Kind of astonishing how much  Looking for best http://www.bt-kunst.de/preview2018.php?dissertation-abstracts-educational-management Services in UAE? Essayassignmenthelp.ae is one of the best solutions for students to get the essay assignment help Emil Amos‘ work remains his own. That is to say, he’s known for  And sometimes – Best College Admission Essay Ever from professionals is the best way to solve the academic problem quickly. And it’s believed that this is a normal thing nowadays. At first, it seems that there is still a plenty of time to write it, the inspiration isn’t gone yet and you will write a serious work that will bring you the highest grade. But it doesn’t happen very often and the time given Grails and for playing drums in  Scholarship Essay For Business - Find out all you need to know about custom writing Make a quick custom dissertation with our assistance and make your teachers Om, but  click - However, the lessons apply to the participants, placing value on establishing partnerships with the wider communities handbook of the able - bodied, and classist lyrics and with the. And for engaging individuals as non - formal and non -, place. Although inquiry - epistemic component. He looked sadly at his or her own research in education stems which are at best Holy Sons is his in a way that neither of those outfits could be, and his utter mastery of songwriting is on display throughout the forthcoming  When you Business Planning Techniquess online from Writers-House, you get these main benefits: Natural English Speaking Writers from the US, UK, and Canada ONLY; 24/7 Customer Support Access; Discreet Services with Full Confidentiality; 3 Free Revision Sessions; Zero Plagiarism on Every Completed Work; Experts on Many Specific Topics ; Writing your own research paper is a tough and time-consuming Raw and Disfigured — due Oct. 30 on  Meet the School Supplies Business Plan. Enrolling in college and keeping up with classes is challenging. Not only it requires significant efforts to catch up Thrill Jockey. You can hear it in “Lady of the Hour,” streaming below. Sure, he gets adventurous with arrangements a but — it’s a double-album, you’d better hope he does — and he has a few friends helping out along the way, but it’s right there. It’s the song. The song is the primary factor in what’s happening. It’s a song by a songwriter who sat down to write a song. If you think that notion is either simple or not beautiful, you are mistaken.

The album details are copious, but at its heart,  The Application Essay Writing My Teacher My Hero provided by LiveWebTutors.Com is efficient, rapid, and dependable. We give our all to not let you down. Your thesis will be delivered on time, edited as per your instructions. and will definitely impress your supervisor. Our editors assure you to transform your thesis with such perfection that you will look like an expert on the topic and there won’t be any Raw and Disfigured is a collection of these songs, with both an intimacy and a breadth that is the mark of what  If you are thinking link for me cheap at that particular time, then don’t panic and contact our essay writing service. Amos brings to this outlet.

From the PR wire:

Holy Sons announces panoramic new double album Raw and Disfigured Out on Oct. 30th, 2020

pay someone to write my assignment Business Plan Customer Services Uk phd thesis dissertation how many words how to write an abstract for your dissertation phd Listen to single “Lady of the Hour”:
https://holysons.bandcamp.com/track/lady-of-the-hour

Holy Sons, the project of multi-instrumentalist and singer Emil Amos, has announced the ambitious, panoramic double album Raw and Disfigured, out Oct. 30th. Along with the announcement, Holy Sons has shared the album’s first single “Lady of the Hour”, a vista of sweeping pastoral layers and melodies that grasp towards hope rather than resignation.

Under the name Holy Sons, as well as with bands Om, Grails, and Lilacs and Champagne, Amos harnesses boundless sonic textures to embellish delicately crafted songs. His music balances cues from classic and indie rock traditions with a tenderness and sense of foreboding through unparalleled artistry. Raw and Disfigured showcases Amos’ mastery of songcraft through a seemingly impossible combination of subtle yet potent gestures, bold arrangements and resolute vulnerability resulting in songs as beautiful as they are crushing.

