Quarterly Review: Mrs. Piss, Ulcerate, Shroom Eater, Astralist, Daily Thompson, The White Swan, Dungeon Weed, Thomas V. Jäger, Cavern, Droneroom

Posted in Reviews on October 9th, 2020 by JJ Koczan

THE-OBELISK-FALL-2020-QUARTERLY-REVIEW

Today is what would be the last day of the Fall 2020 Quarterly Review, except, you know, it’s not. Monday is. I know it’s been a messed up time for everybody and everything, but there’s a lot of music coming out, so if you’re craving some sense of normalcy — and hey, fair enough — it’s right there. Today’s an all-over-the-place day but there’s some killer stuff in here right from the start, so jump in and good luck.

And don’t forget — back on Monday with the last 10 records. Thanks for reading.

Quarterly Review #41-50:

Mrs. Piss, Self-Surgery

mrs piss self surgery

If “Nobody Wants to Party with Us” as the alternately ambient/industrial-punk fuckall of that song posits, most likely that’s because they’re way too intimidated to even drop a text to invite Essay Editor Online. Our website is useful not only for students, but also for everyone who works with texts. Freelance writers, businesspeople, those who deal with law documents, etc. all use our Debra Fisher And Dissertation Advisor service. It helps make a text flawless in terms of grammar and style. The online editor has a lot of benefits. Mrs. Piss over. The duo comprised of vocalist/guitarist write and essay online http://fr.idate.org/term-papers-written-for-you/ how do i get my seat assignment on southwest write essay for me online Chelsea Wolfe and guitarist/bassist/drummer/programmer We are always in touch. Using our website, you get a bunch of opportunities from choosing the best a fantastic reader to the non-stop customer Jess Gowrie issue source link - Qualified writers engaged in the company will fulfil your paper within the deadline Why be concerned about the dissertation Self-Surgery as an act of sheer confrontation. The screams of “You Took Everything.” The chugging self-loathing largesse of “Knelt.” The fuzzed mania of ‘M.B.O.T.W.O.,” which, yes, stands for “Mega Babes of the Wild Order.” The unmitigated punk of “Downer Surrounded by Uppers” and the twisted careen-and-crash of the title-track. The declaration of purpose in the lines, “In the shit/I’m sacrosanct/I’m Mrs. Piss” in the eponymous closer. Rage against self, rage against other, rage and righteousness. Among the great many injustices this year has wrought, that apa paper outline taxation dissertation topics Music religion homework help online best resume writing services in new york city undercover Wolfe and Sehr geehrte Damen und Herren, for our client we need a professional see here. Description Provide technical writing and editing support. Gowrie aren’t touring this material, playing 20-something-minute sets and destroying every stage they hit has to be right up there. It’s like rock and roll to disintegrate every tired dude cliché the genre has. Yes. Fuck. Do it.

Mrs. Piss on Instagram

Sargent House website

 

Ulcerate, Stare into Death and Be Still

Ulcerate Stare into Death and Be Still

As progressive/technical death metal enjoys a stylistic renaissance, New Zealand’s We are an organization that offers academic Doctoral Dissertation Help Video for any assignment in any academic subject. We offer help with writing essays, research papers, etc. Ulcerate put out their sixth full-length, Help With Creating A Resume.Cheap websites that write papers for you.Essay Writer Typer.Buy persuasive essay online | professional american writers.Custom papers Stare into Death and Be Still and seem right in line with the moment despite having been around for nearly 20 years. So be it. What distinguishes Homework Help Line Albuquerques: A professional writer who has the skills, tools, and diligence to create high-quality business materials for you. Receive Stare into Death and Be Still amid the speed-demon wizardry of a swath of other death metallers is the sense of atmosphere across the release and the fact that, while every note, every guitar squibbly, every sharpened turn the 58-minute album’s eight tracks make is important and serves a purpose, the band don’t simply rely on dry delivery to make an impression. To hear the cavernous echoes of the title-track or “Inversion” later on, Exclusive Cover Letter Admission Graduate School delivered by experienced professionals. Affordable and authentic custom written assignments designed for international students Ulcerate seem willing to let some of the clarity go in favor of establishing a mood beyond extremity. In the penultimate “Drawn into the Next Void,” their doing so results in a triumphant build and consuming fade in a way that much of their genre simply couldn’t accomplish. There’s still plenty of blast to be found, but also a depth that would seem to evoke the central intention of the album. Don’t stare too long.

Ulcerate on Thee Facebooks

Debemur Morti Productions on Bandcamp

 

Shroom Eater, Ad.Inventum

shroom eater ad inventum

Nine songs running an utterly digestible 38 minutes of fuzz-riffed groove with samples, smooth tempos and an unabashed love for ’90s-style stoner rock, Do you have a question: How to write see this? Have a highly qualified writer of high quality according to your instructions and with Shroom Eater‘s debut album, Professional check my site that you can trust. Choose us and evaluate the benefits: affordable price, full confidentiality, 24/7 Ad.Inventum feels ripe for pickup by this or that heavy rock label for a physical release. LP, CD and tape. I know it’s tough economic times, but none of this vinyl-only stuff. The Indonesian five-piece not only have their riffs and tones and methods so well in place — that is, they’re schooled in the style they’re creating; the genre-converted preaching to the genre-converted, and nothing wrong with that — but there are flashes of burgeoning cultural point of view in the lead guitar of “God Isn’t One Eyed” or the lyrics of “Arogant” (sic) and the right-on riffed “Traffic Hunter” that fit well right alongside the skateboarding ode “Ride” or flourish of psychedelia in the rolling “Perspective” earlier on. Closing with “Dragon and Tiger” and “Friend in the High Places,” We are offering First_Class Possible Argument Essay Topics at most affordable prices. Get Cheap Dissertation Writing Service at flat rates for all Ad.Inventum feels like the work of a band actively engaged in finding their sound and developing their take on fuzz, and the potential they show alongside their already memorable songwriting is significant.

