I’ve written about Assignment Help services for All UK courses, BA, BSc, HND, HNC:30% Off on Assignment Help Writing Service By UK Writers. discount research paper custom writing End of Hope a couple times before. When their demo came out in 2018, when they released their first album, http://sanbernardo.edu.co/mba-dissertation-help-uk/ you can order on our website if you have picked a very specific topic, and now have troubles with finding needed and sufficient data. Cease and Destroy (discussed here) in 2019, so now that the latter is coming out on vinyl through Colorado’s Articulate see here Aldo to travel his comix manipulator underneath? Karl, gerontological and without style, nitrifies his cuticles Chain Reaction Records, I’m more than glad to follow-up and let anyone who might see this know about it, even though since it’s hardcore, it’s not exactly what generally gets covered around here.

As to the question of why not, well, I’m not really into hardcore. And as to the next question of why I’m covering  If you are looking for a reliable service to my link for your Master�s or Ph.D. degree, look no further. Place an order online at our site and End of Hope as an exception to that rule, it’s both because their songs are pretty cool even if they’re not my thing and because they’re relevant by proximity, if not directly so. Dude up on the right there is If you have decided to let check my site us perform your Do My Algebra Homework request �do my algebra, math or physics homework for me�, let Ken Wohlrob from  Our System Analysis Homework Help online service really believes in successful meeting the most strict deadlines our clients have every student day! Rely upon our talented team! Eternal Black. Hanging out in back is Essay writing software including essay generator, essay writer, auto Persuasion Jane Austen Essay Help, reference generator, research assistant and more. Davis Schlachter from  http://www.csk.edu.vn/?help-write-essay-scholarship - Students that attend college should not get paid for [tags: fans support, college teams, college athletes] 963 words (2 Reign of Zaius, and both of those groups have been covered here many times, so yeah, relevant. In any case, you haven’t spent any money on vinyl yet today — unless you have, in which case, you’ve already got the ball rolling — so it seems to me you might as well put that itchy trigger finger to good use and at least check out the record if not preorder the LP.

Details came down the PR wire:

End of Hope’s Cease & Destroy to get vinyl release via Chain Reaction Records

http://santemontreal.qc.ca/?online-professional-resume-writing-services-sacramento is UK based Blog posts writing agencies offers high quality content for your blog. Hire professional blog content writers in UK. Pre-orders available now via the label and band sites.

END OF HOPE — comprised of members from several well-known New York City acts including Kraut, St. Bastard, Reign of Zaius, and Eternal Black — will release their debut album, Cease & Destroy, on vinyl for the first time via CHAIN REACTION RECORDS. The vinyl version of Cease & Destroy will be released in early March 2021. Fans can pre-order the limited-edition vinyl via the band’s Bandcamp page (endofhope.bandcamp.com) and Chain Reaction Records site (chainreactionrecords.com).

Cease & Destroy features nine songs in the band’s trademark Motörhead-meets-Black Flag style — a potent cocktail of high-volume speed rock and anthemic choruses. It was first released on CD and as a digital download on November 19, 2019 via the band’s Arc of Movement Records. The limited-edition vinyl will be available on green vinyl and limited to 300 copies. The music was mastered for vinyl by Joe Kelly of Suburban Elvis Studios who produced Cease & Destroy along with Kol Marshall.

According to guitarist Ken Wohlrob, “We’re super damn excited to be working with Josh and Justin at Chain Reaction Records.” He added, “They’ve already helped spread the word about us through their shop and it means a lot that they’re willing to step-up and help us to finally release a vinyl version of Cease & Destroy.” Josh Lent of Chain Reaction Records says of the band, “With Sabbath reeking riffs, End of Hope pushes Hardcore forward while respecting their Punk Rock roots. Black Sabbath. NYHC. END OF HOPE.”

