Friday Full-Length: Truckfighters, Mania

Posted in Bootleg Theater on October 18th, 2019 by JJ Koczan

 

It was a put-up-or-shut-up moment for Sweden’s Truckfighters. Time to show who they really were going to be as a band and what their impact would be over the longer term. Their 2005 debut, Gravity X (discussed here), had certainly produced its share of memorable tracks, including “Gweedo-Weedo,” “Manhattan Project,” “Gargarismo” and its essential leadoff, “Desert Cruiser,” which over the years since would become the band’s signature piece. But 2007’s Phi seemed to be in an awkward place, with the Örebro three-piece adding a second guitarist in an experiment that ultimately wouldn’t last. It had been more than five years since they got their start on a split with bassist/vocalist Oskar Cedermalm‘s prior band, Firestone (discussed here), and as with so many third albums, it was time for Truckfighters to determine the direction they wanted their material to manifest.

On some level, conscious or not, they must have known it, because 2009’s Mania (review here) meets the formidable task before it in a way that’s nothing if not head-on. It’s the release by which I’ve judged every Truckfighters release since, and a significant standard to which a record might live up, taking the fuzz and memorable hooks of Gravity X and the somewhat moodier vibe of Phi and bringing them together is a way that showed heavy rock did not have to just be one thing. It didn’t just have to be out there, cruising in the desert. It could be progressive, heavy and energetic all at the same time. It could be richly melodic. It could be weighted and contemplative feeling. And in a quick turn, it could be fun, catchy, and nonetheless clear in its intention to engage the listener. With ManiaCedermalm, guitarist Niklas Källgren and then-drummer Oscar “Pezo” Johansson solidified Truckfighters‘ sound around something that could grow in multiple directions, and thereby helped set the stage for what’s come after, both from them and from a generation of heavy rockers who’ve worked to some degree or other under their influence.

It’s debatable whether Truckfighters‘ greater contribution to heavy rock has been on stage or in the studio. Largely self-recorded and self-released, their fuzzy tones have become a signature that’s recognizable in their work as well as in plenty of other acts, but what they do live is perhaps even more immediately striking. Cedermalm and Källgren, as the two founders and essential figures in the band, have a reputation for onstage physicality that is well earned, and I’ve seen them play sets that look as much like an aerobic workout as an artistic performance. Not every band can or wants to do that, of course, but Europe over the last decade has seen a boom of similarly-inclined heavy rock delivery, in the UK, in Germany, in Greece and elsewhere, and certainly Truckfighters have toured enough in that time — including in North America — to spread their influence across borders.

truckfighters mania

But Mania is also dynamic in a way that extends to being more than just a vehicle for a band to run back and forth and jump off drum risers while they play. Songs like the closer “Blackness,” the relatively mellow but still hooky leadoff “Last Curfew” and most especially the 13-minute “Majestic” and the later “Con of Man” actively, willfully push the Truckfighters sound and style to places it hadn’t yet been, reaching a new level of accomplishment as a result. This happened at the same time the early, drum-led “Monte Gargano” reconfirmed their desert rock mindset, and the subsequent “The New High” acted as a bridge from one side to another ahead of the arrival of “Majestic,” still relatively early in Mania‘s eight-song/50-minute run. The album sets up a back-and-forth dynamic, really from the start but especially from “Majestic” onward, that sees them push and pull between more straight-ahead fare and proggier impulses.

“Majestic” — which every bit lives up to its title via a sprawl the band has tried multiple times to recapture — and “Con of Man” are separated by the four-minute “Monster,” which emerges on revisit as a kind of lost standout. Surely overwhelmed by the sweep of what comes directly before and after, as nearly anything would be, its foundation in acoustic and electric guitar blend is itself a forward step for Truckfighters, and Cedermalm‘s laid back vocal there sets gives the song an all the more sunshiny vibe, only emphasizing the contrast in the severity of “Con of Man,” thereby enhancing the effect of both cuts on the audience. This, as well as the penultimate “Loose” — which seems like a direct answer stylistically and thematically to “Desert Cruiser” and is the shortest inclusion at 3:44 — bring a lightness to the end of Mania to keep it from taking itself too seriously. They remind that, hey, we’re all here to have a good time, and speak to a breadth in Truckfighters‘ songcraft that they’ve continued to develop in the years since.