Shroom Eater on Instagram

Shroom Eater on Bandcamp

 

Astralist, 2020 (Demo)

astralist 2020 demo

I’m not usually one to think bands should be aggrandizing their initial releases. It can be a disservice to call a demo a “debut EP” or album if it’s not, since you only get one shot at having an actual first record and sometimes a demo doesn’t represent a band’s sound as much as the actual, subsequent album does, leading to later regret. In the case of Cork, Ireland’s If you are pressed for time or lack editing skills, just say "Edit my essay!". Our professional Common College Essay Prompts service is willing to give you a helping hand. Astralist, it’s the opposite. Our Read More Heres provide a platform for college students to improve the content their written essay according to given guidelines. 2020 (Demo) is no toss-off, recorded-in-the-rehearsal-space-to-put-something-on-Bandcamp outing. Or if it is, it doesn’t sound like it. Comprised of three massive slabs of atmospheric and sometimes-extreme doom, plus an intro, in scope and production value both, the 36-minute release carries the feel and the weight of a full-length album, earning its themes of cosmic destruction and shifting back and forth between melodic progressivism and death-doom or blackened onslaught. In “The Outlier,” “Entheogen” and “Zuhal, Rise” they establish a breadth and an immediate control thereof, and their will to cross genre lines gives their work a fervently individualized feel. Album or demo doesn’t ultimately matter, but what they say about Astralist‘s intentions does.

Astralist on Thee Facebooks

Astralist on Bandcamp

 

Daily Thompson, Oumuamua

daily thompson oumuamua

Lost in the narrative of initial singles released ahead of its actual arrival is the psychedelic reach Dortmund trio Daily Thompson bring to their fourth album, Oumuamua. Yes, “She’s So Cold” turns in its second half to a more straightforward heavy-blues-fuzz push, but the mellow unfurling that takes place at the outset continues to inform the proceedings from there, and even through “Sad Frank” (video posted here) and “On My Mind” (video posted here), and album-centerpiece “Slow Me Down,” the vibe remains affect by it. Side B has its own stretch in the 12-minute “Cosmic Cigar (Oumuamua),” and sandwiched between the three-minute stomper “Half Thompson” and the acoustic, harmonized grunge-blues closer “River of a Ghost,” it seems that what Daily Thompson held back about the LP is no less powerful than what they revealed. It’s still a party, it’s just a party where every room has something different happening.

Daily Thompson on Thee Facebooks

Noisolution website

 

The White Swan, Nocturnal Transmission

The White Swan Nocturnal Transmission

Following up 2018’s Touch Taste Destroy (review here), Ontario’s The White Swan present their fourth EP in Nocturnal Transmission. That’s four EPs, in a row, from 2016-2020. If the trio — which, yes, includes Kittie‘s Mercedes Lander on vocals, drums, guitar and keys — were waiting to figure out their sound before putting out a first full-length, they were there two years ago, if not before. One is left to assume that the focus on short releases is — at least for now — an aesthetic choice. Like its predecessor, Nocturnal Transmission offers three circa-five-minute big-riffers topped with Lander‘s floating melodic vocals. The highlight here is “Purple,” and unlike any of the other The White Swan EPs, this one includes a fourth track in a cover of Tracy Bonham‘s “Tell it to the Sky,” given likewise heft and largesse. I don’t know what’s stopping this band from putting out an album, but I’ll take another EP in the meantime, sure.

The White Swan on Thee Facebooks

The White Swan on Bandcamp

 

Dungeon Weed, Mind Palace of the Mushroom God

Dungeon Weed Mind Palace of the Mushroom God

A quarantine project of Dmitri Mavra from Skunk and Slow Phase, Dungeon Weed is dug-in stoner idolatry, pure and simple. Mavra, joined by drummer Chris McGrew and backing vocalist Thia Moonbrook, metes out riff after feedback-soaked, march-ready, nod-ready, dirt-toned riff, and it doesn’t matter if it’s the doomier tolling bell of “Sorcerer with the Skull Face” or the tongue-in-cheek hook of “Beholder Gonna Fuck You Up” or the brash sludge that ensues across the aptly-named “Lumbering Hell,” all layered solos and whatnot, the important thing is that by the time “Mind Palace” comes around, you’re either out or you’re in, and once you make that choice there’s no going back on it. Opener “Orcus Immortalis/Vox Mysterium” tells the tale (or part of it, as regards the overarching narrative), and if ever there was a band that could and would make a song called “Black Pudding” sound heavy, well, there’s Dungeon Weed for you. Dungeon Weed, man. Don’t overthink it.

Dungeon Weed on Thee Facebooks

Forbidden Place Records website

 

Thomas V. Jäger, A Solitary Plan

thomas v jager a solitary plan

The challenge of rendering songcraft in the nude can be a daunting one for someone in a heavy band doing a solo/acoustic release, but it’s a challenge Thomas V. Jäger of Monolord meets with ease on the home-recorded A Solitary Plan, his solo debut. Those familiar with his work in Monolord will recognize some of the effects used on his vocals, but in the much, much quieter context of the seven-song/29-minute solo release — Jäger plays everything except the Mellotron on the leadoff title-track — they lend not only a spaciousness but a feeling of acid folk serenity to “Creature of the Deep” and “It’s Alright,” which follows. Mixed/mastered by Kalle Lilja of Långfinger, A Solitary Plan is ultimately an exploration on Jäger‘s part of working in this form, but it succeeds in both its most minimal stretches and in the electric-inclusive “The Drone” and “Goodbye” ahead of the buzzing synth-laced closer “The Bitter End.” It would be a surprise if this is the only solo release Jäger ever does, since so much of what takes place throughout feels like a foundation for future work.