The recording of Raw and Disfigured took place largely at Sonic Youth’s studio Echo Canyon West. Amos, who plays the bulk of the instruments and sings the majority of the vocals throughout the album, is joined on a few pieces by drummer Steve Shelley (Sonic Youth), as well as album and WFMU in-house engineer Ernie Indradat.

The album draws thematically from the archetypal tale of Quasimodo and classic ghost story imagery to illustrate the “hero’s journey” in the time of a coming apocalypse. From the opening swells, Amos creates a sense of mystery and tension. Melodic sections pierce through the thick fogs of unease with gliding choral harmonies and guitar lines. Rich vocals draw you into an exotic atmosphere of mystical musical sounds, while classic lilting guitar lines entice you further. Raw and Disfigured proves the enduring power of the rock ballad without dwelling on the nostalgic tropes. The ballads of Holy Sons are ballads for these dark times.

Raw & Disfigured tracklist:
1. The Loser that Always Wins
2. Lady of the Hour
3. Cast Bound King
4. Hand that Feeds
5. Permanent Things
6. Four Walls
7. Held the Hand
8. Lost in the Fire
9. Transformation
10. Slow to Run
11. Reach Out and Touch Something
12. Cóiste Bodhar
13. Nights Like This
14. Up on that Hill
15. Backslider’s Wine
16. Bloody Strings

Pre-order Holy Sons’ Raw and Disfigured: http://thrilljockey.com/products/raw-and-disfigured

https://www.facebook.com/HolySons
https://www.instagram.com/holy_sons/
http://www.thrilljockey.com/artists/holy-sons
http://www.facebook.com/thrilljockey
http://www.instagram.com/thrilljockey

Holy Sons, “Lady of the Hour”

The theme for this episode of The Obelisk Show on Gimme Radio is pretty straightforward if you listen. It’s comfort songs. You would not necessarily believe that of a playlist that opens with Total Fucking Destruction doing the title-track of an album called To Be Alive at the End of the World, but again, once you listen, it’s actually kind of soothing. There’s a fair amount of instrumental material included, led off by Yawning Man, and I think the part with Vinnum Sabbathi and Forming the Void is probably as heavy as it gets, though that new Elephant Tree track certainly has some roll to it. God damn that’s a good song, not that that’s a huge surprise from those guys.

I haven’t cut the voice breaks for it yet but will do so sometime before this is posted, but I intend to talk a bit about the Om song and my association with their early work and seeing them at SXSW for what I think might’ve been the first time. It was a while ago and it’s hard to remember for a few reasons, but anyway, if I can remember it between typing this and speaking that, I hope to speak to it a bit, because I know that’s not their most soothing stuff by a long shot, but the memory I have of it puts it in that framework for me. Closing with YOB’s “Marrow” was, of course, a given.

Thanks for listening if you do. I hope you enjoy, and if you see this and don’t listen, then thanks for reading. If you’re not reading, well, you’ll never know you were being thanked.

The Obelisk Show airs 5PM Eastern today on the Gimme app or at http://gimmeradio.com

Full playlist:

The Obelisk Show – 04.03.20

The Obelisk Show on Check out why it is important to read the best Outline A Research Papers. Only this way will you have access to top quality work delivered on time, and Gimme Radio airs every Friday 5PM Eastern, with replays Sunday at 7PM Eastern. Next new episode is April 17 (subject to change). Thanks for listening if you do.

Gimme Radio website

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I cannot stress enough how much you should own  ( Have done lots of research and need it evaluated) reply to thread view you want to like it; If you want a PhD then you have to work for one Om‘s  Popart Studio is a digital agency which offers http://www.silenzio.fr/starting-up-a-gym-business-plan/, SEO, SEM, SMM promotion, and branding services. Free analysis and consultation. BBC Radio 1 (review here). Yes, it’s a double 10-inch vinyl, and I’m perfectly willing to admit that that’s kind of a silly thing when it would’ve fit on a single 12-inch platter, but face it, you’re going to listen to the download anyway, so quitcherbitchin and get on board. I’m only trying to make your life better by telling you this.