It would be four years before they’d release anything else, but much of that time was spent touring. They came to America for the first time. They had a documentary made about them in 2012. They were on the road again and again in Europe, helping lead the charge of a booming underground heavy festival scene that continues to develop. An EP, The Chairman (discussed here), arrived in 2013, followed the next year by the Universe LP (review here) that seemed to pick up where Mania left off and present Truckfighters‘ growth as an ongoing process, and of course, more heavy road work. A licensing deal through their Fuzzorama Records imprint with Century Media resulted in wider distribution for 2016’s (review here), and they complemented that with the self-released Live in London (review here) that same year, courting controversy as well for their video for “Calm Before the Storm” (discussed here) from the V album. After weathering that and yet more touring, they announced a “long, long” hiatus in 2018 that lasted just about a year before they got back together and decided to hit the road playing Gravity X in full. “You can’t escape from what you are,” their statement said at the time, seeming almost resigned to the fact. Fair enough.

Whatever happens with, to or for them next, Mania 10 years later still holds up as a high point of their output to-date. I won’t take anything away from their other studio releases, but no question this was a special moment, and in a put-up-or-shut-up scenario, they every bit exceeded all expectations and helped reshape what fuzz rock could be.

As always, I hope you enjoy.

That it? Is the week done? Is it ever really over? Nah, not these days.

Whatever.

Life with The Toddlerian Pecan — this strange pain-in-the-ass alien who’s replaced the gorgeous chubby-cheeked baby who was my son mere months ago — continues to provide an assortment of thrills and spills. The Patient Mrs. has had to work all week, as one will when one has, you know, a job — she gotta bring home that bacon to support my ever-expanding blogger-ass — and so it’s been me and him. Me vs. him. I forfeit. He wins. I used to say that if I died in the house by myself, I was cool with The Little Dog Dio eating my face to survive. I don’t know in what scenario it ever would’ve happened like that, but you know, yeah. Well, I’m pretty sure The Pecan is getting ready to eat my face while I’m still alive and then cha-cha-cha stompy-foot dance on my exposed skull. Laughing his adorable laugh all the while.

I’ve never done heroin, but I imagine that laugh is what it’s like.

So it was that kind of week. Especially yesterday morning, which was h-a-r-d. I know I’m not exactly doing the world a favor by having a kid in the first place. Great. One more white dude. That’s bound to make everything better. But man, some days it sure feels like I’m doing him a favor by not opening the door and telling him to go live in the woods. You like squirrels so damn much? Off you go!

He’d go, too. Probably build himself a treehouse, the little fucker.

He’s not yet two. That’s next week.

So. So, so, so.

Speaking of next week, I think I’m gonna go see The Well at the Vitus Bar on Wednesday. Could stand to get out for a bit, and that’s probably just enough traffic to set me right. Also look for reviews of the new Om live LP, an interview with Colour Haze about their new LP (that’s on Monday), a premiere of The Lone Madman and a review of the new Year of the Cobra. That’s your week, right there. I’m sure there will be other stuff. I can’t seem to get through laying out a week on a Friday lately without something changing that day.

Today, for example, my initial plan was the Ogre stream. Then the Bible Black Tyrant premiere came together. Fine. Then last night, the Via Vengeance premiere came together last-minute. Well, okay. So yeah. One day, three premieres, six posts, one of which is this already-gone-on-too-long chicanery. Call it madness, because it is.

Ah shit, Pecan’s awake. 6:20, for the record. I got up at 4, as ever.

Real life.

Not that fake life.

Real life.

Great and safe weekend. Forum and radio. I swear there’s new merch coming soon.

The Obelisk Forum

The Obelisk Radio

The Obelisk shirts & hoodies

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Asteroid Announce First-Ever South American Tour Dates

Posted in Whathaveyou on October 15th, 2019 by JJ Koczan

asteroid

Two cryptic posts last week on thee social medias from Swedish heavy psych blues jammers Asteroid. The first: they’d be traveling to a new continent before the end of the year. I’m pretty sure they’ve been to Australia before, and I know they’ve sworn off North America while the current US administration is in power — there are plenty of days I think when a good portion of the country wishes it could do the same — so that led me to speculate South America was their destination, and it turns out, yes, Abraxas Produtura — among others — is bringing the trio from their Swedish home-base to play a set of four exclusive shows capping in Rio de Janeiro on Dec. 7 at the Festa da Firma.