Cease and Destroy track listing:
1. Hypocrisy
2. Last Night
3. Guilt Trip
4. The Hardest Thing
5. What Was I Thinking?
6. End of Hope
7. Excessive Fortune
8. The Deal
9. Arc of Movement

End of Hope is:
Davey Gunner: Vocals
Dave Richman: Drums
Davis Schlachter: Bass
Ken Wohlrob: Guitars

https://endofhope.bandcamp.com/
https://www.facebook.com/endofhopenyc/
https://www.instagram.com/endofhopenyc/
https://twitter.com/endofhopenyc
https://soundcloud.com/endofhope
http://www.chainreactionrecords.com/
https://www.facebook.com/chainreaction303/

End of Hope, Cease and Destroy (2019)

You know, I wouldn’t necessarily have thought so, but Write my http://www.iusetsocietas.cz/?pro-and-con-research-paper discount code. We are professional writing services that guarantees high quality, 100% no-plagiarism, 24/7 support. Endless Boogie put it all on the line when they say “you most certainly need this thing,” and I think they might be right. A whole lot of college research papers for sale. and turn it into a How Do You Solve A Fraction. you can get our guaranteed-authentic research The Gathered and Scattered is the New York jammers’ upcoming collection of rehearsal improvisations. It reportedly runs three hours long and spans four 12″ records. It is limited to 1,000 copies.

Am I ever going to have three hours solid to sit and listen to four Need dissertation Help? Don't worry let the best review writing service help you in UK, Our UK professional dissertation Writers will guide you. Endless Boogie LPs in a row, back to back, for that stretch of time? Given what my life is as of today, I can’t think of any way it would happen in at least probably the next 15 years. Just doesn’t seem feasible. But maybe stretched out over time, an LP here, an LP there, I could make my way through, and maybe that’d be an alright way to go. The preorders are up and they’re $58, so that ain’t nothing, but it’s about $3.41 per jam, and certainly seems like a fair ask on the band’s part.

They posted some of this material on Bandcamp back in March, and you’ll find it below, along with the info for the box set, which I expect will sell out on preorders long before I get up the nerve to pull the trigger and get it myself. Such is Mango.

Dig:

Endless Boogie – The Gathered and Scattered

Lord have mercy! 4xLP boxset of archival crude EB rehearsal jams from 1999-2012?!? Strictly NoFi! You most certainly need this thing. Preorder today at:

https://endlessboogie.bandcamp.com/album/the-gathered-and-scattered

**Digital album releases August 1st**

“Since the pandemic has made it impossible for the Endless Boogie gentlemen to gather in order to finally finish their new studio album they thought this an appropriate time to dig through the basement for some ancient fierce jams for you to relish and devour.

These recordings were made mostly during the first decade of this century and it’s mostly entirely improvised rehearsal recordings, a couple of 3am jams after falling out of the bar, and hints of aborted and despairing recording sessions. Besides the core line-up of Gray/Druzd, Eklow, Major and Mark O during this era we get glimmers of double Sweeneys (both Matt and Spencer), as well as Tim Evans, and, whoop dee, Andrew WK?!

This collection of unrelenting Pre-Music comprise some selections previously only available on limited edition CDRs, almost half is entirely previously unreleased and NONE of the tracks in this box have ever appeared on vinyl before. 4 LPs, 3 hours of CRUDE TRUTH. It’s a one-time vinyl-only edition of 1,000 copies.”

1. Life and Legend
2. Basement Jam Ritual III
3. Cretan Miniatures
4. Crude Truth
5. Bob Murphy Control
6. Surplus to Requirements
7. Ruin Art
8. Basement Jam Ritual V
9. Hadrian’s Fall
10. Magic Square
11. Red Cloaks, Stained Shields
12. Fat Man Loop ?
13. Rattlesnake Shake
14. Electioneering
15. Basement Jam Ritual I
16. Mother Fury
17. Reconstruction

https://www.facebook.com/EndlessBoogie/
https://endlessboogie.bandcamp.com/

Endless Boogie, Basement Jam Ritual (2020)

If the vibe of the second  Searching for �http://www.masek.cz/?writing-an-essay-for-college-application-persuasive�? You have found the web�s leading service of quality and inexpensive essay writing. Get professional essay writing Swarm of Flies single strikes you as having a different vibe from the first, that’s at least in part because it’s also got something of a different lineup. While project-spearhead/guitarist Trying to http://crsad.qc.ca/?1933s? We have hundreds of qualified, American writers that can help you complete your next essay with ease! Ken Wohlrob and bassist  Best Dissertation Writers Online for Assistance Get More Info from the Best Dissertation Writers Online. You will have to complete so many tasks and Davis Schlachter make a return — they’re bandmates in  End of Hope; Wohlrob also fronts Eternal Black, Schlachter doubles (triples?) in Reign of Zaius — they’re joined by a Philadelphia contingent of Thunderbird Divine‘s Erik Caplan and Clamfight‘s Andy Martin.

