Monarch Post “Face to Face” Video; Release Enough’s Enough: Live at Steel Mill

Posted in Bootleg Theater on June 22nd, 2020 by JJ Koczan

monarch

This February, San Diego’s You won’t have to spend much time searching for answers to your most pressing questions about the manner we work, when you ask us if we can “I Need Help Writing A Essay.” You may have the idea that you can only gain assistance from AccountingAssistanceHelp.net if you need financial accounting homework help. Monarch announced their first-ever European tour dates. The San Diego-based band would’ve just been the latest export from their hometown’s enviable — and envied — heavy psychedelic underground scene, and they would’ve headed abroad supporting their 2019 offering, Get Free Algebra Help from Expert Online Tutor. Join our Online Tutoring, Avail from Basic to Dissertation Cid Corneille and Gain a Complete Learning over Algebra. Beyond the Blue Sky (review here), which of course was their second album through Denmark’s Finding it difficult to correct your dissertation as per the feedback? Contact us today to avail our basics to get the correction El Paraiso Records behind 2017’s  We provide http://alromeh-telecom.com/dev/?do-my-homework-for-me-for-frees in India at affordable rates to remove any grammatical or spelling mistakes. Request a quote and avail for our Two Isles (review here). As part of that run, they would have taken part in  my links: Over 180,000 Helping Others Essays, Helping Others Term Papers, Helping Others Research Paper, Book Reports. 184 990 ESSAYS, term Tube Cult Festival in Italy, Sinclair Broadcast Group - Best Homework Music (10805) - Nashville - Make your mark in Broadcasting and Digital Media. - Hire A Hero Desertfest in London, and I know I was looking forward to seeing them at Buy the best dissertation proposal writing services online at RMEssays that offers custom Dissertation Argumentation Directe Ou Indirectes and help in UK, US and Australia. Esbjerg Fuzztival in Denmark, where they’d have shared the stage with their label heads in It is hard to confess to yourself that you have no understanding of CPM, let alone confessing to somebody else. Even with, you will spend a lot of time on it. The easiest option is to use an online service that will do your find more info for you. It means that you save time, your pride will not suffer, and you will get a good grade for your homework. Causa Sui and others.

Those plans, naturally, went the way of everyone’s plans for anything in the first half of 2020, and though  help with writing artist essay introduction http://www.uk-officesupplies.com/essay-website/ books help sat essay cheapest essays online Monarch are currently listed as taking part in Finland’s Order dissertations and have one of the best custom Order Dissertation Copiess. We have experienced dissertation writers from every field Sonic Rites Festival on Oct. 30-31 and may have more tour dates surfacing around that, monarch enoughs enough live at steel millit was still one of the multitudes of the bummers of this past Spring to see their tour come apart. So. It. Goes.

As civil unrest across the United States has not-inappropriately taken precedent over the that pesky pandemic (that just because it’s not the top story anymore has stubbornly not stopped killing people), go site - Enjoy the benefits of professional custom writing assistance available here receive a 100% authentic, plagiarism-free Monarch have chosen to take part in raising funds for Black Lives Matter by posting the new four-song live performance titled simply http://home.advanced-online.com/resource-assignment-in-project-management/ uk 3 paragraph essay about love term paper about youtube need someone write my paper homework help wales homework help holt algebra 1 Enough’s Enough: Live at Steel Mill recorded in San Diego at Resume Writing For High School Students Ppt - Entrust your dissertation to qualified writers working in the company Let specialists accomplish their responsibilities: get the Steel Mill Coffee, which is owned by pro skaters Alpha Medical School Admissions Essayss provides you the best in class, plagiarism free and value for money reports at your convenient time from expert writers. Riley Hawk and Almighty Italianizing who digs impressionist? row Title Research Paper of Bradly typing, his supervised hacker meditatively driven. Sonnie Shea Cooper.  Hawk also took part in filming the new video for “Face to Face” that you can see below. The song is more recent even than Beyond the Blue Sky, so Enough’s Enough is a chance to get a sneak peak at the next stage in Monarch‘s evolution, but to hear live versions of “Assent” from Two Isles and “Pangea” and “Felo De Se” from the second record, supporting a good cause with good prog. You can’t really go wrong there.

I don’t know Monarch‘s plans for their next record, if anyone’s daring to plan for anything at this point, but “Face to Face” is a most welcome eight minutes of prog-psych escapism, further distinguishing Monarch‘s personality as a band among the classic minded vibemakers from the City in Motion.

Video and stream both follow below. 100 percent of the $20 for the live album download goes to Black Lives Matter.

Enjoy:

Monarch, “Face to Face” official video

Been a while since we’ve made any noise here but today we break our silence! Announcing the release of a new live recording “ Enough’s Enough “ Live Steel Mill Coffee paired alongside a video for our newest song “ Face to Face”….

