Heavy Temple Set June 18 Release for Lupi Amoris; “The Maiden” Posted

Posted in Whathaveyou on April 5th, 2021 by JJ Koczan

heavy temple

This is something to be excited about. I don’t think you need me to tell you that, but in case you do, I just did. America As Blog City Culture Dissertation In Indicator Urban Weblog - Instead of wasting time in unproductive attempts, get qualified assistance here Only HQ academic writings provided by top Heavy Temple have been steadily working their way toward a full-length debut since well before their self-titled EP (review here) turned so many heads in 2014. In 2016, Diversified Background Cover Letter - Proofreading and proofediting services from top specialists. Fast and trustworthy services from industry top company. put out a little Chassit EP (review here) might’ve sufficed — sure sounded like an album to be, even at 28 minutes — but without that official “here you go this is an album” stamp, one tends to defer to whatever a band wants to call their own release.

Because of that, the impending  Are you looking for http://icdc.cen.uni-hamburg.de/?quantitative-research-sample-paper? Get online letter expert writing service when you click here. Lupi Amoris feels even more like an event, since while  how to write a literature review based dissertation Dissertation Pages Mac Argumentative essay writing my neighbourhood executive ghostwriting services Heavy Temple haven’t been at all absent — they’ve been through a couple lineups at this point, but a steady stream of short releases and live shows/fest appearances has kept their momentum going — they’ve specifically chosen this is as their moment to offer a first LP. June 18 is the release date, and preorders are up, as well as the streaming track “The Maiden,” which would seem to be an essential component of the narrative aspect of the songs.

I’ll hope to have more on this before it’s out. I haven’t heard the full thing yet, but it’s been one I’ve been looking forward to for a long time.

PR wire info follows:

heavy temple lupi amoris

HEAVY TEMPLE release first single ‘The Maiden’ and details of debut full-length “Lupi Amoris”

We know how to make your dissertation or thesis better. Entrust real professionals! Quality dissertation and Inc Business Plan services Preorder: http://lnk.spkr.media/heavy-temple-lupi-amoris

recommended you read - Writing a custom paper is go through a lot of stages Order the necessary coursework here and forget about your worries Release date: June 18

HEAVY TEMPLE crash forth like a roaring mastodon in a thunderstorm with their first official full-length, “Lupi Amoris,” and it has all the markings of a landmark record.

As progressive as BARONESS but unselfconscious, as heavy as FU MANCHU but more adventurous, this Philadelphia trio throw every lever in the riff-metal machine, yet also wield lyrical concepts that register on literary levels.

“Lupi Amoris” offers a one-way trip through wide-open spaces and deep forests. Its songs wind and deposit heavy flotsam like a mighty musical stream, pushing through swirling rapids, cutting through riff-mountains, and swelling with addictive grooves. Riding atop the sonic waves, singer and bass player High Priestess Nighthawk belts powerfully over the roaring din.

When HEAVY TEMPLE came into being on the 2012 winter solstice, the trio were after the pure fun and joy of playing heavy music, illustrated by each founding member’s chosen nom de guerre: High Priestess Nighthawk, Rattlesnake, and Bearadactyl.

At first playing shows locally in Philly, the band quickly gained an excellent live reputation, leading to tours alongside RUBY THE HATCHET, MOTHERSHIP, ROYAL THUNDER and CORROSION OF CONFORMITY. Invitations to notable festivals included The Maryland Doom Fest, Psycho Las Vegas, and Decibel Metal & Beer, among many others. It’s an impressive live showing made even more remarkable when considering that HEAVY TEMPLE have yet to release their debut full-length.

After their first self-released and self-titled EP “Heavy Temple” (2014) was picked up by esteemed German cult label Ván Records, the self-released single ” Love You To Death ” and sophomore EP “Chassit” followed in 2016. Second single “Key & Bone” arrived in 2018, and the split 7″ “From the Black Hole” with WOLFBLOOD materialized in 2020, but it took until 2021 for a full album to appear on the horizon at last. It speaks volumes about HEAVY TEMPLE’s talent and face-melting live impact that the invitations to attractive tours and prestigious festivals continued to roll in anyway.

Although HEAVY TEMPLE leverage all the trappings of traditionally male-oriented metal (to the point that their sound could proudly sport a full beard), the powerful presence of frontwoman and sole remaining founding member High Priestess Nighthawk merges their glorious heaviness with a strong thematic line of feminine strength.

