Belzebong and SÂVER Touring Together in March

Posted in Whathaveyou on January 8th, 2020 by JJ Koczan

belzebong

Saver (Photo by Mikkel Fykse Engelschion)

This is a combination of elements I’d expect to pay dividends for all involved parties except maybe the eardrums of those who happen to fall in the tour’s path. Polish stoner metallers Belzebong and Norwegian trio SÂVER find common ground in elements of sludge, but what they do with it is vastly different. For Belzebong it’s about that weed, those riffs, and your head, smoked-out and nodding. For SÂVER, the issue is more complex. Their groove is present and accounted for, but they bring aggro post-metal and atmospheric reach to go along with their crushing, and thereby expand the mind as much as bludgeon the skull in which it resides.

But one way or another, you’re doomed. No mistake.

The shows are presented by Sound of Liberation, who greet 2020 in loud fashion. Also love the “slowly presents” on the poster below. Cleverness always gets bonus points from me:

belzebong saver tour

BELZEBONG & SÂVER – “SMOKE OR DIE“ 2020 TOUR!

From all of us at the Sound of Liberation HQ, wishes for a heavy new year and, well, a whole decade! We hope Santa Claus found you in time, cause in our case he came a bit late, hung out for a smoke and left, leaving us however with this AWESOME poster!

Ladies and gents, we sloooowly present this mighty doom metal package:

BELZEBONG + very special guest SÂVER on the “SMOKE OR DIE“ 2020 TOUR!

Fill your lungs for evil weedian riffage from Polish doom summoners BelzebonG and devastating low-end tunes from our Norwegian post-miracle SÂVER. Let yourself drown in the sea of fuzz on one of these dates:

11.03. Košice, Collosseum Club Košice (SK)
12.03. Budapest, Dürer Kert (HU)
13.03. TBA
14.03. Bucharest, Soundart Festival (RO)
15.03. Cluj-Napoca, Flying Circus Cluj (RO)
16.03. TBA
17.03. Vienna, ARENA WIEN (AT)
18.03. TBA
19.03. Hamburg, Hafenklang (DE)
20.03. Drachten, Poppodium Iduna (NL)
21.03. Cologne, Helios37 (DE)
22.03. Brussels, Magasin 4 (BE)
23.03. Paris, The Backstage Paris (FR)
24.03. TBA
25.03. Munich, Feierwerk (DE)
26.03. TBA
27.03. Leipzig, UT Connewitz (DE)
28.03. Cottbus, Zum Faulen August, Cottbus (DE)

Belzebong is:
Cheesy dude
Sheepy dude
Alky dude
Hexy dude
Boogey dude

SÂVER is:
Markus Støle
Ole Ulvik Rokseth
Ole C Helstad

https://www.facebook.com/belzebong420/
https://www.instagram.com/belzebong420/
https://belzebong.bandcamp.com/

https://www.facebook.com/saveroslo/
https://saeverband.bandcamp.com/
http://www.pelagic-records.com/
http://www.facebook.com/pelagicrecords

Belzebong, Light the Dankness (2018)

SÂVER, They Came with Sunlight (2019)

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The Obelisk Show on Gimme Radio Playlist: Episode 26

Posted in Radio on January 3rd, 2020 by JJ Koczan

the obelisk show banner

Nothing says ‘welcome to a new year and new decade’ like playing a bunch of songs from the one that just ended, right? Right? I knew I should’ve gone into marketing.

Still, I wasn’t entirely satisfied with the lack of how much ground was left uncovered by last month’s edition of The Obelisk Show on Gimme Radio. It was an awesome playlist, which I’ll gladly say as the guy who made it, but two hours is just two hours. I could’ve easily gone 10. Dedicating another show to the cause, even just with one a month, seemed like a worthy endeavor. And so it was.

As I write this I’m still waiting to cut voice tracks, but you’ll notice there are only two breaks. I didn’t want to take the extra couple minutes away from music, so I thought one for each hour of the show was fair. Ain’t nobody listening for my “duh, this record’s good” level of insight, and I refuse to fool myself into thinking otherwise. But some of this stuff — Uncle Woe, Stones of Babylon — is new to me. Those two were just sent my way in the last week or so, and they’ll both be covered in the Quarterly Review next week — at least I think they will; should check that list — so I thought to get them a look here as well would be cool. You’ll also notice Zone Six was reviewed this morning. Trying to keep current, at least with myself.

