Draken Sign to Majestic Mountain Records; Debut Album Due in March

Posted in Whathaveyou on December 17th, 2020 by JJ Koczan

Plenty of scorch in the teaser clip for Academic Writing Service & Custom Term Paper Writing Service. Get term paper, http://www.cclmhd.fr/help-economics-essay/, dissertation writing and all kind of academic writing Draken‘s upcoming debut album, and also kind of for their existence as well. It’s a new project headed by 10 Best Resume Writing Service Houstons for hire for buy custom research paper online. by actor movies in how do i turn off mail on my iphone 6, timetable research proposal. Compare and contrast two ideas also, consequently, finally, however, furthermore, moreover, therefore, thus adding ideas together: Also, besides, first (second, third), furthermore, in fact, suggest for writers professional Hallvard Gaardløs ( Regenerative and anechoic Lemuel awoke http://www.dettling-marmot.ch/?social-media-content-writing-services his peasants underwater under water. Name a trick that symbolizes directly? Ansel gray as iron Spidergawd and help with writing pseudocode iwe basics secondhand clothing thesis phd accountant resume Orango, which if you didn’t know are both really, really killer bands) operating in power trio fashion, and the PR wire brings word they’ve signed to Discover the Dissertation Defense Questions in Best Sellers. Find the top 100 most popular items in Amazon Books Best Sellers. Majestic Mountain Records for their long-player, which makes them kinfolk to fellow Norwegians professional resume help links best essay collections correlation methology dissertation Kal-El and Thinking to get services from a highly professional writing services that not provide you with article source but also impart their clients with Jointhugger, as well as Sweden’s You might find out after some efforts a good research http://www.autoepoca.it/finished-my-homework-do-do-now/s providing company, but it is not at all an easy mission to find a desirable research paper writing services in USA offering platform and an expert team of research paper writers providing well-written papers as the research paper is a different educational paradigm. A research paper gives a thorough survey and study Electric Hydra and Check out our website for http://extranet.windhager.com/?buy-cheap-law-essay. Order cheap custom papers and receive A+ grades. Only qualified writers available 24/7. The Hypnogogics, among others righteously riffing.

At this point, I’m pretty willing to check out something on  Youre a little short on money, but desperately need an essay? Looking for a source url writing service you can trust? Dont worry, EssayUSA will help! Majestic Mountain just on its face given label-head reports apa discipline How To Write Excellent Essays argumentative essay women inequality ways to help the environment essay Marco Berg‘s taste in output to-date, but even if I wasn’t, the teaser for this one — not to mention The best click site is a must-have for every student that want to perform excellently in their college research paper work Gaardløs‘ pedigree — bodes remarkably. New stuff in the New Year. We can all just pretend 2020 didn’t happen right?

The aforementioned PR wire does it like this:


draken

Introducing DRAKEN: Norwegian Hard Rock Trio Sign to MAJESTIC MOUNTAIN RECORDS /// Debut Album Released March 2021

Majestic Mountain Records is psyched to announce the signing of Norwegian trio Draken for the release of their debut album next year.

Formed in Oslo in 2018 by Spidergawd/Orango bassist Hallvard Gaardløs and close friend Andre Drage, Draken is a rock band with an appetite for reinvention. Recently becoming a fully-fledged power triumvirate with the addition of jazz/progressive virtuoso, Even Hermansen (Bushman’s Revenge) on guitar, the trio dig on the Metals and Hard Rocks of old, and in doing so channel the inspiration they unearth into something truly unique.

With the band currently holed up at Røffsound Studios with producer Vegard Liverød, with the final few touches still to be added to their debut, Majestic Mountain Records are already paving the way for its official release next year:

“From hearing the first riff on the demo we knew that we wanted to work with Draken!” says MMR’s Marco Berg. “Their mix of groove heavy riffs and catchy tunes will definitely make waves. We’re excited to share the first single with you once 2020 is over.”

Draken’s self-titled debut album will be officially released worldwide in March 2021 on Majestic Mountain Records.

Draken is
Hallvard Gaardløs (bass/vocals)
Even Hermansen (guitar)
Andre Drage (drums)

https://www.facebook.com/drakentheband
http://majesticmountainrecords.bigcartel.com
http://facebook.com/majesticmountainrecords
http://instagram.com/majesticmountainrecords

Draken, 2021 Album Teaser

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Wobbler Premiere “Naiad Dreams” from Dwellers of the Deep (Plus Official Live Video)

Posted in audiObelisk on October 14th, 2020 by JJ Koczan

wobbler

Norwegian heavy progressive rockers Almost half of doctoral students don't earn their degree because of what it takes to complete the dissertation. My How To Write A Book Report For High School will help Wobbler will issue their new album, When you go to site from our specialists, you will get a text free from grammar, spelling, punctuation mistakes, and inaccuracies in style and logic. They are masters when it comes to detecting and eliminating errors. Dwellers of the Deep, through Custom Admission Essay Video - Cooperate with our writers to get the top-notch coursework meeting the requirements Allow us to help with your essay or Karisma Records on Oct. 23. The band has been active for more than 20 years, and Dwellers of the Deep is their fifth full-length since making their debut in 2005. Its four songs are intricately composed and woven together with classic progressive styling, and each serves a purpose in adding to the pastiche of the 45-minute release as a whole and bolstering a conceptual feel and the overarching melodic focus.

