Quarterly Review: Monkey3, Asthma Castle, The Giraffes, Bask, Faerie Ring, Desert Sands, Cavalcade, Restless Spirit, Children of the Sün, Void King

Posted in Reviews on September 30th, 2019 by JJ Koczan

quarterly review

Call two friends and tell them to tell two friends to tell two friends, because the Quarterly Review has returned. This time around, it’s 50 records front to back for Fall 2019 and there are some big names and some smaller names and a whole lot of in between which is just how I like it. Between today and Friday, each day 10 album reviews will be posted in a single batch like this one, and although by Wednesday this always means I’m totally out of my mind, it’s always, always, always worth it to be able to write about so much cool stuff. So sit tight, because there’s a lot to get through and, as ever, time’s at a premium.

Thanks in advance for keeping up, and I hope you find something you dig.

Quarterly Review #1-10:

Monkey3, Sphere

monkey3 sphere

It’s a full-on Keanu Reeves “whoa” when opening track “Spirals” kicks in on good opening sentences for a research paper Pay Someone To Write My Dissertation Hiring Desk director of admissions resume african dissertation series Monkey3‘s sixth album, Wanted to become a good lawyer? We have professional lawyers who provide check to the students for getting your desire degree. Sphere (released by Students have probably been writing essays since the whole concept of education has existed. Essays have survived time without modern technology. They were being written even before electricity! Surprisingly enough, it is today that many arguments have appeared as to whether students should Best Thesis Editing Service at all. Napalm), and that’s by no means the last one on the cinematic six-tracker. The long-running Swiss mostly-instrumentalists have been consistently, persistently underappreciated throughout their career, but whether it’s the aural scope of guitar and keys in “Axis” or the swaps between intensity and sprawl in 14-minute closer “Ellipsis,” their latest work is consuming in its sense of triumph. Even the four-minute “Ida,” which seems at first like it’s barely going to be more than an interlude, finds a thread of majestic cosmic groove and rides it for the duration, while the proggy immersion of “Prism” and the harder drive of “Mass” — not to mention that shredding solo — make the middle of the record anything but a post-hypnosis dip. I won’t pretend to know if Opinion Paper Writer affortable - Get key recommendations as to how to get the greatest research paper ever If you are striving to find out how to write Sphere is the record that finally gets the Lausanne four-piece the respect they’ve already well deserved, but if it was, one could only say it was for good reason. Blends of heft, progressive craft, and breadth are rarely so resonant.

Monkey3 on Thee Facebooks

Napalm Records website

 

Asthma Castle, Mount Crushmore

Asthma Castle Mount Crushmore

When you call your record Acemypaper.com - One-Stop Shop for Your Custom Argumentative Essay With Sources . Nursing is a serious profession and sometimes you cant dedicate the time Mount Crushmore, you need to bring it, and much to their credit, Baltimorean sludge-rocking five-piece Read guide to Creative Piece Of Writing about types, features, and other must-know topics in our headlight restoration kit buying guide guide to buying Asthma Castle do precisely that on their debut full-length. Issued through Just tell us, "I need to http://fizmatika.lt/dissertation-droit-mthodologie/ today!" - The fastest essay writers in the world will do your paper at the right time and complete confidentially. Hellmistress Records, the 37-minute/six-track outing is a wordplay-laced pummeler that shows as much persona in its riffing and massive groove as it does in titles like “The Incline of Western Civilization” and “The Book of Duderonomy.” Trades between early- Julia Christianson http://www.colourhaze.de/?business-plan-customers. You have a project that you want to bring to fruition. My goal is to help you achieve your goals in an Mastodonic twists and lumbering sludge crash add a frenetic and unpredictable feel to pieces like the title-track, while “Methlehem” trades its plod for dual-guitar antics punctuated by metallic double-kick, all the while the vocals trade back and forth between growls, shouts, cleaner shouts, the odd scream, etc., because basically if you can keep up with it, The Academic Phrasebank is a general resource for how to construct a business plans. It makes explicit the more common phraseological nuts and bolts of academic writing. Asthma Castle wouldn’t be doing their job. One shudders to think of the amount of Natty Bo consumed during its making, but Looking for Assignment Expert advice, online assignment help, Help Writing Argument Essay help, assessments writing service in economical price? Mount Crushmore is a wild and cacophonous enough time to live up to the outright righteousness of its title. If I graded reviews, it would get a “Fuckin’ A+,” with emphasis on “fuckin’ a.”

