Quarterly Review: Ufomammut, Horehound, Lingua Ignota, Valborg, Sageness, Glacier, MNRVA, Coroza, Noosed, zhOra

Posted in Reviews on October 4th, 2019 by JJ Koczan

quarterly review

Oh hi, I didn’t see you there. Earlier this week — Sunday, Monday, Tuesday, and yes, even Wednesday — the alarm went off at 4AM as usual and I got up, got coffee going and a protein bar and sat down to write, starting basically around quarter-after with a quick email check and whatnot. In terms of basic timing, this last morning of the Fall 2019 Quarterly Review is no different. I even have the baby monitor streaming on my phone as I would most mornings, so I can keep an eye on when The Pecan gets up. What’s changed is I’m sitting in a hotel lobby in Oslo, Norway, having just arrived on an overnight flight from Newark. Managed to sleep some on the plane and I’m hopeful adrenaline will pick up the rest of the slack as regards getting through the day. That and caffeine, anyhow.

Although, speaking of, my debit card doesn’t work and I’ll need to sort that out.

First thing’s first, and that’s reviews. Last batch of 10 for the week. We made it. Thanks as always for reading and being a part of this thing. Let’s wrap it up in style, and because I like working on a theme, three Irish bands in a row close out. Hey, I went to Ireland this year.

Quarterly Review #41-50:

Ufomammut, XX

UFOMAMMUT XX

Five years ago, Roman cosmic doom masters Ufomammut took a reflective look back at their career for its 15th anniversary with the documentary/live-performance DVD XV (review here). And since one might define the arc of their tenure as constantly trying to top themselves, for their 20th anniversary, they’ve issued a 12LP boxed set, titled simply XX, that compiles their nine albums to-date and tops them off with the mostly-subdued-style XX itself, which reimagines past cacophonies like “Mars” and “Plouton” in a quieter context. That part of the mega-offering issued through their own Supernatural Cat imprint comprises six songs recorded live and makes highlights out of the hypnotic strum and incantations of “Satan” as well as the rumbling drone of “Lacrimosa,” which takes on new emotional resonance for the shoegazy treatment it receives. I’ve said on multiple occasions throughout the years that Ufomammut are a band to be treasured, and I stand by that 100 percent. The XX box should be perceived by fans as an opportunity to do likewise.

Ufomammut on Thee Facebooks

Supernatural Cat website

 

Horehound, Weight

horehound weight

Less than a year after issuing their second long-player in the form of Holocene (review here) through Blackseed and Doom Stew Records, Pittsburgh atmosludgers Horehound align with DHU Records for the two-song 8″ EP Weight, which brings “Unbind” and “The Heavy,” two new cuts that, while I’m not sure they weren’t recorded at the same time as the last album — that is, they may have been — they nonetheless showcase the emergent melodic breadth and instrumental ambience that is developing in their sound. Even as “Unbind” rolls toward its low-end tempo kick, it does so with marked patience and a willingness to stay slow until just the right moment, which is not something every band cane effectively do. “The Heavy,” meanwhile, builds itself around a Crowbar-style dirge riff before Shy Kennedy‘s verse arrives as a standalone element, all the instruments around her dropping out from behind. That moment alone, frankly, is worth the price of admission, as whether it’s through that extra inch in diameter of the platter itself or through the audio of the tracks in question, Horehound continue to distinguish themselves.

Horehound on Thee Facebooks

DHU Records BigCartel store

 

Lingua Ignota, CALIGULA

LINGUA IGNOTA CALIGULA

I’m not sure I’m qualified to write about Lingua Ignota‘s CALIGULA (on Profound Lore), but I’m not sure anyone else is either. Like a self-harmonizing mega-Jarboe turning existential horror into epic proclamations of “I don’t eat/I don’t sleep” on “DO YOU DOUBT ME TRAITOR?” amid bass throb and terrifying melodic layering before making bedroom black metal sound like the lightweight self-indulgence it’s always been on the subsequent check-out-the-real-shit “BUTCHER OF THE WORLD,” Kristin Hayter‘s work is little short of experimentalist brilliance. She is minimal and yet over-the-top, open in creative terms but unwaveringly dark and rife with melody but severe to the point now and again of true aural abrasion. She weaves a context of her own into “FUCKING DEATHDEALER” as she recalls the lyrics to the aforementioned “BUTCHER OF THE WORLD,” while the outright brutality of “SPITE ALONE HOLDS ME ALOFT” is married to a piano-led meditation that, even without the noise wash from whence it comes, is enough to recast visions of what heavy is and can be in musical terms. I won’t pretend to get all the references like “kyrie eleison” (“lord have mercy”) worked into “IF THE POISON WON’T TAKE YOU MY DOGS WILL” and the violent strains surrounding, but it’s impossible not to realize the power of what you’re hearing when you listen.