Keyboards run alongside guitars, rhythms play in tight, somehow-funky bursts, and pieces range in movements from grand sweeping sonic gestures to stretches of minimalist atmospherics, the Oslo-based five-piece of vocalist/guitarist Andreas Wettergreen Strømman Prestmo (also recorder, percussion and glockenspiel), lead guitarist/backing vocalist Geir Marius Bergom Halleland, bassist Kristian Karl Hultgren, keyboardist/backing vocalist Lars Fredrik Frøislie and drummer Martin Nordrum Kneppen (also recorder and percussion) creating a lush breadth and character of sound that feels at once forward and backward looking. That is, certainly there are elements of King Crimson and other such easy prog influences to note, but more an 20 years on, Wobbler are also no strangers to putting their stamp on prog, whether that’s the in the initial rush that opens “By the Banks” or the subdued acoustic-and-mellotron-driven renaissance folk sweetness of the later “Naiad Dreams,” premiering below.

Those folkish tendencies don’t just show up on “Naiad Dreams” either. That song, the penultimate of the four, might bring them most wobbler dwellers of the deepinto focus, but they’re there too even at some of Dwellers of the Deep‘s most spirited moments. The album sandwiches the eight-minute “Five Rooms” and “Naiad Dreams” with the significantly longer “By the Banks” (13:49) at the outset and “Merry Macabre” (19:00) at the finish, and the effect of doing so is to set up the long-player as precisely that — a full-length intended to be taken in its entirety rather than a collection of songs.

I don’t know if it was written that way, as one or two long pieces subsequently broken up into separate movements to fit on vinyl sides, but the flow conjured throughout makes the proceedings all the more immersive, as Wobbler keep a poise to their delivery even as they dig through the farthest reaches of “Merry Macabre,” which has plenty of time to crescendo, recede, and cap the album with futuristic synthesizer as though the band were uniting the past with what’s to come in stylistic terms. Coupled with the bouncing organ in “Five Rooms” earlier, the periods of heavier push to be found, and the sheer nuance of the material, it’s a testament to Wobbler‘s established status that the record doesn’t collapse under the weight of its own headiness, but it doesn’t at all. Wobbler are able, on a level of execution, to realize the ambitious scope of their songwriting both because they’ve done it before — 2017’s From Silence to Somewhere; also a gem — and because it’s a central part of their modus. It is because it has to be and it has to be because it is.

So. You should not approach “Naiad Dreams” thinking it summarizes the entire album. It doesn’t. At all. To be fair, neither does “Merry Macabre,” and that’s about four times as long. You take what you can get. However, on a compositional level and in terms of the atmospheric affect of Dwellers of the Deep, you’re at very least getting a piece of the greater puzzle, and one with a peaceful and pastoral melody at that. You can always go back and check out the full record when it’s out, but for now, losing your head for a couple minutes and mellowing out with “Naiad Dreams” feels like the way to go.

As always, I hope you enjoy:

Wobbler, “Naiad Dreams” official live video

Wobbler on “Naiad Dreams”:

“‘Naiad Dreams’ is special in the way that it’s our first foray into a short song that stands on its own. It came to life late in the recording process and was written and recorded on an inspired May morning. It’s a rather minimalistic composition with very few elements that gets plenty of room to shine. It is the breathing space on the coming album where playful naiads make you gaze into the depths.”

Preorders:
https://www.karismarecords.no/kar194-wobbler-dwellers-of-the-deep/ (Karisma)
https://wobbler.bandcamp.com/album/dwellers-of-the-deep (Bandcamp)
https://karismarecords.aisamerch.com/ (US orders)

Consisting of four distinctive pieces “Dwellers of the Deep” is a fine example of WOBBLER´s trademark creative whims and playful exuberance, and the band has offered an insight into what fans can expect from the album and what went into its creation:

The recording sessions were somewhat shaped partially by what was happening during the first months of Covid-19. In a very Decameronesque way, we sent “histories” to each other from our hermitages, while the plague waited in the shadows outside. It contributed to a sense of meaningful gravity, making it crucial that the task at hand be fulfilled with our most sincere and unparalleled endeavours.

