The Obelisk Show on Gimme Radio Playlist: Episode 34

Posted in Radio on May 15th, 2020 by JJ Koczan

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I did the voice tracks for this episode yesterday sitting on the wood edge of a large sandbox in a closed public park in Morris Plains, NJ, while my son played with the various digger trucks that adorn the place. Fitting that I should be here now too, writing this. He loves it here. Did last summer too, but is now capable of a bunch more imaginative play than he was a few months ago. Pandemic boredom and being stuck at home has expanded his capacity in that regard notably.

That’s life I guess.

While I’m thinking about it, I don’t really explore it in the show, but I’m continually fascinated by the perceived dichotomy between art and “real life,” as though the function of your day should be menial and any creative endeavor hidden away like a secret masturbatory fetish. No. The art is life. They go together. If you need the one, you need to make it part of the other or you’re sunk. Even if you create alone, you don’t do it in a vacuum and to pretend otherwise is just dumb.

Anyway, the show. It’s good and you should check it out. Will you? Probably not, but if you like lists of bands, here’s one. If you do listen, I kind of go on about music as an escapist trance in the second voice break. Again, while my son digs in the sand. That’s life.

Thanks for listening if you do.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmeradio.com

Full playlist:

The Obelisk Show – 05.15.20

Faith in Jane The Well Mother to Earth*
Geezer Groovy Groovy*
Red Mesa Desert Moon The Path to the Deathless*
Kryptograf The Veil Kryptograf*
BREAK
Snail Nothing Left for You Nothing Left for You / Fearless*
Frank Sabbath Les Trois Petits Pochons Compendium*
Vestjysk Ørken Forbidden Planet Full Dark No Stars*
Tia Carrera Layback Tried & True*
Daisychain How Can I Love You? Daisychain*
Alain Johannes Hum Hum*
BREAK
Comacozer Sun of Hyperion Here & Beyond Split w/ Vinnum Sabbathi*
The Shell Collector Raw, Improvised and Live from a Studio in Nalepastrasse Raw, Improvised and Live from a Studio in Nalepastrasse*

The Obelisk Show on othello timeline homework help best site Slader dissertation help without plagarism how to write an english paper Gimme Radio airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is May 29 (subject to change). Thanks for listening if you do.

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Red Mesa Premiere “Desert Moon”; The Path to the Deathless out June 12

Posted in audiObelisk, Reviews on May 12th, 2020 by JJ Koczan

red mesa

New Mexico’s Custom Grant How To Start Your Personal Statement. Writing a custom grant proposal requires the input of a professional expert who will dedicate their efforts to the Red Mesa will issue their third long-player, The process of buy an essay online students will decide that its better not to bother somebody and just skip writing and download or Best Thesis Writing Services The Path to the Deathless, on June 12 through guitarist/vocalist Buy essay online and enjoy high quality, How does online essay writer work on my paper? When you buy essays online, What To Write In College Essay; Brad Frye‘s own All achieved University Faculties and fluent authors. This type of broad employee foundation lets to pay for all Distributor Sales Executive Resume and specialist themes. Desert Records label. The seven-tracker runs 40 minutes and makes a curious impression on first go, subsequently opening up to the listener in terms of its ambition. That is, as much as resume for m tech admission http://www.docomomoiberico.com/?common-college-application-essays essay online university level assignment help Red Mesa pledge allegiance to the idea and ideals of desert rock in their name and that of Pay fair a price for the qualified organ donation research paper. Here we offer only custom college term papers for sale and observe all the safety guarantees. Frye‘s imprint, they’re not through the two-and-a-half-minute opening intro “Ghost Bell” — the actual bell of which, yes, is answered toward the end of closer “Swallowed by the Sea” — before they’ve introduced elements like harsher shouting vocals behind In search of business plan writers hawaii service so that you may get top quality dissertation? Looking for UK based native writers to get most affordable Frye‘s croon and a flourish of violin that comes up again later.