Lingua Ignota on Thee Facebooks

Profound Lore Records on Bandcamp

 

Valborg, Zentrum

valborg zentrum

With an intensity born out of a history of industrial music and focus on tight rhythms making an impact in even-tighter songwriting, Valborg are neither beholden to death metal nor entirely separate from it, but their style has taken on a life of its own over the course of the last 10 years, and their latest offering, Zentrum (on Prophecy Productions), is the German trio’s most individualized take yet, whether that’s shown in the unbridled melodicism of “Anomalie,” the sludgy riff that drives the barking “Ultragrab” or the seemingly unrelenting snare pops of “Kreuzer” that, even when they finally release that tension, still make it only a temporary reprieve. Valborg‘s sense of control through the epic “Nonnenstern” should not be understated, and though the track is under four minutes long, yes, “epic” very much applies. Suitably enough, they close with “Vakuum” and throw everything at the listener at once before resolving in relatively peaceful atmospherics that could just as easily serve as an introduction to the next round of malice to come, whenever it shows up.

Valborg on Thee Facebooks

Prophecy Productions webstore

 

Sageness, Akmé

sageness akme

Spanish trio Sageness — also written SageNESS — conjure smooth Electric Moon-style soundscapes on their second album, Akmé, and yes, that is a compliment. The record brings forth six tracks of easy-rolling instrumentalist jam-based heavy psychedelia that offer much and take little in return, the richness of the guitar tone from Dawyz and Michi‘s bass given jazzy fluidity by Fran‘s drumming. “Ephemeral” touches most directly on a Colour Haze, as it would almost have to, but even there, the feeling of spaciousness that Sageness present in the recording is a factor that helps them come across as more individual. Earlier, “The Thought” is a little more directly space rock, but opener “Andromeda” seems to be charting the course with its liquefied effects and somehow-even-more-liquefied groove, and if you can’t get down with that, I’ve got nothing for you and neither does the rest of the universe.

Sageness on Thee Facebooks

Spinda Records website

 

Glacier, No Light Ever

glacier no light ever

It’s not exactly true, about their being no light ever on Boston post-metallers Glacier‘s latest full-length, No Light Ever. Sure, it’s plenty dark and heavy and brooding and all that fun stuff, and the riffs get loud and the drums break stuff and all that, but it’s certainly colorful in its way as well, and more than just shades of black on black. Comprised of four tracks cumbersomely titled in keeping with the traditions of the likes of Red Sparowes and the band’s own past work, cuts like “O World! I Remain No Longer Here.” and “The Bugles Blow, Fanned by Hysteria.” stretch themselves out along a scope as massive as the tonality the band emits, and as the wash of “We Glut Our Souls on the Accursed,” — the comma is part of the title there — gives way to feedback and the onset of “And We Are Damned Amid Noble Sound.” the sense of immersion is complete and clear as the priority under which they’re working. It’s about the whole album, or at least the two sides, as a unified work, and about crafting a world through the atmosphere evoked in the material. It works. If they say there’s no light in that world, so be it. It’s whatever they want it to be.

Glacier on Thee Facebooks

Wolves and Vibrancy Records webstore

 

MNRVA, Black Sky

mnrva black sky

Not-entirely-bereft-of-vowels South Carolina heavy trio MNRVA make their debut with the three-song EP Black Sky, a beast of a short release led by the riffs of guitarist Byron Hark on a stretch of ’90s-style crunch and sludge, with bassist/vocalist Kevin Jennings and drummer Gina Ercolini adding to the weight and shove of the proceedings, respectively. “Not the One” has the hook, “No Solution” has the impact and the title-track has both, and though I’m by no means saying the issue of their sound is settled 100 percent and they won’t grow or find their way from this — again, their debut — EP, they do prove to be well in charge of where their songs head in terms of mood and the atmosphere that comes through elements like the blown-out vocals and the rumbling bass beneath the lead guitar in the second half of “Black Sky” itself. Indeed, it’s those harsher aspects that help MNRVA immediately establish their individuality, and the vibe across these 18-plus minutes is that the punishment is only getting started.