But in with those of course are more 2019 essentials, and I won’t list them twice when you can just read the below. All of these (the newer-to-me stuff notwithstanding) were included in the Best of 2019 feature, so I was thinking of this a little bit as a complement to that. Either way, I hope you dig it.

The Obelisk Show airs 1PM today at http://gimmeradio.com

Thanks if you get to listen.

Here’s the full playlist:

The Obelisk Show – 01.03.20

Stones of Babylon Hanging Gardens Hanging Gardens*
Church of the Cosmic Skull Everybody’s Going to Die Everybody’s Going to Die*
Year of the Cobra Into the Fray Ash & Dust
Beastwars Raise the Sword IV
Solace The Light is a Lie The Brink*
Kings Destroy Dead Before Fantasma Nera
SÂVER How They Envisioned Life They Came with Sunlight
BREAK
Green Lung Let the Devil In Woodland Rites
Magic Circle I’ve Found My Way to Die Departed Souls
Spaceslug Half-Moon Burns Reign of the Orion*
Valley of the Sun All We Are Old Gods
Worshipper Coming Through Light in the Wire
Hazemaze Lobotomy Hymns of the Damned*
Uffe Lorenzen If You Have Ghosts If You Have Ghosts
BREAK
Uncle Woe Push the Blood Back In Our Unworn Limbs
Zone Six Song for Richie Kozmik Koon

The Obelisk Show on Gimme Radio airs every first Friday of the month at 1PM Eastern, with replays every Sunday at 7PM Eastern. Next show is Feb. 7. Thanks for checking it out if you do.

Gimme Radio website

The Obelisk on Thee Facebooks

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Desertfest Berlin 2020: First Lineup Announcement: Masters of Reality, Brant Bjork, C.O.C., Orange Goblin & More

Posted in Whathaveyou on September 30th, 2019 by JJ Koczan

desertfest berlin 2020 banner

I admit, I’m going to miss seeing the poster art for Desertfest Berlin 2019 around thee social medias, but if there’s one thing that eases that loss, it’s the poster art for Desertfest Berlin 2020. It’s like something out of a cel-shaded JRPG, but, you know, awesome, and an airship is always welcome as far as I’m concerned. Will this be the year I finally get my ass to Berlin? I’d be lying if I said that their having Masters of Reality — who’ll also be in London — on the bill wasn’t a significant draw in my head. I’d wonder if they won’t do New York as well, but they don’t do a lot of shows at all, so I’m not going to bank on that. Of course, having Corrosion of ConformityBrant BjorkOrange GoblinPapirMinami DeutschSÅVER, Earth Tongue and Dhidalah certainly doesn’t hurt the argument either, but it’s just the beginning of Spring fest-announcement season, and so there’s much more to get all giddy-hyperbole about to come in the next few months. Hell, they haven’t even held Desertfest Belgium yet.

Bottom line: expect this airship to circle around many more times before May 1.

From the PR wire:

desertfest berlin 2020 first poster

https://www.facebook.com/events/520164272080736/

MASTERS OF REALITY | CORROSION OF CONFORMITY | BRANT BJORK | ORANGE GOBLIN | MINAMI DEUTSCH | EARTH TONGUE | PAPIR | DHIDALAH | SÂVER confirmed for Desertfest Berlin 2020!!!

Tickets now on sale at: www.desertfest-tickets.de

Finally, we are thrilled to announce the first batch of (outstanding!) acts for our 9th edition, taking place at the ARENA BERLIN May 1st – 3rd 2020. You may not believe your eyes, but it’s a dream come true: Palm Desert scene icons, Masters Of Reality – Official, are finally playing Desertfest! Fronted by Chris Goss, renowned producer of legendary bands such as Kyuss, Queen of the Stone Age and many more, with their Black Sabbath-inspired sound MASTERS OF REALITY will take you on an unforgettable trip through the desert. A true milestone in the eclectic live history of Desertfest Berlin!

