Mars Red Sky Post “Hollow King” Official Live Video

Posted in Bootleg Theater on November 3rd, 2020 by JJ Koczan

mars red sky (photo by Rob Maurice)

Bordeaux heavy psychedelic progressives website to do my homework online at professional essay writing service. Order custom research academic papers from the best trusted company. Just find a great help for Mars Red Sky recently announced a couple of weekenders in their native France, the first of which is set for this weekend. I have no idea if that’s still happening or how it might play out given the EU’s turn toward further lockdown measures following a cold-weather-and-everyone’s-apparently-tired-of-masks spike in COVID-19 cases. What I do know — and stop me if you’ve heard this one before — is I really, really miss going to shows. It’s been 10 months since I’ve been in a venue! That’s insane. Even at my most hermit-like, I don’t think I ever went this long.

homework helpers of lv Need Chemistry Help online essay bank electrical circuit homework help Mars Red Sky did a couple live streams in June (review here), but they’re clearly hankering too. Not only can you tell from the fact that they’re bothering to book dates at all, let alone maybe even play them, but also their new video for “Hollow King” from 2019’s http://www.educasources.education.fr/cache/81/index.php?342 introduction, The majority of students find it a bit frustrating to put their thoughts and ideas into writing. It is also very time The Task Eternal (review here) is a recorded live performance of the song. They did it during soundcheck before playing a gig in Dijon last month. Close your eyes and visualize a time when that would be no big deal. Can you?

Bottom line: I love this song. I dug this record a lot and this band remains pretty frickin’ special. I hope to see them on stage again someday.

Enjoy the video:

Mars Red Sky, “Hollow King” official live video

Bordeaux-based psychedelic rockers MARS RED SKY unveil bold new live video “Hollow King” – recorded a few hours before their latest show in Dijon, France. The track is taken from their new album ‘The Task Eternal’, out on Mrs Red Sound and Listenable Records.

MARS RED SKY’s new live video “Hollow King” highlights the band’s unique sounding, propelled by a pachydermic rhythm section, ethereal vocals, enthralling riffs and meaningful lyrics. Video recorded live in La Vapeur, Dijon (France) by Sébastien from Faits-Divers. “Hollow king” is taken from the album “The task Eternal’ (2019), recorded and mixed by Benjamin Mandeau at Cryogene Studio, mastered by Pierre Etchandy.

MARS RED SKY live:
06.11.20 BESANÇON (25) La Rodia
07.11.20 CHALON-SUR-SAÔNE (71) Théâtre de Chalon-sur-Saône / LaPéniche (portes 18h30 – concert 19h)
08.11.20 BOURG-EN-BRESSE (01) La Tannerie (portes 17h – concert 17h30)
25.03.21 LYON (69) L’Épicerie Moderne / salle musiques actuelles
26.03.21 MULHOUSE (68) Noumatrouff avec Witchfinder
27.03.21 STRASBOURG (67) La Laiterie Artefact

MARS RED SKY are:
Julien Pras : guitar, vocals
Jimmy Kinast : bass, vocals
MatGaz : drums, vocals

Mars Red Sky, The Task Eternal (2019)

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Mars Red Sky Announce French Weekender Live Dates

Posted in Whathaveyou on October 27th, 2020 by JJ Koczan

mars red sky (Photo by Rod Maurice)

Think there’s any chance at all the French government will let an American into the country by next March? I can think of worse ways to enter life as an emigrant refugee — if need be — than to kick around France and go see a couple socially-distant, seated How To Ask Someone To Be On Your Dissertation Committee Write Essays For Cash - Title Ebooks : Write Essays For Cash - Category : Kindle and eBooks PDF - Author : ~ unidentified - ISBN785458 Mars Red Sky shows. It’s not exactly a plan for survival in the doomsday-prepper sense, but let’s be honest, I wasn’t making it through doomsday anyhow.

While we’re being honest,  Master Thesis Positions In Finland, London, United Kingdom. 24,278 likes 173 talking about this. AssignmentExpert is the leading provider of homework assistance for... Mars Red Sky doing three shows next month and three shows next March in France is nice and all, but I was really kind of hoping the Bordeaux three-piece were about to announce a new EP that was a half-hour long single-song epic of progressive heavy psychedelic melody. I’m glad they’re getting out — their live stream a few months back (review here) was certainly good fun — but these days one is trying to find anything to look forward to at all, and new  Need to find a good place to Essay On Colors? This is just the right one with excellent writers, low rates, and quality guarantees. Give it a try today! Mars Red Sky is always something to look forward to. Maybe next year.

