Maryland Doom Fest 2024 Announced Full Schedule and Timetable

Posted in Whathaveyou on January 24th, 2024 by JJ Koczan

Look at the blue text below and you know what you’re gonna see? Yes, a whole lot of skull emojis. Like a lot. But it happens that each individual one corresponds to a demonstration of the labor of love and community that is the Maryland Doom Festival. From Abel Blood through Zekiah, Maryland Doom Fest 2024 celebrates its 10th anniversary edition with its standard sans-bullshit glut of heavy. Once more the Frederick-based event looks your square in the eye, drops for absolutely immersive days on you and asks if you’re up for it. Well, are ya?

I’m not sure what my summer travel plans are yet — this and Freak Valley have overlapped the last couple years for me — but it’s been since 2019 that I was last down there and oh I’d be so eager to show up and have the three or four people who recognize me (and thus make it feel like an absolute family experience; love love love everywhere you go down there) quietly think to themselves I’ve gotten older and fatter en route to obliterating myself with volume for about 96 hours straight. Fuck. King. A.

Oh, and I hear Thunderbird Divine have new stuff in the works and it’s amazing. So that’s a thing too.

Social media had it like this:

Maryland Doom Fest 2024 poster

We are super stoked to share with you the Maryland Doom Fest 2024 rosters, schedules, and lineups!!!

#4daysofdoom

THE MARYLAND DOOM FEST 2024

✝️Thursday June 20

Cafe 611-

💀 Thunderhorse
1115-1230
💀 The Magpie
1010-1055
💀 Born of Plagues
905-950
💀 Stone Nomads
800-845
💀 Pyre Fyre
700-740
💀 Dirt Eater
600-640

Olde Mother Brewery-

💀 Spellbook
920-1000
💀 Strange Highways
820-900
💀 Bailjack
720-800
💀 Stone Brew
620-700
💀 Abel Blood
520-600

✝️Friday June 21

Cafe 611-

💀 Diggeth
1215-120
💀 Shadow Witch
1110-1155
💀 Red Beard Wall
1010-1050
💀 CROP
910-950
💀 Almost Honest
810-850
💀 Cobra Whip
715-750
💀 The Crows Eye
620-655
💀 Stereo Christ
525-600

Olde Mother Brewery-

💀 Ten Ton Slug
915-1000
💀 Thousand Vision Mist
815-855
💀 Crowhunter
715-755
💀 Asthma Castle
615-655
💀 Bonded by Darkness
515-555

✝️Saturday June 22

Cafe 611-

💀 WHORES.
1150-115
💀 AGE/S
1040-1130
💀 Bloodshot
935-1020
💀 O ZORN!
830-915
💀 Double Planet
730-810
💀 Sun Years
630-710
💀 When the Deadbolt Breaks
530-610

Olde Mother Brewery-

💀 Black Water Rising
915-1000
💀 Switchblade Jesus
815-855
💀 Wyndrider
715-755
💀 Indus Valley Kings
615-655
💀 Vermillion Whiskey
515-555
💀 Doctor Smoke
415-455

✝️Sunday June 23

Cafe 611-

💀 Cirith Ungol
1200-110
💀 Mythosphere
1055-1140
💀 Conclave
955-1035
💀 Compression
855-935
💀 Sons of Arrakis
755-835
💀 Curse the Son
655-735
💀 Kulvera
555-635
💀 Old Blood
500-535
💀 Cloud Machine
405-440

Olde Mother Brewery-

💀 Thunderbird Divine
920-1000
💀 Black Manta
820-900
💀 High Noon Kahuna
720-800
💀 Unity Reggae
620-700
💀 King Bastard
520-600
💀 Zekiah
420-500

52 bands over a 4 day weekend at 2 venues across the street from one another!!
#4daysofdoom

WEEKEND PASSES: https://www.eventbrite.com/e/the-maryland-doom-fest-2024-tickets-732298202637?aff=oddtdtcreator

https://www.facebook.com/MdDoomFest/
www.marylanddoomfest.com

Thunderbird Divine, “I’m Gonna Love You Just a Little More, Babe” (Barry White cover)

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Maryland Doom Fest 2024 Announces Full Lineup for 10th Anniversary Edition

Posted in Whathaveyou on November 1st, 2023 by JJ Koczan

maryland doom fest 2024

With headlining performances slated from a soon-to-retire Cirith Ungol, noise crushers Whores., mostly-local melodic heavy proggers MythosphereSwitchblade JesusConclaveTen Ton Slug (from Ireland; I got to see them one time; way burly; they’ll do well in Frederick), and plenty of other returning acts and newcomers alike, the lineup for Maryland Doom Fest 2024 could hardly be more appropriate a celebration of the annual Chesapeake gathering’s 10th anniversary. Based in Frederick, the four-day ultra-consuming sensory assault of volume will once again take place at Cafe 611 and Olde Mother Brewing, and if you’ve never been, I’ll tell you outright there’s nothing quite like it.

