The Obelisk Show on Gimme Radio Playlist: Episode 24

Posted in Radio on November 8th, 2019 by JJ Koczan

the obelisk show banner

It’s been forever since there was an episode of The Obelisk Show on Gimme Radio, but I’m glad to say that there was never any chance of it not continuing eventually. At least not one that I was told about — ha. Gimme had a bunch of specials booked, and well, if it’s me or the dude from Enslaved, or really anybody, I can’t really put up much of a fight that I should be given preference. I’m the dude who plays heavy rock on a metal station, and I’ve got a pretty good timeslot to do it. Yeah, I’m gonna get picked off in favor of special episodes. No worries. I kind of needed a break anyway.

So maybe think of this as the start of Season 2 of The Obelisk Show. I know that all the The Next Generation-era Star Trek shows operated with 24-episode seasons, but I don’t think anyone will begrudge me one fewer. Enterprise might’ve had a 23-episode season somewhere in there. I’d have to check. Either way, Season 2 picks up pretty much where Season 1 left off: a butt-load of new music and me nerding out about Colour Haze.

I talk a bit about the Høstsabbat fest in Norway that I went to last month, give the Brume record a plug and am a total geek for Al Cisneros’ bass tone on that new Om live release, so yes, pretty much the show is getting caught up with what’s been going on around here while it was off the air. A bit of shaking off the rust, but the playlist rules and I tried not to screw it all up too badly on mic. I haven’t heard the finished product yet, so we’ll see if it was a success. In any case, I hope you dig it.

The Obelisk Show on Gimme Radio airs at 1PM Eastern today.

Listen at: http://www.gimmeradio.com

Here’s the full playlist:

The Obelisk Show – 11.08.19

 

All Them Witches 1×1 1×1* 0:05:51
Ufomammut Satan XX* 0:03:12
Colour Haze Tempel Tempel 0:08:30
BREAK
Brume Scurry Rabbits* 0:10:58
Kadavar Children of the Night For the Dead Travel Fast* 0:05:59
The Lone Madman Häxan Let the Night Come* 0:07:29
Ogre King of the Wood Thrice as Strong* 0:05:41
Orodruin Letter of Life’s Regret Ruins of Eternity* 0:05:14
BREAK
Monolord Larvae No Comfort* 0:09:38
Bask Rid of You III* 0:04:40
Grin Helix Translucent Blades* 0:05:23
Om State of Non-Return BBC Radio 1* 0:08:22
Deaf Radio Dance Like a Reptile Modern Panic* 0:04:19
Devil to Pay 37 Trillion Forever, Never or Whenever* 0:03:10
BREAK
Clouds Taste Satanic Second Sight Second Sight 0:20:21
Total runtime: 1:48:47

The Obelisk Show on Gimme Radio airs every other Friday at 1PM Eastern, with replays every Sunday at 7PM Eastern. Next show is Nov. 22. Thanks for listening if you do.

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Bask Post “Rid of You” Video; III Release Tour Announced

Posted in Bootleg Theater on October 29th, 2019 by JJ Koczan

bask (Photo by Jamie Kay and Arlie)

Alright, so stop me if you’ve heard this one before, but the new Bask record is pretty good. Yes, I know. You have heard it before. From me. You heard me speculating on it when the Asheville, North Carolina-based four-piece announced in April they were recording with Matt Bayles, and again in August after the album was done. Then came the “New Dominion” video (posted here) with the release date. Then I went ahead and actually reviewed III (review here) in the last Quarterly Review because I liked that single and wanted an excuse to dig further ahead of the Nov. 8 arrival. Then I got the chance to do the premiere of opening track “Three White Feet” (posted here) like the day after the review went live, and I wasn’t gonna say no to that. And now here we are. There’s another video, and I’m posting about that too.

The central thesis of all these posts is pretty much the same, and yes, I’m willing to admit that. Hey, you know that new Bask record III that’s coming out Nov. 8 on Season of Mist? It’s a good ‘un. You might wanna chase it down if you’re feeling some righteous modern heavy prog with a penchant for melody and just a touch of Southern edge via Baroness and the like. There you go. That’s all. That’s all it’s ever been.

It’s like the equivalent of being at the show and being the guy who says to someone from the band, “Hey man, great set.” That’s who I am. Often. Cool songs. New stuff sounds good.

Some new tour dates came down the PR wire. They’re back in Brooklyn on Nov. 23 and I should probably go even though that’s like the worst week ever and I’m apparently terrified of venues I’ve never been to before. Anxiety, man. Woof.

What were we talking about?