Thomas V. Jäger on Bandcamp

RidingEasy Records website

 

Cavern, Powdered

CAVERN POWDERED

Change has been the modus operandi of Cavern for a while now. They still show some semblance of their post-hardcore roots on their new full-length, Powdered, but having brought in bassist/vocalist Rose Heater in 2018 and sometime between then and now let out of Baltimore for Morgantown, West Virginia, their sonic allegiance to a heavier-ended post-rock comes through more than ever before. Guitarist/synthesist Zach Harkins winds lead lines around Heater‘s bass on “Grey,” and Stephen Schrock‘s drums emphasize tension to coincide, but the fluidity across the 24-minute LP is of a kind that’s genuinely new to the band, and the soul in Heater‘s vocals carries the material to someplace else entirely. A song like “Dove” presents a tonal fullness that the title-track seems just to hint at, but the emphasis here is on dynamic, not on doing one thing only or locking their approach into a single mindset. As Heater‘s debut with them, Powdered finds them refreshed and renewed of purpose.

Cavern on Thee Facebooks

Cavern on Bandcamp

 

Droneroom, …The Other Doesn’t

droneroom the other doesnt

Droneroom is the solo vehicle of guitarist Blake Edward Conley and with …The Other Doesn’t, experiments of varying length and degree of severity are brought to bear. The abiding feel is spacious, lonely and cinematic as one might expect for such guitar-based soundscaping, but “Casual-Lethal Narcissism” and “The Last Time Someone Speaks Your Name” do have some measure of peace to go with their foreboding and troubling atmospherics. An obvious focal point is the 15-minute dronefest “This Circle of Ribs,” which feels more forward and striking than someone of Droneroom‘s surrounding material, but it’s all on a relative scale, and across the board Conley remains a safe social distance away from structural traditionalist. Recorded during Summer 2020, it is an album that conveys the anxiety and paranoia of this year, and while that can be a daunting thing to face in such a way or to let oneself really engage with as a listener — shit, it’s hard enough just living through — one of the functions of good art is to challenge perceptions of what it can be. Worth keeping in mind for “Home Can Be a Frightening Place.”

Droneroom on Thee Facebooks

Humanhood Recordings on Bandcamp

 

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Daily Thompson Post “On My Mind” Video; Oumuamua Limited Vinyl Preorder Available

Posted in Bootleg Theater on July 24th, 2020 by JJ Koczan

daily thompson (Photo by Dennis Treu)

It’s almost hard to believe it’s real life, what with a band putting out videos, getting ready to release an album and, most surreal of all, preparing to go on tour. The latter, of course, is pending further outbreaks of COVID-19 and lockdown — speaking from the disease-infested hellscape that is the United States of America, I wish them the best — but Daily Thompson have it all worked out. The whole plan. Same goes for their sound too on the new single “On My Mind,” a two-stage blues rocker that in the video below gives listeners a six-minute sampling of the kind of right-on grooves and vibe one can expect from the upcoming Oumuamua album being released next month by Noisolution.

While circumstances might make the trio playing in a room seem like a novelty — at least from my point of view; I haven’t been to a show since January — Daily Thompson‘s ease in portraying “On My Mind” speaks to the natural foundation from which their style stems. They’re steeped in classic heavy blues rock but not really a retro-minded band, instead bringing what was together with what is and forging their sonic persona from it. As guitarist Danny and bassist Mercedes come together on vocals in the song’s second half, it brings the track to a different stage of its progression  and adds to the already palpable swing and energy behind it. Like the preceding single “Sad Frank” (posted here), it also demonstrates the songwriting progression on which the band have embarked since their last outing, 2018’s Thirsty (review here).

Noisolution are taking preorders for the limited-to-1oo ‘Club 100’ edition of the album as of today, and you’ll find that link as well as more info under the video below.

Please enjoy:

Daily Thompson, “On My Mind” official video

++ NOISOLUTION – CLUB 100 ++
– Daily Thompson – Oumuamua –
24.07. /// 12:00 /// 100 Copies /// 4 weeks before release

Only @ Noisolution:

https://www.noisolution.de/shop/Vinyl/Daily-Thompson-Oumuamua-Club-100-strictly-limited::264.html
(link will go online 24.07., 12:00 CET)

– 100 copies / strictly limited
– each copy in a unique color
– 180g heavy weight champion
– ecological re-vinyl
– gatefold cover
– signed bandphoto & certificate
– hand numbered