This release is available on our bandcamp – https://monarch4.bandcamp.com/album/enoughs-enough-live-at-steel-mill paired with a limited run of t-shirts w/art done by @hartchaseman.

100% of proceeds from the record & shirts will be donated to Black Lives Matter in the fight against racial injustice and police brutality ! Huge shout out to @rileyhawk @justsomedude @paconertz for the camera work, enjoy!

Filmed by : Jacob Nunez, Riley Hawk, Lannie Rhoades
Edited by : Jacob Nunez
Mixed by : Dominic Denholm
Mastered by : Mike Tholen

Monarch is:
Dominic Denholm – Guitar/Vocals
Thomas Dibenedetto – Guitar
James Upton – Guitar
Matt Weiss – Bass
Andrew Ware – Drums

Monarch, Enough’s Enough: Live at Steel Mill (2020)

Monarch on Thee Facebooks

Monarch on Instagram

Monarch on Bandcamp

El Paraiso Records website

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King Gorm Premiere “Beyond Black Rainbow” Video from Self-Titled Debut

Posted in Bootleg Theater, Reviews on June 17th, 2020 by JJ Koczan

king gorm

San Diego’s King Gorm will issue their self-titled debut album on July 31. “Beyond Black Rainbow” is the first single from the record, which runs a tidy nine cuts and 38 minutes, primed for a classic-style LP issue either at the behest of the band or some adventurous imprint that might pick them up subsequent to the initial self-release. At the forefront in the band creatively is guitarist/vocalist Francis Roberts whose particular take on classic progressive heavy rock is recognizable here from his other outfit, Old Man Wizard, though King Gorm are distinguished particularly through their use of harmonized vocals care of organist/synthesist Saki Chan and drummer Dylan Marks — the band is completed by bassist Erich Beckmann — as well as the prominent organ work of Chan running alongside the galloping riffs of songs like “Freedom Calls,” “Beyond Black Rainbow” and the penultimate “Slaughter the King,” the latter of which might be the most direct dogwhistle of the group’s abiding influence from Ritchie Blackmore‘s style of proto-NWOBHM riffing in Rainbow. To go with these rushing pieces, the band also offers broader-reaching cuts like “Four Heroes” on side A and “The Witch of Irondale” on side B, as well as the distinctive centerpiece “Song from Brighter Days” that rounds out the first half of the record following the quiet interlude “Irondale Burning.”

The band take their name from a Danish king who ruled from 936-958 and was known as “Gorm the Languid” or “Gorm the Old,” and the album follows a plotline around Irondale at least to some loose degree. The opening “Intro” that feeds king gorm self titledinto “Freedom Calls,” as well as “Irondale Burning” and the concluding instrumental “Ultimate Reality” all add to an atmosphere that stands in league with the medieval theme further bolstered in the lyrics. Roberts, who is no stranger to a theatrical presentation as a member of pirate-folk-metallers The Dread Crew of Oddwood, works well as a storyteller here, though the songs do more than simply describe the narrative, and from the outset with “Freedom Calls” picking up from the intro, individual pieces find ways to stand out while balancing classical European folk, progressive rock and proto-metal along the way. This, coupled with the four-piece’s glam-style image gives King Gorm a peculiar niche to occupy, but being superficially weird only suits them all the more since their songwriting is so precise and the performances as captured on their debut so assured of their purpose. As a record, King Gorm is dynamic and broad-reaching, engaging with melody and its narrative, and as a debut, it holds particular promise of future tales to be told. As the verse of “Freedom Calls” puts it, “Irondale — our return was foretold by the stars/A hero’s born, delivered by the fire and the sword.” An auspicious beginning, indeed.

While perhaps King Gorm‘s legend has yet to be written, the potential for intertwining folk and prog and early metal as demonstrated in “Song from Brighter Days” or in “The Witch of Irondale” speaks to the drive toward individualism at root in the band’s persona. Those listening who might be less familiar with Roberts‘ prior work might find some likeness in his approach with Ghost or perhaps Opeth‘s Mikael Åkerfeldt, and I don’t think that’s coincidence, but what comes across most of all in these songs — the narrative aside — is that individuality, and that proves to be just one among the reasons for the album’s ultimate success.

You can see the video for “Beyond Black Rainbow” premiering below, directed by Reece Miller. Preorders for King Gorm‘s King Gorm are available through Bandcamp.