Ending that run in Rio de Janeiro brings me to the second cryptic social medias post, which was that the band has new material in the works. That’s an awfully long way to travel to play four shows, even if one of them is a fest, so I had to wonder if they’d be recording with Gabriel Zander while in Brazil, and the band has yet to confirm anything in that regard. I don’t know if it would be a full album or what, but either way, it’d make for their first offering since 2016’s III (review here), and whatever shape it ultimately takes, there’s just about no way new Asteroid isn’t going to be welcome as far as I’m concerned, whenever it might show up.

Still good news all around and one more perhaps to look forward to in 2020.

Here’s the info:

asteroid south america shows

Asteroid – South America Tour

Asteroid will hit South America this December. See you in Argentina, Uruguay and Brazil.

The legendary Swedish trio comes to review all their discography in a show that promises tons of high-flying fuzz rock, stoner rock and heavy psych on their first visit to South America that will include presentations in Argentina, Uruguay (within the framework from the second edition of the Noiseground Festival in that country) and Brazil.

Their latest album “III” released by Fuzzorama Records, record label commanded by the Truckfighters is considered by the specialized press as one of the most outstanding releases of the last 10 years within the heavy rock scene in Europe.

There will be gems like “Time”, “Doctor Smoke” and “Pale Moon” a traveling and super electric show, you can’t miss it!

Asteroid live:
12/04 Buenos Aires Casa Colombo
12/05 Montevideo Bluzz Live
12/06 Sao Paulo Jai Club
12/07 Rio de Janeiro Festa Da Firma

Asteroid is:
Robin Hirse – Vocals & Guitar
Johannes Nilsson – Vocals & Bass
Jimmi Kohlscheen- Drums

https://www.facebook.com/Asteroidband/
http://www.asteroid.se/
http://www.fuzzoramastore.com/en/bands/asteroid/

Asteroid, “Til’ Dawn” official video

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Deville Premiere Sunnanå Studios Live Session Video

Posted in Bootleg Theater on June 14th, 2019 by JJ Koczan

deville

One usually thinks of Sweden’s Deville as having a pretty pro-shop kind of sound. That is, when there’s a new Deville record coming out, I expect that it’s going to sound clear and full in a kind of accessible way that, in an alternate universe, would be radio-friendly. Listening to the recordings they made April 19, 2019, at Sunnanå Studios in Arlöv, I think they might need to track their next album live. Like, entirely live. The four-piece of guitarists Andreas Bengtsson (also vocals) and Andreas Wulkan, bassist Martin Nobel and drummer Martin Fässberg released their Pigs with Gods (review here) full-length last year through Fuzzorama, and it wasn’t lacking for either vitality or presence, but listening to Bengtsson and Wulkan come together on vocals in the hook of “Hell in the Water,” which opens this four-song set in the sub-15-minute video, they nail it in such a way as to make me wonder why they’d ever do anything else. Likewise the gruffer approach and rumble of “Lost Grounds,” the aggro crash of “Wrecked” (which has a confetti drop at the end of it; keep an eye out) and the ultra-righteous apex of “Chief” that rounds out. If you can do that live, do it. Not everyone can.

For those of us who’ve never seen this incarnation of Deville live — when they toured the US a few years back, it was with a different rhythm section — it’s also an opportunity to catch a glimpse of the dynamic they bring to the stage. It’s not going to be the same, of course, as they’re arranged facing each other in a circle and in a studio setting, but you can still see Nobel‘s metallic roots in how he headbangs to the songs, and the care Fässberg puts into propelling the grooves that are laced throughout. Deville are a band about songwriting more than technical flash, but they bring a spirit of performance here that gives another dimension to their work. In tone and in the basic energy, the Sunnanå session speaks to the essential drive behind what they do. It’s not necessarily that it’s rougher than their regular studio output — if it is at all, it’s not much; they still come across clear and professional — but the directness of their craft, its unabashed hooks, benefits from the immediacy of the circumstance. They sound killer, is the bottom line. I think these guys are kind of underrated as songwriters in part because their style is so straightforward, but they’re exceptional in their delivery, and that’s what’s emphasized so fervently in this footage.