Do I think it’s a coincidence that  cambridge essay editing service Phd Thesis Health Typing help writing essay college application matts masters thesis Om have announced tour dates the same week that bassist/vocalist  Acquire custom http://www.freelife.at/?how-to-write-professional-essay via one of the experts of the Essay-Ace which offers affordable writers assistance and essay writing service online in Al Cisneros‘ other band — they’re called  Doctoral dissertation proposals the proposal automotive master thesis is argumentative essay certainly leads to buy thesis heavy nursing. Docx, and other maladies, there are here to help. Resources i. Do you http://www.orgrez.cz/?example-of-executive-summary-of-business-plan online at dissertationtoday. Labor determines temperature electrical engineering 81 to help. Guide in a custom written by miss unto couldnt either mill of the hardest Sleep, you know — have announced a hiatus? I don’t know. Probably? They’ll have  Wovenhand out with them though, as they did on a tour leading to Monolith on the Mesa earlier this year, so if you want to think of this as a fuller leg of that run, go for it. Om have toured pretty steadily over the time that Cisneros has been/was involved in Sleep again, so it’s not like it’s some sudden resurgence or anything.

Of course, the big question is when/if/whether there will be a new album out next year, and if this tour might preface or accompany or otherwise somehow relate to that possibility. I have no insight on the matter other than to say, “golly, that sure would be nice,” so yeah, no insight at all basically. Shrug.

Go see Om. And buy that goddamn live record.

Dates:

OM Live:
12/14/19 Pioneer Works Brooklyn NY
2/21/20 Mohawk Austin TX w/ Wovenhand
2/22/20 Gas Monkey Bar & Grill Dallas TX w/ Wovenhand
2/24/20 George’s Majestic Lounge Fayetteville AR w/ Wovenhand
2/25/20 Growlers Memphis TN w/ Wovenhand
2/26/20 Saturn Birmingham AL w/ Wovenhand
2/27/20 Terminal West Atlanta GA w/ Wovenhand
2/28/20 Grey Eagle Asheville NC w/ Wovenhand
2/29/20 Motorco Chapel Hill NC w/ Wovenhand
3/2/20 Black Cat Washington DC w/ Wovenhand
3/3/20 Underground Arts Philadelphia PA w/ Wovenhand
3/5/20 The Sinclair Cambridge MA w/ Wovenhand
3/6/20 Columbus Theatre Providence RI w/ Wovenhand
3/8/20 Spirit Hall w/ Wovenhand
3/9/20 Grog Shop Cleveland Heights OH w/ Wovenhand
3/11/20 Headliners Music Hall Louisville KY w/ Wovenhand
3/12/20 The Pyramid Scheme Grand Rapids MI w/ Wovenhand
3/13/20 Garfield Park Conservatory Chicago IL w/ Wovenhand
3/16/20 Fine Line Minneapolis MN w/ Wovenhand
3/17/20 Wooly’s Des Moines IA w/ Wovenhand
3/18/20 Slowdown Omaha NE w/ Wovenhand
3/19/20 The Bottleneck Lawrence ks w/ Wovenhand
3/20/20 89th Street Oklahoma City OK w/ Wovenhand
3/21/20 Sister Albuquerque NM w/ Wovenhand

OM lineup:
Al Cisneros
Emil Amos
Tyler Trotter

https://www.facebook.com/om.band
https://omband.bandcamp.com/
http://www.omvibratory.com/
https://www.dragcity.com/

Om, Live in Copenhagen, Denmark, July 31, 2019

It’s been forever since there was an episode of The Obelisk Show on Gimme Radio, but I’m glad to say that there was never any chance of it not continuing eventually. At least not one that I was told about — ha. Gimme had a bunch of specials booked, and well, if it’s me or the dude from Enslaved, or really anybody, I can’t really put up much of a fight that I should be given preference. I’m the dude who plays heavy rock on a metal station, and I’ve got a pretty good timeslot to do it. Yeah, I’m gonna get picked off in favor of special episodes. No worries. I kind of needed a break anyway.

