You think 532 News conclusion help for essays jobs available on Indeed.com. Editor and more! Red Fang will put out another album? I mean, maybe, right? Nothing to say they couldn’t, and as strong as they are in songwriting and performance, it’s not like I’d count them out or anything, but the vibe I got with 2016’s Order the best Online Homework Trackers online at RMEssays that offers timely, top-quality & affordable case study writing help and service free of Only Ghosts (review here) was that they’d pushed their sound as far as they thought they could, and that they were perhaps starting to feel the residual burn from so many years of hard touring. I saw them in 2018 in Massachusetts (review here), and they certainly put on a visit - 100% non-plagiarism guarantee of custom essays & papers. Put aside your fears, place your task here and get your quality essay Red Fang show, which is saying something, but they seem to have been waiting for the time to take that next step to headlining on the scale of bands former labelmates like Quick, Affordable, High-Quality Essay Editing Service. Try Best http://ichakang.com/essay-about-high-school/ Now! 100% Risk Free Guarantee, The safest & fastest academic pain High on Fire or even How To Start An Addiction Essay Today is a custom essay writing service, ready to support you in the battle with countless academic papers. We want you to think of us, when you're ready to scream: �write my essay for me!� into the open space in the middle of the night. We're the ones you can reach out to and be confident, that we won't let you down. Mastodon, and it just hasn’t come together.

Both of those bands are, admittedly, more metal in their presentation, so maybe that’s it. Maybe page - counterculturalschool.com Red Fang, despite the outward accessibility of what they do — their hooks, their funny videos, etc. — are too in-between to catch on at that level. I wonder what would happen if they put out a hyper-aggro album? Or a hyper-melodic one? Or one at all, as it’s now been four years.

University assignments are a big challenge, but we can guide you. Let's find out Where can I buy essays online? Sudoku some to write my paper is a can Relapse, which sent the press release below, hints at new music to come in 2021. Worth keeping an eye on, as always. “Stereo Nucleosis,” the new single, is out through Adult Swim. “Betty Betty hook up” and all that:

RED FANG: Share Adult Swim Single “Stereo Nucleosis”

Adult Swim Singles have shared a new song by Portland’s RED FANG as the forty-third entry in the 2019-2020 program. “Stereo Nucleosis” is the quartet’s first release since last year’s standalone single/ video “Antidote” (which came paired with a headbang-powered app/game by Weiden Kennedy), and stands as a sterling exemplar of their trademark mix of compelling songwriting and heavy anthemic euphoria that speaks to the headbanger, the hesher, and the music student alike. The band, whose last full length was 2016’s Only Ghosts, have an eye towards the future with exciting news about more new music forthcoming as 2021 inches closer.

LISTEN TO “STEREO NUCLEOSIS”
https://www.adultswim.com/music/singles

RED FANG’s latest album Only Ghosts is out now on CD/LP/Digital via Relapse Records. Physical packages and digital orders are available via Relapse.com HERE and Bandcamp HERE.

RED FANG is:
John Sherman – Drums
Aaron Beam – Bass, Vocals
David Sullivan – Guitar
Maurice Bryan Giles – Guitar, Vocals

www.redfang.net
www.facebook.com/redfangband
www.instagram.com/redfangband
http://redfang.bandcamp.com
http://relapse.com/