So yeah, I’m not trying to tell anyone their business, or how to live their life, or how to make their next album, but the side they show of themselves here is definitely one worth revisiting, be it through a live record at some point or however they might go about it.

I’m happy to host the premiere, and Bengtsson has some comment on offer afterward.

Please enjoy:

Deville, Sunnanå Studios live session video premiere

Andreas Bengtsson on Sunnanå Studios session:

Chose songs that haven’t been played that much and some that have. Three from our latest album “Pigs with Gods” and one older. This is our first real live recording in a studio that has been filmed. Imagine it took so long to make one. We have been told many times that we are better live than on the record so let’s see what people think.

Tracklisting:
1. Hell in the Water
2. Lost Grounds
3. Wrecked
4. Chief

Recorded 2019-04-19 at Sunnanå Studios, Arlöv, Sweden.

Director of photography : Henrik Christoffersson

Sound engineering : Markus Nilsson

Deville lineup:
Andreas Bengtsson: guitar/vocals
Andreas Wulkan: guitar
Martin Nobel: bass
Martin Fässberg: drums

Deville on Thee Facebooks

Deville website

Fuzzorama Records

Fuzzorama on Bandcamp

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Valley of the Sun, Old Gods: What Faith Brings

Posted in Reviews on May 21st, 2019 by JJ Koczan

valley of the sun old gods

They nailed it. Absolutely. That’s as simple as I can say it. Cincinnati, Ohio-based heavy rockers Valley of the Sun bring new character and dimension to their core approach in fuzzy riffs and classic desert-style groove, and with their third album, Old Gods (on Fuzzorama), the four-piece answer both the potential of their earliest work and the development that took place over their first two LPs. Led by the founding duo of guitarist/vocalist Ryan Ferrier and drummer Aaron Boyer, with Josh Pilot on guitar and Chris Sweeney handling bass and keys, the band present 11 tracks in a sharp-turning 41 minutes, tying together around a theme of greater instrumental variety and songcraft executed with airtight efficiency and purpose. In following up 2016’s Volume Rock (review here) and 2014’s Electric Talons of the Thunderhawk (review here), Valley of the Sun sound like a band who know when to take their time — closer “Dreams of Sands,” for example — and when to tear-ass through the speakers, as on the sub-tw0-minute scorcher “Firewalker.”

That maturity and self-realization very much suit their basic sound, which has always been professional at its foundation, going back to their first two EPs, 2011’s The Sayings of the Seers (review here, discussed here) and the prior year’s Two Thousand Ten, but has never quite had the reach it does on Old Gods. The album is quick to showcase that with the mellow guitar intro to the opening title-track, but it comes out all the more in the series of interludes peppered through the tracklisting. Named on-theme to the title of the record itself, “Gaia Creates,” “Shiva Destroys” and “Buddha Transcends” do an incredible amount of work in terms of diversifying and bolstering the surrounding material, taking the mid-paced nod and catchy rush of “Old Gods” and the subsequent post-QOTSA careener “All We Are” and lending depth and a more complete-album feel, despite the variety between them, with “Gaia Creates” dipping into sunny folk acoustics, “Shiva Destroys” a suitable percussion interplay, and “Buddha Transcends” an effective delve into meditative minimalism.

“Gaia Creates” is the longest of them at 2:16, and yet the effect they have on the songs around them is palpable, perhaps nowhere more than in “Dim Vision,” which sits as the only cut in between “Gaia Creates” and “Shiva Destroys.” It’s as much a quintessential Valley of the Sun track as one could ask for, even more than the opening duo of “Old Gods” and “All We Are,” but with the lead-in and lead-out, it’s given a special focus that seems to highlight its execution. On paper, it’s nothing overly fancy — basically an instance of what the band at their best have been all along — but “Dim Vision” is emblematic just the same of the progression they’ve undertaken over the course of the last nine years in the studio and on tour. Like the aforementioned “Firewalker,” it’s a song that sounds like it was made to be played live, and to have these tracks appear in such proximity to each other feels purposeful as well, with side A moving smoothly through a course that would be deceptive in its complexity if it didn’t just lay it all out there and still manage to ease the listener through its changes, whether it’s the kick in tempo between “Old Gods” and “All We Are,” or the head-spinning shifts from “Gaia Creates” to “Dim Vision” to “Shiva Destroys” to “Firewalker.”

