Sarram to Release Albero May 14

Posted in Whathaveyou on April 22nd, 2021 by JJ Koczan

sarram

Sardinian solo unit  Papercheck's professional proofreaders offer complete satisfaction by providing the highest-quality http://www.plusea.at/?report-writing-essay available. Sarram — also stylized all-caps with spaces between the letters:  Fulfill your need for custom, high-quality content and http://www.jazz-frankfurt.de/acknowledgement-dissertation-phd/ with Textbroker. We make it easy to find freelance authors to write S A R R A M, thereby throwing caution to the wind as regards line breaks — will release its fourth full-length,  MyEssayServices.com offers Application Letters For Employment to you, and this gives you time to worry about other things, other than your assignments. The college papers for sale consist of comprehensive well-researched papers that guarantee good grades to you. We offer you college papers for sale online with options on the preferred topics, content and the formatting style you prefer. This is How Albero, in less than a month’s time. You can stream the track “Midnight” from it now and it’s easy enough to imagine that  buy answers homework Coffee House Business Plan resume and cv writing services wiltshire phd thesis english language Valerio Marras (hey that’s  Our http://banhtrungthu.edu.vn/?homework-pass-templatess. You can solve your thesis problems timely and efficiently while receiving advice on references, presentation, and flow of your arguments. Hire a professional Academic English Editor. Always ensure that you meet your requirements. We edit everything from thesis proposals, program applications, chapters, to a dissertation of several hundred pages. With professional Sarram backwards!), also of  Best Admissionessaywriter for an Affordable Price. EssayBison deeply cares about customers satisfaction. You can trust us and make your scholarly worries our responsibility. We have been working in this field for a decent amount of time and we guarantee that you will be pleased with the results. Getting college research papers for sale has never been easier! Here is a list of benefits Charun, composed the track late some evening, on his own, headphones on, dug into the exploratory moment as it unfolded. The record as a whole is a vibe likewise worthy of titling a song “Diving Deep,” as rich immersion in headphone-ready drones and soundscapes comes across from opener “Heavy Sleep” onward, the evocative nature of  The http://cheapessaywritings24.com/pay-someone-to-write-an-essay/ pay someone to write an essay that provide has also been highly appreciated by students as they can get all the issues with their dissertation sorted out with the experts of Best-UK-Dissertation.Com. One of the most luring factor of us is the price that we charge for all our services including dissertation editing. Marras‘ work giving rise to any number of narratives for those willing to engage.

Will that be everyone? Nope. Never is, and I’m sure by the time of his fourth record,  college application essay writing service my http://www.hotelsb.eu/admission-essay-editing-services-usa/ i need help with my high school essay term paper writers needed Marras doesn’t need to be told that. But, those seeking something textural and escapist might find room for themselves within the open spaces of “The Sound of a Needle” or the brief but consuming “Fading Sunlight,” the album’s eight-song course playing out over a still-accessible 39-minutes with a significant weight of atmosphere.

Info and the track stream came down the PR wire:

sarram albero

SARRAM – New album ‘Albero’ Out May 14th on Subsound Records

S A R R A M is the solo project of Sardinian multi-instrumentalist Valerio Marras, combining elements of drone/ambient, post-rock, doom and electronica. Also guitar player of post-rock oriented trio Thank U For Smoking and post-metal foursome Charun, Valerio Marras played extensively in Europe, with appearances at the KME, Schwarzer Herbst in Germany, Whoneedslyrics?! in Slovakia, Johanneskirche in Lobau, The Academy of fine Arts in Munich, Spazio Musica Project and Signal Fest in Cagliari, Dunk!Festival in Belgium and Young Team in France. He also collaborated with MAN and Ciusa Museum in Nuoro, Mua Museum in Sinnai, Nubifilm, Animamundi and naturalistic photographer Bobore Frau.

His fourth album ‘Albero’ presents a balanced and enigmatic mix of drone and ambient soundscapes, walls of guitar and hypnotic loops, while incorporating electronic and warm whispers. It’s a deep and intense journey, a dark ceremony of frequencies. It was recorded and mixed at ACME Studio at Cagliari, Sardinia by Nicola Olla and mastered by James Plotkin. Artwork was designed by Animamundi.