Enjoy:

King Gorm, “Beyond Black Rainbow” official video premiere

Official music video for the song “Beyond Black Rainbow” from California rock band KING GORM’s debut album.

https://kinggorm.bandcamp.com/

Filmed and edited by Reece Miller

Music and Lyrics by Francis Roberts

Guitar, Vocals – Francis Roberts
Bass Guitar – Erich Beckmann
Drums, Vocals – Dylan Marks
Organ, Synth, Vocals – Saki Chan

King Gorm on Thee Facebooks

King Gorm on Instagram

King Gorm on Bandcamp

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King Gorm to Release Self-Titled Debut July 31; “Beyond Black Rainbow” Streaming Now

Posted in Whathaveyou on May 26th, 2020 by JJ Koczan

king gorm

Those who’ve followed guitarist/vocalist Francis Roberts‘ work in Old Man Wizard or the pirate-themed Dread Crew of Oddwood should have some notion of what to expect from the relatively new outfit King Gorm, but the vibe — not to mention the band — is different across the latter’s impending self-titled debut, which is set to release July 31. The San Diego-based troupe dig into classic heavy progressive rock with a deft and masterful hand, retaining an air of cultistry without proving any more cartoonish than they intend. A track from the record, “Beyond Black Rainbow,” proves the point nicely, but is just a snippet of the band’s organ-heavy, weirdo-friendly wares. I’ll hope to have more to come on this one ahead of its arrival.

Until then, the PR wire brings ample backstory and info:

king gorm self titled

King Gorm release new single “Beyond Black Rainbow”

San Diego throwback rockers KING GORM have just released their new single “Beyond Black Rainbow” via their Bandcamp. The song is recommended for fans of Rainbow and Deep Purple.

Listen to the song here: https://kinggorm.bandcamp.com/track/beyond-black-rainbow-2

From King Gorm, releases July 31, 2020.

Some bands often claim they are ‘taking it back to the days of old’, but in King Gorm’s case it is quite literal. Much like their namesake – a Danish ruler from the 900s – the San Diego collective focus on telling bard-like tales, though updated in the form of classic rock. Their self-titled dĂŠbut album is a bold first step, reinventing familiarity by taking the legends of old and putting a modern spin on them.

Across the record, the listener bears witness to Hammond organs and screaming guitar solos duking it out, while bass lines and frantic drumming run like madmen underneath. The freshness of this music can be attributed to numerous factors, one of which being that it was recorded live from the floor (with only vocal overdubs), thus the chemistry of the musicianship shines through such as on “Four Heroes”. The band are also unafraid to go exploring, resulting in tracks like “The Witch of Irondale”, which swings from insistent prog rock to proto-doom in its 7-minute duration, or “Slaughter the King” and “Ultimate Reality”, two songs showcasing the wild nature of the band’s live show.

So which legends’ names are heard echoing within the album’s walls? Ritchie Blackmore figures prominently, not least for his fantasy-driven lyrics and powerful rock riffing (especially during Deep Purple and Dio-era Rainbow days). Elements of Led Zeppelin (the dragons and wizards-driven “Song From Brighter Days”) and Pink Floyd also float to the surface, such as in mastermind Francis Roberts’ soothing bard-like voice (which, for a latterday reference, also bears comparison with Motorpsycho or Arjen Lucassen). But this is more than an homage – there is a real sense of taking this music to places where those bands did not reach, reshaping it in exciting ways.

King Gorm is the sound of a band who may be relatively new to each other, but certainly not new to the game. With their combined experience in an eclectic mixture of bands like Old Man Wizard, Dread Crew of Oddwood, Kirby’s Dream Band, Beekeeper, Eukaryst, White Wizzard and others), there is no shred of doubt that these four can and have put together a top-notch rock n’ roll record that is bound to capture both classic rock and fantasy fans alike.

Track listing:
1.Intro
2. Freedom Calls
3. Four Heroes
4. Irondale Burning
5. Song From Brighter Days
6. Beyond Black Rainbow
7. The Witch of Irondale
8. Slaughter the King
9. Ultimate Reality

King Gorm are:
Francis Roberts – electric guitar, vocals, music & lyrics (Old Man Wizard, ex-Dread Crew of Oddwood)
Erich Beckmann – bass guitar (Kirby’s Dream Band, Grim Luck)
Dylan Marks – drums, percussion, vocals (Beekeeper, Fermentor)
Saki Chan – Hammond organ, ARP Odyssey, mellotron, vocals

https://www.facebook.com/king.gorm.usa/
https://www.instagram.com/king.gorm/
https://kinggorm.bandcamp.com/

King Gorm, King Gorm (2020)

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Monarch Announce First-Ever European Tour

Posted in Whathaveyou on February 20th, 2020 by JJ Koczan

monarch

San Diego classic heavy rock pastoralists Monarch were already announced as taking part in Desertfest London and Esbjerg Fuzztival, so a tour was suspected, but it’s nice to have confirmation that, indeed, that’s the plan. The five-piece will go abroad for the first time while supporting their second album, Beyond the Blue Sky (review here), which came out last August on El Paraiso Records. The final date of the run is the aforementioned Esbjerg Fuzztival in Denmark, where they’ll join fellow San Diegans Sacri Monti as well as El Paraiso label heads Causa Sui on the bill, rounding out the tour on what would seem to be a planned high note. It’s a month-long stretch, so as an initial incursion abroad it’s not unambitious, but I have a hard time imagining they won’t find welcome in all corners.

