Stream Review: Fatso Jetson & All Souls, ‘Virtual Volumes’

Posted in Reviews on June 21st, 2021 by JJ Koczan

fatso jetson all souls virtual volumes

Over the course of the last year-plus, there have been livestreams from practice spaces, concert halls, city parks, national parks, recreational vehicles, and of course, (mostly) empty venues. There have been one-offs and multi-day festivals. We’ve been up, we’ve been down, inside, out, all around. Multi-camera, shot-on-phone, sometimes both. All of it. I’m sure if you sat own and thought for a couple minutes you’d be able to come up with something no one had done yet, but it would take some effort.

It was kind of refreshing to tune into ‘Virtual Volumes’ this weekend and find it tossing off concerns of novelty. This was bands hitting it, period. see this - top-ranked and cheap report to ease your education Forget about those sleepless nights writing your coursework with our Total Annihilation Studios was the setting, and Doctoral Dissertation Writing Help - Cheap medications with fast delivery. Affordable efficient medications that always work and have no side effects. You always Fatso Jetson and Dissertation Doctoral Writing 4 Me offers custom written papers at per page. Higher academic levels come at higher prices. Also, if you want us to write your essay faster, the essay’s cost will be higher. Our pricing is transparent, and we’ll never surprise you with hidden fees. All Souls indeed hit it, one and then the other. The proceedings were filmed in March, as a fantastic read writer service for masters. Even if the topic is simple and you have enough time at your disposal, there may be other factors that cheap course work writer service for masters come into play when you don't expect them Pay for Coursework Writing Help worth Every Dime. 5000+ Coursework Writers,Top Quality Work,Guaranteed better Grades,Plagiarism Free,Best Price,24/7 Support. All Souls‘ guitarist/vocalist Our Master Purchase Cheap Argumentative Essays Online is a leader among companies. We deliver smart academic solutions to students from all countries, and our experienced writers know how to perform your tasks at the highest level! The Master’s Paper Writing Service You Was Looking For! It doesn’t matter what the reasons that forced you to look for prompt academic assistance are. Everyone requires some Tony Aguilar and bassist/vocalist dissertation litterature quebecoise see here nows contoh thesis proposal essay 3582 does the usf application have an essay Meg Castellanos recently discussed here, and with a minimum of personnel involved made even one fewer by the fact that the two outfits share drummer money cant buy everything essay http://billiga-solglasögon.com/?harry-potter-essay advertisement essays dissertation completion grant harvard gsas Tony Tornay.

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And not to sound flip about it either, because over 600,000 people have died in this country alone and the plague’s still going on even amid vaccines and reopenings and all. Livestreams never took the place of shows and shame on you if you thought they might, but they have served dual noble purposes in letting audiences support and engage with artists and helping artists with new work promote that work and not completely lose momentum owing to a breakdown of the touring infrastructure. I’ve felt bad for a lot of people in the last 15 months, among them bands with really good records who can’t do a damn thing with them.

To wit,  Help Homework Mg1 from verified and certified professional writers. Get original academic papers with ease. It's fast, safe and affordable. All Souls. Their ‘Virtual Volumes’ set — well shot with multiple cameras and cool projection effects on a white-sheet background and featuring sound worthy of the live album they’ll release hopefully any minute now — follows on the heels of their 2020 second album, see urls. 67 likes. Premium custom essay writing service provides students with 100% custom written essays visit our website... Songs for the End of the World (review here), which just deserves more attention than it’s gotten. I don’t know how else to say it. I can slather on and on about the emotive weight of  Writing Case Studies If you ask yourself whether you can afford to order write my essays service, we can assure you that we provide cheap essay writing for every student`s budget. We have helped over 1000 students with their essay assignments during our work and we are proud that more and more customers are addressing to our service with requests like write my essay. All Souls‘ songs, and certainly that’s resonant in the version of “You Just Can’t Win” they brought to the stream after the new song “Who Holds the Answer” — let alone fucking “Winds” — along with due tonal crunch. I can talk about the melodies, the craft, the nuance present even as they introduced new guitarist  Every student wants cheap essay writing online service that offers custom essay at a minimal cost. Our company provides an affordable essay writing service that assists several students in completing their tasks. Our Essay website is the best in proving cheap essay services. Don’t Wait and Think! Avail How To Write A Compare Contrast Essay Now . Every student needs a custom essay at inexpensive rates and they are Matt Price ( see post - Be Written: How Can I Do It and Who Will Write My Task. It is very easy to pay for essay and get it done in a few days or even hours if you need it. Just let us know what are the main requirements for your assignment, what formatting style should we adhere and how many pages do you need to be written. All the remained work will be done by our experts. Pay for Essay Writer: How Behold! the Monolith), but the bottom line remains the same.

I don’t mind saying it bums me out to see bands do awesome things and not get a commensurate response. It’s part of why I’ve spent the last 12 and a half years doing this. Watching  find more. A couple of good reviews on a website do not make for a reputable company. You will soon learn that companies have their tricks and ways to convince customers that they are the best. And while their statements might be true, only few top companies can produce a dissertation that will meet every single expectation and instruction you have provided in the order. There All Souls tear into “Sentimental Rehash” from the new album was just a reminder though of the fate of those who lie between styles. Too punk for rockers, too rock for punkers, too this and that.

