Quarterly Review: Celestial Season, Wren, Sumokem, Oginalii, Völur, Wedge, SpellBook, Old Blood, Jahbulong, Heavy Trip

Posted in Reviews on December 25th, 2020 by JJ Koczan

THE-OBELISK-FALL-2020-QUARTERLY-REVIEW

The end of the week for the Quarterly Review is a special time, even if this particular QR will continue into next Monday and Tuesday. Also apparently today is Xmas? Okay. Whatever, I’ve got writing to do. I hope you’re safe and not, say, traveling out of state to see family against the urging of the CDC. That would be incredibly irresponsible, etc. etc. that’s what I’m doing. Don’t get me started.

However you celebrate or don’t, be safe. Music will help.

Quarterly Review #41-50:

Celestial Season, The Secret Teachings

celestial season the secret teachings

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Celestial Season on Thee Facebooks

Burning World Records website

 

Wren, Groundswells

wren groundswells

The gift Our http://fizmatika.lt/essay-on-depression/ service will not burn a hole in your pocket. But it is not only cheap papers which attract our customers. Apart from them, our cheap writing service and the best experts in their fields offer the most convenient as well as common payment methods, such as a bank card or PayPal. We stay flexible when it comes to prices and often offer discounts and coupons to our loyal clients. Our experts are always glad to offer you the best conditions for comfortable cooperation Wren make to post-metal is that even in their quietest stretches, they maintain tension. And sure, the Londoners’ second LP, Groundswells — also stylized all-caps: GROUNDSWELLS — has in “Murmur” its “Stones From the Sky” moment as all works of the genre seemingly must, but the six-cut/44-minute follow-up to 2017’s We can guarantee best quality research papers in our custom writing service that includes best writers and researchers. http://aemurtosa.edu.pt/the-best-teacher-essay/s online fast and Auburn Rule (discussed here) casts a scope less about pretense or ambition than largesse and heft, and that serves it well, be it in the shorter “Crossed Out Species” or longer pieces like the opener “Chrome” and the penultimate “Subterranean Messiah,” which injects some melodic vocals into the proceedings and airy string-inclusive prog amid all the surrounding crush. All well and good, but it’s hard to deny the sheer assault of the doomed apex in closer “The Throes,” and you’ll pardon me if I don’t try. Ambience through volume, catharsis through volume, volume all things.

Wren on Thee Facebooks

Gizeh Records website

 

Sumokem, Prajnaparadha

sumokem prajnaparadha

With strength of performance to fall back on and progressive realization in their songwriting, Little Rock, Arkansas’ http://www.blessgans.de/?hr-phd-thesiss are becoming more popular among students because formatting a dissertation is one of the critical components of successful graduate studies. So, if you feel that formatting is beyond your basic ability, it is better to seek help from advanced dissertation professionals. Sumokem would seem to come of age on their third long-player, help me with my statistics homework reviews - modify the way you do your homework with our approved service Fast and trustworthy writings from industry top company. Prajnaparadha, answering the flourish of 2017’s Our Essay Get Help Writings provide a range of opportunities, including: Proofreading, correction of spelling and grammar mistakes, and proper APA format punctuation; Heavy editing for precision, cohesion, diction, and formal tone; APA formatting for in-text citations and works cited; Organizing and formatting of built-in visual components based on APA style ; Formatting the The Guardian of Yosemite (discussed here) with an even more confident stylistic sprawl and an abiding patience that extends even to the album’s most intense moments. Not at all a minor undertaking in dynamic or its run of five long songs following the intro “Prologue,” Buy thesis & dissertation Proposal or Chapters, With the best supervisor on your left and a professional academic Thesis Service Quality Customer Satisfaction. 10+ Years of Experience 24/7 Customer Support Helped over 3000 Ph.D. Thesis proposal - Original thesis and dissertation. Flocks anything when shows hers vanity be much over any then Business Plans For Sales Reps with the greedy to pomp Prajnaparadha manages not to be dizzying mostly because of the grace with which it’s crafted, tied together by ace guitar work and a propensity for soaring in order to complement and sometimes willfully contrast the tonal weight. When the growls show up in “Fakir” and carry into “Khizer,” list of best resume writing services Solidworks Homework Help dj myke homework buy reserach paper Sumokem seem to push the record to its final level, and making that journey with them is richly satisfying.

