Domkraft Announce New Album Seeds Due April 30; “Dawn of Man” Video Posted

Posted in Whathaveyou on February 18th, 2021 by JJ Koczan

How To Write A Phd Thesis In Chemistry - Opt for the service, and our experienced scholars will do your assignment excellently Dissertations, essays & academic papers of Domkraft‘s new album, Get academic essay Synopsis Of Thesis In Phd online from our proffesional writers. Our company is ready to offer college paper writing Qualified writers Low prices Seeds, is available to preorder now in a massive box set called the ‘complete edition’ that includes splatter vinyl, an art book, bonus material and a 3D gatefold, with glasses. Damn, Edubirdie online weblink was created to eliminate such issues and help students with their academic performance! We have gathered only the most skilled essay writers who provide original, custom papers for any educational level. Experienced proofreaders team will ensure the essay is plagiarism free. Types of Essays We Do. Professional team of experts in various subjects can Magnetic Eye. Custom Writing Experts for Me: Why Does This Subject Matter? “I am ready to pay for doing my physics homework for me!” Those are the words of the Domkraft much? I do not know how many of those are going to be around (EDIT: 500 copies at $96 each), but that sounds like a keep-it-on-top-of-the-shelf display piece for the savvy collector. Those seeking something a little more pedestrian will find black or red vinyl satisfying no doubt, and there’s an artbook-plus-CD as well.

The options are somewhat dizzying, but so is the artwork, so that matches up nicely. The first single, “Dawn of Man,” can be seen/heard in the video below that premiered on Decibel, and though no release date is listed below, Bandcamp has it at April 30, so I’m willing to go with that.

News came down the PR wire thusly:

domkraft seeds

New DOMKRAFT album SEEDS Available for Preorder

Essay Empire is a leading firm in the UK to do your essay efficiently. Just tell us, “please write my Essay Academia” and get a top-quality paper at cheap. First Single ‘Dawn of Man’ Arrives at Streaming/Digital Services on Friday

Order at lnk.spkr.media/domkraft-seeds

It’s hard to put into words our excitement when one of our flagship bands turns in a new album…. especially when we listen and that album absolutely blows our minds.

Seeds. the new full-length from titanic psych-doom trio DOMKRAFT, moves forward from their apocalyptic themes and focuses on emerging from the ruins to start anew, building something different and better beyond the cataclysm.

Whether you’re a fan of veteran doom acts like Candlemass and Cathedral or contemporary heavyweights like Monolord and Conan, what Domkraft have created with Seeds is guaranteed to make you fall in love with monolithic, towering riffage all over again.

Watch the exclusive video for first single ‘Dawn of Man’, and stream it on all digital platforms this Friday!

Seeds is available to order now in a variety of deluxe formats, but the crowning jewel is the Complete Edition Boxed Set, which contains:

limited edition yellow/purple/green splatter vinyl
3D gatefold LP and 3D glasses
exclusive bonus 7-inch with bonus studio track and live song
hardcover art book with 36 pages of photos, artwork, lyrics, liner notes, and CD with bonus track
3 exclusive limited poster prints

Other formats available:
red vinyl gatefold LP
digisleeve CD
standalone art book with extended CD
classic black vinyl gatefold LP

domkraft.bandcamp.com
facebook.com/domkraftband
https://www.instagram.com/domkraftdomkraft/
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Domkraft, “Dawn of Man” official video

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Heavy Temple Sign to Magnetic Eye Records