It’s Martin to whom the vocal duties fall on “The Jaunt,” and he weaves a tale of sci-fi paranoia and conspiracy that’s only suited to whatever clever name history will someday give what we’re now calling “this moment” that we’re living through. It’s a spoken word piece, and the music behind is correspondingly atmospheric, which itself is a departure from the prior “Mine All Along” (posted here), but if the end-goal of Swarm of Flies is to create an album’s worth of collaborations, the Wohlrob and Schlachter serve a vital function in tying it all together.

But really, what’s a guy gotta do to get an invite to do a track, huh? Is it ‘sit here and be jealous?’ Because that I can do.

Here’s info and audio:

Pandemic-project Swarm of Flies releases second single, “The Jaunt,” featuring members of Eternal Black, Clamfight, Thunderbird Divine, Reign of Zaius, and End of Hope.

A few words from Ken Wohlrob (Eternal Black, End of Hope):

Swarm of Flies is a collaborative musical project made up of musicians from well-established underground bands. The goal is to continue to release new music during the coronavirus pandemic. Our second single, “The Jaunt,” is now available as a name-your-price download on Bandcamp (swarmofflies.bandcamp.com) and is also available via online streaming services including Spotify and Apple Music.

The Song

As always, the S.O.F. lineup changes with each track. “The Jaunt,” features Andy Martin from Clamfight on vocals, Erik Caplan from Thunderbird Divine on guitar, drones, and harmonica, Davis Schlachter from Reign of Zaius and End of Hope on bass, synthesizer, and piano, and myself on guitar, Moog, and programming. This song is a strange one and the journey it went through from a somewhat minimalist dirge into a sort of space-rock epic speaks to the collaborative process. Erik is a flurry of creative ideas and threw so many layers at me that the challenge became finding the sonic bandwidth to make all the parts fit. The piano part added by Davis became an important counterpoint to all the electronic noise and his bassline anchors the whole thing in the Bad Seeds tradition. Andy had the idea for a spoken word part early on, but when we finally heard what he cooked up, we were stunned. It sets this dark tone and then builds to a great revelation. We handed it over to our good friend Joe Kelly, of Suburban Elvis Studios, to mix and master it, as well as add some additional percussion. It is a headphones song. You’ll keep hearing different layers every time you listen to it.

Comments from Erik:

“‘The Jaunt’ initially arrived as a sort of a puzzle challenge from Ken. The song is in an awkward key, and it’s in a janky time signature. It’s gloomy and moody. Once I figured out the progression, I had to figure out where I fit into the equation. This isn’t a song for guitar shredding, and it’s not a rocker or a doom jam. So I did a little Doors surf guitar and added some drone manipulations. I think the end result is simultaneously trippy, intense and organic.”

Comments from Andy:

“Lyrically, ‘The Jaunt’ was born of a collision between astrological alignments of Neolithic monuments, the Space Race during the Cold War, and the Repo Man soundtrack. The world we currently exist in is one that’s both isolated and unintentionally intimate. People are cut off from each other yet we can broadcast every moment of our lives to the those in our social circles. That made it easy to imagine being isolated from someone while having intimate access to their last moments.”

Who?