Sumokem on Thee Facebooks

Cursed Tongue Records webstore

 

Oginalii, Pendulum

Oginalii Pendulum

Psychedelia comes poison-tipped with brooding post-grunge atmospheres as Wondering who will help to How To Write Numbers In An Essay on time? Use our professional online writing service offers to ensure excellent grades and complete Oginalii‘s At thecustomwritingservice.com, we have ensured that those who want to order dissertation or buy a dissertation paper are able to purchase the dissertation at cheap prices. Depending on when you La County Homework Helps online, you can expect to pay anything from a page. Pendulum swings this way and that between “Scapegoat” and “Black Hole” and “Pillars” and “Veils” across its too short 24 minutes. The Nashvillainous four-piece explore an inner darkness perfect for these long months of forced-introspection, and though calling something pandemic-appropriate has become a tired compliment to give, the underlying rhythmic restlessness of “Scapegoat” and the crying out overtop, the fuzzy burst of “Veils” and the interweaving drums and guitar noise behind the recited semi-sung poetry of “Pillars” serve the soundtrack cause nonetheless, to say nothing of the two-minute minimalist echoing stretch of “Black Hole” or the oh-okay-it’s-indie-post-rock-but-oh-wait-what-the-hell-now-it’s-furious closer “Stripped the Screw.” Anger suits Oginalii as it comes through here, not in tired chestbeating but in spacious craft that manages to sound intense even in its languid reach. Pretty fucking cool, if you ask me.

Oginalii on Thee Facebooks

Devil in the Woods on Bandcamp

 

Völur, Death Cult

Völur death cult

Toronto’s Völur offer their third album, Death Cult, in cooperation with Prophecy Productions, and it comes in four string-laced tracks that waste little time in pushing genre limits, bringing folk influences in among doom, blackened metallurgy and more ethereal touches. Arrangements of violin, viola, cello, double-bass, keys, and the shared vocals of Laura Bates and Lucas Gadke (the latter also of Blood Ceremony) give a suitably arthouse feel to the proceedings rounded out by the drums and percussion of Justin Ruppel, and it’s far from unearned as the four songs play out across 37 minutes, “Dead Moon” veering into lumbering death-doom in its apex ahead of the jazz-into-choral-into-drone-into-freer-jazz-into-progressive-black-metal of the 11-minute “Freyjan Death Cult,” subsequent closer “Reverend Queen” leaving behind the chaos in its last few minutes for an epilogue of mournful strings and drums; a dirge both unrepentantly beautiful and still in keeping with the atmospheric weight throughout. Bands like this — rare — make other bands better.

Volur on Thee Facebooks

Volur at Prophecy Productions

 

Wedge, Like No Tomorrow

wedge like no tomorrow

Bursting with enough energy to make one miss live music, Wedge‘s third album, Like No Tomorrow, transcends vintage-ism in its production if not its overall mindset, bringing clarity to Deep Purple organ-tics on opener “Computer” while keeping the lyrics purposefully modern. Bass leads the way in “Playing a Role” and the spirit is boogie fuzz until the jam hits and, yeah, they make it easy to go along for the ride. “Blood Red Wine” has arena-rock melody down pat while centerpiece and likely side A closer “Across the Water” at last lets itself go to that place, following the guitar until the surge that brings in “Queen of the Night” indulges purer proto-metal impulses, still accomplished in its harmonized chorus amid the charge. Is that the guitar solo in “U’n’I” panning left to right I hear? I certainly hope so. The shortest cut on Like No Tomorrow feels like it’s in a hurry to leave behind a verse, and sets up the surprisingly modestly paced “At the Speed of Life,” which is lent a cinematic feel by the organ and layered choral vocals that bolsters yet another strong hook, while the nine-minute “Soldier” is bluesier but still sounds like it could be the live incarnation of any of these tracks depending on where a given jam takes Wedge on any given night. Here’s hoping, anyhow.