It’s been a dozen years since Southern Rock legends, Corrosion Of Conformity, would reunite with Pepper Keenan to blow the doors off the whole damn scene again. In 2014, after nearly a straight decade traversing the globe as a guitarist with New Orleans supergroup DOWN, Keenan reconnected with the core C.O.C. trio of Woody Weatherman, Mike Dean and Reed Mullin to hit the road hard. And the long wait is over, we will give them a warm and heavy rocking welcome in 2020!

The Godfather of Desert Rock, Brant Bjork, will return to the Desertfest Berlin stage and revive your spirit! Brant has spent over a quarter-century at the epicenter of Californian desert rock. From cutting his teeth alongside Fatso Jetson’s Mario Lalli in hardcore punkers De-Con to drumming and composing on Kyuss’ landmark early albums, to propelling the seminal fuzz of Fu Manchu from 1994-2001 while producing other bands, putting together offshoot projects like Ché, embarking on his solo career as a singer, guitarist and bandleader, founding his own record label and more, his history is a winding narrative of relentless, unflinching creativity. Expect timeless classics and a new album next Spring, and lay back to get into the groove with the one & only, Mr. BRANT BJORK live at the Arena Berlin!

Widely admired as one of the most ludicrously thunderous and entertaining live bands on the planet, longtime Desertfest comrades Orange Goblin, are on their unstoppable mission to bring us joyous, blood ’n’ thunder metal! With a steady stream of critically acclaimed albums that boldly and gleefully blurred the lines between stoner, doom, black, crust and southern rock, while always fervently saluting the old school heavy metal flag and the sacred Sabbathian code. 2020 will celebrate their 25th anniversary, still ORANGE GOBLIN is an inspiration, full of power and ready to unleash their thunder over Berlin!

Hailing from Japan, kraut rock masters Minami Deutsch have been finally confirmed for the Berlin edition of Desertfest! After their highly acclaimed show at Desertfest Belgium two years ago, desert festers in Berlin will be finally able to witness their unique, mesmerizing live performance. Kraut rock may be alive heavier than ever, but this Tokyo trio proves they are way more than just a revival act. Don’t miss this EXCLUSIVE show of the fantastic MINAMI DEUTSCH!

Sometimes music is supposed to feel weird and indescribable. It’s the moments of clarity within the dense, sonic mess that often feels the most satisfying. That’s the space that New Zealand prog-rockers Earth Tongue occupy. With their 2016- debut EP and a just released full-length album, these guys quickly became one of NZ’s most exciting underground live acts and it wasn’t long until they were playing alongside international touring bands like Red Fang, Beastwars or
Monolord. We are thrilled to welcome EARTH TONGUE live in 2020, taking us all on raw and fuzzy journey into psych-rock with a sound that weaves between melodic and jarring, with unexpected turns leaving us in a disoriented, euphoric haze.

Copenhagen trio, Papir, might be the ultimate expression of the Danish creative soul: distinctively modern, deceptively minimalistic, and stylish yet understated. A band of virtuoso musicians who move between psychedelic rock, jazz and krautrock seamlessly with the ability to hypnotize you at the Arena Berlin; PAPIR are the real deal for fans of bands alike Causa Sui, and could easily become the showboats of the scene!

Dhidalah burst into the fuzz rock scene in 2013, and has hailed from the Tokyo underground as a space rock power trio. The band name derives from the Japanese legend of the Giant Gods — known as the creaters of mountains, lakes and islands. DHIDALAH plays improvisational music performances inspired by various genres from stoner and doom to kraut rock. Give these Japanese Giant Gods a very warm welcome next Spring, when the Arena will be turned into a psychedelic wonderland!

Norway’s hottest underground act, SÂVER, is the new project of Ole Christian Helstad, Ole Ulvik Rokseth and Markus Støle of TOMBSTONES and HYMN. The band delivers an astounding sound of sublime heaviness, shimmering moogs, abrasive vocals and a devastating, gnarly bass. SÂVER’s tunes can be characterized by a strong component of apocalyptic synths and textural electronics hovering above the base of heavy guitars and bass – a mélange that works incredibly well, and has seen SÂVER rising up and being no longer just one of the world’s best kept music secrets!

Friends, we hope you enjoy this first round of bands as much as we do, with many more killer names to come. After last year’s changes of a new sound system, the “Black Box“, that many of you seem to appreciate, we will also again provide a lot more specials, space, and again a chill- and live zone on the ubercool Hoppetosse boat! Don’t miss THE fuzz rock party of the year, at the capitol of the almighty riffs: DESERTFEST BERLIN 2020 is ready to roll!

