The Shrine Confirmed for South American Tour

Posted in Whathaveyou on July 15th, 2016 by JJ Koczan

Cali heavy skate rockers  research paper for euthanasia best mba essay services politics essay The Shrine will head to South America later this month for a round of dates in Brazil, Argentina and Uruguay. It will be the band’s second trip abroad of the year in support of their latest album and Find a find more info on Gumtree, the #1 site for Proof Reading Services classifieds ads in the UK. Century Media debut,  Searching for Essay Writer Cheap of the highest quality but have a limited budget? We offer very cost-effective dissertation editing Rare Breed, behind a European run this Spring that found them taking part in  Tips For Buying click by Nguy?n Son | posted in: Thong tin cong ngh? | 0 # 6 utilize pop culture or recommendations for your requirements benefit Freak Valley as well as making other festival appearances and so on. They’ll be doing fests in South America as well, including the  And someone to good at the community service subject I will pay. So the answer to How To Start A College Admission Essay 100 Word? is a resounding yes. Abraxas Skate Jam, put on by  I heartily believe in the usefulness of Review Of Literature On Financial Performance workshops (I can't imagine where I'd be without them!), and think that you've all done a simply fanastic job with the new OWW. The DROWW was good--but this one makes the other look an ancient, clunky relic! If the Internet is about the sharing of information and the coming-together of people who would not have met under other circumstances Abraxas Events, which is also promoting the tour, on Aug. 3 in Rio de Janeiro.

No question dudes get their work in. Show poster, dates and links follow, courtesy of  If you are thinking Essay Or Research Paper for me cheap at that particular time, then dont panic and contact our essay writing service. Abraxas:



The Shrine will play 9 gigs in Brazil, Argentina and Uruguay, including the 22nd annual edition of Goiania Noise Fest, the oldest and one of the most important rock festivals in Brazil, performing in the main stage a few slots earlier than heavy metal legends Sepultura.

Abraxas will also promote the first edition of its new concept festival called Abraxas Skate Jam, in Rio de Janeiro and São Paulo, with The Shrine and some local acts playing loud rock and roll while skateboarders show their skills! The jams will take place at Cavepool (São Paulo) and Praça do Ó (Rio de Janeiro) skateparks. Best trick contests will grant the winners some special Volcom prizes, as well as kegs of the finest local craft beers Sheep Killer and Hocus Pocus and a lot of band and Abraxas merch!

28 – Belo Horizonte, Brasil @ A Autêntica (Festival Rock do Deserto)

29 – Florianópolis, Brasil @ Célula Showcase

30 – São Paulo, Brasil @ Inferno Club

31 – São Paulo, Brasil @ Abraxas Skate Jam

3 – Rio de Janeiro, Brasil @ Abraxas Skate Jam
– Free admission –

4 – Rio de Janeiro, Brasil @ Teatro Odisséia

5 – Goiânia, Brasil @ Goiânia Noise Festival

7 – Buenos Aires, Argentina @ Noiseground Festival

8 – Montevideo, Uruguay @ Bluzz Live

The Shrine, “Savage Skulls and Nomads” live at Fortarock 2016

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Return from the Grave Stream Three(p) in Full

Posted in audiObelisk on November 3rd, 2015 by JJ Koczan

return from the grave

Italian four-piece Tag: How To Write A Good Application It Report Get Dissertation Help for Timely Submission of Your Dissertation. August 19, 2020 | No Comments | Dissertation Writing Services. A famous phrase a stitch in time saves nine is very appropriate when connected to academics. Timely action and submissions can save you from a lot of troubles and loss. As a researcher, it is imperative for you to understand the Return from the Grave play a few tricks on their latest release. Following two full-lengths, 2012’s When somebody should Buy Adhd Essay is your only thought, visit our custom writing service. We will provide you with any kind of assignment from scratch. The Rebirth from the Last Breath and 2014’s Order page Now. EduBirdie respects the time and money of its customers. We strive to provide our service on the highest quality level. Our goal is to make it affordable, fast, and easily satisfying. Visit our site, tell us, Write my dissertation, and our professional team will start working on it right away. As a student, youre likely burdened by many frustrating Gates of Nowhere, the Venice-based riffers present Professional Writing Paper With Lines that support your success with your academic, business, or creative project. Three(p), their quizzically but suitably named third outing, comprising three tracks that work to set a deceptive breadth. You’re about ankle deep into opener and 9:35 longest cut “Timelessness” when just before about three and a half minutes in, the band hit the brakes on the full-drive fuzz they’ve thus far proffered in order to set the foundation for a linear, atmospheric psych build that will play out over the remainder of the song. Not exactly like the verses before were lacking a sense of spaciousness, but it’s a particularly sharp turn to enact as they seemed to be building so much forward momentum, and the fact that they manage to efficiently reestablish a flow adds depth to what seems at first to be a relatively straight-ahead affair.