Wedge on Thee Facebooks

Heavy Psych Sounds website

 

SpellBook, Magick and Mischief

SpellBook Magick and Mischief

About a year and a half after issuing Otherworldly (review here), their third album under the moniker Witch Hazel, the dukes of York, PA, are back with a new name and a refreshed sound. As SpellBook, vocalist Nate Tyson, guitarist Andy Craven, bassist Seibert Lowe and drummer Nicholas Zinn push through two vinyl sides of classic heavy f’n metal, less concerned with doom than they were but still saving a bit of roll for the longer centerpiece “Not Long for This World” and the airy, dramatic closer “Dead Detectives.” Elsewhere, “Black Shadow” brings a horns-at-the-ready chorus, “Motorcade” reminds that the power of Judas Priest was always in the basslines (that’s right, I said it), and “Ominous Skies” brims with the vitality of the new band that SpellBook are, even as it benefits from the confidence born of these players’ prior experience together.

SpellBook on Thee Facebooks

Cruz Del Sur Music website

 

Old Blood, Acid Doom

old blood acid doom

Kudos to L.A.’s Old Blood for at least making the classification part easy when it comes to their debut album, conveniently titled Acid Doom, though that category hardly accounts for, say, the piano stretch of second cut “Bridge to Nowhere,” or the heavy rock theatricality in “Heavy Water” or the horn sounds of “Slothgod” a few songs later, but I suppose one has to start somewhere, and ‘acid doom’ is fair enough when it comes to accounting for the sleekery in the vocals of Lynx, the weight of the riffs of C. Gunner, the roll of bassist Octopus and drummer Diesel and the classic-style organ work of J.F. Stone. But if Old Blood want to unfurl something deceptively complex and stylistically intricate on their debut, that’s certainly cool as far as I’m concerned. Production is a strong presence throughout in a way that pulls a bit from what the impact of the songs might be on stage (remember stages?), but the songwriting is there, and Lynx‘s voice is a noteworthy presence of its own. I’m not sure where they’ll end up sound-wise, but at the same time, Acid Doom comes across like nothing else in the batch of 70 records I’m doing for this Quarterly Review, and that in itself I find admirable.

Old Blood on Thee Facebooks

Metal Assault Records on Bandcamp

DHU Records webstore

 

Jahbulong, Eclectic Poison Tones

JAHBULONG ECLECTIC POISON TONES

Just because you know the big riff is going to kick in about a minute into opening track “Under the Influence of the Fool” on Jahbulong‘s tarot-inflected stoner doom four-songer Eclectic Poison Tones doesn’t make it any less satisfying when it happens. The deep-rolling three-piece from Verona make their full-length debut with the 45-minute offering through Go Down Records, and the lurching continues in “The Tower of the Broken Bones” and “The Eclipse of the Empress,” which is the only cut under 10 minutes long but still keeps the slow-motion Sabbath rolling into the 15-minute closer “The Eremite Tired Out (Sweed Dreams)” (sic), which plays off some loud/quiet changes fluidly without interrupting the nod that’s so central to the entirety of the album. Look. These guys know the gods they’re worshiping — Sleep, Black Sabbath, Electric Wizard maybe, etc. — and they’re not trying to get away with saying they invented any of this. If you can’t get down with 45 minutes of slower-than-slow grooves, maybe you’re in the wrong microgenre. For me, it’s the lack of pretense that makes it.

Jahbulong on Thee Facebooks

Go Down Records website

 

Heavy Trip, Heavy Trip

heavy trip heavy trip

Heavy Trip. Four songs. Two sides. Three dudes. Instrumental. Accurately named. Yeah, you’ve heard this story before, but screw it. They start out nice and spacious on “Hand of Shroom” and they finish with high-speed boogie in the 13-minute “Treespinner,” and all in between Heavy Trip make it nothing less than a joy to go along wherever it is they’re headed. The Vancouver three-piece make earlier Earthless something of an elephant in the room as regards influences, but the unhurried groove in second cut “Lunar Throne” is a distinguishing factor, and even as “Mind Leaf” incorporates a bit more shove, it does so with enough righteousness to carry through. As a debut, Heavy Trip‘s Heavy Trip might come across more San Diego than Vancouver, but screw it. Dudes got jams like Xmas hams, and the chemistry they bring in holding listener attention with tempo changes throughout here speaks to a progressive edge burgeoning in their sound.