‘Albero’ will be released on May 14th via Subsound Records.

TRACK LISTING:
1. Heavy Sleep
2. The Sound Of A Needle
3. Scraps Of Paper
4. Sinking Shadows
5. Diving Deep
6. Fading Sunlight
7. Midnight
7. The Far Side Of The Moon

S A R R A M is
Valerio Marras — Guitar/fx, synth, glockenspiel, mandolin, kalimba

http://www.facebook.com/sarramproject
https://www.instagram.com/valosarram/
https://sarram.bandcamp.com/
https://www.facebook.com/subsoundrecords
https://subsoundrecords.bigcartel.com/
http://www.subsoundrecords.it/

Sarram, Albero (2021)

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1782 Announce From the Graveyard out March 26; “Priestess of Death” Streaming

Posted in Whathaveyou on January 21st, 2021 by JJ Koczan

1782

After appearing on the second installment of  When you http://www.laserjob.de/?steps-to-create-a-business-plan online, youre buying a guarantee. Youre going to receive an essay or article thats completely original and has been written by an expert in the field. Your paper will have a full bibliography, and if at any point youre not happy, you can get your money back. Theres literally no risk to you. Here are some articles that may help you buy a paper online: ORDER Heavy Psych Sounds‘ split series Source - Pacific Book Review Strengthen your credibility with a professional book review. It is our primary desire to provide quality book Doom Sessions (discussed here) last September alongside  How to select a company http://www.mittendrinundaussenvor.de/?writing-your-resume college . Now you can observe a wide range of companies, which provide college and University papers. Acid Mammoth, Sardinia’s  Welcome to leading platform of follow url services. We offering all kind of academic writing services like Best Paper Writing Service, Top 1782 have set  Free math lessons and How To Write An Economics Paper from basic math to algebra, geometry and beyond. Students, teachers, parents, and everyone can find solutions to From the Graveyard as the title of their sophomore full-length and the follow-up to their 2019 self-titled debut (review here). As the first single “Priestess of Death” readily shows, they’re not fixing what isn’t broken when it comes to their riff-led cultish ways, but there’s a definite uptick in the production value as can be heard with the kicks and crashes a little before the three-minute mark, as well as rolling groove that at last ensues after the hypnosis is complete. It would seem what was a duo has only grown stronger as a three-piece.

Art, info, links, audio and all the rest follow, courtesy of the PR wire:

1782 from the graveyard

1782 – From The Graveyard

“From The Graveyard” is the second full length of the Occult Doom band “1782”. In this album there is a leap in quality as the production is much better than the previous releases. Eight tracks and 43 minutes of pure dark Doom, with slow and powerful riffs, and heavy and massive drumming. After the recording of “Doom Sessions Vol.2”, the band immediately enters the studio and records the heaviest tracks they have done so far, and they have done it while maintaining that catchy state they have always had. Here too there are featurings, Nico Sechi on organ (Hammond in “1782” and “Celestial Voices” in the debut album) and Alfredo Carboni’s Synth. As in the eponymous debut album, the artwork was done by the mighty SSCVLT.

“From The Graveyard” was recorded, mixed and mastered in November 2020 by Alfredo Carboni at “RKS Studios” in Ossi, Sardinia (Italy).

RELEASE DATE: MARCH 26th

ALBUM PRESALE:
https://www.heavypsychsounds.com/shop.htm#HPS159

USA PRESALE:
https://www.heavypsychsounds.com/shop-usa.htm

TRACKLIST
SIDE A
A1 Evocationis (Intro) – 1:00
A2 The Chosen one – 4:17
A3 Bloodline – 7:17
A4 Black Void – 8:03

SIDE B
B1 Inferno – 5:37
B2 Priestess of Death – 5:54
B3 Seven Priests – 5:01
B4 In Requiem – 6:19

RELEASED IN :
15 ULTRA LTD TEST PRESS
25 (of 175 pressing) DELUXE BUNDLE “SIDE A SIDE B” GOLD/BLACK VINYL + T-SHIRT + PATCH + POSTER + SHOPPER + CD
25 (of 175 pressing) BUNDLE “SIDE A SIDE B” GOLD/BLACK + T-SHIRT + PATCH + POSTER + SHOPPER + CD + DEBUT ALBUM IN ULTRA LTD EDITION VINYL and CD
125 (of 175) ULTRA LTD “SIDE A SIDE B” GOLD/BLACK VINYL
400 LTD SPLATTER PURPLE TRANSPARENT – BLACK VINYL
BLACK VINYL
DIGIPAK
DIGITAL

