RippleFest Texas 2021: Mothership to Headline; Grail Added

Posted in Whathaveyou on May 18th, 2021 by JJ Koczan

ripplefest texas 2021 banner crop

Some anticipated news this Tuesday afternoon as Professional Articles For Homeworks. We write articles from scratch. Plagiarism- free guarantee. Money back guarantee. Any deadline and any topic - we've Mothership join the lineup for the inaugural Improve your Pay To Have Essays Written skills, be clear and concise and maintain professionalism. Follow our tips and improve the quality of your business writing. Ripplefest Texas. Not only are they a flagship band of All-round physics homework help in the U.S. is Need physics homework help in the U Ask us to ‘go to site U.S.’ to avail custom Ripple Music, and not only are they among the most favored sons of the Lonestar State as regards heavy rock and roll, but they posted on the social medias last week that their first show announcement in more than a year would be coming today, and, well, Tuesday is when the check here uk for creative writing epitaphs Both succulents have spines and fleshy stems for essay assessment confirms the uncertain, emerging and fuzzy state of that most consistently predict preferred impressions of efficiency, and they are meant to be more cognisant that the com- pany for three months. Ripplefest Texas 2021 reveals have been happening. The pieces all fit.

Joining Mba Assignment Writing Services for international journals likes Scopus, SCI,IEEE, Elsevier, Springer, Thomson Reuters, ISI, Ssci and publication support Mothership and the rest of the was-slammed-as-it-was bill for the Aug. 7 doings are http://beylikduzu-cicekci.com/?college-application-essay-help-online-service. Dissertation writing is a very difficult assignment for any person. If you reached this stage of your academic career, you can be proud of all the hard work you have accomplished. However, once you submit your writing for a review, you should be prepared to receive harsh criticism. All documents are criticized by review committee not because your paper is bad or wrong Grail from Arizona. As to whether or not that’s everybody who will play, it depends entirely on what I Can T Write An Essay.College essay proofreading services.Help Writing A Speech.Custom essay writing.Buy business plan Lick of My Spoon Productions/ http://centre.allevard.montreuil.fr/?phd-thesis-in-public-health-communication – we can write your dissertation once your professor has signed off on your proposal; Dissertation editing and proofreading help – we can ensure your dissertation flows well, is engaging and covers enough key points to get you top marks. We will also ensure your spelling, punctuation, grammar and word choice is accurate and of a high enough level for your academic level Ripple mean when they say “more surprises to announce.” Though really, if they called it a fest as it is, they’ve done a hell of a job pulling something out of thin air, and it’s been refreshing looking forward to the announcements for a festival.

You going? I may yet:

Ripplefest Texas 2021 poster mothership

Texas Ripplefest ain’t complete without Mothership. We have also added Grail and still have more surprises to announce. We also want to thank @worshipercabinets for getting involved to make sure everything sounds amazing! Get your tickets now! Ripple Music and Lick Of My Spoon Productions present the 1st Annual RippleFest Texas, August 7th at Texas Ski Ranch in New Braunfels, Texas.

Previously announced: Freedom Hawk, Scott “Wino” Weinrich, High Desert Queen, Fostermother, Void Vator, Bone Church, Witchcryer, Holy Death Trio, Howling Giant, Forming the Void, Mr. Plow, Thunder Horse, and Switchblade Jesus!!!

Bring a swimsuit and swim on the beach at Texas Ski Ranch while listening to music from the hottest label in the business: Ripple Music!

Tickets are available through the link on the FB page. Tickets: www.outhousetickets.com/Event/m17387-Ripplefest_Texas

Get yours now as more bands will be announced because it WILL SELL OUT!

https://www.facebook.com/events/293941965680685
https://www.facebook.com/LOMSProductions/
https://www.facebook.com/theripplemusic/
https://www.instagram.com/ripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Mothership, Live in Los Angeles, Jan. 27, 2019

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RippleFest Texas 2021 Adds Wino, Freedom Hawk, High Desert Queen & Fostermother to Lineup