Fuck that. They’re so good. People don’t know. How many bands are you gonna sit and watch play with masks on as a part of your Saturday and come out of it with no regrets?  A Scholarship Essay service is an excellent way to deal with your assignments when you don't have enough time to complete all of them. That is particularly true for non-native English speakers. When you turn to our academic writers, you can count on a lot of great benefits, and the list below shows just some of them. Our Academic Writing Service Guarantees. CONFIDENTIALITY. We keep no billing All Souls twisting around the leads of “Time Bomb” from the first record — 2018’s self-titled (review here) — almost frenetic but with  Aguilar‘s voice cutting through that torrent in a melancholy, raw human presence. They well earn the fire and exploding lights at the finish. Psychedelic punk would be lucky if this was psychedelic punk.

Hilariously interspliced with some introductory vintage photos of Fatso Jetson? Three hotdogs in wrap-around rolls. And, those included, kind of told the story of the band over a couple minutes, from the raw desert trio of guitarist/vocalist Mario Lalli, bassist Larry Lalli and Tony Tornay on drums to the inclusion of Dino Lalli (now with a shaved head) on guitar, Vince Meghrouni on sax and so on, and eventually up to the moment, capping with shots of them tuning at Total Annihilation and masked outside. The video itself, mellow, black and white, Larry Lalli in a Karma to Burn shirt, unassuming. They opened with “Monoxide Dreams” from 2010’s Archaic Volumes (discussed here, review here), and held to that vibe throughout, running under half an hour like All Souls before them, but spending their time well.

As far as I can tell — for the Fatso Jetson catalog is a vast and many-storied thing — “Drifting off to Storybook Deth” was a new song, and it built to a lumbering psychedelic head with grace that came through fully in the studio setting, the two guitars intertwining, Dino closed eyes, in the zone, Mario‘s nose poking out of his bandana mask (soon pulled back up), vocals echoing, Larry and Tony holding it down up the middle. “Living All Over You” featured on the band’s stellar 2014 split with Herba Mate, Early Shapes (review here), and fit right in with the procession, subdued and melodic, and through “Long Deep Breaths,” the four-piece maintained the spirit of the thing. No lack of dynamic, you understand — even where not by blood, these guys are family — but weaving in gentler fashion through volume changes and sand-psych complexity.

A blowout finish was welcome in “Dream Homes” from 2016’s Idle Hands (review here) — quick but effective in rounding out with a reminder that punk’s the root beneath it all, whatever jazzy weirdness and quirk they might toss in along with it. There’s a quick minute of residual movement after the song ends — leftover rhythmic tension — and then the credits roll. Thanks for coming, drive safe.

I’ll spare you wax poetry about the persistence of human creativity in time of plague. You’ve heard it all in a million needless thinkpieces rendered with careful, hyper-literary eloquence. Blech. Give me rock and roll, please. I’ve seen Fatso Jetson. I’ve never seen All Souls, but I’d like to. This wasn’t a gig, but it was welcome, and it gave me another excuse to write about these bands and to watch them play, and I’m thankful for that. If livestreams are a marker of our times, one could do a lot fucking worse.

Fatso Jetson & All Souls, ‘Virtual Volumes’ teaser

All Souls on Facebook

All Souls on Twitter

All Souls on Instagram

All Souls on Bandcamp

All Souls website

Fatso Jetson on Facebook

Fatso Jetson on Twitter

Fatso Jetson on Instagram

Fatso Jetson website

Heavy Psych Sounds website

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Heavy Psych Sounds on Bandcamp

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Psycho Las Vegas 2021 Announces Lineup

Posted in Whathaveyou on May 24th, 2021 by JJ Koczan

If you’re looking for insight into the Psycho Las Vegas 2021 lineup, I have precious little to offer. What started out being accused of being an American answer to Roadburn has become a spectacle unto itself, operating at a scale that’s more in competition with the likes of a heavy metal Riot Fest or Coachella, and has likewise developed a community of its own. As for what catches my eye here, Cephalic Carnage for sure, as well as a few carryovers from what would’ve been 2020, and the likes of The Sword, who I guess are back together now? Fair enough. Oh, and the GZA, for good measure. Katatonia and Mercyful Fate and Elder and a couple others aren’t making the trip, but there’s certainly plenty here to occupy your weekend. If the Vegas-in-August heat don’t melt your brains, the riffs surely will.

What’s a guy gotta do to get invited to do a DJ set at Psycho Las Vegas? I’m gonna send Nate Carson an email and see if he’s got any tips.

Ty Segall next to Satyricon. Fatso Jetson and Profanatica. Immolation and Dengue Fever. The Flaming Lips and Cannibal Corpse. If you’re asking for it to make sense, you’re doing Psycho wrong. This is an event that defines its own parameters.

Approach thusly:

psycho las vegas 2021 banner

PSYCHO LAS VEGAS 2021 Lineup

America’s rock n’ roll bacchanal returns to Mandalay Bay Resort & Casino August 20th through August 22nd, with another resort-wide casino takeover unlike any of its kind.

Now approaching its fifth year in the swirling neon decadence of Las Vegas, PSYCHO will feature over seventy artists across four stages including the world-class Events Center, the iconic House Of Blues, Mandalay Bay Beach, and the vintage Vegas-style Rhythm & Riffs Lounge in the center of the casino floor.

PSYCHO LAS VEGAS 2021 will continue to redefine America’s conception of what a festival can be.