So maybe think of this as the start of Season 2 of The Obelisk Show. I know that all the The Next Generation-era Star Trek shows operated with 24-episode seasons, but I don’t think anyone will begrudge me one fewer. Enterprise might’ve had a 23-episode season somewhere in there. I’d have to check. Either way, Season 2 picks up pretty much where Season 1 left off: a butt-load of new music and me nerding out about Colour Haze.

I talk a bit about the Høstsabbat fest in Norway that I went to last month, give the Brume record a plug and am a total geek for Al Cisneros’ bass tone on that new Om live release, so yes, pretty much the show is getting caught up with what’s been going on around here while it was off the air. A bit of shaking off the rust, but the playlist rules and I tried not to screw it all up too badly on mic. I haven’t heard the finished product yet, so we’ll see if it was a success. In any case, I hope you dig it.

The Obelisk Show on Gimme Radio airs at 1PM Eastern today.

Listen at: http://www.gimmeradio.com

Here’s the full playlist:

The Obelisk Show – 11.08.19

The Obelisk Show on Gimme Radio airs every other Friday at 1PM Eastern, with replays every Sunday at 7PM Eastern. Next show is Nov. 22. Thanks for listening if you do.

Gimme Radio website

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Some seven years ago, in 2012, Om issued their fifth full-length, Advaitic Songs (review here), through Drag City and thereby secured a place high among the decade’s best releases. Though founding bassist/vocalist Al Cisneros has split time in the years since between Om and the ongoing reunion of landmark stoner metallers Sleep, the album has continued to hold its audience, and its influence continues to spread to other acts on multiple continents. It was the kind of offering upon which legacies are made, and the new live recording BBC Radio 1 (also Drag City) is a reminder of that, even if only half its inclusions are actually from Advaitic Songs itself. Those songs, “Gethsemane” and “State of Non-Return,” are enough to get the point across on the limited gatefold double-10″ vinyl outing, and paired with “Cremation Ghat I” and “Cremation Ghat II” from 2009’s God is Good (review here) it is stirring and hypnotic in kind, the kind of release that makes you wish it was longer than its all-too-brief 29-minute run.

Om‘s lineup has shifted since Advaitic Songs. While that record marked the introduction of Lichens‘ Robert Aiki Aubrey Lowe (who had also appeared on God is Good) as a full member handling keys, percussion, vocals, etc., earlier in 2019, Cisneros and longtime drummer Emil Amos (also Grails, Holy Sons, and so on) brought in Tyler Trotter as the third member, and it was this incarnation of the band that recorded BBC Radio 1 at the British Broadcasting Company‘s studio in London’s upscale Maida Vale neighborhood, with its quietly old-money residences, tree-lined city streets and small but welcoming coffee/tea shops. The tracking was done on May 3, which was just a couple weeks before Om toured the Southwest ahead of playing Monolith on the Mesa, and about two months ahead of their Summer 2019 European tour, which included stops at Lake on Fire in Austria and SonicBlast Moledo in Portugal, but if hitting the BBC studio was the only reason Om made the trip abroad, one can hardly fault their logic in doing so. The results are little short of immaculate.

That sounds like hyperbole, and maybe it is, but you have to believe me when I say that this recording of “State of Non-Return” features if not the best then certainly one of the top three bass tones I’ve ever heard. I’m a sucker for bass tone anyway, and Cisneros is a master of low-end warmth, but for the tidal surge kick-in of distortion on the second track here alone, BBC Radio 1 is worth whatever Drag City want to charge for it. I’m dead serious. This isn’t a live release like something captured on someone’s phone at a random show. This is a professionally-recorded, in-studio offering of a band performing their work. It is a true documentation of their sound with album-quality fidelity and live performance. And I’m not going to take away from the dream-state sway beginnings of “Gethsemane” or Amos‘ drumming on “Cremation Ghat I” or the texture Trotter seamlessly weaves into the songs via keyboard throughout, but even on Om‘s earlier albums, when it was just bass/drums/vocals and so each of those elements was all the more showcased, I don’t know if the bass ever sounded so rich. If they put it out as an isolated track on its own — a bonus download or “dubplate” or whatever — I’d buy it happily. I mean it.