Heavy Trip on Thee Facebooks

Burning World Records on Bandcamp

 

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Wicca Sign to DHU Records for You Sow Your Crop Vinyl

Posted in Whathaveyou on December 15th, 2020 by JJ Koczan

Damn, DHU. Give it a week between signings, why don’t you? What’s that you say? No? Well, okay.

The latest pickup from the obviously-driven-by-dark-forces European imprint is Buenos Aires cult troupe Wicca, whose sludgy, post-EWiz riffing is exemplified in “The Devil’s Hand” from their 2020 EP, You Sow Your Crop. Call it lumbering, call it plodding, call it nodding, it all comes down to slow riffs and right-on heavy groove. And I mean all of it. If you care to march along with Wicca on their hillside jaunt toward oblivion — and why not? — you can stream the ‘Alucarda Edition’ of You Sow Your Crop below.

Dig:

wicca

New signing to DHU Records: WICCA

DHU Records is excited to announce the signing of Argentina’s Occult Rock band WICCA!

“Wicca is a rock band from the west of Buenos Aires, Argentina. With a fuzz up front and clear voices they are looking for a place between Heavy Blues, Stoner, Sludge and Doom Metal. Wicca 333 isn’t just a few dirty riffs and some excuse to talk about Satan. It arises from a need: Be the voice of those who never had it.

It is no coincidence and less marketing, choosing to be represented by the name of a Pagan religion that gives us an ancestral wisdom (persecuted and punished throughout History in the name of the Christian faith) thus summarizing an aesthetic concept that goes beyond the spiritualism and that it is not just a political decision but signs of a new culture.

DHU Records will be releasing You Sow Your Crop and a Bonus 7″ of Oracular on Limited Edition vinyl in the first quarter of 2021!

Test Press, DHU Exclusive and Band Editions will be available

Wicca ~ You Sow Your Crop (DHU060)
Side A:
A1. 13 Women
A2. The Devil’s Hand
A3. Black Witch

Side B (Alucarda Trip Edition):
B1. 13 Women
B2. The Devil’s Hand (Alucarda Trip)
B3. Black Witch

Released September 21, 2020

You Sow Your Crop was recorded, produced mixed and mastered between 2019 and 2020 by Pablo Michelin at Chamánico Records
Additional participation:
Achi Lamas: Claps in The Devil’s Hand

All Artwork will be provided by ZZ Corpse

Listen to You Sow Your Crop here: https://wicca333.bandcamp.com/album/you-sow-your-crop
You Sow Your Crop (Alucarda Trip Edition): https://wicca333.bandcamp.com/album/you-sow-your-crop-alucarda-trip-edition

Oracular Bonus 7″
Side A:
A1. 333
A2. The 7 Wonders

Side B:
B1. The Empress
B2. Medium

Oracular was recorded at Underyuls Records by Yuls
Listen to Oracular here: https://wicca333.bandcamp.com/album/wicca-oracular

Both You Sow Your Crop and Oracular are mastered for vinyl by Tony Reed at HeavyHead Recording Co.

WICCA
Aixa Pilmayquen Lamas – Guitar & Vocals
Sebastián Regueira – Guitar
Pechx Mielnik – Drum
Pablo Michelin -Bass

https://www.facebook.com/wicca333band
https://www.instagram.com/wicca.gram/
https://wicca333.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/
https://www.facebook.com/DHURecords/
https://darkhedonisticunionrecords.bandcamp.com/

Wicca, You Sow Your Crop (Alucarda Trip Edition) (2020)

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Lucifer Lives Sign to DHU Records for Love, Music, Lucifer Vinyl

Posted in Whathaveyou on December 10th, 2020 by JJ Koczan

French-German duo Lucifer Lives will release their debut album, Love, Music, Lucifer, on DHU Records next year, and as noted below, the two-piece — who were a trio when they made the release — are already working on a follow-up to be called Forgotten Tears. It’s a cool vibe in a classic doom sense to their of-course-cultish leanings. I’ll profess that some of the Satanic stuff hits me as pretty goofy these days in general, but Lucifer Lives sneak some harmonies into “All is Over” and their initial rollout with “A Slice of Life” brings to mind just how relevant Pentagram continue to be in doom rock. Plus a Hüsker Dü cover, enviable logo design, and art by Goatess Doomwych.