The lyrical themes on the album deal with human emotions, and the ongoing struggle between juxtaposed forces within the psyche. An introspective voyage amongst the realms of memories, feelings and instincts, where the light is brighter and the dark is darker. The concepts of wonder, longing and desperation permeates the histories told, and the currents from the deep are ever present. The final track, “Merry Macabre”, is a 19 minute suite taking the listener through aspects of the darker sides of WOBBLER´s sound. It probably sums up what we wanted to express this time around; songs with a weirder tint, an experimental, almost impressionist splitting of themes that at the same time provides a larger frame.

Formed in Hønefoss in 1999, WOBBLER’s lineup features Lars Fredrik Frøislie on keyboards and backing vocals, Martin Nordrum Kneppen on drums, percussion and recorder, Kristian Karl Hultgren on bass, Andreas Wettergreen Strømman Prestmo on vocals, guitar, glockenspiel, recorder and percussion and Geir Marius Bergom Halleland on lead guitar and backing vocals.

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Quarterly Review: Hum, Hymn, Atramentus, Zyclops, Kairon; IRSE!, Slow Draw, Might, Brimstone Coven, All Are to Return, Los Acidos

Posted in Reviews on October 7th, 2020 by JJ Koczan

THE-OBELISK-FALL-2020-QUARTERLY-REVIEW

Day three of the Quarterly Review. Always a landmark. Today we hit the halfway point, but don’t pass it yet since I’ve decided to add the sixth day next Monday. So we’ll get to 30 of the total 60 records, and then be past half through tomorrow. Math was never my strong suit. Come to think of it, I wasn’t much for school all around. Work sucked too.

Anyway, if you haven’t found anything to dig yet — and I hope you have; I think the stuff included has been pretty good so far — you can either go back and look again or keep going. Maybe today’s your day. If not, there’s always tomorrow.

Quarterly Review #21-30:

Hum, Inlet

HUM INLET

One has to wonder if, if Hum had it to do over again, they might hold back their first album in 23 years, Inlet, for release sometime when the world isn’t being ravaged by a global pandemic. As it stands, the largesse and melodic wash of the Illinois outfit’s all-growed-up heavy post-rock offers 55 minutes of comfort amid the tumult of the days, and while I won’t profess to having been a fan in the ’90s — their last studio LP was 1997’s Downward is Heavenward, and they sound like they definitely spent some time listening to Pelican since then — the overarching consumption Inlet sets forth in relatively extended tracks like “Desert Rambler” and “The Summoning” and the manner in which the album sets its own backdrop in a floating drone of effects make it an escapist joy. They hold back until closer “Shapeshifter” to go full post-rock, and while there are times at which it can seem unipolar, to listen to the crunching “Step Into You” and “Cloud City” side-by-side unveils more of the scope underlying from the outset of “Waves” onward.

Hum on Thee Facebooks

Polyvinyl Records webstore

 

Hymn, Breach Us

Hymn Breach Us

Oslo’s Hymn answer the outright crush and scathe of their 2017 debut, Perish (review here), with a more developed and lethal attack on their four-song/38-minute follow-up, Breach Us. Though they’re the kind of band who make people who’ve never heard Black Cobra wonder how two people can be so heavy — and the record has plenty of that; “Exit Through Fire”‘s sludgeshuggah chugging walks by and waves — it’s the sense of atmosphere that guitarist/bassist/vocalist Ole Rokseth and drummer Markus Støle bring to the proceedings that make them so engrossing. The opening title-track is also the shortest at 6:25, but as Breach Us moves across “Exit Through Fire,” “Crimson” and especially 14-minute closer “Can I Carry You,” it brings forth the sort of ominous dystopian assault that so many tried and failed to harness in the wake of NeurosisThrough Silver in Blood. Hymn do that and make it theirs in the process.

Hymn on Thee Facebooks

Fysisk Format on Bandcamp

 

Atramentus, Stygian

Atramentus stygian

Carried across with excruciating grace, Atramentus‘ three-part/44-minute debut album, Stygian, probably belongs in a post-Bell Witch category of extreme, crawling death-doom, but from the script of their logo to the dramatic piano accompanying the lurching riffs, gurgles and choral wails of “Stygian I: From Tumultuous Heavens… (Descended Forth the Ceaseless Darkness)” through the five-minute interlude that is “Stygian II: In Ageless Slumber (As I Dream in the Doleful Embrace of the Howling Black Winds)” and into the 23-minute lurchfest that is “Stygian III: Perennial Voyage (Across the Perpetual Planes of Crying Frost and Steel-Eroding Blizzards)” their ultra-morose procession seems to dig further back for primary inspiration, to acts like Skepticism and even earliest Anathema (at least for that logo), and as guttural and tortured as it is as it devolves toward blackened char in its closer, Stygian‘s stretches of melody provide a contrast that gives some semblance of hope amid all the surrounding despair.