Psycho Swim “The Official Psycho Las Vegas Pre-Party”
Old Man Gloom, Bongzilla, Death Valley Girls, Polyrhythmics, The Skull, Blackwater Holylight, Here Lies Man, DJ Scott Seltzer

PSYCHO LAS VEGAS 2021 Lineup:
Emperor, GZA, Mayhem, Obituary, Ty Segall, Satyricon, Watain, Paul Cauthen, The Sword, Cephalic Carnage, Health, The Bridge City Sinners, MGLA, Intronaut, Exhorder, Pinback, King Dude, Khemmis, Mothership, Toke, Lord Buffalo, Psychlona, Claude Fontaine, Hippie Death Cult, Foie Gras, ALMS, Mother Mercury, DJ Ethan MCCarthy, DJ Scott Seltzer, DJ Nate Carson, DJ Painkiller, Danzig, The Flaming Lips, Thievery Corporation, Cannibal Corpse, Dying Fetus, Red Fang, Cursive, Pig Destroyer, Poison the Well, Eyehategod, Primitive Man, Death by Stereo, Curl Up & Die, Boysetsfire, Fatso Jetson, Profanatica, Adamantium, Silvertomb, Frankie and the Witch Fingers, Withered, Flavor Crystal, Highlands, Vaelmyst, Black Sabbitch, The Tim Dillon Comedy Hour, Down, Exodus, High on Fire, Osees, Amigo the Devil, Drab Majesty, Crippled Black Phoenix, Weedeater, Full of Hell, Midnight, Repulsion, Cult of Fire, Zola Jesus, Tsol, Black Joe Lewis & the Honeybears, Guantanamo Baywatch, Immolation, Dengue Fever, Creeping Death, Kanga, Warish, Glacial Tomb, Relaxer, Vitriol, DJ Scott Seltzer, “Ask Doc” Q&A with Doc Mcghee

https://www.facebook.com/events/2513255765662644/
http://www.vivapsycho.com
http://www.facebook.com/psychoLasVegas
http://www.instagram.com/psycholasvegas

Psycho Las Vegas 2019 aftermovie

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The Obelisk Show on Gimme Metal Playlist: Episode 55

Posted in Radio on March 19th, 2021 by JJ Koczan

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I was putting the show together the other day — like everything else in the last two weeks, I had to push off doing so owing to family stuff — and when I was picking tracks, it just kind of occurred to me that I might as well do a whole show of Heavy Psych Sounds stuff. It was like, “Oh, I’ll play Bongzilla and those new Hippie Death Cult and Acid’s Trip tracks,” and then it was “Well I haven’t played any of the new Sonic Flower yet and that’s Tatsu from Church of Misery so that’s cool,” and then from there filling out an entire two hours’ worth of Heavy Psych Sounds stuff was shockingly easy.

New 16, 1782, Cosmic Reaper, Acid Mammoth, on and on, and some other awesome stuff that’s come out in the last couple years, and two hours later, it still only barely scratches the surface of what the Italian label has done. To wit, the catalog reissues from Doze and Nebula and Brant Bjork go unrepresented here. As does the last Yawning Man or the upcoming Yawning Sons, both of which I’ve played recently on the show. But yeah, there’s so much stuff to go through, I simply didn’t have room for it all, especially knowing that I wanted to end with the 19-minute track from Orgöne because that record is so weird and out there even in comparison to other stuff the label does.

I talk a bit here, mostly just to be like, “Duh that was awesome” about one song or another. Despite my verbal bumbling and constant “uh”-ness, I hope you enjoy the show.

Thanks for listening and/or reading.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmemetal.com

Full playlist:

The Obelisk Show – 03.19.21

Bongzilla Free the Weed Weedsconsin
Hippie Death Cult Red Meat Tricks Circle of Days
Acid’s Trip Faster, Chopper, Boogie! Strings of Soul
Sonic Flower Super Witch Rides Again
16 Death on Repeat Doom Sessions Vol. 3
VT
Black Rainbows Sacred Graal Cosmic Ritual Supertrip
Fatso Jetson Flesh Trap Blues Split with Farflung
Ecstatic Vision Grasping the Void For the Masses
Acid Mammoth Ivory Towers Caravan
Crypt Trip Hard Times Haze County
VT
Big Scenic Nowhere Tragic Motion Lines Vision Beyond Horizon
High Reeper Bring the Dead Higher Reeper
The Pilgrim Waiting for the Sun …From the Earth to the Sky and Back
Geezer Black Owl Groovy
Cosmic Reaper Hellion Cosmic Reaper
1782 The Chosen One From the Graveyard
VT
Orgöne Erstes Ritual Mos/Fet

The Obelisk Show on Gimme Metal airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is April 2 (subject to change). Thanks for listening if you do.

Gimme Metal website

The Obelisk on Thee Facebooks

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Friday Full-Length: Fatso Jetson, Archaic Volumes

Posted in Bootleg Theater on October 16th, 2020 by JJ Koczan

Even in the outlier context of Fatso Jetson releases overall, the band’s sixth album, Archaic Volumes, is an outlier. But damn it’s a hooky outlier. The long-running Palm Desert/Los Angeles desert rock stalwarts — they of the generator parties, they of the haven desert venue Rhythm and Brews, much heralded and yet somehow still underrated as a live act, and so on — went nine years between full-lengths. The mid/late ’90s saw a bang-bang-bang-bang succession of albums in their 1995 debut, Stinky Little Gods and 1997’s Power of Three — both on Greg Ginn‘s SST Records — as well as 1998’s Toasted (discussed here) on Bong Load and 1999’s Flames for All on Man’s Ruin, and even as that label collapsed, they crossed into the new century by issuing Cruel & Delicious in 2001 through Queens of the Stone Age frontman Josh Homme‘s Rekords Rekords imprint.