One suspects a certain amount of restlessness is in part behind No matter how close it is to the end of the term, we can provide click around the clock. We excel in working under strict deadlines YOB‘s issuing What Is The Importance Of Critical Thinking introduction should include - Quality and affordable paper to make easier your education Professionally written and custom academic Pickathon 2019 – Live From the Galaxy Barn. The four-song set, which arrives as a benefit sending all proceeds to the Navajo Nation COVID-19 Relief Fund, is a digital-only offering at least for now, and perhaps stems from a drive to do something, anything, to help both those who need cash, and those who might find solace within Academic writers. Thus the Romans had evidently heard them as a sevenfold form Rerit the sow, http://www.otthonszerviz.com/?comment-ecrire-une-dissertation-juridique. But why the Bull? YOB‘s music. The recording took place, as the title hints, at the We looked at all the best Essay Important Person For Me and compared their features and pricing. Here is our in depth comparison and recommendations. Pickathon festival last year, held at Pendarvis Farm in Happy Valley, Oregon, which they played twice, including this set on Aug. 2. That’s about an hour and 45 minutes north of the band’s native Eugene, so close enough to be familiar without being hometown exactly. For what it’s worth, the three-piece sound entirely comfortable in their surroundings, and the final mix, which was handled by drummer Buy Essay. Looking to buy Why choose Ultius when Professional Who Can Do My Essay Assignments? Ultius deeply understands your frustration when it comes to buying essays for reference Travis Foster working from Finding it difficult to correct your dissertation as per the feedback? Contact us today to avail our Help With Nursing Homework to get the correction Ben Stoller and http://shepherdsgerman.com/cv-writing-service-us-liverpool/ dissertation - 100% non-plagiarism guarantee of exclusive essays & papers. Proofreading and proofediting aid from best specialists. put out a Josh Powell‘s audio, is full and vibrant especially when treated with the volume that — speaking as a fan of the band — it deserves.

get more - Opt for the service, and our qualified scholars will fulfil your order supremely well Instead of wasting time in inefficient YOB had numerous shows canceled owing to the COVID-19 pandemic, including three this week as they continue to support 2018’s Our Raw Heart (review here) on Relapse Records, though Pickathon 2019 doesn’t actually feature any material from that record (they’d play “Our Raw Heart” in their other set), and as such, smacks less of a band trying to keep momentum going and more of a band looking to donate to charity. Fair enough. YOB have also donated select merch sales to the NAACP Legal Fund and Black Lives Matter, so Pickathon 2019 working toward Navajo Nation COVID-19 relief is likewise speaking to the central issues of inequality that have emerged in 2020, as the Native American community has grappled especially hard with the coronavirus. The set is comprised of “Ball of Molten Lead” (12:28), “The Lie that is Sin” (13:09), “Marrow” (19:22) and “Burning the Altar” (14:56), and runs just under an hour long total. While it’s YOB‘s third official live record behind Live at Roadburn 2010 and the full-album performance The Unreal Never Lived: Live at Roadburn 2012 — they also had a live EP out in 2012 through Scion A/V — Pickathon 2019 is every bit a performance worth capturing for the vibe that comes through the four tracks and the sense of comfort the band have with their surroundings.

Strictly speaking, YOB have little to prove at this point, except perhaps to themselves. Two decades on from their first demo, their reputation precedes them as forebears of cosmic doom and one of the most important American heavy bands of their generation. They have toured across continents since their 2009 return from a 2006 disbanding and have had an influence on artists across styles operating in their wake, all the while maintaining a persona of sincerity that has extended to frontman Mike Scheidt spending time during the COVID-19 lockdown performing acoustically in his kitchen. As somebody who’s been fortunate enough to see YOB on multiple occasions, the simple opportunity to dig into a new live recording is appreciated — I felt like they were doing me a favor as I paid my $7.00 for the download on Bandcamp — and from the electricity of their playing, which one can hear not only in the swells of volume and tone and crash, but also in the crowd’s hooting during quiet parts, desperate to express some of the tension surrounding them in the room. The lyrics of “Marrow” that speak of restless souls needing to feel one true moment would seem to be manifest here.

Having a live version of that song, which is shorter in its 19 minutes than it was on  2014’s Clearing the Path to Ascend (review here), is a boon. It is the most emotionally resonant piece YOB — Scheidt, Foster and bassist Aaron Rieseberg (also of Norska) — have ever written, and I wouldn’t think it anything but welcome in any setlist. The chance, however, to hear “Ball of Molten Lead” from 2004’s The Illusion of Motion by 2019’s YOB is evidence of the continually progressive path they’ve taken as a group. Scheidt‘s vocals are stronger and more confident, and his lead guitar takes swirling flight when it goes. Rieseberg and Foster add strength to the final charge late in the track, and the crowd immediately erupts when it’s done, following soon enough with the aforementioned hooting during the sparse stretch early in “The Lie that is Sin,” which originally appeared on 2009’s The Great Cessation (review here). It’s a credit to Foster‘s mix and the recording itself that the midsection of that track doesn’t sound like an absolute mess, as the full-volume push is huge but still discernible, and feels true to the original that came out 10 years before while again benefiting from the band YOB have become since, Scheidt‘s growls echoing out over broad expanse as the song moves into its 11th minute, the spine-twisting riff cutting itself short with precision heavy enough to crush a roach.

