreams of the desert in Springtime:

 

MONOLITH ON THE MESA 2020 logo

Monolith on the Mesa 2020

May 28-30, 2020 at Taos Mesa Brewing

Monolith on the Mesa, a “High” Desert Experience, is an independent three-day festival entering its second year in 2020. The festival takes place at the Taos Mesa Brewing Mothership, and on the grounds of Hotel Luna Mystica, just outside of Taos, New Mexico. The festival is focused on heavy riff-rock acts from across multiple sub-genres including stoner rock, heavy psych, doom metal, sludge, drone, and retro rock. The festival includes interactive art installations and visual projections throughout the grounds to compliment the mind bending sounds of the bands. Festival capacity is limited to 1,500 to provide an intimate experience. Bands perform on the club-style indoor stage, and the scenic “earthship” outdoor amphitheater stage.

Bands Playing at Monolith on the Mesa:
Black Maria
Destroyer of Light
distances
Duel
Earthride
Fatso Jetson
Great Electric Quest
Heavy Temple
Khemmis
Love Gang
Magic Castles
Mark Deutrom
Mars Red Sky
Mondo Drag
Mondo Generator
Mountain of Smoke
Nebula
Prism Bitch
Ruby the Hatchet
Sons of Otis
Sun Dog
Warhorse
Wo Fat
Yatra
Yawning Man
Year of the Cobra

DATES AND TIMES:
Box office opens at 9 a.m. Thursday, Friday and Saturday.
May 28th doors at 4 pm til 1:30 am
May 29th doors at 12 noon; outside stage til midnight; indoor stage til 1:30 am
May 30th doors at 12 noon; outdoor stage til midnight; indoor stage til 1:30 am

VENUE INFORMATION:
Taos Mesa Brewing: The Mothership
20 ABC Mesa Rd.
El Prado, New Mexico 89529
https://www.taosmesabrewing.com/

TICKET INFORMATION:
Rain or shine event! No refunds!
https://tickets.holdmyticket.com/tickets/344140

https://www.monolithonthemesa.com
https://www.facebook.com/monolithonthemesa
https://www.instagram.com/monolithonthemesa

Monolith on the Mesa 2020 promo

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The Electric Highway Announces Inaugural Lineup with Wo Fat, Sasquatch, Nebula & More

Posted in Whathaveyou on November 6th, 2019 by JJ Koczan

A little bit of Cali, a little bit of Texas, a little bit of Portland, Oregon, and a whole lot of locals — the first lineup for The Electric Highway has been unveiled and the Calgary-based festival’s mission would seem to be directed toward kickass heavy and stoner rock. Thus, Sasquatch and Wo Fat headlining with Nebula and Duel also on board. And hey man, if you threw any kind of heavy rock and roll party in the entire nation of Canada — and Canada if frickin’ huge — and you didn’t at least invite La Chinga let alone actually have them play, your ass would just be negligent. That’s a band that’s never gonna do anything but make a strong rock bill stronger.

Calling this the inaugural The Electric Highway is fair enough, since it seems to be working under its own concept — pinball tournament! — but it formerly operated under the banner of the 420 Music and Arts Festival, and had a few years to its credit in that form. Still, a new name is a new name, so alright. Maybe “inaugural” with an asterisk. “Inaugural-ish.”

The PR wire has details. The fest has a hashtag that’s probably good advice anyway:

the electric highway poster

All Roads Lead To The Electric Highway Festival In Calgary, AB, Canada!

#BuckleUp baby, The Electric Highway is excited to announce our inaugural lineup! We wanted to put something special together for our first trip on the Highway and with over 20 bands in two daze, we think we have done exactly that…

Day One, Friday, April 17th Wo Fat from Dallas, Texas will be returning with their brand of Psychedelic Heavy Blues to headline night one, and we are flying in their bro’s in DUEL to share the stage with them that night too! Also laying waste to Friday night are BC’s Buzzard & CHUNKASAURUS, coming all the way from Portland, Oregon we have Hippie Death Cult & LáGoon, joining us from Montreal is PINK COCOON, and representing our amazing local scene will be Father Moon, Locutus, Row of Giants and The WORST.