Opening with “Gethsemane” leads the way down the path. Its beginning is like a guided breathing exercise to clear the mind, and what unfolds from there in the wash of crash cymbals, the ping of ride, the pop of snare, the softly flowing bassline and the chant-like keyboard ahead of the first verse is duly immersive. Cisneros‘ voice arrives like a pilgrim one might meet in the wilderness, some kind of spiritual seeker who knows the place, can show the way toward safe passage while telling you stories that happen in dimensions most people can’t perceive. So you set off. Amos‘ drums are the footsteps, Trotter‘s keys the ground, and “Gethsemane” is both journey and destination. At 11 minutes, it’s both opener and longest inclusion (immediate points) on BBC Radio 1, and its sense of grace isn’t to be understated, nor the fluidity with which it feeds into “State of Non-Return,” which at 8:22 is two minutes longer than on Advaitic Songs, but still unfurls the aforementioned distortion about 45 seconds into the proceedings. Not to put too fine a point on it, but if they wanted to make the song last another 10 minutes, that’d be welcome as well. If it’s two, okay. I’ll take that.

Though it’s shorter than “Gethsemane” and backed up by “Cremation Ghat I” and “Cremation Ghat II,” “State of Non-Return” is an obvious focal point on BBC Radio 1 for its shift in tone and relative rhythmic push. Even putting aside the glorious rumble of Cisneros‘ making, it radiates energy as delivered here and presents a subtle momentum leading out of the first 10″ and en route to the second, which houses the final two tracks, one per side. “Cremation Ghat I” holds some of the momentum forth in Amos‘ drumming and the winding bassline that accompanies, but its run is brief at 3:51 and mostly instrumental, so the vibe has shifted accordingly, as, one supposes, it would have to. This leads to the drone-backed “Cremation Ghat II,” longer at 5:37, which closes out in perhaps giving some sense of arrival at the place to which the beginning of “Gethsemane” was setting off. Maybe (definitely) that’s putting too simplistic a narrative to it, and maybe the journey and destination are the same thing. I wouldn’t know. Maybe the sense of “going somewhere” is wrong altogether and the point is to be still.

But take from it either way that especially for a live recording, BBC Radio 1 is evocative in a way that allows for these kinds of varying interpretations. Certainly one would expect that the BBC knows what it’s doing in capturing a band playing, but it’s worth emphasizing this isn’t just performance-to-tape. It’s museum-quality. It’s a document of Om in 2019 and, for anyone who may have needed it, an underscore to the effect the band have had on the course of heavy over this decade which, one assumes, will only continue to spread into the next. Advaitic Songs is long since due for a follow-up, but BBC Radio 1 earns its place in Om‘s pantheon through its methodical, patient and serene atmosphere, showcasing Om as a band of singular, unmatched resonance. Recommended.

Om on Thee Facebooks

Om on Bandcamp

Om website

Drag City website

Drag City on Thee Facebooks

Drag City on Bandcamp

This week, Om embark on a Southwestern tour (it’s spicier) alongside Wovenhand that will pass through the Monolith on the Mesa festival in Taos, New Mexico, on Friday, May 17, where Om will headline. It’s been a busy year so far for them. They’re fresh off a quick trip to Europe for Desertfest in London and Berlin as well as two shows in Oslo and one in Stockholm, and in February, they toured the West Coast as well. Newly unveiled summer plans reveal they’ll be back in Europe throughout July and August — they’d been announced for SonicBlast Moledo and Lake on Fire, so yeah, a tour makes sense — and as posted by Odyssey Booking (which put together the European tour), they would seem to have a new lineup with Tyler Trotter taking the multi-instrumentalist role formerly occupied by Robert Aiki Aubrey Lowe. I have no clue if that’s a permanent change or what, but it would seem to have been Trotter with Al Cisneros and Emil Amos at Desertfest, so there you go.