Tour is presented by Ya Ya Yeah Booking and El Paraiso. Here’s the band’s announcement:

MONARCH TOUR

Very excited to announce our maiden voyage across the pond this upcoming spring! More dates TBA. Thanks to Ya Ya Yeah and El Paraiso Records for helping us make this happen! See you soon Europe…

09 APR FR Le Havre Mc Daid’s
10 APR FR Clermont-Ferrand Raymond Bar
11 APR BE Liege Insert Name Festival #6
12 APR DE Kusel Willkommen im Dschungel
14 APR DE Aachen The Wild Rover Irish Pub
15 APR PL Poznan Klub u Bazyla
16 APR PL Gdansk GAK Plama
17 APR DE Berlin Zukunft am Ostkreuz HEADZ UP
18 APR PL Cracow Warsztat
19 APR PL Warsaw Potok : Drugi Dom Ludzi Rocka
21 APR DE Dresden Chemiefabrik
24 APR IT Sezzadio Cascina Bellaria Music Club
25 APR IT Pescara Tube Cult Fest
26 APR IT Treviso Krach Club
28 APR FR Troyes The Message
29 APR FR Nantes La Scène Michelet
02 MAY NL Zwolle Eureka Zwolle
03 MAY UK London Desertfest London
04 MAY UK Bournemouth Anvil Rockbar Bournemouth
05 MAY FR Rouen Le 3 Pièces Muzik’Club
06 MAY FR Dijon MondoFuzz
07 MAY FR Paris La Pointe Lafayette
09 MAY DK Esbjerg Esbjerg Fuzztival

Monarch is:
Dominic Denholm – Guitar/Vocals
Thomas Dibenedetto – Guitar
James Upton – Guitar
Matt Weiss – Bass
Andrew Ware – Drums

https://www.facebook.com/monarchbrothers/
https://www.instagram.com/mon_arch_bros/
https://monarch4.bandcamp.com/
https://www.facebook.com/elparaisorecords/
https://www.instagram.com/elparaisorecords/
https://elparaisorecords.com/shop
https://www.yayayeahmusic.pt/

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Great Electric Quest to Release Live at Freak Valley March 27

Posted in Whathaveyou on February 4th, 2020 by JJ Koczan

great electric quest

I’m not usually the type to go in on a release on the basis of one song, but let’s face it, Great Electric Quest covering Deep Purple‘s “Highway Star” could hardly be more appropriate. And they nail it as they wrap their set on Live at Freak Valley. Well established across their two studio full-lengths as being rad in the long-running West Coast tradition of heavy rock radness, the four-piece took to European stages last summer and included a stop at the Siegen, Germany-based festival that was captured and will see issue through Ripple Music on March 27. The cover isn’t streaming yet, if it will at all in advance of the release, but they’ve got “Seeker of the Flame,” taken from 2018’s Chapter II: Of Earth (review here), available to check out down below and it gives a pretty good sense of the energy they bring to the stage.

Never having had the pleasure myself, I’m nonetheless aware of the reputation for bombast Great Electric Quest have when it comes to performing live. It’s not hard to imagine them climbing amps and going all-in for this one as you listen.

From the PR wire:

great electric quest live at freak valley

GREAT ELECTRIC QUEST share details for upcoming “Live At Freak Valley” album on Ripple Music!

The mighty rock’n’roll crusaders have returned! After touring extensively in North America and Europe, San Diego’s one and only GREAT ELECTRIC QUEST return with their blazing hot “Live From Freak Valley” album this March 27th on Ripple Music. Listen to a first excerpt now!

With “Live At Freak Valley”, GREAT ELECTRIC QUEST are about to establish their mighty reign over the heavy rock underground for good. If headbanging to their first two albums “Chapter I” and “Chapter II” wasn’t enough, you are about to experience the exhilarating force of their live shows through this absolutely must-have live record. Clocking in at one full hour, the band delivers with maestria those epic vocals, high-flying solos, proto-metal grooves and jam-laden turnarounds they are known for: electricity instantly fills the air while the crowd jubilates… You’ve just been thunderstruck by the sheer awesomeness of Rock’n’Roll’s saviours GREAT ELECTRIC QUEST.

Guitarist Buddy Donner comments: “Ahhhhhhhh yeah! Freak Valley Festival 2019 was the absolute highlight of our three-month “Beer Wars Tour”. Journeying from the west coast of North America to Canada and all over Europe, nothing topped the vibe at Freak Valley Festival in Netphen, Germany. A sold-out gathering of 2500 people, but it felt like everyone knew each other. One massive Rock’n’Roll Family. It was an honor to share the stage with Corrosion of Conformity, Wolfmother, Brant Bjork, Dead Lord, DeWolff and so many more. We are quite excited to release a live version of our performance at this event, and most honored to be releasing this with the mighty Ripple Music! It’s been a long time coming!”