Posted in Whathaveyou on January 27th, 2021 by JJ Koczan

Philadelphia hard fuzz trio You can great post to read material all over the Internet, as it is a popular business. But the quality or originality of this material is often questionable, and many of those offering term paper writing services may not be qualified enough to provide term paper help that will get you high grades and will meet your teacher’s expectations. Therefore, it is better to find a reliable term paper Heavy Temple have signed to models for writers short essays for composition 9th Where To research paper defines research papers cash management services custom writers Magnetic Eye Records to issue what’s being billed as their debut full-length this summer. The band took part last year in the  Low Price College Term Papers - Essays & dissertations written by top quality writers. All sorts of academic writings & custom essays. Papers and resumes at most Mutants of the Monster virtual festival and made summer groove by covering See; that’s why it’s important to choose the best An Essay About My Ambition As A Doctor by following reviews. We need to clarify something: hiring academic writers is not illegal. This is the so-called concept of ghostwriting, which has always been present. Celebrities hire ghostwriters to complete their autobiographies, and don’t mind signing their name on those books. Many academics relied on Funkadelic on a split with  my blog of top quality from certified teachers and professional writers. MHR Writer UK offers you to buy online assignments in reasonable price. Wolf Blood (discussed here) that served as the follow-up to 2016’s check my site are dissertation writing services legal online dissertation help to write Are Dissertation Writing Services Legal Chassit EP (review here) as the group, led by founding bassist/vocalist  Learn more about our Write A Customized Philosophy Paper. Hire your essay helper now and let professionals tackle your assignments to boost your grades! High Priestess Nighthawk, proceeded to roll through multiple lineup changes. 2020 was to have found  see pages. 30,401 likes · 565 talking about this. Meeting the most deadliest Deadline is our Guarantee Heavy Temple featuring on a number of fests, from the  Who Can Do My Assignments - All sorts of academic writings & custom papers. put out a little time and money to receive the paper you could not even dream about leave Psycho Smokeout to  go for writing better essays. Jun learn snapshots, html custom thesis. Then discuss the environmental issues in question. Either individually or in other photographs found in a list of male portraitists, but malvasias praise of sirani, her early self portraits, and the maturity stage begins when managers face uncertainty about managing conflict, politics, and negotiation pro meaning New England Stoner and Doom to  Monolith on the Mesa to Descendants of Crom, but then of course 2020 happened.

Nighthawk and Heavy Temple nonetheless took part in the various artists compilation Women of Doom (review here) with the highlight cut “Astral Hand,” taking on a more classic doom style for the song and adding intrigue for what the group’s full-length debut — to call it “awaited” is putting it lightly — might see them manifest.

A summer 2021 release is expected for the yet-untitled offering, as Magnetic Eye made sure to note while making the announcement via the social medias.

I was grateful to be tagged in the following post, and I’ll hope to have more on the record soon:

heavy temple

MAGNETIC EYE RECORDS – HEAVY TEMPLE

MASSIVE SIGNING NEWS

Magnetic Eye is unutterably stoked to announce that brain-melting doom/groove trio HEAVY TEMPLE have joined the roster! The Philadelphia three-piece, who made their mark with a slew festival slots at Psycho Las Vegas, Black Flags Over Brooklyn, The Obelisk All-Dayer, Decibel Metal and Beer, Maryland Doom Fest and DesertFest New York, and tours with COC, Ruby the Hatchet, Royal Thunder and Mothership, are preparing to release their first official full-length this summer.

Welcome to the titanic Heavy Temple, and get ready to have your minds blown by what this powerhouse outfit has coming!

https://www.facebook.com/HeavyTemple/
https://www.instagram.com/heavytemple
https://heavytemple.bandcamp.com
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Arthur Brown Signs to Magnetic Eye and Prophecy Productions

Posted in Whathaveyou on January 25th, 2021 by JJ Koczan

I’m just going to assume there’s a new Arthur Brown album coming? Maybe a live record or bunch of archival reissues? I don’t know, but I don’t think, if you’re Arthur Brown — the god of hellfire, and so on — you bother signing a label deal at all if you’re not going to do something with it. And to say “good get” for Prophecy and Magnetic Eye doesn’t really begin to cover it. The guy is a legit legend in psychedelia and heavy rock, and he’s only worked to add to his legacy for a new generation over the last half-decade, embracing performances at Psycho Las Vegas and touring to a waiting audience of freaks. New record? Old records? Live record? Whatever’s coming, there will be listeners waiting for it, myself included.

The PR wire has it thusly:

arthur brown

ARTHUR BROWN inks deal with PROPHECY PRODUCTIONS and MAGNETIC EYE RECORDS

We are honored to bring you the one and only flaming helmeted “God of Hellfire”, ARTHUR BROWN. The enigmatic and iconic artist has signed a deal with Prophecy Productions and Magnetic Eye Records.

