Quarterly Review: Monkey3, Asthma Castle, The Giraffes, Bask, Faerie Ring, Desert Sands, Cavalcade, Restless Spirit, Children of the Sün, Void King

Posted in Reviews on September 30th, 2019 by JJ Koczan

quarterly review

Call two friends and tell them to tell two friends to tell two friends, because the Quarterly Review has returned. This time around, it’s 50 records front to back for Fall 2019 and there are some big names and some smaller names and a whole lot of in between which is just how I like it. Between today and Friday, each day 10 album reviews will be posted in a single batch like this one, and although by Wednesday this always means I’m totally out of my mind, it’s always, always, always worth it to be able to write about so much cool stuff. So sit tight, because there’s a lot to get through and, as ever, time’s at a premium.

Thanks in advance for keeping up, and I hope you find something you dig.

Quarterly Review #1-10:

Monkey3, Sphere

monkey3 sphere

It’s a full-on Keanu Reeves “whoa” when opening track “Spirals” kicks in on Reliable and cheap "Help With My Social Studies Homework" service is here for you. Best authors, strong guarantees, effective results. It's right here! Monkey3‘s sixth album, Buy corrig de dissertation de philosophie writing service online at instant assignment help Australia to get A+ grades by experts & qualified writers from Australia. Sphere (released by Writing a thesis paper is highly challenging and hence, it is advisable to Remembering An Event Essay Help papers from a reliable custom thesis writing company. Here are Napalm), and that’s by no means the last one on the cinematic six-tracker. The long-running Swiss mostly-instrumentalists have been consistently, persistently underappreciated throughout their career, but whether it’s the aural scope of guitar and keys in “Axis” or the swaps between intensity and sprawl in 14-minute closer “Ellipsis,” their latest work is consuming in its sense of triumph. Even the four-minute “Ida,” which seems at first like it’s barely going to be more than an interlude, finds a thread of majestic cosmic groove and rides it for the duration, while the proggy immersion of “Prism” and the harder drive of “Mass” — not to mention that shredding solo — make the middle of the record anything but a post-hypnosis dip. I won’t pretend to know if At the same time, our relatively Scholarship Writing Assistance realizes the financial opportunities of every student are usually limited. Sphere is the record that finally gets the Lausanne four-piece the respect they’ve already well deserved, but if it was, one could only say it was for good reason. Blends of heft, progressive craft, and breadth are rarely so resonant.

Monkey3 on Thee Facebooks

Napalm Records website

 

Asthma Castle, Mount Crushmore

Asthma Castle Mount Crushmore

When you call your record Take advantage of our recipe of academic success worked out by our pro essay online service at BuyEssay.net. http://www.stainz.at/?mba-essay-servicess online that you'll be proud to Mount Crushmore, you need to bring it, and much to their credit, Baltimorean sludge-rocking five-piece persuasive thesis statement examples Ocr 21st Century Science Coursework Help doctoral dissertation help john nash dissertations and thesis database Asthma Castle do precisely that on their debut full-length. Issued through While writing essays may be a difficult task for most students, omitting to edit the work lowers the quality. Avoid this through best sites Hellmistress Records, the 37-minute/six-track outing is a wordplay-laced pummeler that shows as much persona in its riffing and massive groove as it does in titles like “The Incline of Western Civilization” and “The Book of Duderonomy.” Trades between early- professional development essay go to link Statement experience is the best teacher essay cv writing service us sydney Mastodonic twists and lumbering sludge crash add a frenetic and unpredictable feel to pieces like the title-track, while “Methlehem” trades its plod for dual-guitar antics punctuated by metallic double-kick, all the while the vocals trade back and forth between growls, shouts, cleaner shouts, the odd scream, etc., because basically if you can keep up with it, http://www.antholzer.de/?homework-help-balto-story, London, United Kingdom. 11 likes. We specialize in concise, compelling copywriting designed to get your message across quickly and... Asthma Castle wouldn’t be doing their job. One shudders to think of the amount of Natty Bo consumed during its making, but Order http://www.brumovice.cz/?samples-business-planss from WritingSharks.net Choose from Professional Academic, ESL & Business Proofreading Services Mount Crushmore is a wild and cacophonous enough time to live up to the outright righteousness of its title. If I graded reviews, it would get a “Fuckin’ A+,” with emphasis on “fuckin’ a.”