I mean that. Maryland Doom Fest goes harder than the average festival. A day might start at 1PM and not end until 2AM. And now more than ever, as the fest has grown with the two venues running alongside each other, the bill is packed. I think this year was 50 bands? Well, they’ve got 52 for 2024, and while next June is a while out, there’s a tradition to uphold of Halloween announcements, and festival honcho JB Matson (Bloodshot, War InjunOutside Truth, etc.) pays tribute to his regulars — Shadow WitchBailjackThunderbird Divine, Thousand Vision Mist (congratulations to Danny Kenyon of Thousand Vision Mist on recently kicking cancer’s ass), among others here — while also giving showcase to outfits like Pyre FyreO Zorn! (whose very moniker heralds weirdness), WyndRider and more.

Congrats to Matson and all at Maryland Doom Fest on their 10th anniversary. To do something of this scope once is a lot. To do it across 10 years, well, aside from being fucking crazy, it’s also deeply admirable.

The aforementioned announcement — brief as ever; the poster lands heavy enough to cover any lack of verbiage — follows, courtesy of socials. Ticket link is there too:

maryland doom fest 2024 poster

WE ARE EXTREMELY PLEASED TO PRESENT TO YOU, THE MARYLAND DOOM FEST 2024 LINEUP!!!!!
THIS WILL BE OUR 10 YEAR ANNIVERSARY CELEBRATION!!
(#128128#)(#129304#)(#128128#)

52 bands over a 4 day weekend at 2 venues across the street from one another!!
#4daysofdoom

WEEKEND PASSES: https://www.eventbrite.com/e/the-maryland-doom-fest-2024-tickets-732298202637?aff=oddtdtcreator

https://www.facebook.com/MdDoomFest/
www.marylanddoomfest.com

Ten Ton Slug, Live at Red Crust Festival 2022

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Thunder Horse Post “Apocalypse” Lyric Video; After the Fall Out Now

Posted in Bootleg Theater on August 31st, 2023 by JJ Koczan

thunder horse

As they make ready for an apparent threepeat appearance at Ripplefest Texas next month, having also played in 2021 and 2022, San Antonio’s Thunder Horse are at about six weeks’ remove from the release of their third album, After the Fall (review here). My understanding is the weeks after release are something of a comedown for bands. You’ve put everything into making this work the best you can, from writing and arranging to recording, artwork, singles, videos, social media labor, on and on and on. Then it’s out, and release week is a big ‘hooray!’ leading to Friday’s release — in Thunder Horse‘s case, it was July 21 — and then the next week the fickle internet is on to that Friday’s thing and you’re suddenly in the position of trying to chase down distracted ears. Kind of sounds like a bummer, even with a fest to look forward to.

But as After the Fall demonstrated, Thunder Horse have no trouble translating downerism into heavy, semi-aggro vibes, and the band present a lyric video for  side B opener “Apocalypse,” in which they do that very thing. Some of the lyrics lean toward right wing conspiracy theories — there’s a line about eating children, which it seems absurd to say but is a Republican talking point about Democrats being cannibalistic devil worshipers, and the lyrical perspective is christian — but I don’t know the political positions either of the band or anyone in it, so I won’t speculate whether it’s professing an ideology or critiquing a particularly ridiculous example of why America should pay teachers more.

I wouldn’t bring up the politics, if only because it’s so fucking exhausting and exhausted a subject, but, well, it’s a lyric video, and so one might consider the lyrics relevant to it. In any case, it’s kind of funny how the left and right in the US both think the world is ending, blame each other for it, and then change nothing. You’d almost swear the entire thing was rigged to make sure the same five people stay rich and the rest of humanity hates each other for no reason until we die and our kids learn in school that capitalism is the natural order like no animals ever teamed up. A pack of wolves awaits with counterpoint.

Whatever the band’s individual and collective politics may be, I’ll risk actual honesty and tell you it doesn’t matt, and talking about it either way will do nothing to upset the trajectory that both sides and those in between seem to think the country is on. But what caught me about After the Fall was the organic interpretation of rhythms born out of guitarist/vocalist Stephen Bishop‘s time in Pitbull Daycare, riffs that otherwise might be electronica turned to densely distorted guitar. It’s an interesting blend, and after you check out the video below, the other two they’ve done from the record are down near the bottom of the post, along with the album stream. Plenty to dig into if your interest is piqued.

PR wire info follows “Apocalypse” right here. Please enjoy:

Thunder Horse, “Apocalypse” lyric video

Texas-based doom metal foursome THUNDER HORSE release their brand new “Apocalypse” video today. The song is taken from their third studio album “After The Fall”, out now on Ripple Music.