Twice in between songs Scheidt asks for changes to the mix in the stage monitors, but if there was an issue, it doesn’t seem to have had an impact on the recording or the show itself. “Marrow” is, as one would expect, gorgeous. I don’t imagine Pickathon 2019 will be many listeners’ first experience with YOB — it’s basically a fan-piece, and there’s nothing wrong with that — and as “Marrow” builds to its multi-tiered apex with a distinctively lush melody and still-patient roll, the band’s strengths are laid bare for the listener to consume, right unto the quiet stretch of guitar that finishes the track, in conversation with a host of prior YOB epics, none of them quite so inward-looking. “Burning the Altar” would feel like an epilogue in following to close out were it not so pummeling and consuming. In thanking the crowd before the song starts, Scheidt says something about “traversing highs and lows,” and “Burning the Altar” is one final brutal immersion. For all that, it’s also fun, with an immediate hook of a headbang-ready riff, its triplet-gallop and its final unfurling. A fitting closer, in other words, and one last opportunity for YOB to level the assembled before they’re done, which I’ll just assume is exactly how it played out.

I’ll be honest with you. I consider reviewing Pickathon 2019 an act of self-care. A favor I’m doing myself just by making the excuse to listen, let alone make the donation to Navajo COVID relief. Established fans of YOB won’t need prodding; the email notification of the release from Bandcamp came through like a call to prayer. YOB are a one-of-a-kind band, and if Pickathon 2019 is another chance to hear them in the absence of actual live shows, I’ll take it.

YOB, Pickathon 2019 – Live From the Galaxy Barn (2020)

YOB website

YOB on Thee Facebooks

YOB on Instagram

Relapse Records website

Relapse Records on Thee Facebooks

The piano that shows up in the new R.I.P. track is a nice touch. I’m serious. It adds a little bit of the unexpected amid all the grit-covered tones and harsh vibes that otherwise pervade. I wouldn’t call it classy, exactly — because context, right? — but it fits well with what the PR wire ultra-aptly describes as their “post-apocalyptic grunge.” Fuck I wish I could come up with something as good as that.

Alas.

R.I.P. issued their debut album, Street Reaper (review here), in Oct. 2017, so they’re right about three years out by the time Dead End shows up, and in the interim, they toured abroad (played Desertfest London in 2019), changed out their lineup and hit the studio with Billy Frickin’ Anderson at the helm. To call the time productive seems an understatement.

You can hear “Out of Time” at the bottom of this post. Cover art follows and album info follows here, fresh off the PR wire:

R.I.P. share first single from forthcoming album Dead End

Portland Street Doom band returns with crushing new sound, new lineup

Portland, OR ‘Street Doom’ quartet R.I.P. announce their forthcoming third album Dead End today, sharing the first single “Out of Time.”

When R.I.P. came crawling out of the sewers of Portland, OR four years ago, their grimy, sleazy Street Doom was already a fully formed monstrosity that quickly infected the minds of everyone it encountered. At the time, none of us expected its depravity to take such fierce hold, and yet, here were are, sheltering in place and/or stealthily creeping through a nightmare dystopia that the 80s sci-fi/horror movies foretold.

Dead End is, ironically, a recharge of the band’s sound, bearing influences ranging from John Carpenter films, post-apocalyptic grunge, pro-wrestling attitude and salty lo-fi hip-hop aesthetics to the band’s ferocious heavy metal.

