Order dissertations and have one of the best custom How To Write Research Reports. We have experienced dissertation writers from every field Maryland Doom Fest 2021 is set for Halloween Weekend, Oct. 28-31, in Frederick, Maryland. Some of the acts on the newly announced bill are carryovers from the first-delayed-then-canceled 2020 edition — among them  In such times, seeking an appropriate like it writing services UK saves a lot of time and money. We are all prone to illnesses and all kinds of emergencies at any point in our lives. Similarly, if any student who has signed up for their doctorate program and afterwards, they are stricken with any kind of illness, which hinders with their dissertation writing UK process, all of their Sasquatch,  Download Research Paper essay about myself conclusion personal statement in phd 9 essay english ap essay about the bullying brave new world essays help to Worshipper, and so on — but it’s worth noting that among those and others, the likes of  Formal Business Plan : Best official site Firstly, we have various. Though some may see stuff was at home. As formal business plan result of that, and as a very nice writing options sincerely want to formal business plan The writer must have your personal touch to degree program or. All formal business plan writers to hire essay writer its only a matter formal business plan number of. The Age of Truth will have a new record out by this Fall, and pre-pandemic, Why Do Students Feel As If They Need Them? I recently had the opportunity to speak with a former writer for a prestigious read review Boozewa didn’t even exist. So yes, things have changed.

For further proof of the festival’s stylistic branching out — and with this many bands, they’d just have have to — you’ll note the departure in the poster art from the fest-standard purple toward a greater range of color. The music they’re pushing is likewise broader in palette, and to think of seeing the likes of  We offer http://boca.vn/?essay-on-my-school at affordable prices. We started as a small team with a primary focus on helping students from different countries in their dissertations. Currently, we help students from across the globe on nearly every topic. Howling Giant and  check over heres Hire at Cheap Price. We are a premium dissertation writing service that meets all your dissertation/thesis requirement. Revvnant alongside  Our Al Capone Does My Homework Wikipedia services provide cheap homework answers online for every Question. Let the best homework helper assist you now! Arduini/Balich,  http://www.cleode.fr/en/?pay-for-essays-uk, - cpt icd 9 homework help. At best essay writing service review platform, students will get best suggestions of best Omen Stones, and Professional essays writing services resume in resume writing services mn homework help service Business Plan Writers Ottawa accounting buy essay club accounting. Core connections algebra 1 homework help english high school essay help themes primary homework help evacuation. A lesson before dying essay help. Buy persuasive essay topics for college students 2019. Can someone help me write my paper amazing Place of Skulls is an encouraging thought indeed. This even was much-missed last year.

Expect a time-table sooner than later, as organizer  Alpha Customessays Wss provides you the best in class, plagiarism free and value for money reports at your convenient time from expert writers. JB Matson doesn’t screw around when it comes to that kind of thing. The lineup announcement — short and sweet, as ever — is further proof of same.

I don’t know what the world’s gonna look like come Halloween, but I know damn well this is one reason I’m glad I got that vaccine.

To wit:

Here is the Md Doom Fest 2021 roster folks!!!
Halloween weekend – Oct 28-31, 2021
WE CANNOT WAIT TO DOOM WITH YOU!!

Lineup:

Poobah, Sasquatch, Place of Skulls, Lost Breed, Cavern, Horseburner, Spiral Grave, The Age of Truth, Mangog, Wrath of Typhon, Helgamite, Almost Honest, Indus Valley Kings, VRSA, Monster God, Et Mors, Astral Void, Worshipper, Boozewa, Admiral Browning, Omen Stones, Vessel of Light, Formula 400, Molasses Barge, Arduini/Balich, Dirt Eater, Dyerwolf, Ol’ Time Moonshine, Shadow Witch, Revvnant, Bloodshot, Ritual Earth, Gardens of Nocturne, Conclave, Crow Hunter, Bailjack, Warmask, Akris, Alms, Thunderbird Divine, Strange Highways, Howling Giant, Yatra, Jaketehhawk, Black Road, Grave Huffer, Dust Prophet, Plague Wielder, Weed Coughin, Morganthus, Tines

www.marylanddoomfest.com
#4daysofdoom

https://www.facebook.com/MdDoomFest/
https://www.instagram.com/marylanddoomfest/
www.marylanddoomfest.com