“Lupi Amoris” is Latin for “Wolves of Love,” and takes strong inspiration from Angela Carter’s story “The Company of Wolves.” In it, the narrative of Red Riding Hood is flipped from a cautionary tale about the dangers of lust and desire, feelings young women were traditionally expected to stifle, to a story of female sexuality and power reclaimed. “Lupi Amoris” finds the Philly outfit aligning with a Red Riding Hood who is freed from the traditional bonds of what’s expected.

Proving that it’s quite possible to hammer out gargantuan stoner doom and still say something about life’s realities, HEAVY TEMPLE make a fierce and much-needed statement with “Lupi Amoris”, and at these volumes, the world is guaranteed to hear it.

Tracklist
1. A Desert through the Trees
2. The Wolf
3. The Maiden
4. Isabella (with Unrelenting Fangs)
5. Howling of a Prothalamion

Recorded & mixed by Will Spectre at Red Water Recordings
Mastered by Dan Randall at Mammoth Sound Mastering

Artwork by Alex Reisfar
Layout by Zach Thomas

Line-up
High Priestess Nighthawk – vocals, bass
Lord Paisley – guitar
Baron Lycan – drums

https://www.facebook.com/HeavyTemple/
https://www.instagram.com/heavytemple
https://heavytemple.bandcamp.com
http://store.merhq.com
http://magneticeyerecords.com/
https://www.facebook.com/MagneticEyeRecords

Heavy Temple, “The Maiden”

Tags: , , , , ,

Queen Elephantine Post “Kali Puja” Improvised Outdoor Jam

Posted in Bootleg Theater on March 15th, 2021 by JJ Koczan

queen elephantine

If we’re lucky, this is a thing we’ll see much more of in 2021. Band, going to a place, playing music. In the case of oft-traveled drone experimentalists  uk phd thesis search Matlab Assignment Help Needed ghostwriting services denver writing an admission essay definition Queen Elephantine, it’s to Mount Moriah Cemetery on the Southwestern edge of Philadelphia, and what they’re doing there is improvising a 26-minute piece titled “Kali Puja” in reference to the Hindu festival of the same name happening around when the video was recorded last November. As one might expect given the scope of  Only plagiarism free papers The Best Place To Buy College Essays papers obtained here are original and meet all the highest academic standards. Queen Elephantine‘s work, it dives deep into meditative heavy psychedelia is due fashion from the band that offered their latest LP, In addition to this, our PhD dissertation writing services and our Help Writing Descriptive Essay service in general is defined by a commitment to 100 percent original work. One of the worst things about many essay mills is that their writers frequently plagiarize their work from other sources. Beyond being unethical, plagiarism is a capital offense at most universities. Our writers, in contrast Gorgon (review here), in 2019 through  Due to demanding schedules and constrained finances, many students end up wondering if they can get Buy College Application Essay University Of Michigan services. Though many writing services promise to deliver papers at a low price, most of these services do not deliver to the satisfaction of the client. They instead waste your time and even compromise your performance. However, our writing services are second to none Argonauta Records and  Looking for professional Title Page For Research Paper Mlas? CDP offers high quality SEO content and article writing services at affordable prices with unlimited Atypeek Music, and brought a series of EP releases to bear in the Pandemic Year in lieu, of course, of live shows.

Led as always by founding guitarist/sometimes vocalist  The http://sea.qc.net/?do-my-english-homework writers will ensure the paper respects all your guidelines. They will also stay in contact with you throughout the project. Should you need to make any changes or additions, the writers are flexible about that. If you are looking for the most reliable dissertation service in the US, we invite you to place an order, or get a free quote for your paper. Order our best Indrayudh Shome, http://www.papeterie-kirschenmann.de/?help-me-write-my-essay-for-free! Pass courses without too much pain with Master Papers. Confidentiality guaranteed. Queen Elephantine here operate as a four-piece in organic fashion and they get a solid groove going over which go to site glasgow, creative writing essays on the beach, popular dissertation conclusion editor services ca, custom critical Shome and fellow guitarist Resources. The road to crafting and completing your buy dissertation online is paved with its challenges and many a times, a number of students tend to give up and leave their dissertation writing ambitions. This can occur in postgraduate and doctoral level both. Dissertations consist of amalgamating years of hard work and research into a book form according the universitys Brett Zweiman space out respectively with leads, urgent angularity and various exploratory effects runs. It’s jazz, straight-up, but with the influences it’s working under, still duly heavy in the drums and able to affect an atmosphere in the outdoor setting. The video weaves in footage of Kali, and while I don’t know if the band’s permits were necessarily in order, the music certainly is, even if the ‘order’ is working in its own number system. That’s nothing new for Queen Elephantine, and frankly, anyone who’s ever listened to the band before should expect nothing less.

