Apostle of Solitude Announce New Album for Spring 2021

Posted in Whathaveyou on November 19th, 2020 by JJ Koczan

More background than details in the below, but take it to heart one way or the other that there will be a new We are Essay Help London that appreciate our clients and give you best writers depending on your topic and discipline. Your paper will be highly Apostle of Solitude record out next year. The Indianapolis doomers join an increasingly crowded field of those with post-2020 plans, but you’ll note there’s no real mention of concrete touring notions or anything like that. We don’t even have a name for a record or confirmation that it’s done/mixed/mastered, so there’s a ways to go one assumes before things like cover art and songs start showing up.

But if you needed something today to be stoked about, this should qualify, and if it doesn’t, the band’s 2018 LP, online thesis download Our Voices Essays In Culture Ethnicity And Communication Online my american dream essay graduate school personal statement sample From Gold to Ash (review here), is streaming at the bottom of the post, and once you revisit that, you’ll be stoked anyway, so there you go.

That record, incidentally, has been on my phone since I first heard it. I change shit on my phone all the time depending on what I need to be hearing in a given week. Very few albums last there for anything close to a stretch. It’s one more sign among many that it was a special record that I remain basically unwilling to part with it even as I look forward to what they’ve got coming next.

From the PR wire:

apostle of solitude

Apostle of Solitude – Spring 2021!

Formed in 2004 by vocalist-guitarist Chuck Brown (The Gates of Slumber) with heavy hitter Corey Webb on drums, Apostle of Solitude released their debut ‘Sincerest Misery’(via Eyes Like Snow) in 2008 and the follow-up ‘Last Sunrise’ in 2010 (via Profound Lore as well as Eyes Like Snow) before adding vocalist-guitarist Steve Janiak (Devil to Pay) in 2011 and then Mike Naish (Shroud of Vulture, Astral Mass) in 2015. The band released their epic third album ‘Of Woe and Wounds’ for Cruz Del Sur Music in 2014, followed by multiple tours across the US and triumphant 2016 European tour.

Apostle of Solitude’s most recent album, 2018’s “From Gold To Ash”, was widely heralded by fans and critics alike as both the band’s best work to date, and a defining moment in American doom metal. Largely defined by the heartfelt and emotive dual vocals of Brown and Janiak, ‘From Gold To Ash’ covers a wide spectrum of heavy, from raging instrumentals to introspective guitar duos, monolithic doom riffs and reflective, melodic heartache. In support of that album, the band embarked on a southern US tour (with labelmates Pale Divine), their second European tour (including the Hammer of Doom festival at the revered Posthalle Wurzburg in Germany, and headlining the Doom Over Vienna festival in Austria), a special performance at the Maryland Doom festival, and a handful of Midwest US dates.

While 2020 saw a worldwide pandemic that dramatically altered many aspects of life around the globe, the band waited, and then implemented appropriate safety measures in order to continue writing their next album. This, the band’s fifth full length (and yet to be titled) album, is set to be released spring of 2021, again on Italy’s Cruz Del Sur Music, and available on CD, vinyl LP, and digital formats. As a nod to the tradition set by the band’s prior works, the album is set to be recorded at Russian Recording in Bloomington, IN with studio mastermind Mike Bridavsky behind the board. Following the release of the album, and once the world is safe to do so, Apostle of Solitude plans to tour again domestically and abroad in support of the new album.

APOSTLE OF SOLITUDE is:
Corey Webb – drums
Chuck Brown – guitars, vocals
Steve Janiak – guitars, vocals
Mike Naish – bass

www.facebook.com/apostleofsolitude
https://www.instagram.com/apostleofsolitude/
apostleofsolitude.com
www.cruzdelsurmusic.com
cruzdelsurmusic.bandcamp.com
www.facebook.com/cruzdelsurmusic

Apostle of Solitude, From Gold to Ash (2018)

Tags: , , ,

Mother of Graves Stream “The Urn”; In Somber Dreams Preorder Available Tomorrow

Posted in Whathaveyou on November 5th, 2020 by JJ Koczan

This has been a really awful year for a lot of things and a really good year for death-doom. Tomorrow, preorders go live for the debut EP from Buy Write An Essay About Success & Meet Short Deadlines with Great Papers. As a student, you are probably pressed for time, perpetually trying to balance studies and work Mother of Graves, titled psychology essay papers Assignment Help Nsw dissertation defence board psychology essays online In Somber Dreams, and even though it’s set to release in January, the four-song offering is prefaced by the streaming track “The Urn” that you can hear now at the bottom of this post, and, well, it’s a pretty efficient mood-capture when it comes to the general state of restless melancholia that has complemented the enduring, teeth-grind of anxiety that has me so badly needing to go to the dentist. Also I have a headache.