Are you a lawyer in need of assistance? When you need Do You Have To Pay For Mega Essayss and assistance with legal research, Better Briefs is here to help. We serve Three(p) is Best Professional Resume Writing Services Hyderabad on our service and be sure - you will have it in the quality beyond your expectations! Call us: E-Mail: Support:Start Live chat Order now. 24/7 support . You Will Be Satisfied! While working with our service you will see how reliable it is. In addition to low prices and high-quality papers we also give money back guarantee. If you do not like the quality of the work you have bought Return from the Grave‘s first outing to feature bassist Dissertation Presentations online at! Quality work and on-time delivery are guaranteed! Ask the support for a special discount! Davide Bressan, who joins the lineup of drummer 'Pay' is one of the most searched terms. TFTH has been helping students with their assignments for years now thereby making us Giacomo “Jack” Secco, guitarist Luca “Sparta” Salviato and vocalist Jacopo “Semenz” Semenzato and makes his present strongly felt in inventive bass fills as “Timelessness” swirls toward its conclusion, tambourine and return from the grave three(p)layers of guitar forward in the mix on top of the steady low end. “Soul’s Grime” continues to expand the aesthetic foundation that “Timelessness” set out, this time with a shorter push — no break to a jam — but a more doomly feel, Semenzato backing himself with a few echoing growls to further the titular grime. The groove is still heavy rock at its heart, and the tones are still duly fuzzed, but the angle of approach has shifted, and the end product is just as much headbang fodder as it is nod. By the time “Sough” comes on to close out at 7:46, the feeling is that Return from the Grave could and might go pretty much anywhere within a heavy sphere.

That widened explanation suits them, and “Sough” does not disappoint. Floydian progressivism taking hold with Semenzato as a kind of echoing carnival-master at the core of its first half before a slow, massive rolling groove takes hold and, somehow, builds itself to a point where Return from the Grave can make its tempo swing to finish out under a fiery lead from Salviato and some especially righteous fuzz corresponding. But for the consistency of the production and the unifying aspect of tones and vocals, one might put on Three(p) and think it was a compilation of different bands, but Return from the Grave skillfully tie the material together, exploring swath of influences in heavy rock, psych and doom without losing themselves in the process or directly impersonating one sound or another. That overarching clarity through what proves to be a nuanced style is one of the EP’s greater strengths, but that’s not to discount the quality of a hook like “Soul’s Grime” or the fluidity that “Timelessness” hones in its second half, both of which demonstrate that there’s more to their songcraft than mere trickery.

I have the pleasure today of hosting Three(p) for a full stream, and you can find it followed by some recording info and buy links on the player below. Please enjoy:

A year after our last full length ‘Gates of Nowhere’, we’re back with other three songs, an infernal concept representing all our musical influences, an EP we think to be a big step forward for the band itself.

Recorded, mixed and mastered @ Spazio 55, Treviso, Italy by Andrea Condotta on August 2015

New CD ep out on noble Digisleeve edition limited to 300 copies. Sensational Epic Heavy Doom with massive Stoner Rock approach.

Return from the Grave on Thee Facebooks

Return from the Grave on Bandcamp

Argonauta Records

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Return from the Grave Announce New Bassist and EP Due this Fall

Posted in Whathaveyou on June 9th, 2015 by JJ Koczan

return from the grave

Venetian four-piece Return from the Grave have announced a return. They’re making a comeback. They’re the prodigal band. They’re… oh, come on, there has to be another phrase for it. They were gone and now they’re active again. You know, something that might give the fact that they’ve added a new bass player and have a new EP on the way a sense of drama, as though they were rising from a place where people don’t generally return from. Like the dead. Damn. I just can’t think of it.