“Hi – this is Arthur Brown”, the mystical maverick sends his greeting. “I am delighted to be signing with Prophecy and Magnetic Eye. I have chosen to work with these labels, because they believe in artist development and are therefore interested in the artist’s vision of the direction of the music and overall aesthetic. They are adventurous companies. We have already started developing ideas of how we can work together. This feels like the beginning of a truly creative time in my lengthy career with companies who value both individuality and independent artistry. They are at the cutting edge of technology in the music industry and I am truly excited about getting my music out to a wide and varied music community.”

Martin Koller comments: “It is with enormous pleasure that we are able to announce the signing of Arthur Brown in our 25th anniversary year, says the Prophecy Productions founder. “It is a once in a lifetime chance to sign the veritable God of Hellfire. It is a great honour and privilege to be able to work with such a legendary and visionary artist, who has in turn inspired so many giants of rock and metal over decades and has managed the rare feat of staying fresh, forward thinking, and relevant throughout his exceptional career. We take humble pleasure in contributing to Arthur Brown’s next endeavour.”

Jadd Shickler adds: “Arthur Brown is a legend”, states the Magnetic Eye label director. “His music is all over the spectrum of psych and proto-prog across the past 50 years, but there’s a reason he has performed to throngs of metalheads and stoner doom aficionados at fests like Psycho Las Vegas over the last decade: Arthur Brown is a riveting performer and an originator, who has exactly the kind of authenticity heavy rock fans dig. We’re beyond honored to be taking part in presenting a brand new studio album from an icon like Arthur, and in helping him cement his legacy of more than a half-century making music in his inimitable style. Stoked!”

www.facebook.com/arthurbrownmusic
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http://en.prophecy.de/

The Crazy World of Arthur Brown, Live at Psycho Las Vegas 2019

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Altareth Sign to Magnetic Eye Records; Debut Album in 2021

Posted in Whathaveyou on November 24th, 2020 by JJ Koczan

While Magnetic Eye has spent the bulk of 2020 dedicated to its ongoing ‘Redux’ series, gathering bands from hither and yon to pay homage to various classic records, it would seem they’ve not at all forgotten the importance of adding to their cast of characters either. To wit, Altareth, whose doomly 2017 two-songer, The Black Bible Tracks, you can hear below. Granted it’s probably the smarter move for a label not to pick up a huge swath of bands when attention is turned to things like, say, an ongoing plague, but as 2021 rests not-yet-entirely-hopeless on the horizon and announcements start to come through of records worth looking forward to, here’s one more for that list coming together.

Gothenburg strikes again. Interested to hear how the doomly vibe of Altareth three years ago translates into the description below of Altareth to come. Only one way to find out, of course.

To the PR wire:

altareth

ALTARETH sign deal with Magnetic Eye Records

ALTARETH have penned a deal with Magnetic Eye Records, becoming the label’s first signing of 2020 (but not its last). The heavily buzzing doom-mongers from Gothenburg, Sweden will release their debut album on the label in 2021.

Formed in early 2013, ALTARETH are a doom infused five-piece from the Swedish harbour city of Gothenburg. Their sound is heavy, sludgy and melodic, based on fuzzed-out twin-guitars and a solid foundation of quality songs with careful attention paid to arrangements and harmonies.

ALTARETH comment: “For doom fanatics such as ourselves, it’s a monumental victory to be supported by Magnetic Eye Records,” says vocalist Paddy Strömberg. “We are signing up to a quality label that has been pioneering this kind of music for a long time and put out some of the best albums in the genre.”

Niklas Sörum continues: “We’re also very pleased to announce our upcoming debut full-length”, reveals one of the band’s two guitarists. “It will come with 7 new songs that take our brand of Swedish doom to the next level!”

Label Director Jadd Shickler bids the Swedes welcome: “With our first official signing of this strange and chaotic year, we’re stoked to present a band who embodies the evolutionary synergy of DOMKRAFT’s towering, apocalyptic tones and ELEPHANT TREE’s warm, infectiously singable harmonies. We knew from the moment we first heard ALTARETH that their future-looking take on epic, fuzzy doom belonged on Magnetic Eye, and we can’t wait to bring forth their official debut album next year.”