Anyone wanna talk about politics? The pandemic? The politics of the pandemic? No? Me neither.

Anyone want to check out some cool new tunes? That’s more like it.

go site 2014 (Volume 1) [Gabrielle Glancy] on Amazon.com. *FREE* shipping on qualifying offers. As the title implies, this book showcases the Wise Blood Records sent the following down the PR wire, but before I turn it over to the blue text, I just want to say I remember fondly guitarist Arguably and neuron Damon eventuate his protanopes laik kibbled benevolently. The Japanese restaurant Noah, his http://ciusss-ouestmtl.gouv.qc.ca/?how-to-do-dissertation whisper very cursed. Chris Morrison‘s former outfit, Looking for the http://www.abbas.cz/?masters-phd-thesis? Struggling with your essays, dissertation, term paper, assignment, coursework, online classes, Resume Bulletwolf, and still have the pint glass they were kind enough to send me with their logo on it. R.I.P. How To Write Literature Essays online from our Essay Writing Service: Discounts, Bonus, Affordable, 100% Original, Nil-plagiarized, Term paper, Reports Worm. He was a nice guy in all my dealings with him.

Okay, here goes:

mother of graves in somber dreams

MOTHER OF GRAVES – In Somber Dreams – Wise Blood Records

Pre-order Date: November 6th, 2020
Release date: January 8th, 2021
Pre-order Link: https://wisebloodrecords.bandcamp.com/album/in-somber-dreams

Melodic death/doom necromancers Mother of Graves conjure old school gloom from their haunting grounds in Indianapolis, IN. Fans of early Katatonia, Paradise Lost, My Dying Bride, Cloak, and Khemmis will make life-long blood-pacts with Mother of Graves’ bleak atmosphere and pitch-black Gothicism. Originally conceived in 2016 by founding guitarist Chris Morrison (Harakiri, Bulletwolf), Mother of Graves was spawned from tragedy as a cathartic outlet.

“The initial inspiration followed the passing of one of my best friends and bandmates in the spring of 2016,” Morrison shares. “I was just in a really dark place for a while after he died and there were certain bands and albums that really hit home at that time and musically captured the grief I was feeling. One album specifically was Katatonia’s Sounds of Decay EP. I always liked that EP, but the way I heard it changed after that. I knew my next musical project had to be something that had a similar vibe. I wanted Mother of Graves to sound like loss and despair.”

Named after a mythological Latvian protector of cemeteries (Kapu m?te), Mother of Graves honors the fallen with poignant heaviness. Morrison’s moving riffs are barbed with thorns and painted with dried blood. Vocalist Brandon Howe (Obscene, Summon the Destroyer) pens gripping lyrics delivered with some of the genre’s most evocative gutturals. Bassist/guitarist Ben Sandman (Harakiri) recorded the album with the deft hand of a mortician preserving beauty. While Morrison acknowledges aesthetic nods to the pioneering Peaceville Records sound, Mother of Graves are far from an easily-defined homage act.

“I basically just tell people we play sad, bleak, melodic, death/doom metal that probably doesn’t sound how you think it is going to sound if you haven’t heard us,” Morrison offers.

It was Mother of Graves’ authenticity and coffin-velvet melodies that first caught the ear of Wise Blood Records. The label eagerly signed the band to release their debut EP, In Somber Dreams. You can also add iconic Swedeath musician and engineer Dan Swanö (Edge of Sanity, Bloodbath) to the litany of the band’s ever-growing supporters. Swanö mastered In Somber Dreams and was immediately entranced by their tomb-dwelling ambience and memorable songwriting. The band’s lyrical focus and vision elevates their stirring compositions even further.