“Kali Puja” and another jam recorded the same day will be released on cassette through Misophonia Records this summer, and Queen Elephantine also have a collaborative work with Russian throat-singing outfit Phurpa that will be out May 4 through 4iB Records in Singapore, and on tape through Misophonia and DL on Atypeek Music.

Enjoy the clip and the journey:

Queen Elephantine, “Kali Puja” Live at Mount Moriah Cemetery, Nov. 2020

After closing 2019 on a high note with the release of the album Gorgon on Argonauta Records and a supporting tour, all plans for 2020, including a European tour, were brought to a halt by the pandemic, and practice was suspended.

In November 2020, after more than six months apart, QUEEN ELEPHANTINE assembled at Philadelphia’s historic Mount Moriah Cemetery to perform a live free improvisation for the spirits on the auspicious day of Kali Puja.

This and another cut from the session will be given a limited edition cassette release on Misophonia Records (UK) this summer.

Queen Elephantine, Gorgon (2019)

Queen Elephantine website

Queen Elephantine on Bandcamp

Queen Elephantine on Thee Facebooks

Misophonia Records on Thee Facebooks

Misophonia Records on Bandcamp

Tags: , , , , , ,

Mothman & the Thunderbirds Premiere “Infinite Ocean” Single

Posted in audiObelisk on March 15th, 2021 by JJ Koczan

Mothman and The Thunderbirds

Philadelphia-based one-man progressive heavy rock outfit Mothman and the Thunderbirds will make its self-released debut with Into the Hollow on May 21. Running just over half an hour in a span of 11 tracks, the record careens across its material, translating prog-metal à la Devin Townsend, Opeth and others into a heavy rock and sludge context with an overarching experimental feel — each track seeming to take an idea and using it to flesh out its own sonic intent while feeding into the flow of the whole. The guttural vocals on “Nomad,” for example, will remind of Crowbar, but they’re Mothman and The Thunderbirds Into the Hollowsurrounded by winding leads, tambourine urgency, and what may or may not be an oud. The line between metal and rock is blurred throughout largely to the point of irrelevance, and as vocalist, guitarist, bassist, programmer, general-mastermind Alex Parkinson taps his inner Remission-era Mastodon on “Indrid Cold,” having already intro’d the record with the rush of “Mothman Takes Flight” and vocoder-izing chug “Hollow Earth,” the referential vibes feel no less multifaceted than the songs themselves.

‘Mothman’ and ‘Thunderbirds,’ as well as numerous other titles and lyrics, refer to American folklore and cryptozoology, and Into the Hollow itself is decidedly American in its melding of styles, but it’s also remarkably purposeful. “Infinite Ocean” dares a hook over its programmed drums, more Devin Townsend-esque runs, and clever layering, while “The Simpsons = Real Footage” — one of several cuts that brings in a guest on vocals — full-on engages a conspiracy theory mindset in its lyrics, with references to psyops and cover-ups. I don’t know Parkinson‘s actual views on any of the subjects the album is covering — if you were forcing me to guess I’d say “fascinated by” — but he seems remarkably well versed, and as the second half the tracklist unfolds with “Agarthan Riders” settling into the surrounding context in a way that feels like it’s evening out somewhat, the material doesn’t dull in the slightest. “Cloud Giant” brings in programmed flute sounds, more guest vocals (indeed, harmonies) and compositional surety, while the birdsong-laced acoustic “Squonk” is a quick harmonized lead-in for the outright pummel of “Roko’s Basilisk.”