There wouldn’t be another studio full-length for nine years until Archaic Volumes showed up on Cobraside Distribution. They weren’t entirely inactive during that time. They toured some, put out the Fatso Jetson Live LP in 2007, and toured and played regional shows, but founding cousins Mario Lalli (guitar/vocals) and Larry Lalli (bass) had opened a restaurant in Los Angeles called CafĂ© 322 — there was a time when I dreamed of reviewing a meal cooked by Larry at the restaurant, but alas, it has since closed —  and as anyone who’s ever worked in the restaurant business might tell you, that kind of thing has a tendency to consume one’s energies.

Time passed accordingly, and so the Fatso Jetson that emerged on the 10 songs/43 minutes was a different sounding band than they’d ever been before, despite the continued presence of both Lallis and founding drummer Tony Tornay. In addition to the recording and organ work of Mathias Schneeberger (Eddie Rivas also recorded), a key factor was the inclusion of Vince Meghrouni on saxophone, harmonica and some vocals, who brought a classy, jazzy feel to the arrangements built outward from the band’s heavy and punkish foundations.

At the same time, a solidification of songwriting took place, so that cuts like opener “Jet Black Boogie” — you don’t have to wait long for that harmonica — and “Play Dead” and the title-track and the punkabilly boogie “Golden Age of Cell Block Slang” and even the comparatively mellow “Let Go” were and remain 10 years later maddeningly catchy. To wit, just by even thinking of the album, I’ve committed to having the verses of “Jet Black Boogie,” let alone the chorus, stuck in my head for the next week, its somewhat depressive lyric brought forth in an uptempo delivery to begin a momentum that the rest of Archaic Volumes continued to push forth, and yes, I do mean push.

“Play Dead” is the second cut and though it holds back the sax, it still has a winding riff andfatso jetson archaic volumes a buildup in its second half, which makes a fitting precursor to the instrumental “Jolting Tales of Tension,” which lives up to its name before finding some footing in its own back end in a quieter section that brings a reminder that Mario Lalli doubles in Yawning Man; airier guitar taking hold for a stretch as the song starts to round out and give way to Tornay‘s snare at the start of “Archaic Volumes” itself and the pulled guitar lead lines that accompany.

There’s something in the lines of the title-track — the opening lyric, “Look at these volumes, carrying thoughts of mine…” and the chorus, “These archaic volumes won’t ever be heard” and its alternate, “These archaic volumes won’t ever really be heard” — that seems to be Fatso Jetson acknowledging their place as an underground band. Widely regarded as desert rock legends a decade later — and rightly so — they’ve never been a household name, but the use of “really” there adds an entirely different layer of meaning, implying the space between hearing and listening and enhancing the emotional effect of the song as a whole. Coupled with “Folklore and fad, destructive searching/Destiny’s dogs keep barking and lurching,” and the double-entendre of “volume,” “Archaic Volumes” can easily be read as Fatso Jetson reconciling with who they are, if perhaps wistfully.

It’s a boogie party from there with the swing rhythm of “Golden Age of Cell Block Slang” and the instrumental “Here Lies Boomer’s Panic,” both highlight examples of Archaic Volumes‘ Fatso Jetson-plus-sax methodology, and the latter seeming indeed to be an opportunity to cast out its titular anxiety. It’s certainly frenetic enough in its jabbing rhythm, and the complement of “Let Go,” still running, but smoother, can only be purposeful. The first lines of the song reaffirm that. “Let Go” winds its way through a quick sub-four minutes, and gives ground to “Black Road Tar,” which is the longest inclusion at 6:20, and offers full-on saxosurf groove and a lengthy instrumental break in its middle that’s a hook unto itself before vocals return for a few final measures and the song ends, giving way to a penultimate cover of The Cramps‘ “Garbage Man” that fits well enough alongside “Black Road Tar” and “Golden Age of Cell Block Slang” and “Here Lies Boomer’s Panic” and is such a blast that it feels like it was written to be where it is on the album, right ahead of the closer “Monoxide Dreams.”

Immediate chill. Flourish in layers of wah guitar speaks to some of the residual quirk of Flames for All, and when they’ve chosen periodically to do so, Fatso Jetson have always been exceptionally good at conveying a psychedelic sensibility. What remains astounding about “Monoxide Dreams” is that it’s so ethereal, so immersive and yet barely over three and a half minutes long. It is enough of a departure from the rest of Archaic Volumes that it can only really round out, and yet in its foundation of tone, the languid groove from Tornay and Larry Lalli and Mario‘s melodic vocal, it’s not necessarily incongruous with what came before either, even as it drifts away at the end. Were it porridge — and it might be — it would be just right.

The good news about Archaic Volumes, aside from the album itself, was that it sparked a surge in activity from Fatso Jetson that is ongoing and especially visible in the European sphere. Coupled with an increase in work from Yawning Man and related projects, Fatso Jetson have spent the last 10 years with more touring and releases, including the 2010 split with Oak’s Mary, a 2013 split with Yawning Man, as well as splits with Herba Mate (review here) and Farflung (review here) in 2014 and 2015, respectively.