Tickets & more infos are now available at:
www.desertfest.de

https://www.facebook.com/events/520164272080736/
www.desertfest.de
www.facebook.com/DesertfestBerlin
www.instagram.com/desertfest_berlin

Masters of Reality, “Dreamtime Stomp”

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SÂVER Announce October European Tour Dates

Posted in Whathaveyou on August 23rd, 2019 by JJ Koczan

Saver (Photo by Mikkel Fykse Engelschion)

You know, I get why they didn’t, because the band has a direct relation to the festival itself and that’s always awkward because it’s not like you want to book your own band twice in a row, but there’s a big part of me just the same that wishes SÂVER were playing Høstsabbat in their native Oslo again this year. And it’s a selfish part. I’d heard their debut album, They Came with Sunlight (review here), before I saw them there last October, but I feel like I know the record much better now, and so would the rest of the crowd. And now there’s the news that basically right after the fest, the three-piece are taking off on a tour that starts on a run with Høstsabbat headliners Ufomammut, so really, one way or another, it would make sense to find them once again on that festival bill. Maybe I’ll get lucky and they’ll get brought over for Desertfest New York next September.

I count They Came with Sunlight pretty high on the list of the year’s best debuts so far, and there have been more than a couple of winners in that regard. If you haven’t heard it — and I know you have, but just roll with me — it’s down below in full, courtesy of Pelagic Records on Bandcamp. The band, also among the last confirmations at Desertfest Belgium, will play there as well as Into the Void in the Netherlands and alongside the soon-to-be-legendary SteakElephant Tree and Lo-Pan tour in Germany.

They posted the dates as follows:

SÂVER tour

We are touring Europe in October!

Stoked to join UFOMAMMUT, BONGRIPPER, Lo-Pan, Elephant Tree, Steak and more.

See you on the road!

Thanx to Hartwien Stein for the killer poster.

DATES:
08.10.19 – On the Rocks, Helsinki (FIN) – w/ Ufomammut
09.10.19 – Von Krahl, Tallin (EE) – w/ Ufomammut
10.10.19 – Melna Piektdiena, Riga (LV)- w/ Ufomammut
11.10.19 – Narauti, Vilnius (LN) – w/ Ufomammut
12.10.19 – Hydrozagadka, Warsaw (PL) – w/ Ufomammut
13.10.19 – Zet Pe Te, Krakow (PL) – w/ Ufomammut
15.10.19 – Peter-Weiss-Haus, Rostock (DE)
16.10.19 – Loppen, Copenhagen (DK) – w/ Bongripper
17.10.19 – Zollkantine, Bremen (DE) – w/ Lo-Pan, Elephant Tree, Steak
18.10.19 – TBC
19.10.19 – Neushoorn, Leeuwarden (NL) – Into The Void Fest
20.10.19 – Trix, Antwerp (BE) – Desertfest
24.10.19 – John Dee, Oslo (NO) – w/ Sibiir

SÂVER is:
Markus Støle
Ole Ulvik Rokseth
Ole C Helstad

https://www.facebook.com/saveroslo/
https://saeverband.bandcamp.com/
http://www.pelagic-records.com/
http://www.facebook.com/pelagicrecords

SÂVER, They Came with Sunlight (2019)

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Desertfest Belgium 2019 Completes Lineup; SÂVER, Crowhurst & Bismut Added

Posted in Whathaveyou on August 22nd, 2019 by JJ Koczan

desertfest belgium 2019 banner

From Sleep, Ty Segall and Zeal & Ardor to Swan Valley Heights, Lucy in Blue and Ungraven, the Desertfest Belgium 2019 lineup is now complete. The final three additions are Oslo sludge destroyers SÂVER, a special drone set from Crowhurst and Dutch instrumentalists Bismut, who between them emphasize what would seem to have been the point of Desertfest Belgium 2019 all along, which is that there’s all kinds of heavy out there and it’s all welcome in Antwerp. That a lineup should be so diverse in sound and still universally definable one way or the other as “heavy” is an impressive point to make, frankly, and whether that was a conscious thing on the part of the people putting the festival together or just how it all kind of worked out, seeing Nebula and Inter Arma and Yatra and Fireball Ministry all sharing space is only a boon to those lucky enough to actually do so.