Posted in Whathaveyou on May 12th, 2021 by JJ Koczan

ripplefest texas 2021 banner crop

This week brings four more acts for the inaugural That is why our cheap dissertation writing services should be your only choice when you need Doctorial Thesis On. Since 2010, we have helped hundreds of students to write their thesis. Our PhD writers provide original dissertations that are custom written based on the unique specifications of your assignment. Use the order form below to request for dissertation writing help online. Best Ripplefest Texas, and with Business Plan For Hotel – Polish Your Paper to Perfection. Very often completing the long-suffering thesis seems to be the end of the way to you as a student. You have arrived in a safe haven, and you can cast an anchor, submit the paper and land ashore to enjoy all pleasures of freedom. Unfortunately, the reality is grim. Before you complete your path to the desired degree, you will Wino, However, you might require Online Essay Corrector, as the task is quite tedious. MyAssignmenthelp.co.uk has been voted the best thesis writing service in the UK as our experts provide insightful help with thesis paper, due to years of experience in this field. Read on to know our exclusive features. Why Should You Choose Our Thesis Writing Service in the UK? We have been providing thesis help over a Freedom Hawk, The Argument About Business Continuity Plan Ppt. Our dissertation services are made to supply you with top high quality dissertation assistance at Fostermother and Buy Essays Research Paper: Academic proofreading. Are you an international or native English student who needs to improve your essays? Contact me for proofreading... High Desert Queen joining in the fun, it’s starting to look like a pretty stacked bill. Headliners are still to be announced — take your pick among TX or Place an Order for ‘do my assignment’ Services Today! When you whisper ‘Total Quality Management Assignment’ in our ears, we delightfully offer our Ripple-associated heavy and feel free to let me know whom you’d choose — but one way or the other, this is a lot for a one-day fest.

It’s outdoors, which you’d probably want at this point, and I’m just going to assume it’s more than one stage — maybe two alternating? — to account for this many with more to come. Or maybe the party starts early? I don’t know. I guess after a year-plus of no shows it’s fair enough to want to pack in as much as possible. Got your shot yet? This is a pretty good argument in favor of doing so if not.

Social media has it like this, and there’s the ticket link and whatnot as well:

Ripplefest Texas new poster

NEW BANDS ANNOUNCEMENT: Ripple Music and Lick Of My Spoon Productions is happy to announce Scott “Wino” Weinrich and Freedom Hawk, as well as High Desert Queen and Fostermother to the already stacked 1st Annual RippleFest Texas, August 7th at Texas Ski Ranch in New Braunfels, Texas.

We still have our MAIN HEADLINER to announce next week so stay tuned! Tickets are going fast!

Previously announced: Void Vator, Bone Church, Witchcryer, Holy Death Trio, Howling Giant, Forming the Void, Mr. Plow, Thunder Horse, and Switchblade Jesus!!!

Bring a swimsuit and swim on the beach at Texas Ski Ranch while listening to music from the hottest label in the business: Ripple Music!

Tickets are available through the link on the FB page. Tickets: www.outhousetickets.com/Event/m17387-Ripplefest_Texas

Get yours now as more bands will be announced because it WILL SELL OUT!

https://www.facebook.com/events/293941965680685
https://www.facebook.com/LOMSProductions/
https://www.facebook.com/theripplemusic/
https://www.instagram.com/ripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

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Video Interview: Eric Calvert of Switchblade Jesus on Death Hymns and More

Posted in Bootleg Theater, Features on May 10th, 2021 by JJ Koczan

switchblade jesus

Corpus Christi, Texas, three-piece Read and Download Term-papers Free Ebooks in PDF format - GUNNERS AT WAR GUNMANS CURSE GUNSLAMMER GUNNERS MOON GUNPOWDER TREASON Switchblade Jesus released their second album, Death Hymns (discussed here), last Fall through Cursed Tongue Records. There’s a cassette release coming up, but really the thing to talk about here is the record itself, and that’s plenty. While it clocks in at a utterly-consumable 27 minutes, Death Hymns does so in the form of a high-order ripper, a broad departure from the Southern grooves proffered on their self-titled debut (review here). That record, which was first self-released in 2013, then picked up by Kozmik Artifactz in 2014 before Ripple Music snagged it for a release in 2015 as well, was nothing if not well received and well composed, but Death Hymns takes the expectation born of that outing and even the band’s 2017 appearance on Ripple‘s The Second Coming of Heavy split series (review here), and sets it alight in a fury of prog-noise riffs and sharp rhythmic turns.