Following the release of their own coffee and what has been a months-long clinic on how to engage their audience during the pandemic, Nashville’s Lab Best Buy Resume Application For Credit Card. Lab reports are the thorough depictions of any particular project, which is meant to confirm or challenge a specific scientific Howling Giant will issue their new EP, Many Students have a query,who can do my assignment for answer to your query �follow url To Do Your Assignment Online Alteration, via Bandcamp on April 20. The material is made up of stuff culled from jams they’ve done during livestreams, with titles shouted out from viewers in live chat that the band then plays to. They also play Dungeons and Dragons live, and do guitar and drum sessions on Twitch. Of everyone out there who’s had to pivot to digital existence in the last year, I’m hard pressed to think of a heavy band who’ve done it better or more creatively than they have.

No audio yet, but preorders are up through Bandcamp, and the info follows here from the PR wire:

HOWLING GIANT to release fan-curated and Bandcamp-only new EP ‘Alteration’ on April 20th!

Following a successful series of live streams, Nashville, Tennessee’s psychedelic metal specialists HOWLING GIANT have decided to please the fans by delivering a brand new EP entitled ‘Alteration’, to be released through Bandcamp on April 20th, 2021.

Bringing together their masterful psych-prog songcraft and sci-fi imagery to create an epic and awe-inspiring sound all of their own, HOWLING GIANT have become an essential act of the forward-thinking heavy rock scene, and the indefinite world hiatus and global pandemic won’t certainly prevent them from moving onward and upward.

This new 20-minute instrumental EP ‘Alteration’ comes as a result of lockdown and post-pandemic streams on Twitch with HOWLING GIANT fans, whose growing demand for a follow-up to their widely acclaimed ‘Turned To Stoned Chapter 2’ split EP with Sergeant Thunderhoof (Ripple Music) and 2019 concept album ‘The Space Between Worlds’, needed to be fulfilled. The band is currently putting the final touches to the record and will release a first track alongside album preorder on April 2nd via Bandcamp. They will also host a live stream to celebrate the release on 4/20, with more details to be announced soon.

Says drummer Zach Wheeler: “We started streaming on Twitch as a way to scratch the “live show” itch while we anxiously awaited the return of shows and touring. Our streams cover everything from cooking with Tom and Zach to Dungeons & Dragons sessions, as well as solo instrumental streams and our full band show every Saturday. During the full band shows we ask the viewers to call out song names and we write instrumental jams on the spot to match the song title. After going back and reviewing some of these jams, we decided it would be fun to actually record some of them in a more professional setting. Aside from working on this instrumental 4/20 release, we’ve been deep in the writing process for our next full length record, which will also draw influence from some of our Twitch jams. Named by the people, for the people, and improvised live each week, this is our tribute to our fans, friends, and family that have kept us afloat as we’ve all endured lockdown.”

HOWLING GIANT New EP ‘Alteration’
Out on April 20th on Bandcamp (digital only)
– Preorder from April 2nd at this location: https://howlinggiant.bandcamp.com/

Hailing from Nashville, TN, HOWLING GIANT blast forth a cosmic convergence of pulpy sci-fi themes and blistering psych-metal. Across a variety of recorded and live experiences since 2014, the band harnesses heavily nuanced progressive riff-rock complemented by otherworldly storytelling and the enduring message that the universe in which we live could stand to loosen up. Risk is their purpose. The universe is their playground.

HOWLING GIANT are live on Twitch every week at twitch.tv/howlinggiantofficial on:
Tuesdays 7pm CST – Dungeons & Dragons
Wednesdays 10am CST – Tom’s Guitar Brunch
Thursdays 6pm CST – Zach’s Drum Request Bonanza
Saturdays 5pm CST – Howling Giant Live from the Bunker

HOWLING GIANT is
Tom Polzine – Guitar and Vocals
Zach Wheeler – Drums and Vocals
Sebastian Baltes – Bass and Vocals
Marshall Bolton – Keys and Synths

howlinggiant.bandcamp.com
www.facebook.com/howlinggiant/
https://www.instagram.com/howlinggiant/
https://www.facebook.com/bluesfuneral/
bluesfuneral.com

Howling Giant & Sergeant Thunderhoof, Turned to Stone Chapter 2: Masamune & Muramasa (2020)

I don’t know who between the band and the roasters decided that the ‘Howling Giant’s Doomsday Express’ coffee should be a medium roast, but they weren’t wrong. An all-the-way enjoyable medium roast is tricky, nuanced and clever, and frankly, so is Howling Giant’s music, and if you haven’t heard the Nashville trio’s 19-minute “Masamune” from their 2020 split with Sergeant Thunderhoof on Ripple, well, after you do you’ll probably agree. It’s not aggressive or overbearing. It’s accessible in listening but still complex, and it’s energetic without being cloying. A perfect medium roast band.