Here’s the last announcement from the fest:

desertfest belgium 2019 final poster

Last Tickets! DFBE 2019 Line-up now complete

As the last Friday tickets are going out the door, you all are probably left wondering what names will complete this year’s festival line-up. So let us fill you in on the final acts:

With an impossibly extensive release catalogue, Jay Gambit has turned his collaborative project Crowhurst into a firm cult favorite. At this year’s Desertfest he will present us with a special drone set. Misanthropic extreme metal at its finest, let’s see if you all have the stomach for this…

On a lighter note, Bismut from Holland have made a name for themselves with energetic instrumental jam workouts. A heavy trio that works tight as a clockwork – a perfect fit for the Desertfest crowd we should think! And last but not least, SÂVER made a splash this year with their debut album ‘They Came With Sunlight’. Hypnotic post-doom veering between melody and brutality.

Like we said: the festival is nearly sold out, and could very well be full by the time you read this. Some day tickets for Friday is all we have left, but that’s still a quality line-up so you might as well consider it! Otherwise, please watch out for ticket scalpers – purchase safely.

And to all of you who already have their ticket in the pocket and nothing left to fear: YES! We are counting the days just as eagerly as you are! This year’s gonna be EPIC…

http://www.desertfest.be/tickets
https://www.facebook.com/desertfestbelgium/
https://www.facebook.com/events/2260579413999993/

SÂVER, They Came with Sunlight (2019)

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The Obelisk Show on Gimme Radio Recap: Episode 18

Posted in Radio on June 24th, 2019 by JJ Koczan

the obelisk show banner

Before I get started, I want to say thanks to Mark Kitchens from Stone Machine Electric for the artwork above. He did the platypus design and I added the blue background and yellow text kind of thinking it would be like one of those old title cards from David Letterman or something. I love it, so yeah. Thanks, Mark.

Like the prior episode, this one was themed around a playlist of some of the best of 2019 so far. I actually didn’t get to hear the whole show because I was at Maryland Doom Fest this past weekend, but I did check in on it while doing other stuff in Frederick. One way or the other, the playlist starts with Holy Grove and has Yawning ManMagic CircleDuelNebulaRoadsawEarth and Across Tundras on it, so you know it’s going to be killer. Really, the only thing I’d have listened for was to make sure I didn’t ruin it with my own derpy derp derp.

I wanted to include some lesser-known stuff here too, so check out the Cosmic Fall, SÂVEREaldor Bealu and Mount Saturn tracks if you haven’t, and that Centrum at the end I really dig a lot. Hell, the whole thing is great. You really can’t go wrong when your operating theme is “stuff that’s awesome.”

Thanks if you got to check it out.

Here’s the full playlist:

The Obelisk Show – 06.21.19

Holy Grove Valley of the Mystics Holy Grove II 0:10:37
Duel Drifting Alone Valley of Shadows 0:04:27
The Well Death Song Death and Consolation 0:04:48
BREAK
Across Tundras The Rugged Ranges of Curbs & Broken Minds The Rugged Ranges of Curbs & Broken Minds 0:06:58
Yawning Man I Make Weird Choices Macedonian Lines 0:07:21
Cosmic Fall Lackland Lackland 0:08:32
Lamp of the Universe Rite of the Spheres Align in the Fourth Dimension 0:05:12
SÂVER Dissolve to Ashes They Came with Sunlight 0:07:43
Atala Upon the Altar The Bearer of Light 0:06:06
Magic Circle I’ve Found My Way to Die Departed Souls 0:05:11
BREAK
Mount Saturn Idol Hands Kiss the Ring 0:04:11
Nebula Man’s Best Friend Holy Shit 0:04:56
Ruff Majik Seasoning the Witch Tårn 0:06:31
Earth An Unnatural Carousel Full Upon Her Burning Lips 0:06:51
Ealdor Bealu Smoke Signals Spirit of the Lonely Places 0:07:32
BREAK
Roadsaw Under the Devil’s Thumb Tinnitus the Night 0:03:54
Centrum Sjön För Meditation 0:08:39

The Obelisk Show on Gimme Radio airs every other Friday at 1PM Eastern, with replays every Sunday at 7PM Eastern. Next show is July 5. Thanks for listening if you do.