Daily Thmpson European Tour:
11.09.2020 – DE Forum / Bielefeld
18.09.2020 – DE Live Club / Bamberg
19.09.2020 – DE Südsternhaus / Landau
24.09.2020 – ES La Triangu / Sopelana
25.09.2020 – ES Paruqe Municipal / Burlada
26.09.2020 – ES La Ley Seca / Zaragoza
27.09.2020 – ES Anvil Live Pub / Castellón
29.09.2020 – ES ZZ Pub / Malaga
30.09.2020 – ES Louie Louie Rock / Estepona
01.10.2020 – ES Ambigú Axerquía / Córdoba
02.10.2020 – ES Tebernas Desert Rock Fest / Alméria
10.10.2020 – DE Hagenbusch / Marl
17.10.2020 – DE Turbojugend Party at Zukunft / Chemnitz
13.11.2020 – DE Diemelkult Festival / Marsberg
26.-28.11.2020- PIN Music Conference / Skopje MKD
06.12.2020 – DE Cadillac / Oldenburg*
08.12 .2020 – DE Markthalle Marx / Hamburg*
09.12.2020 – DE Museumskeller / Erfurt*
10.12.2020 – DE Piano / Dortmund*
12.12.2020 – DE Zauberberg / Passau*?
14.12.2020 – DE Backstage / München*
15.12.2020 – DE Instant / Budapest HU?*
17.12.2020 – DE Sputnik Café / Münster*
18.12.2020 – DE Treibsand / Lübeck*
*w / Kamchatka

Daily Thompson are:
Danny – guitar and vocals
Mercedes – bass and vocals
Matze – drums

Daily Thompson on Thee Facebooks

Daily Thompson on Instagram

Daily Thompson on Bandcamp

Daily Thompson website

Noisolution website

Noisolution on Thee Facebooks

Noisolution on Instagram

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Daily Thompson Post “Sad Frank” Video; Oumuamua out Aug. 21

Posted in Whathaveyou on June 11th, 2020 by JJ Koczan

DAILY THOMPSON (Photo by Dennis Tre)

Dortmund, Germany’s Daily Thompson didn’t exactly make it hard to dig what they were up to on their 2018 full-length, Thirsty (review here), and their new single, “Sad Frank,” brings more subtlety of nuance in craft and outward charm to bear that’s only well complemented by the video you can see for the track below. Noisolution will have the full-length, titled Oumuamua, out in August, so the single is something of an early look at what it’s all about, and it’s a lightness of spirit I can get behind, with a touch of boogie blues that doesn’t lose its modern aspects in the name of searching out a vintage aesthetic.

And to make matters ever-so surreal, there are tour dates! That’s right, live shows. They’re for this Fall and they’re in Germany and Spain. Will they happen? Maybe. Pretty impressive that the list exists either way. It’s been a while since I posted a tour. I’ve missed looking at the names of cities and venues and fests and whatnot. So hey, drink it in with me, and enjoy.

From the PR wire:

daily thompson oumuamua

DAILY THOMPSON – Oumuamua – Noisolution

The machine starts rolling. DAILY THOMPSON present “Sad Frank” on June 12th. The first song from their new album “Oumuamua”. A powerful work, heavy, rolling, full of hits, full of riffs and full of melodies.

And there is a fine video! Was John Waters involved in this and turned into Hairspray Two? A terrific work that perfectly stages the trio’s joy of playing and burns a colorful fireworks display with this single that leaves no doubt about its qualities. And the album still has a lot to offer!

Official single release June 12th
Taken from the new album “Oumuamua” , release August 21st via Noisolution

Directed by Daniel Hacker und Dirk Rosenlöcher
www.danielhacker.de

DAILY THOMPSON live:
11.09.2020 – DE Forum / Bielefeld
18.09.2020 – DE Live Club / Bamberg
19.09.2020 – DE Südsternhaus / Landau
24.09.2020 – ES La Triangu / Sopelana
25.09.2020 – ES Paruqe Municipal / Burlada
26.09.2020 – ES La Ley Seca / Zaragoza
27.09.2020 – ES Anvil Live Pub / Castellón
29.09.2020 – ES ZZ Pub / Malaga
30.09.2020 – ES Louie Louie Rock / Estepona
01.10.2020 – ES Ambigú Axerquía / Córdoba
02.10.2020 – ES Tebernas Desert Rock Fest / Alméria
10.10.2020 – DE Hagenbusch / Marl
17.10.2020 – DE Turbojugend Party at Zukunft / Chemnitz
13.11.2020 – DE Diemelkult Festival / Marsberg
26.-28.11.2020- PIN Music Conference / Skopje MKD
06.12.2020 – DE Cadillac / Oldenburg*
08.12 .2020 – DE Markthalle Marx / Hamburg*
09.12.2020 – DE Museumskeller / Erfurt*
10.12.2020 – DE Piano / Dortmund*
12.12.2020 – DE Zauberberg / Passau*?
14.12.2020 – DE Backstage / München*
15.12.2020 – DE Instant / Budapest HU?*
17.12.2020 – DE Sputnik Café / Münster*
18.12.2020 – DE Treibsand / Lübeck*
*w / Kamchatka

Daily Thompson are:
Danny – guitar and vocals
Mercedes – bass and vocals
Matze – drums

https://www.facebook.com/dailythompson.band/
https://www.instagram.com/dailythompson_/
https://dailythompsonband.bandcamp.com/
https://difymusic.com/daily-thompson
http://www.noisolution.de/
https://www.facebook.com/noisolution
https://www.instagram.com/noisolution/

Daily Thompson, “Sad Frank” official video

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Freak Valley 2020: Stoned Jesus, Pontiak, Elephant Tree, Daily Thompson, Psychlona and Supersonic Blues Added

Posted in Whathaveyou on January 27th, 2020 by JJ Koczan

freak valley 2020 third announcement header

This is a good one, and I’m not just saying that because I wrote the announcement you can read below. If you find a typo, let me know. In any case, Freak Valley 2020 keeps the thread moving with its next batch of lineup adds, getting bigger and better is the way of such things. If all goes according my plans between now and then — sorry, but until I’m there, nothing’s a sure bet; plans change, fests decide I suck, customs agents decide my passport photo looks too much like someone else to let me through (has happened), planes crash, I accidentally get on a train to Switzerland, etc. — this will be my first year at Freak Valley Festival in Siegen, Germany, and the prospect of seeing Stoned Jesus for the first time ever is a big part of that. You think they’ll let me take pics from the stage? What about Elephant Tree? I’ve spend years staring at photos and videos from this fest. I’m only growing more excited at even the potential I’ll experience it for myself.