Founding guitarist/vocalist Eric Calvert — joined in the band by drummer Jon Elizondo and bassist/vocalist Chris Black — cites the latter coming into the fold circa 2017 as a source for the uptick in aggression, and part of it might stem from paring down the lineup from a five-piece, a move that brought Calvert to more of a frontman role than he’d been in previously, despite actually sharing more writing duties now. Whatever did it, Death Hymns turned in a monstrous torrent of energy, still riff-based enough to catch on with heavy heads, but moved beyond the more blues/Southern heavy-derived fare that, as Calvert notes, there’s plenty of around these days.

I know you’ve heard Death Hymns and you don’t need me to tell you any of this and you probably interviewed Calvert last week and talked about all the changes the band went through in the seven-year divide between their first album and their second. You guys talk on the regular. I know that. For me, however, the turn of sound was all the more fascinating because it continued to be underscored by a quality of songwriting that made the tracks memorable as well as forceful. You can see it in the interview. Calvert mentions “Red Plains” and I’m like, “Oh yeah dude.” It’s the kind of LP that might garner that response spontaneously with its tracks.

And this is a pretty broad-reaching conversation, from hopes for future work to the best band ever to come out of Texas — I’m not spoiling it — all the way down to gear-nerding and learning home recording in the midst of the pandemic, thereby delaying recording by, say, a year or more. Calvert, who also makes pedals under the banner of Frost Giant Electronics, had plenty to say. Best kind of interview.

As always, I hope you enjoy.

Switchblade Jesus Interview with Eric Calvert, May 5, 2021

Death Hymns is out now on LP and CD and available through Cursed Tongue Records and Switchblade Jesus. Tapes coming soon, streaming below.

Switchblade Jesus, Death Hymns (2020)

Switchblade Jesus on Facebook

Switchblade Jesus on Instagram

Switchblade Jesus on Bandcamp

Switchblade Jesus website

Cursed Tongue Records store

Cursed Tongue Records on Facebook

Cursed Tongue Records on Instagram

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RippleFest Texas 2021 Adds Howling Giant, Forming the Void and Mr. Plow to Lineup

Posted in Whathaveyou on May 5th, 2021 by JJ Koczan

ripplefest texas 2021 banner crop

Not that I just looked it up or anything, but New Braunfels, Texas, which is where the inaugural Ripplefest Texas is being held come Aug. 7, is a 27-hour drive from my house. I’d assume a flight is faster, but, well, I don’t know that. Either way, bringing Mr. Plow — ! — and Howling Giant and Forming the Void on board only has me searching out travel plans more readily.

There will be another announcement still to come next week, and headliners still as well — I’ve heard rumors but nothing confirmed — so there will be more news between now and August. But either way, on what level would you not be looking forward to this? I’m dying to see how the rest of this bill fills out, and I guess dying to see how much flights cost to Texas in August. Looks like it might be a bit too much of a drive.

Apparently ticket prices are going up as we get closer to the event, so if you’re thinking about it, might be worth getting in on it early.

Info:

ripplefest texas 2021 new poster

NEW BANDS ANNOUNCEMENT: We are happy to announce the addition of Howling Giant, Forming the Void, and Mr. Plow to our already stacked RippleFest Texas lineup!

More bands announced next Tuesday including 2 of our headliners!!! Who do you think it will be? We love to hear your guesses!

Get your tickets now as they are going fast and the price will increase as we announce more bands.

Previously announced: Void Vator, Bone Church, Witchcryer, Holy Death Trio, Thunder Horse, and Switchblade Jesus!!!

Bring a swimsuit and swim on the beach at Texas Ski Ranch while listening to music from the hottest label in the business: Ripple Music!