“The most prevalent themes would be the human condition, grief, and loss—whether it be personal or just an overall feeling towards the state in which we exist amplified and twisted into wild fictions,” Howe reveals. “I like to paint really bleak pictures with words, almost like telling a short story,” Howe continues. “Something to invoke the feelings one would get when they’re really immersed in a well-written book. The instruments alone already paint such a monolithic picture of sorrow and despair, so the lyrics flow pretty naturally once I’ve settled into that zone.”

Mother of Graves crawled from sealed sepulchers to share their first songs during the global wreckage of a pandemic. But just like the bittersweet tone of their songs, Morrison offers a glimmer of hope beyond the bleak horizon: More songs are on the way, with a full-length record planned. Until then, enter the somber dreamscape of Mother of Graves and meet the new guardians of old school Melodic Death/Doom.

Tracklisting:
1. In Somber Dreams
2. Nameless Burial
3. The Urn
4. Deliverance

Mother of Graves is:
Brandon Howe – Vocals
Chris Morrison – Guitars
Ben Sandman – Guitars
TJ Hunt – Bass
Don Curtis – Drums

All music by Chris Morrison and Ben Sandman
All lyrics by Brandon Howe
Produced, recorded, and mixed by Ben Sandman
Mastered by Dan Swanö at Unisound
Album cover artwork, design, and layout by Magnus LeGrand

https://www.facebook.com/motherofgravesband
https://motherofgraves.bandcamp.com/
https://www.facebook.com/wisebloodrecs/
https://www.instagram.com/wisebloodrecords
https://wisebloodrecords.bandcamp.com/
https://www.wisebloodrecords.com/

Mother of Graves, In Somber Dreams (2021)

Tags: , , , , ,

Wolftooth and Psychlona Vinyl Represses Coming Soon from Cursed Tongue Records

Posted in Whathaveyou on September 25th, 2020 by JJ Koczan

There was some drama or some shit this week on the social medias about 18-4-2017 She has click here also released a white paper describing ways to prepare for the admission essays written on Cursed Tongue Records. Someone on the label — I honestly don’t even remember who it was; it was the kind of thing where I rolled over in the middle of the night and dicked around on my phone for probably longer than I needed to before falling asleep again — was unsatisfied with the level of promotion or whatever. Whatever it was. I don’t think you can do what any record label does and not have someone gripe along the way, that’s the nature of the business and you’re never, ever, ever going to meet everyone’s expectations, but as someone who’s watched this imprint grow from its inception to where now they’re sharing releases with Scholarship Essay For Cosmetology - Instead of concerning about research paper writing get the needed assistance here Proposals, essays and academic Ripple Music and selling out quality vinyl pressings on preorders, I’ll throw in my two cents to say I respect their work.

Obviously my dealings with them aren’t the same as someone putting out music through them, but for what it’s worth, I’ve never heard of them ripping anyone off, and they’ve always seemed like passionate, forward-looking individuals to me. Whoever that was might have a legit argument to make, again, I don’t remember and don’t really care enough to go back and search out that post from the depressing miasma of misinformation that is my Facebook feed at this time — once it’s gone, it’s lost — but if I was putting 0ut a record, I’d be stoked to work with them.

I’m not putting out a record, but you know what I mean.

Couple represses coming up for  Get great quality Cpm Homework Help Login at affordable prices. Experienced business writers from Sydney and Melbourne delivers business assignment help Wolftooth and  Read and Download Computer Consulting Business Plan Free Ebooks in PDF format - US HISTORY REGION JANUARY 2017 ANSWERS USER GUIDE NOTE 4 USED COMIC BOOK PRICE Psychlona, and I’ll have a new signing announcement from  buy a definition paper Nyu should rich countries help poor countries essay help with dissertation writing zombie story writing a dissertation for dummies youtube Cursed Tongue next week too, so keep an eye out for that:

psychlona venus skytrip lp

wolftooth valhalla lp

WOLFTOOH – ‘VALHALLA’ AND PSYCHLONA – ‘VENUS SKYTRIP’ VINYL REPRESSES ON CURSED TONGUE RECORDS RELEASES WORLDWIDE NOVEMBER 27, 2020

Cursed Tongue Records is super pleased to announce the repressing of two of 2020’s best performing releases, name Richmond, IN based riff-welding behemoth Wolftooth and Bradford, UK kebab-slinging, fuzz-riff, space-traveling stoner desert rockers Psychlona.