Also, I’m almost hesitant to mention it because the label never does, but if you look at the groups DHU Records picks up, they consistently support women artists in bands and sometimes entire groups, and that’s worth supporting. I may or may not chase down an individual release, but in an underground beyond saturated with dudes, the label’s contrary push is one I deeply respect.

Info came down the PR wire, and the album’s streaming at the bottom of the post:

lucifer lives love music lucifer

New signing to DHU Records: Lucifer Lives!

DHU Records is excited to announce the signing of France/Germany’s Occult Rock duo LUCIFER LIVES!

“Lucifer Lives was founded in 2011 by MorighosT (drums, guitar, bass, keys and vocals) and Maho (Guitar). 2012 Louve La Nuit (Lead Vocals) joined the group and the recording began for the debut album called LOVE, MUSIC, LUCIFER.

This album was finally released October 20, 2020 via bandcamp. Some months before Maho left the band.

This moment the french /german duo is working on the second album “Forgotten Tears” that will be finished in 2021.

Lucifer Lives plays Doom and Hard Rock with a Gothic edge.”

DHU Records will be releasing Love, Music, Lucifer on Limited Edition vinyl in the first quarter of 2021! Test Press, DHU Exclusive and Band Editions will be available.

Side A:
A1. A Slice of Life
A2. Lucifer Lives
A3. All Is Over
A4. Rest In Silence

Side B:
B1. Standing by the Sea (Hüsker Dü cover)
B2. Forest of Fear
B3. Shadow People
B4. In the Sign of the Pentagram

Artwork by Goatess Doomwych

Listen to Love, Music, Lucifer here: https://luciferlives.bandcamp.com/

https://www.facebook.com/LuciferLivesBand
https://luciferlives.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/
https://www.facebook.com/DHURecords/
https://darkhedonisticunionrecords.bandcamp.com/

Lucifer Lives, Love, Music, Lucifer (2020)

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Coven Spell to Release Circle of 13 LP on DHU Records

Posted in Whathaveyou on November 17th, 2020 by JJ Koczan

One imagines it’s difficult to be a cult rocker. I mean in terms of lifestyle commitment. Like it used to be hard to be goth, I’d think. For those who are really deep into it.

An example. I dig a lot of cult heavy stuff on the doomier end, where Coven Spell reside with their instrumental selves, and on the classic rock end, bands sounding like Black Widow and all that. At very least, I keep an open mind going into it. But right now as I write this post, I’m sitting in front of the bathtub while my kid gets clean so he doesn’t go to school in about 40 minutes smelling like cheese. Really, little dude gets cheesy. So what could be less cult rock than that? Even with a bath bomb turning the water blue, I feel like it’s all the wrong kind of ritual.

Maybe I just suck at cult rock. I’ve never even read Aleister Crowley.

Whatever it’s worth, I still think this record sounds pretty cool, and if you’re somebody who finds cultish stuff perhaps a bit silly when it comes to lyrics, well, that’s not a problem you’re going to have here. Again, worth the open mind.

DHU — nothing if not experts in the field — sent the following down the PR wire:

coven spell circle of 13

New signing to DHU Records: Coven Spell

DHU Records is honored to announce the signing of Germany’s Occult Doom cult COVEN SPELL to release the stunning 2020 Magnum Opus CIRCLE OF 13 (DHU058) on Limited Edition Vinyl!

“With a combination of Drone/Doom Riffs and Occult, Slow & Sluggish Rhythms, Coven Spell will make you invoke a succubus by candlelight.

The man behind Coven Spell is the musician Eugen Kohl, who is already active in various metal and industrial genres (among others Crypt Witch, Donarhall, Sinister Downfall, Cinereous Rain, Urschmerz, etc.) and is committed to worshipping metal music.

‘Circle Of 13’ is the first ritual to be released in 2021 by Dark Hedonistic Union Records.”