Enjoy the video:

Bask, “Rid of You” (official video)

Appalachian psych rockers BASK have shared the official music video for the new song “Rid of You.” The track is taken from the band’s upcoming album, ‘III,’ which will be released worldwide on November 8 via Season of Mist, making it their debut to the label. The video, which was created in analog format by Yovozol, can be seen HERE.

BASK comment: “We are excited to announce the third single, ‘Rid of You,’ from our upcoming album, ‘III.’ We’ve collaborated with analog video artist Yovozol to bring you this visual accompaniment. We hope you enjoy.”

‘III’ can be pre-ordered in various formats HERE.

BASK have previously announced a run of headlining North American dates in support of ‘III,’ including a hometown show on the day of the record release. The full itinerary is as follows:

BASK “III” Album Release Tour:
11/08: Asheville, NC @ The Mothlight **album release show**
11/14: Atlanta, GA @ 529
11/15: Columbia, SC @ Columbia Museum of Art
11/16: Greenville, SC @ The Radio Room
11/17: Richmond, VA @ Banditos
11/19: Buffalo, NY @ Mohawk Place
11/20: Ottawa, ON @ Cafe Dekcuf
11/21: Montreal, QC @ Turbo Haus
11/22: Cambridge, MA @ Hong Kong
11/23: Brooklyn, NY @ Gold Sounds
11/24: Baltimore, MD @ The Depot **Matinee Show**
11/25: Philadelphia, PA @ Kung Fu Necktie
11/26: Kent, OH @ The Outpost Concert Club
11/27: Detroit, MI @ Sanctuary
11/29: Charlotte, NC @ Snug Harbor
11/30: Johnson City, TN @ The Hideaway

Line-up:
Jesse Van Note – bass
Scott Middleton – drums
Ray Worth – guitar
Zeb Camp – guitar/vocals

Guest Musicians:
Jed Willis – Pedal Steel on “Maiden Mother Crone”
Meg Mulhearn – Violin on “Maiden Mother Crone”

Bask on Thee Facebooks

Bask on Bandcamp

Bask on Instagram

Bask website

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Season of Mist on Instagram

Season of Mist website

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Bask Premiere “Three White Feet” from III

Posted in audiObelisk on October 2nd, 2019 by JJ Koczan

bask (Photo by Jameykay and Arlie Huffman)

North Carolina’s Bask release their new album, III, on Nov. 8. It is, as you might expect, their third album, as well as being their debut on Season of Mist after issuing 2017’s Ramble Beyond through tastemaking Euro imprint This Charming Man Records and their 2014 debut, American Hollow, through Crimsoneye and Wonder Records. If what you’re reading in that is a steady progression, then you’re getting the underlying message that applies as well to the sound of the band, which reaches to new heights of melodic accomplishment on III‘s seven-track/36-minute run. I’ll say that it’s not often I review an album and then the same week do a track premiere from that same record. Generally I’d try to coordinate those things together or, having already reviewed it, take a pass on the premiere and cover something else. In the case of Bask, it’s an exception for a record that I think is worth the extra focus.

III isn’t and shouldn’t be shy about its pastoral aspects, and that is something that begins as the Asheville four-piece of guitarist/vocalist Zeb Camp (who since he’s apparently the only one singing does a lot of self-harmonizing on the recording, I suppose), guitarist Ray Worth, bassist Jesse Van Note and drummer Scott Middleton get the proceedings underway with “Three White Feet.” As the opening song premieres below, it’s interesting to note that it was also the first song that came together when they started writing this batch of material. Mostly because it’s so complex. One might guess at the riff that kicked them off — you’ll know it when you hear it, and subsequent side A installments “New Dominion” and “Stone Eyed” operate similarly in solidifying around a capital-‘r’ Riff, while centerpiece “Rid of You” centers more around the melody, and “Noble Daughters I: The Stave” recalls much-missed NC natives Caltrop in its vocal, “Noble Daughters II: The Bow” pays off itself as well as its predecessor and, really the whole album, and “Maiden Mother Crone” exits on a banjo-fied note — but the rest of the track brims with rich melody and progressive stylistic turns that indeed foreshadow a large part of III‘s personality. If this was how they started off, then clearly they knew what the fuck they were doing going into making the album.

Their quote on the subject, aside from that useful info nugget, is pretty short, but you’ll find that below, as well as the preorder link for III courtesy of Season of Mist. I won’t delay you further from the song.

Please enjoy:

Bask, “Three White Feet” official track premiere

Bask on “Three White Feet”:

“We are excited to bring you ‘Three White Feet,’ a song of devotion and revenge. It’s track one on our upcoming album ‘III,’ and the first to take shape during the writing process.”

Taken from the forthcoming album, ‘Bask III.’ Release Date: November 8, 2019.