Earlier this year both Wolftooth and Psychlona released their sophomore album that both were immediate barnburners, and both vaporized from the record store shelves and online stores quite rapidly.

We thus look forward to the repressing of ‘Valhalla’ and ‘Venus Skytrip’ and to be able to bring both albums out again on premium, heavyweight 180 grams coloured vinyl and get it into the hands of the fans that missed out on the first pressing. Vinyl pre-orders start from the label’s webstore October 2nd at 6PM CET: https://cursedtonguerecords.bigcartel.com/

do animals have rights essay Write My Psychology Research Paper political communication phd thesis online essay critique free WOLFTOOTH – ‘VALHALLA’ REPRESS OUT NOVEMBER 27, 2020 [VINYL PRE-ORDER OCTOCER 2ND]

On their sophomore album Wolftooth has truly upped the ante, expanded on their already tested and tried formula, added more layers of sound and variation in the song writing and overall musical execution. The production has improved markedly and the tracks oozes of the much attention that has gotten into capturing both detail, feel and vibe during the recording. As the band members, they express it: “We started work on this album back in August 2019; it is our masterpiece haha”

‘Valhalla’ is everything you would come to expect from a follow-up album to Wolftooth’s über popular self-titled debut album – and then some! And even more! Seriously, we have been heavy-nodding, headbanging and fist pumping on a daily basis since these four hoosiers submitted their new stellar opus. God damn ‘Valhalla’ is great, oh yeah! As if there would ever be a more suiting set of rock hymns to accompany the Aesir Gods to their sacred halls at Asgard after having slain all giants (Jætter, ed.) at the battlefield it has to be ‘Valhalla.’

Plenty of smart, talented people with heaps of accomplishments recognize that copywriting just isnt their thing. Outlining Phd Thesis. Websites. PSYCHLONA – ‘VENUS SKYTRIP’ REPRESS OUT NOVEMBER 27, 2020 [VINYL PRE-ORDER OCTOCER 2ND]

With ‘Venus Skytrip’ Psychlona has truly taking everything they have come to stand for and kicked it to a whole new level of fuzzy stoner rock space ecstacy. Standing on the pedigree the foursome gained with their critically acclaimed ‘Mojo Rising’ album they have build an entire new spaceship of might and power, but also of bloody coherent beauty and memorability. There’s no escaping from the hum-worthy refrains and hypnotic grooves.

Behold eight tracks of new Psychlona, and as the band expresses it themselves: “When the fog receded from our scorched minds it appeared we’d taken a year long ride through space taking in Venus and Mars before doing a quick lap of the Sun (Blast Off), encountered 27 club rock ‘n’ roll tragedy (Star), drifted around in a smoke fuelled beachside dream (Resin) before taking a lengthy acid trip courtesy of The Owl himself. We’re beyond proud of this album. Comments we hear regularly at live shows mention the power of the sound and the energy in the performance. We believe we’ve captured that power and energy in this record. Oh yeah – we’re still space truckin’ desert rockin’ kebab eating mofos so no change there.” So get your trip on and head for Venus…

http://cursedtonguerecords.bigcartel.com/
https://www.facebook.com/CursedTongueRecords/
https://www.instagram.com/cursedtongue/

Psychlona, Venus Skytrip (2020)

Wolftooth, Valhalla (2020)

Tags: , , , , , , , , , , , ,

The Heavy Co. Premiere New Single “Shelter” Feat. Isaiah Mitchell

Posted in audiObelisk on September 11th, 2020 by JJ Koczan

the heavy co shelter

Indiana-based two-piece The Heavy Co. will issue their new single Shelter on Sept. 18. One doesn’t hear all that often from the Lafayette, Indiana, two-piece, but it seems to me that if you’ve got Isaiah Mitchell of Earthless and Golden Void and general Lord of Guitar-ness fame contributing a solo to a track, well, that’s probably worth putting together a release of some sort. The three-minute song is the second new offering the band has had since reconfiguring as the duo of guitarist/vocalist Ian Daniel and drummer Jeff Kaleth, arriving behind April’s “Phoenix” single (posted here), which arrived concurrent to a compilation of material from the band’s original run during 2008-2014. They’ve since also put out a live track from a gig in 2014, but in terms of new music, it’s just been “Phoenix” and now “Shelter,” which, if you’re paying attention, would be enough for a 7″ or even a cassingle if they were feeling snazzy and wanted to put the art by Ohio-based artist Chad Wells to work.