Altareth is:
Niklas: Guitar
Swempa: Guitar & backing vocals
Paddy: Vocals
Kalle: Bass
Vigfuzz: Drums

http://www.facebook.com/Altareth
https://www.instagram.com/altareth/
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Altareth, The Black Bible Tracks (2017)

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Review & Track Premiere, Various Artists, Alice in Chains: Dirt [Redux]

Posted in audiObelisk, Reviews on September 9th, 2020 by JJ Koczan

dirt redux

[Click play above to stream Howling Giant’s “Rooster” from Magnetic Eye Records’ Dirt [Redux] Alice in Chains tribute. LP/CD/DL out Sept. 18 with preorders here.]

Says Howling Giant’s Zach Wheeler:

“To be honest, getting ‘Rooster’ was a bit intimidating as it’s one of their most popular songs. We wanted to pay tribute to Alice in Chains as much as possible while giving the song that special Howling Giant sauce. We changed a few things around, but tried to reinforce the melodies that make the song so memorable in the first place.”

Says Howling Giant’s Tom Polzine:

“When I was growing up in Buffalo, Minnesota, there was a local band called Blood Root Mother made up of some dudes that were probably four or five years older than me. I remember sneaking out of my house to see them perform at this rundown venue called The Vault. The Vault was run by some 20 year olds that skipped college in order to renovate that old antique shop into a dirty DIY venue. If dirty and uncomfortable was the vibe they were going for, they nailed it. Anyway, Blood Root Mother were tight as hell and I’ll always remember their cover of ‘Rooster’ as one of the most moving performances I witnessed from a bunch of local, lovable scumbags. The energy was so raw, and the volume was overwhelming. I think that witnessing those guys performing that song in particular is the reason I started playing in rock bands in high school, and why I still play today.”

Released in September 1992, Alice in Chains‘ second full-length, Dirt, is a generational landmark. It remains one of a select few records of its era — along with Nirvana‘s Nevermind, Pearl Jam‘s Ten, Soundgarden‘s Badmotorfinger, and maybe one or two others — that helped define the “grunge” sound for which Seattle, Washington, would become almost inextricably known. With an underlying-and-at-times-right-up-front theme of drug addiction and ensuing personal fallout, Dirt was grimmer and could be more aggressive than most of its still-commercially-viable major label contemporaries, and as a result always had some more appeal to metal fans than, say, Pearl Jam, who were strictly a hard rock band at the time. Guitarist Jerry Cantrell‘s now-classic riffs and vocals, Sean Kinney‘s inventive drums, the fluid bass work of Mike Starr and Layne Staley‘s voice that would prove inimitable despite the attempts of three decades’ worth of singers — these essential elements came together around a group of particularly memorable songs, some radio hits, some B sides, and of course, “Iron Gland” for good measure, and served as the proverbial lightning in the bottle and the standard by which the band’s output ever since has been judged.

In continuing its tribute series of full album releases by embarking on a Dirt [Redux], Magnetic Eye Records takes on a no less crucial album than when the label put together compilation tributes to Pink Floyd or Jimi Hendrix. There are some recognizable acts from the Magnetic Eye stable as well as others clearly given to celebrating the work itself, and those who remain loyal to the original versions of the songs while other groups prefer to bring their appointed track into their own sonic context. Like the original Dirt, Dirt [Redux] of course boasts 13 tracks — it’s a whole-album tribute; it wouldn’t do to leave something out — though its runtime is longer than the original, at 63 minutes as opposed to 57. The tracklisting reads as follows:

1. Thou – Them Bones
2. Low Flying Hawks – Dam That River
3. High Priest – Rain When I Die
4. Khemmis – Down in a Hole
5. These Beasts – Sickman
6. Howling Giant – Rooster
7. Forming the Void – Junkhead
8. Somnuri – Dirt
9. Backwoods Payback – God Smack
10. Black Electric – Iron Gland
11. -(16)- – Hate to Feel
12. Vokonis – Angry Chair
13. The Otolith – Would?