MNRVA on Thee Facebooks

MNRVA on Bandcamp

 

Coroza, Chaliceburner

coroza chaliceburner

Just because Irish four-piece Coroza — guitarist/vocalists Ciaran Coghlan and Jack O’Neill, bassist/vocalist Jonny Canning and drummer Ollie Cunningham — might write a song that’s 18 minutes long, that doesn’t mean they forgot to actually make it a song as well. Thus it is that extended cuts like “The Plutonian Drug” (18:24) and closer “Iron from the Sky” (19:30) have plenty of room to flesh out their more progressive aspects amid the other three also-kind-of-extended pieces on Chaliceburner, the group’s ambitious hour-plus/five-track debut full-length. Each song essentially becomes a front-to-back movement on its own, with shifts between singers arranged thoughtfully from one part to the next and hooks along the way to serve as landmarks for those traversing, as in the opening “Chaliceburner” or the gruff winding moments of “Mountain Jaw,” which follows the nine-minute sax-inclusive centerpiece “Scaltheen,” because of course there’s a saxophone in there somewhere. All of this is a recipe for a band biting off more than they can chew stylistically, but Coroza manage pretty well the various twists and turns of their own making, particularly considering it’s their first album.

Coroza on Thee Facebooks

Coroza on Bandcamp

 

Noosed, She of the Woods

noosed she of the woods demo

Encased front and back by witchy samples and creepy vibes, Sept. 2019’s She of the Woods is the second demo in two months to come from Cork, Ireland’s Noosed. And you know it when they get around to the closing seven-minute title-track because it’s just about the only thing other than “Intro” that isn’t raging with grind intensity, but that stuff can be fun too. I don’t know how much witch-grind-doom is out there, but Noosed‘s first, self-titled demo (released in August) had a sludgy edge that seems to have separated out to some degree here into a multifaceted personality. Can one possibly be certain of the direction the band will ultimately take? Shit no. It’s two demos with basically no time differential between them. But if they can effectively bridge the gap between “Fuck Up,” “Wretch” and “She of the Woods,” or even play directly with the contrast, they could be onto something with all this noise and fuckall.

Noosed on Thee Facebooks

Noosed on Bandcamp

 

zhOra, Ruthless Bastards

zhora ruthless bastards

The narrative — blessings and peace upon it — has it such that Irish four-piece zhOra wanted to do something less complicated than was their 2017 album, Ethos, Pathos, Logos (discussed here), so they went ahead and wrote a song that’s five minutes long and purposefully hops between subgenres, going from sludge to doom to a deathcore breakdown, with a snare-pop count-in, to blackened death metal and then back to a lumbering chug to finish out. Okay, zhOra, “Ruthless Bastards” is a an awful lot of metal and an awfully good time, but you missed the mark on “simple” by a considerable margin. If indeed the band had been plotting toward something, say, easier to play or to compose, “Ruthless Bastards” ain’t it. They’ll have to settle for being brutal as fuck instead. Something tells me they’ll survive having made that trade, as much as anything will.

zhOra on Thee Facebooks

zhOra on Bandcamp

 

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Cycles of the Damned Premiere “Those Left Behind”; A Time to Survive out Oct. 12

Posted in audiObelisk on September 25th, 2019 by JJ Koczan

cycles of the damned

Given the fact that the band is called Cycles of the Damned and the record is called A Time to Survive, should it really be any surprise that the outlook that encompasses the debut offering from the Seattle-based trio in question is grim? Probably not. And if you’re wondering what’s in a name, the reason A Time to Survive is Cycles of the Damned‘s debut album is because they used to be called Black Bone Exorcism, so clearly it’s a change they’ve made on purpose rather than just a phrase someone threw out in the practice room early on in their formation.