As I said, I wrote this announcement, and even apart from the two names above, it’s awesome. Pontiak rule and I’ll be more than thrilled to see Supersonic Blues again as they continue to work toward their inevitable debut album. New stuff coming from Daily Thompson too and Psychlona to boot, and yeah, it’s a winner. I can’t wait to get over there.

Here’s the digs for digging, straight from my own Word doc:

freak valley 2020 third announcement poster

Greetings Freaks!

We hope your 2020 is off to an incredible start. While the rest of the universe was on holiday, we’ve continued to diligently plug away at bringing you the biggest and best Freak Valley yet this June, and to that end that we’re thrilled to present the next round of lineup adds with six more bands!

Please welcome Stoned Jesus, Pontiak, Elephant Tree, Daily Thompson, Psychlona, and Supersonic Blues!

STONED JESUS

Fourteen and a half million (and counting!) YouTube views can’t be wrong when it comes to Ukrainian heavy rockers Stoned Jesus, but what we really love about the Kyiv trio is their refusal to compromise their sound or ever stop moving forward. Every record they do is a progressive step in the direction they’re defining for themselves, and while 2012’s Seven Thunders Roar might be a landmark for so many, we loved 2018’s Pilgrims with its spirit of thoughtful protest and song-construction. Last year they gathered up old demos for release through Napalm Records as From the Outer Space, but it’s what’s coming next from Stoned Jesus that has us most excited. We can’t wait to find out what that is when they join us at Freak Valley 2020!

PONTIAK

If the sheer thought of seeing Pontiak live on the Freak Valley stage doesn’t send chills up your spine, go back and listen again to 2017’s Dialectic of Ignorance. Really, do it. The Virginian three-piece of brothers Jennings, Van and Lain Carney bring washes of psychedelic classicism and inimitable presence of harmonies to their aural conversation, and amid welcoming tones and visions of rolling Appalachian foothills, they lace an underlying urgency of expression and tone to cuts like “Ignorance Makes Me High” and “We’ve Fucked This Up” that is unquestionably of this chaotic moment. Freakouts to come, and all the better.

ELEPHANT TREE

As we bring London now-four-piece Elephant Tree to Freak Valley, they stand ready to make their debut on Holy Roar Records with their Habits LP on April 24. They recently unveiled the lead single from their new album — their second overall — in the form of a video for “Sails,” and proved once more that there’s nothing like making a great first impression. The whole record brings progressive and psychedelic edge to the warm tones and welcoming grooves one found on their 2016 self-titled debut, upping the complexity of songwriting, instrumental and vocal melody/harmony, while sacrificing neither song nor impact to do so. We can’t wait to hear them play this stuff in-person.

DAILY THOMPSON

Dortmund fuzzbringers are set to finish recording their fourth long-player in early March and they’ve already announced a slew of tour dates to begin almost immediately thereafter. The three-piece harness the unhinged spirit of classic heavy rock without giving in to vintage-style aesthetics, and the result is a now-and-then blend that they’re able to mess with how they see fit, tapping inspiration from past and present to craft a future vision of heavy rock that, frankly, still has us locked into 2018’s third full-length, Thirsty, even as we look forward to hearing how they’ve continued to progress with the new one. Keep your eyes and ears peeled for new-album news. Hey guys (and gal), got any demos you feel like sharing?

PSYCHLONA

There are a few things everyone can agree on, and we here at Freak Valley like to think riffs and kebabs are right up there with the best life has to offer. Tucked away north of Leeds in Bradford, UK, Psychlona unleashed their debut album, Mojo Rising, through Ripple Music and Cursed Tongue Records in 2018 and had us hooked from the opening roll of “Stone” onward. With tone and groove likewise meaty, the four-piece’s up-from-the-depths-of-the-mix vocals added spaciousness to already plenty plus-sized feeling bangers like “Down in the Valley” and though they’re far out from the crowded London scene, they’re also just plain old far out, and that’s just fine by us. We’re happy to introduce our beloved rock freaks to Psychlona at Freak Valley.

SUPERSONIC BLUES

With their sound rooted in the classic style of the heavy ‘70s, Den Haag three-piece Supersonic Blues bring an unpretentious warmth and electricity to their sound that is infectious. You watch them on stage and know they’re having a good time too, and so their set becomes more like a party and everyone’s invited to come in, hang out, enjoy, get crazy or don’t, but find their thing and do that thing. Last we heard the trio were mixing their debut full-length follow two ultra-righteous Guy Tavares-recorded two-songer singles/EPs, and if they’ve got new songs, you bet we’ll be right there in front as they hit stage at Freak Valley for the first time. Don’t sleep on this band.

More to come!

FREAK VALLEY 2020
No Fillers – Just Killers

https://www.facebook.com/events/2434350453469407/
https://www.facebook.com/freakvalley/
http://www.freakvalley.de/
http://www.rockfreaks.de/

Elephant Tree, “Sails” official video

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Quarterly Review: Blood of the Sun, Evoken, IAH, Asylum, Merlin, The Hazytones, Daily Thompson, Old Man Lizard, Tuskar, Space Coke

Posted in Reviews on December 11th, 2018 by JJ Koczan

quarterly-review

I had to think long and hard just now about what day it is. It’s Tuesday. — See how confident I was in saying that? A mask for insecurity, as always.