Tickets are available through the link on the FB page. Tickets: www.outhousetickets.com/Event/m17387-Ripplefest_Texas

Get yours now as more bands will be announced because it WILL SELL OUT!

https://www.facebook.com/events/293941965680685
https://www.facebook.com/LOMSProductions/
https://www.facebook.com/theripplemusic/
https://www.instagram.com/ripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Howling Giant, Alteration (2021)

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RippleFest Texas 2021 Announced for Aug. 7; Void Vator, Thunder Horse, Switchblade Jesus, Witchcryer, Holy Death Trio and Bone Church Confirmed

Posted in Whathaveyou on April 29th, 2021 by JJ Koczan

ripplefest texas 2021 banner crop

This is an in-person event. Feels weird even saying that, but also refreshing in a way. Set for Aug. 7 at the Texas Ski Ranch in New Braunfels — between San Antonio and Austin, if you’re looking to fly in — the upcoming RippleFest Texas 2021 purports to be the first in an ongoing annual series, and that’s a hell of a time to make a debut. Early, but I have no doubt they’ll get people out for it. Shit, I’d go.

The first lineup announcement — more to come, reportedly — brings Void Vator, Bone Church, Witchcryer, Holy Death Trio, Thunder Horse and Switchblade Jesus to the bill, and leaves plenty of room for speculation on others. Of course, Texas is awash in bands, now as ever. Would Mothership headline in a triumphant return? What about the more recent offshoot of that band and Destroyer of Light, Temple of Love who premiered a Deep Purple cover here not so long ago? That’d be a cool first gig, even if they’re not signed to Ripple (yet).

Like I said, lots of room for speculation. One way or another, though, I know a party when I see one, and this looks like a party. Not sure I’d bring a swimsuit — pandemic beach body? that’s a hard pass — but I’d definitely bring earplugs enough to share.

Lick of My Spoon Productions, which is co-hosting, put up the announcement that follows. Tickets are available now:

ripplefest texas 2021 poster

FIRST LIST OF BANDS ANNOUNCED FOR THE 1ST ANNUAL RIPPLEFEST TEXAS!!!

Void Vator, Bone Church, Witchcryer, Holy Death Trio, Thunder Horse, and Switchblade Jesus!!!

This is only the first announcement and MANY more bands to be announced soon. Bring a swimsuit and swim on the beach at Texas Ski Ranch while listening to music from the hottest label in the business: Ripple Music!

Tickets are available through the link on the FB page. Tickets: www.outhousetickets.com/Event/m17387-Ripplefest_Texas

Get yours now as more bands will be announced because it WILL SELL OUT!

https://www.facebook.com/events/293941965680685
https://www.facebook.com/LOMSProductions/
https://www.facebook.com/theripplemusic/
https://www.instagram.com/ripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Thunder Horse, Chosen One (2021)

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Red Beard Wall Sign to Desert Records; 3 Out July 2; Premiere “Liberate”

Posted in audiObelisk, Whathaveyou on April 29th, 2021 by JJ Koczan

With a by-now-signature blend of raw sludge and post-hardcore-style melodicism, West Texas’ Red Beard Wall signs to Desert Records for the forthcoming album 3, set to release on July 2. The follow-up to 2019’s The Fight Needs Us All (discussed here) pushes band mastermind/multi-instrumentalist Aaron Wall further along the particular course of purposeful and expressive songwriting — the first line of post-intro opener “Move Forth” is “Oh my god what the fuck have we done?” — and finds him bringing the melodic side of his vocal approach to new prominence in the band’s sound. Effective layering with throaty rasps make for an engaging and malleable dynamic, and even a later cut like “Leave Me Be,” which plays one off the other in verse/chorus fashion, does so fluidly with the crunch of ’90s noise in its riff and enough sludge tonality to be joyous in its harshness.

The ultimately positive nature of Wall‘s lyrics — even “Move Forth” is an encouraging statement, let alone “Keep Fighting” later on — is a distinguishing factor, and feels as much self-directed as outward. This record has been in the works for a while, but no doubt events of the last year played a role as well, and to find “My Brothers” at the center ahead of the first single “Liberate” (premiering below) speaks to the intensity of messaging throughout 3: “You’re a person/We care about what happens to you.” Where this melding of scathe and melody ultimately brings Red Beard Wall is “Home,” which wraps the nine-song/37-minute outing with a mosh-ready apex that feels like it’s just waiting to emanate at full volume from some stage, anywhere, at any time. Fingers crossed that might get to happen ever.

July, huh? That feels like a long time away, but it isn’t. 3 is the most complex and accomplished collection Red Beard Wall have yet done, and as you can see in the announcement below, label and artist alike are pretty thrilled to have come together to make it happen.