Then on Day Two, Saturday, April 18th bringing the fuzz from California, we are STOKED AF to welcome back the mighty Sasquatch to headline our whole party and are psyched to have their buds Nebula along for the ride! As for the rest of Saturday, it just wouldn’t be a party without Vancouver’s La Chinga on the bill, along with local faves Gone Cosmic, Bazaraba, and Shadow Weaver from Calgary, Crossfield, Alberta’s Set & Stoned, Hemptress from Kamloops, BC, The Sleeping Legion from Winnipeg and rounding out our first lineup, from Saskatoon, The Basement Paintings.

The Electric Highway is taking place at the Royal Canadian Legion #1 in downtown Calgary, AB, Canada on April 17 & 18, 2020. Tickets go on sale at 10am MDT on Tuesday, November 5, 2019 at https://theelectrichighway.ecwid.com/.

The Electric Highway Official Lineup:
Sasquatch (Los Angeles, CA)
Wo Fat (Dallas, TX)
Nebula (Los Angeles, CA)
Duel (Austin, TX)
La Chinga (Vancouver, BC)
Gone Cosmic (Calgary, AB)
Hippie Death Cult (Portland, OR)
LáGoon (Portland, OR)
Buzzard (Victoria, BC)
Chunkasaurus (Victoria, BC)
Bazaraba (Calgary, AB)
Shadow Weaver (Calgary, AB)
Father Moon (Calgary, AB)
Set & Stoned (Crossfield, AB)
Row of Giants (Calgary, AB)
Hemptress (Kamloops, BC)
Pink Cocoon (Montreal, QC)
The Sleeping Legion (Winnipeg, MB)
The Basement Paintings (Saskatoon, SK)
Locutus (Calgary, AB)
The Worst (Calgary, AB)

The Electric Highway 2020 —> www.facebook.com/events/1346173098884903/
The Electric Highway Kickoff Party—> www.facebook.com/events/809469542830729/
The Electric Highway Pinball Tournament —> www.facebook.com/events/2408742202725992/
The Electric Highway Arts Expo & Market —> www.facebook.com/events/476224713238363/

#BuckleUp

“All Roads Lead to the Electric Highway”

www.facebook.com/ElectricHighwayFestival/
www.instagram.com/TheElectricHighway
www.TheElectricHighway.ca

Sasquatch, Live at Ace of Cups, Columbus, Ohio, Sept. 8, 2019

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Monolith on the Mesa: Yawning Man, Fatso Jetson, Wo Fat, Earthride, Magic Castles & Great Electric Quest Added

Posted in Whathaveyou on October 30th, 2019 by JJ Koczan

Monolith on the Mesa, which kind of came out of the gate in full-fledged upstart fashion this year and put Taos, New Mexico, on the map as a destination for heavyheads from all over, continues to announce acts for its follow-up edition in 2020. The fest is set for May 28-30 at Taos Mesa Brewing, same spot it was held this Spring, and is $99 for the weekend, which doesn’t sound cheap, but uh, is, considering what you get. Not exactly slumming it as regards the whole experience of the thing. To wit, the photo below looks like something I would most definitely shell out a hundred bucks to stand in front of for three days and have my ass handed to me by awesome bands. If you disagree, I suggest you take the next few months to reassess your priorities.

But speaking of awesome bands, a bunch more have just joined the lineup, including Maryland’s favorite sons Earthride. They’ll make the trip west and give a bit of East Coast representation out in the desert that I can only imagine will go over like groove-rolling gangbusters. That alone would be worth the $99 in my book, let alone the likes of Yawning Man (always great) and Fatso Jetson (always great) and Wo Fat (always great), who, for those of you who don’t read parentheticals (why not?) are always great, as well as Magic Castles and Great Electric Quest, whom I’ve not yet seen, but whose sounds are most certainly readily diggable.

Cool fest, man. These guys got something going out there in the desert.