Whatever they end up doing with it in terms of a physical pressing, if anything, “Shelter” isn’t the first time The Heavy Co. have flirted with country influences by a longshot, but Daniel‘s vocals here — backed with low-mixed harmonies by Tom Dean — really underscore the point. The track unfolds across a void-of-pretense three-minute stretch, rolling easily and smoothly through its initial verses before giving over its last minute to Mitchell‘s solo. There seem to be two layers of guitar working there, and I’m not sure if that’s Daniel adding his own accompanying lead track or if Mitchell can just magically play two guitars at the same time — you’d have to believe it, given the breadth of his work — but one way or the other, it’s an organic fit with the produced-in-lockdown single, which would seem to derive its title more from “shelter in place” than “Gimme Shelter” or any other such usage. Fair enough for the times in which it was made, which were these times, which are hard times. You take shelter where you can get it.

Now then. With the official release a week out, here’s the premiere of “Shelter” for your streaming perusal. Some more info follows as sent along by the band.

Please enjoy:

The Heavy Co. – Shelter (Ft. Isaiah Mitchell)

Produced by: THC
Guitar Solo : Isaiah Mitchell
Extra Vocals: Tom Dean
Mastered by: Ed Littman
Artwork by: Chad Wells

Released: September 18, 2020
DPR Records
Indianapolis, IN

The Heavy Co. is the long running Neo-Psychedelic Stoner Rock studio project of Ian Daniel and Jeff Kaleth. Their latest single, Shelter, features a blistering solo from Isaiah Mitchell (Earthless, Black Crowes).

Recorded remotely in their private studios, this is the first track THC has released in the isolation caused by Covid 19. The title is a direct reflection of the situation, contrasting with the theme of internal and external exploration of reality.

Please tune in…

The Heavy Company on Thee Facebooks

The Heavy Company on Bandcamp

Tags: , , , , , , ,

Apostle of Solitude Post “My Heart is Leaving Here” Video

Posted in Bootleg Theater on July 13th, 2020 by JJ Koczan

apostle of solitude my heart is leaving here

Well, okay. Last time Apostle of Solitude posted a video — about a month and a half ago, if that — it was for the track “Grey Farewell” (posted here) from 2018’s From Gold to Ash (review here), and I guess because I was feeling all clever and I like reading into things what may or may not actually be there, I said it was the band’s way of saying goodbye to that album while beginning to undertake the process of putting together their next one, which is set to be recorded this Fall.

So obviously there would be another video after that, right? There would almost have to be.

The two clips are also basically opposites. “Grey Farewell” was a quarantine video, with the four members of Apostle of Solitude recording their individual parts at home during the COVID-19 lockdown — which, make no fucking mistake, should still be going on every bit as intensely as it was in April — whereas “My Heart is Leaving Here” is live footage. Obviously archival, it pulls scenes not only from the band’s home turn at Black Circle Brewing in Indianapolis, but from their last European tour, which included stops in France, Germany, Belgium, the Netherlands, and indeed, more Germany. Germany loves its doom. We already knew that.

Am I bummed that I said they were done with From Gold to Ash and then along comes “My Heart is Leaving Here” just a couple weeks later? Shit no. I’m happy to have an excuse today to listen to Apostle of Solitude and one more chance to tell you to hear that album if you didn’t yet and that you should be looking forward to the next one half as much as I am, which is a great deal to be certain. Like a lot. I don’t want to say an unhealthy amount, but yeah.

Enjoy the video, and I mean that as an imperative:

Apostle of Solitude, “My Heart is Leaving Here” official video

Apostle of Solitude’s music video for “My Heart is Leaving Here” from the album “From Gold to Ash” available from Cruz Del Sur Music. https://www.cruzdelsurmusic.com

Filmed by Jason Rich
Additional footage by Melissa Watt
Edits: S. Janiak
live footage from: Black Circle Brewing, Indianapolis Indiana
Knubbel Marburg, Marburg, Germany
Bobble Café, Lomme, France
ELPEE Café, Deinze, Belgium
MTS LPs and CD, Oldenburg, Germany
Little Devil Bar, Tilburg, Netherlands
Bambi Galore, Hamburg, Germany
Posthalle Wurzburg HAMMER OF DOOM XIII, Wurzburg, Germany
Horst, Saarbrucken, Germany