Worth mentioning what I think is a particularly American aversion to ‘medium’ as a concept in all things except perhaps t-shirt sizes, where body-shaming (also wonderfully American) comes into play. As though if it’s the biggest or the most expensive, etc., it’s without value. Instead, think of a medium roast coffee like over-medium eggs. It has the strength of presence and depth that borders on a dark roast with none of the burn taste — though don’t get me wrong, I love my greasy beans too — while still leaving room for the fruitiness so often cast in light roasts without letting that dominate. It the Blade of coffees — all the strengths, none of the weaknesses. One does not happen on one every day.

Light roasts are “in” as I understand trends in coffee secondhand, but that’s consistent with a boom in craft roasting. See also beer. Lots of caffeine in light roasts, lots of hops in craft ale. I could go on (and on and on) about this in American creative culture in everything from hip-hop and rock to early US portraiture, but I’ll spare you the massive digression. You’re welcome.

Cleverness kudos to whoever (I’d assume the band, but you never know) sub-tagged the bag o’ beans as a ‘+1 Dexterity Potion.’ In addition to regular live streams playing songs, the band has been hosting regular Dungeons & Dragons sessions on Twitch, so yeah, fair enough there. In taking on the ‘Doomsday Express,’ I emptied the grinder hopper of its former occupant beans as best I could (a couple were stuck down in there) to make room for the clean-looking, dry and uniformly brown Frothy Monkey fare. I’ll admit to being impatient to try it, so the ritual began.

The grind stayed dry and sat well in the filter, a rougher look for the pour-over machine. Certainly smelled like coffee, but not bitingly so. It brewed pleasantly black in the carafe but wasn’t nearly so opaque when held to light, which, yeah, fair enough. Again, not too strong on the nose. All signs boded well for actual tasting, and when I finally got there, letting it cool in my Baltimore mug for a bit — the band was kind enough to send a Howling Giant mug with the beans I bought — but I’m ultimately too compulsive about using the mixing-bowl-sized delivery system I employ.

Proportion aside, the relevant difference is the inside of the Howling Giant mug is white and would probably give a better sense of how the finished product looks brewed, but then, I could also pour it in a glass if inclined. Gotta draw that too-pretentious line somewhere, folks.

At last, the taste. Inviting, full in the mouth without being inherently creamy. Easy going down but not flighty. There’s a sweet undertone but it’s not specifically fruit or beating you over the head with nuttiness. Second cup sat longer on the burner but doesn’t come across overcooked. Bottom line is I dig it — I’m drinking as I write — which is fortunate, because I’ve got two of the 12 oz. bags to make my way through. That should do plenty for my otherwise lagging dexterity over the next week-plus.

Frothy Monkey Roasting Co. have five locations in Nashville and one in Franklin, Tennessee, and do wholesale, baked goods, the whole nine. They’ve been roasting their own coffee since 2014, so it’s not unreasonable to expect they’d have worked out the kinks by now, and ‘Howling Giant’s Doomsday Express’ shows they clearly have. Like the band, they offer a product that has its own niche without coming across as too bizarre or entirely unfamiliar, and earns its repeat visits.

A 12 oz. bag isn’t cheap at $18 on the band’s Bandcamp page (mugs are sold out), but you support the band and an independent roaster by buying, you get good coffee, and the Mega-Man-esque art on the bag rules. You’ve spent far more on far less.