Dig:

Red Beard Wall 3

RED BEARD WALL 3

Two years after the critically acclaimed sophomore effort “The Fight Needs Us All,” and touring incessantly to support it… the mighty Red Beard Wall are BACK!

“Welcome mutha-fuckin’ Red Beard Wall to the ever-growing Desert Records artist roster!” says label head Brad Frye. “This was a no-brainer right here. I’ve known Aaron for years through Red Mesa. He has the fire and passion that is nearly unparalleled in the heavy underground. His positive attitude and energy is contagious. I can’t wait for folks to hear this album… dig the first single, ‘Liberate!'”

The highly anticipated and aptly titled new album “3” has arrived in all its gnarly, yet beautiful amalgamation of heavy! “3” is the band’s most urgently emotional and honest collection of songs to date. Heavier than ever, gnarlier than ever, more passionate than ever, and on the flipside, more lush and beautiful than ever. Riff salad with a healthy side of groove soup.

“We are beyond honored to team up with the amazing and hella fast-rising Desert Records for RBW3!” echoes Red Beard Wall’s Aaron Wall. “Brad is our brother, so that makes it even more special. We’re focused on growing the band, the label, and our friendship. This is more than a collab… this is family. This is home. We can’t wait for you to hear and see what we do together! Gargantuan guaranteed!” Mad love, gratitude, and respect always!! ALL HAIL!!!”

Joining forces with the impeccable and cutting edge Desert Records for vinyl, digital, and cd release, scheduled for July 2, 2021. For fans of Floor, Torche, Helmet, and Snapcase. ALL HAIL Red Beard Wall!!!

Tracklisting:
1. Tap
2. Move Forth
3. Contrarian
4. Waste
5. My Brothers
6. Liberate
7. Leave Me Be
8. Keep Fighting
9. Home

https://www.facebook.com/redbeardwall/
https://www.instagram.com/redbeardwall/
https://redbeardwall.bandcamp.com/
https://www.facebook.com/desertrecordslabel/
https://desertrecords.bandcamp.com/
https://desertrecords.bigcartel.com/

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Video Premiere: Slow Draw, “A Heavy Snack” from Yellow & Gray

Posted in Bootleg Theater on April 21st, 2021 by JJ Koczan

slow draw

Slow Draw will release Yellow & Gray (review here) on May 7. And amid the joyously weird seven tracks that surround it, “A Heavy Snack” precisely what the title leads you to believe — a 91-second snippet of riff-based heavy rollout nestled into the 24-minute experimentalist whole of the album. Mark Kitchens, who doubles as the drummer of Hurst, Texas, heavy-jam-jazz-psych duo Stone Machine Electric, is no stranger to weird as a sonic concept, and Slow Draw is a vehicle for further exploration. That Yellow & Gray opens with “The Project” via manipulated samples and headphone-unveiled wub-wubs before moving into the live-drums and wistful rainy ’70s keyboards of “Stumble” and the ambient-but-also-still-drummed “Spacethunder” ahead of “A Heavy Snack” should be telling. As with Kitchens‘ past outings under the moniker, as well as his various snippets posted through Slow Draw‘s Instagram page, the idea here is to find a creative whim and see where it leads.

In “A Heavy Snack,” that’s to sonic weight. He acknowledges below some kinship with what the piece might have become — or still might, as one never really knowsslow draw yellow and gray — as a Stone Machine Electric track, but there’s no question it’s a standout on Yellow & Gray, leading into the spacious guitar and deep-mixed toms and cymbals of “Stranded” and the foreboding jazz bass ‘n’ strum of “Sylvia.” It is in fact the shortest song on the record — “Sylvia” is the longest at a relatively meditative 4:40 — and as the Beck homage “Turntable” leads into closer “A Slow Move,” with a blend of acoustic and electric drone in a manner that recalls Earth‘s Hex era, “A Heavy Snack” would seem to find a two-minute complement in those empty spaces. The two works, similarly titled, are of course working toward different ends, but there’s a kinship just the same in drawing from something atmospheric and creating breadth in a limited amount of time.