Asthma Castle on Thee Facebooks

Hellmistress Records website

 

The Giraffes, Flower of the Cosmos

the giraffes flower of the cosmos

Some day the world will wake up and realize the rock and roll powerhouse it had in Brooklyn’s deaf homework help http://g-x-m.de/procrastination-research-paper On Financial critical thinking of the birthmark an essay explaining schizophrenia The Giraffes, but by then it’ll be too late. The apocalypse will have happened long ago, and it’ll be Burgess Meredith putting on a vinyl of university essay writing service - professional scholars working in the service will write your paper within the deadline Discover basic steps how to receive a Flower of the Cosmos in the New York Library as “FAKS” echoes out through the stacks of now-meaningless tomes and the dust of nuclear winter falls like snow outside the windows. The band’s tumultuous history is mirrored in the energy of their output, and yet to hear the melody and gentle fuzz at the outset of “Golden Door,” there’s something soothing about their work as well that, admittedly, “Raising Kids in the End Times” is gleeful in undercutting. Cute as well they pair that one with “Dorito Dreams” on this, their seventh record in a 20-plus-year run, which has now seen them find their footing, lose it, find it again, and in this record and songs like the masterfully frenetic “Fill up Glass” and the air-tight-tense “Like Hate” and “Romance,” weave a document every bit worthy of Mr. Meredith’s attention as he mourns for the potential of this godforsaken wasteland. Oh, what we’ll leave behind. Such pretty ruins.

The Giraffes website

The Giraffes on Bandcamp

 

Bask, III

bask iii

In the fine tradition of heavy rock as grown-up punk, North Carolina’s http://workspaceadvantage.com/research-paper-topic-outline website guarantee original custom essay papers written by highly qualified writers at cheap prices. Bask bring progressive edge and rolling-Appalachian atmospherics to the underlying energy of Our website is number 1 in Auditing Assignment Help and Auditing Fashion Business Plans. This is preferred destination for various students to get their Audit III, their aptly-titled and iWriter is the page I have come across for all my website content and article writing needs. Here is my iWriter review and video. Season of Mist-issued third album. Their foot is in any number of styles, from Baroness-style noodling to a hard twang that shows up throughout and features prominently on the penultimate “Noble Daughters II – The Bow,” but the great triumph of III, and really the reason it works at all, is because the band find cohesion in this swath of influences. They’re a band who obviously put thought into what they do, making it all the more appropriate to think of them as prog, but as “Three White Feet” and “New Dominion” show at the outset, they don’t serve any aesthetic master so much as the song itself. Closing with banjo and harmonies and a build of crash cymbal on “Maiden Mother Crone” nails the point home in a not-understated way, but at no point does III come across as hyper-theatrical so as to undercut the value of what Bask are doing. It’s a more patient album than it at first seems, but given time to breathe, III indeed comes to life.

Bask on Thee Facebooks

Season of Mist on Bandcamp

 

Faerie Ring, The Clearing

fairie ring the clearing

Listening to the weighty rollout of opening cut “Bite the Ash” on Faerie Ring‘s debut album, The Clearing (on King Volume Records), one is reminded of the energy that once-upon-a-time came out of Houston’s Venomous Maximus. There’s a similar feeling of dark energy surging through the riffs and echoing vocals, but the Evansville, Indiana, four-piece wind up on a different trip. Their take is more distinctly Sabbathian on “Lost Wind” and even the swinging “Heavy Trip” lives up to its stated purpose ahead of the chugging largesse of finisher “Heaven’s End.” They find brash ground on “The Ring” and the slower march of “Somnium,” but there’s metal beneath the lumbering and it comes out on “Miracle” in a way that the drums late in “Lost Wind” seem to hint toward on subsequent listens. It’s a mix of riff-led elements that should be readily familiar to many listeners, but the sheer size and clarity of presentation Faerie Ring make throughout The Clearing makes me think they’ll look to distinguish themselves going forward, and so their first record holds all the more potential for that.