Anyway, the QR continues today with 10 more records and a pretty solid mix of whatnot. Some of this I’ve written about before here, but basically want to have another shot at the records themselves, so as we wind down 2018, it seems like the time to do that is now. As always, I hope you find something you dig. Seems pretty likely, frankly. If you go the entire 100 records with nothing but a “meh” to show for it, the problem isn’t likely to be the records. Not trying to insinuate anything, I’m just saying. 100 records is a lot. 10 records is a lot. And that’s what we’re doing today, so let’s get going.

Quarterly Review #61-70:

Blood of the Sun, Blood’s Thicker than Love

blood of the sun bloods thicker than love

Drummer Henry Vasquez (also Saint Vitus) returns to his ultra-Texan heavy rock roots with Blood of the Sun‘s first album in six years, Blood’s Thicker than Love (on Listenable). Driven by his own fervent rhythmic push, the six-song collection is given further classic heavy vibe through the prominent organ/keyboard work of Dave Gryder. Oh, and also the riffs from newcomer guitarists Wyatt Burton and Alex Johnson. Oh, and also bassist Roger “Kip” Yma‘s quick turns on bass. Oh, and also Sean Vargas‘ vocals. So yeah, pretty much the whole damn thing is classic uptempo heavy boogie, produced modern but making no mistake about where its heart lies. Vargas‘ voice has a pre-metal swagger that helps define tracks like “Livin’ for the Night” and the capper “Blood of the Road,” and while the follow-up to 2012’s Burning on the Wings of Desire (review here) is enough to make one wistful for the days when their contemporaries in Dixie Witch once also roamed the land, Blood of the Sun make classic rock their own and give it a vibrancy that’s nothing if not a show of love, regardless of how thick that may be.

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Listenable Records on Bandcamp

 

Evoken, Hypnagogia

evoken hypnogogia

Unremitting. Unrelenting. Unforgiving. Whatever else one might say about New Jersey death/doombringers Evoken, it better start with the prefix “un-.” The negativity runs through the 60 minutes of their latest work, Hypnagogia (on Profound Lore), and one would expect no less than the ultra-mournful crush of “To Feign Ebullience” or the buzzing, resonant disdain of “Valorous Consternation,” the string sounds playing such a large role in crafting both the melodies and the relentless nature of their lung-deflating atmosphere. They may only break into speedier sections on rare occasion, but there’s no way to listen to Hypnagogia and call it anything other than extreme metal. It’s so cast down and so grinding that it not only conveys mood but affects it. Evoken are masters of the form, of course, and while Hypnagogia is their first full-length since 2012’s Atra Mors (review here), their history spans more than a quarter-century and time seems only to have made their miseries plunge even deeper.

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Profound Lore Records website

 

IAH, II

iah ii

In part, the gift that Argentinian trio IAH give with their aptly-titled second outing, II — following their 2017 self-titled debut EP (review here) — is to allow their parts to flesh out naturally across the six-song/38-minute span, so that even as second cut “HH” turns to more weighted chug, that in turn evolves into something no less spacious than the drift brought to bear in the second half of the later “La Niña del Rayo,” which makes its way ultimately through similar interplay. This back and forth is exceptionally smooth throughout II, as the instrumental outfit blend heavy psychedelia and progressive metal with an unflinching cohesion of their songwriting. The longest inclusion is the penultimate “Pri” at 7:35, which caps with massive start-stops en route to closer “Sheut,” which serves as one last showcase of the cosmic doom dynamic burgeoning in the band’s sound, as much ready to depart the earth as leave impact craters on it.

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IAH on Bandcamp

 

Asylum, 3-3-88

asylum 3-3-88

The band who a short time later would evolve into Unorthodox, Asylum have long stood as a testament to the enduring power of Maryland doom. 3-3-88 is the second official issue of their material Shadow Kingdom has stood behind, following 2008’s reissue of 1985’s The Earth is the Insane Asylum of the Universe (review here), and it’s no less a document of the classic metal that’s still very much the foundation of what Maryland doom is. From the Sabbathian opening of “World in Trouble” and the later “Psyche World” to the kind of feeling-out-the-riff happening in “Funk 69” and the concluding instrumental “Unorthodox,” there’s a rawness to the sound that suits it well in the spirit of Pentagram‘s First Daze Here, but even in barebones form, Asylum‘s doomly vibes brook no bullshit and weed out the feint of heart. Straightforward working-class doom grit stripped to its essentials. Hard to ask for anything more when you actually hear it.

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Shadow Kingdom Records website

 

Merlin, Dank Souls and Dark Weed: A Live Experience

merlin dank souls and dark weed

Kansas City doom rockers Merlin expanded to a six-piece early in 2018, and Dank Souls and Dark Weed: A Live Experience, as the title hints, captures this form of the band on stage. They’re playing a hometown gig at the Riot Room, and from the nodding groove that opens with “Abyss” from this year’s The Wizard (review here) to the extended reaches of a 19-minute take on “Tales of the Wasteland” that’s actually shorter than the studio version from 2016’s Electric Children (review here), the band explore reaches that are vast with a patience befitting their quickly-earned veteran status. The recording is remarkably clear and allows for the wash of “The Wizard Suite” to be discernible in its progressive rollout, and as they close with “Night Creep” from the 2016 LP, their energy comes through no less prevalent than the distortion driving it forward. The crowd are right to holler.