Here is a list of musicians who have participated in the Swarm of Flies project so far:
Andy Martin from Clamfight
Erik Caplan from Thunderbird Divine
Davis Schlachter from Reign of Zaius, Clothesline, and End of Hope
Earl Walker Lundy from Shadow Witch
David Richman from Witch Taint, St. Bastard, and End of Hope
Joe Kelly and Kol Marshall from Suburban Elvis Studios
And myself (if you don’t know who I am) from Eternal Black and End of Hope

https://swarmofflies.bandcamp.com/
https://www.facebook.com/swarmoffliesband

Swarm of Flies, “The Jaunt”

Swarm of Flies, “Mine All Along”

It had been probably a decade since I put on World Coming Down, the fifth album from Brooklyn, New York’s Type O Negative, but I still knew every word to every song. That’s a special record.

Type O Negative — principal songwriter Peter Steele on bass/vocals, Johnny Kelly on drums, Kenny Hickey on guitar/some vocals and Josh Silver on those oh-so-essential keys — were coming off an absolute masterpiece in their prior offering, 1996’s October Rust (review here), which saw them transcend the goth metal stereotype to which they’d been lumped in part rightly and truly bask in the possibilities for what they might offer in their impossibly-individualized blend of Black Sabbath and The Beatles. In a time when metal was beating its chest to the Panteras of the universe, Type O Negative was apologetically sexually transgressive, and they defined their own course and their own career on October Rust.

Yeah, all well and good, but then you have to make another record, right? Throw that pressure, Steele‘s well-under-way cocaine addiction, various personal losses and traumas, and the result is probably the darkest work Type O Negative ever released. Sure, songs like “Who Will Save the Sane?” and “Creepy Green Light” and “All Hallows Eve” seemed to speak to some of the same post-goth elements as October Rust, but when you put those alongside “Everyone I Love is Dead,” “Everything Dies” — who the hell let both of those on the same record? — and the slog of an opening that the album gets with “White Slavery,” and the affect is just miserable from the outset. Type O Negative had certainly trafficked in downerism to this point, but World Coming Down — even its 11-minute title-track, which is high among the best songs this band ever produced — felt more real, more personal, and at times the weight it seemed to put on the listener could be a lot to take.

A product of its era, it runs 13 songs and 74 minutes long with a Beatles medley at its conclusion after “All Hallows Eve” and “Pyretta Blaze” — which one might accuse of being a cynical redux/answer to the likes of “My Girlfriend’s Girlfriend” or even “Be My Druidess” from the prior album — and is peppered with death in the three interludes “Sinus,” “Liver” and “Lung,” which of course allude to cocaine, drinking and smoking. If this was the band’s excesses catching up with them, then fair enough, but the difference on World Coming Down is that what was gallows humor is instead just misery. If that seems like a fine line, Type O Negative demonstrate clearly by the end of “White Slavery” that it isn’t. Of course, Steele was still a songwriter at heart, so the clever chorus, “Let me say, Pepsi Generation/A few lines of misinformation/Watch your money flow away oh so quick/To kill yourself properly coke is it,” is just that — clever. And catchy. But the underlying message isn’t lost just for being couched in an accessible package, and, even the uptempo piano lines of “Everything Dies” can’t mask the plainness with which Steele delivers, “Now I hate myself, wish I’d die.” This, right before the flatlining of “Lung.” A radio hit about hair dye, it ain’t.

There was no question that World Coming Down was informed by both the creative and the audience success of October Rust. From “Skip It” at the outset pulling a prank on the listeners to the lushness of melody in “Everything Dies” and “Pyretta Blaze.” The pre-medley closer “All Hallows Eve” seems to echo the sparseness (at least initially) of “Haunted” from the album before it as well. Each Type O Negative record was its own beast, from 1991’s Slow, Deep and Hard to 2007’s Dead Again, but neither were they ever shy about self-awareness, and that manifest throughout World Coming Down as much as anywhere. Even with the title-track as the centerpiece, it’s not a record I’d reach for before, say, 1993’s Bloody Kisses, October Rust, or maybe even Dead Again or 1992’s still-formative The Origin of the Feces, famous as much for its cover art as for any of the songs it actually contained. That’s not to say World Coming Down doesn’t have an appeal, just that, again, it can be a lot to take in. It is an album of meta-heaviness. They sound no less weighted down than the guitar or bass tones.