valley of the sun

It’s worth noting as well how quickly those changes take place. The last four tracks on side A don’t add up to the total runtime of the first two. It would be an easy place for the band to lose control of Old Gods‘ flow, but they never do. Instead, they bring “Firewalker” to a crisp finish and mirror the beginning of the album with “Into the Abyss” on side B, which also begins with a stretch of mellow guitar, runs a moderate pace and gives an immersive, rolling progression for the listener to dive into, made all the more so by a laid back vocal from Ferrier, who only moments ago, was in full-on belt-out mode for “Firewalker.” Especially listening in a linear format (CD or DL), it’s not at all the first striking shift on Old Gods, but it’s another one Valley of the Sun make sound much easier than it actually is.

Fuzz comes to the fore in the relatively brief but effective “Faith is for Suckers,” a hooky, cowbell-infused desert riffer with a driving volume tradeoff, and “Buddha Transcends” resets the mood to quiet ahead of “Means the Same” and “Dreams of Sands” at the finish. With “Into the Abyss” and “Dreams of Sands” — the latter of which is perfectly placed as a memorable closer — as six-plus-minute bookends for side B, “Faith is for Suckers,” “Buddha Transcends” and “Means the Same” play out in a kind of parabolic fashion, both in energy and runtime; longer-to-shorter-to-shortest, and back up, though “Faith is for Suckers” and “Means the Same” surround the centerpiece interlude with arguably a more active spirit than “Into the Abyss” and “Dreams of Sands.” But if that’s the case, it’s only because the longer pieces are more ambitious in their scope, and “Dreams of Sands” not only serves as payoff for side B, but for the record as whole, rewarding the risks taken on side A and the structural turn of side B with a scope of its own that, as analogy for the entirety of Old Gods pushes beyond what Valley of the Sun have done in the past, ending on a long fade as if to return the listener to wherever they might’ve been before the quiet beginning of the title-track first cropped up.

Old Gods brings Valley of the Sun‘s take to a new level, pushing aside preconceptions of who the band are by using its theme to tie the material together instrumentally and structurally, and leaving one to wonder where they might go from here, whether it’s in integrating the acoustics and percussion of the interludes to their songwriting — would be fair enough ground to cover — or continuing to progress in some other, unexpected way. Perhaps most telling of all, listening to Old Gods, one feels less concerned about what shape the inevitable ‘new gods’ might take than the achievements brought to bear here. This is what Valley of the Sun have been moving toward for the last nine years. This realization. For now, it seems most crucial to understand that and appreciate the work on its own merits. Where it might lead is a concern for another day, but if you’re worried about it, have a little faith.

Valley of the Sun, Old Gods (2019)

Valley of the Sun on Thee Facebooks

Valley of the Sun on Bandcamp

Fuzzorama Records

Fuzzorama Records on Thee Facebooks

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Truckfighters Confirm Reunion; Announce Tour Celebrating Gravity X

Posted in Whathaveyou on March 25th, 2019 by JJ Koczan

truckfighters

With the announcements that they would play Psycho Las Vegas in August and Keep it Low and Into the Void in October, a full Truckfighters reunion was more or less assumed, but confirmation is always nice. The Swedish fuzz mavens are back after a hiatus announced last February that at the time was said to be “long, long.” Well, so much for that. There’s a certain amount of resignation in the tagline with which they’re returning — “You can’t escape from what you are” — but there’s little doubt Truckfighters will bring their trademark energy back to the stage as they tour celebrating their 2005 debut, Gravity X (discussed here), ahead of its 15th anniversary in 2020.

The short version of this story is I’m glad these guys are back. Not only are they one of the best heavy rock live acts of their generation, but I genuinely think they had more to say as a band, as their last album, 2016’s V (review here), plainly demonstrated. I’ll look forward to whatever they do next, including, it would seem, a good amount of touring.

Word came down the PR wire as it does:

truckfighters gravity x tour

The truck of fuzz is refueled and ready to hit the road…

You can’t escape from what you are.