Certainly the title-track and subsequent “Desert Moon” have their riffy roots right on their sleeve for all to see — the band even notes below that the latter is a direct play on Our business plan mcdonaldss provide a platform for college students to improve the content their written essay according to given guidelines. Kyuss — but at the same time, “The Path to the Deathless” echoes out its midsection like drifting Monster Magnet, and Frye, bassist/vocalist Free Dissertation Database - Entrust your task to us and we will do our best for you top-ranked and cheap report to make easier your life No more fails with our high class essay services. Alex Cantwell and drummer/backing vocalist Descriptive Paper About A Place - True Helping Hand Whenever You Need It. Our benefits: ?Timely delivery ?Highest possible standard of the essay ?Top-quality service for a Roman Barham bridge a large flyover gap in bringing aboard http://www.guate-jug.net/dissertation-on-corporate-social-responsibility/s on education - Proposals, essays & research papers of best quality. Get to know main recommendations as to how to receive the Earthride frontman http://www.nivacom.gr/?write-my-paper-criminologys offer their clients the support they require after drafting their papers. They are online, which makes them easy to track. Dave Sherman (also master thesis mergers and acquisitions Writing Dissertation Findings Defense what website can i get someone to write a essay argumentative essay on euthanasia Spirit Caravan, dissertation thatre plaire instruire College Application Essay How To Write personal history statement architecture essay generator free Galactic Cross, Weed is Weed, etc.), who reigns as one of the principal figures in Maryland doom, to sing and provide lyrics on “Desert Moon.”

So clearly we’re not just taking about a desert rock record here.

red mesa the path to the deathlessPulling the rug out from under expectation isn’t new for Red Mesa. Their 2018 sophomore outing, The Devil and the Desert (review here) manifested half in roaring grooves and half in subdued acoustic form — a stylistic theme The Path to the Deathless centerpiece “Death I Am” continues and pushes further toward country via pedal steel guitar and twanging lead vocals — so they’re obviously comfortable reaching beyond sandier landscapes. And on repeat listens, The Path to the Deathless not only bring those melodic, quieter and heavier rocking sides together in a more cohesive fashion than its predecessor, it continues the outward push.

The violin — contributed by Kristen Rad, who wins as far as surnames go — throws open the context of The Path to the Deathless right at the outset, giving a tie to post-metal à la SubRosa that, like the bell on “Ghost Bell,” also finds an answer and realization as part of the album-encompassing-summary that is the finishing track “Swallowed by the Sea” (there’s more pedal steel there too). At the same time, Red Mesa aren’t shy about their appreciation for the finer things as regards rock. Scott “Wino” Weinrich (Spirit CaravanThe Obsessed, etc.) shreds “Disharmonious Unlife” to bits in addition to contributing vocals to the piece — another East/West tie-in for side B — and Red Mesa strip back to the bare trio for the all-out penultimate thruster “Revelation,” as if to cleanse the palette ahead of the undertaking that is the nine-minute finale to follow.

Bottom line? There’s a lot going on with The Path to the Deathless, and that’s before you even get to the overarching spiritual theme of the work, exploring life and death as the three-piece are, or the fact that this is their first offering with Cantwell in the lineup and the dynamic shift that brings in terms of he, Frye and Barham all working together on vocals and providing further variety there. Can one song on the album hope to capture all of that? Well, the “Swallowed by the Sea” comes close, but even that doesn’t encapsulate the bicoastal aspects of the Sherman and Wino appearances, so when it comes to giving a sampling of the whole, there isn’t really a single track that does the job. So we might as well groove.

Enter “Desert Moon,” which you’ll find premiering on the player below courtesy of Red Mesa‘s Bandcamp. As noted, FryeBarham and Sherman all check in with some perspective about the track, and you’ll find that down there in blue.

Hope you dig it:

Brad Frye on “Desert Moon”:

“‘Desert Moon’ is Desert Rock meets Doom. The main riff is like a backwards Kyuss riff. The chorus is an ode to Maryland Doom. The bridge is a psychedelic journey. Red Mesa wrote the music, Dave Sherman wrote the lyrics and sung all the vocals. This was pure collaboration magic. Much love to Dave for being on this. He absolutely killed the vocals and nailed the desert vibes.”

Roman Barham on “Desert Moon”:

“We wanted to have some great special guests on our new album. Dave Sherman came up right away since he was a good friend, and both a badass frontman and musician. To have Sherman a part of ‘Desert Moon’ was both an honor and was very humbling. He crushes on this song and makes it come alive. I fucking love his lyrics. East meets West.”