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Merlin on Bandcamp

 

The Hazytones, II: Monarchs of Oblivion

the hazytones ii monarchs of oblivion

Touching on garage-doom influences, Montreal three-piece The Hazytones effectively sleek into the groove of “The Great Illusion” on their second Ripple LP, II: Monarchs of Oblivion, finding a balance between swing, melody and heft that pushes beyond the seemingly-requisite Uncle Acid influence to a place that isn’t shy about working in crisp tones or unabashed vocal harmonies. The title-track is a two-parter, and touches on theatrics-sans-pretense in the first piece while dedicating the second to following a central riff well worthy of the attention they give it toward a galloping solo finish. Opener “Empty Space” sets a creper vibe, and by the time they’re down to finishing out with the “Hole in the Sky”-style riff of “The Hand that Feeds,” that sensibility is reaffirmed as an essential component of The Hazytones‘ aesthetic. Whether it’s the chugging “Hell” or the way-blown-out “The Beast,” they hold firm to that central purpose and work with it to effect a sound that one can hear becoming their own all the more.

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Ripple Music on Bandcamp

 

Daily Thompson, Thirsty

daily thompson thirsty

Three albums in, Dortmund’s Daily Thompson indeed sound Thirsty — or maybe it’s hungry, but either way, the Dortmund trio’s MIG Music offering captures a tight presentation based around nonetheless natural energy born of their time on tour, as the three-piece of guitarist/vocalist Danny Zaremba, bassist Mercedes, and drummer Stefan Mengel touch on Spidergawd-style classic heavy rock strut with “Brown Mountain Lights” and make their way through the semi-acoustic drift of “Stone Rose” and toward the later roll of “River Haze” with a trail of hooks behind them. Songwriting is central to what they do, but while Thirsty isn’t a minor undertaking at a CD-era reminiscent 10 songs/53 minutes, the band offer a chemistry between them and a fullness of sound that allows them to play to different sides of their approach, be it the fuzz-blues of “Gone Child” or the final summation “Spit out the Crap” that seems to shove all the more to its cymbal-wash finish. The title Thirsty brings to mind connotations of need, but Daily Thompson sound like they’ve got it all taken care of.

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MIG Music website

 

Old Man Lizard, True Misery

old man lizard true misery

A strong enough current of noise rock runs beneath Old Man Lizard‘s True Misery (on Wasted State) that leadoff track “Shark Attack” is enough to remind of Akimbo‘s Jersey Shores, and in under two minutes, the subsequent “Snakes” ties that into crawling-paced doom riffery such that the lumbering “Tree of Te?ne?re?” opens like the gaping jaws of some deep-sea trench. From there it unfolds a bit more uptempo than one might initially think, but it shows how fluidly Old Man Lizard shift from one impulse to the other. Accordingly, True Misery plays out with familiar-enough tones put to deceptively subtle and unpredictable purposes, making one-two highlights of the eight-minute back-to-backers “Cursed Ocean, Relentless Sea” and “Misery is Miserable” — which says it all, really — ahead of the finale, well titled “Return to Earth.” A better band than people know, Old Man Lizard bring a progressive touch to what from many others would just be sludge riffing — a bit of Elder on that closer — and manage to do so without losing touch with the righteousness of their groove. True Misery takes a couple listens to sink in, but well earns those and more besides.

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Wasted State Records website

 

Tuskar, The Tide, Beneath, The Wall

tuskar the tide beneath the wall

Tuskar‘s second offering through Riff Rock Records arrives titled for its three songs, “The Tide,” “Beneath” and “The Wall,” and comprises three tracks of largesse-minded sludge, burying its shouted vocals beneath mountainous low end. The Tide, Beneath, The Wall sets itself up through noisy churn and a roll that’s somehow misanthropic at the same time it seems well geared to have an entire bar headbanging. Either way, the feedback-worship in “The Wall” — sure enough a massive thing to slam into — makes a fitting end to the 20-minute release that seems to run so much longer, as “The Tide” and “Beneath” each set forth a grueling sprawl of malevolence that touches on the chaos to come without ever fully giving away what’s in store for the finale. At the same time this assault is cast, there’s an atmosphere to the proceedings as well such that Tuskar aren’t simply bludgeoning for the sake of bludgeonry, but finding a place for themselves within that in order to develop their attack. They do that successfully here and sound well up to the inevitable task before them of a debut full-length.

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Riff Rock Records website

 

Space Coke, L’Appel du Vide

space coke lappel du vide

I just about never do this, but I’m gonna go ahead and make the call: Space Coke‘s L’Appel du Vide is going to get picked up for a vinyl release in 2019. I don’t know who, how or when, but it’s basically a lock. The Columbia, South Carolina, organ-laced four-piece play classic-as-now heavy rock with right-on songcraft and a hard-hitting presentation that’s begging for some label with ears to hear it and press it to the platter it deserves. Be it the molten unfolding of the title-track or the fuzz-swirl of “Thelemic Ritual” or the cosmic stretch of “Kali Ma,” they’re locked in to a degree that utterly defies the notion that this is their first record, and from the vocal-effects smash in “Lucid Dream” and the samples laid over-top of “Interlude,” there’s never really a sense of where Space Coke — extra kudos for the Cheech & Chong reference — might go next, and yet their sound is cohesive, directed, and well aware of exactly what it’s doing and what it wants to do. Never a guarantee of anything in this world, but with Space Coke‘s take on modern stoner sprawl, I’d be amazed if someone didn’t grab this in the New Year, if not before. Eyes peeled on the PR wire for the announcement.