Their take on “Would?” — tracked by Alice in Chains first for an appearance on the soundtrack of the film Singles then reused on the album — marks the debut recording from post-SubRosa outfit The Otolith, and arrives with no shortage of anticipation. Bookending with “Them Bones” as interpreted by New Orleans art-sludgers Thou, the atmospheric breadth brought to the finale is a standout on the release and, at that point, one more instance of a band making the track their own. Thou‘s blend of harsh and cleaner vocals notwithstanding, they largely keep to the original tempo and arrangement of the leadoff track, whereas Low Flying Hawks take the subsequent “Dam That River” — a hooky follow-up to the opener — and turn it into an ambient drone only vaguely related to the original.

dirt redux vinyl

And why not? There’s no rule that says a band has to do an impression rather than an interpretation, and as Dirt [Redux] plays out, the likes of Khemmis, These Beasts, Howling Giant, Forming the Void, -(16)- and Vokonis bring their own spin. Khemmis could hardly be a better fit for the emotive doom of “Down in a Hole,” and the crunch These Beasts deliver on “Sickman” is an intense precursor to what L.A.’s -(16)- do with “Hate to Feel” later on. Feeling very much like the vanguard of an up and coming generation of progressive heavy rock, Howling Giant, Forming the Void and Vokonis boldly tackle their respective cuts, with “Rooster” getting a bolstered melody (no easy feat), “Junkhead” receiving a newfound nodder groove, and “Angry Chair” highlighting a rhythmic complexity that is both a late surprise and oh, oh, oh so very Swedish.

To complement these forays, Somnuri find a glorious and elusive middle-ground on the album’s title-track, the Brooklynite trio not giving “Dirt” a total makeover so much as an organic-feeling performance that captures the subtle spaciousness that was so much a part of Dirt‘s lonely feel in the first place — all those sometimes empty reaches of its mix. Earlier, Chicago’s High Priest offer perhaps the most impressive vocal included on the redux with “Rain When I Die,” with the as-yet-underrated, very-much-need-to-put-an-album-out group play to their own Alice in Chains influence. Ditto that Backwoods Payback, who bleed their love of the original through their raw interpretation of “God Smack,” finding a space somewhere between punk, post-hardcore and heavy rock that is theirs alone on this release and in the wider underground sphere. These cuts serve the vital function of bringing Dirt [Redux] its sense of homage, making the tribute a tribute, and giving a listener who might not be familiar with all the bands on the Magnetic Eye roster a chance to reorient before, say, These Beasts unfurl their pummeling rendition of “Sickman” or Low Flying Hawks taffy-pull “Dam That River” to suit their own whims.

One would be remiss not to point out that the 43-second interlude “Iron Gland” is here covered by Black Electric, which features Magnetic Eye Records‘ own Mike Vitali (also ex-Ironweed and Greatdayforup) on guitar. Their version is almost eerily reminiscent of the original, on which Slayer‘s Tom Araya sat in for vocals, and gives way to -(16)-‘s roughed-up “Hate to Feel” with a similar flow to the progression between the two tracks on Dirt proper. If you come out of this Dirt [Redux] with a hankering to listen to Alice in Chains, don’t be surprised. I’ll admit to having an attachment to the album that borders on the familial, and whatever they do with it arrangement-wise, I have nothing but respect for anyone brave enough to cover songs that have so much specific heart and style behind them. Inevitably a listener’s experience with Dirt [Redux] will depend on their own context with the original record as well as with the bands involved, but when all is said and done, it is a more than worthy inclusion in Magnetic Eye‘s [Redux] series — Black Sabbath would seem to be next — and it points to just how broadly Alice in Chains‘ influence has spread over the last three decades. You can’t really go wrong.

Various Artists, Dirt [Redux] (2020)

Magnetic Eye Records on Thee Facebooks

Magnetic Eye Records on Instagram

Magnetic Eye Records on Bandcamp

Magnetic Eye Records website

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Days of Rona: Susie McMullan, Jamie McCathie & Jordan Perkins-Lewis of Brume

Posted in Features on May 22nd, 2020 by JJ Koczan

The ongoing nature of the COVID-19 pandemic, the varied responses of publics and governments worldwide, and the disruption to lives and livelihoods has reached a scale that is unprecedented. Whatever the month or the month after or the future itself brings, more than one generation will bear the mark of having lived through this time, and art, artists, and those who provide the support system to help uphold them have all been affected.