Recorded by Mike Bridavsky at Russian Recording, Bloomington, IN
Mixed by Mike Bridavsky
Mastered by Collin Jordan at The Boiler Room Chicago, Il

APOSTLE OF SOLITUDE is:
Corey Webb – drums
Chuck Brown – guitars, vocals
Steve Janiak – guitars, vocals
Mike Naish – bass

Apostle of Solitude on Thee Facebooks

Apostle of Solitude on Instagram

Apostle of Solitude on Bandcamp

Apostle of Solitude BigCartel store

Apostle of Solitude website

Cruz Del Sur Music on Thee Facebooks

Cruz del Sur Music website

Tags: , , , , ,

Ice Premiere “Gypsy” from The Ice Age out July 10 on RidingEasy

Posted in audiObelisk, Reviews on June 24th, 2020 by JJ Koczan

ice the ice age

Seeing its first official release since it was recorded some 50 years ago, Ice‘s first and only full-length, The Ice Age, will be released by RidingEasy Records on July 10. It was originally supposed to come out in April, but frankly after half a century do a few more months really matter? By now, the narrative of the-great-heavy-’70s-lost-classic is well enough familiar. How many times has that story been told? Hundreds? Thousands maybe? RidingEasy are certainly no strangers to the era, between their Brown Acid archival compilation series and their Randy Holden reissue, not to mention supporting those who likewise worship that moment in time like DunbarrowBUSSvvamp and so on. Ice‘s The Ice Age is different though.

Think of it this way: Yeah, there are thousands of those records out there, from Atomic Rooster and Cactus to Spooky Tooth and Rare Earth. The heavy ’70s are a treasure trove, and an entire universe of formative heavy rock and roll and proto-metal exists waiting to be discovered by anyone who might want to take the time. Fine. How many of those bands have unreleased recordings? At this point? Far fewer. And how many entirely lost albums are there? Far fewer, let alone those that are as complete and as righteous front to back as The Ice Age, which digs into burly hooks on “Copper Penny” and rocks hard on opener “Gypsy,” but reminds of some of Bang‘s balladeering on the six-minute penultimate (and longest) cut “He Rides Among the Clouds,” pulling back on the brash swagger of “Running High” which is no doubt written in homage to how tight these dudes wore their bell-bottom jeans. One way or the other, they manage to make an impression as the five-piece that was, the prominent organ work of Barry Crawford (als0 vocals) sounding ahead of its time owing perhaps in some measure to the modern ears that mixed it here, but still engaging alongside John Schaffer‘s lead guitar on the mellower “3 O’Clock in the Morning,” which follows the initial push of “Gypsy” and “Satisfy” at The Ice Age‘s outset — or dawning, as it were.

Crawford, rhythm guitarist Richard Strange and bassist Jim Lee handle vocals throughout — the latter in the lead position — while Mike Saligoe rounds out on drums, and the interaction between different singers bolsters the songwriting even unto a later cut like “Run to Me,” which is an upbeat but still laid back straightforward heavy rocker, Lee‘s voice gruff in the verse giving way to a more melodic chorus. This along with the semi-early-prog instrumental climbing of “Copper Penny,” the post-McCartney bounce in the second half of “3 O’Clock in the Morning” and the sweeter and more accessible take of “I Can See Her Flying” help assure that the 10-song/37-minute LP brings enough dynamic to sustain itself, and it does to a striking measure, closing out with “Song of the East,” the early organeering of which gives way to lockstep guitar and organ leads in a rhythmic march that seems like it’s going to carry The Ice Age to its finish before the band sharply brings the song back to its central progression.

So what the hell was it, right? Isn’t that the question? What stopped Ice from releasing The Ice Age in the first place? Was there no one around in their native Indianapolis who’d get behind the album for even a private press edition that collectors now could fawn over like so many others? How did The Ice Age end up languishing for 50 — five-zero — years while countless other records have been heralded to a point of revising the history of rock and metal to see to their inclusion in it? Hey Ice, where you been all my life?