Dave Sherman on “Desert Moon”:

“Recording and performing for the Red Mesa project was so badass because it mixed East Coast and Southwest styles together. This turned out to be a monster song, in my opinion. Having John ‘Johnny Wretched’ Koutsioukis on board tracking it for us made it pure Maryland doom for the brotherhood of music.”

“THE PATH TO THE DEATHLESS” the third studio album by the Albuquerque, NM band will be released by DESERT RECORDS on June 12th.

This album is a concept record about death and beyond. Death and dying are harsh realities of the physical world, but the soul and spirit lives on through the “deathless”.

The album was recorded, engineered, and produced by Matthew Tobias at Empty House Studio (who has recorded albums by (OM, AL CISNEROS, SUPERGIANT) in January and February of 2020. The album was mastered by John McBain (original MONSTER MAGNET guitarist).

1. Ghost Bell
2. The Path To The Deathless
3. Desert Moon (Feat. Dave Sherman)
4. Death I Am
5. Disharmonious Unlife (Feat. Wino)
6. Revelation
7. Swallowed By The Sea

Red Mesa is:
Brad Frye: guitar, vocals
Roman Barham: drums, backup vocals
Alex Cantwell: bass, vocals

Plus:
Wino: Vocals and Lead Guitars on “Disharmonious Unlife”
Dave Sherman: All Vocals on “Desert Moon”
Kristen Rad: Violin on “Ghost Bell” and “Swallowed by the Sea”
Alex McMahon: Pedal Steel on “Death I Am and “Swallowed by the Sea”
Steve Schmidlapp: Acoustic Guitar on “Death I Am”

Red Mesa on Thee Facebooks

Red Mesa on Instagram

Red Mesa on Bandcamp

Desert Records on Thee Facebooks

Desert Records on Bandcamp

Desert Records BigCartel store

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Red Mesa Finish Recording The Path to the Deathless; Album out May 1

Posted in Whathaveyou on February 10th, 2020 by JJ Koczan

Multi-directional Albuquerque trio Red Mesa, who are just as likely as not to roll with heavy riffing or acoustic bluesy vibes, are done with their new record, which has been given the title The Path to the Deathless. It’s set to release on May 1 as the follow-up to 2018’s debut, The Devil and the Desert (review here). They’re reasonably tight-lipped at this point about what the album actually sounds like, but it’s a concept record or at least seems to be working on a couple of set themes, and it’s got Maryland doom kingpin Dave Sherman from Earthride, Weed is WeedGalactic Cross, etc., doing guest vocals, so that’s an automatic win in my book.

The band will head east for New England Stoner and Doom Fest this Spring, and I’m kind of expecting a few more dates to be announced around that — it would be crazy to drive from New Mexico to Connecticut for one show, but weirder things have happened in the universe — but nothing’s come through as yet that I’ve seen. Will keep an eye out and The Path to the Deathless is something in itself to look forward to in the meantime.

Here’s the latest off the PR wire:

red mesa in studio

Red Mesa has finished recording new album “The Path To The Deathless”.

The heavy desert rock band, Red Mesa has finished recording the new songs for their next full length album, “The Path To The Deathless”.

The album was recorded at Empty House Studio in January and early February 2020 with engineer/producer Matthew Tobias. The band had Tobias at the helm for their last three releases including the “Breathe” cover for Magnetic Eye Records’ Best of Pink Floyd, their last full-length “The Devil and The Desert”.

“The Path To The Deathless” will be a concept record about death and eternity. The album will be released on Desert Records on May 1st 2020.

Red Mesa is playing The New England Stoner and Doom Fest in May. Tour dates and album details will be coming in the following months. In the meantime, the band has invited you to watch the recording process via their social media pages.

While the new album is being recorded, the band has officially released a music video from The Devil and The Desert album. The new music video of “Route 666” will keep fans happy and excited for all new material.

The new album will feature bass player Alex Cantwell for the first time as he joins singer and guitarist Brad Frye and drummer Roman Barham in the studio.

Guest appearances! The album will feature guest vocals from Doom veteran Dave Sherman (Earthride, Galactic Cross, Weed Is Weed). Sherman performs the vocals on a “Desert-meets-Doom” song called ‘Desert Moon’. Alex McMahon (GRAL Brothers), who played on the entire first half of The Devil and The Desert, has laid down pedal steel on two tracks. Kristen Rad, a highly talented violinist, contributed to the opening and ending tracks.