Order here: https://smarturl.it/BaskIII

Bask is:
Jesse Van Note – bass
Scott Middleton – drums
Ray Worth – guitar
Zeb Camp – guitar/vocals

III Guest Musicians:
Jed Willis – Pedal Steel on “Maiden Mother Crone”
Meg Mulhearn – Violin on “Maiden Mother Crone”

Bask on Thee Facebooks

Bask on Bandcamp

Bask on Instagram

Bask website

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Season of Mist on Instagram

Season of Mist website

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Quarterly Review: Monkey3, Asthma Castle, The Giraffes, Bask, Faerie Ring, Desert Sands, Cavalcade, Restless Spirit, Children of the Sün, Void King

Posted in Reviews on September 30th, 2019 by JJ Koczan

quarterly review

Call two friends and tell them to tell two friends to tell two friends, because the Quarterly Review has returned. This time around, it’s 50 records front to back for Fall 2019 and there are some big names and some smaller names and a whole lot of in between which is just how I like it. Between today and Friday, each day 10 album reviews will be posted in a single batch like this one, and although by Wednesday this always means I’m totally out of my mind, it’s always, always, always worth it to be able to write about so much cool stuff. So sit tight, because there’s a lot to get through and, as ever, time’s at a premium.

Thanks in advance for keeping up, and I hope you find something you dig.

Quarterly Review #1-10:

Monkey3, Sphere

monkey3 sphere

It’s a full-on Keanu Reeves “whoa” when opening track “Spirals” kicks in on Monkey3‘s sixth album, Sphere (released by Napalm), and that’s by no means the last one on the cinematic six-tracker. The long-running Swiss mostly-instrumentalists have been consistently, persistently underappreciated throughout their career, but whether it’s the aural scope of guitar and keys in “Axis” or the swaps between intensity and sprawl in 14-minute closer “Ellipsis,” their latest work is consuming in its sense of triumph. Even the four-minute “Ida,” which seems at first like it’s barely going to be more than an interlude, finds a thread of majestic cosmic groove and rides it for the duration, while the proggy immersion of “Prism” and the harder drive of “Mass” — not to mention that shredding solo — make the middle of the record anything but a post-hypnosis dip. I won’t pretend to know if Sphere is the record that finally gets the Lausanne four-piece the respect they’ve already well deserved, but if it was, one could only say it was for good reason. Blends of heft, progressive craft, and breadth are rarely so resonant.

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Napalm Records website

 

Asthma Castle, Mount Crushmore

Asthma Castle Mount Crushmore

When you call your record Mount Crushmore, you need to bring it, and much to their credit, Baltimorean sludge-rocking five-piece Asthma Castle do precisely that on their debut full-length. Issued through Hellmistress Records, the 37-minute/six-track outing is a wordplay-laced pummeler that shows as much persona in its riffing and massive groove as it does in titles like “The Incline of Western Civilization” and “The Book of Duderonomy.” Trades between early-Mastodonic twists and lumbering sludge crash add a frenetic and unpredictable feel to pieces like the title-track, while “Methlehem” trades its plod for dual-guitar antics punctuated by metallic double-kick, all the while the vocals trade back and forth between growls, shouts, cleaner shouts, the odd scream, etc., because basically if you can keep up with it, Asthma Castle wouldn’t be doing their job. One shudders to think of the amount of Natty Bo consumed during its making, but Mount Crushmore is a wild and cacophonous enough time to live up to the outright righteousness of its title. If I graded reviews, it would get a “Fuckin’ A+,” with emphasis on “fuckin’ a.”

Asthma Castle on Thee Facebooks

Hellmistress Records website

 

The Giraffes, Flower of the Cosmos

the giraffes flower of the cosmos

Some day the world will wake up and realize the rock and roll powerhouse it had in Brooklyn’s The Giraffes, but by then it’ll be too late. The apocalypse will have happened long ago, and it’ll be Burgess Meredith putting on a vinyl of Flower of the Cosmos in the New York Library as “FAKS” echoes out through the stacks of now-meaningless tomes and the dust of nuclear winter falls like snow outside the windows. The band’s tumultuous history is mirrored in the energy of their output, and yet to hear the melody and gentle fuzz at the outset of “Golden Door,” there’s something soothing about their work as well that, admittedly, “Raising Kids in the End Times” is gleeful in undercutting. Cute as well they pair that one with “Dorito Dreams” on this, their seventh record in a 20-plus-year run, which has now seen them find their footing, lose it, find it again, and in this record and songs like the masterfully frenetic “Fill up Glass” and the air-tight-tense “Like Hate” and “Romance,” weave a document every bit worthy of Mr. Meredith’s attention as he mourns for the potential of this godforsaken wasteland. Oh, what we’ll leave behind. Such pretty ruins.