Italy’s Go Down Records put out Live at Maximum Fest (review here) in 2014 and Fatso Jetson signed with Heavy Psych Sounds for the release of their seventh long-player, Idle Hands (review here), in 2016, that came roughly concurrent to a split with the Netherlands’ del-Toros (discussed here) and a collaboration with France’s Hifiklub (review here) that also included Yawning Man‘s Gary Arce on guitar. The close relationship between Fatso Jetson and Yawning Man also continues unabated. Tours together with Mario Lalli pulling double-duty — his son Dino von Lalli has also been in lineups on guitar for both bands — festival appearances domestic and international, and a general increase in awareness and reputation owing to a new generational listenership have only served to put Fatso Jetson in their rightful place at the forefront of desert rock consciousness.

If one can trace Archaic Volumes as the point at which that began — and I’d argue that’s so — then outlier or not, it represents a crucial moment for the band. And again, that’s before you even get to the songs themselves, which are stunning.

As always, I hope you enjoy.

That went longer than I had intended. It’s about quarter-to-seven, which is late for me to be writing. I took a break in writing the above to go for a run. 16 minutes, roughly. I’ve added a bit to the regular course, going around a wider path in a park I run through and going to the end of a street instead of turning around earlier. Nothing major, but enough to add a couple minutes and enough that I can feel it in my legs, which is what I was shooting for. If I keep up at this rate, I’ll go three miles a couple times a week by the time I’m 50. It’ll be interesting to see what happens first, that, cancer or a heart attack. The mantra, “don’t be crazy” continues to play on repeat, much like “Jet Black Boogie” from the album above.

Really. That fucking song. Wow.

Quite a week. As regards moving around, I had tweaked my ankle, so actually took a couple days off from running, then it rained so got another day, but felt pretty good after. Also been battling like a third of a cold. The Pecan and I are about on the same wavelength there — he’s coughing a bit, boogers a bit, and me too — but The Patient Mrs. has had it worse. A cough meant she couldn’t go to work on campus all week, and she’s having a COVID test today. It’s the same cold she gets every Fall when it’s work-yourself-int0-oblivion time in the semester and the temperature drops, but of course the circumstances this year are different.

I guess if she has the plague that saves us from running errands for a while. So it goes.

The Pecan, thankfully having already slept late, is waking up — I can see on the monitor — so I’m not sure how much longer I have before he runs into his closet to poop in his diaper. Nothing like waking up and taking a good dump in the closet. He starts Parsippany public pre-K the week after next, which will be after his third birthday. He says he wants to take the bus. I’m on board for letting him. We’ll see how it goes.

Ah, he’s up.

New Gimme Metal show today at 5PM Eastern. The playlist will have been posted by the time this is. Thanks if you listen: http://gimmemetal.com

Review of the new Kind album next week, and a couple premieres — an Uncle Woe LP stream that I’m looking forward to — so stay tuned for that, and I’m already behind on news and videos from Dark Buddha Rising, All Souls and All Them Witches, so I’ll endeavor to play catchup as I always seem to need to do after a Quarterly Review.

By the way, it’s kind of astounding to have just written up 60 records as I did and have at least another 80 on my desktop that I could easily have slated. Might be two full weeks in December, or I might sneak in a week before then? I’m not really sure, but hell’s bells there’s a lot out there right now.

Alright. Gotta go.

Great and safe weekend, whatever you’re up to. Have fun, don’t forget to hydrate — so important — put your nose in your mask and all that. More Monday.

FRM.

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Psycho Las Vegas 2021 Lineup Announced

Posted in Whathaveyou on June 23rd, 2020 by JJ Koczan

psycho las vegas 2021 banner

Plenty of this lineup looks familiar from what Psycho Las Vegas would’ve been in 2020, and duh, that’s the idea. You’ve still got Danzig doing Lucifuge, still got At the Gates and Katatonia and Emperor and Mercyful Fate. Still got the possibility that if I go, I can hang out after Pinback‘s set and bother Rob Crow about how badly he needs to do another Goblin Cock record. Wino, Fatso Jetson, Elder and Blackwater Holylight playing the pool party, six or seven curveball emo bands — all that fun stuff. Spectacle unmatched in heavy music, set in the Planet Earth’s official home for damned souls. It’s as perfect as it is incongruous.

Makes me wonder what Crowbar have going on next August.

But what you probably want to know is whether your ticket if you had one for 2020 is still good for 2021. Yes.

Behold:

psycho las vegas 2021 poster

Psycho Entertainment presents Psycho Las Vegas 2021

Psycho Las Vegas has been rescheduled to August 20th – 22nd, 2021. Psycho Swim has been rescheduled to August 19th, 2021. If you already purchased a pass for either event and want to attend in 2021, there is nothing you need to do – your passes will automatically be valid for the new dates.

80 of the 83 bands originally booked on the lineup are returning in 2021. The bands who are not joining us next year are Ty Segall, Black Rebel Motorcycle Club, and Crowbar.