Said everyone, about everything.

If you need me, I’ll be investigating visa applications. Here’s the info on their shows, with links and whatnot:

mars red sky tour france

MARS RED SKY – France Shows

We are super excited to be able to announce this tour in France! The concerts will all be sitting but in beautiful rooms and with compliance with the health rules. And you can find our merch of course…

06.11.20 BESANÇON (25) La Rodia
Event: Mars red Sky à Besançon
Tickets: https://marsredsky.rocks/presales0611

07.11.20 CHALON-SUR-SAÔNE (71) Théâtre de Chalon-sur-Saône / LaPéniche (portes 18h30 – concert 19h)
Event: Mars Red Sky au Piccolo
Tickets: https://marsredsky.rocks/presales0711

08.11.20 BOURG-EN-BRESSE (01) La Tannerie (portes 17h – concert 17h30)
Event: Mars Red sky [Heavy psychédélique]
Tickets: https://marsredsky.rocks/presales0811

25.03.21 LYON (69) L’Épicerie Moderne / salle musiques actuelles
More info shortly!

26.03.21 MULHOUSE (68) Noumatrouff avec Witchfinder
More info shortly!

27.03.21 STRASBOURG (67) La Laiterie Artefact
Event: Mars Red Sky + Witchfinder • Strasbourg • La Laiterie
Tickets: https://marsredsky.rocks/presales2703

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Mars Red Sky, “Crazy Hearth” official video

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The Obelisk Show on Gimme Metal Playlist: Episode 41

Posted in Radio on September 4th, 2020 by JJ Koczan

the obelisk show banner

I guess the last couple episodes I’ve been trying to mix up the approach a little, pull back from starting off with rock tracks, then getting heavy, then tripping out. It was feeling a little formulaic, maybe. Not that we didn’t trip out at the end last time, but I pushed a block of noise up front and that was different at least. This time I’m pulling back from just doing new music and throwing in some older stuff that’s just been on my brain. Some  Check out Ginger's dig thising service, proofread your documents with just a click. Elder, some  We offer Master Thesis Political Science at Masters and Ph.D levels. Our writers are professional and US based. Cheapest prices for dissertation Mars Red Sky, and mixing that in with  essay on the development of christian doctrine http://www.cpress.cz/uploads/online/?example-of-a-business-plan-for-a-restaurant proofreading thesis design dissertation questionnaire Neurosis and  Dissertations Writing Service - If you need to find out how to make a good essay, you need to read this Get started with dissertation writing and craft finest Isis and new  Hire expert PhD thesis writers from Hyderabad, India for completing your thesis report. Enquire Today for our Writing A Term Paper Pdfs in Hyderabad. Bitchwax and a few bands from Latvia just because I found them all at the same time and figured I’d present them the same way.

Simple change, right? I don’t know about you but I get locked into modes of doing things — even the format of these posts carries over from one to the next — and every now and then I want to shift how it’s done. Not so much to take myself out of my own comfort zone — heaven forbid — but mostly so I can tell myself I’m not completely compulsive about everything even though, yes, I very much am. Whatever. You know what I’m saying.

I hope you enjoy the show.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmemetal.com

Full playlist:

The Obelisk Show – 09.04.20

Elder Dead Roots Stirring Dead Roots Stirring
Mars Red Sky Way to Rome Mars Red Sky
Saturndust Saturn 12.c Saturndust
VT
Saturn’s Husk Black Nebula The Conduit*
VVZ Dzeguze >>z*
Zintnieks Tumsais Zintnieks Demo Ieraksti
Acid Moon and the Pregnant Sun Creatures of the Abyss Speakin’ of the Devil
Pelican March into the Sea March into the Sea
Mos Generator Stolen Ages Shadowlands
Floor Sister Sophia Oblation
The Atomic Bitchwax Scorpio Scorpio
VT
Isis False Light Oceanic
Neurosis Reach Fires Within Fires

The Obelisk Show on Business Plan Vs Business Proposal maid to order essay journal essay definition zeus research paper essays Gimme Metal airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is Sept. 25 (subject to change). Thanks for listening if you do.