The Giraffes website

The Giraffes on Bandcamp

 

Bask, III

bask iii

In the fine tradition of heavy rock as grown-up punk, North Carolina’s Bask bring progressive edge and rolling-Appalachian atmospherics to the underlying energy of III, their aptly-titled and Season of Mist-issued third album. Their foot is in any number of styles, from Baroness-style noodling to a hard twang that shows up throughout and features prominently on the penultimate “Noble Daughters II – The Bow,” but the great triumph of III, and really the reason it works at all, is because the band find cohesion in this swath of influences. They’re a band who obviously put thought into what they do, making it all the more appropriate to think of them as prog, but as “Three White Feet” and “New Dominion” show at the outset, they don’t serve any aesthetic master so much as the song itself. Closing with banjo and harmonies and a build of crash cymbal on “Maiden Mother Crone” nails the point home in a not-understated way, but at no point does III come across as hyper-theatrical so as to undercut the value of what Bask are doing. It’s a more patient album than it at first seems, but given time to breathe, III indeed comes to life.

Bask on Thee Facebooks

Season of Mist on Bandcamp

 

Faerie Ring, The Clearing

fairie ring the clearing

Listening to the weighty rollout of opening cut “Bite the Ash” on Faerie Ring‘s debut album, The Clearing (on King Volume Records), one is reminded of the energy that once-upon-a-time came out of Houston’s Venomous Maximus. There’s a similar feeling of dark energy surging through the riffs and echoing vocals, but the Evansville, Indiana, four-piece wind up on a different trip. Their take is more distinctly Sabbathian on “Lost Wind” and even the swinging “Heavy Trip” lives up to its stated purpose ahead of the chugging largesse of finisher “Heaven’s End.” They find brash ground on “The Ring” and the slower march of “Somnium,” but there’s metal beneath the lumbering and it comes out on “Miracle” in a way that the drums late in “Lost Wind” seem to hint toward on subsequent listens. It’s a mix of riff-led elements that should be readily familiar to many listeners, but the sheer size and clarity of presentation Faerie Ring make throughout The Clearing makes me think they’ll look to distinguish themselves going forward, and so their first record holds all the more potential for that.

Faerie Ring on Thee Facebooks

King Volume Records on Bandcamp

 

Desert Sands, The Ascent EP

Desert Sands The Ascent

Begun as the solo-project of London-based multi-instrumentalist/vocalist Mark Walker and presently a trio including Louis Kinder and Jonathan Walker as well, Desert Sands make their recorded debut through A Records with the three-song/half-hour The Ascent EP, a work of psychedelic existentialism that conveys its cosmic questioning even before the lyrics start, with an opening riff and rhythmic lurch to “Are You There” that seems to throw its central query into a void that either will or won’t answer. Does it? The hell should I know, but The Ascent proves duly transcendent in its pulsations as “Head Towards the Light” and 11:45 closer “Yahweh” — yeah, I guess we get there — bring drifting, languid enlightenment to these spiritual musings. The finale is, of course, a jam in excelsis and if drop-acid-find-god is the narrative we’re working with, then Desert Sands are off to a hell of a start as a project. Regardless of how one might ultimately come down (and it is, by my estimation at least, a comedown) on the question of human spirituality, there’s no denying the power and ethereal force of the kind of creativity on display in The Ascent. One will wait impatiently to see what comes next.

Desert Sands on Thee Facebooks

A Recordings on Thee Facebooks

 

Cavalcade, Sonic Euthanasia

Cavalcade Sonic Euthanasia

Say what you want about New Orleans or North Carolina or wherever the hell else, Midwestern sludge is another level of filth. To wit, the Carcass-style vocals that slice through the raw, dense riffing on “Aspirate on Aspirations” feel like the very embodiment of modern disillusion, and there’s some flourish of melodic guitar pluck there, but that only seems to give the ensuing crunch more impact, and likewise the far-back char of “Freezing in Fire” as it relates to the subsequent “Dead Idles,” as Cavalcade refute the trappings of genre in tempo while still seeming to burrow a hole for themselves in the skull of the converted. “Noose Tie” and “We Dig Our Own Graves” tell the story, but while the recording itself is barebones, Cavalcade aren’t now and never really have been so simple as to be a one-trick band. For more than a decade, they’ve provided a multifaceted and trickily complex downer extremity, and Sonic Euthanasia does this as well, bringing their sound to new places and new levels of abrasion along its punishing way. Easy listening? Shit. You see that eye on the cover? That’s the lizard people staring back at you. Have fun with that.