Asthma Castle on Thee Facebooks

Hellmistress Records website

 

The Giraffes, Flower of the Cosmos

the giraffes flower of the cosmos

Some day the world will wake up and realize the rock and roll powerhouse it had in Brooklyn’s best write my essay site Websites Like Chegg Homework Help 2014 term paper for sale thesis in physics The Giraffes, but by then it’ll be too late. The apocalypse will have happened long ago, and it’ll be Burgess Meredith putting on a vinyl of Writing Services UK is Best, As We Serve You Through Highly Qualified and Experienced Writers With Free of Plagiarism And Top Quality Cheap Essay Flower of the Cosmos in the New York Library as “FAKS” echoes out through the stacks of now-meaningless tomes and the dust of nuclear winter falls like snow outside the windows. The band’s tumultuous history is mirrored in the energy of their output, and yet to hear the melody and gentle fuzz at the outset of “Golden Door,” there’s something soothing about their work as well that, admittedly, “Raising Kids in the End Times” is gleeful in undercutting. Cute as well they pair that one with “Dorito Dreams” on this, their seventh record in a 20-plus-year run, which has now seen them find their footing, lose it, find it again, and in this record and songs like the masterfully frenetic “Fill up Glass” and the air-tight-tense “Like Hate” and “Romance,” weave a document every bit worthy of Mr. Meredith’s attention as he mourns for the potential of this godforsaken wasteland. Oh, what we’ll leave behind. Such pretty ruins.

The Giraffes website

The Giraffes on Bandcamp

 

Bask, III

bask iii

In the fine tradition of heavy rock as grown-up punk, North Carolina’s Research Paper On Marketing Of Financial Services and proofreading techniques that march in step with the newest academic demands. Most of our clients have already earned their desired grades. Bask bring progressive edge and rolling-Appalachian atmospherics to the underlying energy of Don't worry about buying essays source of essay writing assistance to students who wish to buy essays UK. you How To Write A Poetry Essay from III, their aptly-titled and MYiNK Computer Networking Homework Help focuses on helping businesses stand out with professional brand development, content marketing and enticing original Season of Mist-issued third album. Their foot is in any number of styles, from Baroness-style noodling to a hard twang that shows up throughout and features prominently on the penultimate “Noble Daughters II – The Bow,” but the great triumph of III, and really the reason it works at all, is because the band find cohesion in this swath of influences. They’re a band who obviously put thought into what they do, making it all the more appropriate to think of them as prog, but as “Three White Feet” and “New Dominion” show at the outset, they don’t serve any aesthetic master so much as the song itself. Closing with banjo and harmonies and a build of crash cymbal on “Maiden Mother Crone” nails the point home in a not-understated way, but at no point does III come across as hyper-theatrical so as to undercut the value of what Bask are doing. It’s a more patient album than it at first seems, but given time to breathe, III indeed comes to life.

Bask on Thee Facebooks

Season of Mist on Bandcamp

 

Faerie Ring, The Clearing

fairie ring the clearing

Listening to the weighty rollout of opening cut “Bite the Ash” on Faerie Ring‘s debut album, The Clearing (on King Volume Records), one is reminded of the energy that once-upon-a-time came out of Houston’s Venomous Maximus. There’s a similar feeling of dark energy surging through the riffs and echoing vocals, but the Evansville, Indiana, four-piece wind up on a different trip. Their take is more distinctly Sabbathian on “Lost Wind” and even the swinging “Heavy Trip” lives up to its stated purpose ahead of the chugging largesse of finisher “Heaven’s End.” They find brash ground on “The Ring” and the slower march of “Somnium,” but there’s metal beneath the lumbering and it comes out on “Miracle” in a way that the drums late in “Lost Wind” seem to hint toward on subsequent listens. It’s a mix of riff-led elements that should be readily familiar to many listeners, but the sheer size and clarity of presentation Faerie Ring make throughout The Clearing makes me think they’ll look to distinguish themselves going forward, and so their first record holds all the more potential for that.

Faerie Ring on Thee Facebooks

King Volume Records on Bandcamp

 

Desert Sands, The Ascent EP

Desert Sands The Ascent

Begun as the solo-project of London-based multi-instrumentalist/vocalist Mark Walker and presently a trio including Louis Kinder and Jonathan Walker as well, Desert Sands make their recorded debut through A Records with the three-song/half-hour The Ascent EP, a work of psychedelic existentialism that conveys its cosmic questioning even before the lyrics start, with an opening riff and rhythmic lurch to “Are You There” that seems to throw its central query into a void that either will or won’t answer. Does it? The hell should I know, but The Ascent proves duly transcendent in its pulsations as “Head Towards the Light” and 11:45 closer “Yahweh” — yeah, I guess we get there — bring drifting, languid enlightenment to these spiritual musings. The finale is, of course, a jam in excelsis and if drop-acid-find-god is the narrative we’re working with, then Desert Sands are off to a hell of a start as a project. Regardless of how one might ultimately come down (and it is, by my estimation at least, a comedown) on the question of human spirituality, there’s no denying the power and ethereal force of the kind of creativity on display in The Ascent. One will wait impatiently to see what comes next.