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Stream Review: Mars Red Sky Live From the Teleport for Europe & North America, 06.18.20

Posted in Reviews on June 19th, 2020 by JJ Koczan

mars red sky stream

It’s a curious kind of thing, the way watching a band play a live streaming show just kind of works itself into your day. I’d imagine that’s what it must be like for people who live in major urban centers when it comes to going out. I’ve never lived within half an hour of a venue, so rock and roll in a live context has always had an element of travel and a physical distance from the rest of my “life,” as it were. Music has rarely been so conveniently accessed for me. You just find a link — easy in this case, since CustomThesis.org offers Best http://www.hans-moser.at/?residential-care-facility-business-plan & Best Custom Dissertation Writing Services UK at affordable price. We provide professional Mars Red Sky emailed them out earlier in the day — and put it on and watch a band play live. I know it’s not necessarily new technology, though it’s a more widespread use for it, and if I’m wowed by it, that probably just means I’m old. Fine.

As it happened,  At PhD Writing Coach, find qualified writer and editor to help you with your academic documents. best university essay writing service provide meaningful support and Mars Red Sky‘s two  best site - work with our writers to receive the excellent review following the requirements Stop getting unsatisfactory marks with these Live From the Teleport streams — one first for Europe, then one for the Americas — fit neatly into my schedule. The Europe one happened during my kid’s naptime and the second, at 8PM local time, started just as the episode of Star Trek: The Next Generation my wife and I were watching was ending. I put on the Euro stream and found it opened by a couple of vintage commercials, which is fitting to the visual aesthetic the band have harnessed inmars red sky collaboration with director  Seb Antoine, whose done videos and visuals for them going back some number of years and was involved in the direction here. Based in Bordeaux, where these shows took place, Mars Red Sky have always to some degree been conscious of the visual aspects of their presentation. Their artwork suits their records, their videos are creative, and these commercials were a fun way to lead into (and out of) the performance itself. The US stream had ones for Oldsmobile and Tang. They both had old video games.

Ostensibly supporting last year’s The Task Eternal (review here), the three-piece of guitarist/vocalist Julien Pras, bassist/backing vocalist Jimmy Kinast and drummer Mathieu “Matgaz” Gazeau seemed comfortable on the stage and looked to have no trouble locking into a performance-mode despite the lack of a physical crowd in front of them. The trio were playing two distinct sets with two different setlists, each about an hour long, and they opened the European set with a new riff from a song currently in the works. After the US show, they mentioned it might end up as an EP, which would be in character for the band between full-lengths, but either way it was appreciated to get a preview of where they’re headed as they continue down their path of progressive heavy psychedelic rock.

I tried to read some intention behind their choices of songs, but they had taken requests on social media and of course I chimed in, campaigning for “Way to Rome” from their 2011 self-titled debut (review here), “Friendly Fire” from 2016’s third album, Apex III (Praise for the Burning Soul) (review here), both of which were aired in the Americas stream, and several others. I don’t know if they were going for two distinct vibes from one set to the other, tailoring to region, or just taking requests — the fact is that Mars Red Sky have enough of a catalog between LPs and EPs that it’s not a challenge for them to fill about two hours of stage time. And they did so without repeating a song between one set and the other. Here are the setlists:

mars red sky tangEU:
New Riff (Slow)
Under the Hood
Collector
Crazy Hearth
Mindreader
Shot in Providence
Hovering Satellites
Up the Stairs

AM:
Reacts
Alien Grounds/Apex III
Friendly Fire w/ guest vocalist
Way to Rome
Strong Reflection
Hollow King
The Light Beyond

Finishing the first set with “Up the Stairs” worked better than I thought it would, and “Way to Rome” into “Strong Reflection” in the second set just about made my night, particularly with a bit of chugging flourish they added to the latter. For “Friendly Fire” they brought out a guest singer whose name was revealed in the live Q&A afterwards as Helen Ferguson, vocalist and bandmate of Pras‘ in Queen of the Meadow. In any case, she added another layer of melodic sweetness to Pras‘ own voice and as it was something they’d never done before, it seemed a particularly brave move to do so as a part of this stream. “Mindreader” was of course a heavy riff delight, and “Shot in Providence,” the latest single “Crazy Hearth,” “Reacts and “Hollow King” — the latter three all from The Task Eternal — were more than welcome. Seeing them play the most recent stuff was a big part of why I wanted to watch, since as they’ve grown more progressive in the construction of their songs, invariably their live renditions have had to follow suit. As much as their first record continues to hold a special place in my heart, they’ve only become a richer band with time.