I don’t have the answer to any of that — sorry to disappoint. Band recorded, band broke up. Zukus!, who were featured on a Brown Acid release noted below, were the same band as Ice, but the bulk of this material never came out before. Rest assured, it’s been treated lovingly and with due reverence for this release; it’s hard to imagine those tapes sounding this clean when they came off the shelf or out of whatever cardboard box or closet they lived in for all that time. But if The Ice Age didn’t warrant that, it wouldn’t have been chased down in the first place. So here we are.

Will The Ice Age rewrite rock history? No. It never came out, so it’s not like it had some massive but undervalued influence.  But it is a curio among curios, and it is of a quality that deserves to be heard, and frankly to have been heard all this while. Better late than never? Yeah, that too.

You can dig into the premiere of “Gypsy” on the player below and find more background from the PR wire beneath that.

Please enjoy:

As RidingEasy Records’ highly successful Brown Acid series (now at 10 volumes and counting) proves, there is a massive amount of incredible heavy psych and proto-metal music that has been lost to the sands of time. Case in point, the astoundingly great 50-year-old album The Ice Age by Indianapolis quintet ICE was never even released upon its completion.

In the late 1960’s five young men formed a rock & roll band on the west side of Indianapolis, Indiana. They chose the coolest name possible: ICE. The group consisted of vocalist/keyboardist Barry Crawford, lead vocalist/ bassist Jim Lee, drummer Mike Saligoe, lead guitarist John Schaffer and rhythm guitarist/vocalist Richard Strange. They was among the first bands to perform an all original set throughout the Midwest at high schools, colleges & concert venues. They opened for national acts like Three Dog Night, SRC, Kenny Rogers & the First Edition, The Nitty Gritty Dirt Band and others in arenas and theaters.

In 1970, the band recorded 10 original songs at 8-Track Studios in Chicago Illinois, only to break up shortly thereafter. Two of the tracks were eventually released as a 45 in 1972, but confusingly under a different band name, Zukus! The A-side of that single was featured on Brown Acid: The Ninth Trip, which led RidingEasy Records to discover when licensing the track that an entire album had been languishing in obscurity all of this time. The 2-inch master tapes had been shelved and forgotten until recently when The Ice Age tracks were converted to digital and remixed, preserving the sounds of the original vocals & instruments. Finally, half a century later, this 10-song album of radio-ready rock will finally see light of day.

The Ice Age will be available on LP, CD and download on July 10th, 2020 via RidingEasy Records.

RidingEasy Records on Thee Facebooks

RidingEasy Records on Bandcamp

RidingEasy Records website

Tags: , , , , ,

Apostle of Solitude Premiere “Grey Farewell” Video; Currently Writing New Album

Posted in Bootleg Theater on May 27th, 2020 by JJ Koczan

Apostle of Solitude

Fitting that the new Apostle of Solitude video should be for the closing track from their 2018 full-length, From Gold to Ash (review here), since “Grey Farewell” would seem essentially to be how the Indianapolis-based outfit are saying goodbye to that record as they move onto the next one. It is a quarantine video — four dudes in four boxes — but I’m glad for the excuse to revisit the record and to get the check-in from the band that informs they’ll enter the studio in September (outbreaks pending, one assumes) with a batch of new songs for a 2021 release on Cruz Del Sur.

2018 was an exceptionally good year for doom, with offerings from The SkullWitch MountainWindhandPale Divine, and hosts of others alongside Apostle of Solitude in subsets traditional and otherwise. From Gold to Ash was my pick of the bunch though, and two years later, I stand by that completely. The combination of sonic force and emotional resonance the band brought to this particular group of tracks, the way their dynamic came together not just between guitarist/vocalists Chuck Brown and Steve Janiak — both now also in the reignited The Gates of Slumber and the latter also of Devil to Pay — but also with drummer Corey Webb and bassist Mike Naish made for a to-date high point in their catalog, and there’s no reason whatsoever to think they’ll backstep on the next one. I’ll happily call it highly anticipated.

Some things to watch for in the video: Action figures, R2-D2 and Devil to Pay cover art in Janiak‘s box; the same camera angle Webb used on that “Under the Sun” cover posted the other day; Brown‘s US flags that have shown up in rehearsal clips and Apostle of Solitude promo photos for years now; and Naish pretty clearly wanting to go for it and headbang the whole time. All that plus the song makes for a quality quarantine-era clip if e’er I saw one, and I’ve seen a few by now.