Gimme Radio website

The Obelisk on Thee Facebooks

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Review & Video Premiere: SÂVER, They Came with Sunlight

Posted in audiObelisk, Reviews on February 19th, 2019 by JJ Koczan

saver they came with sunlight

[Click play above to play ‘Dissolve to Ashes’ from SÂVER’s debut album, They Came with Sunlight. Album is out March 8 on Pelagic Records.]

They Came with Sunlight isn’t just the first full-length from Oslo three-piece SÂVER, it’s their first offering of any kind as a band. Released through Pelagic Records, it runs a punishing and atmospheric 51 minutes through six tracks of extreme and densely atmospheric sludge that, despite being so dig into the dirt, nonetheless maintains a progressive spirit in both composition and presentation. That SÂVER would know what they’re doing shouldn’t necessarily be a surprise, though, as the members are all pretty well familiar with each other. Markus Støle (drums) and Ole C. Helstad (bass) shared tenure in the also-crushing Tombstones before Støle and guitarist/vocalist Ole Ulvik Rokseth put out an album as the duo Hymn in 2017. As SÂVER brings together all three parties, the new group unquestionably benefits from that familiarity. In nuanced moments like the far-back shouts that offset the chugging central riff of lead single “I, Vanish,” or the maddening tension cast as “How They Envisioned Life” crosses its halfway point, they demonstrate a clearheadedness to their approach and a dynamic that’s new in this form but well established sounding.

They put it to use, primarily, to punish everyone and everything in their path. With opener “Distant Path” (11:03) and closer “Altered Light” (12:34) bookending They Came with Sunlight as its two longest inclusions and the first of them exploding to life after more than 90 seconds of quiet tension-building, SÂVER quickly put the challenge to the listener. Rokseth‘s vocals enter over massively weighted tonality like Neurosis at their most belligerent, and the intensity is striking particularly in the context of the band having just spent over a minute and a half with quiet amp noise setting up the suckerpunch of that first jolt. Patience and intensity, working together toward an end of extreme atmospheric purpose. It is brutal, and gorgeous as well, as “Distant Path” hits its late slowdown in excruciating feedback and lumber, devolving to noise as “I, Vanish” immediately jolts into its prog-metal-style chug.

Rest assured, I don’t mean gorgeous like floaty post-rock guitars or warm low end. SÂVER‘s craft is no less greyscale and freezing than their promo photo, but there’s a beauty to that as well, and “I, Vanish” reminds of the hard edges and distinct angles of brutalist architecture once brought to bear sonically by Meshuggah, though the three-piece never lose their central groove on “I, Vanish” or elsewhere in the name of rhythmic experimentation. Still, that mechanized churning finds its footing in the seven-minute track and is joined by an overwhelming push of screams and crashing drums, a version of noise methodical but still feeling chaotic before it drops to the drums and bass in the midsection in order, presumably, to catch its breath before the next assault. When that comes, it’s shouts that lead the way back into the central riff, which in turn gives way to mountainous low end and crash and screams at the finish, a full assault of volume through which the guitar is still able to cut with a lead line that seems to pull up just as everything else ends.

Saver (Photo by Mikkel Fykse Engelschion)

Since the first half of the tracklist runs from longest song to shortest and the second half from shortest to longest, one might call it a ‘U’ shape, but the linear motion of the 5:55 “Influx” is pivotal anyway. Essentially a soundscape, it gradually builds from an initial drone to crashes that are a whole different shape of punishment, essentially leaving the listener waiting for a payoff that, given the runtime, it’s obvious isn’t coming. That’s a play, of course, but even the fact that SÂVER would be bold enough to use six minutes of atmospherics for such a purpose speaks to the intent at work behind They Came with Sunlight. When the second half of the album opens with “How they Envisioned Life,” it does so at their slowest pace yet, and the crawl only makes their sound that much more malevolent. There’s a chug-and-hold modus at work, but it doesn’t matter, because by the time they’re past halfway through, the level of violence is so high whatever they’re doing it’s all directed toward that end. With “Dissolve to Ashes” and “Altered Light” still to come, I won’t call it an apex for the album, but just before “How They Envisioned Life” hits its sixth minute, there’s a kind of last shove before it starts to fracture en route to the slowdown that ends it, and it so clearly conveys the idea of total human exertion — that moment when a person has pushed out their last breath and has to double-over from the effort — that it’s hard to think of it in any other way.