There were audio problems after the first set, but the band found a marker board and wrote a thank you message on it, while also playing with a Simon — it had been a minute since I saw one. They came back live after the second set and in that Q&A revealed that the Americas stream had been taped. Not actually unreasonable, since it would’ve started at 2AM on French time, but it did change things. Was it still a live event. Are these streams that have started in the wake of the COVID-19 pandemic ever? How is a live performance, taped live and aired as a live stream not live? Does it make a difference?

I don’t know. There isn’t really a ‘live culture’ around streaming yet to properly gauge an audience impression. From what I saw in the YouTube chat, people were grateful to the band for making the effort — and with professional sound and lights, visuals behind them, the commercials, and at least four cameras operating, it was an effort — and frankly, I was too.

The after-show session lasted about 10 minutes, which given that that was live and it was three on the morning for them, was plenty. Pras leaned forward on the couch, Kinast leaned back and snuggled his cat. Only Gazeau, who apparently doesn’t live in Bordeaux, didn’t take part; they disguised one of the camera operators and the reveal was pretty funny. I submitted the question as to how doing these sets compared to the experience of playing live shows, and Pras noted that with the sound, lighting and video crews, it wasn’t like mars red sky teleport posterthe space was totally empty, and that the drones and psychedelic noisemaking they did between songs — more prevalent in the second set than the first — was in part to ease the awkward silence where audience response would otherwise be. It was a prudent and effective move, and emblematic of the attention to detail Mars Red Sky bring to just about everything they do.

My understanding is downloads of the videos of these sets will be available to those who paid for them as part of their tickets, but it seems to me next time Bandcamp has a no-fee day, the band have audio well worth issuing as a special release. I don’t know that will happen, of course, but if they wanted to make it so, they’d certainly have a fan-piece to mark the occasion.

A shifting definition of normality makes me less inclined to speculate as to what live music will look like on the other side of this current pandemic, in Europe, North and South America, or anywhere else. As it stands, however, seeing a group like Mars Red Sky playing their songs, even in the setting of being on my couch after a long day and just before going to bed, is more than welcome. It’s not only a reminder of what’s missing from these incredibly and increasingly strange days, but a new form of creative expression taking shape while we watch. That in itself is a reason to be thankful.

Mars Red Sky, The Task Eternal (2019)

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Mars Red Sky Post “Crazy Hearth” Video

Posted in Bootleg Theater on May 6th, 2020 by JJ Koczan

mars red sky

If the planet were operating in the manner which we as humans thought it might be just a few short months, ago, French progressive heavy psychedelic rockers Mars Red Sky would be heading to North America this month for a tour supporting 2019’s The Task Eternal (review here) that would have begun May 28 in Chicago and run through Monolith on the Mesa (which has been pushed back to September) and finished in Vancouver, British Columbia, on June 7. It was to be presented by this site, among others. Well, of course it’s not happening — how could it?

To be sure, that’s a bummer, but if you look at the video for “Crazy Hearth,” which the Bordeaux three-piece filmed prior to the pandemic with director Seb Antoine — he did their 2016 “Alien Grounds” short film (posted here) and has worked with them on other clips too — it ends up being a pretty striking reminder not just of what we all miss at this point, which is being together, but inevitably of what we’re staying apart now to preserve.

In the video we see the band — guitarist/vocalist Julien Pras, bassist/sometimes vocalist Jimmy Kinast and drummer Mat Gazeau — making their way to a meetup in the woods. Gazeau goes by canoe, and there’s hiking and cool drone shots of the band playing spliced in, and in the end, everyone gets together and they leave in the canoe after building the titular hearth. It has enough heart and is certainly earthy enough to earn the wordplay of the song’s name, but given the context in which the video arrives, it’s hard not to appreciate the simple togetherness and the obvious bond the trio display, while they’re playing and while they’re not.

That’s why we’re quarantined. Because at some point, we want to be able to go back to that without risking harm to one another, and this seems to be the road that gets us there. It’s easy math to do and a hard way to live, but that’s what it’s all about.