Cavalcade on Thee Facebooks

Cavalcade on Bandcamp

 

Restless Spirit, Lord of the New Depression

restless spirit lord of the new depression

Long Island chug-rockers Restless Spirit would seem to have been developing the material for their self-released debut album, Lord of the New Depression, over the last couple years on a series of short releases, but the songs still sound fresh and electrified in their vitality. If this was 1992 or ’93, they’d be signed already to RoadRacer Records and put on tour with Life of Agony, whose River Runs Red would seem to be a key influence in the vocals of the nine-track/39-minute offering, but even on their own, the metal-tinged five-piece seem to do just fine. Their tracks are atmospheric and aggressive and kind, and sincere in their roll, capturing the spirit of a band like Down with somewhat drawn-back chestbeating, “Dominion” aside. They seem to be challenging themselves to push outside those confines though in “Deep Fathom Hours,” the longest track at 7:35 with more complexity in the melody of the vocals and guitar, and that suits them remarkably well as they dig into this doomly take on LOA and Type O Negative and others from the early ’90s NYC underground — they seem to pass on Biohazard, which is fine — made legendary with the passage of time. As a gentleman of a certain age, I find it exceptionally easy to get on board.

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Restless Spirit on Bandcamp

 

Children of the Sün, Flowers

Children of the Sun Flowers

An eight-piece outfit based in Arvika, Sweden, which is far enough west to be closer to Oslo than Stockholm, Children of the Sün blend the classic heavy rock stylizations of MaidaVale, first-LP Blues Pills and others with a decidedly folkish bent. Including an intro, their The Sign Records debut album, Flowers, is eight track and 34 minutes interweaving organ and guitar, upbeat vibes and bluesier melodies, taking cues from choral-style vocals on “Emmy” in such a way as to remind of Church of the Cosmic Skull, though the aesthetic here is more hippie than cult. The singing on “Sunschild” soars in that fashion as well, epitomizing the lush melody found across Flowers as the keys, guitar, bass and drums work to match in energy and presence. For a highlight, I’d pick the more subdued title-track, which still has its sense of movement thanks to percussion deep in the mix but comes arguably closest to the flower-child folk Children of the Sün seem to be claiming for their own, though the subsequent closing duo of “Like a Sound” and “Beyond the Sun” aren’t far off either. They’re onto something. One hopes they continue to explore in such sünshiny fashion.

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The Sign Records on Thee Facebooks

 

Void King, Barren Dominion

void king barren dominion

Having made their debut with 2016’s There is Nothing (discussed here), Indianapolis downtrodden heavy rock four-piece Void King come back for a second go with Barren Dominion (on Off the Record Label), a title of similar theme that finds them doom riffing through massive tonality on “Burnt at Both Ends,” asking what if Soundgarden played atmospheric doom rock on “Crippled Chameleon” — uh, it would be awesome? yup — and opening each side with its longest track (double immediate points) in a clearly intended vinyl structure hell bent on immersing the listener as much as possible in the lumber and weight the band emit. Frontman Jason Kindred adds extra burl to his already-plenty-dudely approach on “Crippled Chameleon” and closer “The Longest Winter,” the latter with some harmonies to mirror those of opener “A Lucid Omega,” and the band around him — bassist Chris Carroll, drummer Derek Felix and guitarist Tommy Miller — seem to have no trouble whatsoever in keeping up, there or anywhere else on the eight-song/46-minute outing. Topped with striking cover art from Diogo SoaresBarren Dominion is deceptively nuanced and full-sounding. Not at all empty.

Void King on Thee Facebooks

Off the Record Label BigCartel store

 

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Bask Post “New Dominion” Video; III out Nov. 8

Posted in Whathaveyou on September 16th, 2019 by JJ Koczan

bask (Photo by Jamie Kay and Arlie)

Asheville’s Bask have set a Nov. 8 release for their Season of Mist debut album, III, and posted a video for the track “New Dominion” from the record. Amid shimmering guitar and fervent underlying chug speaking to the tension that plays out rhythmically in progressive fashion, the four-piece offer crash and melody alike, precise and their delivery but not impatient in going about their building movement. It’s modern in the post-Baroness sense, but less hued to that identity outright in its noodling, and, frankly, less pretentious. That’s certainly a welcome aesthetic shift, and the interplay of guitar layers here and vocals overtop bodes well for digging into the rest of the full-length, which is still a month and a half away, but will no doubt be led into with more teaser audio along the way. In the meantime, the colors in the video for “New Dominion” feel exceedingly well earned, so dig in at the bottom of this post.