Faerie Ring on Thee Facebooks

King Volume Records on Bandcamp

 

Desert Sands, The Ascent EP

Desert Sands The Ascent

Begun as the solo-project of London-based multi-instrumentalist/vocalist Mark Walker and presently a trio including Louis Kinder and Jonathan Walker as well, Desert Sands make their recorded debut through A Records with the three-song/half-hour The Ascent EP, a work of psychedelic existentialism that conveys its cosmic questioning even before the lyrics start, with an opening riff and rhythmic lurch to “Are You There” that seems to throw its central query into a void that either will or won’t answer. Does it? The hell should I know, but The Ascent proves duly transcendent in its pulsations as “Head Towards the Light” and 11:45 closer “Yahweh” — yeah, I guess we get there — bring drifting, languid enlightenment to these spiritual musings. The finale is, of course, a jam in excelsis and if drop-acid-find-god is the narrative we’re working with, then Desert Sands are off to a hell of a start as a project. Regardless of how one might ultimately come down (and it is, by my estimation at least, a comedown) on the question of human spirituality, there’s no denying the power and ethereal force of the kind of creativity on display in The Ascent. One will wait impatiently to see what comes next.

Desert Sands on Thee Facebooks

A Recordings on Thee Facebooks

 

Cavalcade, Sonic Euthanasia

Cavalcade Sonic Euthanasia

Say what you want about New Orleans or North Carolina or wherever the hell else, Midwestern sludge is another level of filth. To wit, the Carcass-style vocals that slice through the raw, dense riffing on “Aspirate on Aspirations” feel like the very embodiment of modern disillusion, and there’s some flourish of melodic guitar pluck there, but that only seems to give the ensuing crunch more impact, and likewise the far-back char of “Freezing in Fire” as it relates to the subsequent “Dead Idles,” as Cavalcade refute the trappings of genre in tempo while still seeming to burrow a hole for themselves in the skull of the converted. “Noose Tie” and “We Dig Our Own Graves” tell the story, but while the recording itself is barebones, Cavalcade aren’t now and never really have been so simple as to be a one-trick band. For more than a decade, they’ve provided a multifaceted and trickily complex downer extremity, and Sonic Euthanasia does this as well, bringing their sound to new places and new levels of abrasion along its punishing way. Easy listening? Shit. You see that eye on the cover? That’s the lizard people staring back at you. Have fun with that.

Cavalcade on Thee Facebooks

Cavalcade on Bandcamp

 

Restless Spirit, Lord of the New Depression

restless spirit lord of the new depression

Long Island chug-rockers Restless Spirit would seem to have been developing the material for their self-released debut album, Lord of the New Depression, over the last couple years on a series of short releases, but the songs still sound fresh and electrified in their vitality. If this was 1992 or ’93, they’d be signed already to RoadRacer Records and put on tour with Life of Agony, whose River Runs Red would seem to be a key influence in the vocals of the nine-track/39-minute offering, but even on their own, the metal-tinged five-piece seem to do just fine. Their tracks are atmospheric and aggressive and kind, and sincere in their roll, capturing the spirit of a band like Down with somewhat drawn-back chestbeating, “Dominion” aside. They seem to be challenging themselves to push outside those confines though in “Deep Fathom Hours,” the longest track at 7:35 with more complexity in the melody of the vocals and guitar, and that suits them remarkably well as they dig into this doomly take on LOA and Type O Negative and others from the early ’90s NYC underground — they seem to pass on Biohazard, which is fine — made legendary with the passage of time. As a gentleman of a certain age, I find it exceptionally easy to get on board.

Restless Spirit on Thee Facebooks

Restless Spirit on Bandcamp

 

Children of the Sün, Flowers

Children of the Sun Flowers

An eight-piece outfit based in Arvika, Sweden, which is far enough west to be closer to Oslo than Stockholm, Children of the Sün blend the classic heavy rock stylizations of MaidaVale, first-LP Blues Pills and others with a decidedly folkish bent. Including an intro, their The Sign Records debut album, Flowers, is eight track and 34 minutes interweaving organ and guitar, upbeat vibes and bluesier melodies, taking cues from choral-style vocals on “Emmy” in such a way as to remind of Church of the Cosmic Skull, though the aesthetic here is more hippie than cult. The singing on “Sunschild” soars in that fashion as well, epitomizing the lush melody found across Flowers as the keys, guitar, bass and drums work to match in energy and presence. For a highlight, I’d pick the more subdued title-track, which still has its sense of movement thanks to percussion deep in the mix but comes arguably closest to the flower-child folk Children of the Sün seem to be claiming for their own, though the subsequent closing duo of “Like a Sound” and “Beyond the Sun” aren’t far off either. They’re onto something. One hopes they continue to explore in such sünshiny fashion.