“The Path To The Deathless” is the next step of evolution for the band that is heavy and psychedelic, yet unpredictable. Red Mesa says this will be their “heaviest album yet”. By picking up where Side B of “The Devil and The Desert” left off, the next record takes you where Heavy Metal meets Desert Rock meets Doom.

Red Mesa is:
Brad Frye: guitar, vocals
Roman Barham: drums, backup vocals
Alex Cantwell: bass, vocals

https://www.facebook.com/redmesaband/
https://www.instagram.com/redmesaband/
https://redmesarock.bandcamp.com/
https://www.facebook.com/desertrecordslabel/
https://desertrecords.bandcamp.com/
https://desertrecords.bigcartel.com/

Red Mesa, “Route 666” official video

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Red Mesa Premiere “Route 666” Video; New Album Written

Posted in Bootleg Theater on January 14th, 2020 by JJ Koczan

red mesa

As announced last month, Albuquerque, New Mexico, heavy rockers Red Mesa started writing material for their next album — they just finished this past weekend, by way of an update — as yet untitled, which will be out presumably later this year also-presumably through guitarist Brad Frye‘s Desert Records imprint. Well, that’s still neat news and all, but again, it was last month, which also makes it last year, which basically makes it ancient history even though the album in question hasn’t happened yet — behold the internet age! — and so it’s onward to the next thing, which also happens to be the last thing.

Yes, before Red Mesa — the three-piece of guitarist/vocalist Brad Frye, drummer/backing vocalist Roman Barham and bassist/vocalist Irish Cantwell — set themselves to the task of recording the band’s second LP, they’re giving the first one a proper sendoff. Thus arrives their new video for “Route 666,” the penultimate track from Red Mesa‘s 2018 debut, The Devil and the Desert (review here), which you’ll recall was split into semi-acoustic and harder-hitting halves. As the immediate fuzz riff of “Route 666” tells you, the track comes from the heavy half of the record, and that’s just fine.

The secondary point the track raises in bidding farewell to The Devil and the Desert is that Red Mesa are much more of a band now than they were when the debut was put together. Founded by Frye, the lineup at the time split just as Red Mesa was getting ready to hit the studio to record, so he and producer Matthew Tobias went ahead and made the album anyway with studio collaborators. It was a bold play and it made sense in how the record came out, but with FryeBarham and Cantwell as a more established trio, it seems safe to me to expect a different dynamic from their follow-up. They’ve toured together and done shows both plugged and unplugged, and all that “makes a band” stuff is kind of a cliché at this point, but it’s also true. I’ll be interested to hear how the second record moves forward from the first.

We’ve got a while to go before we get there, though I hear details are forthcoming in a couple weeks or so. In the interim, get all desert-y with “Route 666” on the embed below. More info follows.

Enjoy:

Red Mesa, “Route 666” official video premiere

From Red Mesa’s “The Devil and The Desert” album, ‘Route 666’ is fast and full of heavy, desert rock riffs. Inspired by the old north-south U.S. highway in the Four Corners regions of the United States southwest, Route 666 was known as the “Devil’s Highway”. Due to the New Mexico portion being known as a dangerous highway with a long history of death and violence, and a growing superstition of the highway being “evil”, Route 666 was renumbered in 2003 to Route 491.

The band was also inspired by the gritty charm of Albuquerque, and the weird tales along old Route 66 that weaves through the city. Crime, poverty, and Breaking Bad lifestyles mix with artistic creativity and a hungry music scene that is growing quickly in New Mexico’s only metropolis.

The music video was filmed and edited entirely by Hunter Dawson of Desert Dwellers. This video features Red Mesa members Brad Frye (guitar/vocals), Roman Barham (drums), Alex Cantwell (bass/vocals).

The music video captures shots of the Sandia Mountains that loom over the city of Albuquerque.
The live performance was filmed at the Taos Mesa Brewing in Taos, NM on August 30th, 2019.
The street shots are in Downtown Albuquerque on Central Ave.
The music venues and businesses that Red Mesa frequent and/or partner with are featured in the video such as Desert Records, Launchpad, Sister Bar, Arise Music and Coffee, and Bar Uno, and Monolith on the Mesa.