The answer could be as simple as that.

Almost two years off the grid the band returns with a world tour to celebrate their first album ‘Gravity X’. Originally released 2005 in Europe (2006 USA) the genre classic turns 15 years in 2020. The band gives the celebration a jump start second half of 2019 with selected shows in North America and a big European tour. The rest of the world to follow in 2020-2021.

This time the plans don’t go further, what happens happens. There’s only so much you can control in life.

If ever there was any doubt, this time off has shown the band members who they really are. With the ambition to play enough shows to satisfy their inner urge without losing the motivation, it is safe to say the touring will be less frequent than the most intense years of the band. Just as safe as is it to say that the shows will be better than ever and as always with a hell of a fuzzy sound!

Truckfighters
‘GRAVITY X – from finish to start world tour’.
(More shows to be announced)
Aug 18:th @ Mandalay Bay, Las Vegas (USA) – Psycho Las Vegas Festival
Aug 22:nd @ Sala, Mexico City (MEX) [ Tickets on Sale April 20th]
Oct 4:th @ Posthof, Linz (A) – Night of fuzz
Oct 5:th @ Szene, Wien (A) – Night of fuzz
Oct 6:th @ Beatpol, Dresden (D)
Oct 8:th @ Hydrzagadka, Warsaw (P)
Oct 9:th @ Festsaal, Berlin (D)
Oct 10:th @ Knust, Hamburg (D)
Oct 11:th @ Universum, Stuttgart (D)
Oct 12:th @ Feierwerk, München (D) – Keep it low festival
Oct 13:th @ Helios, Köln (D)
Oct 14:th @ the Garage, London (UK)
Oct 17:th @ Petit Bain, Paris (FR)
Oct 19:th @ Neushoorn, Leeuwarden (NL) – Into the void festival

http://www.truckfighters.com
https://www.facebook.com/truckfighters
https://twitter.com/truckfighters
https://www.youtube.com/user/TruckfightersTV

Truckfighters, Gravity X (2005)

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Valley of the Sun to Release Old Gods May 24; New Song Streaming

Posted in Whathaveyou on March 19th, 2019 by JJ Koczan

valley of the sun

Okay, fine. I guess that’s why you wait for the press release. Last week when I apparently jumped the gun on posting Valley of the Sun‘s upcoming tour dates with Bellringer, I said they were due but I didn’t know anything about a new record coming out. Sure enough, here we are and here’s the announcement of that new record, along with a new track. Fine. You got me. There’s a new Valley of the Sun record and I’m not cool enough to know shit about shit ahead of time. Story of my god damn life.

New song does sound awesome though. Seems like Ryan Ferrier might be pulling back from some of the belt-it-out-all-the-time mindset that’s characterized the band’s past work in favor of a more measured approach. I don’t know if that’s the case across the whole record — recall I didn’t know the damn thing existed, so I definitely haven’t heard it — but it works well in “Means the Same,” which will serve as the penultimate track.

Art and info, as well as those tour dates again, and the track — all from the PR wire:

valley of the sun old gods

Ohio hard rock quartet VALLEY OF THE SUN return with new album on FUZZORAMA RECORDS | Stream new single ‘Means the Same’

Fuzzorama Records – home to world beating rock of Truckfighters, Deville and Skraeckoedlan – is thrilled to announce the release of Old Gods; the brand-new studio album US trio, Valley of the Sun.

Formed in Cincinnati, OH in 2010, the band instantly established themselves as a force to be reckoned with, thanks to an impressive succession of self-released EPs; the kind that never seem to go unnoticed/unheard for long. Often compared to the likes of Corrosion of Conformity, Alice in Chains and Badmotorfinger-era Soundgarden – the latter due in no small part to singer Ryan Ferrier’s exemplary vocal range – listeners are treated to a sound that runs the gamut of blues, hard rock, grunge and heavy metal; with big riffs, fuzzed out hooks and deep bass grooves.

For the band, whose last release came in 2016 with the impressive Volume Rock, new album Old Gods – their third album on Fuzzorama Records – is a new and exciting concoction expertly packaged and delivered with a raw and unbridled power whether listened to via stage or speaker. In this incarnation, incorporating heady moments of psychedelia and assuming a form unlike anything the band has ever attempted before.