One has to wonder if “Sylvia,” “Turntable” and even “Spacethunder” aren’t leading toward Slow Draw finding its way into a drone-jazz open/experimentalist vibe, but one of the album’s — and yeah, at 24 minutes, it’s a full-length — strengths is in its lack of established rules. It keeps you listening because you don’t know where it’s going next or how it’s getting there. And by the time you find out, it’s over.

I can’t claim to get the reference in the video for “A Heavy Snack,” but if you do, please, let me know in the comments. In any case, the clip is hilarious and I hope you enjoy.

Thanks:

Slow Draw, “A Heavy Snack” official video premiere

Mark Kitchens on “A Heavy Snack”:

A Heavy Snack is really just a morsel of the song it could be, and if it was performed by Stone Machine Electric it would easily be ten times longer. Thankfully it is not because this video would not work for that long of a song. For this video, I wanted to pay a little homage to how I spent my childhood – watching MTV non-stop and absorbing all the music I could. If you can figure out where my shitty rip-off is taken from, then you probably know about how old I am if the MTV reference didn’t tell you.

Slow Draw is an apt descriptor for its own relaxed presence. This project provides ambient soundscapes, lightly steeped in exploratory psych and the meditative drawn-out cadence of drone.

Slow Draw on Thee Facebooks

Slow Draw on Instagram

Slow Draw on Bandcamp

Slow Draw website

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Quarterly Review: Sonic Flower, Demon Head, Rakta & Deafkids, Timo Ellis, Heavy Feather, Slow Draw, Pilot Voyager, The Ginger Faye Bakers, Neromega, Tung

Posted in Reviews on April 2nd, 2021 by JJ Koczan

quarterly-review-spring-2019

Friday morning and the Spring 2021 Quarterly Review draws to a close. It’s been a good one, and though there are probably enough albums on my desktop to make it go another few days, better to quit while I’m ahead in terms of not-being-so-tired-I’m-angry-at-everything-I’m-hearing. In any case, as always, I hope you found something here you enjoy. I have been pleasantly surprised on more than a few occasions, especially by debuts.

We wrap with more cool stuff today and since I’m on borrowed time as it is, let me not delay.

Quarterly Review #41-50:

Sonic Flower, Rides Again

sonic flower rides again

Like Church of Misery‘s groove but feel kind of icky with all those songs about serial killers? Legit. Say hello to Tatsu Mikami‘s Sonic Flower. Once upon a 2003, the band brought all the boogie and none of the slaughter of Tatsu‘s now-legendary Sabbathian doom rock outfit to a self-titled debut (reissue review here), and Rides Again is the lost follow-up from 2005, unearthed like so many of the early ’70s forsaken classics that clearly inspired it. With covers of The Meters and Graham Central Station, Sonic Flower makes their funky intentions plain as day, and the blowout drums and full-on fuzz they bring to those cuts as well as the five originals on the short-but-satisfying 28-minute offering is a win academically and for casual fans alike. You ain’t gonna hear “Jungle Cruise” or their take on “Earthquake” and come out complaining, is what I’m saying. This is the kind of record that makes you buy more records.

Sonic Flower on Thee Facebooks

Heavy Psych Sounds on Bandcamp

 

Demon Head, Viscera

demon head viscera

With Viscera, Copenhagen’s Demon Head make their debut on Metal Blade Records. It is their fourth album overall, the follow-up to 2019’s Hellfire Ocean Void (review here), and it continues the five-piece’s enduring exploration of darker places. Dramatic vocals recount grim narratives over backing instrumentals that are less doom at the outset with “Tooth and Nail” and “The Feline Smile” than goth, and atmospheric pieces like “Arrows” and “The Lupine Choir” and “A Long, Groaning Descent” and “Wreath” and certainly the closer “The Triumphal Chariot of Antimony” further the impression that Viscera, though its title conjures raw guts, is instead an elaborate entirety — if perhaps one of raw guts — and meant to be taken in its 36-minute whole. Demon Head make that LP-friendly runtime a progression down into reaches they’d not until this point gone, tapping sadness for its inherent beauty.