Texas-based THUNDER HORSE has a genre that is hard to pin down, but there are definitely influences of doom, psych, occult, and a smattering of classic rock and NWOBHM. Their third studio album and second Ripple Music release “After The Fall” cements the band’s reputation of delivering titan-sized songs in the form of a refined formula: doomier, sharper, but also stronger. Finding the perfect balance between their timeless and masterful southern-baked heavy metal and a strongly emotion-driven purpose, “After The Fall” unwaveringly stands as THUNDER HORSE’s turning point and should drag more and more heavy music lovers in their path in their fierce conquest of the underground doom scene. Watch their latest videos “New Normal” and “After The Fall”!

US orders – https://ripplemusic.bigcartel.com/products?utf8=%E2%9C%93&search=thunder+horse

European orders – https://en.ripple.spkr.media/

Bandcamp – https://ripplemusic.bandcamp.com/album/after-the-fall

TRACKLIST:
1. After The Fall
2. New Normal
3. Monolith
4. The Other Side
5. Apocalypse
6. Inner Demon
7. Aberdeen
8. Requiem

THUNDER HORSE is
Stephen Bishop — guitar and vocals
T.C. Connally — lead guitar
Dave Crow — bass
Jason ‘Shakes’ West — drums

https://www.facebook.com/ThunderHorseOfficial
http://www.instagram.com/thunderhorse_tx
https://thunderhorse.bandcamp.com/
http://www.thunderhorseofficial.com/

https://www.facebook.com/theripplemusic/
https://www.instagram.com/ripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Thunder Horse, “After the Fall” official video

Thunder Horse, “New Normal” official video

Thunder Horse, After the Fall (2023)

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Quarterly Review: Monolord, Somnuri, Void King, Inezona, Hauch, El Astronauta, Thunder Horse, After Nations, Ockra, Erik Larson

Posted in Reviews on July 24th, 2023 by JJ Koczan

the-obelisk-qr-summer-2020

That’s it. End of the Summer 2023 Quarterly Review and the last round of this kind of thing until, I don’t know, sometime here or there in late September or early October. I feel like I say this every time out — and I readily acknowledge the possibility that I do; I’ve been doing this for a while, and there’s only so much shit to say — but it is my sincere hope you found something in this round of 70 records that hits with you. I did, a couple times over at least. One of the reasons I look forward to the Quarterly Review, apart from clearing off album-promo folders from my desktop, is that my end-of-year lists always look different coming out of one than they did going in. This time is no different.

But, you know, if you didn’t get there this time, that’s okay too. There’s always the next one and one of the fortunate things about living in a time with such an onslaught of recorded music is that there’s always something new to check out. The Quarterly Review is over for a couple months, yeah, but new music happens every day. Every day is another chance to find your new favorite album, band, video, whatever. Enjoy that.

Quarterly Review #61-70:

Monolord, It’s All the Same

Monolord It's All the Same

After nearly a decade of hard, album-cycle-driven international touring and standing at the forefront in helping to steer a generational wave of lumbering riffage, it doesn’t seem unreasonable to think Gothenburg, Sweden’s Monolord might feel stuck, and “Glaive (It’s All the Same)” seems to acknowledge that. Stylistically, though the lead and partial title-track on the roller trio’s new EP, It’s All the Same, is itself a way forward. It is more spacious than crushing, and they fill the single out with guitarist Thomas V. Jäger‘s sorrowful vocal delivery and memorable early lead lines, a steady, organic rhythm from drummer/engineer Esben Willems and bassist Mika Häkki — worth noting that all three have either released solo albums or otherwise explored solo work in the last two years — and Mellotron that adds a classically progressive flair and lets the guitar focus on mood rather than stomp, though there’s still plenty of that in “Glaive (It’s All the Same)” and is more the focus of “The Only Road,” so Monolord aren’t necessarily making radical changes from where they were on 2021’s Your Time to Shine (review here), but as there has been all along, there’s steady growth in balance with the physicality of tone one has come to anticipate from them. After scaling back on road time, It’s All the Same feels reassuring even as it pushes successfully the boundaries of their signature sound.