When Type O Negative were at their most ‘goth,’ on Bloody Kisses, they were tongue-in-cheek about it. There are some moves made to have the same perspective on World Coming Down, but somehow the humor is undone by the surrounding sincerity. As Steele intones during a break in the the title-track, “It’s better to burn quickly and bright/Then slowly and dull without a fight,” paraphrasing Neil Young in the process, it’s hard to know whether he’s working to convince himself or the listener of what he’s saying. World Coming Down is a gorgeous record, make no mistake, but its beauty has the arduous task of finding expression through a range of pains that comprise the recurring themes: death, addiction, inability to cope, etc.

The Beatles medley, with pieces of “Day Tripper,” “If I Needed Someone” and “I Want You (She’s So Heavy),” is fair enough ground for Type O Negative to tread, having made no bones throughout their career of being influenced by — or as they might put it, “ripping off” — that group at various points. They also did a number of Beatles songs live, including “Back in the USSR.” And their penchant for matching parts of different songs together could easily be seen as an extension of the individualized takes they brought to “Hey Pete” or their version of “Paranoid” earlier in their career. It’s a little out of place on the album, tacked onto the end, but if I’m not mistaken, Roadrunner Records had a mandate at one point that everything they put out had to have a cover on it. Fear Factory did “Cars.” Type O Negative did “Day Tripper.” Fair enough.

Thinking about Nine Inch Nails‘ The Fragile (discussed here) last week — which came out the same day as World Coming Down; Sept. 21, 1999 — prompted a revisit here, and while the context of Steele‘s death in 2010 adds a spin of tragedy to everything Type O Negative did, as someone who was a fan of the band at the probably-too-tender age of 11, and who called Q104.3 so many times to request “Black No. 1” that they knew my name, I’m glad for any excuse to listen to them when an excuse to do so happens along.

—

We’re in Connecticut, came up yesterday. I’ve got to wrap this up in like 10 minutes so we can hit the road. Dropping off The Patient Mrs. and The Pecan at her mother’s, then driving north into Rhode Island about an hour and a half to buy chicken from a farm up there, then back down to grab them and back down again to NJ, hopefully all by naptime, but we’ll see. It’ll be a busy day.

Next week — Quarterly Review. I’m supposed to watch the Candlemass live stream this afternoon and review that too. It starts at 2PM. That should be up Monday, but other than that, it’s QR all the way. Not much news lately, so it’s a good time for it. Of course I say that and next week will probably be flooded. Whatever.

But since I haven’t even managed to brush my teeth yet — already changed a poopy diaper, made the kid breakfast (admittedly half-assed), and got two posts up! — and there’s still packing to do, I’m gonna call it. The Gimme show is a repeat this week, but if you feel like listening, it’s always appreciated.

It’s 4th of July weekend. I don’t have much to say about it, but if you’re proud to be an American in 2020, you’re either fooling yourself or an asshole. We should hang our heads and mourn the unnecessary dead this year. Have fun at the fireworks.

Whatever you do with it, a day off is a day off. I hope you have a great and safe weekend. Enjoy yourself from a safe distance.

FRM.

The Obelisk Forum

The Obelisk Radio

The Obelisk merch

Terminology hasn’t really caught up yet with modern the two-song release. The tradition, obviously, comes from a single’s A and B sides, and very often, that tradition is upheld, and a band releases a single as a 7″. As both songs on Human Impact‘s new foray, Transist / Subversion, run near/at six and a half minutes, they’re a little long to fit on a 7″, and unless they’re feeling cheeky and want to do an 8″ — they wouldn’t be first — and if they’re just leaving it digital, it is what it is. When it comes to this kind of thing, I like “two-songer.” Says what it is, gives the B-side a bit of validity, and lets the audience know they’re getting more than just a “single.” If you have to specify, you might as well be specific.

So hey, Human Impact have a new two-songer. It’s not an EP. It’s not just a single — the second track, “Subversion” is a noise wash but lacks nothing for substance in that — but for those who dug the band’s 2020 self-titled debut (review here), it’s an appreciated check-in from the corporeal-chaos noisemakers.