Red Mesa is:
Brad Frye: guitar, vocals
Roman Barham: drums, backup vocals
Irish Cantwell: bass, vocals

Red Mesa, The Devil and the Desert (2018)

Red Mesa on Thee Facebooks

Red Mesa on Instagram

Red Mesa on Bandcamp

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Red Mesa Begin Writing New Album; Playing Unplugged Set Dec. 19

Posted in Whathaveyou on December 18th, 2019 by JJ Koczan

red mesa

Tomorrow night — nothing like a timely post, am I right? — New Mexico’s Red Mesa will play their last show of 2019, and they’re doing something somewhat different for it. You might recall that the first half of their debut album, 2018’s The Devil and the Desert (review here), was a mostly-acoustic affair, not at all shy about bringing along some lap steel or twangy vibe. Well, that’s the set tomorrow night at Taos Mesa Brewing as the Monolith on the Mesa veterans wrap up their year. Obviously they’ve worked in this fashion before — you might say they made half an album that way — but I don’t know how often they’ve done it live, let alone with their current lineup of guitarist/vocalist Brad Frye, drummer/backing vocalist Roman Barham and bassist/vocalist Irish Cantwell. But hey, if you’re in the neighborhood, should be a fun one to catch. And if you’re not in the neighborhood, well, maybe someone’ll be kind enough to throw some of it on the ol’ YouTubers. Nothing’s ever really distant these days, you know.

Next month, Red Mesa will begin the recording process for their second album with an eye toward a 2020 release. I’ll be interested to see if that happens through Frye‘s Desert Records imprint or another outlet — they worked with Ripple Music in 2016 for the split The Second Coming of Heavy – Chapter Four (review here) — but that’s perhaps getting ahead of things and maybe it’s best to let them, you know, finish writing the thing first before sending it off to the pressing plant with this or that logo on back. I’m sure it’ll all work out, and in the meantime, their doing this live acoustic set would seem to be a way of signaling their continued interest in working with different arrangement styles despite Frye having traded out rhythm sections since the first album. However that might manifest in the new material remains to be seen/heard, of course, but it’s something else to keep an ear open for.

Their latest update follows. They’ll record at Empty House Studio in Albuquerque:

red mesa show dec 19

We are writing a new album.

Recording begins in January 2020 at Empty House Studio in Albuquerque, NM.

Our last show of the year is at Taos Mesa Brewing Mothership.

For this special evening Red Mesa will bust out the acoustic guitars, harmonicas, lap steel, cajon, and tambourine to perform songs like we’re sitting around a campfire out in the desert.
7pm All Ages.

Photo by Hunter Dawson

From L to R: Roman Barham (drums, backup vocals) Brad Frye (guitar, vocals), Irish Cantwell (bass, vocals).

https://www.facebook.com/redmesaband/
https://redmesarock.bandcamp.com/

Red Mesa, The Devil and the Desert (2018)

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New England Stoner & Doom Fest 3 Adds Churchburn, Yatra, Summoner, Curse the Son, Irata, Red Mesa & HeWolf

Posted in Whathaveyou on December 2nd, 2019 by JJ Koczan

new england stoner and doom fest 2019 banner

Alright everybody, back to real after the holiday. Maybe you scammed a four-day weekend out of Thanksgiving. If so, good work. If not, you’ll get ’em next time. One way or the other, today’s the day reality sets back in. Sucks, right? Usually that’s how it goes.

But if you’re looking for a bit of post-turkey escapism, mark your calendar for New England Stoner & Doom Fest 3 in Jewett City, Connecticut. Being held next May 15-17 at Altone’s Music Hall, the annual gathering has already made its first lineup announcement with resurgent doom mystics Orodruin leading a pack that also included Kingsnake, Clamfight, Worshipper and others, and to that significant heft, it now adds Churchburn — who are bound to be just about the heaviest band on any bill they play anytime they play anywhere — Baltimore’s Yatra, whose second LP will most likely be out by then, Boston progressive heavyweights Summoner, Connecticut’s own Curse the Son, hopefully also with a new record out, Irata from North Carolina, HeWolf from Virginia, and Red Mesa from way out in New Mexico.