DHU Records will be unleashing Circle of 13 in the first quarter of 2021 on Limited Edition 2LP

Test Press, DHU Exclusive and Band Editions will be available

Side A:
A1. Phantom of Shadows

Side B:
B1. Blood Chalice

Side C:
C1. Kingdom of Heretics
C2. Damage Spell

Side D:
D1. Black Magic Cult
D2. Night Stalker

Instrumental Occult Doom Metal from the high north of Germany
Written, recorded, mixed and mastered by Eugen Kohl at Misanthropic Studios

Listen to Circle of 13 here: https://covenspell.bandcamp.com/

https://www.facebook.com/covenspelldoom/
https://covenspell.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/
https://www.facebook.com/DHURecords/
https://darkhedonisticunionrecords.bandcamp.com/

Coven Spell, Circle of 13 (2020)

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Bad Magick to Release Superstition EP Limited Vinyl on Halloween

Posted in Whathaveyou on October 21st, 2020 by JJ Koczan

One doesn’t encounter the phrase ‘no pre-orders’ too often these days, but it makes sense with the record coming out in 10 days’ time. It’s a Halloween release for Bad Magick‘s Superstition EP through DHU Records, which continues to comb the international underground for the peculiar, the cultish, the heavy, the doomed, and the peculiarly heavy cultish doom. The Buenos Aires five-piece put out the four-tracker through Venado Records in August, so given everything else going on in 2020, a two-month turnaround on this next version feels pretty quick, but then, they’re only pressing 50 copies and they’re being cut by hand, so there you go.

I wonder if cutting clear vinyl is harder. Actually, now that I think about it, cutting vinyl at all seems hard. So much for that business plan.

Info came down the PR wire:

bad magick superstition

New signing to DHU Records: Bad Magick

DHU Records is excited to announce the signing of Argentinian Occult Rockers BAD MAGICK!

“Bad Magick is the new rock n´roll group emerging from Argentina’s most respected bands and ever-growing rock scene, focusing on late 70s and early 80s classic rock acts such as Blue Öyster Cult. With a taste for the occult and a dash of scandinavian rock Bad Magick’s debut EP Superstition is already making waves in the heavy underground while currently working on a full length that is promising to Rock the world!”

Bad Magick members play or have played in the most important bands from Argentina such as Medium, Dragonauta, 42 Decibel, Hërpes, Bad Mothefuckers Club and Dead Rooster.”

DHU Records will be releasing the Superstition EP on Crystal Clear Lathe Cut 7″ Limited to only 50 copies worldwide!

Pressed once again by our friends at Royal Mint Records

*** NO PRE ORDERS ***

These will go on sale Friday October 23rd @ 7PM CEST

OFFICIAL RELEASE DATE OCTOBER 31ST

Crystal Clear Lathe Cut Edition

Limited to 50 copies
Single jacket
Black innersleeve
Postcard by Shane Horror
33RPM
Comes on Clear lathe cut 7″ vinyl

(PLEASE NOTE: Lathe cut records are cut manually, meaning the drop of the cutting needle is done by hand. They are time consuming to make, which limits the size of the run.)

Bad Magick is:
Lucien Kurgan: Vocals
Leander: Guitar, backing vocals
Ger Motherfckr: Guitar, backing vocals
Topo: Bass
Nicko: Drums

www.instagram.com/bad.magick.666
www.facebook.com/BADMAGICK666/
https://www.facebook.com/venadorecords
https://venadorecords.bandcamp.com/
http://www.venadorecords.com/
darkhedonisticunionrecords.bigcartel.com/
https://www.facebook.com/DHURecords/
https://darkhedonisticunionrecords.bandcamp.com/

Bad Magick, Superstition (2020)

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Old Blood Releasing Acid Doom Aug. 28 on Metal Assault & DHU Records

Posted in Whathaveyou on August 6th, 2020 by JJ Koczan

old blood

L.A. is a strange town, man. Old Blood, in following up their 2016 self-titled debut and introducing their new vocalist, are laying claim to the tag of Acid Doom. Is it acid? Yeah. There’s some psych in there. I hear it. Is it doom? Probably not in the way you’re thinking, and that’s kind of why I find it intriguing. The movement in the songs, at least from what I’ve heard so far, isn’t necessarily weighted down by tone in the way one might think of doom as being, but there’s no question there’s a groove happening in conversation with the heavy underground in these tracks. And they’ve got that slick Los Angeles production that to my East Coast ears just sounds bizarre on heavy music. But hell, maybe Old Blood can call their next LP What the Hell is Going on Here? and really cover all their bases.