Monolord on Facebook

Relapse Records store

 

Somnuri, Desiderium

Somnuri Desiderium

Raging not at all unthoughtfully for most of its concise-feeling but satisfying 38 minutes, Somnuri‘s third album and MNRK Heavy label debut, the nine-song Desiderium, is a tour de force through metallic strengths. Informed by the likes of Death, (their now-labelmates) High on Fire, Killswitch Engage, Gojira (at whose studio they recorded), thick-toned and swapping between harsh shouts, screams and clean-sung choruses — and yes, that’s just in the first three minutes of opener “Death is the Beginning” — the Brooklynite trio of guitarist/vocalist Justin Sherrell, bassist Mike G. and drummer Phil SanGiacomo brazenly careen and crash through styles, be it the lumbering and impatiently angular doom “Paramnesia,” the rousing sprint “What a Way to Go,” the raw, vocals-rightly-forward and relatively free of effects “Remnants” near the end, or the pairing of the fervent, thrashy shove in “Flesh and Blood” with the release-your-inner-CaveIn “Desiderium,” the overwhelming extremity of “Pale Eyes” or the post-hardcore balladeering that turns to djent sludge largesse in closer “The Way Out” — note the album begins at “…the Beginning” and ends at an exit; happy accident or purposeful choice; it works either way — Somnuri are in the hurricane rather than commanding from the calm center, and that shows in the emotionalism of prior single “Hollow Visions,” but at no point does Desiderium collapse under the weight of its ambitions. After years of touring and the triumph that was 2021’s Nefarious Wave (review here) hinting at what seems in full bloom here, Somnuri sound ready for the next level they’ve reached. Time to spend like the next five years straight on tour, guys. Sorry, but that’s what happens when you’re the kick in the ass heavy metal doesn’t yet know it needs.

Somnuri on Facebook

MNRK Heavy website

 

Void King, The Hidden Hymnal

Void King The Hidden Hymnal

Densely distorted Indianapolis heavybringers Void King have stated that their third full-length, the burly but not unatmospheric 36-minute The Hidden Hymnal, is the first of a two-part outing, though it’s unclear whether both parts are a concept record or these six tracks are meant to start a storyline, with opener “Egg of the Sun” (that would happen if it spun really fast) and closer “Drink in the Light” feeling complementary in their increased runtime relative to the four songs between. Maybe it’s an unfinished narrative at this point, or no narrative at all. Fine. Approaching it as a standalone outing, the four-piece follow 2019’s Barren Dominion (review here) with more choice riffing and metal-threatening, weighted doom, “The Grackle” breaking out some rawer-throat gutturalism over its big, big, big tone. The bassline of “Engulfed in Absence” (tell people you love them) caps side A with a highlight, and “When the Pinecones Close Up” (that means it’s going to rain) echoes the volatility of “The Grackle” before “Brother Tried” languidly swings until it’s time for a 100 meter dash at the end, and the aforementioned “Drink in the Light” rounds out mournful and determined. If there’s more to come, so be it, but Void King give their listeners plenty to chew on in the interim.

Void King on Facebook

Void King on Bandcamp

 

Inezona, Heartbeat

Inezona Heartbeat

At the core of ostensibly Switzerland-based Inezona is multi-instrumentalist and vocalist Ines Brodbeck, and on Heartbeat — the fourth LP from her band and the follow-up to 2019’s Now, released as INEZ, and last year’s sans-vocals A Self Portrait — the sound is malleable around its folkish melodicism, with Brodbeck, guitarist/vocalist Gabriel Sullivan, bassist/synthesist Fabian Gisler and drummer Eric Gut comfortably fleshing out atmospheric heavy psychedelia more about mood than effects but too active and almost too expressive to be post-rock, though it kind of is anyhow. Mellow throughout, “Sea Soul” caps side A and meanders into/through a jam building on the smoky vibe in “Stardust” before the title-track strolls across a field of more ’60s-derived folk rock. “Veil” charms with fuzz, while “In My Heart” seems intent on finding the place where Scandinavian folk meets kosmiche synthesizer, and “Midnight Circle” brings Zatokrev‘s Fredryk Rotter for a guest duet and guitar spot that is a whole-album crescendo, with the acoustic-based “Leave Me Alone” and the brief “Sunday Mornings” at the end to manage the comedown. The sound spans decades and styles and functions with purpose as its own presence, and the soothing delivery of Brodbeck throughout much of the proceedings draws Heartbeat together as an interpretation of classic pop ideals with deep roots underground. Proof again that ‘heavy’ is about more than which pedals you have on your board.

Inezona on Facebook

Czar of Crickets Productions store

 

Hauch, Lehmasche

Hauch Lehmasche

It’s odd that it’s odd that Hauch‘s songs are in German. The pandemic-born Waltrop, Germany, four-piece present their first release in the recorded-in-2021, five-song Lehmasche, and I guess so much of the material coming out of the German heavy underground — and there’s a lot of it, always — is in English. A distinguishing factor for the 31-minute outing, then, which is further marked by an attitudinal edge in hard-fuzz riffers like “Es Ist” and the closer “Tür,” the aesthetic of the band at this (or that, depending on how present-tense we want to be) moment drawing strongly from ’90s rock — and no, that doesn’t necessarily mean stoner — in structure and affect, but presenting the almost-eight-minute leadoff “Wind” with due fullness of sound and ending up not too far in terms of style from Switzerland’s Carson, who last year likewise proffered a style that was straightforward on its face but, like Hauch, stood out for its level of songwriting and the just-right nature of its grooves. Lehmasche, the title translating to ‘clay ash,’ evokes something that can change shape, and the thrust in “Komm Nach Hause” and the hard-landing kick thud of centerpiece “Quelle” bear that out well enough. Keeping in mind it’s their debut, it seems likely Hauch will continue to grow, but they already sound ready to be picked up by some label or other.