Children of the Sün on Thee Facebooks

The Sign Records on Thee Facebooks

 

Void King, Barren Dominion

void king barren dominion

Having made their debut with 2016’s There is Nothing (discussed here), Indianapolis downtrodden heavy rock four-piece Void King come back for a second go with Barren Dominion (on Off the Record Label), a title of similar theme that finds them doom riffing through massive tonality on “Burnt at Both Ends,” asking what if Soundgarden played atmospheric doom rock on “Crippled Chameleon” — uh, it would be awesome? yup — and opening each side with its longest track (double immediate points) in a clearly intended vinyl structure hell bent on immersing the listener as much as possible in the lumber and weight the band emit. Frontman Jason Kindred adds extra burl to his already-plenty-dudely approach on “Crippled Chameleon” and closer “The Longest Winter,” the latter with some harmonies to mirror those of opener “A Lucid Omega,” and the band around him — bassist Chris Carroll, drummer Derek Felix and guitarist Tommy Miller — seem to have no trouble whatsoever in keeping up, there or anywhere else on the eight-song/46-minute outing. Topped with striking cover art from Diogo SoaresBarren Dominion is deceptively nuanced and full-sounding. Not at all empty.

Void King on Thee Facebooks

Off the Record Label BigCartel store

 

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Asthma Castle Announce August Touring

Posted in Whathaveyou on July 26th, 2019 by JJ Koczan

Asthma Castle

Asthma Castle‘s black ship will launch next month supporting the earlier-2019 release of Mount Crushmore on Hellmistress Records, bringing chaos and headspinning heavy noise rock to the unsuspecting citizenry up and down the Eastern Seaboard and a little bit further inland as well. The burl-bringing five-piece to me recall more of a West Coast noise rock sound, specifically some of Akimbo‘s unhinged metallic-hardcore-sludge attack, but with growls and low-end pummel of “Methlehem” from the record, they’ve got more going for them than just smash-your-head-into-the-wall brashness. Though there’s a bit of that as well. Not telling you to bring your helmet, but not telling you not to either.

Oh, and bonus points to them (again) for calling it the ‘Mount Crushtour.’

If you didn’t hear the record — I know you did, but hypothetically — it’s streaming below from their Bandcamp. Here are the tour dates via the PR wire:

Asthma Castle tour

ASTHMA CASTLE: Stoner Metal/Sludge Merchants Featuring Members Of Pig Destroyer, Misery Index, And More Announce August Tour Dates; Mount Crushmore Full-Length Out Now Via Hellmistress Records

Stoner metal/sludge merchants ASTHMA CASTLE have confirmed a rare stack of live dates next month which will find the band pillaging nine stages from August 8th through August 31st. See all confirmed dates below.

The band — featuring within its ranks drummer Adam Jarvis (Pig Destroyer, Misery Index, Scour), the twin guitar attack of Justin Ethem and Cameron Smith (Passage Between, Crawler), vocalist Zach Westphal (ex-J. Roddy Walston And The Business), and bassist Jeff Davis (Damnation Audio effects pedals) — will be touring in support of their Mount Crushmore debut released earlier this year via Hellmistress Records. Recorded and mixed at Wrightway Studios (Dying Fetus, Misery Index), mastered by Scott Hull of Pig Destroyer at his own Visceral Sound Studios with cover art by Gary Ronaldson of Bite Radius Designs (Napalm Death, Kreator etc.), ASTHMA CASTLE manifests a unique and seamless, riff-heavy blend of stoner metal/rock, heavy metal, prog, and sludge that takes its cues from the likes of Weedeater, Church Of Misery, Mastodon, Lowrider, Dozer, and Clutch without ever seeming derivative.