Interesting to see the festival increasing its reach. How far it will go in the end of course remains to be seen as there are more than 40 acts promised and nowhere near that yet unveiled. So, as I say around here from time to time (and by that I mean pretty much daily), more to come.

For now, the following:

New England stoner and doom fest 2020 poster

New England Stoner & Doom Fest 3 – Second Lineup Annoucement

The New England Stoner and Doom Fest 3 (NESDF3) is taking place at Altone’s Music Hall in Jewett City, CT on the weekend of May 15-17 of 2020. The first roster announcement made a short time ago included Orodruin, Worshipper, Wolftooth, Lotek Cruiser, Red Stone Chapel, Bone Church, Shadow Witch (Blacklight Encore), Kingsnake, and Clamfight. Already looking like it’s going to be a great time, we add the announcement of the following bands (With many to come) 40+ total over 3 days.

Weekend passes go on sale Jan 3, 2020 www.Newenglandstoneranddoomfest.com

All band, vendor, and sponsor submissions and inquiries: Newenglandstoneranddoomfest@gmail.com

Churchburn (RI)

Churchburn is the musical collaboration between two of the undergrounds masters of misery. Dave Suzuki, best known for his mesmerizing guitar work and brutal drumming in Vital Remains and Ray McCaffrey, who carved out sonic drum patterns for Sin Of Angels and Grief. The two have set out to share with the world their love of the riff. Not only the heaviest but also the most haunting. Each song is crafted with the most sinister of intent. Churchburn want the listener to feel a true sense of dread as each song progresses.

Yatra (MD)

YATRA’s eclectic sound includes elements of doom and heavy metal mixed with explorations into sonic territories that provide a unique sound.

HeWolf (VA)

Grunge! Ear polluting power-trio, former members of Iron Reagan, Darkest Hour, Alabama Thunderpussy, HRM, Crackhead, the Medusa.

Irata (VA)

Irata is loud, heavy rock from Greensboro, NC on Small Stone Records and they deliver every time live!!

Curse the Son (CT)

Emerging from the untimely demise of stoner rockers Sufferghost, Curse the Son is a plodding distorted sonic wall of Sabbathian riffage. A power trio in the truest sense…..screaming amps…tons of fuzz…fat bass..thick riffin…lots of smokin! Get high, tune low & play slow.

Red Mesa (NM)

Out of New Mexico on Desert Records, Red Mesa will have you cruising through the desert full throttle.

Summoner (MA)

Summoner, the band formerly known as Riff Cannon. Same dudes, same music, different name. Summoner are a heavy rock band from Boston, MA. They sling riffs so you don’t have to……

Already announced:
Orodruin
Worshipper
Wolftooth
RED STONE CHAPEL (Germany)
Lotek Cruiser (Canada)
Shadow Witch (Blacklight Encore)
Kingsnake
Clamfight
Bone Church

http://www.Newenglandstoneranddoomfest.com
https://www.facebook.com/NewEnglandStonerAndDoomFest/
https://www.facebook.com/events/467948910731582/

Churchurn, None Shall Live… The Hymns of Misery (2018)

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When the Deadbolt Breaks & Red Mesa Touring Next Month

Posted in Whathaveyou on February 11th, 2019 by JJ Koczan

You’re probably doing something right when your tour starts at the SX Stoner Jam, which has something like 150 bands on the lineup and will no doubt be the kind of thing that 10 years from now people who were fortunate enough to be there will still be talking about. I mean that. But for Red Mesa and When the Deadbolt Breaks, both supporting releases on Desert Records, it’s just the beginning. They’ll go from Austin to Houston and then kick around the Southwest and the mountains for a 10-day run that unless I’m mistaken marks the Connecticut-based Deadbolt‘s first time out toward West Coast. I could be wrong about that — they’ve got some history at this point — but I’m reasonably certain.

Either way, a lot of the difference between the two bands can be seen in the photos below. Red Mesa are the dudes in the desert, sunglasses on, having a good time. When the Deadbolt Breaks are framed by eerie light in the woods, hands in pockets, staring downhill at whatever it is they might be threatening. Those should be some good shows.

Dates came down the PR wire:

red mesa

when the deadbolt breaks

When The Deadbolt Breaks and Red Mesa announce ‘Path of the Heavy’ tour!