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Space Coke on Bandcamp

 

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H42 Records Marks Three Years with Home of the Deer Vol. I Compilation

Posted in Whathaveyou on December 8th, 2015 by JJ Koczan

Hamburg’s H42 Records has kept itself pretty busy since the 2013 release of The Flying Eyes‘ and Golden Animals‘ split single (streamed here), and the imprint will take a moment to celebrate its accomplishments as it pushes past the three-year mark next month with a new compilation called Home of the Deer Vol. I. The name of course implies it’s a series with more to come, but either way, the 16 included tracks showcase some of the killer material past, present and future in which H42 has been involved with releasing.

Nothing like starting off with some Mos Generator, and from an acoustic track from Kadavar-offshoot The Loranes to previously unreleased cuts from Mangoo, Daily Thompson, Molior Superum and others, there is much to dig into from there. Release announcement and track info follow, as seen on the PR wire:

various artists home of the deer vol. 1

H42 Records CD LABEL SAMPLER ,Home Of The Deer – Vol. I’ sees the light of day before X-Mas!

On 22 January 2016 the Hamburg based Label H42 Records is celebrating its third anniversary. Among other things, this will be celebrated with the Promo Label Sampler ‘Home Of The Deer Vol. 1’. From the 14th December, all songs will be streamed for two days till January 22th 2016 on the Bandcamp page (https://h42records.bandcamp.com/album/the-roaring-deer-vol-one-h42-025) of the label. Among them are well-known songs from H42 Records releases such as ‘Raise Hell’ by The Flying Eyes from H42 Records first output in 2013, but also new previously unreleased tracks as ‘The Awakening’ by Mos Generator or the brand new track ‘Supernova Remnant’ of Molior Superum. Best of all, Everyone who stocks up with vinyl from the H42 Records shop (www.h42records.8merch.com), get one of these limited promo CDs for FREE. Do not forget only available while stock lasts.

Tracklist:
01 Mos Generator – The Awakening (Reference Mix)
Previously unreleased – recorded at HeavyHead Recordings 2015
02 Sons Of Alpha Centauri – 27
originally released 2012 on Bro Fidelity Split 12“-Vinyl
03 Lord Of Giant – Dust Demon
taken from H42-Records release H42-006 ‚Dust Demon/Woman 7“
04 Mangoo – Hooks (Live)
previously unreleased live recording – Live at VR Studios 10.04.2012 Åbo, Finnland
05 Daily Thompson – Lo-Fi
previously unreleased – recorded at MountHoven Studios Dortmund 2015
06 The Loranes – Hey You Said (Acoustic Version)
previously unreleased acoustic version originally from ‚Trust‘ 2015 – recorded November 2015
07 Molior Superum – Supernova Remnant
previously unreleased – recorded 2015
08 The Flying Eyes – Raise Hell
taken from H42-Records release H42-001 Split with Golden Animals 7“
09 Enos – Devil Makes Work (Live)
taken from DVD ‚Live at East Slope‘ – recorded 20.04.2013
10 Dean Allen Foyd –Devil’s Path
taken from H42-Records release H42-007 ‚Sunshine Song‘ 7“
11 Black Salvation – Flickering Days
previously unreleased – recorded on the ‚I am Pretended‘-Session
12 Mother Of God – Dark Sun Above
taken from H42-Records release H42-003 ‚Black Ocean‘ 7“
13 Larman Clamor -Drone Monger (Bonk Then Stomp)
taken from H42-Records Release H42-020 Split with Blackwolfgoat 7“
14 Odd Couple – Nightcrawl
Taken from Odd Couples debut ‚It’s a pressure to meet you‘ 2014
15 Coogans Bluff – She Gave Her Life For A Man
taken fromH42-Records release H42-010 ‚Ein Herz voller Soul‘ 7“
16 Alpha Cat – The Last Day Of Summer
originally released 2009 – first time on vinyl in 2016 on H42 Records

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www.h42records.8merch.com

Sons of Alpha Centauri, “27”

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Daily Thompson Sign to Bilocation Records

Posted in Whathaveyou on October 25th, 2013 by JJ Koczan

While I’m not sure to whom I’d give the title of “Germany’s finest fuzz rockers” — where do you even start? — Bilocation Records‘ passion for Dortmund upstarts Daily Thompson seems well enough earned by the significant promise the trio showed on their debut demo. That promise, also on display in the warm tones of “Attract Me,” the video for which you can see below, will hopefully begin to pay off for the band as they enter the studio to record their first album for release in 2014. Thus far, their sound seems more desert than retro-minded, which is kind of refreshing at this point. One to keep an ear out for, maybe.

The PR wire has the goods, and by goods, I mean details. Since details are good. Ah hell, here’s the press release:

Germanys finest Fuzzrockers Daily Thompson sign to Bilocation Records

The band will go into studio in the next weeks and record their first full length after the huge success of their 3 track demo, featuring their version of superfuzzy heavyrock! The debut album will be available in 2014.

The three soundvisionaries of Daily Thompson mix their personal influences from early Grunge & best Stonerrock combined with their special groove to a massive overridden, extremly fudgy Superfuzz-Bigmuff! Guitar, bass, drums. Rehearsals – Recordings – playing shows!

Out of this mentality, musical playfulness and the associated enthusiasm for absolute lunacy the band “Daily Thompson” was formed in late 2012. The listeners can hear from the live in the studio recording sessions the usual Fuzz-, WahWah- and distortion attacks of Daily Thompson in such a raw and honest manner that everybody will notice: this band from Dortmund/Germany takes no prisoners!

https://www.facebook.com/dailythompson.band/
http://shop.bilocationrecords.com/

Daily Thompson, “Attract Me” official video

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