III details follow, courtesy of the PR wire:

bask iii

BASK Unveil New Album Details, Reveal Music Video

Psychedelic rock formation BASK will be releasing their third studio album, aptly titled ‘III,’ on November 8 via Season of Mist, making it their debut to the label. The effort was recorded and mixed by Matt Bayles (Pearl Jam, Mastodon, Minus The Bear, etc.). The album art and track-listing can be found below.

In conjunction with the announcement, BASK has premiered the first single, New Dominion,” along with a kaleidoscopic new music video. Watch and listen at THIS LOCATION.

BASK comment: “We bring you our premiere single and video for ‘New Dominion.’ We’ve waited anxiously to share these songs and stories with you. We hope you enjoy listening as much as we enjoyed writing and recording.”

‘III’ can be pre-ordered in various formats HERE.

Tracklist:
1. Three White Feet (05:53)
2. New Dominion (04:28)
3. Stone Eyed (04:17)
4. Rid of You (04:40)
5. Noble Daughters I: The Stave (05:49)
6. Noble Daughters II: The Bow (06:16)
7. Maiden Mother Crone (04:40)
Total: 0:36:03

Line-up:
Jesse Van Note – bass
Scott Middleton – drums
Ray Worth – guitar
Zeb Camp – guitar/vocals

Guest Musicians:
Jed Willis – Pedal Steel on “Maiden Mother Crone”
Meg Mulhearn – Violin on “Maiden Mother Crone”

https://www.facebook.com/basknc
https://www.instagram.com/baskband/
https://basknc.bandcamp.com/
https://www.facebook.com/seasonofmistofficial
https://www.instagram.com/seasonofmistofficial/
https://shopusa.season-of-mist.com/

Bask, “New Dominion” (official video)

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Bask Touring East Coast This Month; New Album Recorded

Posted in Whathaveyou on August 15th, 2019 by JJ Koczan

bask (Photo by Jamie Kay and Arlie)

I was only in Asheville once, a decade ago, but it was an easy town to like in the tradition of weirdo-enclaves and places to get good coffee and buy records. See also Brattleboro, Vermont, as well as Austin, Texas, and any number of other burgs out there nestled into the sometimes-horrifying sphere of American existence. Bask, who have newly finished tracking their third album — title TBA — with the right honourable Matt Bayles, will leave their Asheville hometown behind and head out as they did in June for a week’s worth of dates around a festival appearance. Way back two months ago, it was Doomed and Stoned in Chicago. This time it’s RPM Fest in Massachusetts. Both, solid occasions for spending a few days out in the world. And if you like weirdo enclaves, north and western MA have a few to choose from as well, as it so happens.

Begotten are playing the Brooklyn show on this one, and it’s the night after Orange Goblin in Manhattan, but I’m thinking about hitting it up. If you’re around, come down and we’ll converse awkwardly for a little while and then you’ll get disappointed and move on to another spot in the room.

Wow. Just made myself sad right there without even thinking about it.

Better turn this one over to the PR wire:

bask tour

BASK Announce Headlining U.S. Tour Dates!

Southern rock outfit BASK, whose Americana sound contains a unique blend of psych and prog influences, have announced a run of East Coast headlining dates later this month! The tour, which features an appearance at RPM Fest in Montague, MA on August 30, will kick off on August 26 in Richmond, VA and will conclude on September 1 in Harrisonburg, VA. The full itinerary can be found below.

BASK East Coast Headlining Dates:
08/26: Richmond, VA @ Cary Street Cafe
08/28: Brooklyn, NY @ Saint Vitus
08/29: Philadelphia, PA @ Kung Fu Necktie
08/30: Montague, MA @ RPM Fest
08/31: Frederick, MD @ Cafe 611
09/01: Harrisonburg, VA @ Golden Pony

BASK have just completed recording their third studio album with legendary producer Matt Bayles (PEARL JAM, MASTODON, MINUS THE BEAR, etc.) The record will be released by Season of Mist, making it the band’s debut to the label. Stay tuned for more news!

BASK hails from the mountains of North Carolina and was fully conceived in the fall of 2013 when guitarist Ray Worth, drummer Scott Middleton, bassist Jesse Van Note, and guitarist/vocalist Zeb Camp joined forces.

Since forming in 2013, BASK has released American Hollow (2014) and Ramble Beyond (2017), and toured North America and Europe with seminal artists High on Fire and Weedeater, as well as contemporary figure heads, Pallbearer, Kayo Dot, Royal Thunder, and Black Tusk. The band has also shared the bill with a range of diverse artists, from Guided by Voices to Carcass and Refused on festivals such as Desert Fest Berlin and London, Speedfest in Eindhoven, Netherlands, and Heavy Mountain in Asheville, NC.