Danzig, Mercyful Fate, Emperor, The Flaming Lips, Blue Oyster Cult, Down, Mayhem, Satyricon, Obituary, Warpaint, Blonde Redhead, HEALTH, Watain, Ulver, Katatonia, At the Gates, Poison The Well, Paul Cauthen, Amigo The Devil, Exhorder, Wolves in the Throne Room, Thursday, Pinback, Zola Jesus, Drab Majesty, Boris, Eyehategood, Repulsion, Immolation, Midnight, MGLA, Windhand, Cursive, Tsol, King Dude, Pig Destroyer, Brutus, Profanatica, Lower Dens, Cult of Fire, Intronaut, boysetsfire, Death by Stereo, Curl Up and Die, Adamantium, This Will Destroy You, Khemmis, Mothership, Guantanamo Baywatch, Dengue Fever, Kaelan Mikla, Black Joe Lewis, Fatso Jetson, Wino, Creeping Death, Mephistofeles, Frankie and The Witch Fingers, Toke, Foie Gras, Flavor Crystals, Silvertomb, Lord Buffalo, Warish, Alms, Bombers, Glacial Tomb, Relaxer, Black Sabbitch, Hippie Death Cult, Vaelmyst, Mother Mercury, Two Minutes to Late Night

America’s rock n’ roll bacchanal returns to Mandalay Bay Resort & Casino August 20th through August 22th, with another resort-wide casino takeover unlike any of its kind. Now approaching its fifth year in the swirling neon decadence of Las Vegas, PSYCHO will feature over seventy artists across four stages including the world-class Events Center, the iconic House Of Blues, Mandalay Bay Beach, and the vintage Vegas-style Rhythm & Riffs Lounge in the center of the casino floor. PSYCHO LAS VEGAS 2021 will continue to redefine America’s conception of what a festival can be.

Psycho Entertainment presents Psycho Swim “The Official Psycho Las Vegas Pre-Party”

Old Man Gloom, Elder, Polyrhythmics, Death Valley Girls, The Skull, Blackwater Holylight, Here Lies Man, DJ Scott Seltzer

America’s rock n’ roll pool party returns to DAYLIGHT Beach Club on August 19th for the second annual PSYCHO SWIM. This official all-day pre-party celebrates the best of previous PSYCHO LAS VEGAS lineups with performances from a host of festival alumni as well as new PSYCHO additions.

DAYLIGHT Beach Club is nestled next to the Mandalay Bay Resort And Casino and features a 4400-square-foot main pool, daybeds, cabanas, and bungalows, with an elevated stage offering unobstructed, up-close-and-personal views of artist performances.

https://www.facebook.com/events/2513255765662644/
http://www.vivapsycho.com
http://www.facebook.com/psychoLasVegas
http://www.instagram.com/psycholasvegas

A Message from Psycho Las Vegas

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Psycho Las Vegas Announces Complete 2020 Lineup; Danzig, Mercyful Fate & Emperor Headlining

Posted in Whathaveyou on January 30th, 2020 by JJ Koczan

Psycho Las Vegas 2020 banner style

Danzig doing the Lucifuge record, plus Emperor and Mercyful Fate on US exclusives. In the age of spectacle, Psycho Las Vegas stands apart from its otherwise-might-be peers. There’s a method to all this madness. A plan in action. These people aren’t stupid — this isn’t a stupid lineup, unless you mean “stupid” in an emphatic sense. That’s what Psycho Las Vegas is: emphasis realized. The chaos is the mission. How could there be a more suitable complement to this year, this moment in human history? This is happening at a fucking casino. In Las Vegas. Do you understand what I’m telling you? Do you understand you surreal that is? Repulsion are playing a god damned casino. On a bill with The Flaming Lips and Katatonia. This is your brain on… fire, I guess?

A couple weeks ago — days ago? hours? I have no idea what day it is or why I should be expected to know; I’ve actually set an alarm to post this at the right time in an effort not to screw it up which I probably will anyhow — I happened to have some quick email correspondence with the souls behind the genre-consuming beast of a festival that is Psycho Las Vegas 2020 and I made my BIG PITCH for coverage. Want to know what it was? What it basically boiled down to was, “How about you guys bring me out to the festival and put me up for four days, I take a bunch of mushrooms, maybe go see some bands and write whatever the hell I want?”

Their answer was yes, so that’s my plan. I think Psycho deserves nothing less than me ranting about I don’t know probably cultural decay, self-hate manifest as pretentious judgmentalism, and not eating for four days? Yeah, that sounds good. I’ll go with that.

The schedule isn’t out yet, but it’s clearly a choose-your-adventure festival. For those seeing HOT TIPS from an internet influencer, you’re on the wrong goddamn site. I’m the guy who spent half his morning cleaning up animal piss at his mom’s house. I’ll say though that along with the gargantuan proportion of the headliners — come on, Danzig doing Danzig II is brilliant and you know it — and all the indie, emo and post-hardcore stuff that, yeah okay, I get it, the aughts were a thing for some people (not for me; was too drunk to remember any of it), it’s righteous to see such a huge event in addition to telling Coachella to suck its ass continuing to commit to the heavy underground. My chosen adventure will include but not be limited to placing priority on Lord Buffalo, Blackwater Holylight, Fatso Jetson (of course), Mothership (the context is too good to pass up), Hippie Death Cult and… yes… Katatonia. Because they’re the wintriest band ever and it’ll be 100 degrees. The most Psycho move ever would be to put them on the pool stage. Keeping my fingers crossed that’s how it works out. Shit, put Mayhem out there while we’re at it.

That’s all provided I’m not too out of my mind to leave the hotel room.