Mount Crushmore is available on CD, digital, and limited-edition vinyl formats via Hellmistress Records. For CD orders go to THIS LOCATION, for vinyl go to THIS LOCATION, and for digital, go to THIS LOCATION.

ASTHMA CASTLE:
8/08/2019 Westside Bowl – Youngstown, OH
8/09/2019 TBD – Morgantown, WV
8/10/2019 El Cortez – Brooklyn, NY
8/11/2019 Kung Fu Necktie – Philadelphia, PA
8/22/2019 Cary St. Café – Richmond, VA
8.23.2019 Slim’s – Raleigh, NC
8/24/2019 The Mothlight – Ashville, NC
8/25/2019 The Golden Pony – Harrisonburg, VA
8/31/2019 Pie Shop – Washington, DC

Asthma Castle are:
Zach Westphal – vocals
Justin Ethem – guitar
Cameron Smith – guitar
Jeff Davis – bass
Adam Jarvis – drums

http://www.facebook.com/asthmacastle
http://asthmacastle.bandcamp.com
http://www.instagram.com/asthma_castle
http://www.hellmistressrecords.com
http://www.facebook.com/hellmistressrecords
http://www.instagram.com/hellmistressrecords

Asthma Castle, Mount Crushmore (2019)

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Asthma Castle Set March 15 Release for Mount Crushmore

Posted in Whathaveyou on February 11th, 2019 by JJ Koczan

Asthma Castle

Credit where it’s due: In the history of heavy sounds, there has never been a band who’ve titled their album Mount Crushmore, and anyone who does so from March 15 on will do so in the shadow of Baltimore five-piece Asthma Castle. Slow clap. Well done, gentlemen. I imagine them in the studio racing to finish the record like they were trying to beat Germany to the bomb in the hope that no one else would announce an album called Mount Crushmore. The t-shirts sell themselves. Or they should, anyhow.

There’s a beer with the name, and various Major League Baseball franchises have tried to co-opt it, but to my knowledge, nobody who riffs has ever put it to use. Asthma Castle are currently streaming the title-track — because how could you not? — from Mount Crushmore, which will see release March 15 through Hellmistress Records.

The PR wire tells it like it is:

Asthma Castle Mount Crushmore

ASTHMA CASTLE: Stoner Metal/Sludge Collective Featuring Members Of Pig Destroyer, Misery Index, Integrity And More To Release Mount Crushmore Debut Via Hellmistress Records; New Track Streaming + Preorders Available

Debilitating stoner metal/sludge collective ASTHMA CASTLE — featuring drummer Adam Jarvis (Pig Destroyer, Misery Index, Scour), the twin guitar attack of Justin Ethem (Integrity touring guitarist) and Cameron Smith (Passage Between, Crawler), vocalist Zach Westphal (ex-J. Roddy Walston And The Business), and bassist Jeff Davis (Damnation Audio effects pedals) — will release their Mount Crushmore debut full-length via Hellmistress Records this March.

Self-described as “hefty metal”, ASTHMA CASTLE manifests a unique and seamless, riff-heavy blend of stoner metal/rock, heavy metal, prog, and sludge that takes its cues from the likes of Weedeater, Church Of Misery, Mastodon, Lowrider, Dozer, and Clutch without ever seeming derivative. Their fittingly-titled Mount Crushmore full-length is a six-track, thirty-seven-minute bruiser recorded and mixed at Wrightway Studios (Dying Fetus, Misery Index) and mastered by Scott Hull of Pig Destroyer at his own Visceral Sound Studios with cover art by Gary Ronaldson at Bite Radius Designs (Napalm Death, Kreator etc.).

Whether it’s their bottom-heavy grooves, infuriated wails, bludgeoning riff assaults, or tongue-in-cheek song titles (see “The Incline Of Western Civilization,” “The Book Of Duderonomy”) one thing’s for certain, you’ll always have a good time stealing souls and packing bowls with ASTHMA CASTLE.

Mount Crushmore will be released on March 15th on CD, digital and limited vinyl formats via Hellmistress Records. The vinyl edition will be limited to five-hundred in three color variants: 175 x heavy black splatter on gold, 175 x white splatter on black, and 150 copies x gold, white, and black tri-color bleed.