Their sound has been described as progressive and cinematic, containing glimpses of Appalachian tonality and heartfelt heaviness. Esse Quam Videri.

Line-up:
Jesse Van Note – bass
Scott Middleton – drums
Ray Worth – guitar
Zeb Camp – guitar/vocals

https://www.facebook.com/basknc
https://www.instagram.com/baskband/
https://basknc.bandcamp.com/
https://www.facebook.com/seasonofmistofficial
https://www.instagram.com/seasonofmistofficial/
https://shopusa.season-of-mist.com/

Bask, Ramble Beyond (2017)

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Bask Recording New Album with Matt Bayles; Announce June Touring

Posted in Whathaveyou on April 4th, 2019 by JJ Koczan

bask

It was just the other day I was talking about an absolute generational landmark album Matt Bayles happened to produce — that being Leviathan, by Mastodon — and here comes word that he’s been brought aboard by North Carolinian four-piece Bask in order to helm the follow-up to 2017’s Ramble Beyond, which will also serve as the band’s debut on Season of Mist. Not saying Bask‘s next record needs to be a generational landmark or anything — no pressure, dudes — but it’s funny sometimes how these things tie together.

Presumably, and hopefully in terms of costs, by the time Bask start their touring in June at the Doomed and Stoned fest in Chicago, they’ll have the album in the can. As such, they should be itching to get back on stage, which of course only bodes well for those in their path. Barring any serious delay, it doesn’t seem unreasonable to expect the album before the end of the year, but of course one never knows when it comes to schedules and pressing and this and that. Worth keeping an eye out, in any case.

Word from the PR wire:

BASK Enter Studio with Legendary Producer Matt Bayles, Announce U.S. Tour Dates

Southern rock outfit BASK have entered the studio today to record their third studio album with legendary producer Matt Bayles (PEARL JAM, MASTODON, MINUS THE BEAR, etc.) The record will be released by Season of Mist, making it the band’s debut to the label.

Speaking about the upcoming effort and working with Bayles, the band comments: “We are beyond excited to announce that we’ve begun work on our third record, and label debut, for Season of Mist Records at Echo Mountain Studios. We hope working in a studio that’s played host to an amazing eclectic roster, such as Band of Horses, Widespread Panic and War on Drugs, and the skill of veteran producer/engineer Matt Bayles, who’s credits include seminal works from Mastodon, Isis and Russian Circles, will capture the spirit and shape of our latest batch of songs. We can’t wait to share them with you.”

Additionally, the band will be embarking on a headlining Southern U.S. tour this summer. BASK will first appear at Doomed and Stoned fest in Chicago on June 1 and then will kick off their official tour on June 9 in Atlanta, GA and will wrap up on June 15 in Greenville, SC. The full itinerary is as follows:

BASK Tour Dates:
06/01: Chicago, IL @ Doom & Stoned Festival
06/09: Atlanta, GA @ 529
06/10: Orlando, FL @ Standard Motorcycle
06/11: Jacksonville, FL @ Nighthawks
06/12: Savannah, GA @ The Jinx
06/13: Charlotte, NC @ The Milestone
06/14: Columbia, SC @ New Brookland Tavern
06/15: Greenville, SC @ The Radio Room

Hailing from the Asheville, NC, BASK was fully conceived in the fall of 2013 when guitarist Ray Worth, drummer Scott Middleton, bassist Jesse Van Note, and guitarist/vocalist Zeb Camp joined forces.

https://www.facebook.com/basknc
https://www.instagram.com/baskband/
https://twitter.com/thebandbask
https://basknc.bandcamp.com/
https://www.facebook.com/seasonofmistofficial
https://www.instagram.com/seasonofmistofficial/
https://www.twitter.com/seasonofmist
https://shopusa.season-of-mist.com/

Bask, Ramble Beyond (2017)

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Desertfest London 2017: Individual Day Schedules Announced

Posted in Whathaveyou on January 30th, 2017 by JJ Koczan

I have no problem admitting to feeling overwhelmed looking at the full lineup and individual day splits for Desertfest London 2017. I mean, seriously. Look at that poster. What a way to spend a weekend.

Likewise, I have few grand reflections to offer in light of that overwhelming feeling, except perhaps to take a step back and be massively impressed at how much this event has grown in just six incarnations. Along with Desertfest Berlin, the London edition has become an anchor not only for the UK heavy rock underground — which is well represented here as ever in Elephant TreeBlack SpidersStubbVodunPigs Pigs Pigs Pigs Pigs Pigs PigsTerminal CheesecakeChubby Thunderous Bad Kush MastersMammoth Weed Wizard Bastard, and so on — but for bands from abroad as well. You’ll note the three headliners: two American, one Norwegian, and the next line down on the poster is two Swedish, one American. Desertfest London 2017’s reach feels wider than ever. Staring at the final lineup, it’s clear just how much of a big fucking deal this festival has become.