Here’s a poster and words in blue. See you there, sort of:

PSYCHO LAS VEGAS 2020 – COMPLETE LINEUP

DANZIG (Celebrating 30 years of “Lucifuge”)
MERCYFUL FATE (2020 USA Exclusive)
EMPEROR (2020 USA Exclusive)
THE FLAMING LIPS
BLUE OYSTER CULT
DOWN (Celebrating 25 years of “Nola”)
BLACK REBEL MOTORCYCLE CLUB
TY SEGALL
WARPAINT
MAYHEM
SATYRICON
WATAIN
BLONDE REDHEAD
HEALTH
OBITUARY
ULVER (2020 USA Exclusive)
KATATONIA
AT THE GATES
POISON THE WELL
TSOL
CROWBAR
EXHORDER
WOLVES IN THE THRONE ROOM
THURSDAY
PINBACK
ZOLA JESUS
DRAB MAJESTY
BORIS
KING DUDE
PAUL CAUTHEN
AMIGO THE DEVIL
EYEHATEGOD
PIG DESTROYER
REPULSION
IMMOLATION
MIDNIGHT
MGLA
WINDHAND
CURSIVE
BRUTUS
PROFANATICA
LOWER DENS
BLACK JOE LEWIS
INTRONAUT
BOYSETSFIRE
DEATH BY STEREO
CURL UP AND DIE
ADAMANTIUM
THIS WILL DESTROY YOU
KHEMMIS
MOTHERSHIP
GUANTANAMO BAYWATCH
DENGUE FEVER
KAELAN MIKLA
BLACKWATER HOLYLIGHT
FATSO JETSON
WINO (ACOUSTIC)
CREEPING DEATH
MEPHISTOFELES
FRANKIE AND THE WITCH FINGERS
TOKE
FOIE GRAS
FLAVOR CRYSTALS
SILVERTOMB
LORD BUFFALO
WARISH
ALMS
BOMBERS
GLACIAL TOMB
RELAXER
HIPPIE DEATH CULT
VAELMYST
MOTHER MERCURY
DJ SCOTT SELTZER

Psycho Entertainment & MGM Entertainment present PSYCHO SWIM

Lineup:
OLD MAN GLOOM
ELDER
THE SKULL
DEATH VALLEY GIRLS
BLACKWATER HOLYLIGHT
HERE LIES MAN
POLYRHYTHMICS
DJ SCOTT SELTZER

Tickets for PSYCHO LAS VEGAS as well as the PSYCHO SWIM pre-party, which requires a separate ticket from the main festival pass, are on sale now!

Tickets for all PSYCHO LAS VEGAS events can be purchased at VivaPsycho.com or AXS.com.

https://www.facebook.com/events/3255628101138593/
http://www.vivapsycho.com
http://www.facebook.com/psychoLasVegas
http://www.instagram.com/psycholasvegas

Danzig, Danzig II: Lucifuge (1990)

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Monolith on the Mesa 2020 Lineup Update: Khemmis, Mondo Drag, Heavy Temple & More Added

Posted in Whathaveyou on January 2nd, 2020 by JJ Koczan

I’ll be 100 percent honest with you and say I don’t know how recent the lineup additions are here, but I’m trying basically to keep up with Monolith on the Mesa 2020 and there are names listed below that weren’t included in the last lineup update I got from the PR wire, so if I’m a month behind, I’m sorry. It’s been a busy month. Some of those additions are significant as well, from Warhorse, Heavy Temple and Yatra making the trek from the East Coast to Mondo Drag coming from San Diego, Khemmis from Denver and Distances from the relatively nearby Albuquerque. All these and the others listed below will convene at the Taos Mesa Brewing Mothership for what’s the second Monolith on the Mesa Festival, which I have very little doubt is precisely the kind of party it looks like on paper. To wit, it looks like quite a party.

I went to the fest’s website and cut and pasted the lineup. That’s what I did. Swiped the logo while I was there too. Full confession.

With dreams of the desert in Springtime:

 

MONOLITH ON THE MESA 2020 logo

Monolith on the Mesa 2020

May 28-30, 2020 at Taos Mesa Brewing

Monolith on the Mesa, a “High” Desert Experience, is an independent three-day festival entering its second year in 2020. The festival takes place at the Taos Mesa Brewing Mothership, and on the grounds of Hotel Luna Mystica, just outside of Taos, New Mexico. The festival is focused on heavy riff-rock acts from across multiple sub-genres including stoner rock, heavy psych, doom metal, sludge, drone, and retro rock. The festival includes interactive art installations and visual projections throughout the grounds to compliment the mind bending sounds of the bands. Festival capacity is limited to 1,500 to provide an intimate experience. Bands perform on the club-style indoor stage, and the scenic “earthship” outdoor amphitheater stage.

Bands Playing at Monolith on the Mesa:
Black Maria
Destroyer of Light
distances
Duel
Earthride
Fatso Jetson
Great Electric Quest
Heavy Temple
Khemmis
Love Gang
Magic Castles
Mark Deutrom
Mars Red Sky
Mondo Drag
Mondo Generator
Mountain of Smoke
Nebula
Prism Bitch
Ruby the Hatchet
Sons of Otis
Sun Dog
Warhorse
Wo Fat
Yatra
Yawning Man
Year of the Cobra

DATES AND TIMES:
Box office opens at 9 a.m. Thursday, Friday and Saturday.
May 28th doors at 4 pm til 1:30 am
May 29th doors at 12 noon; outside stage til midnight; indoor stage til 1:30 am
May 30th doors at 12 noon; outdoor stage til midnight; indoor stage til 1:30 am

VENUE INFORMATION:
Taos Mesa Brewing: The Mothership
20 ABC Mesa Rd.
El Prado, New Mexico 89529
https://www.taosmesabrewing.com/