Recently off a brief but successful East Coast US tour, ASTHMA CASTLE has played with numerous national acts as well as Maryland Deathfest, and Days Of Darkness. The band will play two special hometown shows with more to be announced the in the weeks to come.

Mount Crushmore Track Listing:
1. The Incline Of Western Civilization
2. Mount Crushmore
3. Here Come The Black Ship
4. Methlehem
5. Brazilian Catbox Incident
6. The Book Of Duderonomy

ASTHMA CASTLE:
2/23/2019 Metro Gallery: High Underground presents Mixed Metal Arts – Baltimore, MD w/ Bound By The Grave, Snakefeast, Thought Eater

http://www.facebook.com/asthmacastle
http://asthmacastle.bandcamp.com
http://www.instagram.com/asthma_castle
http://www.hellmistressrecords.com
http://www.facebook.com/hellmistressrecords
http://twitter.com/hellmistressrec
http://www.instagram.com/hellmistressrecords

Asthma Castle, Mount Crushmore (2019)

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Akula Self-Titled LP out This Week on Hellmistress Records

Posted in Whathaveyou on September 24th, 2018 by JJ Koczan

akula

Ohio-based post-metal-tinged progressive heavy rockers Akula self-released their self-titled debut (discussed here) in the early hours of 2018, right about the time everyone’s New Year’s headaches were dissipating and it was time to get back to real life. The four-track outing arrived without much fanfare, which was true enough to the motivations behind its making — basically the players involved wanted to do a thing and they did it — but it doesn’t take much more than one listen, if that, to realize the thing deserves a place in physical reality. Hellmistress Records has stepped up to bring Akula‘s Akula into the third dimension and will have the record out later this week on limited 12″ vinyl and ye olde compact disc for those of us without an entire wing of the house to dedicate to our sprawling collections.

As it happens, I wrote the bio that’s included in the press release below (paragraph starting “Comprised of…” and ending with the sentence “It could take them…”), but with the issue-date fast approaching and obviously my thinking the album’s worth your time anyhow, what with the interview linked above, it seems only fair to mark the occasion, which the PR wire facilitates thusly:

akula akula

AKULA: Ohio-Based Progressive/Psychedelic Heavy Rock Collective Featuring Members Of Lo-Pan To Release Self-Titled Debut Via Hellmistress Records; New Track Streaming + Preorders Available

Ohio-Based progressive/psychedelic heavy rock collective AKULA — featuring within its ranks members of Lo-Pan — will release its self-titled debut September 28th via Hellmistress Records.

Comprised of four immersive tracks weighted as much in tone as emotional resonance, AKULA runs an atmospheric gamut led by the undulating and spacious riffing of guitarist Chris Thompson and Sergei Parfenov and the soulful melodies of vocalist Jeff Martin.

Martin is best known for his work in heavy rock unit Lo-Pan, but in the four songs of AKULA’s self-titled debut, he, Parfenov, Thompson (also now in Lo-Pan), bassist Scott Hyatt, and drummer Ronnie Miller hone an ambience that erases the line between progressive heavy rock and post-metal, capturing a vast reach on opener “A Pound Of Flesh” and holding it for the duration of the churning and memorable “Force Me Open,” the later crush in “Born Of Fire” and the consuming march that bookends twelve-minute closer “Predators.”

“I was feeling an overabundance of creative energy,” Martin explains. “I had been listening to a lot of heavier psychedelic stuff in the vein of YOB, Neurosis, and even some Mastodon. I knew Chris could do pretty much anything from seeing him play. I contacted him and asked if he would be interested in getting some people together for a purely fun project. He was all for it. I told him what I was thinking in terms of style and he said he actually already had some part ideas he had been messing around with that might be a fit.

“We talked about bass players and drummers and rhythm guitarists and invited some guys to meet up and discuss,” he continues. “And stylistically, everyone seemed to understand what we were looking for: a darker, heavier psychedelic sound with melodic vocals. Longer format and prog shifts seemed like a natural thing for everyone. So we got to work.”