1782 is:
Marco Nieddu – Guitar / Vocals
Gabriele Fancellu – Drums / Backing Vocals
Francesco Pintore – Bass

www.facebook.com/1782doom
https://1782doom.bandcamp.com/
https://www.instagram.com/1782_doom/
www.heavypsychsounds.com

1782, “Priestess of Death”

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Black Capricorn to Release Solitude EP on DHU Records

Posted in Whathaveyou on June 16th, 2020 by JJ Koczan

Italian cult doomers  High quality custom Acknowledgment For Dissertations for Australian and international students. Only qualified writers, reasonable prices and complete privacy guarantee. Black Capricorn released the  We are the American Flag Writing Papers UK, USA. Students can buy custom admission essays from us and we have expert application essay writers Solstice EP last November — not quite at the solstice itself, which is in December — but not far off. The version that  DHU Records will release contains two previously unreleased tracks to go with the original four, and it’s been given a “late 2020” issue date. Think maybe it’ll be out for the solstice? November would be fitting enough. Really, nobody’s paying attention to anything by Dec. 21. It’s holiday time, everybody’s too busy wondering what to order for each other off Amazon or working late hours to get money to order things off Amazon to be buying records. Even those who get/give records as presents are more likely to go with something already out than new releases.

So if it’s November, on a full-year turnaround from the original EP release, that’d work just fine, and I’m interested to hear those other two tracks of course, but really, I’ll take whatever and whenever when it comes to Black Capricorn, who are weird and underrated in kind. A band who genuinely seem to want to walk their own (left hand) path.

From the PR wire:

black capricorn solstice ep

New signing to DHU Records: Black Capricorn

DHU Records is proud to welcome back to the fold: Black Capricorn to release their Solstice EP + 2 new unreleased songs!

No introduction is needed when talking about Black Capricorn in the Heavy Underground. Their slow trudging mesmeric Italian Doom is a brand known to many and immediately recognized when immersed into the Discography of the mighty Black Capricorn.

Test press, DHU Exclusive and Band Editions will be available come Autumn/Winter 2020

Side A:
A1. Omen (March of the Arcadians)
A2. Astrodestroyer
A3. Sumerian Summer

Side B:
B1. Three Brides of Satan
B2. Winterlude
B3. Shadows in the Moonlight

Recorded in November 2019 at The Business Consultant Recording Studios by Fabrizio Monni
Tracks A2 and B1 Recorded in October 2018/November 2019 (previously unreleased)
Mastering by Mirko Toro at the Gameboy Studio
New artwork by Fabrizio Monni

Black Capricorn:
Fabrizio – Guitars, Vocals
Virginia – Bass
Rachela – Drums

http://facebook.com/blackcapricorn666
https://blackcapricorn.bandcamp.com/
https://www.facebook.com/DHURecords/
https://www.instagram.com/dhu_records/
https://darkhedonisticunionrecords.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/

Black Capricorn, Solstice EP (2019)

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Loose Sutures to Release Self-Titled Debut March 27

Posted in Whathaveyou on March 3rd, 2020 by JJ Koczan

So let’s assume that Loose Sutures formed with a pretty healthy idea of what they wanted to do as a band. Their self-titled debut full-length, which is out later this month on Electric Valley Records, arrives only months after the group formed in June 2019. And seeing as it’s nine songs, plus five that are listed as interludes and one of which is a cover, that still hardly seems like enough time to even write them all, let alone record them, but I think if you listen to either of the streaming tracks from the record below — one of which is the aforementioned cover — you can kind of get the feel that the Sardinian four-piece are trying to keep things as to-the-point as possible. I haven’t heard the full album yet, but I’ll be interested to hear how the interludes complement the broader tracks.