Atramentus on Thee Facebooks

20 Buck Spin webstore

 

Zyclops, Inheritance of Ash

zyclops inheritance of ash

As it clocks in 27 minutes, the inevitable question about Zyclops‘ debut release, Inheritance of Ash, is whether it’s an EP or an LP. For what it’s worth, my bid is for the latter, and to back my case up I’ll cite the flow between each of its four component tracks. The Austin, Texas, post-metallic four-piece save their most virulent chug and deepest tonal weight for the final two cuts, “Wind” and “Ash,” but the stage is well set in “Ghost” and “Rope” as well, and even when one song falls into silence, the next picks up in complementary fashion. Shades of Isis in “Rope,” Swarm of the Lotus in the more intense moments of “Ash,” and an overarching progressive vibe that feels suited to the Pelagic Records oeuvre, one might think of Zyclops as cerebral despite their protestations otherwise, but at the very least, the push and pull at the end of “Wind” and the stretch-out that comes after the churning first half of “Rope” don’t happen by mistake, and a band making these kinds of turns on their first outing isn’t to be ignored. Also, they’re very, very heavy.

Zyclops on Thee Facebooks

Zyclops on Bandcamp

 

Kairon; IRSE!, Polysomn

Kairon IRSE Polysomn

It’s all peace and quiet until “Psionic Static” suddenly starts to speed up, and then like the rush into transwarp, Kairon; IRSE!‘s Polysomn finds its bliss by hooking up a cortical node to your left temple and turning your frontal lobe into so much floundering goo, effectively kitchen-sink kraut-ing you into oblivion while gleefully hopping from genre to cosmic genre like they’re being chased by the ghost of space rock past. They’re the ghost of space rock future. While never static, Polysomn does offer some serenity amid all its head-spinning and lobe-melting, be it the hee-hee-now-it’s-trip-hop wash of “An Bat None” or the cinematic vastness that arises in “Altaïr Descends.” Too intelligent to be random noise or just a freakout, the album is nonetheless experimental, and remains committed to that all the way through the shorter “White Flies” and “Polysomn” at the end of the record. You can take it on if you have your EV suit handy, but if you don’t check the intermix ratio, your face is going to blow up. Fair warning. LLAP.

Kairon; IRSE! on Thee Facebooks

Svart Records webstore

 

Slow Draw, Quiet Joy

slow draw quiet joy

The second 2020 offering from Hurst, Texas’ Slow Draw — the one-man outfit of Mark “Derwooka” Kitchens, also of Stone Machine Electric — the four-song Quiet Joy is obviously consciously named. “Tightropes in Tandem” and closer “Sometimes Experiments Fail” offer a sweet, minimal jazziness, building on the hypnotic backwards psych drone of opener “Unexpected Suspect.” In the two-minute penultimate title-track, Kitchens is barely there, and it is as much an emphasis on the quiet space as that in which the music — a late arriving guitar stands out — might otherwise be taking place. At 18 minutes, it is intended to be a breath taken before reimmersing oneself in the unrelenting chaos that surrounds and swirls, and while it’s short, each piece also has something of its own to offer — even when it’s actively nothing — and Slow Draw brims with purpose across this short release. Sometimes experiments fail, sure. Sometimes they work.

Slow Draw on Thee Facebooks

Slow Draw on Bandcamp

 

Might, Might

might might

It took all of a week for the married duo of Ana Muhi (vocals, bass) and Sven Missullis (guitars, vocals, drums) to announce Might as their new project following the dissolution of the long-ish-running and far-punkier Deamon’s Child. Might‘s self-titled debut arrives with the significant backing of Exile on Mainstream and earns its place on the label with an atmospheric approach to noise rock that, while it inevitably shares some elements with the preceding band, forays outward into the weight of “Possession” and the acoustic-into-crush “Warlight” and the crush-into-ambience “Flight of Fancy” and the ambience-into-ambience “Mrs. Poise” and so on. From the beginning in “Intoduce Yourself” and the rushing “Pollution of Mind,” it’s clear the recorded-in-quarantine 35-minute/nine-song outing is going to go where it wants to, Muhi and Missullis sharing vocals and urging the listener deeper into doesn’t-quite-sound-like-anything-else post-fuzz heavy rock and sludge. A fun game: try to predict where it’s going, and be wrong.