The result of that work is as stylistically ambitious for AKULA as it is engaging for the listener, and the balance they strike belies the notion of Akula being their first full-length. Now aligned with Hellmistress Records for a physical release of the previously digital-only tracks, AKULA begins a larger exploration of sound with that same restlessness. It could take them just about anywhere.

Akula will be available on CD and limited-edition vinyl in three color variants – 150 baby blue/ opaque yellow/white bleed, 175 heavy orange splatter on translucent green, and 175 on translucent blue. For vinyl preorders, visit Hellmistress Records at THIS LOCATION. For CD orders go HERE.

Akula Track Listing:
1. A Pound Of Flesh
2. Force Me Open
3. Born Of Fire
4. Predators

http://www.facebook.com/akulaband/
https://akulaband.bandcamp.com/
http://hellmistressrecords.com
http://www.facebook.com/hellmistressrecords
http://twitter.com/hellmistressrec
http://www.instagram.com/hellmistressrecords

Akula, Akula (2018)

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Horehound Reissue Self-Titled Debut on Hellmistress Records

Posted in Whathaveyou on April 26th, 2018 by JJ Koczan

horehound

Pittsburgh doom rockers Horehound took part this past weekend in the inaugural New England Stoner and Doom Fest in Connecticut, playing alongside Gozu, Wasted Theory and a vast host of others at a show I was both proud to be involved in presenting and sorry to have missed on account of timing. The appearance there is just the latest in the momentum-building that’s been going on for Horehound more or less since their self-titled debut (review here) was released in 2016.

The date of that release? April 20. The release date of the brand new Hellmistress Records CD and vinyl edition of the album? April 20, AKA last Friday. You have to appreciate a bit of symmetry. The band said last fall when they signed to Hellmistress that they had new material in the works. I haven’t seen an update on that, but maybe by the time they get to Descendants of Crom 2018 this September we’ll have word one way or another. Or maybe they’ll just wait for April 2019. Ha.

Here’s the latest on the reissue and the whatnots:

horehound self-titled

HOREHOUND to Re-Issue Self-Titled Debut on CD and Vinyl on April 20th via Hellmistress Records; Current Live Dates & Fest Appearances.

Pittsburgh, PA’s HOREHOUND announce their teaming up with Hellmistress Records to re-issue the Horehound Self-titled 2016 debut for both CD and first-time colored vinyl variants. The seven original tracks have been re-mixed, re-mastered, and now include a bonus song of Portishead’s, ‘Mysterons’, covered a la doom!
Digital Streaming on Bandcamp and other outlets, as well as the new CD will be available 4/20/2018, which is the second anniversary of the original release date.

Vinyl press is expected to be available on June 1st.

Artist Name: Horehound
Location: Pittsburgh, Pennsylvania, USA
Genres/Styles: Doom Metal, Heavy Metal, Sludge
Label Name:
Blackseed Records (First Press, April 20, 2016)
Hellmistress Records (Re-Issue, April 20, 2018)

Horehound – Track List:

1. World to Come
2. Sangreal
3. Crowns and Thrones
4. The Dead Don’t Lie
5. Waters of Lethe
6. Myope
7. Waking Time
8. Mysterons (bonus track on re-issue only)

Recorded by Matt Schor at War Room.
Mastering by James Plotkin at Plotkinworks.
All music written and performed by Horehound, with the exception of “Mysterons”, originally written and performed by Portishead.
Cover Art by Sasaya Orenda Hamer-Pennisi

HOREHOUND is:
JD Dauer – drums
Brendan Parrish – guitar
Shy Kennedy – vocals
Nick Kopco – bass

HOREHOUND – Upcoming Live Events:
05I10I18 – Pittsburgh, PA @ Brillobox (w/Mos Generator, Limousine Beach)
05I26I18 – Pittsburgh, PA @ Cattivo (w/Ufomammut, White Hills)
06I16I18 – Aliquippa, PA @ Fallout Shelter (w/Rule Of Two, Everyone Hates Everything)
09I28I18 – Pittsburgh, PA @ DESCENDANTS OF CROM

Blackseed Records Presents:

DESCENDANTS OF CROM 2018

September 28th – 29th @ Cattivo
Day One: Lo-Pan + Come To Grief + Telekinetic Yeti + Devil To Pay + Disenchanter + Sierra + Heavy Temple + Demon Eye + Horehound + Doomstress + Doctor Smoke + Curse The Son + Eternal Black + Cloud + Solarburn + The Long Hunt
Day Two: Mos Generator + Duel + Kind + Freedom Hawk + Geezer + Forming The Void + Serpents Of Secrecy + Wolftooth + Ironflame + River Cult + Cavern + Thunderbird Divine + Molasses Barge + OutsideInside + Jakethehawk

RSVP – https://www.facebook.com/events/177536592803763/
TICKETS: https://www.brownpapertickets.com/event/3186333

Pre-Gala: September 27th @ Howlers
Destroyer Of Light + Rebreather + Fist Fight In The Parking Lot + Gran Gila + Mires
RSVP – https://www.facebook.com/events/2074052449275860/

https://www.facebook.com/horehoundband/
http://horehound.bandcamp.com/
https://twitter.com/horehoundband
https://www.facebook.com/blackseedrecords/
http://www.blackseedrecords.com/
https://hellmistressrecords.com/
https://www.facebook.com/HellmistressRecords/

Horehound, Horehound (2016)

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Horehound Sign to Hellmistress Records; New Album in Progress

Posted in Whathaveyou on September 5th, 2017 by JJ Koczan

A double-whammy of good news here in that Pittsburgh doom rockers Horehound have signed to Hellmistress Records — kudos all around — and that they’ve got a follow-up in the works to their impressive 2016 self-titled debut (review here). The four-piece had done a release for Horehound through vocalist Shy Kennedy‘s own Blackseed Records imprint, and Hellmistress has confirmed it will indeed pick that up for a reissue, so right on there in addition to the new material. The more the merrier and all that.

I’d guess it’ll be a 2018 release, so you mark your notes and I’ll mark mine (done), and as we get closer, whatever I see, I’ll be posting. In the meantime, Hellmistress stands among the sponsors for the inaugural edition of Kennedy‘s upcoming Pittsburgh-based fest, Descendants of Crom (info here), which is set to take place on Sept. 30 on two stages at Cattivo Nightclub.

Cheers to Horehound and to Hellmistress and here’s looking forward to the fruit of their collaboration. The PR wire makes it official:

horehound

Horehound – Hellmistress Records

Horehound began their journey into the Pittsburgh music scene in the summer of 2015.

Standing on the shoulders of giants – Black Sabbath, Neurosis, Sleep, and the Melvins, among others – Horehound ever since have been crafting their own blend of stoner and doom harmonies and cacophonies. On their debut album, released in April 2016, Shy Kennedy’s powerful, ethereal vocals and haunting lyrics transform the pummeling onslaught of Brendan Parrish’s aggressive guitar riffs, Nick Kopco’s doom-drenched bass grooves, and JD Dauer’s punishing percussive rhythms, into carefully crafted compositions that are “stunningly recorded, tactile, heavy, clear.”

Says Hellmistress Records founder Melanie Streko, “I discovered Horehound on Pat Harrington’s Electric Beard of Doom radio podcast. My ears perked up every time Pat played a Horehound song; whether I was working; cleaning around the house or just playing with my cat, I ran to my computer to see who it was and it was always Horehound. So I knew I had to sign them.”

In 2016, Horehound played the 1st Annual Doomed & Stoned Festival among genre mainstays Cough and Bell Witch, and shared the stage with Captain Beyond, Earthride, and The Atomic Bitchwax at Maryland Doom fest in June of 2017. Horehound is currently in the process of writing a follow-up to their self-titled debut, and hope to be able to share with their fans as the new songs come to life.

Horehound is:
• Shy Kennedy (Vocalist)
• Brendan Parrish (Guitarist)
• JD Dauer (Drummer)
• Nick Kopco (Bassist)

https://www.facebook.com/horehoundband/
http://horehound.bandcamp.com/
https://twitter.com/horehoundband
https://www.facebook.com/blackseedrecords/
http://www.blackseedrecords.com/
https://hellmistressrecords.com/
https://www.facebook.com/HellmistressRecords/

Horehound, Horehound (2016)

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