The PR wire brings the album info:

loose sutures (Photo by Peppe Corronca)

LOOSE SUTURES: Sardinian fuzzy heavy/garage rockers share new track; self-titled LP sees release this month via Electric Valley Records

Loose Sutures’ self-titled debut album comes on 27th March 2020 via Electric Valley Records. Depicting killer profiles and kinky love stories, this album contains nine tracks (including a cover version of The Laughing Dogs’ “I Need a Million”) and 5 interludes. The track “Lie” features additional guitar contributions from the legendary Trevor Peres (from Obituary).

Artwork: Sscvlt

Formed in June 2019, Loose Sutures is a razor-sharp four-headed machine with lots of evil beats, killer fuzz, and unhealthy lyrics. These 4 Sardinian roughnecks play classic ’70s riffs with a pinch of modern punk attitude, conveying a blend of stoner and garage energy with the spirits of Fuzz, Blue Cheer, and King Gizzard & The Lizard Wizard and The Stooges.

The self-titled debut album will be released on Red Vinyl, 50x LTD Marbled Red/Black Vinyl, 25x Ultra LTD “Murder Edition,” and Digital formats via Electric Valley Records.

Recorded: RKS Studios, Sardinia (Italy)
Mixed and Mastered: Alfredo Carboni
Artwork: Sscvlt
Band Photos: Peppe Corronca

Upcoming Shows:
06/19 – Electric Valley Festival in Ossi, Sardinia, Italy
October 2020 – European Tour (TBA)

Pre-order:
http://bit.ly/2vT0YHP (Red Vinyl)
http://bit.ly/32aTImZ (50x LTD Marbled Red/Black Vinyl)
http://bit.ly/329muo2 (25x Ultra LTD “Murder Edition)
http://bit.ly/2SJimbf (Bandcamp)

Loose Sutures are:
Antonio Pilo – Guitar/Vocals
Gianpaolo Cherchi – Guitar/Vocals
Marcello Meridda – Bass
Marco Angius – Drums

https://www.facebook.com/loosesutures
https://www.instagram.com/loose_sutures_band
https://loosesutures.bandcamp.com
https://www.facebook.com/electricvalleyrecords
https://www.instagram.com/electricvalleyrecord
http://electricvalleyrecords.com/

Loose Sutures, Loose Sutures (2020)

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Quarterly Review: Total Fucking Destruction, Hippie Death Cult, The Cosmic Dead, Greenthumb, Elepharmers, Nothing is Real, Warish, Mourn the Light & Oxblood Forge, Those Furious Flames, Mantra Machine

Posted in Reviews on October 3rd, 2019 by JJ Koczan

quarterly review

I’d like to find the jerk who decided that the week I fly to Norway was a good time for the Quarterly Review. That, obviously, was a tactical error on my part. Nonetheless, we press on with day four, which I post from Oslo on CET. Whatever time zone you may find yourself in this Thursday, I hope you have managed to find something so far in this onslaught of whatnot to sink your chompers into. That’s ultimately, why we’re here. Also because there are so many folders with albums in them on my desktop that I can’t stand it anymore. Happens about every three months.

But anyhoozle, we press on with Day Four of the Fall 2019 Quarterly Review, dutiful and diligent and a couple other words that start with ‘d.’ Mixed bag stylistically this time — trying to throw myself off a bit — so should be fun. Let’s dive in.

Quarterly Review #31-40:

Total Fucking Destruction, #USA4TFD

Total Fucking Destruction USA4TFD

Who the hell am I to be writing about a band like Total Fucking Destruction? I don’t know. Who the hell am I to be writing about anything. Fuck you. As the Rich Hoak (Brutal Truth)-led Philly natives grind their way through 23 tracks in a 27-minute barrage of deceptively thoughtful sonic extremity, they efficiently chronicle the confusion, tumult and disaffection of our age both in their maddening energy and in the poetry — yeah, I said it — of their lyrics. To it, from “Is Your Love a Rainbow”: “Are you growing? Is everything okay? Are you growing in the garden of I don’t know?” Lines like this are hardly decipherable without a lyric sheet, of course, but still, they’re there for those ready to look beyond the surface assault of the material, though, frankly, that assault alone would be enough to carry the band — Hoak on drums/vocals, Dan O’Hare on guitar/vocals and Ryan Moll on bass/vocals — along their willfully destructive course. For their fourth LP in 20 years — most of that time given to splits and shorter releases, as one might expect — Total Fucking Destruction make their case for an end of the world that, frankly, can’t get here fast enough.