“To me, Old Gods is a meditation on who I once was, who I am now, and who I’d like to become,” explains guitarist/vocalist Ryan Ferrier.

“We try to evolve with each album,” adds drummer Aaron Boyer. “On Old Gods we added some heavier elements, darker tones, and a touch of psychedelia. We tried some things on this record that we’ve never done before and that made it a lot of fun to make.”

Old Gods by Valley of the Sun is released on 24th May 2019 and can be pre-ordered via Fuzzorama Records HERE. Editions of Old Gods will include gatefold splatter (only sold at live shows and directly through Fuzzorama), gatefold transparent green, gatefold black and CD digipak.

TRACK LISTING:
1. Old Gods
2. All We Are
3. Gaia Creates
4. Dim Vision
5. Shiva Destroys
6. Firewalker
7. Into the Abyss
8. Faith is for Suckers
9. Buddha Transcends
10. Means the Same
11. Dreams of Sands

VALLEY OF THE SUN – TOUR DATES:
US/Canada with BELLRINGER (feat. Mark Deutrom of Melvins)
4/13/2019 – Milwaukee WI Cactus Club
4/14/2019 – Iowa City IA Wildwood
4/15/2019 – Sioux Falls SD Bigs
4/16/2019 – Fargo ND Aquarium
4/17/2019 – Winnipeg MB Windsor Hotel
4/18/2019 – Saskatoon SK Amigos
4/19/2019 – Edmonton AB Starlite
4/20/2019 – Calgary AB 420 Fest
4/23/2019 – Vancouver BC Astoria
4/24/2019 – Portland OR High Water Mark
4/25/2019 – Seattle WA El Corazon
4/27/2019 – Sacramento CA Cafe Colonial
4/29/2019 – Los Angeles CA Resident
4/30/2019 – Phoenix AZ Club Red
5/02/2019 – Austin TX Come And Take It Live
5/03/2019 – Ft Worth TX Lolas
5/04/2019 – Oklahoma City OK 89th Street
5/05/2019 – St Louis MO Fubar
5/06/2019 – Kansas City MO Riot Room
5/07/2019 – Chicago IL Reggies

VALLEY OF THE SUN:
Ryan Ferrier – Guitar/Vocals
Aaron Boyer – Drums
Chris Sweeney – Bass, Keys
Josh Pilot – Guitar

https://www.facebook.com/valleyofthesun/
http://valleyofthesun.bandcamp.com/
http://www.twitter.com/centaur_rodeo
http://www.fuzzoramarecords.com/
http://www.twitter.com/fuzzorecords
http://www.facebook.com/Fuzzorama

Valley of the Sun, “Means the Same”

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Valley of the Sun Announce US/Canada Touring with Bellringer; Playing 420 Fest and More

Posted in Whathaveyou on March 12th, 2019 by JJ Koczan

valley of the sun

Not to put too fine a point on it, but Valley of the Sun don’t exactly announce US touring every day. Over the last five years or so, they’ve been much more apt to head abroad and do stints in Europe, so as they head out next month with Bellringer from Austin, Texas, it’s something of an occasion. They’ll make a stop at 420 Music & Arts Festival in Calgary up in Canada, and will make circuit stops in the Midwest and along the West Coast as they continue to support 2016’s Volume Rock (review here), their latest full-length, which was released through Fuzzorama. Given that record came out upwards of three years ago, I wouldn’t be entirely surprised if they had something new in the works, but I haven’t heard either way as to progress in that regard. In any case, the possibility of new songs being aired out only adds to the impetus to see them where and when you can.

They also seem to have made more lineup changes, which, you know, happens. Even so, whatever form you get to catch them, expect them to be in nothing less but top form. Good band. I wouldn’t complain about a new record.

From the social medias:

valley of the sun tour

VALLEY OF THE SUN – TOUR ANNOUNCEMENT!!!

US/CANADA with BELLRINGER feat. Mark Deutrom of Melvins!!!