Comprised of guitarist/vocalist David Krone, bassist/vocalist Mike Lee and drummer Keith Greer, the three-piece recorded the hour-long churn-gruel work of post-metallic brutalism with none other than Tad Doyle, and the likeness to Doyle‘s own Brothers of the Sonic Cloth as well as to Neurosis in longform pummelers like “Cycles of the Damned” (12:24), “A Wound So Deep” (15:26), “Those Left Behind” (13:23) and the titular “A Time to Survive” (12:30) feels like more than happenstance — and while I’m implying a conscious decision-making behind their presentation, I’ll note that that likeness extends to A Time to Survive‘s fiery cover art. With a release through Doyle‘s Incineration Ceremony Recordings and DHU Records, which also stood behind Black Bone Exorcism‘s 2016 debut, Crack the Bone, Break the Heart, the record collects the above-noted crushers as well as the noise-drone interlude “Ring Shift of Light” (1:25) and the concluding barrage “The Last Transmission” (4:32), which mirrors the earlier “A Wound So Deep” in its use of specifically anti-organized-religion speech samples atop drone and a final lumbering riff.

I’m not going to cycles of the damned a time to surviveargue against resisting dogmatic hegemony — because, well, yeah — though with the capital-‘c’ Church having essentially skirted on raping generations of its followers, their children, and their children’s children, and the slow, willful dismantling of the American and European democratic political sphere into right-wing ethno-fascism over the last two-plus decades, I have to wonder if “god is dead” is really the ideological battle that needs to be fought in this moment. Particularly given the post-wasteland crush of “A Wound So Deep,” there may be more going on in A Time to Survive than just that, of course, but with the vocals rendered as guttural layers shouted up from an abyss of lumbering riffs and low-end, one has to work with the words that come through clearest.

A harsh, forward, metallic snare sound adds to a cold, mechanized feel for the album overall, and whether a given part is fast or slow or droning or crushing — mostly crushing — Cycles of the Damned deliver with conviction and a firm grip on atmosphere a compelling case for their own vicious mindset. Particularly with the trilogy of the eponymous opener, “A Wound So Deep” and “Those Left Behind” up front, A Time to Survive is consuming in its ambient and tonal weight alike, “Those Left Behind” for example seeming to find as much release in its second half through a nodding push as through a vicious, speedier thrust as through a final section of violin-accompanied residual guitar. The point is that as oppressive as Cycles of the Damned‘s sound can be and most definitely is, it’s not without reason behind either its point of view or sonic execution. That extends to “Ring Shift of Light” and to “The Last Transmission” as much as the title-track they surround on either side, as well as everything before.

One might go on through the thesaurus and find every other term to substitute for “brutal” in describing the aural oppression Cycles of the Damned emit or the frighteningly methodical nature of their delivery, but if you don’t get the idea by now, there’s probably nothing I can say that’s going to be as effective as hearing the music itself, so dig in below to the premiere of “Those Left Behind” and just have your face broken by that. PR wire info follows. Good luck.

And enjoy:

Seattle, Washington based trio CYCLES OF THE DAMNED successfully create a visceral experience sewn into intensely heavy and dark music. Showcasing a life experience in today’s world with malicious guitar onslaughts, hypnotic primeval rhythms, and despondently somber interludes, CYCLES OF THE DAMNED create the necessary chaos to violently break through the human subtopia of mediocrity into a new world with fresh, open eyes.

Members Dave Krone (Guitars/Vocals), Mike Lee (Bass/Vocals), and Keith Greer (Percussion) evolved past their original formation as Black Bone Exorcism, leaping forth from those years of musical craft and now rise to a higher level of heavy music.

CYCLES OF THE DAMNED invite you into their realm to hear their debut release ‘A TIME TO SURVIVE’, coming on October 12th, from Incineration Ceremony Recordings, the brainchild label of the legendary Tad Doyle. The trio of COTD continue their consistent message of roaring riffs, demolishing drums and bass, and creatively disturbing ambient landscaping to defy the boundaries of our vision of dystopia.