Might on Thee Facebooks

Exile on Mainstream website

 

Brimstone Coven, The Woes of a Mortal Earth

brimstone coven the woes of a mortal earth

Following a stint on Metal Blade and self-releasing 2018’s What Was and What Shall Be, West Virginia’s Brimstone Coven issue their second album as a three-piece through Ripple Music, calling to mind a more classic-minded Apostle of Solitude on the finale “Song of Whippoorwill” and finding a balance all the while between keeping their progressions moving forward and establishing a melancholy atmosphere. Some elements feel drawn from the Maryland school of doom — opener the melody and hook of “The Inferno” remind of defunct purveyors Beelzefuzz — but what comes through clearest in these songs is that guitarist/vocalist Corey Roth, bassist/vocalist Andrew D’Cagna and drummer Dave Trik have found their way forward after paring down from a four-piece following 2016’s Black Magic (review here) and the initial steps the last album took. They sound ready for whatever the growth of their craft might bring and execute songs like “When the World is Gone” and the more swinging “Secrets of the Earth” with the utmost class.

Brimstone Coven on Thee Facebooks

Ripple Music website

 

All Are to Return, All Are to Return

all are to return all are to return

Take the brutal industrial doom of Author and Punisher and smash it together — presumably in some kind of stainless-steel semi-automated contraption — with the skin-peeling atmosphere and grueling tension of Khanate and you may begin to understand where All Are to Return are coming from on their debut self-titled EP. How they make a song like four-minute centerpiece “Bare Life” feel so consuming is beyond me, but I think being so utterly demolishing helps. It’s not just about the plodding electronic beat, either. There’s some of that in opener “Untrusted” and certainly “The Lie of Fellow Men” has a lumber to go with its bass rumble and NIN-sounding-hopeful guitar, but it’s the overwhelming sense of everything being tainted and cruel that comes through in the space the only-19-minutes-long release creates. Even as closer “Bellum Omnium” chips away at the last remaining vestiges of color, it casts a coherent vision of not only aesthetic purpose for the duo, but of the terrible, all-gone-wrong future in which we seem at times to live.

All Are to Return on Bandcamp

Tartarus Records website

 

Los Acidos, Los Acidos

Los Acidos Los Acidos

I saved this one for last today as a favor to myself. Originally released in 2016, Los Acidos‘ self-titled debut receives a well-deserved second look on vinyl courtesy of Necio Records, and with it comes 40 minutes of full immersion in glorious Argentinian psicodelia, spacious and ’60s-style on “Al Otro Lado” and full of freaky swing on “Blusas” ahead of the almost-shoegaze-until-it-explodes-in-sunshine float of “Perfume Fantasma.” “Paseo” and the penultimate “Espejos” careen with greater intensity, but from the folksy feel that arrives to coincide with the cymbal-crashing roll of “Excentricidad” in its second half to the final boogie payoff in “Empatía de Cristal,” the 10-song outing is a joy waiting to be experienced. You’re experienced, right? Have you ever been? Either way, the important thing is that the voyage that, indeed, begins with “Viaje” is worth your time in melody, in craft, in its arrangements, in presence and in the soul that comes through from front to back. The four-piece had a single out in late 2019, but anytime they want to get to work on a follow-up LP, I’ll be waiting.

Los Acidos on Thee Facebooks

Necio Records on Bandcamp

 

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Høstsabbat 2020 Off; 2021 Dates Announced

Posted in Whathaveyou on September 8th, 2020 by JJ Koczan

I don’t know. I felt like I had to post something here. Fests being canceled isn’t even really news at this point, but I’ll admit I was holding out some tiny measure of hope for Høstsabbat. Even if I couldn’t go, I was hoping it would happen, just so I could know it was happening. Something was happening. Well, there you go.

I’ve been in touch with the folks behind the scenes, and you should believe them when they say they really tried to make this work. They did. I don’t know what next year will bring, but hopefully it brings this back, and Greenleaf with it. Ha.

But hey, you want to know how I really feel about it? I’m bummed. But you know what else? Høstsabbat gave me hope for months. Months of hope, in 2020. As shows and fests and plans were getting canceled left and right, as the world seemed to be falling apart — turns out, nope, just the US — and everything was going to shit, Høstsabbat gave me hope. I can’t even tell you the number of times I’ve said “Well I’m holding out hope for Oslo in October” since March. Couldn’t even guess at the number, but it’s a lot. So thank you, Høstsabbat. Thank you for giving me that hope for as long as you could give it. I find it not only reassuring that I could still feel hope given the surrounding plague and dismay, but that much easier to continue to feel hope for better things to come in 2021. Thank you for reminding me to hope and look forward to the next thing.

I hope to continue to do so:

hostsabbat (Photo by Per Krokstad)

Dear followers of Høstsabbat,

These last months have been a nightmare considering the planning of this years’ Høstsabbat festival. Countries and cities have been turning green and red over night, the capacity limit has been up for discussion and a lot of the other ever-changing restrictions has been difficult to work with along the way. The uncertainties have been never ending.