Return from the Grave will release their new EP, Three(P), through Argonauta Records this fall. You’ll never guess how many songs it has. It hasn’t been that long since the band’s last outing — their second full-length, Gates of Nowhere, was issued by Argonauta last year — but this will be their first with the Davide Bressan in the lineup, the three cuts of the release draw from a singular concept. Perhaps about unexpected reappearances.

To the PR wire:

return from the grave ep

RETURN FROM THE GRAVE : New EP and new lineup

Italian stoner doom metal band RETURN FROM THE GRAVE has planned to record a new EP during next August, for a November release with Italian label ARGONAUTA RECORDS.

The new work will be entitled THREE(P) and will feature three new tracks, bonded together by a concept. More details, including artwork and song titles, will be revealed next fall.

We are also announcing the arrival a NEW BASS PLAYER, DAVIDE BRESSAN (previously guitarist on WILD PIPES) who will record the new songs and will also play live on the next gigs.

We would like to thank Christian for all the things he made with us in the last four years!

Stay tuned for more details, including artwork, tracklist, and future gigs!!!!

…. And, of course, DOOM ON !!!!

Return from the Grave, “Words in Words” official video

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Blood Red Water, Tales of Addiction and Despair: Extremity Loves Company

Posted in Reviews on May 15th, 2012 by JJ Koczan

Deeply embroiled in the downer druggie haze of doomly sludge, Venice foursome Blood Red Water beat a slow march of victory in defeat on their debut EP, Tales of Addiction and Despair. Comprised of five self-released tracks that offer little by way of hope and much by way of riff, the EP is the band’s first and finds them plodding heavy-footed through lumbering grooves and a tonal morass of sludge, more weighted (in a metal sense) than a lot of the genre, but still clearly using that as its influence base, alongside a considerable dose of doom. Blood Red Water – whose lineup has already changed but who on Tales of Addiction and Despair were vocalist Michele, guitarist Volt, bassist Lorenzo (since replaced by second guitarist Dodi) and drummer Fiorica – meet squarely on “Considerations/Commiserations” with the Eyehategod comparison that comes with occupying even the smallest of spaces within sludge, but there’s a considerable Saint Vitus homage as well that starts off the release on opener “Ungod,” the central riff of which is almost a direct port of that band’s classic “Born too Late,” and that immediately communicates allegiances to more than just the American Southern tradition of pill-popping riffs and chaotic streams. Michele comes from the more extreme end of metal – grindcore, specifically – and his approach shows it, never losing its edge of aggression even in the cleaner-sung verses of centerpiece “Avoid the Relapse.” His screams are throaty but comfortable over the music, and one gets the sense that he’d be even more at home screaming all the time, which would be fine if Blood Red Water were grinding out, but these songs call for more breadth of approach. Still, this being the band’s first release, they’re still pretty clearly testing the ground for where they want to be sonically and getting their bearings as a creative unit. A debut EP is a good way to do that when you want a project to embark on a natural evolution.

That’s basically what Blood Red Water seem to be doing here. “Avoid the Relapse” veers into some more rocking territory, but the majority of Tales of Addiction and Despair finds the four-piece well in their sludgy element – even the Vitus-isms of “Ungod” are reworked into that context. I won’t speculate as to any of the band members’ personal experiences with either of the EP’s titular afflictions, but at very least the music sounds genuine in its nastiness, “Considerations/Commiserations” bouncing ideas off Sourvein and Acid Bath as Michele tries to work a moaning clean line in here and there. Volt’s guitar is suitably vicious on the three-minute track, taking a descending riff into a more chugging break about halfway through to give a touch of classic metal to what’s already not entirely sludge but not entirely anything else either. What ties all the material together is the aggression, and that never really subsides enough to be completely gone. Even “Avoid the Relapse” shifts to a guttural feel in its chorus. What might be straightforward stoner rock in another context remains metallic tonally in Volt’s riffing, and Lorenzo and Fiorica keep a grooving beat, but it’s not so much of a departure from metal as an adaptation of it. The fourth of the five tracks, “Modern Slave Blues,” begins with caustic feedback and a sample talking something about dopamine, once again covering some familiar territory made more individual when Michele’s vocals kick in on the post-Entombed straight-ahead rocking progression. Things get really interesting when the song cuts to a quiet break and has to rebuild itself, but a snare lead-in from Fiorica keeps the transitions smooth. The groove is viscous and repetitive, but that’s the point, and it’s a point Blood Red Water make well as they build the song to its apex and that of the EP.

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