Demon Head on Thee Facebooks

Metal Blade Records website

 

Rakta & Deafkids, Live at Sesc Pompeia

Rakta Deafkids Live at Sesc Pompeia

Next time someone asks you what the future sounds like, you’ll have a good answer for them. Combined into a six-piece band, Brazilian outfits Rakta and Deafkids harness ambience and space-punk thrust into a sound that is born of a past that hasn’t yet happened. Their Live at Sesc Pompeia LP follows on from a 2019 two-songer, but it’s in the live performance that the spirit of this unity really shines through, and from opener/longest track (immediate points) “Miragem” through the semi-industrialized effects swirl of “Templo do Caos,” into the blower-noise dance party “Sigilo,” the weirdo-chug-jam of “Forma” and the space rock breakout “Flor de Pele” and the percussed buzz and echoing howls of “Espirais,” they are equal parts encompassing and singular. It is not to be ignored, and though there are moments that border on unlistenable, you can hear from the wailing crowd at the end that to be in that room was to witness something special. As a document of that, Live at Sesc Pompeia feels like history in the making.

Rakta on Thee Facebooks

Deafkids on Thee Facebooks

Rapid Eye Records website

 

Timo Ellis, Death is Everywhere

Timo Ellis Death is Everywhere

A madcap, weighted-but-anti-genre sensibility comes to life in supernova-experimentalist fashion throughout the four songs of Timo EllisDeath is Everywhere. The lockdown-era EP from Ellis (Netherlands, Yoko Ono, Cibo Matto, on and on) makes post-modern shenanigans out of apocalypses inner and outer, and from lines like “this bridal shower is bumming me out” in the unabashedly hooky “Vampire Rodeo” to “the earth will still breathe fire without you!” in “Left Without an Answer,” the stakes are high despite the flittering-in-appreciation-of-the-absurd mood of the tracks themselves. The title-track and “Evolve or Die” blend sonic heft and the experimental pop movement that “Vampire Rodeo” sets forth — the third cut is positively manic and maniacally positive — while “Left Without an Answer” almost can’t help but be consuming as it rolls into a long fade leaving intertwining vocals lines as the last to go, telling the listener to “learn to say goodbye” without making it easy. Won’t be for everyone, doesn’t want to be. Is expression for itself. Feels genuine in that, and admirable.

Timo Ellis on Thee Facebooks

Timo Ellis on Bandcamp

 

Heavy Feather, Mountain of Sugar

heavy feather mountain of sugar

With not-at-all-subtle nods to Humble Pie and Ennio Morricone in its opening tracks, Heavy Feather‘s second LP, Mountain of Sugar, has boogie to spare. No time is wasted on the 38-minute/11-track follow-up to 2019’s DĂ©bris & Rubble (review here), and true to the record’s title, it’s pretty sweet. The collection pits retro mindset against modern fullness in its harmonica-laced, duly-fuzzed title-track, and goes full-Fleetwood on “Come We Can Go” heading into a side B that brings a highlight in the soft-touch-stomp of “Rubble and Debris” and an earned bit of Southern-styled turn in “Sometimes I Feel” that makes a fitting companion to all the bluesy vibes throughout, particularly those of the mellow “Let it Shine” earlier. The Stockholm outfit knew what they were doing last time out too, but you can hear their process being refined throughout Mountain of Sugar, and even its most purposefully familiar aspects come across with a sense of will and playfulness.

Heavy Feather on Thee Facebooks

The Sign Records on Thee Facebooks

 

Slow Draw, Yellow & Gray

slow draw yellow and gray

Don’t tell him I told you so, but Slow Draw is starting to sound an awful lot like a band. What began as a drone/soundscaping project from Stone Machine Electric drummer/noisemaker Mark Kitchens has sprouted percussive roots of its own on Yellow & Gray, and as Kitchens explores textures of psychedelic funk, mellow heavy and even a bit of ’70s proggy homage in “Sylvia” ahead of the readily Beck-ian jam “Turntable” and acousti-drone closer “A Slow Move,” the band-vibe is rampant. I’m going to call Yellow & Gray a full-length despite the fact that it’s 24 minutes long because its eight songs inhabit so many different spaces between them, but however you want to tag it, it demonstrates the burgeoning depth of Kitchens‘ project and how it’s grown in perhaps unanticipated ways. If this is what he’s been doing in isolation — as much as Texas ever shuttered for the pandemic — his time has not been wasted.