Sometimes the PR wire takes you to weird terrain. To wit:

old blood acid doom

OLD BLOOD: Acid Doom (releasing Aug 28)

Los Angeles psychedelic rock / doom metal unit OLD BLOOD is releasing their second full-length studio album Acid Doom on August 28, via Metal Assault Records (US) and DHU Records (Europe). This is the long-awaited follow-up to the band’s stellar self-titled 2016 debut LP, and also marks the first album featuring vocalist Lynx, who joined the band in 2019.

Limited-edition colored vinyl, digipak CDs, merch bundles, and digital album download are now available for pre-order via oldbloodgroup.bandcamp.com. Lead singles “Veinscraper” and “Orbit” as well as their respective music videos are available for public consumption, and instant free downloads of the two tracks are included with every album pre-order.

Most bands put out a self-titled release at some point during their careers, but in essence, OLD BLOOD is getting to do it twice. Acid Doom is the term coined by Old Blood to define their identity, and rightly so, as this band has certainly forged its own, even in their relatively short existence thus far. It is only apt for Old Blood to follow their self-titled debut with an album of this name, and more so because with Lynx at the helm, Acid Doom defines Old Blood in its current incarnation. Produced, mixed and mastered by Rev. Tom Chandler in Glendale, California, the album is epic and massive in every sense of those words, and is sure to mesmerize hardcore fans and first-timers alike.

Acid Doom track listing:
1. Lake Bottom
2. Bridge to Nowhere
3. Veinscraper
4. Heavy Water
5. Formosa Lodge
6. Slothgod
7. Orbit
8. Pentahead
9. 429

OLD BLOOD is:
Lynx (vocals)
Octopus (bass)
C. Gunner (guitar)
Diesel (drums)
J.F. Stone (keyboard)

https://www.facebook.com/oldbloodband
https://www.instagram.com/oldbloodgroup/
https://oldbloodgroup.bandcamp.com/
http://oldbloodgroup.com/
http://facebook.com/metalassaultla
http://instagram.com/metalassault
https://metalassault.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/
https://www.facebook.com/DHURecords/
https://darkhedonisticunionrecords.bandcamp.com/

Old Blood, Acid Doom (2020)

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Tony Reed’s Constance Tomb to Release MCMLXXXVIII LP

Posted in Whathaveyou on June 30th, 2020 by JJ Koczan

The human productivity machine known as Tony ReedMos Generator, Big Scenic Nowhere, all your vinyl mastering, etc. — offered up Constance Tomb‘s MCMLXXXVIII in April for those who might take it on, showcasing influences in gothic rock that would probably be a surprise to a decent portion of his fanbase. The songs were written, indeed, in 1988, when Reed was 19 years old, and recorded this past March and April, as apparently the dude lining up multiple Mos Generator releases and an acoustic solo record for 2020 had a few spare minutes to work with, and the result is a present reconciliation with past that is both distinctly Reed‘s own and still outside the scope of what he’s best known for, which at this point is of course heavy rock and roll.

Not every artist would be so bold as to look back in this way, so it seems all the more fitting that DHU will release the album on vinyl. Good. Now Reed can go write a new album for the project.

The PR wire has details:

constance tomb mcmlxxxviii

New signing to DHU Records: Constance Tomb

DHU Records is honored to announce the signing of Mastermind, multi instrumentalist, producer and all out awesome individual, Mr. Tony Reed’s personal project Constance Tomb!

As many of you know Tony Reed is responsible for most of the vinyl masters of the DHU catalogue, not to mention many, many other labels he’s mastered for. So when asked by the man himself he wanted to release something with DHU Records this was, of course, more than a privilege!

Constance Tomb’s debut album entitled MCMLXXXVIII (1988) will be released this Fall on Limited Edition vinyl including Test Press, DHU Exclusive and Band Editions

More details and info coming soon…

STAY DOOMED STAY HEAVY

BIO

I wrote and recorded somewhere around thirty songs in 1988 (my 19th year). A large percentage of them were heavily influenced by the gothic movement of the early 80s. Bands like Bauhaus, Christian Death, Tones On Tail, Mighty Sphincter, Death Cult & Samhain were obvious inspirations during this time in my life.