Wish I could be there to see it.

Here’s the announcement of the individual day lineups from their website:

desertfest london 2017

DESERTFEST 2017 DAY SPLITS AND DAY TICKETS ARE HERE!

Finally, the Desertfest 2017 day and stage splits are here, along with individual day tickets. It’s the point of the year where you can start planning the weekend, you can imagine the sets in your head and you can curse those god damned clashes.

Last things first, let’s get straight to that insane Sunday main-stage. To celebrate The Roundhouse joining the Desertfest family, we made their debut appearance something special. Not only will stoner doom icons Sleep be topping the bill, but the Roundhouse hosts a full bill of huge acts. Candlemass, with over three decades of underground acclaim to their name, bring the epic doom metal. USA’s Wolves in the Throne Room bring the atmospheric black metal. Traditional doom metal stalwarts Saint Vitus bring the classic riffs. And how about this for a ‘curtain jerker’? Bongzilla bring the raw weed metal for their second show of the weekend; more on the first later.

It’s not just about the Sunday though. Friday’s stage at the Electric Ballroom is headlined by returning heroes Slo Burn whose short run in the mid 90s furthered the then fledgling stoner rock scene. One band they surely had an impact on is Lowrider, who play Europe’s finest stoner rock alongside them. Ukraine’s Stoned Jesus celebrate their resonant album Seven Thunders Roar, and 1000Mods and Pontiak round up the main stage on the Friday.

The Electric Ballroom on Saturday will be swarming with Turbojugends as death-punk grandmasters Turbonegro turn Camden into party central. John Garcia sticks around for a solo show, sure to feature classics from his years of nonstop mastery in the stoner rock scene. Sheffield’s rock and roll five piece Black Spiders visit London for one last time on their farewell tour, with Satan’s Satyrs and Avon rounding up the main stage.

As ever though, it doesn’t stop at the main stages. Our regular partners have delivered three stages with diverse lineups. Human_Disease_Promo and When Planets Collide take over The Underworld on Saturday in a bill headlined by Bongzilla with a special set celebrating the band’s early work. The Quietus stage is led by synth wavers Zombi, and Nightshift Promotions bring an eclectic mix led by Hungary’s Apey & the Pea. To be honest, just stick a pin in the lineup poster and you’re guaranteed a good time.

For those who can’t make the full weekend, we have a limited number of individual day tickets. Priced at £40 for Friday tickets, £40 for Saturday tickets and £45 for Sunday tickets, links are below.

So there we have it. Our final lineup for Desertfest 2017. We hope you’re as excited as we are to get back to Camden this April and riff London to the ground.

DESERTFEST LONDON 2017 Final Lineup:
SLEEP
SLO BURN
TURBONEGRO
CANDLEMASS
WOLVES IN THE THRONE ROOM
SAINT VITUS
JOHN GARCIA BAND
BONGZILLA
LOWRIDER
SCISSORFIGHT
BLACK SPIDERS
SAMSARA BLUES EXPERIMENT
THE PICTUREBOOKS
STONED JESUS
SATAN’S SATYRS
INTER ARMA
WEAR YOUR WOUNDS
1000MODS
STEAK
AVON
DEATH ALLEY
DEAD LORD
BOSS KELOID
PONTIAK
YURI GAGARIN
HARK
VODUN
CHRON GOBLIN
PIGS PIGS PIGS PIGS PIGS PIGS PIGS
THE WELL
MAMMOTH STORM
CELESTE
STUBB
MONOLITHIAN
WUCAN
VENOMOUS MAXIMUS
BRUME
APEY & THE PEA
ELEPHANT TREE
GRAVE LINES
IRON WITCH
EARTH SHIP
BACKWOODS PAYBACK
WIZARD FIGHT
BRULE
CLOSET DISCO QUEEN
GRAND MAMMOTH
CHUBBY THUNDEROUS BAD KUSH MASTERS
MAMMOTH WEED WIZARD BASTARD
SAMAVAYO
WELCOME BACK DELTA
DEAD LETTUCE
MONSTERTONE
LEDFOOT
ZOMBI
TERMINAL CHEESECAKE
KHÜNNT
BASK
BRUXA MARIA

http://www.desertfest.co.uk/#tickets-section
https://www.eventbrite.co.uk/e/desertfest-2017-tickets-27305267791
http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://twitter.com/DesertFest
https://www.instagram.com/desertfest_london/

Dead Lettuce, Booze and Blues EP (2015)

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