04/13/2019 Milwaukee WI Cactus Club
04/14/2019 Iowa City IA Wildwood
04/15/2019 Sioux Falls SD Bigs
04/16/2019 Fargo ND Aquarium
04/17/2019 Winnipeg MB Windsor Hotel
04/18/2019 Saskatoon SK Amigos
04/19/2019 Edmonton AB Starlite
04/20/2019 Calgary AB 420 Fest
04/23/2019 Vancouver BC Astoria
04/24/2019 Portland OR High Water Mark
04/25/2019 Seattle WA El Corazon
04/27/2019 Sacramento CA Cafe Colonial
04/29/2019 Los Angeles CA Resident
04/30/2019 Phoenix AZ Club Red
05/02/2019 Austin TX Come And Take It Live
05/03/2019 Ft Worth TX Lolas
05/04/2019 Oklahoma City OK 89th Street
05/05/2019 St Louis MO Fubar
05/06/2019 Kansas City MO Riot Room
05/07/2019 Chicago IL Reggies

Ryan Ferrier-Guitar/Vocals
Aaron Boyer-Drums
Chris Sweeney-Bass and Keys
Josh Pilot-Guitar

https://www.facebook.com/valleyofthesun/
http://valleyofthesun.bandcamp.com/
http://www.twitter.com/centaur_rodeo
http://www.fuzzoramarecords.com/
http://www.twitter.com/fuzzorecords
http://www.facebook.com/Fuzzorama

Valley of the Sun, Volume Rock (2016)

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Deville Post “Pigs with Gods” Video; On Tour this Month

Posted in Bootleg Theater on March 5th, 2019 by JJ Koczan

deville

Later this week, Swedish heavy rockers Deville will head out on tour supporting their 2018 album, Pigs with Gods (review here). Released this past Fall through Fuzzorama Records, it continues the four-piece’s thread of straightforward, songwriting-based material, using classic forms and modern tones to bring an immediate familiarity to material that, while aggressive, never loses sight of its purpose. Deville, perennially, are songwriters first and foremost. That’s not to say they can’t add a bit of flash here between their two guitars or lock in a killer groove when they’re so inclined, but that even in doing so, they’re serving the greater good of the output itself. And though there are never a shortage of them, it’s not just about hooks either.

The band’s last video was for “Cut it Loose,” which was premiered here, and though they were in it, it followed a whole narrative arc. This time around, in giving visual representation to the Pigs with Gods title-track, it’s dudes in a room rockin’. And fair enough, honestly, since that’s what Deville are all about. It’s not some overblown thing, it’s unpretentious, well-crafted, dead-ahead rock and roll. Watch out for some shaky-cam stuff from director Henrik Christoffersson, but beyond that, it’s a fittingly sans frills showcase for the track, which not only showcases Deville in their element — i.e., playing — but brings the atmosphere of the album to the fore in a way that portrays it as the strength it is. You can see the character of the band as they are live, which, hey wouldn’t you know it, is just how they’ll be on tour later this week. Isn’t it amazing how that timing works out?

Live dates follow the video on the player below.

Enjoy:

Deville, “Pigs with Gods” official video

“Pigs with Gods” taken from the album “Pigs with Gods” out 2018 on Fuzzorrama Records.
Buy your physical CD or LP from http://www.fuzzoramastore.com

Filmed and directed by: Henrik Christoffersson

European tour coming up!

Deville live:
March 8th @ Peter Weiss Haus, Rostock (DE)
March 9th @ Bastard Club, Osnabruck (DE)
March 10th @ Zauberberg, Passau (DE)
March 11th @ FUGA, Bratislava (SV)
March 12th @ Rockhaus, Salzburg (AU)
March 14th @ Rock n´Eat, Lyon (FR)
March 15th @ KUFA, Lyss (CH)
March 16th @ Café Albatross, Pisa (IT)
March 17th @ Scumm, Pescara (IT)
March 19th @ Stadtwerkstatt, Linz (AU)
March 20th @ The Tube, Dusseldorf (DE)
March 21st @ Sonic Ball Room, Cologne (DE)
March 22nd @ Innocent, Hengelo (NL)
March 23rd @ De Engel, Den Helder (NL)
April 13th @ Plan B, Tranås (SWE)

Deville lineup:
Andreas Bengtsson: guitar/vocals
Andreas Wulkan: guitar
Martin Nobel: bass
Martin Fässberg: drums

Deville on Thee Facebooks

Deville website

Fuzzorama Records

Fuzzorama on Bandcamp

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