From the PR wire:

monolith on the mesa 2019 (Photo by Mike Goodwin)

Monolith On The Mesa prepares for second year bands include Yawning Man, Fatso Jetson, Earthride, Sons of Otis, Ruby the Hatchet, Mondo Generator, Year of the Cobra and more

MONOLITH ON THE MESA OFFERS A “HIGH” DESERT EXPERIENCE THAT DRAWS ROCK FANS FROM ACROSS THE NATION

THE MUSIC FESTIVAL PREPARES FOR ITS SECOND YEAR AND ANNOUNCES SIX MORE BANDS IN THE LINE-UP: Yawning Man, Fatso Jetson, Earthride, Wo Fat, Magic Castles, Great Electric Quest

300 early bird tickets on sale now through Black Friday

May 28-30, 2020 at Taos Mesa Brewing

Monolith on the Mesa, a “High” Desert Experience, is an independent three-day festival entering its second year in 2020. The festival takes place at the Taos Mesa Brewing Mothership, and on the grounds of Hotel Luna Mystica, just outside of Taos, New Mexico. The festival is focused on heavy riff-rock acts from across multiple sub-genres including stoner rock, heavy psych, doom metal, sludge, drone, and retro rock. The festival includes interactive art installations and visual projections throughout the grounds to compliment the mind bending sounds of the bands. Festival capacity is limited to 1,500 to provide an intimate experience. Bands perform on the club-style indoor stage, and the scenic “earthship” outdoor amphitheater stage.

A total of 35 bands will play over three days from May 28-30, 2020. Festival promoters Dano Sanchez and Roman Barham are excited to reveal the names of five more bands today including Yawning Man; Fatso Jetson; Earthride; Wo Fat; Magic Castles; Great Electric Quest. The thirteen bands already made public online include: Sons of Otis; Ruby the Hatchet; Mondo Generator; Duel; Mark Deutrom; Year of the Cobra; Mountain of Smoke; Destroyer of Light; Love Gang; Black Maria; Prism Bitch and Sun Dog. Tickets cost $150 for three-day passes. A limited release of 300 early bird tickets for $99.99 are on sale now through Black Friday (midnight on November 29, 2019).

Dano Sanchez says “We are inspired to continue on our path with Monolith II. We want fans to come to Taos and let go of technology and constraints of urban living for three days. Let your soul breathe! What we offer is unique but still linked musically to festivals like Psycho Las Vegas, Levitation and Stoned and Dusted. We think festival goers will appreciate what we are doing here.”

Monolith on the Mesa is produced as a “destination” festival offering attendees music as well as the unique and mystical Taos experience which includes crisp, clean air on the high desert mesa, surrounded by unobstructed views of the Sangre de Christo Mountains. The festival is located adjacent to the Rio Grande del Norte National Monument. This enables festival goers to enjoy activities such as hiking, river rafting, bike trails, natural and resort hot springs — all making for an immersive experience unlike any other music festival.

DATES AND TIMES:
Box office opens at 9 a.m. Thursday, Friday and Saturday.
May 28th doors at 4 pm til 1:30 am
May 29th doors at 12 noon; outside stage til midnight; indoor stage til 1:30 am
May 30th doors at 12 noon; outdoor stage til midnight; indoor stage til 1:30 am

VENUE INFORMATION:
Taos Mesa Brewing: The Mothership
20 ABC Mesa Rd.
El Prado, New Mexico 89529
https://www.taosmesabrewing.com/

TICKET INFORMATION:
Rain or shine event! No refunds!
https://tickets.holdmyticket.com/tickets/344140

https://www.monolithonthemesa.com
https://www.facebook.com/monolithonthemesa
https://www.instagram.com/monolithonthemesa

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Texas Jam Revival Announces Lineup with Black Tusk, Wo Fat, Forming the Void and More

Posted in Whathaveyou on August 6th, 2019 by JJ Koczan

texas jam revival 2019 banner

Austin, Texas, is of course no stranger to hosting festival-type atmospherics. It’s the home to SXSW and Levitation Fest, among others. The first-ever Texas Jam Revival isn’t shooting for operating on the same scale — at least not in its first year — but its all-dayer bill for Sept. 6 is righteous nonetheless, with the likes of Temptress, Electric Age, Hexxus, Cloak and Mountain of Smoke supporting Forming the Void, Wo Fat and Black Tusk as a kind of triple-shot of headliner-worthy acts. I’m not sure if this is still the case, but as I recall, Forming the Void were going to hit the studio in September to record their fourth long-player, so this may well be one of the last shows they play before they do that. Go see them. Go early and see everybody. This is the kind of fest that’s done out of pure love, so if you’re in Austin, make it happen. I haven’t been down that way in a long time, but it was always worth the trip when I went.