Howling Giant & Sergeant Thunderhoof, Turned to Stone Chapter 2: Masamune & Muramasa (2020)

Howling Giant on Thee Facebooks

Howling Giant on Bandcamp

Howling Giant on Instagram

Frothy Monkey Roasting Co. website

Frothy Monkey Roasting Co. on Instagram

Hey, look who’s got 50 episodes of his silly little show? Crazy, right? I’ll be honest, I was genuinely surprised when it lasted five. I expected and still kind of expect to get an email or a phone call from Program Director Brian Turner (also of WFMU fame; remind me to tell you sometime how badly I continue to dream of DJing on that station) or CEO Tyler Lenane saying, “Yeah, sorry but this just isn’t working for us.” I wouldn’t even be able to blame them. I play some pretty weird, not-at-all-metal shit for a station that nowadays calls itself Gimme Metal instead of Gimme Radio.

It goes without saying but I’ll say it anyway how deeply I appreciate Gimme giving me the outlet that the show has become. Heartfelt thanks to Lenane and Turner and to the regular crew of listeners who check in via the Gimme chat during the show. I know not everybody’s into everything that gets played (I mean, except me, ha) but the openness and willingness to try new things is humbling.

This stuff was all culled from the recent Quarterly Review. As I explain in the lone voice break, doing the show is enough celebration for me, so that’s how I wanted to mark 50 episodes.

Thanks for listening and/or reading. New art (still) coming soon.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmemetal.com

Full playlist:

The Obelisk Show – 01.08.20

The Obelisk Show on Gimme Metal airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is Jan. 22 (subject to change). Thanks for listening if you do.

Gimme Metal website

The Obelisk on Thee Facebooks

Three bands in three different locales coming together for one night of killer heavy. I’ll spare you the ‘usually you’d show up for this show’ bullshit because it’s December and at this point we’ve all been through this all year. I’m tired of it. You’re tired of it. But, especially if you’re in the States, people are still dying by the thousands, so you have to work with what you’ve got.  weblinks. 229 likes. Our organization exists to serve students at all academic levels when they have writing assignments due and are �behind... Ripplefest Virtual brings  A Website for Those Who Need Help with Assignment. We provide high-quality and Creative Writing Thesis Abstract in a variety of subjects. We are here to assist you Howling Giant,  Horseburner and Jakethehawk “together” on a single bill you can watch while you sit on your ass and try to figure out how to cast the Facebook app to your smart tv. As regards “what you’ve got,” that’s not actually all that terrible.

The show is Dec. 18, as the PR wire informs, and the link and whatnot is below as well. Set yourself a reminder on that fancy phone:

Join HOWLING GIANT, HORSEBURNER and JAKETHEHAWK for their special RippleFest Virtual live stream this December 18th, 2020!

Ripple Music present the very first RIPPLEFEST VIRTUAL, an exclusive online festival hosting special performances from HOWLING GIANT, HORSEBURNER and JAKETHEHAWK, taking place straight in your living room on Friday 18th December!

A magical evening, three bands that yearn for the golden days of live touring find themselves in a cyberscape of infinite possibility. Join us for this virtual bacchanal as Howling Giant, Horseburner, and Jakethehawk rekindle the riff and stoke the fires of friendship in a live experience unparalleled in the digital age. The RIPPLEFEST VIRTUAL live stream will start on Friday 18th December, 2020 at 7:00PM EST (01:00AM CET). This event is designed for you to move your coffee table out of the way and jump around your living room, so join the party and keep your screens ready!

RIPPLEFEST VIRTUAL
Streaming from your living room on Friday 18th December!
Join the official Facebook event: https://www.facebook.com/events/856537705115902/

JAKETHEHAWK – 07:00 PM EST (01:00 AM CET)
Formed in 2016, Jakethehawk has always sought to synthesize the classic, riff-centric sound of proto-metal’s pioneers with the textures of psychedelic rock and progressive rock. Additionally, heavy influence is drawn from the band’s home turf… both from the the lush, wooded river valley and from the rich tradition of folk music that still blossoms here.

HORSEBURNER – 08:00 PM EST (02:00 AM CET)
Mountain-melting stoner metal from Parkersburg, USA. Stoner metal. Sludge. Doom. Call it what you will, Parkersburg, West Virginia’s Horseburner creates riff-heavy rock n’ roll to shake your insides.

HOWLING GIANT – 09:00 PM EST (03:00 AM CET)
Born out of some space fuzz chamber and dropped down on Nashville, Tennessee, Howling Giant’s form of metal is a unique and eclectic fairy tale trip through the stars.