Hauch on Facebook

Hauch on Bandcamp

 

El Astronauta, Snakes and Foxes

el astronauta snakes and foxes

Setting its nod in a manner that seems to have little time to waste on opener “The Mountain and the Feather” before breaking out with the dense, chugging swing of “The Corenne and the Prophecy Fulfilled,” Kentucky heavybringers El Astronauta bring a nuanced sound to what might be familiar progressions, but the mix is set up in three dimensions and the band dwells in all of them, bringing character to the languid reach of the mini-album Snakes and Foxes, bolstered by the everybody-might-sing approach from guitarist/keyboardist Seth Wilson, bassist Dean Collier and pushed-back drummer Cory Link, who debuted in 2021 with High Strangeness and who dude-march through “The Gambler and the General” as if the tempo was impeded by the thickness of the song itself. Through a mere 17 Earth minutes, El Astronauta carve out this indent for themselves in the side of a very large, very heavy style of rock and roll, but “The Axe or the Hammer,” which bookends topping five minutes in answer to “The Mountain and the Feather,” has a more subdued verse to go along with the damn near martial shouts of its impact-minded chorus, and fades out with surprising fluidity to leave off. The one-thing-and-another-thing titles give Snakes and Foxes a thematic feel, but the real theme here is the barebones greed-for-volume El Astronauta display, their material feeling built for beery singalongs.

El Astronauta on Facebook

Snow Wolf Records on Bandcamp

 

Thunder Horse, After the Fall

Thunder Horse After the Fall

With their third full-length behind 2021’s Chosen One (review here) and their 2018 self-titled debut (review here), Texan riff rollers Thunder Horse grow accordingly more atmospheric in their presentation and are that much more sure of themselves in leaning into founding guitarist/vocalist Stephen Bishop‘s industrial metal past in Pitbull Daycare. The keys give “Requiem” an epic feel at the finish, and even if the opening title-track is like what Filter might’ve been if they’d been awesome and “New Normal” and “Monolith” push further with semi-aggro metallurgical force, the wall-of-tone remains thusly informed until the two-minute acoustic “The Other Side” tells listeners where to go when it’s over (you flip the record, duh). “Monolith” hinted at a severity that manifests in the doomed “Apocalypse,” a preface in its noise and breadth for the finale “Requiem,” finding a momentum that the layered-vocal hook of “Inner Demon” capitalizes upon with its tense toms and that the howls of the penultimate “Aberdeen” expand on with Thunder Horse‘s version of classic boogie rock. They don’t come across like they’re done exploring the balances of influence in what they do — and I hope they’re not — but Thunder Horse have never sounded more certain as regards the rightness of their path.

Thunder Horse on Facebook

Ripple Music website

 

After Nations, Vīrya

After Nations Virya

The title “Vīrya” is Sanskrit and based on the Hindu concept of vitality or energy, often in a specifically male context. Fair enough ground for Kansas instrumentalists After Nations to explore on their single following last year’s impressive, Buddhism-based concept LP, The Endless Mountain (review here). In the four-minute standalone check-in, the four-piece remind just how granite-slab heavy that offering was as they find a linear path from the warning-siren-esque guitar at the start through the slower groove and into the space where a post-metallic verse could reside but doesn’t and that’s just fine, turning back to the big-bigger-biggest riff before shifting toward controlled-cacophony progressive metal, hints of djent soon to flower as they build tension through the higher guitar frequencies and the intensity of the whole. After three minutes in, they’re charging forward, but it’s a flash and they’re dug into the whatever-time-signature finishing movement, a quick departure to guitar soon consumed by that feeling you get when you listen to Meshuggah that there’s a very large thing rising up very slowly in front of you and surely you’ll never get out alive. Precise in their attack, After Nations reinforce the point The Endless Mountain made that technique is only one part of their overarching brutality.