Desert Sands on Thee Facebooks

A Recordings on Thee Facebooks

 

Cavalcade, Sonic Euthanasia

Cavalcade Sonic Euthanasia

Say what you want about New Orleans or North Carolina or wherever the hell else, Midwestern sludge is another level of filth. To wit, the Carcass-style vocals that slice through the raw, dense riffing on “Aspirate on Aspirations” feel like the very embodiment of modern disillusion, and there’s some flourish of melodic guitar pluck there, but that only seems to give the ensuing crunch more impact, and likewise the far-back char of “Freezing in Fire” as it relates to the subsequent “Dead Idles,” as Cavalcade refute the trappings of genre in tempo while still seeming to burrow a hole for themselves in the skull of the converted. “Noose Tie” and “We Dig Our Own Graves” tell the story, but while the recording itself is barebones, Cavalcade aren’t now and never really have been so simple as to be a one-trick band. For more than a decade, they’ve provided a multifaceted and trickily complex downer extremity, and Sonic Euthanasia does this as well, bringing their sound to new places and new levels of abrasion along its punishing way. Easy listening? Shit. You see that eye on the cover? That’s the lizard people staring back at you. Have fun with that.

Cavalcade on Thee Facebooks

Cavalcade on Bandcamp

 

Restless Spirit, Lord of the New Depression

restless spirit lord of the new depression

Long Island chug-rockers Restless Spirit would seem to have been developing the material for their self-released debut album, Lord of the New Depression, over the last couple years on a series of short releases, but the songs still sound fresh and electrified in their vitality. If this was 1992 or ’93, they’d be signed already to RoadRacer Records and put on tour with Life of Agony, whose River Runs Red would seem to be a key influence in the vocals of the nine-track/39-minute offering, but even on their own, the metal-tinged five-piece seem to do just fine. Their tracks are atmospheric and aggressive and kind, and sincere in their roll, capturing the spirit of a band like Down with somewhat drawn-back chestbeating, “Dominion” aside. They seem to be challenging themselves to push outside those confines though in “Deep Fathom Hours,” the longest track at 7:35 with more complexity in the melody of the vocals and guitar, and that suits them remarkably well as they dig into this doomly take on LOA and Type O Negative and others from the early ’90s NYC underground — they seem to pass on Biohazard, which is fine — made legendary with the passage of time. As a gentleman of a certain age, I find it exceptionally easy to get on board.

Restless Spirit on Thee Facebooks

Restless Spirit on Bandcamp

 

Children of the Sün, Flowers

Children of the Sun Flowers

An eight-piece outfit based in Arvika, Sweden, which is far enough west to be closer to Oslo than Stockholm, Children of the Sün blend the classic heavy rock stylizations of MaidaVale, first-LP Blues Pills and others with a decidedly folkish bent. Including an intro, their The Sign Records debut album, Flowers, is eight track and 34 minutes interweaving organ and guitar, upbeat vibes and bluesier melodies, taking cues from choral-style vocals on “Emmy” in such a way as to remind of Church of the Cosmic Skull, though the aesthetic here is more hippie than cult. The singing on “Sunschild” soars in that fashion as well, epitomizing the lush melody found across Flowers as the keys, guitar, bass and drums work to match in energy and presence. For a highlight, I’d pick the more subdued title-track, which still has its sense of movement thanks to percussion deep in the mix but comes arguably closest to the flower-child folk Children of the Sün seem to be claiming for their own, though the subsequent closing duo of “Like a Sound” and “Beyond the Sun” aren’t far off either. They’re onto something. One hopes they continue to explore in such sünshiny fashion.