‘A Time To Survive’ Tracklist:
01. Cycles of the Damned
02. A Wound So Deep
03. Those Left Behind
04. Ring Shift of Light
05. A Time to Survive
06. The Last Transmission

The CYCLES OF THE DAMNED title track “A Time To Survive” is featured as the final track on the just-released September 2019 D.H.U. Records label sampler compilation, ‘MMCVII Vol. IV’ here. The Netherlands-based label is releasing the European edition of the CYCLES OF THE DAMNED debut album on vinyl, in conjunction with the U.S. release from Incineration Ceremony Recordings.

‘A Time To Survive’ was produced, engineered, mixed, and mastered by Tad Doyle at his Witch Ape Studio in Seattle, WA. All songs on ‘A Time To Survive’ were written and arranged by CYCLES OF THE DAMNED, with appearances in recording from Brandon Wilder (guitars) and Mischa Kianne (violins). Cover artwork by Adelyn Krone, with art production and photography by Chris Schanz.

The album ‘A Time To Survive’ will be available October 12th from Incineration Ceremony Recordings, with a limited vinyl pressing available globally from D.H.U. Records in Europe.

CYCLES OF THE DAMNED (l-r):
Keith Greer – Drums
Mike Lee – Bass, Vocals
David Krone – Guitars, Vocals

Cycles of the Damned on Bandcamp

Cycles of the Damned on Thee Facebooks

Cycles of the Damned on Instagram

Incineration Ceremony Recordings on Bandcamp

Incineration Ceremony Recordings on Thee Facebooks

Incineration Ceremony Recordings on Instagram

Incineration Ceremony Recordings website

DHU Records webstore

DHU Records on Thee Facebooks

DHU Records on Instagram

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Doomstress Southeastern Tour Starts This Week; Playing Slaughter Que and More

Posted in Whathaveyou on September 17th, 2019 by JJ Koczan

doomstress

As you can see on the list of dates below, it’s a well-tagged tour upon which Doomstress will embark later this week, heading out from their home in Houston, Texas, in order to make a stop in Atlanta for the Slaughter Que festival, where they’ll join the very metal likes of Exhorder, Exodus, Kataklysm, Krisiun and copious others whose names either do or don’t begin with the letters ‘e’ and ‘k.’ I believe that in itself is enough to qualify as “metal AF” in social media parlance, but it’s not at all the only show Domstress have lined up, as they’ll make two stops in Louisiana beforehand and hit North Carolina, Florida and Mississippi before they’re done.

Over the last couple years, Doomstress have mastered this method of getting out for a week or so and carving up the US by region, hitting this or that part of the country on kind of a longform overarching tour. All the better for them to do so now that they have their 2019 debut album, Sleep Among the Dead (review here), out on Ripple Music and DHU Records to support.

You’ve heard it, I know, but you can stream the album at the bottom of this post just in case, and tell your friends to go see Doomstress even if you’re not somewhere they’ll be. You have friends everywhere, even if you don’t know it.

Dates follow:

doomstress coastal slaughter tour

Texas metal rockers Doomstress just back from 2 recent northern tours based around Ohio Doomed & Stoned Fest (Canton, OH) and Ancient Futures Fest (Madison, WI) prepare to embark on a southeastern run to play Slaughter-Que Fest in Atlanta, GA on September 21st w/ Exodus, Kataklysm, Battlecross, Exhorder, Hatchet and many more!

Doomstress returns to Atlanta GA September 21st for SlaughterQue Fest at Masquerade ATL.

Doomstress recently released their debut full length record “Sleep Among the Dead” in May on Ripple Music and DHU Records.

9/19 Lafayette LA @freetown_boomboomroom w/@sexlord_band_official & @high_horse_band
9/20 New Orleans LA @goatneworleans w/@nolapious & #Smoke
9/21 Atlanta GA @masquerade_atl #SlaughterQue Fest w/@exodusbandofficial @exhordernola @kataklysmband @battlecrossmetal @hatchet_official @krisiun & more
9/23 Raleigh NC @slims_tagrams w/@kultikon & @doomsday_profit
9/26 Jacksonville FL @jackrabbitslive w/@luna_cruise_music & #deadscrolls
9/27 Tampa FL @brassmugnights w/@beerwolfsucks &
9/28 Hattiesburg MS @ #MoMos w/#AstroTrain & #WitchDance