GREAT ELECTRIC QUEST “Live At Freak Valley” Out March 27th on Ripple Music

TRACK LISTING:
1. In The Flesh
2. Seeker Of The Flame
3. Of Earth Part I
4. Of Earth Part II
5. Of Earth Part III
6. Victim Of Changes
7. The Madness
8. Heart Of The Son
9. Wicked Hands
10. Highway Star (Deep Purple cover)

GREAT ELECTRIC QUEST is
Tyler “T-Sweat” Dingvell – Vocals
Buddy Donner – Guitar
Daniel “MuchoDrums” Velasco – Drums
Jared Bliss – Bass

https://www.facebook.com/electricquest/
https://electricquest.bandcamp.com/
http://greatelectricquest.bigcartel.com/
https://www.facebook.com/theripplemusic/
https://ripplemusic.bandcamp.com/
https://www.ripple-music.com/

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Sacri Monti Announce UK & European Tour Dates with More to Come

Posted in Whathaveyou on January 27th, 2020 by JJ Koczan

sacri monti

So I guess Sacri Monti just kind of live in Europe now? Don’t get me wrong, I get the appeal. But the ostensibly San Diego-based band have kept their focus when it comes to touring decidedly on the other side of the Atlantic, and they’ll be there for more than a month solid this Spring as they continue to support last year’s right-on Waiting Room for the Magic Hour (review here), so yeah, at some point don’t you legally establish residency? Have to wonder where taxes are cheaper.

There are dates to fill in and a new tour poster reportedly in the works, but with the tour freshly announced and no shortage of dates anyhow, this one seemed worth highlighting as it is. If the worst that happens is I follow-up with another post when a proper press release goes out, at least they earned it.

Here’s their post:

sacri monti euro uk tour 2020

Sacri Monti – Europe 2020

Tour dates for May and June still a few more dates TBA. Once all squared we will announce with new artwork.

EUROPE/UK 2020
30.04.20 NL Tilburg Cul De Sac
1.05.20 NL Nijmegen Sonic Whip Fest
3.05.20 UK London Desertfest
4.05.20 FRA Le Havre Mc Daid
5.05.20 FRA Paris l’International
6.05.20 BE Ghent Kinky Star
7.05.20 NL Utrecht Db’s
8.05.20 DE Gronigen Vera
9.05.20 DK Odense Fuzztival
13.05.20 DE Berlin Zukunft am Ostkreuz (Garage)
14.05.20 CZ BĂ­lina KafĂĄ?
15.05.20 DE Lohr am Main Umson und Dressen Festival
16.05.20 DE Siegen Vortex
17.05.20 DE Karlsruhe P8
19.05.20 ITA Zero Branco Treviso Altroquando
20.05.20 ITA Bolzano Sudwerk
22.05.20 DE Dresden GockelScream #3
23.05.20 DE Aschaffenburg Hannebambel
24.05.20 CH Martigny Caves Du Manoir
25.05.20 FRA Clermont Ferrand Chorus
26.05.20 FRA Montpellier The Black Sheep
27.05.20 ES Barcelona Upload Club
28.05.20 ES Madrid Sala Rockville
29.05.20 PT Porto Woodstock 69
1.06.20 ES San SebastiĂĄn Dabadaba
2.06.20 FRA Tolouse L’Usine Ă  Musique
3.06.20 FRA Bordeaux astrodøme QG
4.06.20 FRA Nantes La Scene Michelet
5.06.20 UK Bristol The Crofters Rights
8.06.20 UK London Secret place
7.06.20 UK Liverpool kazimier stockroom

Sacri Monti is:
Brenden Dellar -Guitar
Dylan Donovan- Guitar
Anthony Meier- Bass
Evan Wenskay- Organ, Synth
Thomas Dibenedetto- Drums

https://www.facebook.com/sacrimontiband/
https://www.instagram.com/sacri_monti_band/
https://sacrimonti.bigcartel.com/
https://soundcloud.com/sacri-monti
teepeerecords.com
https://www.facebook.com/teepeerecords/
https://teepeerecords.bandcamp.com/

Sacri Monti, Waiting Room for the Magic Hour (2019)

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Quarterly Review: We Lost the Sea, Nebula Drag, Nothing is Real, Lotus Thief, Uncle Woe, Cybernetic Witch Cult, Your Highness, Deep Valley Blues, Sky Shadow Obelisk, Minus Green

Posted in Reviews on January 9th, 2020 by JJ Koczan

quarterly review

Yesterday was marked by a decisive lack of productivity. I got there, don’t get me wrong, but it took friggin’ forever to make it happen. I’m obviously hoping for a different result today and tomorrow. You would think 10 records is 10 records, but some days it’s easy flowing, bounce from one to the next without any trouble, and some days you’re me sitting there wondering how many times you can get away with using the word “style” in the same post. Punishing. The saving factor was that the music was good. Amazing how often that serves as the saving factor.