If you don’t know — and I didn’t — the reference in that song’s title, you could Google it and lose the rest of your afternoon to furrowed-brow reading and confusion while simultaneously opening a wormhole of targeted ads for who knows what (I guess I’ll find out), but the shove in “Roko’s Basilisk” feels like it’s being mothman and the thunderbirds infinite oceangiven due ceremony as the penultimate and most aggressive cut ahead of the melodic roundout in “Hollow Sun,” an obvious complement to “Hollow Earth” earlier on. It is a strange world inhabited by strange creatures and ideas that Parkinson is creating, but the fact is, he is creating a world. In 31 minutes. Across 11 widely varied songs. On a debut release. The achievement of such isn’t to be understated, and while there are moments where for the breadth he’s shooting for he’s a bit undercut by the home-recorded feel, especially for a first outing, Into the Hollow is impressive in scope and execution alike, as well as brimming with forward potential for where Mothman and the Thunderbirds — why should Britain get all the silly band names? — might go next. I take the fact that I’m not willing to hazard a guess beyond “further” as a good sign.

Understand as you listen to the premiere below that “Infinite Ocean” isn’t so much a summary of Into the Hollow as a whole as a teaser of just some of the ideas Parkinson is working with across it. He offers some comment under the player that follows, and there’s some more background as well, dutifully hoisted from Bandcamp, where preorders are up.

Please enjoy:

Alex Parkinson on “Infinite Ocean”:

“Infinite Ocean” is one of the few songs that was completely written before I started this project, and thus is one of the few without any obvious references to conspiracy theories or cryptids in its lyrics. I had originally written the song about my experience with anxiety, which is made pretty obvious by the chorus. When I was doing my “research” for this album, I came across a theory about the ocean being bottomless. I thought this idea fit well with the song’s themes, so I tweaked a lyric and then boom – the song was complete!

When I went to record vocals for the album, I wasn’t super comfortable with the idea of doing all the clean vocals myself, so I brought in a few ringers to shake things up. I’m really thrilled with how all the guests’ – or rather Guest Thunderbirds’ – performances turned out, and “Infinite Ocean” is just one shining example of that. Jason Roberts of the bands Breaths and CHNNLR sings on the song’s third and fourth verses, and I think his voice is such a perfect fit!

Preorder here: https://mothmanandthethunderbirds.bandcamp.com/album/into-the-hollow

Into the Hollow, the debut album from Mothman and The Thunderbirds, will be released on May 21st. The first single “Infinite Ocean” will be released on March 16th.

Mothman and The Thunderbirds is the ambitious and conceptual solo project of Alex Parkinson. Will the Mothman be able to prevent disaster this time? Who knows, there’s bigger things going on to worry about like hollow earths and oceans without end. It’s going to take a whole cast of characters and guest musicians to save us from this one. Do you believe in reality?

Into the Hollow is a stoner metal album for people who are bored of stoner metal. The album is eclectic in scope; no two songs sound alike. Many of the song titles reference cryptids and conspiracy theories, but the lyrics intertwine these subjects with themes of anxiety, isolation, global warming, war, and manufactured consent. The insanity of it all is woven into an emotional, often aggressive, experience that just barely exceeds a 30-minute runtime.

Alex Parkinson – guitars, bass, vocals, vocoder, programming, mixing, mastering

Guest Thunderbirds:
Jason Roberts (of Breaths/CHNNLR) – Lead vocals on verses 3 & 4 of “Infinite Ocean”
Kirby – lead vocals on “The Simpsons = Real Footage”
Sam Parkinson – guitar solo on “Agarthan Riders”
Joe Sobieski – lead vocals on “Cloud Giant”

Mothman and the Thunderbirds on Thee Facebooks

Mothman and the Thunderbirds on Instagram

Mothman and the Thunderbirds on Bandcamp

Tags: , , , , ,

Thunderbird Divine Post Rehearsal Clip of New Song “Cerebral Tides”

Posted in Bootleg Theater on February 2nd, 2021 by JJ Koczan

thunderbird divine tides

Kudos to Thunderbird Divine on beating me to the obvious joke that their rehearsal room clip of the new song “Cerebral Tides” looks like it was shot on a security camera. The VHS filter only enhances that impression. Fair enough. You’ll always have my heart, Philadelphia.

Check your Way-Back Machine and you might recall Thunderbird Divine putting out the righteously-funked The Hand of Man EP (review here) just as humanity was beginning to burrow itself into the ground and hope it survived the asteroid slamming into the surface of the earth… or something like that. Either way, the EP r-u-l-e-d, and made a killer follow-up to 2019’s Magnasonic (review here), and it seems the group aren’t content to rest on those laurels, as their space-heavy cosmic sludge groove has expanded once again. What the hell does that mean? Means they got a keyboardist. Keep up.