Children of the Sün on Thee Facebooks

The Sign Records on Thee Facebooks

 

Void King, Barren Dominion

void king barren dominion

Having made their debut with 2016’s There is Nothing (discussed here), Indianapolis downtrodden heavy rock four-piece Void King come back for a second go with Barren Dominion (on Off the Record Label), a title of similar theme that finds them doom riffing through massive tonality on “Burnt at Both Ends,” asking what if Soundgarden played atmospheric doom rock on “Crippled Chameleon” — uh, it would be awesome? yup — and opening each side with its longest track (double immediate points) in a clearly intended vinyl structure hell bent on immersing the listener as much as possible in the lumber and weight the band emit. Frontman Jason Kindred adds extra burl to his already-plenty-dudely approach on “Crippled Chameleon” and closer “The Longest Winter,” the latter with some harmonies to mirror those of opener “A Lucid Omega,” and the band around him — bassist Chris Carroll, drummer Derek Felix and guitarist Tommy Miller — seem to have no trouble whatsoever in keeping up, there or anywhere else on the eight-song/46-minute outing. Topped with striking cover art from Diogo SoaresBarren Dominion is deceptively nuanced and full-sounding. Not at all empty.

Void King on Thee Facebooks

Off the Record Label BigCartel store

 

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The Giraffes to Release Flower of the Cosmos Aug. 2

Posted in Whathaveyou on June 13th, 2019 by JJ Koczan

the giraffes (Photo by Ebru Yildiz)

Down at the bottom of this post, where the streaming stuff goes, there’s streaming stuff. You’ll find The Giraffes‘ 2008 full-length, Prime Motivator, and the song “Product Placement Song” from their 2015 EP, Usury (review here). They’re down there, but I’m not going to put either one on to listen to while I write this, as I otherwise might do under normal circumstances. Because The Giraffes aren’t normal circumstances. They’re the kind of circumstances where I might put a track on and be completely unable to function for the rest of the day because they’re so goddamned catchy. I’ll tell you to go ahead and listen though, because frankly your productivity isn’t my concern. So yeah, dig in.

Maybe you know it and maybe you don’t, but a new album from The Giraffes is the best news of your day.

It comes from the PR wire:

the giraffes flower of the cosmos

THE CHAOS AND MENACE OF BROOKLYN BAND THE GIRAFFES LIVE PERFORMANCES HAS BEEN CAPTURED ON THEIR NEW STUDIO ALBUM: FLOWER OF THE COSMOS OUT AUGUST 2, 2019 ON SILVER SLEEVE RECORDS

record release show 8/3/19 at Union Pool with Beechwood, Chest High Fires

Brooklyn cult band The Giraffes are best known for their chaos and menace filled live shows and their cult following. The band will release their new studio album titled, Flower of the Cosmos, on Silver Sleeve Records (Caroline Distribution; formats include vinyl LP and digital) on August 2, 2019.

Flower of the Cosmos is a heavy, yet agile record filled with fun songs about sad realities that never gets bogged down but instead rips in ways no other band has been able to manage.

“Recording this album was the single most rewarding and challenging experience I’ve ever had in the studio,” guitarist Damien Price explains. “Conceived as love songs and played with an unbridled ferocity in reaction to the perpetual state of crisis America has placed itself in for the last three years.”

The record was produced and engineered by The Giraffes, Tony Maimone, and Francisco Botero, at Studio G (Tom Waits, The Black Keys, Iggy Pop, Elvis Costello, Unsane) in Brooklyn during the summer of 2018. Maimone’s production credits include: Frank Black, Pere Ubu, Mike Watt, John Langford, Golem, and Ani DiFranco among others. Grammy award nominee Botero’s engineering credits include Highly Suspect, Adriana Lucia and more.

The album title, Flower of the Cosmos, the band explains “is a bitter acknowledgment that the modern world in all of its absurdity, vanity, sham, exploitation, and cruelty stands as the culmination of a 4 billion year uninterrupted chain of life on earth. We are the fruit of all that has come to pass before us, the pinnacle of creation, the acme of reality.”

Tracklisting:
1. “Can’t Do This In Your Head”
2. “Like Hate”
3. “Faks”
4. “Golden Door”
5. “Fill Up Glass”
6. “Bubble Scum”
7. “Raising Kids In The End Of Times”
8. “Dorito Dreams”
9. “Crude Wave”
10. “Romance”

The Giraffes is:
Aaron Lazar on vocals and guitar
Damien Paris on guitar
Andrew Totolos on drums, percussion, accordion
Hannah Moorhead on bass

Live in concert:
Saturday, August 3rd, 2019
at Union Pool
484 Union Ave Brooklyn NY 11211
Doors: 7pm
Ticket Price: $15
The Giraffes, Beechwood, Chest High Fires

https://www.thegiraffes.com
https://www.facebook.com/TheGiraffes
https://instagram.com/thegiraffesofficial
https://thegiraffes.bandcamp.com/
https://soundcloud.com/the-giraffes
http://giraffesofficial.tumblr.com
https://soundcloud.com/silversleeverecords

The Giraffes, Prime Motivator (2008)

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