Mars Red Sky, “Crazy Hearth” official video

“We got in touch again with Seb Antoine, the best film director ever, to shoot our ***NEW VIDEO CLIP for CRAZY HEARTH*** before the Covid mess. We are particularly proud of this one and really hope you’ll will like it as much as we enjoyed making it.”

From the new album ‘The Task Eternal’ out September 27th 2019 on Listenable Records.

Directed By Seb Antoine
Assistant : Sophie Labruyere
Special Thanks to Mr Gazeau for the Canoe

Recorded and mixed by Benjamin Mandeau at Cryogene Studio, mastered by Pierre Etchandy.

Mars Red Sky, The Task Eternal (2019)

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Days of Rona: Mars Red Sky

Posted in Features on April 23rd, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

mars red sky

Days of Rona: Julien Pras, Jimmy Kinast and Mat Gazeau of Mars Red Sky (Bordeaux, France)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Mat: First of all, everybody is in good health so far. We were on tour till mid march and were heading to the next city when we got a phone call from the venue saying we can drive straight home as all the public manifestations were canceled, so we did.

Jimmy: We had to postpone a lot of club shows and we’re trying to reschedule summer festivals as well for 2021. The most complicated thing is that nobody can say today how long it will take before we’re authorized to organise shows again, pretty scary…

Julien: We’ll try to get together and practice again as soon as we’re free to do so!

What are the quarantine/isolation rules where you are?

Mat: We must stay at home. Still we can go out to work (if you cannot work from home), to buy food, to make a minimum of physical exercises, plus some other things… For these things we need a paper we fill ourselves saying what we do.

Jimmy: The government said on April 13th that they will gradually open some stores, let people go back to their work and children go to school starting May 11th but bars and restaurants will stay closed for months…

How have you seen the virus affecting the community around you and in music?

Mat: It’s obvious as most of the bands/musicians around us rely on live shows to exist and to grow. Personally I live it as being temporarily unemployed for operational reasons.

However, I spend lot of time working on my instrument, I’m lucky enough to have a cabin in the woods where I can play drums and work on different exercises.

Also, I’m improvising myself as a teacher with my 11 years old son in the morning, we keep doing sport with my girlfriend on a weekly basis, and i have more time to read books.

Jimmy: I’m very lucky because I have a house and a garden, I spend a lot of time gardening and taking care of my chickens too…

Julien: Some artists in all fields are embracing the concept of digital communication to a extent that seems questionable.. Saying it’s a bad thing would be bogus, we even made a Beatles cover video with my sweetie, but it’s quite a pressure just to witness this endless stream of content washing over… Now I’m also fortunate enough to have a little home studio where I can stay busy mixing stuff, sketching out song ideas or riffs, fiddling with effect pedals.. And reading quite a lot too, switching from newspapers to fiction depending on my degree of anxiety.. Though so far we’ve managed to stay relatively serene in the household, considering the situation. We’re blessed with good health and a positive attitude… and a cat.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Mat: I try to keep in mind that even if the situation is extremely bad, we still have a roof, we have food (too much), and it’s not war!! These words have been used by our president which, to me, is a zealous, over-reacting message given to the population. Besides, that word was unnecessary and out of context, nobody is shooting at us, no bombs are falling from the sky, we don’t have to run out from our country, we just have to stay at home!

I am not undermining the situation, I find it sad and serious but I often see on social networks people complaining because they cannot go out and they get bored. It’s quite egocentric!

Much more horrible things are happening right now in Syria (for info: Bordeaux to Damas, Syria, is almost the same distance as LA to NYC), many countries in Africa don’t have enough food and people there die from famine and multiple diseases, but in our egocentric occidental state of mind, we just don’t give a fuck as none of this happened to us (yet).

Furthermore, what strikes me is that our medias can show an incredible ability to inform and react when a situation feels so close to home, when it knocks at our door, when it feels tangible. Horrible, similar and worst, issues are killing humans everyday already, be it famine, multiple diseases… but this happens so far away that we kind of see it in a passive way, we know it is there, we kind of mention it here and there in the news, say it is sad, then move on to our lives thinking “ok, that’s the fate of these places”, it is lived and accepted as THEIR fate, like WE are lucky and untouchable. Today, we realize that we can be affected and touched by similar issues, so we start panicking, all of a sudden we feel vulnerable, and we don’t like it, so we wanna feel heard, looked at, and taken care of, we cannot accept it as fate anymore, it takes another turn, now solutions have to be found quickly, it reached too close to home.