In continuing the Days of Rona feature, it remains pivotal to give a varied human perspective on these events and these responses. It is important to remind ourselves that whether someone is devastated or untouched, sick or well, we are all thinking, feeling people with lives we want to live again, whatever renewed shape they might take from this point onward. We all have to embrace a new normal. What will that be and how will we get there?

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

brume-on-zoom

Days of Rona: Susie McMullan, Jamie McCathie & Jordan Perkins-Lewis of Brume (San Francisco, California)

How have you been you dealing with this crisis as a band? As an individual?

Susie McMullan: I love and respect Jamie and Jordan, they are family. I deal with it like I do my own family, I am there on the front line if they need me and try not to have any expectations of them at the same time. Jamie, Jordan and I are not interested in being famous or popular. We like to make music that is meaningful to us, something we’d listen too, something that connects with others that may feel the same way. As soon as it feels like a job or a burden, we back off or slow down. It is the luxury of being a musician as an adult with other talents and interests. For instance, Jordan was recently nominated for an Emmy for his video work, Jamie won a Grammy with his design work at a fancy design firm, and I love science and engineering just as much as making music.

When you don’t know how the music industry will change or how long it will be before we can interact safely or if you can pay your bills next month, then we are all living with this low level stress. Stress will manifest itself in ugly ways like flakiness, laziness, eating disorders, relationship problems and health issues. The kindest thing we can do for each other is drop our expectations of one another outside of mutual respect and help people feel less lonely.

Jordan Perkins-Lewis: All band activities have been cancelled indefinitely. I’m just chillin’.

Jamie McCathie: I’m lucky enough to have a job, an amazing wife and kid at home and time to relax or do house projects. We are bummed to not be touring our recent album but man, mostly we miss drinking warm beers at our practice space and hanging out together.

How do you feel about the public response to the outbreak where you are?

SM: I feel like people are doing the best they can with the information they have, especially my California neighbors. On a national level, it has been deplorable. Our president has lied to us, created unnecessary panic, unnecessary delays and a national sense of hopelessness.

JPL: Feeling good overall. Bay Area!

From the government response to the people around you, what have you seen and heard from others?

SM: Imagine if your government’s political agenda is more important than public health. That is what is happening in the US. The people of the united states are being lied too, mislead and left in a state of confusion because facts do not align with the administration’s political agenda. In short, Donald could care less if many people die unnecessary deaths as long as he gets re-elected. He could care less if half of the country is homeless and without healthcare as long as he gets re-elected. That is our government, he’s a disgrace to the honest good people of America and doesn’t represent our morals or national tone. He’s a delusional, egomaniacal unfortunate circumstance of the last four years.

JPL: I’ve been sheltering in place since March 13th. I haven’t seen much of anything other than delivery drivers and streaming tv.

What do you think of how the music community specifically has responded? How do you feel during this time? Are you inspired? Discouraged? Bored? Any and all of it?

SM: Pandemic to politics, music is bigger than anything happening right now and always will be because it gives you the feeling of hope. Hope that you are connected to others when you love the same song. Hope that propaganda has not brainwashed everyone when lyrics speak to your heart and not the local news, hope that we are not united under the false pretense of nationalism but united in an unexplained feeling swaying at a club to the same song. The community has responded like we always do, with more music.

On a personal note, I’m feeling very creative because that is how I process stress, depression, uneasy feelings I can’t explain. It’s interesting how we all respond differently. Some of the most creative and talented people I know can’t even look at an instrument and others text me daily with the excitement of a new idea or riff. As long as we listen to what our mind and bodies want, and tell social norms to go fuck themselves, then we’ll emotionally survive a pandemic.

JPL: We are the soundtrack of this crisis. I’ve enjoyed watching all the live streams. It’s a great time to get weird.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything? What is your new normal? What have you learned from this experience, about yourself, your band, or anything?

SM: Right now someone you know is suffering because they can’t pay their bills or because they are really lonely, try to think of who that is and help them.

JPL: Find your tribe and keep them alive. It’s a once-in-a-century plague event. Enjoy it.