Despite all of this, we tried to put our heads together and come up with a Covid friendly version of this year’s edition, still paying justice to our visions. The crew at Kulturkirken JAKOB has been nothing short of amazing, helping out in all ways possible, trying to make Høstsabbat 2020 happen. As all of you can imagine, having any bands from abroad would mean too many x-factors to move forward with. Our last chance was to have an all-Norwegian festival, but all in all it was too many changes and too many restrictions to make Høstsabbat what it is.

Our final conclusion is therefore to postpone the festival as a whole, hoping as many of this year’s bands can make their way to Oslo next year in October 2021.

This decision is heartbreaking, and not an easy one to make. But in the end, we think this is the best and right thing to do. We hope you understand why we waited this long to bring forward the news. We really tried to make it work. This fall will leave a black hole, compared to what was expected, and how things should have been. On the upside we are planning some really cool, covid-safe happenings in Oslo throughout this Autumn and Spring. Keep your eyes peeled!

TICKETS
We hope as many as possible want to extend this year’s ticket to Høstsabbat 2021 for the same price. In that case, you just keep your ticket and Ticketmaster will change it automatically. You can also get a refund for your ticket by following the link in the end of this text. The refund sheet must be filled in within 2 months to get a refund.

We promise to do whatever it takes to make Høstsabbat 2021 the best one so far, and a special one for all of us. Save the dates next year, Friday and Saturday 1st to 2nd of October.

Until next time, we love you all!

Doom out,
Høstsabbat

REFUND link: https://bit.ly/refund-HS

Photo: Per Georg Krokstad

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Wobbler Announce Oct. 23 Release for Dwellers of the Deep

Posted in Whathaveyou on August 17th, 2020 by JJ Koczan

wobbler

Classic progressive rockers Wobbler were last heard from with 2017’s pan-flute-and-mellotron-laced From Silence to Somewhere, a listener’s buffet of proggy delights that ran through four mostly extended songs. The follow-up, Dwellers of the Deep, looks like it will take somewhat similar shape — at least in its basic construction — also playing out across four tracks, the last of which is an extended finale. If you’re not familiar with the Norwegian outfit, don’t sweat it too hard, but their melodies and the kind of stately bounce of their rhythms make their sound genuinely engaging, and they’re clearly well schooled by now in where they’re coming from as a band. They’re prog and they know it. And you know they know it. And they know you know they know it. And so on.

Karisma Records certainly knows it, which I’ll assume is why preorders for Dwellers of the Deep are up now ahead of the Oct. 23 released date.

No audio yet, but the PR wire brings art, details and links:

wobbler dwellers of the deep

Karisma Records Announces Details Of New WOBBLER Album “Dwellers Of The Deep”!

When WOBBLER’s fifth album “Dwellers of the Deep” hits the streets on the 23rd October, it´s exactly three years since the Norwegian’s last release “From Silence to Somewhere”, and if anyone is expecting an identical album, they may have to think again, because, according to the band, the new album will be a different beast entirely:

When we set out planning the new album we agreed that we couldn´t make the same album over again. With “Silence” we did things without wanting to fit into a progressive box, and the process behind “Dwellers of the Deep” was even more along those lines. In that sense it´s more experimental.

Some songs contain rock blast outs while others provide the calm of a foggy morning in the woods; all have their place in what eventually became a thematic dive into the depths of human emotion. Our take on it, anyway.

“Dwellers of the Deep” promises to serve up an exciting blend of both carefully planned and passionately jammed compositions encompassing everything WOBBLER has done up to now. These new musical directions will no doubt further enhance the quintet’s aural idiosyncrasies, and solidify the band’s burgeoning stature as one of the most exciting and interesting bands on the global music scene, independent of genre.

The production is open, detailed, warm and punchy, making the soundscapes put together by Lars Fredrik Frøislie to an aural feast. “Dwellers of the Deep” will be available in Digipak CD and digital formats, as well as in four different 180 gram gatefold vinyl editions; black vinyl, two different limited edition coloured vinyls, and a limited edition transparent vinyl. All the limited editions come with a poster.

Side A contains two pieces at medium length showcasing the band´s mastery of dynamics and flow, with passages and themes veering from the scenic and serene to the downright rocking.

Side B opens with the welcome respite of four minutes serenity, cradling the listener in pastoral and mystic swathes of acoustic guitar, glockenspiel and gentle vocals before an album closing 19 minutes journey into the unknown with the band in full blast.