TICKET INFORMATION:
Rain or shine event! No refunds!
https://tickets.holdmyticket.com/tickets/344140

https://www.monolithonthemesa.com
https://www.facebook.com/monolithonthemesa
https://www.instagram.com/monolithonthemesa

Monolith on the Mesa 2020 promo

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Monolith on the Mesa: Yawning Man, Fatso Jetson, Wo Fat, Earthride, Magic Castles & Great Electric Quest Added

Posted in Whathaveyou on October 30th, 2019 by JJ Koczan

Monolith on the Mesa, which kind of came out of the gate in full-fledged upstart fashion this year and put Taos, New Mexico, on the map as a destination for heavyheads from all over, continues to announce acts for its follow-up edition in 2020. The fest is set for May 28-30 at Taos Mesa Brewing, same spot it was held this Spring, and is $99 for the weekend, which doesn’t sound cheap, but uh, is, considering what you get. Not exactly slumming it as regards the whole experience of the thing. To wit, the photo below looks like something I would most definitely shell out a hundred bucks to stand in front of for three days and have my ass handed to me by awesome bands. If you disagree, I suggest you take the next few months to reassess your priorities.

But speaking of awesome bands, a bunch more have just joined the lineup, including Maryland’s favorite sons Earthride. They’ll make the trip west and give a bit of East Coast representation out in the desert that I can only imagine will go over like groove-rolling gangbusters. That alone would be worth the $99 in my book, let alone the likes of Yawning Man (always great) and Fatso Jetson (always great) and Wo Fat (always great), who, for those of you who don’t read parentheticals (why not?) are always great, as well as Magic Castles and Great Electric Quest, whom I’ve not yet seen, but whose sounds are most certainly readily diggable.

Cool fest, man. These guys got something going out there in the desert.

From the PR wire:

monolith on the mesa 2019 (Photo by Mike Goodwin)

Monolith On The Mesa prepares for second year bands include Yawning Man, Fatso Jetson, Earthride, Sons of Otis, Ruby the Hatchet, Mondo Generator, Year of the Cobra and more

MONOLITH ON THE MESA OFFERS A “HIGH” DESERT EXPERIENCE THAT DRAWS ROCK FANS FROM ACROSS THE NATION

THE MUSIC FESTIVAL PREPARES FOR ITS SECOND YEAR AND ANNOUNCES SIX MORE BANDS IN THE LINE-UP: Yawning Man, Fatso Jetson, Earthride, Wo Fat, Magic Castles, Great Electric Quest

300 early bird tickets on sale now through Black Friday

May 28-30, 2020 at Taos Mesa Brewing

Monolith on the Mesa, a “High” Desert Experience, is an independent three-day festival entering its second year in 2020. The festival takes place at the Taos Mesa Brewing Mothership, and on the grounds of Hotel Luna Mystica, just outside of Taos, New Mexico. The festival is focused on heavy riff-rock acts from across multiple sub-genres including stoner rock, heavy psych, doom metal, sludge, drone, and retro rock. The festival includes interactive art installations and visual projections throughout the grounds to compliment the mind bending sounds of the bands. Festival capacity is limited to 1,500 to provide an intimate experience. Bands perform on the club-style indoor stage, and the scenic “earthship” outdoor amphitheater stage.

A total of 35 bands will play over three days from May 28-30, 2020. Festival promoters Dano Sanchez and Roman Barham are excited to reveal the names of five more bands today including Yawning Man; Fatso Jetson; Earthride; Wo Fat; Magic Castles; Great Electric Quest. The thirteen bands already made public online include: Sons of Otis; Ruby the Hatchet; Mondo Generator; Duel; Mark Deutrom; Year of the Cobra; Mountain of Smoke; Destroyer of Light; Love Gang; Black Maria; Prism Bitch and Sun Dog. Tickets cost $150 for three-day passes. A limited release of 300 early bird tickets for $99.99 are on sale now through Black Friday (midnight on November 29, 2019).

Dano Sanchez says “We are inspired to continue on our path with Monolith II. We want fans to come to Taos and let go of technology and constraints of urban living for three days. Let your soul breathe! What we offer is unique but still linked musically to festivals like Psycho Las Vegas, Levitation and Stoned and Dusted. We think festival goers will appreciate what we are doing here.”

Monolith on the Mesa is produced as a “destination” festival offering attendees music as well as the unique and mystical Taos experience which includes crisp, clean air on the high desert mesa, surrounded by unobstructed views of the Sangre de Christo Mountains. The festival is located adjacent to the Rio Grande del Norte National Monument. This enables festival goers to enjoy activities such as hiking, river rafting, bike trails, natural and resort hot springs — all making for an immersive experience unlike any other music festival.

DATES AND TIMES:
Box office opens at 9 a.m. Thursday, Friday and Saturday.
May 28th doors at 4 pm til 1:30 am
May 29th doors at 12 noon; outside stage til midnight; indoor stage til 1:30 am
May 30th doors at 12 noon; outdoor stage til midnight; indoor stage til 1:30 am

VENUE INFORMATION:
Taos Mesa Brewing: The Mothership
20 ABC Mesa Rd.
El Prado, New Mexico 89529
https://www.taosmesabrewing.com/

TICKET INFORMATION:
Rain or shine event! No refunds!
https://tickets.holdmyticket.com/tickets/344140

https://www.monolithonthemesa.com
https://www.facebook.com/monolithonthemesa
https://www.instagram.com/monolithonthemesa

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