That is selfish to me, even more, it is dangerous behavior. It shows our capacity to willfully ignore the impact of big important issues when they are not literally touching us, regardless of the fact that they are in fact touching us, but indirectly, in a more passive way.

Take pollution for example, it kills at a bigger rate than the Covid-19, but we do not see it, it is not as tangible and fast, so we don’t react, we keep living and consuming in a blissfully unaware, irresponsible way, making us responsible for the death of thousands if not millions of people. If we can react now, if our government can take measures now, what prevented them from taking some measures many years ago to protect the planet? What prevented us from adopting a responsible behavior?

Where was daily front cover on every media? We are all guilty. We are responsible for destroying our planet, killing species, reducing their living environment and causing migration of species and humans. Bringing them closer leads to merging germs that shouldn’t meet in their natural environment and causes diseases to appear. Our behavior contributes to unbalancing the way nature works, and thus bringing war, famine and diseases all over the world. It is high time we open our eyes and see that the marching death band has been walking alongside us for a long time. What we finally accept to see now is nothing but a consequence of this biggest worldwide issue, it is a warning and we will face many more of these. If we are able to accept adapting our behavior now for the greater good, I hope we’ll be able to keep doing it once the quarantine is over.

Julien: May I add, it’s not exactly the first time the West has an epiphany, the crisis in 2008 for example. And a growing number of us are seeing the flaws and the limits of an aggressive liberal economy, the way it affects our lives in so many ways. Not to mention the ongoing ecological crisis that a lot of us are now aware of.
But we sure hope that it won’t be back to “business as usual” this time, that our governments will come up with at least a couple of progressive actions, and not just temporary ones… And that “exceptional measures” likely to come up and jeopardize our civil rights won’t apply forever!

Jimmy: There are some interesting things in that covid crisis. Speaking about civil rights for example: it’s really impressive how the population in Europe is ready to give away a lot of their freedom (lockdown, tracking, checking etc…). The whole population is supporting our leaders and scientists over here. We entrust them with saving the same amount of lives as during a famine or due to pollution within a very short span of time. Hope we can be that brave and involved if the big one hits because of global environmental issues. These last days in France a lot of producers and farmers had to organise a new way to distribute their goods and we can see a real change because more and more people are looking for local products and short-cut « the Big Market ». No plane for a few months is also very good news for the environment and seeing all these wild animals all over our cities makes some people think.

That crisis might be a chance for us because facts / science proved that going back to « normal » with economic growth as a main goal for a few is a suicide for all. We need to stop these « has-been » people because environmental questions can only be fixed if we connect them to worldwide social issues.

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Up in Smoke 2020 Adds Fu Manchu, Pallbearer, Mars Red Sky and More

Posted in Whathaveyou on February 5th, 2020 by JJ Koczan

up in smoke 2020 banner

Fu Manchu are in the studio now and I think they said on Instagram they’re eyeing a May release for their next album, which would rule and would arrive in timely fashion as they celebrate their 30th anniversary all year on the road. They joined the Up in Smoke 2020 lineup at the end of last week along with Mars Red Sky, Pallbearer, The Heavy Eyes — still waiting for the full tour to be announced — Sons of Morpheus and Mother Engine.

It’s a pretty efficient bundle if what you’re looking for is ‘awesome,’ and I think probably it is. It seems early for the Fall fest season to start taking shape, but it always does when it happens around now, so points for consistency at very least, and Sound of Liberation, which is behind this fest as well as Keep it Low and has a hand in several others along the way — Desertfest in Berlin, Antwerp and New York, and so on — rarely leaves this kind of thing to chance. Pro-shop and all that.

The latest announcement is below. I’m late with it but I’m late with everything. I’m a pitiful old man, give me a break.

Have at it:

up in smoke 2020 poster

FU MANCHU + 5 MORE BANDS JOIN UP IN SMOKE LINE UP

Grab your tickets here: bit.ly/UpInSmoke_2020

Smokers, we’ve been eager to share some line up news with you and we could for sure do it slowly and patiently, announcing one band after another… but you know what? It’s Friday, so take them all!!

Californian legends Fu Manchu are celebrating their 30th anniversary and we’re super stoked they’ll celebrate it with us!