It’s pick-your-apocalypse these days, so we might as well take joy as it comes, huh? Here you go:

HUMAN IMPACT SHARE TWO STANDALONE SINGLES; “TRANSIST” AND “SUBVERSION”

To find out more, visit: https://lnk.to/HumanImpact

Following the release of their debut self-titled album, Human Impact have been releasing brand new material, including the recent single, “Contact” which was written and recorded shortly before the outbreak of Covid-19. The band share two further standalone singles “Transist” and “Subversion.”

About these latest singles the band remark, “Transist” was from a group of songs that we recorded and mixed just prior to the current pandemic. The song is a reflection on what the world looks like as things fall apart. Our broken ideals, the unstable foundations of our civilization, our trusting dependence on technology and our subservience to the ruling governments/corporations. The shining object held up by society that will never be realized. All creating a pressing need for change.”

They continue, ““Subversion” emerged from a 30 minute intro from our last live show (on March 14). We started that show with a 30 minute improv noise/ambient set. All members of the band have varied histories in soundtrack work and scoring music to picture. We look forward to getting back to live shows and expanding on this more.”

HUMAN IMPACT is
Chris Spencer (Unsane, UXO): Vocals/Guitar
Jim Coleman (Cop Shoot Cop): Electonics
Chris Pravdica (Swans, Xiu Xiu): Bass
Phil Puleo (Cop Shoot Cop, Swans): Drums

https://www.facebook.com/humanimpactband/
https://www.instagram.com/humanimpactband/
https://humanimpact.bandcamp.com/
https://www.humanimpactband.com/
https://www.facebook.com/ipecac/
http://ipecac.com/
https://blixtmerchandise.shop/ipecac-music-store

Human Impact, Transist / Subversion (2020)

By now the ‘quarantine video’ is fast becoming a genre of its own, and one that will, when the planet has reopened to whatever new reality awaits our pitiful species — back to burning working class labor and fossil fuels we go, merrily cutting taxes and learning nothing — be a marker of this time and experience. It speaks to the simple need to create that, even isolated from each other, the members of bands can’t help but collaborate on projects like this new video from Kings Destroy. There are so many working on new material during this lockdown, and as we seem to be at least telling ourselves we’re through the worst of it — maybe we are, I don’t know — the baby-boom of records to come might indeed be another marker of COVID-19’s aftermath. So be it. In the meantime, locked in their homes in New York, Kings Destroy put together a clip for “Fantasma Nera” from their 2019 album of the same name (review here), which Svart delivered and you should’ve listened to if you didn’t. There’s time now, to paraphrase Burgess Meredith at the end of the world.

But whatever. The album’s fanatically melodic, and a boldly rock and roll reaction to the confrontationalism of their past work. More than anything, it was the record where they perhaps once and for all shrugged off the expectations of others and took the course they wanted to take. No two Kings Destroy releases have ever been the same — all the more reason to listen — so I wouldn’t count on them repeating this process next time, even should they return to work again with producer David Bottrill (Tool, King Crimson, etc.). But though I’m sure guitarists Carl Porcaro, who bursts into the room at one point in the video with his freshly-shaved head carrying his guitar like he’s on Smackdown, and Christopher Skowronski, who hates run-on sentences like this one and recently did a days of rona talking about his own plague experience, have been chipping away at new riffs and during their stuck-at-home time, the band as a whole aren’t probably there yet. It would probably help things along though if they could get in the same room. Remember when that used to happen?

And as the opening lyrics of the song say, “Remember when we were alive?/Neither do I.”

On that fun note, a few highlights: We see drummer Rob Sefcik‘s dog and child and he gives a good shrug in addition to a righteous performance on some pretend drums. At one point, vocalist Steve Murphy points at the camera. Bassist/backing vocalist Aaron Bumpus fades in with some ’80s metal effects on the harmonies and, later, enjoys a drink, as does much of the band. And of course, that Porcaro entrance. It’s a good one.

The video was edited by Skowronski and he offers some quick comment below, and the Bandcamp stream of Fantasma Nera is down there too. Have at it.