After Nations on Facebook

After Nations on Bandcamp

 

Ockra, Gratitude

ockra gratitude

There’s some incongruity between the intro “Introspection” (I see what you did there) leading into “Weightless Again” as it takes the mood from a quiet buildup to full-bore tonality and only then gives over to the eight-minute second track, but Ockra‘s Argonauta-delivered debut long-player thrives in that contradiction. Melodic vocals float over energetic riffing in “Weightless Again,” but even that is just a hint of the seven-songer’s scope. To wit, the initially acoustic-based “Tree I Planted” is recognizably parental in its point of view with a guest vocal from Stefanie Spielhaupter, and while centerpiece “Acceptance” is more doomed in its introductory lead guitar, the open strum of its early verses and the harmonies in its second half assure an impression is made. The Gothenburg-based trio grow yet more adventurous in the drone-and-voice outset of “We Who Didn’t Know,” which unfolds its own notions of what ‘heavy prog’ means, with guitarist Erik Björnlinger howling at the finish ahead of the start of the more folk-minded strum of “Imorgon Här,” on which drummer Jonas Nyström (who also played that acoustic on “We Who Didn’t Know” and adds Mellotron where applicable) takes over lead vocal duties from bassist Alex Spielhaupter (also more Mellotron). The German-language closer “Tage Wie Dieser” (‘days like these’) boasts a return from Stefanie Spielhaupter and is both quiet grunge and ambient post-rock before the proggy intensity of its final wash takes hold, needing neither a barrage of effects or long stretches of jamming to conjure a sense of the far out.

Ockra on Facebook

Argonauta Records store

 

Erik Larson, Fortsett

erik larson fortsett

What’s another 20 minutes of music to Erik Larson, I wonder. The Richmond-based songwriter, multi-instrumentalist and vocalist has a career and a discography that goes back to the first Avail record three decades ago, and at no point in those decades has he ever really stopped, moving through outfits like (the now-reunited) Alabama Thunderpussy, Axehandle, The Mighty Nimbus, Hail!Hornet, Birds of Prey, Kilara, Backwoods Payback, Thunderchief, on and on, while building his solo catalog as well. Fortsett, the 20-minute EP in question, follows 2022’s Red Lines and Everything Breaks (both reviewed here), and features Druglord‘s Tommy Hamilton (also Larson‘s bandmate in Omen Stones) on drums and engineer Mark Miley on a variety of instruments and backing vocals. And you know what? It’s a pretty crucial-sounding 20 minutes. Larson leads the charge through his take that helped define Southern heavy in “Cry in the Wind,” the nodder “My Own,” and the sub-two-minute “Electric Burning,” pulls back on the throttle for “Hounder Sistra” and closes backed by drum machine and keys on “Life Shedding,” just in case you dared to think you know what you were getting. So what’s that 20 minutes of music to Erik Larson? Going by the sound of Fortsett, it’s the most important part of the day.

Erik Larson on Bandcamp

 

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Ripplefest Texas 2023: Complete Lineup Announced

Posted in Whathaveyou on May 18th, 2023 by JJ Koczan

I don’t feel the need to even really say anything here. The lineup speaks for itself. And those who go to this year’s RippleFest Texas will also speak of it, for years, probably in a similar way people now talk about having been at this or that Emissions From the Monolith when that was going on in Ohio. The stuff of legend, in other words. Yeah, you can put on a fest and try to make it cool and fun, or you can do something like this and make it the highlight of everybody who attends’ year.

Kudos to Lick of My Spoon Productions and Ripple Music on a job well done. This will be something special. Bands have been leaked out one at a time at intermittent daily intervals, but the final lineup is out as of today, and it’s stunning. A blend of generations, a reach from on end of the country to the other, and a swath of the heavy underground all rallied in one place for a few days, pre- and after-parties included. Fucking a. If you’re attending, count yourself lucky.

As seen on socials:

Ripplefest Texas 2023

Here it is! The full lineup for RippleFest Texas #3! This will be one for the ages with a stacked lineup and lots of special treats in between. Get your tickets now!

Amazing art by @1horsetown

* playing the Pre-Party
+ playing the Afterparty

King Buffalo, Acid King, Brant Bjork Trio, Sasquatch, Wo-Fat, Fatso Jetson, Mondo Generator, Unida, The Well+, The Atomic Bitchwax, Telekinetic Yeti*, Duel, Forming the Void, Hippie Death Cult, High Desert Queen*, Avon, War Cloud, Rubber Snake Charmers, Spirit Mother+, Kind, Nick Oliveri, Thunder Horse, Royal Sons+, Restless Spirit*, (Big) Pig, Fostermother, Dead Feathers+, Rainbows Are Free, Warlung*, Sun Voyager, Red Mesa, Dunes, Tia Carrera+, Mr. Plow, The Heroine*, Michael Rudolph Cummings, The Absurd+, GoodEye*, Red Beard Wall, God Damn Good Time Band+

Plus a “Legends of the Desert and Friends” jam session to close out Saturday night!

And as always, the visuals by The Mad Alchemist Liquid Light Show

All-Access passes are SOLD OUT! All we have left are 2 Day Passes and Pre/Afterparty tickets available. Many more bands to be announced! Get your tickets now before the full lineup is revealed and the ticket price goes up!