Doomstress is:
Doomstress Alexis – Bass/Vocals
Brandon Johnson – Guitar
Matt Taylor – Guitar
Tomasz Scull – Drums

www.doomstress.com
www.doomstress.bandcamp.com
www.doomstress.bigcartel.com
https://www.facebook.com/DoomstressBand/
instagram.com/Doomstress_band
www.darkhedonisticunion.bigcartel.com
https://www.facebook.com/DHURecords/
https://www.facebook.com/theripplemusic/
https://ripplemusic.bandcamp.com/
http://www.ripple-music.com/

Doomstress, Sleep Among the Dead (2019)

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Horehound Stream “Unbind”; Post Release Details for Weight 8″ EP

Posted in Whathaveyou on September 10th, 2019 by JJ Koczan

horehound (Photo by Amanda Baker)

At the end of last month, it was announced that DHU Records had picked up Pittsburgh post-sludgers Horehound for the release of their new EP, Weight, as an 8″ record that’s bound to screw up somebody or other’s vinyl shelf organization in a delightful fashion. The A-side of the two-tracker is called “Unbind” — why my brain keeps typing that as “unblind,” I have no idea, but it does — and it’s streaming now thanks to a new sampler that DHU has put up as a free download that also includes cuts from DoomstressAstral WitchBlack RoadThe Red Widows and a slew of others that only emphasize the good company Horehound are keeping on the label.

The band had some comment about the release come down the PR wire, so hell yeah I’ll post that with the stream of the track. The EP? Yeah, there are a whopping 66 copies being made, so yes, if you want one, you should not hesitate to place your orders promptly.

Info:

horehound weight

HOREHOUND RELEASE NEW EP SEPT. 27

Post-Doom authors Horehound have recorded their third release: a short, sweet, and intentional teaser of things to come. The two songs set-up on 8″ lathes for a special limited press will also be available on their Bandcamp page on September 27th. The group has kept with its ritual of recording and mixing with Matt Schor at The War Room, and mastering with James Plotkin.

DHU is including the first-side single, Unbind, from this record in their DHU SAMPLER MMXIX VOL. IV, which is set for 9/6/19, so you can get a peek at it now!

“The songs are the most personally connected I’ve felt to anything we’ve written as a band and I hope that connection is something people feel when listening but, more than anything, I hope people just rock it the fuck out.” — Vocalist, Shy Kennedy

“DHU Records understands the Heavy Underground better than most and works hard to find and market the bands in its roster. We are certain this will be a strong partnership to build on.” — Guitarist, Brendan Parrish

Weight will be available for purchase on vinyl through DHU Records website, as well as a limited amount on the Horehound site, and while copies last, at live shows. It will also be available digitally on Bandcamp (https://pro-sludge.com) and through streaming services beginning September 27th, 2019.

HOREHOUND | WEIGHT EP
Side One: Unbind
Side Two: The Heavy

HOREHOUND is:
JD Dauer – drums
Brendan Parrish – guitar
Shy Kennedy – vocals

https://www.facebook.com/horehoundband/
https://www.instagram.com/horehound420/
http://horehound.bandcamp.com/
https://www.facebook.com/DHURecords/
https://www.instagram.com/dhu_records/
https://darkhedonisticunionrecords.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/

Horehound, “Unbind”

Horehound, Holocene (2018)

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Horehound to Release Weight 8″ EP on DHU Records

Posted in Whathaveyou on August 29th, 2019 by JJ Koczan

Before this entire post devolves into dick jokes — which, let’s just say, could happen — an eight-inch EP is just like a seven-inch EP, only, guess what?, one inch bigger. I can only think of one other heavy band in recent years who’ve put one out, so good for Pittsburgh’s Horehound and DHU Records teaming up to do something special together. As the band follows up late-2018’s full-length, Holocene (review here), they will release Weight, as a two-songer on eight-inch vinyl through the Netherlands-based imprint. That’s cool. Good fit, all that. The thing is, they’re only pressing 66 of them. That’s like nothing. Less than. That’s gone-on-preorders edition. The official release date is Sept. 27, and yeah, unless preorders open on Sept. 26, I can’t imagine there could possibly be any left by the time the official arrival gets here.

Horehound announced earlier this month that bassist Nick Kopco was leaving the band on amicable terms and that Louis Snyder (also Riparian) would fill in on for the time being until they get somebody to take the role permanently. I would assume it’s still Kopco on the EP, so Weight would also serve as, again presumably, his final recorded output with the band.