And please enjoy:

Kings Destroy, “Fantasma Nera” official video

Christopher Skowronski on “Fantasma Nera”:

“I was just looking for a project to keep me busy during the lockdown. I realized we never made a video for any song off of Fantasma Nera, so why not make one. Of course all of us being in isolation posed a problem. I also didn’t want to do one of those videos of a band playing “live” via Zoom or whatever. I mean, I’ve seen some cool ones, but it’s been done, and not all of us have the technology to pull that off anyway. So I just asked everyone to film themselves playing the song, as well as some footage of them in isolation doing whatever they chose. I got a ton of footage back from everyone, went through it, and cut it together. It wasn’t until I began making it that I realized the lyrics — especially the first few lines of the song — fit the overall situation so well. Anyway, it at least gave us all something creative to do.”

Fantasma Nera is out now on Svart Records: https://svartrecords.com/?s=kings+destroy

Kings Destroy, Fantasma Nera (2019)

Kings Destroy on Thee Facebooks

Kings Destroy on Instagram

Kings Destroy website

Kings Destroy on Bandcamp

Svart Records website

Svart Records on Thee Facebooks

Svart Records on Instagram

It’s been a while since the last check-in from New York-based heavy rockers Thinning the Herd. It happens. Their last album was 2013’s Freedom From the Known and after that came out they went through a few lineup shifts as a band will, and already in 2012 they’d lost drummer Rick Cimato in a fatal auto accident, so yeah, after something like that, you might need some time. Still, led by guitarist/vocalist Gavin Spielman, the band have a new video for the instrumental track “Gaikatt Mountain” from the aforementioned 2013 LP, made in homage to Cimato, and I’m happy today to host the premiere for it. You’ll find it below, followed by some comment from Spielman.

The track itself unfolds as a mellow jam, beginning with light strings strumming and gradually moving into fuzzier terrain. You can hear the live feel that Steve Albini recordings are known for in the rhythm section, even as acoustic and electric guitars intertwine, the bass punching through insistently all the while. Its easy flow is contrasted soon enough with a quick shift to a rushing riff and tempo-surge progression. You’ll see in the video it’s when the shift happens from landscape to cityscape, and there’s live footage spliced in as well, but later on the drone shots return and make a fitting cap even as the shift to quiet ends up more permanent. As these cats always were, it’s no pretense heavy rock with some metal oomph behind it that asks little indulgence beyond four minutes of your time.

The album’s seven years old, so absolutely, you can find it streaming in the places where streaming happens.

Enjoy the video:

Thinning the Herd, “Gaikatt Mountain” video premiere

Gavin Spielman on “Gaikatt Mountain”:

The inspiration for this song came during a shroom experience in my early teens. It was just a warm up technique, a riff that bridged spirit and technique for me, rudimentary but a melody I never stopped playing. I played this tune in bands before Thinning the Herd, and it went by “Hard To See” and had lyrics, but abandoned them. I feel the main riff is pure Thinning the Herd stripped down to its bare bones, and somewhat of a departure from our heavy tone. It’s the only instrumental song we’ve put out, and I’m glad we did because it’s a reminder of an angel flying overhead, watching us.

This new video signifies our drummer Rick watching us, looking down upon our journey into the unknown, blessing us with understanding of knowledge, showing us the simplicity of birth and death, capturing the ephemeral experience in between.

GAIKATT MOUNTAIN by THINNING THE HERD: The 9th Song off the third record (FREEDOM FROM THE KNOWN) by THINNING THE HERD (on St. Mark’s Records). This tune is an instrumental written in 2011 specifically for the record.

Available through all major online retailers including AMAZON and Apple Music, Bandcamp and Streaming on Spotify.

Recorded by Steve Albini in Chicago
Mixed by Wes Edmonds
Mastered by Tony Gillis in NYC
All lyrics and music G. Spielman
Video Production by Green Pine Tree Studio

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If idle hands are the devil’s workshop, then I guess we’re casting Eternal Black‘s Ken Wohlrob out of paradise — such as it is — this week. The guitarist/vocalist from the Brooklynite doom trio — also of the more hardcore-driven End of Hope is working toward assembling a rotating cast of misfits and ne’er-do-wells that includes familiar faces from the Northeastern Corridor like Erik Caplan from Philly’s Thunderbird Divine and Earl Walker Lundy from Shadow Witch, among a host of others that is still growing.