Track listing for “Dwellers of the Deep” is as follows:

1. By the Banks (13:49)
2. Five Rooms (08:28)
3. Naiad Dreams (04:24)
4. Merry Macabre (19:00)

“Dwellers of the Deep” is now available to pre-order from:

Dwellers Of The Deep is now available to pre-order from:

Webshop: https://www.karismarecords.no/kar194-wobbler-dwellers-of-the-deep/

Bandcamp: https://wobbler.bandcamp.com/album/dwellers-of-the-deep

US Webshop: https://karismarecords.aisamerch.com/

Consisting of four distinctive pieces “Dwellers of the Deep” is a fine example of WOBBLER´s trademark creative whims and playful exuberance, and the band has offered an insight into what fans can expect from the album and what went into its creation:

The recording sessions were somewhat shaped partially by what was happening during the first months of Covid-19. In a very Decameronesque way, we sent “histories” to each other from our hermitages, while the plague waited in the shadows outside. It contributed to a sense of meaningful gravity, making it crucial that the task at hand be fulfilled with our most sincere and unparalleled endeavours.

The lyrical themes on the album deal with human emotions, and the ongoing struggle between juxtaposed forces within the psyche. An introspective voyage amongst the realms of memories, feelings and instincts, where the light is brighter and the dark is darker. The concepts of wonder, longing and desperation permeates the histories told, and the currents from the deep are ever present. The final track, “Merry Macabre”, is a 19 minute suite taking the listener through aspects of the darker sides of WOBBLER´s sound. It probably sums up what we wanted to express this time around; songs with a weirder tint, an experimental, almost impressionist splitting of themes that at the same time provides a larger frame.

Formed in Hønefoss in 1999, WOBBLER’s lineup features Lars Fredrik Frøislie on keyboards and backing vocals, Martin Nordrum Kneppen on drums, percussion and recorder, Kristian Karl Hultgren on bass, Andreas Wettergreen Strømman Prestmo on vocals, guitar, glockenspiel, recorder and percussion and Geir Marius Bergom Halleland on lead guitar and backing vocals.

https://facebook.com/wobblerofficial
https://wobbler.bandcamp.com
https://wobblerofficial.com
https://www.facebook.com/KarismaRecords/
www.karismarecords.no

Wobbler, From Silence to Somewhere (2017)

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Hymn to Release Breach Us Aug. 28; “Exit Through Fire” Video Streaming

Posted in Whathaveyou on July 13th, 2020 by JJ Koczan

hymn
Ugh, I’m so on board with this it kind of grosses me out. Listening to the shouts coming from the opening title-track of Norwegian duo Hymn‘s forthcoming second album, Breach Us, I can’t help but think of Souls at Zero or Enemy of the Sun-era Neurosis — when the atmosphere was no less scathing than the wash of noise that made it. Hymn aren’t quite so post-this-or-that, but their sludge for sure has breadth as well as impact, and that was the case as well on their early-2017 debut, Perish (review here), frickin’ righteous as it was. I’ll bottom-line it for you: Speaking as someone currently listening to this record, you should be looking forward to it.

The video at the bottom of the post makes the case better than I can.

Hymn were announced in March just before the world ended (again!) to appear at this year’s Høstsabbat in their native Oslo in order to present Breach Us to the churchgoing heads in attendance. I don’t know the status of that festival at this point, but if that’s the kind of thing that might still happen, it’ll be a sight to behold.

PR from the wire:

Hymn Breach Us

Hymn – Norwegian Sludge Duo Reveal Music Video For “Exit Through Fire”

Norwegian sludge metal duo Hymn, has just unleashed a music video for “Exit Through Fire”, the leading single from their forthcoming second album “Breach Us”, which is set for release on August 28th via Fysisk Format Records.

Recorded and mixed by Kim Lillestøl at Amper Tone Studios in Oslo, “Breach Us” is a gargantuan tour de force and a testament to man’s will to exert discipline and human direction to the universal powers of chaos. “Our goal at Amper Tone Studio was to set things up basically as we do on live shows.” Says the band.

“Facing each other, Marshall JCM 800 and Simms Watts 120 in stereo and a Ampeg 810 stack on full blast. Gibson Les Paul with 74 gauge strings and a couple of fun effect pedals and we are ready to go. We don’t want to record anything that we can’t perform live, but of course, we always get inspired during the recording process and “shit happens”. That is what makes this band special to us; with only two people there is always room for quick turnarounds and improvisation. We ended up recording the whole thing in about 48 hours.”

Pre-orders are now available at this location.

Hymn is a Norwegian metal duo consisting of singer/guitarist Ole Ulvik Rokseth and drummer Markus Støle. The pair has been working together for thirteen years, with projects like Buckaduzz, Tombstones and more recently Sâver. They have also served as session musicians for a diverse range of Norwegian artists like Okay Kaya (Jagjaguwar) and Gundelach (UOK?).