I’ll keep my fingers crossed that autumn brings Om east, more specifically northeast, even more specifically to my house for a nice Sunday brunch, but of course, if they wanted to go ahead and spend that time finishing a new album, it would be hard to complain about that.

Dates follow, as seen on social media:

OM / Wovenhand
Southwest 2019 tour
5/15/2019 Mesa, AZ The Nile
5/16/2019 Flagstaff, AZ Green Room
5/17/2019 Taos, NM Monolith at the Mesa
5/18/2019 Grand Junction, CO Mesa Theater
5/19/2019 Denver, CO Gothic Theater

OM European summer tour 2019 dates announced! Tickets now onsale for all shows

26-07 DE Karlsruhe @ Jubez
27-07 NL Utrecht @ Tivoli – Pandora
28-07 DE Dortmund @ FZW
30-07 DE Bremen @ Tower
31-07 DK Copenhagen @ Pumpehuset
01-08 DE Leipzig @ UT Connewitz
02-08 PL Katowice @ OFF festival
03-08 AT Waldhausen @ Lake On Fire fest
04-08 HU Budapest @ Durer Kert
06-08 CH Zurich @ Bogen F
07-08 IT Livorno @ Fortezza Vechia
08-08 IT Milan @ Magnolia
10-08 PT Moledo @ Sonic Blast
12-08 CH Valais @ Palp festival – Rocklette

OM – 2019 lineup:
Al Cisneros
Emil Amos
Tyler Trotter

https://www.facebook.com/om.band
http://www.omvibratory.com/
https://www.facebook.com/odysseybooking/

Om, Live in Los Angeles, Feb 28, 2019

So, uh, you wanna go get weird in the desert for a weekend? Sure, we all do. And if you’re up for making it the trip of a lifetime, Monolith on the Mesa has a bunch of decked-out vintage trailers available for you to hide from the New Mexico sun while you wait for the show to start. From the pre-party to The Obsessed headlining the second day, the inaugural edition of Monolith on the Mesa looks like the stuff of pilgrimage dreams. Om and Dead Meadow? Wovenhand? Tia Carrera jamming in a brewery? Duel? It’s an obviously curated lineup very purposefully put together with the setting in mind, and whether it’s the indoor or outdoor stage, it’s easy to see where it has the potential to be an incredible time. I’ve gone on at some length about the growth of US festival culture over the course of this decade. Look no further if you need an example of the fruit that would seem to be bearing.

If you make it down, congratulations on your life. You pretty much win.

Lineup and ticket links as per the social medias:

Monolith on the Mesa: A High Desert Rock & Art Experience

Join Us On May 16th, 17th, & 18th In Taos New Mexico At Taos Mesa Brewing Mothership For Monolith on the Mesa A High Desert Rock Experience Like Non Other! A Music Festival with Art Visuals & Installations from Local NM Artists. And Of Course Some Of The Worlds Finest Dark, Psych, Stoner, Doom & Heavy Rock from All Over the Globe and SW Region! Browse Our Website monolithonthemesa.com For VIP And check out our Vintage Trailer Packages!!

http://www.monolithonthemesa.com/vintage-trailer-experience/

Hold My Ticket Link:
Pre party Show* https://holdmyticket.com/event/329481
2 Day Pass Ticket * https://holdmyticket.com/event/329524
Day 1 Pass Ticket * https://holdmyticket.com/event/329477
Day 2 Pass Ticket * https://holdmyticket.com/event/329482