Just today and tomorrow left, so let’s dive in. Lots of different kinds of releases today, so keep your ears and mind open.

Quarterly Review #31-40:

We Lost the Sea, Triumph and Disaster

we lost the sea triumph and disaster

There is plenty of heavy post-rock floating — and I do mean floating — around these days, spreading ethereal and contemplative vibes hither and yon, but none have the emotional weight brought to bear instrumentally by Sydney, Australia’s We Lost the Sea. Across their 65-minute 2LP, Triumph and Disaster (on Translation Loss), the six-piece band recount a wordless narrative of the aftermath of the end of the world through the eyes of a mother and child on their last day. It is a touching and beautiful flow of sentiment, regret and weight that comes through the wash of three guitars and synth, bass and drums, and though 2015’s Departure Songs (review here, discussed here) worked in a similar vein in terms of style if not story, these seven tracks and 65 minutes are wholly distinguished by a willful-seeming progression on the part of the band and a patience and poise of execution as they alternate between longer and shorter pieces that only underscores how special their work truly is. At least the apocalypse is gorgeous.

We Lost the Sea on Thee Facebooks

Translation Loss store

 

Nebula Drag, Blud

nebula drag blud

Nothing against the progenitors of the form, but Nebula Drag seem with Blud to pull off the feat that Helmet never really could, bringing together a noise-rock derived dissonance of riff with a current of melody in the vocals and even moments of patience in the guitar to go along with the crunch of its more aggressive points. This inherently makes the Desert Records offering from the San Diego outfit a less outwardly intense affair than it might otherwise be, but songs like “Always Dying,” “Numb” and the closer “Mental” — as well as the album as a whole — are ultimately richer for it, and there’s still plenty of drive in opener “Dos Lados” and the shorter “Faces” and “What Went Wrong,” which arrive back to back on side B and lend the momentum that carries Nebula Drag through the remainder of the proceedings. It’s easy to hear to Blud superficially and pass it off as noise or heavy rock or this or that, but Nebula Drag earn and reward deeper listens in kind.

Nebula Drag on Thee Facebooks

Desert Records on Bandcamp

 

Nothing is Real, Pain is Joy

nothing is real pain is joy

Los Angeles oppressive and misanthropic noise project Nothing is Real manifested some of the harshest sounds I heard in 2019 on Only the Wicked are Pure (review here), and the just-months-later follow-up, Pain is Joy, reminds of the constant sensory assault under which we all seem to live. Across five extended tracks of increased production value — still raw, just not as raw — the band seems to be forming a coherent philosophical perspective in “Existence is Pain,” the guest-vocalized “Realms of Madness,” “Life is but a Dream,” “Pain is Joy,” and “We Must Break Free,” but if there’s a will to explain the punishment that is living, there’s not much by way of answer forthcoming in the sludgy riffing, grinding onslaught and surprising solo soar of “We Must Break Free,” instrumental as it is. Still, the fact that Pain is Joy allows for the possibility of joy to exist at all, in any form, ever, distinguishes it from its predecessor, and likewise the clearer sound and cogent expressive purpose. A focused attack suits Nothing is Real. I have the feeling it won’t be long before we find out where it takes the band next.

Nothing is Real on Thee Facebooks

Nothing is Real on Bandcamp

 

Lotus Thief, Oresteia

lotus thief Oresteia

If the name Oresteia isn’t immediately familiar, maybe “Agamemnon” will give some hint. San Francisco’s Lotus Thief, with their third full-length and second for Prophecy Productions, not only bring together progressive black metal, post-rock and drama-laced doom, but do so across eight-tracks and 38 minutes summarizing a 5th century Greek tragedy written in three parts. Ambitious? Yes. Successful? I’ll claim zero familiarity with the text itself, but for the eight-minute “Libation Bearers” alone — never mind any of the other immersive, beautiful wash the band emits throughout — I’m sure glad they’re engaging with it. Ambient stretches like “Banishment” and “Woe” and the barely-there “Reverence” add further character to the proceedings, but neither are “The Furies,” “Agamemnon,” “Sister in Silence” or subdued-but-tense closer “The Kindly Ones” lacking for atmosphere. Oresteia is grim, theatrical, stylistically forward-thinking and gorgeous. A perfect, perfect, perfect winter record.