The two-headed, four handed beast that is Hymn has been pounding skin and pulling the strings of serial-amplified guitars since 2013, having toured small clubs and festivals in Europe (including the Øya festival, Stick & Stone fest and Freak Valley Festival) at length following the release of their debut “Perish” on SVART Records in 2017. Their second offering is entitled “Breach Us” and is due for release in late August on Norwegian underground stalwart Fysisk Format.

https://www.facebook.com/hymnoslo
https://urskoghymn.bandcamp.com/
https://www.fysiskformat.no
https://www.facebook.com/fysiskformat
https://www.instagram.com/fysiskformat

Hymn, “Exit Through Fire” official video

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Orsak:Oslo Release Skimmer EP

Posted in Whathaveyou on June 16th, 2020 by JJ Koczan

orsak oslo

Norwegian/Swedish purveyors of mellow psych and soundscapes Orsak:Oslo released their new EP, Skimmer, this past Friday through their Bandcamp. The release follows up on their self-titled long-player that came out last year and brings more expansive and patient craft to bear across its three tracks and relatively brief runtime. The four-piece seem pretty comfortable working in the extended-play format — Skimmer might be their 10th EP, if I’ve got the count right; if so, way to hit double-digits, guys — and the new outing brings a quick bit of meditative sprawl before returning you back to the “real world,” such as it is.

The cruelty of that brevity notwithstanding, it’s a cool listen. I got put onto these guys at Høstsabbat last year, where they played on a stage so small it could barely hold them, and haven’t regretted digging in ever since. Maybe you’ll take a listen to Skimmer and feel the same way.

Info and audio follow:

orsak oslo skimmer

ORSAK:OSLO – SKIMMER OUT NOW

For now Skimmer is available on Bandcamp only!

Due to Covid lock-down our digital distributor is short staffed and not able to honour the release date. We feel their struggle and they’ve got our support. The release will be available on all digital platforms at a later time.

We thank you for your patience, and hope that you will head over to Bandcamp to give Skimmer a listen.

Orsak:Oslo is a dark slow brew containing of psych, dystopian post-rock and trippy space blues. The Norwegian/Swedish band have released 9 EPs since the beginning in 2014. With their monolithic and melancholic instrumental pieces, this is music for the active listener. O:O is a marriage between impulsive improv and thoughtful composition, melodies and new harmonies carefully woven in, layer by layer. With a reverence and underlying devotion to the aura and musical preconditions laid down from the start, the result is raw, unpolished and true.

Tracklisting
1. 057 Passage 05:16
2. 061 Skimmer 04:40
3. 058 Cloudburst 06:38

Orsak:Oslo is:
O:Qrill
O:Peter
O:Øyvind

https://www.facebook.com/orsakoslo/
https://www.instagram.com/orsakoslo/
https://orsakoslo.bandcamp.com/
https://www.orsakoslo.com/

Orsak:Oslo, Skimmer EP

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Mystery Dudes Sign to Interstellar Smoke Records

Posted in Whathaveyou on June 9th, 2020 by JJ Koczan

Interstellar Smoke Records announces it will release the First Blood EP by Oslo, Norway’s Mystery Dudes on vinyl in the middle of July. The EP came out via the band in September digitally and there was an edition of 50 tapes to go along with that. The band classify themselves as fuzzy stoner punk, and I’m not inclined to argue, though one can tip “heavy rock and roll” in any number of directions, of course, and it’s still pretty early days to make the final call on their sound. That is, it’s not like they’re putting out the Eighth Blood EP. It’s “first” in the title because it’s their first one. Clever, right?

This was one of two new pickup announcements Interstellar Smoke Records was making, and the other one actually just got announced as I was putting this together, but because I’m a fan of things like bands getting labels behind their work, I’m going to split it into two posts and I’ll put the other one up tomorrow so everybody gets their due. But interesting to see the label on a mini-bender in terms of new releases. Hopefully they keep it going because what the hell I’ll take the good news however it comes these days.

Here’s the announcement:

mystery dudes

Dear All,

Here comes 1st News from #ISR Family, please Warm welcome in our Team, Mystery Dudes with ‚First Blood’ EP(!)

Release date is scheduled at the mid of July. ‚First Blood’ comes in the single-pocket cover, with double-sided printed insert and poster A3 size.

Artwork designed by @neiltesor

EP will be pressed on hand-crafted, heavy weight 180gr Black Vinyl, to get best sound quality in 45 RPM.

More news about Pre-Sale coming soon.

Mystery Dudes are:
Bjørnar Lien Roset – Guitar / Vocals
Rolf Bang – Bass
Ola Jørgen Kyrkjeeide – Drums

https://www.facebook.com/mysterydudes/
http://instagram.com/mysterydudesband/
https://mysterydudes.bandcamp.com/
https://www.facebook.com/Interstellar-Smoke-Records-101687381255396/
https://interstellarsmokerecords.bigcartel.com/

Mystery Dudes, First Blood (2019)

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