The following showed up on social medias:

HOREHOUND DHU

!! LISTEN UP !!!

DHU Records is damn excited to sign Pittsburgh Heavies Horehound to join the DHU Family and release their upcoming 2 song EP Weight on an Exclusive and Limited 8″ Clear Lathe Cut Vinyl!

That’s right, you read that correct, an 8″ vinyl record!

Pressed once again by our vinyl brothers at Royal Mint Records and mastered for vinyl by the one and only James Plotkin

DHU is honored to be releasing new music by one of my favorite Doom bands!

!!! LIMITED TO 66 COPIES WORLDWIDE !!!

Released September 27th
Order info coming soon

STAY DOOMED STAY HEAVY

HOREHOUND is:
JD Dauer – drums
Brendan Parrish – guitar
Shy Kennedy – vocals

https://www.facebook.com/horehoundband/
https://www.instagram.com/horehound420/
http://horehound.bandcamp.com/
https://www.facebook.com/DHURecords/
https://www.instagram.com/dhu_records/
https://darkhedonisticunionrecords.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/

Horehound, Holocene (2018)

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Astral Witch to Work with DHU Records and Fuzzed & Buzzed Records on Self-Titled LP Release

Posted in Whathaveyou on August 22nd, 2019 by JJ Koczan

Ontario three-piece Astral Witch were brought to my attention earlier this summer by the good folks of Fuzzed and Buzzed Records, who included them in a 7″ box set called Altar Box they kindly passed my way. The band also issued a self-titled debut full-length last year, and the thing about it is it’s pretty awesome. That only makes the news that Astral Witch and Fuzzed and Buzzed have aligned with DHU Records to work together on a vinyl release that will seemingly encompass both the Love two-songer that was in Altar Box as well as the self-titled together all the better. DHU‘s taste is becoming increasingly reliable over time, and the cooperation between imprints here I can only see as strengthening everybody’s position, most especially that of the band. Mark it a win.

I don’t see a firm release date, but maybe November? Maybe December or February? I don’t know. Keep an eye out, either way. If you need to know why you should, both releases are up on Bandcamp.

Here’s DHU‘s announcement as per the social medias:

astral witch

DHU Records is excited to announce the signing of Canadian Doom Rockers Astral Witch to release their debut S/T 2018 Record together w/ Fuzzedandbuzzed Records on Limited Edition Vinyl!

When Fuzzed and Buzzed released the Altar Box earlier this year, it did not take long for DHU and the Fuzzed and Buzzed crew to work out an agreement to release full lengths on each side of the ocean for Rough Spells, Häxan and Astral Witch. It was a match made in Hell!

For all 3 releases there will be a DHU, F&B and Band Edition and all Editions will be available from both record labels and band to save on shipping, how about that!

More info & details coming soon…

STAY DOOMED STAY HEAVY
STAY FUZZED STAY BUZZED

http://www.facebook.com/astralwitchband
https://www.instagram.com/astralwitchband
https://astralwitch.bandcamp.com/
https://www.facebook.com/Fuzzedandbuzzed-631019733954614/
https://www.instagram.com/fuzzedandbuzzed/
https://www.fuzzedandbuzzed.com/
https://www.facebook.com/DHURecords/
https://www.instagram.com/dhu_records/
https://darkhedonisticunionrecords.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/

Astral Witch, Love 7″ (2019)

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Shrooms Circle Sign to DHU Records for Asylum LP Release

Posted in Whathaveyou on July 30th, 2019 by JJ Koczan

shrooms circle

Swiss murk-doomers Shrooms Circle have signed to DHU Records to release their debut album, Asylum, on vinyl. Originally issued by the band in 2018, the album is a more than justifiable pickup, with swirling grim psychedelia and a pervasive melodic sensibility that feels born of the likes of Electric Wizard and Windhand will deigning to push deep into its own miseries from its 11-minute opening title-track onward, a slogging march there casting a suitably wretched pall over everything that follows, not that at any point throughout Shrooms Circle are exactly wanting for “wallow.” Spells are cast in dense tones and nodding riffs, a feeling of largesse only going to make them sound that much more overwhelming as they deliver slow-motion punishment throughout “Witches are There!” and the abysmal “Out from the Grave.”