Accordingly, “Dissolve to Ashes” couldn’t possibly be better timed. With a line of effects/keys/something woven through, the penultimate inclusion starts relatively mellow and stays that way for some time, delivering the album’s title line as its opening lyric in the first non-harsh vocals of the outing. There’s madness to come, rest assured, and it is all the more a cacophony for that quiet moment preceding — the power of contrast — but even that later barrage is indicative of the control SÂVER exert over their material and the willful nature of their conjuring. With just “Altered Light” as the finale and longest track, They Came with Sunlight ends on perhaps its most ambitious note and after quiet/loud trades, it is once more the tension that seems to be at the core of what they’re doing. After a long stretch of bass and drums at the outset, the guitar picks up to lead the way into the first heavier section, with screams cutting through as the song passes its halfway point, and there’s a receding after seven minutes in as SÂVER regroup for the last movement.

There’s a surge of volume, sure enough, but it’s restrained compared to some of the others throughout, and instead, at about 10 minutes in, the three-piece introduce a winding chug that will carry them out. They top it with shouts and screams, but it’s the tension that ultimately holds sway, not a payoff, and they end cold, as if the dead silence after was no less an element at their disposal than the guitar, bass and drums. As I’ve been writing this review, I’ve had to go back and check how many times I’ve used the word “excruciating” for the level of cruelty with which SÂVER execute their grim, concrete vision, but it’s worth emphasizing that They Came with Sunlight offers more than just noise or aggression for their own sake. There is a conscious underpinning at work and as these three players take on this new progression, even at its beginning stages, the potential is writ large across the devastated landscape they convey.

SÂVER, “I, Vanish” official video

SÂVER on Thee Facebooks

Pelagic Records website

Pelagic Records on Thee Facebooks

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The Obelisk Show on Gimme Radio Recap: Episode 10

Posted in Radio on February 18th, 2019 by JJ Koczan

gimme radio logo

Yeah, this episode was cool except for the goober hosting it. I recorded the voice breaks pretty early in the day on Friday, and I don’t know if I wasn’t awake or what, but I just couldn’t get it together. I think I did the middle break in two takes and that was about as good as it got. I’d still like to go back and get another shot at the opening one. And by the time I actually got to the end of the show, I was so damned afraid of screwing it up again that I basically sprinted for the stop button to finish recording. They can’t all be gold, I guess.

The good news is the playlist itself was awesome. As I tried repeatedly and failed to explain during the show itself, this episode wound up being a pretty vast international swath of acts, and that was something that just happened out of the blue. I didn’t even realize it until afterward. Sweden, Greece, the US, Italy, Norway, Australia, Germany. It’s a broad mix of stuff from a variety of places, and I like that. it’s a lot of new music and I like that too. Really, it’s just the sound of my own voice I could do without. Ha.

I’ll get ’em next time, or something.

Playlist follows. Thanks for reading and/or listening.

The Obelisk Show – 02.17.19

Warp Out of My Life Warp*
Automaton Talos Awakens TALOS*
The Munsens Dirge (For Those to Come) Unhanded*
BREAK
Vokonis Grasping Time Grasping Time*
Terras Paralelas Bom Presságio Entre Dois Mundos*
The Pilgrim Peace of Mind Walking into the Forest*
SÂVER I, Vanish They Came with Sunlight*
REZN Quantum Being Calm Black Water*
BREAK
Colour Haze Love Colour Haze
Aver Disorder Orbis Majora*
Troll Legend Master, Book I: Proverbs of Hell Legend Master*
BREAK
Mammoth Weed Wizard Bastard The Spaceships of Ezekiel Yn Ol I Anwnn*
Monovine Throw Me a Bone D.Y.E.*
Demon Head The Night is Yours Hellfire Ocean Void*
Old Mexico Past the Western Wall Old Mexico*

The Obelisk Show on Gimme Radio airs every other Sunday night at 7PM Eastern, with replays the following Tuesday at 9AM. Next show is March 3. Thanks for listening if you do.

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