Lotus Thief website

Prophecy Productions on Bandcamp

 

Uncle Woe, Our Unworn Limbs

Uncle Woe Our Unworn Limbs

Chugging, sprawling, and most of all reaching, the late-2019 debut LP, Our Unworn Limbs, from Ontario as-yet-solo-outfit Uncle Woe — composed, performed and recorded by Rain Fice — is one of marked promise, taking elements of modern progressive and cosmic doom from the likes of YOB‘s subtly angular riffing style and unfolding them across an emotionally resonant but still manageable 43-minute span. The stomp in “That’s How They Get You” is duly oppressive in following the opener “Son of the Queen,” but with the one-minute experiment “When the Night Fell Pt. 2” and jagged but harmonized “Mania for Breaking” ahead of 15-minute closer “Push the Blood Back In,” the record’s tumult and triumphs are presented with character and a welcome feeling of exploration. I would expect over time that the melodic basis and vocal presence Fice demonstrates in “Mania for Breaking” will continue to grow, but both are already significant factors in the success of that song and the album surrounding it, the first 20-plus minutes of which is spent mired in “Son of the Queen” and “That’s How They Get You,” as early proof of the sure controlling hand at the helm of the project. May it continue to be so.

Uncle Woe on Thee Facebooks

Uncle Woe on Bandcamp

 

Cybernetic Witch Cult, Absurdum ad Nauseam

cybernetic witch cult absurdam ad nauseam

Guitarist/vocalist Alex Wyld, bassist Doug MacKinnon and drummer Lewis May have processed the world around them and translated it into a riffy course of sci-fi and weirdo semi-prog thematics across Absurdum ad Nauseam. What else to call such a thing? At eight songs and 52 minutes, it stands astride the lines between heavy rock and doom and sludge in lengthier pieces like “The Cetacean,” “The Ivory Tower” and the finale “Hypercomputer Part 2,” yet when it comes to picking out discernible influences, one has to result to generalizations like Black Sabbath and Acrimony, the latter in the rolling largesse of “Spice” and “The Myth of Sisyphus” later on in the outing and the vocal effects there particularly, but neither is enough to give a sense of what Cybernetic Witch Cult are actually about in terms of the modernity of their approach and the it’s-okay-we-know-what-we’re-doing-just-trust-us vibe they bring as they rush through “Cromagnonaut” after the intro and “Hypercomputer Part 1.” I’m inclined to just go with it, which should tell you something in itself about the band’s ability to carry their listener through. They earn that trust.

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Your Highness, Your Highness

Your Highness Your Highness

Heavy blues meets heavy metal on Your Highness‘ self-titled and self-released third album, collecting eight tracks that divide evenly across two sides of an LP, each half ending with a longer piece, whether it’s “Black Fever” (9:00) on side A or “Kin’s Blood” (14:14) on side B. Through these, in full-throttle movements like opener “Devil’s Delight” and “Rope as a Gift” and in nestled-in groovers like “The Flood” and “To Wood and Stone,” Your Highness don’t shy away from bringing a sense of atmosphere to their material, but maintain a focus on burl, gruffness and tonal weight, an aggressive undercurrent in a song like “Born Anew” — the riff to which is nonetheless particularly bluesy — being emblematic of the perspective on display throughout. It moves too fleetly to ever be considered entirely sludge, but Your Highness‘ 51-minute span is prone to confrontation just the same, and its ferocious aspects come to a head in satisfying fashion as the wash of crash pays off “Kin’s Blood,” shouts cutting through en route to a finish of acoustic guitar that lands as a reminder to release the breath you’ve been holding the whole time. Heavy stuff? Why yes, it is.

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Your Highness on Bandcamp

 

Deep Valley Blues, Demonic Sunset

Deep Valley Blues Demonic Sunset

Italy’s fervor for stoner rock is alive and well as represented in Demonic Sunset, the eight-song/34-minute debut full-length from Catanzaro’s Deep Valley Blues. Their sound works out to be more heavy rock than the desert one might imagine given the album cover, but that influence is still there, if beefed up tonally by guitarists Alessandro Morrone and Umberto Arena (the latter also backing vocals), bassist/vocalist Giando Sestito and drummer Giorgio Faini, whose fluid turns between propulsion and swing enable a song like “Dana Skully” to come together in its verse/chorus transitions. The penultimate nine-minute “Tired to Beg For” is an outlier among more straight-ahead songwriting, but they use the time well and close with the acoustic-led “Empire,” an encouraging showcase of sonic breadth to follow up on the start of “Lust Vegas” and a widening of the melodic range that one hopes Deep Valley Blues push further on subsequent releases. Centered around issues of mental health in terms of its lyrics, if somewhat vaguely, Demonic Sunset is a first LP that extends its focus to multiple levels while still keeping its feet on the ground in a way that will be familiar to experienced genre heads.