Total Fucking Destruction on Thee Facebooks

Give Praise Records website

 

Hippie Death Cult, 111

Hippie-Death-Cult-111

Issued first by the band digitally and on CD and then by Cursed Tongue Records on vinyl, 111 is the impressively toned debut full-length from Portland, Oregon’s Hippie Death Cult, who cull together heavy rock and post-grunge riffing with flourish of organ and a densely-weighted groove that serves as an overarching and uniting factor throughout. With the bluesy, classic feeling vocals of Ben Jackson cutting through the wall of fuzz from Eddie Brnabic‘s guitar and Laura Phillips‘ bass set to roll by Ryan Moore‘s drumming, there’s never any doubt as to where Hippie Death Cult are coming from throughout the seven-track/42-minute offering, but longer, side-ending pieces “Unborn” (8:24) and “Black Snake” (9:06) touch respectively on psychedelia and heavy blues in a way that emphasizes the subtle turns that have been happening all along, not just in shifts like the acoustic “Mrtyu,” but in the pastoral bridge and ensuing sweep of “Pigs” as well. “Sanctimonious” and “Breeder’s Curse” provide even ground at the outset, and from there, Hippie Death Cult only grow richer in sound along their way.

Hippie Death Cult on Thee Facebooks

Cursed Tongue Records BigCartel store

 

The Cosmic Dead, Scottish Space Race

The Cosmic Dead Scottish Space Race

Heavyweight Glaswegian space jammers The Cosmic Dead present four massive slabs of lysergic intensity with their eighth long-player, Scottish Space Race (on Riot Season Records), working quickly to pull the listener into their gravity well and holding them there for the 2LP’s 75-minute duration. As hypnotic as it is challenging, the initial churn that emerges in the aptly-named 20-minute opener “Portal” clenches the stomach brutally, and it’s not until after about 12 minutes that the band finally lets it loose. “Ursa Major,” somewhat thankfully, is more serene, but still carries a sense of movement and build in its second half, while the 12-minute title-track is noisier and has the surprising inclusion of vocals from the generally instrumental outfit. They cap with the 24-minute kosmiche throb of “The Grizzard,” and there are vocals there too, but they’re too obscured to be really discernible in any meaningful way, and of course the end of the record itself is a huge wash of fuckall noise. Eight records deep, The Cosmic Dead know what they’re doing in this regard, and they do it among the best of anyone out there.

The Cosmic Dead on Thee Facebooks

Riot Season Records website

 

Greenthumb, There are More Things

greenthumb there are more things

With just three tracks across a 20-minute span, There are More Things (on Acid Cosmonaut) feels like not much more than a sampler of things to come from Italian post-sludgers Greenthumb, who take their name from a Bongzilla track they also covered on their 2018 debut EP, West. The three-songer feels like a decided step forward from that offering, and though they maintain their screamier side well enough, they might be on the verge of needing a new name, as the rawness conveyed by the current moniker hardly does justice to the echoing atmospherics the band in their current incarnation bring. Launching with the two seven-minute cuts “The Field” and “Ogigia’s Tree,” they unfurl a breadth of roll so as to ensnare the listener, and though “The Black Court” is shorter at 5:37 and a bit more straight-ahead in its structure, it still holds to the ambient sensibility of its surroundings well, the band obviously doing likewise in transposing a natural feel into their sound born of landscape real or imagined.

Greenthumb on Thee Facebooks

Acid Cosmonaut Records on Bandcamp

 

Elepharmers, Lords of Galaxia

Elepharmers Lords Of Galaxia Artwork

Riffy Sardinians Elepharmers set themselves to roll with “Ancient Astronauts” and do not stop from there on Lords of Galaxia, their third LP and debut through Electric Valley Records. There are some details of arrangement between the guitars of El Chino (also bass, vocals and harmonica) and Andrea “Fox” Cadeddu and the drums of Maurizio Mura, but as Marduk heralds his age on second cut “Ziqqurat,” the central uniting factor is g-r-o-o-v-e, and Elepharmers have it down through “The Flood” and into side B’s classic stoner rocking “Foundation” and the driving “The Mule,” which shifts into laser-effects ahead of the fade that brings in closer “Stars Like Dust” for the last 10 minutes of the 47-minute offering. And yes, there’s some psychedelia there, but Elepharmers stay pretty clearheaded on the whole in such a way as to highlight the sci-fi theme that seems to draw the songs together as much as the riffage. More focus on narrative can only help bring that out more, but I’m not sure I’d want that at the expense of the basic songwriting, which isn’t at all broken and thus requires no fixing.