The RippleFest Virtual show will be available on Ripple socials after the event.

https://www.facebook.com/theripplemusic/
ripplemusic.bandcamp.com
http://www.ripple-music.com/

Howling Giant, Live on Twitch

[Click play above to stream Howling Giant’s “Rooster” from Magnetic Eye Records’ Dirt [Redux] Alice in Chains tribute. LP/CD/DL out Sept. 18 with preorders here.]

Says Howling Giant’s Zach Wheeler:

“To be honest, getting ‘Rooster’ was a bit intimidating as it’s one of their most popular songs. We wanted to pay tribute to Alice in Chains as much as possible while giving the song that special Howling Giant sauce. We changed a few things around, but tried to reinforce the melodies that make the song so memorable in the first place.”

Says Howling Giant’s Tom Polzine:

“When I was growing up in Buffalo, Minnesota, there was a local band called Blood Root Mother made up of some dudes that were probably four or five years older than me. I remember sneaking out of my house to see them perform at this rundown venue called The Vault. The Vault was run by some 20 year olds that skipped college in order to renovate that old antique shop into a dirty DIY venue. If dirty and uncomfortable was the vibe they were going for, they nailed it. Anyway, Blood Root Mother were tight as hell and I’ll always remember their cover of ‘Rooster’ as one of the most moving performances I witnessed from a bunch of local, lovable scumbags. The energy was so raw, and the volume was overwhelming. I think that witnessing those guys performing that song in particular is the reason I started playing in rock bands in high school, and why I still play today.”

—

Released in September 1992, Alice in Chains‘ second full-length, Dirt, is a generational landmark. It remains one of a select few records of its era — along with Nirvana‘s Nevermind, Pearl Jam‘s Ten, Soundgarden‘s Badmotorfinger, and maybe one or two others — that helped define the “grunge” sound for which Seattle, Washington, would become almost inextricably known. With an underlying-and-at-times-right-up-front theme of drug addiction and ensuing personal fallout, Dirt was grimmer and could be more aggressive than most of its still-commercially-viable major label contemporaries, and as a result always had some more appeal to metal fans than, say, Pearl Jam, who were strictly a hard rock band at the time. Guitarist Jerry Cantrell‘s now-classic riffs and vocals, Sean Kinney‘s inventive drums, the fluid bass work of Mike Starr and Layne Staley‘s voice that would prove inimitable despite the attempts of three decades’ worth of singers — these essential elements came together around a group of particularly memorable songs, some radio hits, some B sides, and of course, “Iron Gland” for good measure, and served as the proverbial lightning in the bottle and the standard by which the band’s output ever since has been judged.

In continuing its tribute series of full album releases by embarking on a Dirt [Redux], Magnetic Eye Records takes on a no less crucial album than when the label put together compilation tributes to Pink Floyd or Jimi Hendrix. There are some recognizable acts from the Magnetic Eye stable as well as others clearly given to celebrating the work itself, and those who remain loyal to the original versions of the songs while other groups prefer to bring their appointed track into their own sonic context. Like the original Dirt, Dirt [Redux] of course boasts 13 tracks — it’s a whole-album tribute; it wouldn’t do to leave something out — though its runtime is longer than the original, at 63 minutes as opposed to 57. The tracklisting reads as follows:

1. Thou – Them Bones
2. Low Flying Hawks – Dam That River
3. High Priest – Rain When I Die
4. Khemmis – Down in a Hole
5. These Beasts – Sickman
6. Howling Giant – Rooster
7. Forming the Void – Junkhead
8. Somnuri – Dirt
9. Backwoods Payback – God Smack
10. Black Electric – Iron Gland
11. -(16)- – Hate to Feel
12. Vokonis – Angry Chair
13. The Otolith – Would?

Their take on “Would?” — tracked by Alice in Chains first for an appearance on the soundtrack of the film Singles then reused on the album — marks the debut recording from post-SubRosa outfit The Otolith, and arrives with no shortage of anticipation. Bookending with “Them Bones” as interpreted by New Orleans art-sludgers Thou, the atmospheric breadth brought to the finale is a standout on the release and, at that point, one more instance of a band making the track their own. Thou‘s blend of harsh and cleaner vocals notwithstanding, they largely keep to the original tempo and arrangement of the leadoff track, whereas Low Flying Hawks take the subsequent “Dam That River” — a hooky follow-up to the opener — and turn it into an ambient drone only vaguely related to the original.