FESTIVAL TIX: https://bit.ly/faroutxripplefest
PREPARTY TIX: https://www.eventbrite.com/e/ripplefest-texas-pre-party-tickets-548171905927
AFTERPARTY TIX: https://www.eventbrite.com/e/ripplefest-texas-afterparty-tickets-548185095377
FB EVENT: https://www.facebook.com/events/1351567998746933/

https://www.facebook.com/theripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

https://www.facebook.com/LOMSProductions
https://www.instagram.com/LOMSProductions/
http://www.lickofmyspoon.com/
https://linktr.ee/Lickofmyspoon

King Buffalo, “Regenerator” live at Sonic Whip 2023

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Thunder Horse Set July 21 Release for After the Fall; New Single/Video Posted

Posted in Whathaveyou on May 11th, 2023 by JJ Koczan

Gotta figure it’s a pretty good week to be in Thunder Horse. You’re still traveling in the UK from Texas after taking part in Desertfest, uh, festivities this past weekend, and now you’re announcing the July release of your third record and the single is a banger and preorders went up without the internet collapsing on itself, so yes, mark it a win for those dudes, presumably.

Last heard from with 2021’s Chosen One (review here), the band present “New Normal” as the first single from the forthcoming After the Fall which is out July 21, and it finds them returning with a big riff and the vocals of Stephen Bishop that portray his and the band’s rooted influence in industrial music. As Thunder Horse are decidedly not that, Bishop‘s approach has to-date helped to give the band a distinct aspect, and in that regard, the “New Normal” isn’t so radically changed from the old normal. Not a complaint.

You can hear the song at the bottom of the post, as ever. Info follows from the PR wire:

Thunder Horse After the Fall

US doom metal merchants THUNDER HORSE to release new album “After The Fall” this July on Ripple Music; watch new video “New Normal”!

San Antonio-based doom metal foursome THUNDER HORSE announce the release of their third full-length “After The Fall” this July 21st on Ripple Music, and unveil the first single with their crushing “New Normal” video today!

Watch Thunder Horse’s new video “New Normal”
Listen to the song on all streaming platforms: https://lnk.to/thnewnormal

Texas-based THUNDER HORSE has a genre that is hard to pin down, but there are definitely influences of doom, psych, occult, and a smattering of classic rock and NWOBHM. Close your eyes and imagine the brooding sounds of early Sabbath, the massive wall of guitars made famous by bands like Deep Purple and Mountain, on a sonically mesmerizing Pink Floyd Trip, then you will have a taste of the experience that Thunder Horse brings.

Their third studio album and second Ripple Music release “After The Fall” cements the band’s reputation of delivering titan-sized songs in the form of a refined formula: doomier, sharper, but also stronger. Finding the perfect balance between their timeless and masterful southern-baked heavy metal and a strongly emotion-driven purpose, “After The Fall” unwaveringly stands as THUNDER HORSE’s turning point and should drag more and more heavy music lovers in their path in their fierce conquest of the underground doom scene!

THUNDER HORSE “After The Fall”
Out July 21st on Ripple Music

US preorder – https://ripplemusic.bigcartel.com/products?utf8=%E2%9C%93&search=thunder+horse

European preorder – https://en.ripple.spkr.media/

Bandcamp – https://ripplemusic.bandcamp.com/album/after-the-fall

TRACKLIST:
1. After The Fall
2. New Normal
3. Monolith
4. The Other Side
5. Apocalypse
6. Inner Demon
7. Aberdeen
8. Requiem

THUNDER HORSE is
Stephen Bishop — guitar and vocals
T.C. Connally — lead guitar
Dave Crow — bass
Jason ‘Shakes’ West — drums

https://www.facebook.com/ThunderHorseOfficial
http://www.instagram.com/thunderhorse_tx
https://thunderhorse.bandcamp.com/
http://www.thunderhorseofficial.com/

https://www.facebook.com/theripplemusic/
https://www.instagram.com/ripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Thunder Horse, “New Normal” official video

Thunder Horse, After the Fall (2023)

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Burque Rock City Fest: Weedeater, Matt Pike, Belzebong, Early Moods & More to Play New Fest in Albuquerque, NM

Posted in Whathaveyou on March 20th, 2023 by JJ Koczan

If I’d had a soul, it would’ve wept bitter soul-tears last September at my being unable to attend Monolith on the Mesa 2022 (lineup here, if you’d like a refresher) in Taos, New Mexico. Now, I don’t know what Roman Barham, also of heavy trio Red Mesa, has in store for the first-and-maybe-only installment of Burque Rock City Fest, which moves the proceedings from Taos to Albuquerque and is set to have its inaugural edition take place in early August, but I’m more than willing to trust that by the time he and his crew have their shit together and know what they’re doing, based on past evidence as well as the already well-on-its-way lineup they’ve unveiled for Burque Rock City Fest 2023, highlighted by Belzebong coming over from Poland, Weedeater at the top of the bill (unclear if they’re headlining or just there for now), Matt Pike‘s solo-project, Early Moods, High Desert QueenSorcia and Thunder Horse alongside Prism Bitch and Coma Recovery.