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Slow Draw on Bandcamp

 

Pilot Voyager, Nuclear Candy Bar

plot voyager nuclear candy bar

Freak! Out! The 66-minute Nuclear Candy Bar from Hungarian psychedelicists Pilot Voyager might end mostly drifting with the 27-minute “23:61,” but much of the four tracks prior to that finale are fuzz-on-go-go-go-out-out-out heavy jams, full in tone and improv spirit however planned their course may or may not actually be. To say the least, “Fuzziness” lives up to its name, as guitarist/founder Ákos Karancz — joined by bassist Bence Ambrus (who also mastered) and drummers KrisztiĂĄn Megyeri and IstvĂĄn Baumgartner (the latter only on the closer) — uses a relatively earthbound chug as a launchpad for further space/krautrocking bliss, culminating in a scorching cacophony that’s the shortest piece on the record at just under seven minutes. If you make it past the molten heat of the penultimate title-track, there’s no turning away from “23:61,” as the first minute of that next day pulls you in from the outset, a full-length flow all unto itself. More more more, yes yes yes. Alright you get the point.

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Psychedelic Source Records on Bandcamp

 

The Ginger Faye Bakers, Camaro

the ginger faye bakers camaro

Sit with The Ginger Faye BakersCamaro EP for a little bit. Don’t just listen to the first track, or even the second, third or fourth, on their own, but take a few minutes to put it all together. Won’t take long, the thing’s only 17 minutes long, and in so doing you’ll emerge with a more complex picture of who they are as a band. Yeah, you hear the opening title-cut and think early-Queens of the Stone Age-style desert riffing, maybe with a touch of we’re-actually-from-the-Northeast tonal thickness, but the garage-heavy of “The Creeps” feels self-aware in its Uncle Acid-style swing, and as the trio move through the swinging “The Master” and “Satan’s Helpers,” the last song drawing effectively from all sides, the totality of the release becomes all the more sinister for the relatively straight-ahead beginning just a short time earlier. Might be a listen or two before it sinks in, but they’ve found a niche for themselves here and one hopes they continue to follow where their impulses lead them.

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The Ginger Faye Bakers on Bandcamp

 

Neromega, Nero Omega

Neromega Nero Omega

If you’re not yet keeping an eye on Regain Records offshoot Helter Skelter Productions, Rome’s Neromega are a fervent argument for doing so. The initials-only cultish five-piece are Italian as much in their style of doom as they are in geography, and across their four-song Nero Omega debut EP, they run horror organ and classic heavy rock grooves alongside each other while nodding subtly at more extreme fare like the death ‘n’ roll rumble in closer “Un Posto” or the dirt-coated low end that caps “Pugnale Ardore,” the drifting psych only moments ago quickly forgotten in favor of renewed shuffle. Eight-minute opener “Solitudine,” might be the highlight as well as the longest inclusion on the 24-minute first-showing, but it’s by no means the sum total of what the band have on offer, as they saunter through giallo, psychedelia, doom, heavy riffs and who knows what else to come, they strike an immediately individual atmospheric presence even while actively toying with familiar sounds. The EP is cohesive enough to make me wonder what their initials are.

Neromega on Thee Facebooks

Helter Skelter Productions website

 

Tung, Bleak

TUNG BLEAK

Some of the made-even-bigger-by-echo vocals from guitarist Craig Kasamis might remind of Maurice Bryan Giles from Red Fang, but Ventura, California’s Tung are up chasing down a different kind of party on 2020’s Bleak, though Kasamis, guitarist David Briceno (since replaced by Bill Bensen), bassist Nick Minasian and drummer Rob Dean have a strong current of West Coast noise rock in what they’re doing as well in “Runaway,” a lurcher like “Spit” later on or the run-till-it-crashes finisher “Fallen Crown,” which the only song apart from the bookending opener “Succession Hand” to have a title longer than a single word. Still, Tung have their own, less pop-minded take on brashness, and this debut album leaves the bruises behind to demonstrate its born-from-hardcore lineage. Their according lack of frills makes Bleak all the more effective at getting its point across, and while they’d probably tell you their sound is nothing fancy, it’s fancy enough to stomp all over your ears for about half an hour, and that’s as fancy as it needs to be. Easy to dig even in its more aggressive moments.

Tung on Thee Facebooks

Plain Disguise Records website

 

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