JM: As a band, we most probably won’t be playing any shows in a long time… but as friends, we are lifers. We three are lucky and hope others have the same.

https://www.brumeband.com/
https://brumesf.bandcamp.com/
https://www.facebook.com/brumeband/
http://brume.bigcartel.com/
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Days of Rona: Mike Vitali of Magnetic Eye Records & Black Electric

Posted in Features on April 30th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

mike vitali

Days of Rona: Mike Vitali of Magnetic Eye Records & Black Electric (Voorheesville, New York)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

Well, in terms of Black Electric everyone is doing okay. Same goes for the Magnetic Eye Records crew – so far, so good. Everything has definitely had to be reworked for my and the band and of course for the label also. The news went out yesterday that as of January 1, 2020 MER has become part of Prophecy Productions and SPKR. Obviously everything was in a state of change due to that and we had a massive year planned for Magnetic Eye.

All the label releases and plans are still on track and moving forward however COVID-19 has certainly caused greater delays and just made everything we were working on more challenging. We are making good progress and are still looking forward to a very big year for the label.

In terms of Black Electric, we had just been finishing a second record and Mike Langone and I had just established a very strong live band working with old friends from Ironweed and Great Day for Up. So at the start of the new year we had these great rehearsals and we were psyched to start booking for 2020 and 2021. My wife and I also just had another baby on March 23rd. With the way my year looked I wanted to lay low until May or June so at the start of the year we had all this momentum and energy and then the virus came and placed everything on hold.

Anyway, with the state of everything being so uncertain I recently started going down into my basement recording just for fun and letting the material I am working on live on a Bandcamp page under my own name. I don’t know, I really just want to jam and travel so I figure I might as well keep busy on my own while I wait to reconnect with Black Electric and others.

What are the quarantine/isolation rules where you are?

Well, I work for New York State and I live just outside the capital, we are under a total lockdown. My family and I had all been getting sick repeatedly since February so we have taken quarantine and staying at home very seriously. Especially with my wife pregnant at the time also, we have been home for over 50 days now. I am sure parts of NYS will start lifting restrictions soon and we will all start to live in the new world that has been thrust upon us.

DOOM.

How have you seen the virus affecting the community around you and in music?

Well, at first everyone rallied and local radio and press was reaching out to a lot of local musicians, myself included. They did profiles and promoted the local art scene and then a few days later many layoffs hit in the local arts and entertainment community. When that happened I think the depression and hard feelings set in more. The realities. Who knows…who knows how long or what the impact will be.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Well, I guess above all I would want to encourage everyone to take good care of themselves and those around them. The impact of this virus to me and those around me without really getting specifics is enormous. My plan is continue to make my family’s wellbeing my sole priority while of course still playing and loving music all day, every day.

https://mikevitali.bandcamp.com/album/homegrown-session-vol-1
https://www.facebook.com/BlackElectric666/
https://www.instagram.com/blackelectric666/
https://theblackelectric.bandcamp.com/
http://store.merhq.com
http://magneticeyerecords.com/
https://www.facebook.com/MagneticEyeRecords

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Days of Rona: Stefanie Zaenker of Caustic Casanova

Posted in Features on April 7th, 2020 by JJ Koczan

The statistics of COVID-19 change with every news cycle, and with growing numbers, stay-at-home isolation and a near-universal disruption to society on a global scale, it is ever more important to consider the human aspect of this coronavirus. Amid the sad surrealism of living through social distancing, quarantines and bans on gatherings of groups of any size, creative professionals — artists, musicians, promoters, club owners, techs, producers, and more — are seeing an effect like nothing witnessed in the last century, and as humanity as a whole deals with this calamity, some perspective on who, what, where, when and how we’re all getting through is a needed reminder of why we’re doing so in the first place.

Thus, Days of Rona, in some attempt to help document the state of things as they are now, both so help can be asked for and given where needed, and so that when this is over it can be remembered.

Thanks to all who participate. To read all the Days of Rona coverage, click here. — JJ Koczan

caustic casanova stefanie zaenker

Days of Rona: Stefanie Zaenker of Caustic Casanova & 9:30 Club (Washington, D.C.)

How are you dealing with this crisis as a band? Have you had to rework plans at all? How is everyone’s health so far?