It’s two days — Monolith was three last year — and will happen across two venues, neither of which I know anything about more than their name from lists of tour dates. But again, it’s a new fest but familiar parties behind it, so also not a worry. Barham notes in the quote below that Monolith on the Mesa will be back in Taos in 2024, so it’s unclear whether Burque Rock City Fest is a one-time-only placeholder or will be an ongoing second festival. I wouldn’t attempt to guess, but as it’s worth keeping an eye on, that’s what I’m doing. Will continue to do so as the lineup takes shape.

For now, the first announcement and early-bird ticket links, as per the PR wire:

Burque City Rock Fest

Monolith On The Mesa Presents: Burque Rock City Fest

August 4th & 5th 2023

The Historic El Rey Theater & Insideout Bar in Downtown Albuquerque, New Mexico.

The first round of bands has been announced…

Weedeater * Pike Vs The Automaton * Belzebong * Early Moods * High Desert Queen * ThunderHorse * Sorcia * Prism Bitch * Coma Recovery

Many More To be Announced!!

Early Bird Day Pass-$100: https://holdmyticket.com/event/412535

Early Bird 2 Day Pass-$200: https://holdmyticket.com/event/412537

Roman Barham, co-founder of Monolith on the Mesa has been quietly working on Burque Rock City Fest.

Barham says:

“Monolith On The Mesa crew would love to thank everyone who helped make Monolith 2022 an awesome fest. Huge thanks from The Taos Mesa Brewery crew, the Hotel Luna Mystica crew and to all the very respectful patrons that came out and made Monolith On The Mesa 2022 an amazing tribute to our fallen brother Dano Sanchez (deceased Monolith co-founder).

We have decided to take a year off from Monolith and bring it back in 2024 to Taos Mesa Brewery.

Branching south from the Monolith On The Mesa tree is Burque Rock City Fest in Albuquerque, NM At The Historic El Rey Theater & Insideout Bar On Friday August 4th & Saturday August 5th 2023.

More band announcements & more exciting info soon.

Cheers!!”

monolithonthemesa.com
instagram.com/monolithonthemesa
facebook.com/monolithonthemesa
twitter.com/onmonolith

Weedeater, “Jason… the Dragon” live in Jacksonville, FL, March 1, 2023

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Ruination Festival Announces Lineup with Sergeant Thunderhoof, Fatso Jetson, Slomatics and More

Posted in Whathaveyou on January 27th, 2023 by JJ Koczan

Solid bill. More than solid, actually. I don’t think I need to argue in favor of Ruination Festival 2023’s headliners in Slomatics and Fatso Jetson, but check out the US/UK blend at the pre-show as well with Thunder Horse and Great Electric Quest with Old Horn Tooth and Oakenthrone and Gandalf the Green. That’s a good time even before you get to Sergeant Thunderhoof and Mastiff and Trevor’s Head and Ritual King and Goblinsmoker et al welcoming High Desert Queen and the aforementioned Fatso Jetson to England’s green and pleasant land.

Of course, the elephant in the room here, fest-wise, is Desertfest London, but there are arguments to be made here for the concise all-dayer/pre-show format, and if you want a curated sample of some of the best up and coming UK acts with some more established names on top, it’s a good way to go and a situation without the rampant timing conflicts that inherently happen at larger festivals. Even with two stages going, this seems doable to me and like a good way to pack in seeing a bunch of bands and not having to miss out on something you want to see.

The fest is a collaboration between Iron Boar Bookings and Riffolution Promotions, and you can see the full lineup and

Ruination Festival 2023 square

RUINATION FESTIVAL

Ruination Festival is a joint event from Iron Boar Bookings and Riffolution Promotions. Taking place on the 13th of May across 2 stages, The Underground and Als Juke Bar!

Tickets are £15.

Make sure to RVSP to stay up to date with announcements. With some of the best stoner, doom & psych on the scene, from both UK and US.

(#127482#)(#127480#)
Fatso Jetson
Great Electric Quest
High Desert Queen
Thunder Horse

(#127468#)(#127463#)
Slomatics, Sergeant Thunderhoof, Mastiff, Grave Lines, Trevors Head, Ritual King, Son of Boar, Everest Queen, Goblinsmoker, Boach, Swamp Coffin, Ironrat, Old Horn Tooth, Gandalf the Green, Oakenthrone

Tickets: https://skiddle.com/e/36191054

Event: https://fb.me/e/28SVc4C19

https://www.facebook.com/RiffolutionPromotions
https://www.facebook.com/ironboarbookings

Slomatics, Live at Doomcember Festival, Reykjavik, 2022

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