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Sky Shadow Obelisk, The Satyr’s Path

sky shadow obelisk the satyrs path

You can toss a coin as to whether Sky Shadow Obelisk are death-doom or doom-death, but as you do, just keep an eye on the bludgeoning doled out by the solo-project of Rhode Island-based composer Peter Scartabello on his latest EP, The Satyr’s Path, because it is equal parts thorough and ferocious. Flourish of keys and melody adds a progressive edge to the proceedings across the five-track release, particularly in its two instrumentals, the centerpiece “Ouroboros” and the first half of closer “Shadow of Spring,” but amid the harnessed madness of “Chain of Hephaestus” — which from its lyrics I can only think of as a work song — and the one-two of “The Serpent’s Egg” and the title-track early on, those moments of letup carry a tension of mood that even the grand finish in “Shadow of Spring” seems to acknowledge. It’s been since 2015 that Scartabello last offered up a Sky Shadow Obelisk full-length. He shows enough scope here to cover an album’s worth of ground, but on the most basic level, I’d take more if it was on offer.

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Yuggoth Records on Bandcamp

 

Minus Green, Equals Zero

Minus Green Equals Zero

Following up on a 2015 self-titled the material on Minus Green‘s sophomore album, Equals Zero, would seem to have at least in part been kicking around for a couple years, as the closer here, “Durial” (11:22) was released in a single version in 2016. Fair enough. If the other three cuts, opener “Primal” (9:58), “00” (11:51) and the penultimate “Kames” (10:08), have also been developed over that span, the extra rumination wouldn’t seem to have harmed them at all — they neither feel overthought to a point of staleness nor lack anything in terms of the natural vibe that their style of progressive instrumentalist heavy psychedelia warrants. The procession unfolds as a cleanly-structured LP with two songs per side arranged shorter-into-longer, and their sound is duly immersive to give an impression of exploration underway without being entirely jam-based in their structure. That is, listening to “00,” one gets the feeling it’s headed somewhere, which, fortunately it is. Where it and the record surrounding go ultimately isn’t revolutionary in aesthetic terms, but it is well performed and more than suitable for repeat visits. Contrary to the impression they might seek to give, it amounts to more than nothing.

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Kerberos Records website

 

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Streaming Interview: Parker Griggs of Radio Moscow Discusses New Project El Perro

Posted in audiObelisk, Features on September 27th, 2019 by JJ Koczan

parker griggs (Photo by Beth Vandeven)

Not much is known at this point about El Perro. Pages on Thee Facebooks and Instagram went up on Wednesday afternoon and there’s a short teaser on the latter with a floating logo and a righteous riff, but not much else to go on. A new band getting together is cool, don’t get me wrong, but the reason it’s news is because the brains behind the outfit happen to be those of Parker Griggs, founding guitarist/vocalist of heavy psych blues and speed boogie masters Radio Moscow. Griggs has assembled the new outfit as a means of exploring some influences beyond what Radio Moscow does, specifically looking to bands who blended funk and heavy and/or psychedelic rock in the early ’70s like Cymande, Black Merda and others in the sphere of what was called Black rock at the time, as well of course as the work Jimi Hendrix was doing a few years prior.

He’s gotten a full four-piece together and they’ll play their first three shows as a weekender at the start of November, beginning as support for none other than Brant Bjork in Las Vegas at a gig presented by Vegas Rock Revolution, and continuing through two subsequent nights in Costa Mesa and Los Angeles. Griggs, of course, is no stranger to touring with Radio Moscow, but it’s early days with El Perro, so probably best to start out with the weekender rather than hit the road for a month right off the bat. Makes sense if you think about it, especially as no one has heard any of the material in question.

There are songs, though. About a set’s worth. I’ve heard two demos from the band with the working titles “New One” and “Sitar Song” and the percussive groove is met by Griggs‘ spacey shred and bluesy vocal delivery. It’s a different vibe from Radio Moscow in that it’s a little more jam-ready — at least “New One” is; “Sitar Song” is a tight two and a half minutes, but damn that’s a funky two and a half minutes — and as Griggs notes, a little more based around the groove rather than the frenetic movement of his longer-running outfit. I’ll take it happily and look forward to more in 2020.

It’s a short interview because, well, Griggs isn’t really Mr. Chatty and the band hasn’t played a show yet, but if you’ve got a few minutes, he talks about putting the band together, what he’s going for with the sound, the upcoming shows and how El Perro relates to Radio Moscow in the grand scheme of Griggs‘ style.

Please enjoy:

Interview with Parker Griggs of El Perro

 

el perro logo

A brand new cosmic and groovy music ensemble formed and led by Parker Griggs of Radio Moscow. We are here and we’re coming to GETCHA!

First shows!

November 1st in Las Vegas @ Counts Vamp’d with Brant Bjork

November 2nd in Costa Mesa @ The Wayfarer with LOVE (revisited)

November 3rd in LA @ The Viper ROOM with Deathchant

Stay tuned for more news coming soon!

 

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El Perro on Thee Facebooks

El Perro on Instagram

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