Elepharmers on Thee Facebooks

Electric Valley Records website

 

Nothing is Real, Only the Wicked are Pure

nothing is real only the wicked are pure

How do you recognize true misanthropy when you come across it? It doesn’t wear a special kind of facepaint, though it can. It doesn’t announce itself as such. It is a frame. Something genuinely antisocial and perhaps even hateful is a worldview. It’s not raise-a-claw-in-the-woods. It’s he-was-a-quiet-loner. And so, coming across the debut album from Los Angeles experimentalist doom outfit, one gets that lurking, creeping feeling of danger even though the music itself isn’t overly abrasive. But across the 2CD debut album, a sprawl of darkened, viciously un-produced fare that seems to be built around programmed drums at the behest of Craig Osbourne — who may or may not be the only person in the band and isn’t willing to say otherwise — plays out over the course of more than two hours like a manifesto found after the fact. Imagine chapters called “Hope is Weakness,” “Fingered by the Hand of God,” and “Uplift the Worthy (Destroy the Weak).” The last of those appears on both discs — as do several of the songs in different incarnations — as the track marries acoustic and eventual harder-edged guitar around murderous themes, sounding something like Godflesh might have if they’d pursued a darker path. Scary.

Nothing is Real on Thee Facebooks

Nothing is Real on Bandcamp

 

Warish, Down in Flames

warish down in flames

The fact that Warish are blasting hard punk through heavy blowout tones isn’t what everyone wants to talk about when it comes to the band. They want to talk about the fact that it’s Riley Hawk — of royal stock, as regards pro skateboarding — fronting the band. Well, that’s probably good for a built-in social media following — name recognition never hurts, and I don’t see a need to pretend otherwise — but it doesn’t do shit for the album itself. What matters about the album is that bit about the blasting blowout. With Down in Flames (on RidingEasy), the Oceanside three-piece follow-up their earlier-2019 debut EP with 11 tracks that touch on horror punk with “Bones” and imagine grunge-unhinged with “Fight” and “You’ll Abide,” but are essentially a display of tonal fuckall presented not to add to a brand, but to add the soundtrack to somebody’s blackout. It’s a good time and the drunkest, gnarliest, most-possibly-shirtless dude in the room is having it. Also he probably smells. And he just hugged you. Down in Flames gets high with that dude. That matters more than who anyone’s dad is.

Warish on Thee Facebooks

RidingEasy Records website

 

Mourn the Light & Oxblood Forge, Split

It’s a double-dose of New England doom as Connecticut’s Mourn the Light and Boston’s Oxblood Forge pair up for a split release. The former bring more material than the latter, particularly when one counts the digital-only bonus cover of Candlemass‘ “Bewitched,” but with both groups, it’s a case of what-you-see-is-what-you-get. Both groups share a clear affinity for classic metal — and yes, that absolutely extends to the piano-led drama of Mourn the Light‘s mournful “Carry the Flame” — but Oxblood Forge‘s take thereupon is rougher edged, harder in its tone and meaner in the output. Their “Screams From Silence” feels like something from a dubbed-and-mailed tape circa ’92. Mourn the Light’s “Drags Me Down” is cleaner-sounding, but no less weighted. I don’t think either band is out to change the world, or even to change doom, but they’re doing what they’re doing well and without even an ounce of pretense — well, maybe a little bit in that piano track; but it’s very metal pretense — and clearly from the heart. That might be the most classic-metal aspect of all.