And what exactly do we know about our new friend Jack? Well, it’s safe to assume he has a last name, though I don’t know what it is — I could ask, but that would be totally unlaid-back of me and the vibe in “Cerebral Tides” is directing me otherwise — and we know he makes Thunderbird Divine‘s rehearsal space one more person plus one keyboard’s worth of crowded. And from listening we know he rocks it. That’s not exactly nothing to go on.

But though more info will presumably be revealed in good time about their intentions/surnames, I’m glad to see Thunderbird Divine are working on new stuff. Even in this grainy form, you can hear “Cerebral Tides” has its groove on lockdown like there’s been an outbreak of nod, and the who knows whether it’ll stay instrumental or get some vocals later on. Whatever, whenever. These dudes have earned my trust to this point to the degree that, whatever’s coming next, I want to check it out.

Enjoy:

Thunderbird Divine, “Cerebral Tides” rehearsal video

Top secret security Thunderbird Divine cam footage has been leaked, revealing a new instrumental track called “Tides” and the presence of a ‘Bird named Jack, who seems to be playing keys.

Stay tuned for things to come, friends.

Thunderbird Divine is
Erik Caplan: electric guitars, vocals, theremin
Flynn Lawrence: electric guitars,
Mike Stuart: drums
Adam Scott: bass
Jack: keys

Thunderbird Divine on Thee Facebooks

Thunderbird Divine on Instagram

Thunderbird Divine on Bandcamp

Salt of the Earth Records on Thee Facebooks

Salt of the Earth Records website

Tags: , , ,

Heavy Temple Sign to Magnetic Eye Records

Posted in Whathaveyou on January 27th, 2021 by JJ Koczan

Philadelphia hard fuzz trio Heavy Temple have signed to Magnetic Eye Records to issue what’s being billed as their debut full-length this summer. The band took part last year in the Mutants of the Monster virtual festival and made summer groove by covering Funkadelic on a split with Wolf Blood (discussed here) that served as the follow-up to 2016’s Chassit EP (review here) as the group, led by founding bassist/vocalist High Priestess Nighthawk, proceeded to roll through multiple lineup changes. 2020 was to have found Heavy Temple featuring on a number of fests, from the Psycho Smokeout to New England Stoner and Doom to Monolith on the Mesa to Descendants of Crom, but then of course 2020 happened.

Nighthawk and Heavy Temple nonetheless took part in the various artists compilation Women of Doom (review here) with the highlight cut “Astral Hand,” taking on a more classic doom style for the song and adding intrigue for what the group’s full-length debut — to call it “awaited” is putting it lightly — might see them manifest.

A summer 2021 release is expected for the yet-untitled offering, as Magnetic Eye made sure to note while making the announcement via the social medias.

I was grateful to be tagged in the following post, and I’ll hope to have more on the record soon:

heavy temple

MAGNETIC EYE RECORDS – HEAVY TEMPLE

MASSIVE SIGNING NEWS

Magnetic Eye is unutterably stoked to announce that brain-melting doom/groove trio HEAVY TEMPLE have joined the roster! The Philadelphia three-piece, who made their mark with a slew festival slots at Psycho Las Vegas, Black Flags Over Brooklyn, The Obelisk All-Dayer, Decibel Metal and Beer, Maryland Doom Fest and DesertFest New York, and tours with COC, Ruby the Hatchet, Royal Thunder and Mothership, are preparing to release their first official full-length this summer.

Welcome to the titanic Heavy Temple, and get ready to have your minds blown by what this powerhouse outfit has coming!

https://www.facebook.com/HeavyTemple/
https://www.instagram.com/heavytemple
https://heavytemple.bandcamp.com
http://store.merhq.com
http://magneticeyerecords.com/
https://www.facebook.com/MagneticEyeRecords

Tags: , , ,

High Reeper Premiere Pentagram Cover “Hurricane” from Self-Titled Reissue

Posted in Bootleg Theater on November 24th, 2020 by JJ Koczan

high reeper (photo by drew wiedemann)