They’ll make your neck hurt alongside mighty US doomsters Pallbearer, French’s unique psych-doom wizards Mars Red Sky, groove masters The Heavy Eyes, also from the USA, German Instrumental wonder Mother Engine and beloved Swiss psychedelic trio Sons of Morpheus !

We’re super proud and excited to welcome those amazing acts on board! Can’t wait, see ya there!

??Up In Smoke takes place at Konzertfabrik Z7 – Pratteln in Pratteln on 2-3-4 October 2020.

https://www.sol-tickets.com/
http://www.z-7.ch/
https://www.facebook.com/UpInSmokeIndoorFestivalInZ7/
https://www.facebook.com/events/545324436300685/
https://www.upinsmoke.de

Fu Manchu, “Il Mostro Atomico” live at Stoned & Dusted 2019

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The Obelisk Presents: Mars Red Sky First US Shows Since 2016

Posted in The Obelisk Presents on January 23rd, 2020 by JJ Koczan

mars red sky

Before they return to the US for the first time in four years, when among other shows they appeared at Psycho Las Vegas and The Obelisk All-Dayer in Brooklyn, French heavy psychedelic progressives Mars Red Sky will continue to support their 2019 album, The Task Eternal (review here), with dates mostly in France but also touching into Germany. They did a full round of European touring last year and no doubt will be on the road again before 2020 is done, because that’s pretty much how they roll.

Given that I’ve been lucky enough to see them a couple times at this point, and that I’m already looking forward to doing so again in Norway this October at Høstsabbat, for which they were recently confirmed, I’m all the more thrilled to have The Obelisk on board with presenting their upcoming run through the West Coast. Starting in Chicago on May 28, they’ll head toward the Pacific and make their way through California up to Portland and Seattle before crossing into Canada to close out in Vancouver on June 7. It’s an efficient run that only seems like more of a gotta-show-up-style no-brainer with Colorado’s Dreadnought supporting.

My standard for presenting shows is this: Is it worth leaving the comforts of home to go out and be among other human beings for a span of hours? Would I go to that show?

The answer here is a clear yes, I would. I hope you will.

Dates and info follow, as just announced by the band:

mars red sky tour poster

MARS RED SKY – THE TASK ETERNAL – AMERICAN TOUR

We’re thrilled to announce a new tour in North America this spring that will take us from Chicago to Vancouver with the great Dreadnought, past a number of cities we’ve never visited before (Denver, Santa Fe, Mesa) and other hot spots we’re excited to go back to!! Artwork done by the one, the only, Carlos Olmo Art.

“Four years have past since our last visit, time well spent touring and composing material for our newly released fourth album, The Task Eternal. This upcoming tour will be the opportunity for us to perform these new songs in America after extensively touring Europe. Stay tuned and see you out there!!”

MARS RED SKY 2020 US TOUR
SUPPORT: Dreadnought
5/28 Chicago, IL @ Reggies *
5/29 Denver, CO @ Hi Dive
5/30 Taos, NM @ Monolith on the Mesa *
5/31 Mesa, AZ @ Club Red
6/01 San Diego, CA @ The Space
6/02 Los Angeles, CA @ Viper Room
6/03 Costa Mesa, CA @ The Wayfarer
6/04 San Francisco, CA @ The Chapel
6/05 Portland, OR @ The High Water Mark
6/06 Seattle, WA @ The Highline
6/07 Vancouver, BC @ Astoria
* without Dreadnought

Beyond a highly recognizable sound imprint, Mars Red Sky craft their own otherworldly atmospheres. The trio has been entrancing crowds for a decade now, with their eponymous debut coming out in 2011, following a recording session in Spain’s mystic Bardenas desert. Whether you listen to the albums or experience their music on stage, their hulking yet trippy brand of stoner rock will take you on an infinite journey. From the beginning, the Bordelais trio becomes a major live act, leading them to play the biggest rock and metal stages (SXSW, Hellfest 2014 and 2017, Desertfest London and Berlin, Roadburn, Eurockéennes). After another two years spent on the road, 2019 felt like the right time to return with their brand new album “The Task Eternal” on Listenable Records, which is set to be followed by a couple of extensive European tours.

http://www.facebook.com/marsredskyband/
https://www.instagram.com/marsredsky/
https://marsredsky.bigcartel.com
http://www.marsredsky.net
http://www.listenable.net
http://www.facebook.com/listenablerecs

Mars Red Sky, The Task Eternal (2019)

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