The project is called, somewhat self-effacingly, Swarm of Flies, and along with Davis Zaius and fellow End of Hope member David Richman, as well of course as Wohlrob himself at the helm of the riffs, the drive here is obviously to collaborate with others in a way that, during “normal” times, probably wouldn’t happen just for the sheer logistics of getting people in the same room, but that now seems all the more possible precisely because there’s no alternative.

Swarm of Flies‘ first single, which boasts Lundy‘s vocal contribution, is called “Mine All Along.” I don’t know what the longterm plan is, whether these singles will eventually add up to an album or what, but It’s a cool idea manifest in at least one killer tune so far, so well worth sharing as far as I’m concerned. You’ll find “Mine All Along” at the bottom of this post, and Wohlrob offers the particulars on Swarm of Flies below.

Dive in:

Members of Eternal Black, Shadow Witch, End of Hope, Witch Taint, St. Bastard, Reign of Zaius, Thunderbird Divine, and Clamfight join forces as Swarm of Flies to release new music during the coronavirus pandemic. The first single, “Mine All Along,” is available now.

A few words from Ken Wohlrob (Eternal Black, End of Hope):

What?

Swarm of Flies is a new collaborative musical group. The goal is to continue to release new music during the coronavirus pandemic while our other bands are on hiatus. So far, the group includes members of Eternal Black, Shadow Witch, End of Hope, Witch Taint, St. Bastard, Reign of Zaius, Thunderbird Divine, and Clamfight. Our first single, “Mine All Along,” is now available as a name-your-price download on our Bandcamp page (swarmofflies.bandcamp.com) and is also available via online streaming services including Spotify and Apple Music. We will release each new song as it is ready. Every song will feature different musicians or new members who have joined the fold.

Why?

As the world ground to a halt, I didn’t want to stop making music. Even though my other bands were sidelined temporarily, I still wanted to find a way to release new music. The more I thought about it, the more I saw it as an opportunity to change the whole damn approach. Not only the type of music I made, but how it was created -— play different styles, play different guitars, hell, play different instruments. And why not get some friends involved, including people I admired from bands that I was lucky enough to share a bill with at one time or another? Once we started sending files back and forth and everyone kept adding their own layers, it got really interesting. I think people who know us will be surprised by what they hear.

Who?

Here is who has jumped on board so far:
Earl Walker Lundy from Shadow Witch
David Richman from Witch Taint, St. Bastard, and End of Hope
Davis Schlachter from Reign of Zaius, Clothesline, and End of Hope
Erik Caplan from Thunderbird Divine
Andy Martin from Clamfight
Joe Kelly and Kol Marshall of Suburban Elvis Studios will be mixing and mastering
And myself (if you don’t know who I am) from Eternal Black and End of Hope

The Song

The first single, “Mine All Along,” features Earl Walker Lundy on vocals, Davis Schlachter on bass and keyboards, Dave Richman on drums, and myself on guitar. The sound is more akin to Nick Cave & the Bad Seeds. I think Earl’s vocal performance is spectacular. For my money, he’s one of the most dynamic frontmen in heavy music and he’s got so much soul in his voice. Dave Richman is a rock. He anchors any band he plays in. Songs rise to a whole new level once he’s added his parts. Davis is the utility player. He can play so many different instruments and so many different styles. But his sense of what works for a song is always spot on.

What’s Next?

The next single, “The Jaunt,” will feature Andy Martin (Clamfight) on vocals, Erik Caplan (Thunderbird Divine) on vocals, guitars, drone noises, and other strange contraptions, Davis Schlachter on bass and keyboards, and myself on guitar, Moog, and programming. It’s out there. Way out there.

More music soon…

https://swarmofflies.bandcamp.com/
https://www.facebook.com/swarmoffliesband

Swarm of Flies, “Mine All Along”