High Reeper‘s self-titled debut (review here) will see a re-release through Heavy Psych Sounds on Jan. 11 with two bonus tracks and some stylin’ new cover art. To answer your first question, no, it hasn’t been that long since the label put it out in the first place. After the band self-released in 2017, the Italy-based imprint did the honor in 2018, and as the band set off on the road in Europe twice in 2019, they still managed to find time to issue the follow-up, Higher Reeper (review here), as well. Obviously 2020 has been somewhat lighter in terms of road time owing to blah-blah-blah-if-I-think-about-it-anymore-my-head-is-going-to-explode, so perhaps it’s a good time to revisit High Reeper‘s first LP (they were a five-piece at the time, now four), get it back in print, and for those who like a little something extra, offer it with a new look and a couple more tracks.

One of the cuts in question is a cover of Pentagram‘s “Hurricane.” How do you feel about Bobby Liebling? Dude punched his mom. Dude was at very least accused of sexual harassment on tour. On and on. A pariah among some — many — he may be, but there’s little use denying the force that is Pentagram‘s First Days Here era, those once-lost recordings from the early ’70s that kickstarted a revolution in retro heavy when unearthed for a subsequent generation’s appreciation. All you have to do is listen to High Reeper‘s take on “Hurricane” to realize that — and it’s only two minutes long, so it’s not about to put a dent in your busy day or whatever. The band could’ve covered “Forever My Queen” or “Relentless” or one of those other riffs that launched a thousand ships, but by digging even just a little further, they get to put their stamp on something familiar while making it their own.

I can hardly think of anything more fitting when it comes to their sound as a whole.

Enjoy the track. Quickie band quote and High Reeper reissue preorder link follow:

High Reeper, “Hurricane” official track premiere

High Reeper on “Hurricane”:

“All of us love Pentagram (especially the early stuff) so we thought it would be cool if we did a track from that era. It’s an overlooked track but we all think it rocks.”

Debut album ‘High Reeper’ (reissue w/ 2 bonus tracks + new artwork) out January 11th, 2021 on Heavy Psych Sounds: https://www.heavypsychsounds.com/shop.htm#HPS072v2

High Reeper’s self titled debut is an unapologetic punch to the face for fans of early ’70s proto-metal. Produced, engineered and mixed by bass player Shane Trimble at TTR studios in Philadelphia and at his home studio Delwood sound in Delaware. The production is laced with old school elements while still maintaining the focus of a modern release.

High Reeper is:
Zach Thomas- vocals
Pat Daly- guitar
Justin Di Pinto- drums
Shane Trimble- bass

High Reeper on Thee Facebooks

High Reeper on Bandcamp

Heavy Psych Sounds on Thee Facebooks

Heavy Psych Sounds website

Heavy Psych Sounds on Bandcamp

Tags: , , , , ,

Sonja Sign to Cruz Del Sur; Loud Arriver Out Next Year

Posted in Whathaveyou on November 6th, 2020 by JJ Koczan

Philly trad metal-style heavy rockers — or is it heavy rock-style trad metallers? — Sonja have signed to Cruz Del Sur Music to issue their debut long-player in the New Year. Titled Loud Arriver, the album will have been preceded only by the 2018 two-songer demo, Nylon Nights/Wanting Me Dead, issued by Creep Records. And I don’t know of those songs will make the record, but I’m certainly not hearing anything in them that wouldn’t make sense.

Interesting to read that the band have roots in more extreme fare. As Philadelphia has kind of become a hotbed of newer-school underground heavy metal, rock and psych, there have been a number of acts emerging whose pasts found them digging into more aggro influences — Ecstatic Vision come to mind first — but whatever works, frankly. Sonja obviously have their house order, otherwise I don’t think a label like Cruz Del Sur comes knocking in the first place.

Info from the PR wire:

sonja loud arriver

Philadelphia Rockers SONJA Sign With Cruz Del Sur Music

Cruz Del Sur Music is proud to announce the signing of Philadelphia rockers SONJA. The label will release the band’s first full-length studio album, Loud Arriver, in early 2021.

SONJA formed in 2014 when vocalist/guitarist Melissa Moore and drummer Grzesiek Czapla started to look for new musical avenues beyond their extreme black, death, grind and thrash backgrounds. Instead of entrusting an outsider with the vocalist position, Moore took it upon herself to learn how to sing. Along the way, the band added bassist Ben Brand, completing a lineup that is rife with musical diversity with influences stretching from classic and doom metal, all the way to Goth and post-punk.