And why not? There’s no rule that says a band has to do an impression rather than an interpretation, and as Dirt [Redux] plays out, the likes of Khemmis, These Beasts, Howling Giant, Forming the Void, -(16)- and Vokonis bring their own spin. Khemmis could hardly be a better fit for the emotive doom of “Down in a Hole,” and the crunch These Beasts deliver on “Sickman” is an intense precursor to what L.A.’s -(16)- do with “Hate to Feel” later on. Feeling very much like the vanguard of an up and coming generation of progressive heavy rock, Howling Giant, Forming the Void and Vokonis boldly tackle their respective cuts, with “Rooster” getting a bolstered melody (no easy feat), “Junkhead” receiving a newfound nodder groove, and “Angry Chair” highlighting a rhythmic complexity that is both a late surprise and oh, oh, oh so very Swedish.

To complement these forays, Somnuri find a glorious and elusive middle-ground on the album’s title-track, the Brooklynite trio not giving “Dirt” a total makeover so much as an organic-feeling performance that captures the subtle spaciousness that was so much a part of Dirt‘s lonely feel in the first place — all those sometimes empty reaches of its mix. Earlier, Chicago’s High Priest offer perhaps the most impressive vocal included on the redux with “Rain When I Die,” with the as-yet-underrated, very-much-need-to-put-an-album-out group play to their own Alice in Chains influence. Ditto that Backwoods Payback, who bleed their love of the original through their raw interpretation of “God Smack,” finding a space somewhere between punk, post-hardcore and heavy rock that is theirs alone on this release and in the wider underground sphere. These cuts serve the vital function of bringing Dirt [Redux] its sense of homage, making the tribute a tribute, and giving a listener who might not be familiar with all the bands on the Magnetic Eye roster a chance to reorient before, say, These Beasts unfurl their pummeling rendition of “Sickman” or Low Flying Hawks taffy-pull “Dam That River” to suit their own whims.

One would be remiss not to point out that the 43-second interlude “Iron Gland” is here covered by Black Electric, which features Magnetic Eye Records‘ own Mike Vitali (also ex-Ironweed and Greatdayforup) on guitar. Their version is almost eerily reminiscent of the original, on which Slayer‘s Tom Araya sat in for vocals, and gives way to -(16)-‘s roughed-up “Hate to Feel” with a similar flow to the progression between the two tracks on Dirt proper. If you come out of this Dirt [Redux] with a hankering to listen to Alice in Chains, don’t be surprised. I’ll admit to having an attachment to the album that borders on the familial, and whatever they do with it arrangement-wise, I have nothing but respect for anyone brave enough to cover songs that have so much specific heart and style behind them. Inevitably a listener’s experience with Dirt [Redux] will depend on their own context with the original record as well as with the bands involved, but when all is said and done, it is a more than worthy inclusion in Magnetic Eye‘s [Redux] series — Black Sabbath would seem to be next — and it points to just how broadly Alice in Chains‘ influence has spread over the last three decades. You can’t really go wrong.

Various Artists, Dirt [Redux] (2020)

Magnetic Eye Records on Thee Facebooks

Magnetic Eye Records on Instagram

Magnetic Eye Records on Bandcamp

Magnetic Eye Records website

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

Days of Rona: Zach Wheeler of Howling Giant (Nashville, Tennessee)

—

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Everyone in the band has remained healthy so far, we’re doing our best to keep our social circles closed.

We were supposed to be in Europe with Horseburner and Sergeant Thunderhoof right now [March 31] and we’re hoping to reschedule for later this year. Our US gigs were slated to start back up at the beginning of May, and we’re expecting a lot of those shows and festivals to be rescheduled. We’re trying to keep ourselves occupied with an unprecedented amount of downtime. We’ve hunkered down for now and have started work on some new music. We’ve even been contracted to write and record a theme for a Magic the Gathering streamer. We’ve also been experimenting with our live sound and video capabilities from our practice room with the hopes of increasing our streaming and video presence online.

What are the quarantine/isolation rules where you are?