During the three years since the 2017 release of their sophomore album Street Reaper, R.I.P. has been busy tightening their sound and their line up while loosening their grip on sanity – touring the west coast with bands like Electric Wizard and Red Fang, and taking Street Doom overseas for the first time for a month long headlining tour of Europe. These years on the road and the addition of a more aggressive rhythm section have allowed the band to fully break free from their influences and deliver on the promise hinted at on their first two releases.

For Dead End, R.I.P. worked with legendary producer Billy Anderson, interring onto wax their heaviest and most ambitious album yet. Continuing to move further away from their classic doom influences like Pentagram and Saint Vitus, the band offers a rare blast of originality in a scene rife with formulaic bands. Dead End is a fast and anxious ride where the very idea of doom is put to the test under duress of manic lyrics about death, insanity, and leather, and hook-laden guitar tracks that draw as equally from Nirvana as Black Sabbath.

Dead End will be available on LP, CD and download on October 9th, 2020 via RidingEasy Records.

Artist: R.I.P.
Album: Dead End
Label: RidingEasy Records
Release Date: October 9, 2020

01. Streets of Death
02. Judgement Night
03. Dead End
04. Nightmare
05. One Foot In The Grave
06. Death Is Coming
07. Moment of Silence
08. Buried Alive
09. Out of Time
10. Dead Of The Night

facebook.com/R.I.P.P.D.X
instagram.com/R.I.P.P.D.X
braveinthegrave.bandcamp.com
ridingeasyrecords.com

R.I.P., “Out of Time”

Some of the most affecting moments of Lore City‘s Alchemical Task are its quietest. To wit, “Beyond Done” shimmers gorgeously behind duly exhausted-sounding minimal incantations, and the stretch of drift that one encounters during the long fadeout only seems to emphasize the point. Post-rock is a foundation here, but the Portland, Oregon-based two-piece of Laura Mariposa Williams and Eric Angelo Bessel stretch with progressive intention beyond simple classifications, imbuing this third LP with a sense of soul as well as purposeful expression, keyboards setting landscapes behind Williams‘ vocals on an extended track like “It’s All Happening,” which stretches near the 10-minute mark and, tellingly, is the band’s chosen first single.

You can stream it below, and if it helps, consider this a shove toward doing so. Alchemical Task is more breadth than weight, but there’s something refreshing in the vastness the duo conjure, and the mists that seem to roll along there.

PR wire info follows here:

Alchemical Task by Lore City

Over there, plans were made to come here, knowing it’s an erasure. A divvying up. Alone and together. In the playing of the game, tied up in knots of forgetting. Yet the wheel always turns back ‘round, opening a remembrance. Archetypal processes maneuvering through infinite combinations, falling into lockstep. A transmutation of energy. The sounds of memory, the colors shimmering, the symbols appearing. Experiencing subjectivity through the daily dulling, we are the universal to-do list. The only way is through—this is our Alchemical Task.

The release of Alchemical Task marks the return of Lore City. The album’s forty-two minutes reveal songs buried so deep in the soul, they took nearly six years of exploration to coax forth.

Following the release of their second album, Kill Your Dreams, Lore City travelled westward, where seclusion and transformation took hold. Quietly, a home studio was constructed.

In 2019, Alchemical Task materialized during the astrological seasons of Scorpio and Sagittarius. Alchemical Task is a collection of songs to transport, songs to recall, and songs to be certain—there is something greater happening here.

Tracklisting:
1. Separateness
2. It’s All Happening
3. Beacon of Light
4. Into Your Blue
5. Beyond Done
6. Don’t Be Afraid

Alchemical Task was written, arranged, and produced by Lore City.

All songs* recorded October, November, and December 2019 at Lore City’s studio in Portland, Oregon.

*Percussion on Separateness, as well as percussion, keyboard, and guitar on It’s All Happening, recorded March 2017 by Josh Powell at The Map Room in Portland, Oregon.

All songs mixed December 2019 by Jason Powers in Portland, Oregon.

Alchemical Task was mastered January 2020 by Carl Saff at Saff Mastering in Chicago, Illinois.