Mourn the Light on Thee Facebooks

Oxblood Forge on Thee Facebooks

 

Those Furious Flames, HeartH

those furious flames hearth

Swiss heavy rockers Those Furious Flames push the boundaries of psychedelia, but ultimately remain coherent in their approach. Likewise, they very, very obviously are into some classic heavy rock and roll, but their take on it is nothing if not modern. And more, they thrive in these contradictions and don’t at all sound like their songs are in conflict with themselves. I guess that’s the kind of thing one can pull off after 15 years together on a fifth full-length, which HeartH (on Vincebus Eruptum) is for them. Perhaps it’s the fact that they let the energy of pieces like “VooDoo” and the boogie-laced “HPPD” carry them rather than try to carry it, but either way, it’s clearly about the songs first, and it works. With added flash of organ amid the full-sounding riffs, Those Furious Flames round out with the spacey “Visions” and earn every bit of the drift therein with a still-resonant vocal harmony. You might not get it all the first time, but listening twice won’t be at all painful.

Those Furious Flames on Thee Facebooks

Vincebus Eruptum Recordings BigCartel store

 

Mantra Machine, Heliosphere

mantra machine heliosphere

This is what it’s all about. Four longer-form instrumentalist heavy psych jams that are warm in tone and want nothing so much as to go out wandering and see what they can find. Through “Hydrogen,” “Atmos,” “Delta-V” and “Heliosphere,” Amsterdam-based three-piece Mantra Machine want nothing for gig-style vitality, but their purpose isn’t so much to electrify as to find that perfect moment of chill and let it go, see where it ends up, and they get there to be sure. Warm guitar and bass tones call to mind something that might’ve come out of the Netherlands at the start of this decade, when bands like Sungrazer and The Machine were unfolding such fluidity as seemed to herald a new generation of heavy psychedelia across Europe. That generation took a different shape — several different shapes, in the end — but Mantra Machine‘s Heliosphere makes it easy to remember what was so exciting about that in the first place. Total immersion. Total sense of welcoming. Totally human presence without speaking a word. So much vibe. So much right on.

Mantra Machine on Thee Facebooks

Mantra Machine on Bandcamp

 

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Black Capricorn Release Equinox EP

Posted in Whathaveyou on November 30th, 2018 by JJ Koczan

black capricorn

I usually give bands immediate points for opening a release with the longest song. It’s a continually brave decision, and in my mind, worth highlighting when it happens. Okay, so Black Capricorn‘s new digital outing, Equinox, is an EP. So figure maybe half points. But the song’s also acoustic — an unplugged leadoff on an otherwise-plugged release. That’s gotta be points right there. Plus it’s called “Doom for the Red Sun,” so cleverness points on top of those for the reference. I haven’t done a full tally of the numbers involved, but all told, I think it probably works out to you should take a couple minutes and check out the release, which as fate would have it is streaming at the bottom of this post courtesy of the Sardinian trio’s Bandcamp page.

Equinox follows 2015’s Ira Dei EP (discussed here) and this year’s LP, Cult of Black Friars (review here), and in addition to its doomly red sun blues has tracks that date back even before the band got their start and an uncut version of “The Hound of Harbinger God,” which previously appeared on a single.

The art and info:

black-capricorn-equinox-ep

Black Capricorn – Equinox EP

This new EP is part of a concept continuing for a second and final chapter later next year.

Equinox is inspired by spring season and the end of the summer time. Consist of an acoustic with an unlikely title song (track 1), an old song written during Cult of Black Friars session (track 2), a very old song written in the mid of the 90s by Fabrizio for his formerly band Wild Duck (track 3) and the uncensored (by the length of the 7″ release) and remastered song (track 4).

tracklist:
1. Doom for the red sun
2. La sella del Diavolo
3. Astroflower
4. The hound of harbinger god (uncutted and remastered)

Recorded 3 days of november at the doomy cottage (Hill de los muertos, Sardinia). Mastered in 666 minutes by the man behind the button: mr. Toro.

https://blackcapricorn.bandcamp.com/album/equinox-ep

http://facebook.com/blackcapricorn666
https://blackcapricorn.bandcamp.com

Black Capricorn, Equinox (2018)

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Doom Over Karalis VII Lineup Set: Caronte & Fuoco Fatuo to Headline Fest Next Month

Posted in Whathaveyou on September 25th, 2018 by JJ Koczan

If you’re wondering why the Doom Over Karalis festival might take place in Cagliari, they’re the same place. Karalis is the ancient name for the Sardinian capital city, and amidst the ruins of the Tuvixeddu necropolis and the hundred steps, headliners Caronte and Fuoco Fatuo will represent different sides of Italian doom while three more local Sardinian acts provide support. It’s a one-night affair set for Oct. 6 at CuevoRock Live and as someone who spends a significant amount of time daydreaming on hitting faraway festivals in likewise faraway places, hopping over to Sardinia for a lineup of darkened Italian metal sounds like a killer time for someone with unlimited funds and the wherewithal to make it happen.