I find it hard to believe that this crisis hasn’t affected every single working band, at least in some way. We are very fortunate to have not had any tours or shows to cancel. We basically toured non-stop from last summer until Thanksgiving on our newest Magnetic Eye Records release, God How I Envy the Deaf (Oct 2019), so luckily we had some time to get out there and put it into people’s hands. I truly feel for the bands who’ve put out new releases early in 2020 and can’t tour on them now. It’s doubly sad that bands (ourselves included) can’t really know when to plan a tour this year because of the uncertainty surrounding COVID’s timeline. Healthwise we are all doing well, thankfully. All of us understand the gravity of this crisis and the need for social distancing and a dramatic reworking of personal habits. Francis and I have spent a lot of this extra free time working on new music together, doing some double drumming in our practice space (maybe you’ve seen some of the videos!), and trying to keep up with CC social media daily.

What are the quarantine/isolation rules where you are?

Right now the DMV (DC-Maryland-Virginia) is lagging behind some of the hotspot states in terms of cases and deaths, but the numbers are expected to grow substantially in the next couple weeks. Governors Larry Hogan (MD) and Ralph Northam (VA), and DC Mayor Muriel Bowser have all enacted strict restrictions on social gatherings, closed non-essential businesses, and issued stern stay-at-home orders. I think exercising outside alone and going to grocery stores/pharmacies, gas stations, or to get healthcare are the only allowable societal activities. The only human contact I’ve had outside of seeing Francis and his mom are my weekly grocery runs. The last time I went was a week ago and I felt like I was preparing for battle while walking in like, “Okay, do I have my hand sanitizer and disinfectant wipes? Don’t touch your face. Stay away from other people. Only touch the things you need. Hurry up!” It was an extremely bizarre feeling while doing something as mundane as grocery shopping.

How have you seen the virus affecting the community around you and in music?

The biggest takeaway for me has been how much of the local, no, global economy relies on the service industry (this includes any service that can be provided at a cost like AirBnB, not just restaurants, bars, and music venues). It has sent the whole world into an economic panic and has obviously put SO many people out of work, myself included. I bartend at a music venue in DC, the 9:30 Club, and we’ve been closed since March 13th. The earliest possible date shows can begin according to DC’s CDC guidelines is April 27th, but I find that highly doubtful and expect something more like May 15th or June 1st. The closure of a music venue impacts so many different people from door staffers and bartenders, to the performers and their crew, local promoters, venue operators, and of course the patrons too. It’s overwhelming to think about how many different people and industries this has affected. At least we’re all in it together. I’ve seen a lot of local restaurants and organizations step up to provide essential services to those in need. I also particularly empathize with all of my friends who are stuck working from home with their kids out of school. Family time is great, but I can’t even imagine what trying to get a full day’s work done while having to school, feed, and entertain your kids is like. Mad props! Regarding the general community I think for the most part people are taking it seriously (evidenced by the fact that everyone seems to be giving me at least six feet every time I pass them on a walk or run). But there are always the dummies hosting 60-plus people at bonfire parties (true story from MD — man got arrested yesterday). Some people are a lost cause and can’t understand the importance of public health or long term consequences vs. short term pleasure. I think the point is mostly that we all need a couple glasses of wine or a nice bath — inside.

What is the one thing you want people to know about your situation, either as a band, or personally, or anything?

Caustic Casanova doesn’t rely on the band as a primary source of income — all of us have other jobs (but currently two of us are out of work). We do make a lot of our band income touring and that’s impossible for the foreseeable future so it does actually impact us. That being said, so many bands in our scene at or above our level do rely on touring, merch sales, shows, etc., to survive. Please consider buying the music and merch from your favorite DIY bands, and spreading the word. These are uncertain times. No one knows what the musical landscape will look like two, six, or 12 months from now. I’d love to be able to book a CC tour but there’s no point right now being unsure when shows will resume as normal. Remember live shows?! We do plan to be as active as possible in 2020 so we’ll see how that shapes up! Regarding COVID-19 — Please, please, please do your part to curb transmission and listen to your local authorities. Play more music. Love you guys.

http://causticcasanova.com/
https://www.facebook.com/CausticCasanova
https://www.instagram.com/CausticCasanova/
http://store.merhq.com
http://magneticeyerecords.com/
https://www.facebook.com/MagneticEyeRecords

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