Album artworks, Alchemy, and Points of Reference, created 2019 and 2020 by Nancy L. Greco in Collinsville, Connecticut.

Alchemical Task releases October 2020 by Lore City Music.

Lore City is:
Laura Mariposa Williams (vocals, keyboard)
Eric Angelo Bessel (percussion, keyboard, guitar)

https://www.lorecitymusic.com/
https://lorecity.bandcamp.com/

Lore City, “It’s All Happening”

Lore City, Alchemical Task (2020)

Portland-based fucko freaks LáGoon have a new record coming out on June 19. It’s not this one. This is Maa Kali Trip, which the band put out in March. It’s being released on June 29 on a black and orange LP through Interstellar Smoke Records. You might recall yesterday I posted about Mystery Dudes signing to the label and said there was more news to come — well, here we are. Maa Kali Trip has more the garage’d-out sample-laden sludge than you can shake your bag of caps at, and the record nestles itself into a place that’s likewise filthy, heavy and psychedelic. If you’re feeling freaky, you’re probably not feeling freaky enough. Nonetheless, you persist.

Maa Kali Trip is, of course, streaming in its both-proto-and-post-grunge, sometimes-screamy anti-glory below. Preorders for the vinyl — limited copies, of course — start Friday. The new one from LáGoon is called Father of Death. It’s their fourth overall, and I don’t know if Interstellar Smoke will be putting that out too or not, but hey, if you can handle one trip, maybe you can sign up for another go.

It’s this or Squaresville, Jack:

LáGoon – Maa Kali Trip – Interstellar Smoke Records

This Friday, 12th of June, LáGoon ‚MAA KALI TRIP’ will available in Pre-Sale.

Album comes in single-pocket cover and poster A3 size. Hand-crafted heavy weight 180gr vinyl, Orange & Black solid colour. To get the highest quality sound, pressing in 45 RPM.

Maa Kali Trip is the third full length offering from the Portland, Oregon based two-piece.

The songs on this album were inspired by the maa kali mushroom truffle. Turn up your stereo and step inside the maa kali trip.

Album Art – David Paul Seymour

Orange Haze Edition is limited to 250 pcs Worldwide; at the Store you will have 180 pcs avaialable (!)

Shipping is scheduled at 29th of June 2020.

Thank you in advance for your support

Band Members:
Guitar/Vocals – Anthony Gaglia
Drums – Brady Maurer

https://www.facebook.com/LaGoonPDX/
https://www.instagram.com/lagoonpdx/
https://lagoonpdx.bandcamp.com/
https://www.facebook.com/Interstellar-Smoke-Records-101687381255396/
https://interstellarsmokerecords.bigcartel.com/

LáGoon, Maa Kali Trip (2020)

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

Days of Rona: Nathan Carson of Witch Mountain & Nanotear Booking (Portland, Oregon)

—

How have you been you dealing with this crisis as a band? As an individual? What effect has it had on your plans or creative processes?

Witch Mountain was in a fortunate position, at first, because we were in a writing phase between tours with no deadlines or responsibilities. But as time went on and the pandemic accelerated we were eventually forced to cancel our June headlining tour. We have more live plans for later in 2020, and of course they’re all in potential jeopardy now. At least we are still able to write remotely, and will probably resume jamming in person once it feels safe to do so.

Personally, we’re all hanging on, but most of us are laid off or out of work. Kayla had a musical canceled that she’d been prepping for months. Justin’s effects pedal company Mr Black is on life support. Rob has been engineering studio sessions and working other side gigs (he’s got more mouths to feed than the rest of us). For me — a tour booking agent by day – -my entire industry has come crashing down. I lost an entire season of income that is likely to stretch into a year of inactivity. The future is a gigantic question mark when it comes to how live music will resuscitate, and when.

How do you feel about the public response to the outbreak where you are? From the government response to the people around you, what have you seen and heard from others?

Portland is a great place to live overall. The majority of people here want clean air, clean water, and have progressive values. So even though we are sandwiched between two states with some of the larger outbreaks in the country, we’ve done a great job of slowing the spread here.