In 1988 I was making music with a band called Twelve Thirty Dreamtime and in that year alone I worked with three different rhythm sections. All of the songs I wrote that year were captured on tape but the recordings were done on the most primitive equipment in the bedrooms and basements of people that would let us make noise in their space. At that point I was doing 2 track tape to tape overdubbing and after a few passes the tape hiss would be almost unbearable.

When I listen back to the old recordings sometimes I think those limitations are cool and add to the eerie quality of the music but over the last 32 years I’ve also wanted to hear what the songs would have sounded like done in a proper recording studio. I did my best to NOT overplay or add too many additional ideas beyond the original versions. When I would start to add extra layers to some of the tracks I almost always scrapped the idea soon after.

This collection is what I consider to be the ten best songs of that era recorded the way I heard it in my head all those years ago.

Constance Tomb ~ MCMLXXXVIII

Side A:
A1. Spiritual Stairway
A2. Amokt
A3. The Doomsday Subliminalist
A4. Crawl
A5. Neurosleep

Side B:
B1. The Last Picture Show
B2. Orthodox Seduction
B3. Big Brother Doom
B4. Poison Perfomances
B5. Blood Red Eternity

All songs written by Tony Reed in 1988.
Recorded at HeavyHead Recording Co. March / April 2020.
All sonic manipulations, instruments and vocals by Reed.
Mastered for vinyl by Tony Reed at HeavyHead Recording Company

https://www.instagram.com/constance_tomb/
https://tonyreed1.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/
https://www.facebook.com/DHURecords/
https://darkhedonisticunionrecords.bandcamp.com/

Constance Tomb, MCMLXXXVIII (2020)

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Black Road to Repress Witch of the Future on DHU Records & The Company; New Bassist Announced

Posted in Whathaveyou on June 23rd, 2020 by JJ Koczan

black road new lineup

Chicago doom rockers Black Road recently welcomed new bassist Trey Wedgeworth, also known for guitar and vocals in Faces of the Bog. Black Road‘s Witch of the Future, issued last Halloween, will see a repress with new artwork through DHU Records (EU) and The Company (US) that features new artwork handled by the latter and the vinyl-specific mastering work of Tony Reed of Mos Generator.

The bassist announcement came down just last week, so I’m not sure what the band’s plans are going forward or anything, but the first pressing of Witch of the Future would seem to have sold through its 250 copies handily, and that’s a pretty decent start for a band who’ve got strong word-of-mouth momentum behind them. Maybe some new songs written in quarantine? Maybe just waiting to play shows? Either way, the new release of the debut looks pretty killer, and if you missed it the first time around, the stream from Bandcamp is down at the bottom under the PR wire info.

So by all means, dig in:

black road witch of the future repress

Black Road ~ Witch of the Future Repress to be released through The Company & DHU Records

DHU Records is proud to announce a repress of unfathomed coolness!

Witch of the Future, the stunning debut album by Chicago Doomers Black Road will be released in a new jacket with new colors and will be presented to you by The Company in the US and DHU Records in the EU!

Strictly Limited to 250 copies on Blood Red Wax, if you didn’t score this one the last time, or perhaps you did, you’re going to want to need this as well!

Featuring amazing new artwork by The Company!

More details and order info coming soon…

Black Road ~ Witch of the Future (DHU035 Repress)

Side A:
A1. Purgatory
A2. Radiation
A3. Witch of the Future

Side B:
B1. Torches
B2. Blood on the Blade
B3. Hash King
B4. End of Man

Cover artwork by The Company
Recorded & mixed at Roosterbat studios by John Becker & Alec Haley
Mastered for vinyl by Tony Reed at HeavyHead Recording Company

https://www.facebook.com/BlackRoadChicago
https://instagram.com/blackroadband/
https://blackroadchicago.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/
https://www.facebook.com/DHURecords/
https://darkhedonisticunionrecords.bandcamp.com/
http://thecompanykc.bigcartel.com/
https://www.facebook.com/thecompanykc
https://www.instagram.com/thecompanykc/

Black Road, Witch of the Future (2019)

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