In 2018, SONJA released the Nylon Nights / Wanting Me Dead demo, a hook-laden display of metal that was immediately lauded for its catchiness and heaviness. The demo caught the interest of Cruz Del Sur Music.

“We immediately got a good feeling and it was obvious that we were dealing with a label that was about the music above all,” says Moore. “Despite our past bands, we had never toured with SONJA and didn’t have an official release, so Cruz Del Sur to be able to ‘discover’ us meant something. A very sick label found Sonja based on our songs only, and that’s the kind of omen we respect.”

“From day one this band has had a strong vision, and we consider it our duty to serve that vision,” she continues. “As a result, we take a long time to make sure that what we are crafting is totally on point. It’s a cohesive sound and we prioritize hooks above all. Real heavy metal fire has to be there in every song along with sensual dark rhythms. No one shows up to the dojo with a full song and says ‘play this.’ We write the music together in the same room. This is a band about songwriting and the songs are bigger than anything else about us.”

Speaking of songwriting, Loud Arriver will feature eight songs of “beautiful, dark, mighty and wicked” heavy metal and is the product of a tandem recording process with the music being recorded by Daniel Kishbaugh and the vocals being recorded by Arthur Rizk in Philadelphia at Creep Recording Studio. As 2020 starts to draw to a close, Moore and her bandmates leave with some words of encouragement for 2021:

“Whatever is going on in the world, whether it be death and misery, or MORE death and misery, SONJA will accompany you to the end.”

Artwork by Karmazid!

facebook.com/Sonjabooking
instagram.com/sonjaphilly
sonjaband.bandcamp.com/releases
cruzdelsurmusic.com
facebook.com/cruzdelsurmusic
cruzdelsurmusic.bandcamp.com

Sonja, Nylon Nights/Wanting Me Dead (2018)

Tags: , , , , ,

Queen Elephantine Post Tribute to Atrophos Vol. III EP

Posted in Whathaveyou on August 5th, 2020 by JJ Koczan

No doubt calling the series ‘Drones Against Lethargy’ would’ve been too obvious for the likes of Queen Elephantine, but Tribute to Atrophos makes the point just the same as a title, and with the advent of Vol. III out now, they’re certainly living up to the standard they set in terms of not being apathetic. The improvisation-based experimentalist troupe continue to mine the out-of-normal and return to ground with a style that is as much drone as it is aural spiritualism and still somehow heavy regardless of whatever volume it happens to be operating with at any given time. Music of presence, for lack of a better way to say it. Their recordings are almost always raw, and this one is too, but the effect of making you wish you were in that room is palpable, and for me, that’s what it’s always been about with them. They remain undervalued.

The PR wire brought words:

Queen Elephantine Tribute to Atrophos Vol III

Psychedelic Doom Drone Rituals: QUEEN ELEPHANTINE Third Installment Tribute To Atrophos Online Vol. III of New EP Series Online

Queen Elephantine returns with three new EP’s in a digital series titled Tribute To Atrophos. The illustrious psychedelic avantgarde collective was formed in Hong Kong in 2006 by Indian musician Indrayudh Shome and wandered through many cities before finding its current home base in Philadelphia, USA.

The post-apocalyptic global sound of Queen Elephantine is both heavy and transcendent, informed by everything from doom, drone, noise, krautrock, free jazz, and spiritual and subversive sounds from all over the world.

Besides several studio albums, the band has released a number of splits, including with Sons of Otis and Elder, and have recently finished a collaborative album with the Russian ritualists Phurpa.

In observance and tribute to this period of global atrophy, they present a collection of improvisations recorded in the months following the release of their last LP Gorgon in November 2019 on Argonauta Records and Atypeek Music.

Queen Elephantine:
Indrayudh Shome: Guitar/Vocal
Camden Healy: Bass
Nathanael Totushek: Drums
Brett Zweiman: Vocal/Electronics
Matthew Couto: Synthesizer
Daniel Quinn: Pukele/Percussion
Srinivas Reddy: Tanpura

www.queenelephantine.com
www.queenelephantine.bandcamp.com
www.facebook.com/queenelephantine
www.atypeekmusic.com

Queen Elephantine, Tribute to Atrophos Vol. III

Tags: , , , , ,