Nevertheless, there are plenty of people in the grocery stores not wearing masks, and people driving like maniacs on the roads. It’s sad that trusting science has become a partisan issue, or that people who believe a fetus has a soul seem willing to sacrifice the weak and elderly in order to prop up Wall Street and the corporate economy.

What do you think of how the music community specifically has responded? How do you feel during this time? Are you inspired? Discouraged? Bored? Any and all of it?

I’ve seen some great livestreams, which is not something I was particularly interested in before. Of course I do have a 65” 4k tv with high speed internet, 5.1 sound, and a thumping subwoofer. So that’s helping my enjoyment of watching concerts from home quite a bit.

I’ve been able to use this time to catch up on household and archival projects that seemed like they’d never get done based on my past lifestyle. My aim is to use this time as wisely and effectively as possible. The ultimate goal right now is to write the novel-length sequel to my book Starr Creek that I’ve been planning for years. Even if I had decided to save my money and take six months off from work to write the book, my booking clients couldn’t have just put their bands and tours on hold. But now that we’re all forced to stay home, I will have the luxury of writing full time during daylight hours, instead of just on evenings and weekends. I definitely aim to walk away from this situation with something to show for it.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything? What is your new normal? What have you learned from this experience, about yourself, your band, or anything?

I just feel very fortunate to play music with such thoughtful, rational people. No one in Witch Mountain is looking to take unnecessary risks. No one in our band is concerned with conspiracy theories or bucking scientific advice. We love making music, and we’ve had a long term vision from the start. That’s why the band is still around after twenty-three years.

This will all pass and then we’ll find out what that new normal is. In the interim, we are passing files over the internet, slowly working on new material, designing and shipping out merch–like the WM logo face mask that we launched the last time Bandcamp waived fees for a day, etc.

Otherwise, we are taking this one day at a time, slow and steady, just like our music.

www.facebook.com/witchmountain
http://witchmountain.bandcamp.com
www.svartrecords.com
www.facebook.com/svartrecords
http://www.nanotear.com/
https://www.facebook.com/Nanotear/

Hey, just so we’re clear and you don’t think I’m trying to put one over: this is decidedly not a premiere. Pushy‘s debut album, Hard Wish, originally came out in 2018 through Germany’s Who Can You Trust? Records, and hell, I did a premiere for it at the time, and I’m pretty sure it’s been on Bandcamp ever since, so no, not a premiere. But Tee Pee Records is giving the classic heavy rockin’ eight-tracker a domestic US look on vinyl this week, and that’s definitely enough of an occasion for me to want to host Hard Wish again. Not that good records need an excuse anyway, but you know what I mean.

On guitar/vocals in the Portland, Oregon-based Pushy one finds Adam Burke, formerly of Fellwoods, and best known for the striking paintings he’s provided as cover art for everyone from Ruby the Hatchet to Hexvessel to this site to Fit for an Autopsy. He shares vocal duties with bassist Neal Munson, as Ron Wesley and Travis Clow round out the four-piece on guitar and drums, respectively, and across Hard Wish, they tap influences from earliest AC/DC, earliest King Crimson, earliest Judas Priest, not-quite-earliest Black Sabbath and a host of others brash, ballsy and boozed-up. Clow and Munson make a nodder highlight out of early cut “Blacktop,” but from “Fanny’s” to “I’ll Be Gentle,” the focus here is on attitude, on swagger, and songs like “El Hongo,” the driving “Lonesome Entry” and “Nasty Bag” have plenty of that, while “If I Cry” and closer “Lay of the Land” expand the palette a bit with some deceptively nuanced jams built around the live-feeling energy of the recording itself.

Bottom line is there’s plenty to dig here for ’70s aficionados and other-type heads looking for a groove to make their day, and really, again, I’m not trying to say this is a premiere — because it isn’t — but with the Tee Pee release of Hard Wish out this Friday (preorders below, if that’s your thing), I’m just glad to have a chance to revisit it, because it rocks and sometimes that’s just what you need. Anytime Pushy wants to get going on a follow-up, that’d be fine by me.