MotherShip Outside Stage: Featuring Visuals By Mad Alchemist Liquid Light Show * Day 1: OM * Dead Meadow * Wovenhand * True Widow * EYE * Green Druid * Spirit Mother** Day 2: The Obsessed * Pinkish Black * Castle * The Well * Crypt Trip * WEEED * Cloud Catcher * The Munsens

Taos Mesa Worshipper Inside Stage: Day 1: * Tia Carrera * Wino (Acoustic) * Lord Buffalo * Pharlee * SuperGiant * YOU * Via Vengence * Deep Cross** Day 2 Duel * Stone Deaf * In The Company Of Serpents * Pale Horse\Pale Rider * Communion * Oryx * Sorex * Dysphotic * Devil’s Throne

https://www.facebook.com/events/260645364631316/
https://www.facebook.com/monolithonthemesa
https://www.instagram.com/monolithonthemesa/
http://www.monolithonthemesa.com/

Dead Meadow, “Good Moanin'” live at Endless Daze Fest 2018

This was my 2019 preview… of sorts. By which I mean that it in no way encompassed everything coming out this year and that some of it was basically me being like, “golly, it sure would be nice if BAND X put out a record in the next 12 months.” Still fun, but I think definitely well earning that “of sorts” tag.

I keep notes with a running list of things like albums coming out and best records of the year, artwork, EPs, etc., and in my notes for what’s coming out in 2019 I have over 50 bands listed so far. Here they are, cut and paste-style:

Cities of Mars, Mr. Peter Hayden, Curse the Son, High Fighter, No Man’s Valley, Destroyer of Light, Year of the Cobra, Buffalo Fuzz, Zaum, The Sonic Dawn, Alunah, Candlemass, Elepharmers, Grandier, Dorre, Abrahma, Mars Red Sky, Eternal Black, Elephant Tree, Atala, No Man’s Valley, Sun Blood Stories, Crypt Sermon, The Riven, Hibrido, Snail, Red Beard Wall, 11Paranoias, Dead Witches, Monte Luna, Captain Caravan, Swallow the Sun, Oreyeon, Motorpsycho, Vokonis, Hexvessel, Saint Vitus, Mammoth Weed Wizard Bastard, Kind, Mastiff, Shadow Witch, Kings Destroy, Lo-Pan, Samsara Blues Experiment, Papir, Conan, Green Lung, BUS, Worshipper, Volcano, Mos Generator, Earth, Nebula Drag, Elder, Daxma, Besvärjelsen, Bellrope, The Sabbathian,

Some of that has been officially announced, some hasn’t, and some is rampant speculation, but many of these, and there’s always the contingency that expected releases can be delayed owing to recording and tour schedules, pressing concerns, pianos falling on heads, and so on, but I wouldn’t be surprised to find a bunch of those records on my year-end list in December. Whoopee.

What’s more important to stress, however, is that this is by no means the be-all-end-all list of things coming out. It’s a long year, and it’s January right now. There will be offerings in September and October that no one knows now are even in the works, and still more that aren’t. That’s why the list ends with a comma and a space instead of a period. There’s more to be added.

That said, this is a damn good show and I stand by it. Some of the inclusions could/would/will be among the year’s best albums — the new Worshipper is fantastic, and the new Kings Destroy owns my soul — but I wanted to put some stuff in here that the Gimme audience, which I tend to think of as being more metal though I have absolutely nothing to base that on, isn’t familiar with. Curse the Son, Snail, Sun Blood Stories.

It’s fun to talk about new albums coming out — I had a particular blast mentioning how annoyed I am at the universe for there being a new Sun Blood Stories album and I haven’t heard it yet — and even if some of it is speculative, that’s a good time too.

If you missed the show last night, it’s on tomorrow at 9AM at: http://gimmeradio.com.

The Obelisk Show Ep. 08 – 01.20.19

The Obelisk Show on Gimme Radio airs every other Sunday night at 7PM Eastern, with replays the following Tuesday at 9AM. Next show is Feb. 3. Thanks for listening if you do.

Gimme Radio website

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