Doom on, everywhere:

doom over karalis vii banner

Cagliari – DOOM OVER KARALIS VII Festival

6 October 2018, CuevaRock Live, Quartucciu (CA), Sardinia

The “do it your self” festival Doom Over Karalis, which is devoted to Doom and all its sub-genre, reaches its 7th edition.

This Year the festival is dedicated to the Italian Doom and it will bear on the stage of CuevaRock Live, located in Quartucciu (CA), two of the most established Doom bands on the national scene: Caronte and FUOCO FATUO.

CARONTE, Doom / Stoner Band from Parma (2011) will promote their last LP “YONI” (Ván Records, 2017). The Band comes from important festivals as the Desertfest Belgium in Antwerp and the MetalDays in Tolmin.

FUOCO FATUO, Funeral Doom/Death Band from Varese (2011) comes from the major stage of the Roadburn Festival 2018 in Tilburg and the Saint Helena Festival in Munich. The Band will promote their last LP “BACKWATER” (Profound Lore Records, 2017).

The line up will be completed by:
– Ilienses Tree (Doom Death Metal from Cagliari),
– Greenthumb (Sludge from Alghero),
– Doom’s Obsession (Heavy Metal from Iglesias)

The three Sardinian Bands will alternate the stage before the two Headliner.

Everything will be accompanied by resident Dj “Heavy Metal Thunder” and his Old School selection.

https://www.facebook.com/DoomOverKaralis/
https://www.facebook.com/CuevaRockLive/
https://www.facebook.com/events/1871133342972941/

Fuoco Fatuo, Backwater (2017)

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Black Capricorn Release Ira Dei EP for One Week Only

Posted in Whathaveyou on November 3rd, 2015 by JJ Koczan

black capricorn

If you’re thinking maybe a new EP from Italian doomsters Black Capricorn might be your cup of tea, chalice of vino, glass of sambuca, whatever it might be, then you’re probably going to want to jump on Ira Dei while the jumpin’s good. The trio (live four-piece) will have the three tracks of Ira Dei posted for one week — from yesterday — and then that’s it. Word from the band is that “Evil Horde of Lucifer,” “Zeernebooch” and “The Mammoth March to Alnitak” might be used again at some point for a physically-pressed split or as part of a full-length album, but as far as this EP in this form goes, it’s out for a couple days and then gone. One and done.

Ira Dei is one of two releases Black Capricorn have had out this year, the other being a limited split single with Bretus. Their third full-length, Cult of Black Friars, came out last year on Stone Stallion Rex, and continued their roll-groove take on the traditions of doom, and the new tracks, from the chant-style layered vocals of “Evil Horde of Lucifer” to the feedback swells in “Zeernebooch,” furthers their intricate but thoroughly doomed approach another step.

The idea is to fund their next European run, so if it helps to think of it as a Kickstarter or whatever crowdfunding deal we’re namechecking these days, then fine. Release info and links follow, so have at it:

black capricorn ira dei

IRA DEI ep is available from today and for ONLY 1 week on digital download ONLY!!!

tracklist:
1. Evil Horde of Lucifer
2. Zeernebooch
3. The Mammoth March to Alnitak

We do this record in order to collect some money for the next year european tour.

After one week this link will be deleted, we wish to use these songs for further release (split, ep) on physical format.

It would be very helpful for our band if you want to share this link: https://blackcapricorn.bandcamp.com/releases

Thank you all!

https://www.facebook.com/BlackCapricorn666
http://blackcapricorn.bigcartel.com/
https://blackcapricorn.bandcamp.com/releases

Black Capricorn, Ira Dei EP (2015)

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