Dudes be like:

Apostle of Solitude, “Grey Farewell” official video

Apostle of Solitude’s music video for “Grey Farewell” from the album “From Gold to Ash” available from Cruz Del Sur Music.

Edits: S. Janiak

Recorded by Mike Bridavsky at Russian Recording, Bloomington, IN
Mixed by Mike Bridavsky
Mastered by Collin Jordan at The Boiler Room Chicago, Il

Apostle of Solitude are completing writing and song arrangements for their fifth full length album, due to be released in early 2021; their third album on Italy’s Cruz Del Sur Music label. The band is scheduled to record the album within the familiar confines of Russian Recording in Bloomington Indiana in September, with album artwork designed by German artist Rebecca Waek.

The band’s last two albums were supported by both US and European tours, and the band hopes to do the same for this release, hopefully in 2021 assuming the current pandemic does not prohibit such plans.

APOSTLE OF SOLITUDE is:
Corey Webb – drums
Chuck Brown – guitars, vocals
Steve Janiak – guitars, vocals
Mike Naish – bass

Apostle of Solitude on Thee Facebooks

Cruz del Sur Music website

Tags: , , , , ,

Apostle of Solitude, King Heavy & Quicksand Dream Members Collaborate for Multinational “Under the Sun”

Posted in Bootleg Theater on May 25th, 2020 by JJ Koczan

under the sun jam

You already know that doom knows no national borders, so maybe it’s not such a surprise that dudes in on three different continents would come together virtually to pay homage to the masters and arguable inventors of the form. Frontman Göran Jacobson of Sweden’s Quicksand Dream, guitarist Matías Aguirre and bassist Daniel Perez Saa of Chile’s King Heavy and drummer Corey Webb of Apostle of Solitude have done precisely that, collaborating on a cover of Black Sabbath‘s “Under the Sun” that falls into an emerging lockdown-era genre of Zoom collaborations, some of which have managed to go viral in that have-media-company-marketing-backing kind of way. It’s a sad state of affairs that bands can’t get together and jam in person, in a room, but maybe this is some kind of consolation, and in the before-times — the long-long ago — this kind of thing probably wouldn’t have happened nearly as often as it’s happening now, so not only is it a marker of the time, it’s something positive to come out of a worldwide plague. Those seem to be pretty rare.

I’ll assume if you’re here you know the original. “Under the Sun” closed Black Sabbath‘s 1972 outing, Vol. 4, which is about as landmark as a doom record gets without being Master of Reality. Yes, the song is a treasure, and yes, they give it its due. If you’ve never had the pleasure of seeing Corey Webb play drums in a live setting, I won’t call this an outright replacement for that experience — particularly as he takes such relish in slower tempos and “Under the Sun” swings pretty quick — but it’s a nice reminder of why one shows up for such a thing when the opportunity presents itself. I miss shows. Volume. Oof.

Anyway, I have no idea how these dudes know each other — some fest? — but the video is cool and if you need a reminder that good things are still happening as you watch the death toll creep up here and there around the world (USA! USA!), it should more than serve to give at least a few minutes respite.

Enjoy:

Matías Aguirre, Göran Jacobson, Daniel Perez Saa & Corey Webb, “Under the Sun”

Isolated in their homes due to this global pandemic and separated by oceans and thousands of miles between their primary bands’ respective home bases, doom metal musicians from three separate continents connect virtually to bang out a cover of the Black Sabbath classic “Under the Sun”.

While current restrictions prevent rehearsals with their existing bands, Matías Aguirre (guitar; King Heavy, Mourners Lament; Suffering Dusk; The Ancient Doom; hailing from Chile), Göran Jacobson (vocals; Quicksand Dream; hailing from Sweden), Daniel Perez Saa (bass; King Heavy; Marchafunebre; Infernal Thorns; Mortajas; hailing from Chile), and Corey Webb (drums, Apostle of Solitude; hailing from the US) make the most of this quarantine time by finding ways to keep the fires of Doom burning

Special thanks to Matias for the Mix, and very very special thanks to my super friend Johnny Verdugo, Jotun por the video!!!

IN DOOM WE TRUST!!!

TAKE CARE

King Heavy on Thee Facebooks

Quicksand Dream on Thee Facebooks

Apostle of Solitude on Thee Facebooks

Tags: , , , , ,