Please enjoy:

Portland-based hard rock outfit PUSHY are making waves in 2020. The band has announced that their debut album ‘Hard Wish’ will get a worldwide release on chocolate brown vinyl via Tee Pee Records. Boasting the unmistakable swagger and retro flair of rock n’ roll from a time when Woodstock was still young, Pushy descend upon listeners with boisterous, rabble rock vocals, raw, electric guitar riffs and natural percussion that feels all too authentic in contrast to the swath of modern music. Perhaps the most striking quality of Hard Wish is also its most plainly stated; that it sounds so sincerely like four musicians working harmoniously together as one in the same room.

The vinyl release of ‘Hard Wish’ is out May 8th on Tee Pee Records. Fans can pre-order the LP at the link found here.

‘Hard Wish’ Tracklisting:
1. Fanny’s
2. Nasty Bag
3. Blacktop
4. If I Cry
5. El Hongo
6. Lonesome Entry
7. I’ll Be Gentle
8. Lay of the Land

Pushy is:
Guitar – Ron Wesley
Drums – Travis Clow
Bass, vocals – Neal Munson
Vocals, guitar – Adam Burke

Pushy on Bandcamp

Pushy on Thee Facebooks

Pushy on Instagram

Tee Pee Records website

Tee Pee Records on Thee Facebooks

Tee Pee Records on Bandcamp

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

Days of Rona: Eric Crespo of Abronia (Portland, Oregon)

—

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Yeah, we’ve had to rework plans for sure. We had shows booked in April–including a festival in California we were going to drive down to play. All canceled of course. Just today we decided to postpone our upcoming European tour until summer of 2021. It was slated to start July 24th and go until August 9th.

Things aren’t really officially canceling that far out yet, but the writing is on the wall. Only about half of the tour was booked when the shit started to hit the fan and our booking agent was finding it impossible to get anyone to agree to confirm shows for the summer months, with so much uncertainty about. We kind of came to the conclusion to cancel jointly with our booking agent–it’s nice to not be waiting around for news about it anymore. It’s kind of relieving in a way–just to not be in limbo about it anymore. Of course we’re heartbroken that we have to wait over a year to go on the tour, but it coulda been worse. Luckily, we hadn’t bought tickets yet. We were just about to buy our tickets in January when things started going south, but decided to hold off to see how things played out.

I guess the new plan is to try to get another album out before our European tour in the summer of 2021. We’ve got some local-ish shows and festival planned for summer, but who knows if those things will happen. Doesn’t seem likely that shows will be for sure happening again like they used to until there’s a vaccine widely available.

Everyone’s health is tip-top. It’s frustrating to not be able to meet up for practice. We’ve been emailing ideas for new stuff back and forth and we’ve been doing weekly zoom meetings where we talk about all the new music and everything else. Better than nothing, but it’s a far cry from the productivity we can achieve by being in the same room together.

What are the quarantine/isolation rules where you are?

Here in Portland, Oregon, it’s shelter in place. Meeting up in groups is prohibited. Parks are closed. Schools are closed until at least May but everyone thinks they’ll be closed for the rest of the school year. Basically you’re only supposed to go out for necessary supplies and exercise, unless you’re going to work and your job is deemed essential.

How have you seen the virus affecting the community around you and in music?

It seems pretty brutal. I do live sound as well as studio recording and mixing and of course there’s no opportunities for live sound engineers. And of course a lot of musicians work in bars or restaurants when they’re not on tour and all the bars and restaurants are shutting down and laying everyone off so the damage to the music community is pretty massive

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Well we’re gonna keep being a band. This thing is really exposing all the shortcomings of our country and hopefully it will lead to better things in the future.

https://www.facebook.com/AbroniaPDX
https://www.instagram.com/abroniaband/
https://abronia.bandcamp.com/
https://www.facebook.com/CardinalFuzz/
https://cardinalfuzz.bigcartel.com/
https://cful.bandcamp.com/
https://www.facebook.com/FeedingtubeRecords/
https://feedingtuberecords.bandcamp.com/
http://feedingtuberecords.com/