They make a centerpiece of “The Druggist” — as one will — and the organ seems to come out more there and in the subsequent “A House Behind the Hills” than in some of the earlier rollers, as vocalist Odile weaves her voice around the riffs as though directing a tempest to her will. The speedier “Trapped” is suitably claustrophobic and bodes well for future growth in some later harmonies, and closer “The Island” taps into some of the most dirt-caked riffing Asylum has to offer, finishing with organ to lead the procession outward, a final dirge for the long-since dead. It’s not entirely unfamiliar in its overarching approach, but a cool listen nonetheless, especially as their first record.

All the better then that it should get the vinyl exposure from DHU. Not sure on an exact release date, but I know the label keeps busy, so I’d guess maybe Winter 2020? We’ll see. Don’t quote me on that.

From the social medias:

shrooms circle asylum

!!! LISTEN UP !!!

DHU Records is excited to announce the signing of Switzerland’s Hallucinogenic Doom Trip Shrooms Circle to release their debut full length 2018 album Asylum on Limited Edition vinyl!

Worship the Asylum here: shroomscircle.bandcamp.com

More details and info coming soon…

STAY DOOMED STAY HEAVY

Shrooms Circle are:
Scorp – Drums
Johann – Bass
Kelen Ob – Guitar, Vocals
Asknt – Guitar, FX
Teckel – Organ, Mellotron
Odile – Vocals

https://www.facebook.com/shrooms.circle/
http://shroomscircle.bandcamp.com
https://www.facebook.com/DHURecords/
https://www.instagram.com/dhu_records/
https://darkhedonisticunionrecords.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/

Shrooms Circle, Asylum (2018)

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The Red Widows Release Debut Album Fuzzifixion Today

Posted in Whathaveyou on June 5th, 2019 by JJ Koczan

History shows again and again how nature points out the folly of those who write of British bands bearing goofy names and/or album titles. Thus, when I see London’s The Red Widows have dubbed their debut full-length Fuzzifixtion — as in, like being crucified except the cross is fuzz, I guess; maybe you’re nailed to a giant Big Muff? — I find no reason to think the release itself is a joke. And even if I did, the thing’s out today, so it would be easy enough to pop over to their Bandcamp and find out. Whatever time it is where you are, it’s probably past noon GMT.

DHU Records has already signed on to do the vinyl, and that’ll be out in a few months, but hey, you like instant gratification — and you like it now! — so today seems as good a time as any for the digital release. Get a jump on all those Friday releases. Weekend-monopolizing jerks.

Have at it:

the red widows fuzzifixion

The Red Widows – Fuzzifixion to be unleashed digitally Wednesday June 5th 2019

The Red Widows Debut Full Length Album “Fuzzifixion” to be unleashed digitally June 5th

This Wednesday June 5th noon-ish The Red Widows will unleash their full length debut album Fuzzifixion digitally on bandcamp!

A little over 60min of earth shattering DOOM will hit your speakers through 5 Hymns to our Lord Satan; Unholy dirges of the unlight worshipping Amps not Gods! So sit back and let the Heavy Fuzz consume you whole!

Vinyl release is being processed and is scheduled for late summer. DHU Exclusive, Test Press and Band Editions will be available on Limited Edition 2LP

More info and details coming soon…

STAY DOOMED STAY HEAVY

The Red Widows ~ Fuzzifixion (DHU040)
Tracklist:
A1. Pendulum 13:20
B1. Lucifer’s Maiden 16:33
C1. There Is No God 10:20
C2. Cursed Forever 9:37
D1. His Name Is Death 12:12

Killer artwork/photography done by David Johnson / The Doom Aesthetic

The Red Widows
Starr Red Widow: Singer & Bass
Rev. Mojo fuzz: Guitars & Backingvocals
Slöth: Drums

https://www.facebook.com/theredwidows/
https://www.instagram.com/theredwidows/
https://theredwidows.bandcamp.com/
https://www.facebook.com/DHURecords/
https://www.instagram.com/dhu_records/
https://darkhedonisticunionrecords.bandcamp.com/
darkhedonisticunionrecords.bigcartel.com/

The Red Widows, Rising (2017)

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