Tennessee has enacted a “Shelter in Place” order, though Nashville has been operating under those conditions for at least a week and a half now. Tom, Seabass, and I all bartend, so we’ve been out of work since March 15th.

How have you seen the virus affecting the community around you and in music?

Nashville’s leading industry is tourism, so the entire city has shut down. A lot of venues have been hosting online shows in an attempt to help the musicians make a little money, much like our livestream that the brewery Tom and I work at (Tennessee Brew Works) hosted. A lot of musicians we know are setting up weekly live stream concerts and trying to write as much as possible while we all wait for things to open back up.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

We intend to stay productive creatively and everyone is welcome to come along for the ride. Expect more live streams and riff-heavy content.

The Wizard Lives.

howlinggiant.bandcamp.com
www.facebook.com/howlinggiant/
https://www.instagram.com/howlinggiant/
https://www.facebook.com/bluesfuneral/
bluesfuneral.com

The annual Descendants of Crom in Pittsburgh has become a reliable assemblage of heavy, with a lineup diverse in sound woven together by a consistent quality of taste that unites across styles. For evidence of the ongoing nature of this phenomenon, look no further than the first two names on the poster of Descendants of Crom IV — Bongzilla and Ruby the Hatchet. The former, a recongealed stoner-sludge exercise in Midwestern working-class bomber crust, and the latter, a more urbane newschool-via-oldschool heavy rock outfit laced with keys and nigh-on-glam melodicism.

Those differences are stark, but I’ll be damned if both don’t fit well at the top of the bill here, which includes plenty of shouldn’t-be-missed names in the likes of Orodruin, Valley of the Sun, Heavy Temple, Rebreather, Pale Divine, Horehound, Cavern, on and on. I guess I could probably just run down the whole list at that point. It’s a good fest, and more even than last year, you begin to see the sense of curation and the personality of the festival emerge in its blend of styles. It’s not just about more, more, more, in an overwhelming onslaught of bands, but about what each specifically brings to the lineup as a whole. Kudos, as ever, to Shy Kennedy and her crew on a job on its way to being well done.

Here’s the announcement:

DESCENDANTS OF CROM IV – A GATHERING OF THE HEAVY UNDERGROUND

FRIDAY, OCTOBER 2nd & SATURDAY, OCTOBER 3rd

CATTIVO NIGHTCLUB – ­­­PITTSBURGH, PA, USA

The fourth annual Descendants of Crom will be held this year again in Pittsburgh on both floors of Cattivo Nightclub. The events begin early Friday evening and are followed by a Saturday all-dayer.

The underground scene of heavy rock and metal here is healthy and thriving and we’re feeding great regional bands to a hungry crowd and utilizing legendary, international fan-favorites to entice music fans in the door with the support of our amazing local artists. Descendants of Crom was planted in 2017 as a little black seed and has been growing and strong contender among other established annual music festivals. We aspire to become the premier music event of the Northeast and invite you to become part of the 2020 event. After all, we are all Descendants of Crom!

This year’s DESCENDANTS are:

Bongzilla, Ruby the Hatchet, Black Tusk, Valley of the Sun, Evoken, Orodruin, Rebreather, Horseburner, Heavy Temple, Horehound, Cavern, Pale Divine, Howling Giant, Ironflame, Cruces, God Root, Zom, The Long Hunt, Makeshift Urn, and We, the Creature.

Schedule and tickets will be on sale Friday, March 6th for single-day as well as two-day passes.

We’re looking for sponsors, vendors, and any entity that supports the heavy underground and all things psych, stoner, doom, sludge, and occult to reach out and be a part of our event and community.

Additionally, in anticipation for this year’s Descendants of Crom, there will be a DOC showcase held at Cattivo on Saturday, March 21st featuring bands that have all been part of the Descendants of Crom history. Urns, The Long Hunt, Horehound, Horesburner (WV), and Ironflame. This showcase is a taster of what sort of musicianship and energy that DOC brings to the stages.

Rritual event page: https://www.facebook.com/events/509381869977026/

https://www.facebook.com/DescendantsOfCrom/
www.instagram.com/descendantsofcrom/
https://www.facebook.com/events/437759083832580/
www.descendantsofcrom.com/Tickets.php
http://descendantsofcrom.com

Ruby the Hatchet, Live in Atlanta, GA, Dec. 5, 2019