Poster and show info follow, courtesy of Thee Facebooks:

texas jam revival 2019 poster

I am so excited to introduce the first annual TEXAS JAM REVIVAL!

This year’s show is at Barracuda Austin and features:

Black Tusk
Wo Fat
Forming the Void
Mountain of Smoke (featuring Kyle Shutt of The Sword)
CLOAK
Hexxus
Electric Age
Temptress

T-shirts and silk-screen posters (featuring Daniel Augustus Marschner art) will be on sale at the show for $20 and $15 respectively, but you can get a sweetheart deal if you buy the ticket/merch combo when you buy your tickets at the Ticket Fairy link in this event.

$22 pre-sale ticket only
(fees included on all pre-sales)

$33 pre-sale ticket + shirt (ex.$45 day of show) SAVE $12 on this combo

$44 pre-sale ticket + shirt+ silkscreen poster
(ex. $60 day of show)
SAVE $16 on this combo

(Take your ticket to the TJR merchandise table for your t-shirt and/or poster)

$25 day of show

https://www.facebook.com/GRAVITOYDpresents/
https://www.facebook.com/events/472239823539755

Wo Fat, Midnight Cometh (2016)

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Wo Fat Announce Australia & New Zealand Touring

Posted in Whathaveyou on April 24th, 2019 by JJ Koczan

I’m holding out hope for a new Wo Fat record this year. Their last two, 2016’s Midnight Cometh (review here) and 2014’s The Conjuring (review here), were both Spring releases, out in June and May in their respective years, so that seems unlikely for 2019 unless there’s news coming, like, right now, about it. I just checked my email again, and nope. Maybe tomorrow. But Wo Fat have worked on an every-other-year schedule since 2012, and that alone was enough to make me speculate they’d have an album out last Fall in time for their European tour, which obviously didn’t happen.

As they head to Australia and New Zealand this June, I’m not necessarily thinking they’ll put one out in time for the trip because, again, we’d probably know about it by now if that were happening, but maybe later in the year? Maybe in the Fall? Maybe I just want to hear a new Wo Fat album so I’m trying to project a timeframe for it to be released? That seems possible to me. Indeed, likely.

Fine.

Their label, Ripple Music, posted the Aus/NZ dates as follows:

wo fat

Wo Fat announce Australian and New Zealand Tour!! This is gonna be killer!

Thursday 6/6
The Bendigo Hotel, Collingwood
W/ Jack Harlon & The Dead Crows
Tickets: http://rcl.ink/bO3

Friday 7/6
The Barwon Club Hotel, Geelong
W/ Turtle Skull & Peeling Sun
Tickets: http://rcl.ink/bO6

Saturday 8/6
WO FEST at The Gold Mines Hotel, Bendigo
W/ Pieces Of Molly (NZ), Turtle Skull, Motherslug, Pseudo Mind Hive, Burden Man, Thaw, Honeybone, Kitchen Witch, Full Tone Generator and @SubterraneanDisposition
Tickets: http://rcl.ink/bOu

Sunday 9/6
Crown and Anchorl, Adelaide
W/ Planet of the 8s & Howl n Bones
Tickets: http://rcl.ink/bOE

Tuesday 11/6
Whammy Bar, Auckland
W/ Bloodnut & The Deadbeat Dads
Tickets: http://rcl.ink/bO8

Wednesday 12/6
Valhalla, Wellington
W/ Dick Tracy & Hault
Tickets: http://rcl.ink/bOF

Thursday 13/6
Howlin’ Wolf Bar Wollongong
W/ Robot God
Tickets: http://rcl.ink/bON

Friday 14/6
The Vanguard, Sydney
W/ Comacozer & Numidia
Tickets: http://rcl.ink/zHg

Saturday 15/6
Crowbar Brisbane
W/ Stoker – band & Fumarole
Tickets: http://rcl.ink/zHy

https://www.facebook.com/wofatriffage/
https://twitter.com/HouseOfWoFat
https://www.instagram.com/wofatriffage/
https://wofat.bandcamp.com/
ripple-music.com

Wo Fat, Midnight Cometh (2016)

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