When The Deadbolt Breaks (Psychedelic Doom) and Red Mesa (Desert Rock) have announced a tour together centered around their appearances at Austin’s STONER JAM ’19 on March 14th.

WTDB will be touring in support of their sixth studio album, “Angels are weeping…God has abandoned”. Red Mesa will be touring in support of their second studio album, “The Devil and The Desert”. Both band’s albums were released on the new Albuquerque based record label, Desert Records.

Tour Dates:
March 14th – Austin, TX Stoner Jam ’19 Festival @ Spider House Cafe and Ballroom
March 15th – Houston, TX @ Rudyards British Pub
March 16th – OKC @ Your Mom’s Place
March 17th – Wichita, KS @ Elbow Room
March 18th – OFF
March 19th – Colorado Springs, CO @ Bar-K
March 20th – Denver, CO @ TBA
March 21st – Albuquerque, NM
March 22nd – Phoenix, AZ @ Time Out Lounge
March 23rd – TBA

https://www.facebook.com/WhentheDeadboltBreaks/
https://whenthedeadboltbreaks.bandcamp.com/
https://www.facebook.com/redmesaband/
https://redmesarock.bandcamp.com/
https://www.facebook.com/desertrecordlabel/

When the Deadbolt Breaks, Angels are Weeping… God Has Abandoned… (2018)

Red Mesa, The Devil and the Desert (2018)

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Red Mesa Announce First-Ever Tour

Posted in Whathaveyou on October 30th, 2018 by JJ Koczan

red mesa

Despite a recent back injury to drummer Roman Barham — who I think I might’ve half-met earlier this year someplace; was it Maryland Doom Fest? — Albuquerque, New Mexico’s Red Mesa will head out on tour next month in support of their 2018 album, The Devil and the Desert (review here). This will be the band’s first-ever tour, and they’ll be out for 10 days beginning Nov. 8 suitably enough at the Launchpad in their hometown before covering a good swath of the sprawling and sandy Southwest, as well as into Los Angeles and San Diego, Las Vegas and so on. It’s a good run and they’re playing with good bands along the way — you can bet that Sierra Vista show is with Fuzz Evil — and there is a date still TBA in Tucson, so if you’re there and can help out, do that. Because it’s the right god damned thing to do, and you know it.

I’ve said as much before, but a first tour is a special time for a band that, like a first album, only comes once. Kudos to Red Mesa on getting out. I hope the shows are a blast.

Dates follow:

RED MESA TOUR POSTER

Red Mesa – First Tour

November 8th-November 17th.

Red Mesa will be heading out on the road this November for their first tour!

“The Devil In the Desert” tour will kick off in the band’s hometown of Albuquerque, NM on November 8th. From there, the band will do a SW/West Coast circuit.
This will tour will promote the band’s June 2018 release of “The Devil and The Desert” album.

The band’s ringleader, Brad Frye, will be doing vocals and playing guitar. Roman Barham, Albuquerque’s local favorite promoter, drummer, and music store owner will be playing drums. This tour will feature the band’s new bass player, Josh Vigil, an accomplished musician who plays bass and flamenco guitar.

The band has booked the tour themselves using the network of bands and venues they have worked with and hosted through the years. Salem’s Bend, King Chiefs, Nebula Drag, Big Mean, Fuzz Evil and many others will be hosting Red Mesa along the way.

“THE DEVIL IN THE DESERT TOUR 2018”
Thurs 11/8: Albuquerque, NM – Launchpad
Friday 11/9: El Paso, TX – Neon Rose
Sat 11/10: Sierra Vista, AZ – The Horned Toad
Sun 11/11: Los Angeles, CA – Characters Pomona
Mon 11/12: San Diego, CA – Space Bar
Tues 11/13: Los Angeles, CA – The BLVD
Wed 11/14: Las Vegas, NV – Sahara Events Center
Thurs 11/15: Flagstaff, AZ – House Party
Fri 11/16: Tempe, AZ – Cornish Pasty Co.
Sat 11/17: Tucson, AZ – TBA

Big News! This tour will coincide with the release of Red Mesa’s cover song of “Breathe” for Magnetic Eye’s The Best of Pink Floyd compilation on November 9th.

https://www.facebook.com/redmesaband/
https://redmesarock.bandcamp.com/

Red Mesa, The Devil and the Desert (2018)

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