Uncle Acid and the Deadbeats to Release Instrumental Album Nell’ Ora Blu May 10

uncle acid and the deadbeats (Photo by Karin Hunt)

Uncle Acid and the Deadbeats will release the instrumental conceptual soundtrack LP Nell’ Ora Blu on May 10 through Rise Above Records. It’s their first studio LP of any sort since 2018’s Wasteland (review here) and manifests the threat made when the UK garage doom innovators released their live album, Slaughter on First Avenue (review here), in 2023.

It isn’t the band’s first foray into atmospheres inspired by vintage Italian cinema, but at least on paper it’s inarguably the deepest they’ve gone in exploring it. Described by the PR wire below as instrumental save for voiceovers by Edwige French (All the Colors of the Dark and scores of others) and Franco Nero (he was Django in that crucial series of westerns and has appeared in over 150 movies, among them Die Hard 2), it’s an immediate departure for a band whose harmonies and hooks have always been a huge part of their approach. No doubt that’s the idea.

I’ll expect not to expect what I’m expecting, then, and you might want to do likewise, but I don’t think Uncle Acid getting weird and cinematic is going to hurt consider that’s another huge part of what they’ve always done. Lean this way, lean that way. Six years after their last record, it feels like a big shift, but it makes its own kind of sense.

The PR wire has it like this:

uncle acid and the deadbeats nell ora blu

UNCLE ACID & THE DEADBEATS Announce New Album ‘Nell’ Ora Blu’ Out May 10th via Rise Above Records

Pre-Orders Available Soon!

Poised to stand out as the most radical album of UNCLE ACID & THE DEABEATS’ storied career, ‘Nell’ Ora Blu’ is a true tour-de-force of dramatic ingenuity. Inspired by the dark, mysterious, and often bloody Italian Giallo film scene, Kevin Starrs took a detour and created his own storyboard to play along with and the result is a beautiful and suspense-filled instrumental soundtrack…for a non-existent film.

Devoted fans will undoubtedly recognize the UNCLE ACID fingerprints here but this startling left-turn will also present a formidable challenge to even the most open-minded riff-heads. Like a tense and bewildering fever dream, ‘Nell’ Ora Blu’ is a vivid, lysergic excursion like no other.

“I know something like this might have limited appeal, but who cares?” says Starrs. “Most of what we do has a limited appeal anyway! It’s just a real mix of different styles that I like. There are no singles or ‘hits’. Instead, it all just flows along one thing into the next. You can think of it like blood seeping from a wound. It’s continuous. By the end of it, you’re left exhausted. It’s hard work for the listener. We don’t do easy listening!”

Unusual guest stars such as giants of the Italian film underground, Edwige Fenech and Franco Nero, present exclusive dialogue interspersed between tracks, contributing to a unique listening experience that throbs and shrieks with horrific intent.

Starrs explains: “It’s a tribute to 70s Italian cinema. It’s a story about people who decide to take the law into their own hands. Things get pretty dark straight away and of course, it doesn’t end well for anyone. It has elements of grimy poliziotteschi (Italian crime/action films) and classic Giallo (Italian cinema’s revered horror/sexploitation movement). Once I decided to do everything in Italian, I made a list of actors that I wanted. Franco Nero and Edwige Fenech were the first names I thought of. Two legends that had never been paired together before. I contacted their agents and both actors were interested in the idea, so we set it up from there.”

Having completed the project and been exhilarated by its creation, Starrs now has tentative plans to bring some of this incredible music to the morbid masses. What started as simply a new UNCLE ACID project, has evolved into a true project of passion bringing together the wonderful worlds of music and film in one dark, enthralling soundtrack for a film we can only wish to be actually watching.

‘Nell’ Ora Blu’ Track List:
1) Il Sole Sorge Sempre
2) Giustizia di Strada – Lavora Fino alla Morte
3) La Vipera
4) Vendetta (Tema)
5) La Bara Resterà Chiusa
6) Cocktail Party
7) Il Tesoro di Sardegna
8) Nell’ Ora Blu
9) Il Chiamante Silenzioso
10) Tortura al Telefono
11) Pomeriggio di Novembre Nel Parco – Occhi che Osservano
12) Il Retorno del Chiamante Silenzioso
13) Solo la Morte to Ammanetta
14) Il Gatto Morto
15) Guidando Veloce Verso la Campagna
16) L’Omicidio
17) Resti Umani
18) Sorge Anche il Sole
19) Ritorno All’Oscurità

‘Nell’ Ora Blu’ will be available on Vinyl as a double LP, CD, and for digital download on May 10, 2024, via Rise Above Records. Pre-orders will be available soon.

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https://www.uncleacidband.com

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Uncle Acid and the Deadbeats, “Dead Eyes of London”

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2 Responses to “Uncle Acid and the Deadbeats to Release Instrumental Album Nell’ Ora Blu May 10”

  1. Robb says:

    I gotta say that I am extremely disappointed in hearing the news of the next Uncle Acid and The Deadbeats album. As a fan from the beginning, I do not understand why the band would wait so long to put out another studio album. Then they hit you with an album that I am sure is going to sound alot like Atom Heart Mother from Pink Floyd or something. Some may say that is a great album. I disagree with them. When their website changed to somewhat of a lesser experience I thought, “oh well , It’s about the music right ?” then they put out Wasteland. It wasnt my favorite album from them, but still considered a great record. Then they give us a live album. It sounds pretty good, but no new songs on it. Now that I look at the signs that have passed I feel like this band is in a decline. I pray that I am wrong here but the trend appears to be going down. Looks as though I will have to get all my dark cult rock from Green Lung nowadays.

    • Seannnn says:

      Robb, have you had a chance to listen to Ruff Majik? Especially the newest record (Elektrik Ram), imo, kind of helps to fill that void. Not to say that they sound the same at all, but there is definitely some sonic overlap. Food for thought…

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